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On tonight's show... | 0:00:02 | 0:00:03 | |
a dancing blue elephant... | 0:00:03 | 0:00:05 | |
a dad in distress... | 0:00:05 | 0:00:07 | |
..and a daring dude dangling from a helicopter. | 0:00:08 | 0:00:11 | |
What? | 0:00:11 | 0:00:13 | |
A fast-changing frock... | 0:00:13 | 0:00:15 | |
a woman in shock... | 0:00:15 | 0:00:16 | |
..and a tasty blonde called Hans Klok. | 0:00:17 | 0:00:20 | |
He'll be attempting a new world record | 0:00:20 | 0:00:23 | |
and it's not for the tightest trousers. | 0:00:23 | 0:00:25 | |
Everyone loves magic, so welcome to Now You See It. | 0:00:27 | 0:00:31 | |
I want to kill you. | 0:00:31 | 0:00:33 | |
OK, not everyone. | 0:00:33 | 0:00:34 | |
Let's start with a magician so tightfisted, | 0:00:50 | 0:00:52 | |
he's actually vaporised that coin. | 0:00:52 | 0:00:54 | |
This is how I get all my money. | 0:00:58 | 0:01:00 | |
Can't wait. | 0:01:00 | 0:01:01 | |
Might be illegal. | 0:01:02 | 0:01:03 | |
Here's a magician who's like the opposite of a cashpoint. | 0:01:06 | 0:01:09 | |
Meanwhile, top American prankster Michael Carbonaro | 0:01:11 | 0:01:14 | |
is inside both a posh art gallery and a pretentious black polo neck. | 0:01:14 | 0:01:18 | |
Just see which... | 0:01:19 | 0:01:21 | |
Trying to remember which way. | 0:01:21 | 0:01:23 | |
I always get confused which way to hang them, you know, | 0:01:23 | 0:01:25 | |
-unless they mark it. -Yeah. -But I love this guy's work. | 0:01:25 | 0:01:28 | |
Kind of creates almost a sort of vertigo. | 0:01:28 | 0:01:30 | |
-And it really allows you to think about it. -Yeah. | 0:01:31 | 0:01:35 | |
Here, I'm going to flip this up this way. | 0:01:35 | 0:01:38 | |
Oh, it says "top right" there. | 0:01:39 | 0:01:41 | |
And there is a wire on it already, so that should be good, yes. | 0:01:41 | 0:01:45 | |
Right here. | 0:01:45 | 0:01:46 | |
You tell me if it's straight. | 0:01:46 | 0:01:48 | |
Have you spotted his top? He-he! | 0:01:48 | 0:01:51 | |
Yeah, sometimes standing back is the easier way to see if it looks... | 0:01:51 | 0:01:54 | |
-Yes, oh, sorry. -Let's see. | 0:01:54 | 0:01:56 | |
-You just let me know... -All the colour's gone... | 0:01:56 | 0:01:58 | |
from her face. | 0:01:58 | 0:02:00 | |
It's funny, when I stand so close to it I get like... | 0:02:02 | 0:02:04 | |
-I get like a dizzy thing going on. -Yeah. -You know it, it... | 0:02:04 | 0:02:07 | |
When you put it up it just so completely changed. | 0:02:07 | 0:02:09 | |
It just... I don't know. | 0:02:09 | 0:02:11 | |
I always feel changed looking at this guy. | 0:02:11 | 0:02:12 | |
-OK. -You want to hang right here, I'll be right back. | 0:02:12 | 0:02:15 | |
Yes, hang right there, | 0:02:15 | 0:02:17 | |
possibly next to the blank canvas that's really freaking you out. | 0:02:17 | 0:02:21 | |
She's utterly baffled, but she's learning one thing from her | 0:02:21 | 0:02:24 | |
experience with art - how to get her eyes to follow you round the room. | 0:02:24 | 0:02:28 | |
Calen Morelli can amaze us with just a coin and a glass. | 0:02:30 | 0:02:34 | |
Let's do this. Let's bring her up! | 0:02:43 | 0:02:44 | |
And of course, Criss Angel's tricks are always simplicity itself. | 0:02:44 | 0:02:49 | |
If you want to try this at home, all you'll need is | 0:02:50 | 0:02:52 | |
a helicopter, a supercar, a cage, | 0:02:52 | 0:02:55 | |
a huge ramp and a massive canyon. | 0:02:55 | 0:02:57 | |
What he's going to do is drive the supercar off the huge ramp | 0:03:04 | 0:03:07 | |
towards the massive canyon. | 0:03:07 | 0:03:09 | |
And then magically transport himself into the cage, | 0:03:11 | 0:03:14 | |
dangling under the helicopter, obviously! | 0:03:14 | 0:03:16 | |
The helicopter's getting in position. | 0:03:18 | 0:03:21 | |
If it goes wrong, | 0:03:21 | 0:03:23 | |
he can always use his bandanna as an emergency parachute. | 0:03:23 | 0:03:25 | |
The helicopter's birdcage is in position. | 0:03:40 | 0:03:42 | |
Not something I say very often. | 0:03:42 | 0:03:44 | |
I want you to see that this is me. | 0:03:46 | 0:03:48 | |
This is not a double, not a twin. | 0:03:48 | 0:03:50 | |
There's only one of me. | 0:03:50 | 0:03:51 | |
Helicopter's in place. | 0:03:54 | 0:03:56 | |
I'm set. | 0:03:59 | 0:04:02 | |
Criss, it's very windy up here. | 0:04:02 | 0:04:03 | |
I'm trying to keep it as steady as I can. | 0:04:03 | 0:04:06 | |
Cool, I want you to go. | 0:04:06 | 0:04:07 | |
I want you to go, Michael, get a continuous shot! | 0:04:10 | 0:04:12 | |
What are you waiting for Michael? Go! Go! | 0:04:12 | 0:04:15 | |
Criss, we're all set up here. Ready when you are. | 0:04:19 | 0:04:22 | |
Let's do this. | 0:04:22 | 0:04:24 | |
Three, two, one... | 0:04:24 | 0:04:27 | |
go! | 0:04:27 | 0:04:29 | |
HE SCREAMS He's in the cage! | 0:04:35 | 0:04:37 | |
But he's not making a big deal out of it. | 0:04:37 | 0:04:39 | |
Yeah! Yeah! Yeah! | 0:04:39 | 0:04:42 | |
Right there, baby! Woo! | 0:04:42 | 0:04:45 | |
That's great, Criss, but where did the supercar go? | 0:04:45 | 0:04:48 | |
The guys at the car hire place are not going to be pleased. | 0:04:49 | 0:04:52 | |
Here I am! | 0:04:55 | 0:04:56 | |
Shall we see another bad boy who's been let out of his cage? | 0:04:56 | 0:04:59 | |
And it's a magical sight. It's the king of the jungle. | 0:04:59 | 0:05:03 | |
Oh, hang on, if that's a lion, I'm a monkey's uncle. | 0:05:03 | 0:05:06 | |
I know it sounds kind of crazy, but have you seen a lion running around? | 0:05:06 | 0:05:09 | |
-No! -A lion? | 0:05:09 | 0:05:10 | |
-I was training a one-year-old lion. -No. | 0:05:10 | 0:05:12 | |
Hmm. WERE you training a one-year-old lion? | 0:05:12 | 0:05:15 | |
Or was it a Labrador in a snood? | 0:05:15 | 0:05:18 | |
Oh, no, no, no! | 0:05:18 | 0:05:19 | |
SCREAMING | 0:05:21 | 0:05:25 | |
I have to say, I actually think this illusion is very convincing. | 0:05:29 | 0:05:32 | |
Just close one eye and then the other eye. | 0:05:32 | 0:05:34 | |
It just goes to show, you don't need to be | 0:05:40 | 0:05:42 | |
a master magician to fool people. | 0:05:42 | 0:05:44 | |
Off he goes to find his pride... | 0:05:44 | 0:05:48 | |
and what's left of his dignity. | 0:05:48 | 0:05:50 | |
After all that excitement, it's time to sit down, | 0:05:50 | 0:05:52 | |
take a deep breath and open your mind, | 0:05:52 | 0:05:54 | |
as we're at the point in the show when I exclaim, | 0:05:54 | 0:05:56 | |
"Blimey! You don't see that every day!" | 0:05:56 | 0:05:59 | |
Here's something you certainly don't see every day, | 0:06:00 | 0:06:02 | |
unless you're suffering from fever induced hallucinations. | 0:06:02 | 0:06:07 | |
INDISTINCT MUTTERING | 0:06:07 | 0:06:10 | |
Oh, it's actually a costume. | 0:06:12 | 0:06:14 | |
I suspect he got it from the shop that also does the lion snoods. | 0:06:14 | 0:06:18 | |
Yes, he's undressing slowly and sweating heavily, | 0:06:24 | 0:06:27 | |
which is a bit weird, | 0:06:27 | 0:06:29 | |
but it's nothing compared to what happens next. | 0:06:29 | 0:06:31 | |
Like I've always said, inside of every magician | 0:06:56 | 0:07:00 | |
there is a small Japanese girl trying to get out. | 0:07:00 | 0:07:05 | |
APPLAUSE | 0:07:05 | 0:07:06 | |
Now we've arrived at a section I'm calling Choptricks. | 0:07:09 | 0:07:12 | |
Don't judge me. | 0:07:12 | 0:07:14 | |
-Have you seen the film Karate Kid? -Yeah. | 0:07:14 | 0:07:16 | |
Here's Troy doing a bit of modern street magic... | 0:07:16 | 0:07:19 | |
..he catches a fly with chopsticks. | 0:07:19 | 0:07:21 | |
..while referencing a film from the '80s. | 0:07:21 | 0:07:23 | |
OK. | 0:07:23 | 0:07:25 | |
If you can catch a coin with a pair of chopsticks, | 0:07:25 | 0:07:27 | |
-I'll buy you a Chinese. -OK. | 0:07:27 | 0:07:29 | |
It's not exactly high stakes, as we can clearly see. | 0:07:29 | 0:07:32 | |
That's only going to cost him four quid. | 0:07:32 | 0:07:33 | |
Do it on the count of three, so you know when I'm going to do it, OK? | 0:07:33 | 0:07:36 | |
-He's going to do it on two, you know. -I'm not that bad. | 0:07:36 | 0:07:39 | |
All right, one... | 0:07:39 | 0:07:41 | |
two... | 0:07:41 | 0:07:42 | |
three. | 0:07:42 | 0:07:43 | |
Do you know what? That was really close actually. | 0:07:44 | 0:07:46 | |
-That was actually. -Let's reverse the challenge. | 0:07:46 | 0:07:49 | |
What, you're going to catch a chopstick with two coins? | 0:07:49 | 0:07:51 | |
-Has everyone got a bit of change? -Yeah. | 0:07:51 | 0:07:54 | |
Let's use a 10p. | 0:07:54 | 0:07:55 | |
Oh, I see, you're going to try it yourself, Troy. | 0:07:55 | 0:07:58 | |
-We're going to do it with a bunch of coins, -OK? -OK. | 0:07:58 | 0:08:00 | |
So we know what coin we're going for, | 0:08:00 | 0:08:02 | |
I want you to write your initials on one side of the coin. | 0:08:02 | 0:08:05 | |
And I'm going to put a T on my side. OK? | 0:08:10 | 0:08:14 | |
-I want everyone to put their change in Georgina's hands, OK? -OK. | 0:08:17 | 0:08:20 | |
We're going to mix our signed coin within it, so mix it up. | 0:08:23 | 0:08:26 | |
I'm going to get a pair of chopsticks as well. | 0:08:26 | 0:08:29 | |
-OK, are you ready? -Yeah. | 0:08:29 | 0:08:31 | |
All right, one... | 0:08:31 | 0:08:34 | |
two... | 0:08:34 | 0:08:35 | |
three. Throw it. | 0:08:37 | 0:08:40 | |
Can you see that? | 0:08:40 | 0:08:41 | |
Can you see my initials on it? Oh, my God! You see that? | 0:08:41 | 0:08:45 | |
Have a look at that. | 0:08:45 | 0:08:46 | |
-Yeah, that is really cool. -How did you do that? | 0:08:46 | 0:08:49 | |
-Wow! -There you go. | 0:08:49 | 0:08:51 | |
Well, you know Troy's doing well for himself. | 0:08:51 | 0:08:53 | |
He's not even bothering picking up all that change. | 0:08:53 | 0:08:56 | |
-I dunno how he did that, it was amazing! -That was so weird. | 0:08:56 | 0:09:00 | |
More choptricks from Justin Flom. | 0:09:01 | 0:09:03 | |
This trick could only be improved | 0:09:12 | 0:09:14 | |
if a small Japanese girl clambered out of his chest. | 0:09:14 | 0:09:17 | |
It's the time in the show where we say, "It worked in rehearsal." | 0:09:19 | 0:09:23 | |
We join Kyle Knight as he gets a child to choose a card. | 0:09:24 | 0:09:27 | |
What could possibly go wrong? | 0:09:27 | 0:09:29 | |
I'm going to run my thumb down the side of the deck. | 0:09:29 | 0:09:31 | |
You just say "Stop" anywhere you like, OK, buddy? | 0:09:31 | 0:09:33 | |
Anywhere you like, you just say "Stop." | 0:09:33 | 0:09:35 | |
-Perfect, right there, yeah. -AUDIENCE LAUGHS | 0:09:38 | 0:09:40 | |
So, in the middle section, right? Ready? | 0:09:40 | 0:09:43 | |
AUDIENCE LAUGHS | 0:09:45 | 0:09:48 | |
Try that again. | 0:09:48 | 0:09:49 | |
OK, say "Stop" anywhere you like, OK? | 0:09:49 | 0:09:51 | |
-Try it now. Say, "Stop!" -Stop. | 0:09:51 | 0:09:53 | |
OK, perfect. Here we go, ready? | 0:09:53 | 0:09:56 | |
-Stop. -Perfect, right there. | 0:09:56 | 0:09:58 | |
You're going to hold on to that card, that one. | 0:09:58 | 0:10:00 | |
Don't let me see what it is! | 0:10:00 | 0:10:02 | |
Right, back inside. Yeah, put it back, or right on top. | 0:10:02 | 0:10:04 | |
Just like that, perfect. | 0:10:04 | 0:10:05 | |
AUDIENCE LAUGHS | 0:10:05 | 0:10:07 | |
Oh, well - better luck with a different boy. | 0:10:07 | 0:10:10 | |
So far so good. | 0:10:10 | 0:10:11 | |
The trick is to spear the chosen card with the sword. | 0:10:12 | 0:10:15 | |
He's done this thousands of times before, | 0:10:15 | 0:10:18 | |
but the boy doesn't know that. | 0:10:18 | 0:10:20 | |
He's looking for the card himself, all right. | 0:10:20 | 0:10:23 | |
It's OK... | 0:10:23 | 0:10:25 | |
Up here, Nick, look up here, it's OK. That one? | 0:10:25 | 0:10:28 | |
OK, back to the first boy. | 0:10:28 | 0:10:30 | |
Just...throw the deck! | 0:10:30 | 0:10:31 | |
AUDIENCE LAUGHS | 0:10:33 | 0:10:35 | |
Up in the air. | 0:10:35 | 0:10:36 | |
You ready? Throw the deck... | 0:10:36 | 0:10:38 | |
AUDIENCE LAUGHS | 0:10:38 | 0:10:41 | |
Throw the deck. | 0:10:41 | 0:10:42 | |
Throw the deck, on the count of three. One... | 0:10:42 | 0:10:46 | |
two... | 0:10:46 | 0:10:47 | |
Still, it's better than sticking the sword in the child | 0:10:47 | 0:10:50 | |
and saying to the card, "Is that the boy who chose you?" | 0:10:50 | 0:10:53 | |
And if you've filmed a magic trick going wrong, we'd love to see it. | 0:10:56 | 0:11:00 | |
For details, go to... | 0:11:00 | 0:11:05 | |
Four of hearts... | 0:11:05 | 0:11:06 | |
Can I go back to my seat? | 0:11:06 | 0:11:08 | |
Can you go back to your seat? | 0:11:08 | 0:11:10 | |
You want to see the end of the trick? | 0:11:11 | 0:11:13 | |
I've got a special surprise for you. Big smile? | 0:11:13 | 0:11:16 | |
-Perfect. -AUDIENCE LAUGHS | 0:11:16 | 0:11:18 | |
Over to Cyril Takayama in Waikiki, where he's handing out free gifts. | 0:11:18 | 0:11:22 | |
-You guys want a balloon? -Yes. | 0:11:22 | 0:11:24 | |
Now she's all set for the beach - hat, sunglasses, balloon. | 0:11:24 | 0:11:26 | |
Here you go. Oh! | 0:11:26 | 0:11:28 | |
THEY LAUGH | 0:11:28 | 0:11:30 | |
-Ah... -It's gone. | 0:11:32 | 0:11:35 | |
-I'm sorry. What's your name? -Jade. | 0:11:35 | 0:11:38 | |
Jade, it's not a problem. | 0:11:38 | 0:11:39 | |
Jade, point to your balloon. | 0:11:39 | 0:11:42 | |
No way. No way. | 0:11:42 | 0:11:43 | |
Tell it to come back. | 0:11:43 | 0:11:45 | |
Come back, please. | 0:11:45 | 0:11:47 | |
Come back! | 0:11:47 | 0:11:48 | |
Waa! | 0:11:49 | 0:11:50 | |
It has indeed come back. It's a balloon-merang. | 0:11:50 | 0:11:54 | |
Mix those up. Quickly, little... | 0:11:54 | 0:11:56 | |
Now, over to New Mexico, for more balloon weirdness with | 0:11:56 | 0:11:59 | |
Drummond Money-Coutts. | 0:11:59 | 0:12:01 | |
Er, so put the cards away and I'm going to leave the cards just here. | 0:12:01 | 0:12:05 | |
OK? So we're going to come back to those in a moment. | 0:12:05 | 0:12:09 | |
Can I borrow a ring? | 0:12:09 | 0:12:10 | |
-You've had this a long time? -Yeah. | 0:12:13 | 0:12:15 | |
It's safe, but if I take this... | 0:12:15 | 0:12:19 | |
Oh, that's handy. | 0:12:19 | 0:12:20 | |
And I take the ring... | 0:12:24 | 0:12:27 | |
Really? | 0:12:27 | 0:12:29 | |
And I close up the bag. | 0:12:29 | 0:12:31 | |
You feel that. | 0:12:31 | 0:12:32 | |
-You feel your ring in there? -Yeah. | 0:12:32 | 0:12:34 | |
-HE SPEAKS SPANISH -Yeah. -Salvador. | 0:12:34 | 0:12:37 | |
-Yes. -You feel that there? -It is inside. | 0:12:37 | 0:12:39 | |
There is now a risk, big risk. | 0:12:39 | 0:12:41 | |
Take care about the ring. | 0:12:41 | 0:12:43 | |
But if I let go of this bag, you could grab this. | 0:12:44 | 0:12:47 | |
This close, very close. | 0:12:47 | 0:12:49 | |
-Yeah. -So I step back. | 0:12:49 | 0:12:51 | |
Don't lost! | 0:12:51 | 0:12:53 | |
Because this is a big investment. | 0:12:53 | 0:12:55 | |
-No. -SHE LAUGHS | 0:12:55 | 0:12:57 | |
-How do you feel? -No, no, no. | 0:12:57 | 0:12:58 | |
If this goes wrong, it's going to be her lawyer giving him a ring. | 0:12:58 | 0:13:02 | |
How do you feel now? | 0:13:02 | 0:13:03 | |
-Nervous. -Nervous? | 0:13:03 | 0:13:05 | |
Yes, because my ring over there. | 0:13:05 | 0:13:06 | |
How do you feel... how do you feel now? | 0:13:08 | 0:13:10 | |
I very nervous. | 0:13:10 | 0:13:12 | |
Nervous! Give it, give it back! | 0:13:12 | 0:13:15 | |
I hope he IS actually a magician. | 0:13:15 | 0:13:17 | |
How do you feel now...? | 0:13:17 | 0:13:18 | |
Oh, please! | 0:13:18 | 0:13:20 | |
-No! -SHE LAUGHS | 0:13:20 | 0:13:22 | |
OK... | 0:13:25 | 0:13:26 | |
I want to kill you. | 0:13:30 | 0:13:31 | |
So your ring... | 0:13:33 | 0:13:34 | |
Can you back? | 0:13:34 | 0:13:35 | |
Don't be sure he can make it reappear. | 0:13:35 | 0:13:37 | |
If he could do tricks like that he'd have a fringe. | 0:13:37 | 0:13:39 | |
-You remember at the beginning you shuffled the cards? -Yes, of course. -And I've never touched this box. | 0:13:39 | 0:13:43 | |
No, never. | 0:13:43 | 0:13:44 | |
Pick it up very slowly. And you shake the box. | 0:13:44 | 0:13:48 | |
Really? | 0:13:49 | 0:13:51 | |
Watch this. | 0:13:51 | 0:13:53 | |
-This is my ring? -Watch. Watch. | 0:13:53 | 0:13:55 | |
Ah! | 0:13:58 | 0:14:01 | |
Wow. | 0:14:01 | 0:14:02 | |
It's ended well. Phew! | 0:14:02 | 0:14:04 | |
Except of course for the child whose balloon he borrowed. | 0:14:04 | 0:14:07 | |
Here's the perfect trick | 0:14:11 | 0:14:12 | |
if you want to get engaged to someone without them noticing. | 0:14:12 | 0:14:16 | |
Meet a magician from Mumbai - and what an outfit. | 0:14:16 | 0:14:19 | |
Half ringmaster, half father of the bride. | 0:14:20 | 0:14:23 | |
What's he got under that hat? | 0:14:23 | 0:14:26 | |
My guess is a helium balloon, a small Japanese girl | 0:14:26 | 0:14:28 | |
and a depressed Labrador - sad because it wasn't born a lion. | 0:14:28 | 0:14:32 | |
Cancel the wedding. | 0:14:41 | 0:14:42 | |
If you've got yourself an oversized top hat, | 0:14:42 | 0:14:44 | |
you'll need a trick to go with it. | 0:14:44 | 0:14:46 | |
Let's learn one now, as I ask, "How do they do that?" | 0:14:46 | 0:14:49 | |
It's week three of The Apprentice | 0:14:50 | 0:14:52 | |
and they've got to flog some cleaning products. | 0:14:52 | 0:14:54 | |
..The Magicure Glass restorer. | 0:14:54 | 0:14:56 | |
Not really. | 0:14:56 | 0:14:57 | |
Ben Hanlin's a magician, and also, judging by those gloves, | 0:14:57 | 0:15:00 | |
a permanent standby goalkeeper. | 0:15:00 | 0:15:01 | |
-..you have to throw it away. -Yeah. | 0:15:01 | 0:15:04 | |
But with this, it'll repair it for you. | 0:15:04 | 0:15:07 | |
I'll show you what I mean, I'll show you what I mean. | 0:15:07 | 0:15:09 | |
It's magic already. | 0:15:09 | 0:15:10 | |
He's conjured up a glass mug from a transport caff in 1974. | 0:15:10 | 0:15:14 | |
Ben's smashed the glass. | 0:15:15 | 0:15:17 | |
In some parts of the world that means they're now all married. | 0:15:17 | 0:15:20 | |
You would probably think that this is now useless and irrepairable, | 0:15:20 | 0:15:24 | |
but you'd be wrong. | 0:15:24 | 0:15:26 | |
Let me show you. | 0:15:26 | 0:15:27 | |
There's no way. | 0:15:27 | 0:15:29 | |
A-ha... | 0:15:29 | 0:15:30 | |
All you have to do is place it in the solution... | 0:15:33 | 0:15:36 | |
..and just swill it for about 30 seconds or so. | 0:15:39 | 0:15:44 | |
It should be repaired. | 0:15:47 | 0:15:49 | |
-How is that...? -What? | 0:15:57 | 0:15:59 | |
THEY LAUGH | 0:15:59 | 0:16:01 | |
-And is that now hard? -Touch it. | 0:16:05 | 0:16:07 | |
OK, that's impressive. | 0:16:07 | 0:16:09 | |
I'll give you all of the money, but I want 145% of the company. | 0:16:09 | 0:16:13 | |
Right, who wants a bottle? Come on. | 0:16:13 | 0:16:15 | |
What...? I don't understand how that just happened. | 0:16:15 | 0:16:18 | |
We'll tell you later in the show, love. | 0:16:18 | 0:16:20 | |
Still to come, telepathy... | 0:16:20 | 0:16:23 | |
Yep. | 0:16:23 | 0:16:24 | |
..toddler terror... | 0:16:24 | 0:16:26 | |
a tortoise transformation... | 0:16:26 | 0:16:29 | |
and total and utter Hans Klok. | 0:16:29 | 0:16:31 | |
But first, more magic. | 0:16:32 | 0:16:35 | |
Oh, my name is Magic. | 0:16:35 | 0:16:36 | |
That's not what I was expecting but, yeah, carry on. | 0:16:36 | 0:16:40 | |
Er, this one's scary. | 0:16:40 | 0:16:41 | |
Now, coming from Germany you don't need... You know, crime in New York. | 0:16:41 | 0:16:45 | |
I got mugged in New York City about 20 years ago. | 0:16:45 | 0:16:47 | |
Yeah, I got robbed in Times Square as well. | 0:16:47 | 0:16:49 | |
40 for an I Love New York snow globe! | 0:16:49 | 0:16:51 | |
-..this is what the guy looked like. He was wearing this hat. -Oh, really? | 0:16:51 | 0:16:54 | |
Yeah, the guy come up to me, | 0:16:54 | 0:16:55 | |
"Gimme your wallet!" that's what he said. | 0:16:55 | 0:16:57 | |
So I pulled out my wallet like this. | 0:16:57 | 0:16:59 | |
He didn't like the wallet. He just wanted the cash. | 0:16:59 | 0:17:01 | |
So he took the cash, he put it inside the hat just like that. Right? | 0:17:01 | 0:17:04 | |
Look. He said, "That's a nice watch." | 0:17:04 | 0:17:06 | |
I said, "It's my dad's watch." He didn't care. "I want the watch." | 0:17:06 | 0:17:09 | |
He put the watch inside the hat, yeah. Check this out. | 0:17:09 | 0:17:12 | |
I even had this nice ring, it's a one of a kind. | 0:17:12 | 0:17:14 | |
He liked the ring, he said, "That's a nice ring. | 0:17:14 | 0:17:17 | |
"Drop it in the hat." I dropped it inside the hat. | 0:17:17 | 0:17:19 | |
But when the guy went home, he didn't realise | 0:17:19 | 0:17:21 | |
he was dealing with a professional magician. | 0:17:21 | 0:17:23 | |
When I turned the hat inside out, the money was gone, everything was gone. | 0:17:23 | 0:17:26 | |
You can put that back. He looked at my finger, the ring was back on my finger, | 0:17:26 | 0:17:29 | |
the watch was back on my wrist and all the cash was back inside my wallet. | 0:17:29 | 0:17:33 | |
Wow! | 0:17:33 | 0:17:36 | |
We all know three is the magic number, | 0:17:36 | 0:17:38 | |
and in this case they're three months old. | 0:17:38 | 0:17:40 | |
Don't worry, Mum'll be home soon. | 0:17:55 | 0:17:57 | |
It's a good trick but... don't milk it. | 0:17:59 | 0:18:02 | |
If he carries on like this, that baby's going to be | 0:18:17 | 0:18:19 | |
drinking his milk out of a dustbin. | 0:18:19 | 0:18:21 | |
If you're thinking those glasses look dodgy, | 0:18:22 | 0:18:24 | |
remember he began with only a tiny cup of milk and now there's loads. | 0:18:24 | 0:18:28 | |
It's actually quite baffling. | 0:18:28 | 0:18:31 | |
You should see the next trick. | 0:18:31 | 0:18:32 | |
He ends up eating a rusk the size of a paddling pool. | 0:18:32 | 0:18:35 | |
It's hard to juggle work and kids. | 0:18:37 | 0:18:40 | |
Painful, even. | 0:18:40 | 0:18:41 | |
Time now to join Ben Hart In A Hurry. | 0:18:46 | 0:18:49 | |
And we join him on the sun-drenched streets of Glasgow, | 0:18:50 | 0:18:54 | |
wearing a red suit and striding up to a pedestrian crossing. | 0:18:54 | 0:18:57 | |
But can Ben change quicker than the lights? | 0:19:03 | 0:19:06 | |
Red man, green man. | 0:19:06 | 0:19:08 | |
Wow! | 0:19:08 | 0:19:10 | |
Ah yeah, it's the small victories in life. | 0:19:10 | 0:19:12 | |
Let's have another go, come on. | 0:19:17 | 0:19:19 | |
Red... | 0:19:19 | 0:19:20 | |
green! | 0:19:20 | 0:19:21 | |
I dread to think what he does when the green man starts flashing. | 0:19:21 | 0:19:24 | |
You can see those Japanese tourists thinking, | 0:19:27 | 0:19:29 | |
"Are we supposed to do that when we cross the road?" | 0:19:29 | 0:19:33 | |
I'd love to see this done at a pelican crossing, | 0:19:33 | 0:19:35 | |
where Ben quickly changes from a handsome young magician | 0:19:35 | 0:19:38 | |
into a fish-eating bird with a large bill and distensible pouch. | 0:19:38 | 0:19:42 | |
Now, let's see how that trick might be done | 0:19:42 | 0:19:44 | |
if the whole street joined in. | 0:19:44 | 0:19:46 | |
And it's also the perfect solution to that awkward moment | 0:19:46 | 0:19:49 | |
when everyone turns up to the office party wearing the same dress. | 0:19:49 | 0:19:53 | |
No... Ha-Hang on, we're back to square one now. | 0:19:55 | 0:19:58 | |
DANCE MUSIC | 0:19:58 | 0:20:01 | |
Yeah, I'd be at the back with a jammed zip | 0:20:20 | 0:20:22 | |
and a dress stuck over my head. | 0:20:22 | 0:20:24 | |
Before changing rooms were invented, | 0:20:30 | 0:20:32 | |
this is how ALL women tried on clothes. Mm. | 0:20:32 | 0:20:35 | |
Hang on - big stage, glamorous ladies, massive spinning box. | 0:20:45 | 0:20:50 | |
It can mean only one man - | 0:20:50 | 0:20:53 | |
Hans Klok! | 0:20:53 | 0:20:55 | |
Normally it's the magician's assistants | 0:20:55 | 0:20:57 | |
who have long blonde hair and a low-cut blouse. | 0:20:57 | 0:20:59 | |
Hans is the world's fastest illusionist, and we see him here | 0:21:03 | 0:21:06 | |
trying to break his previous record of ten grand illusions | 0:21:06 | 0:21:09 | |
in five minutes. | 0:21:09 | 0:21:10 | |
CHEERING AND APPLAUSE | 0:21:11 | 0:21:14 | |
But Hans can always find time for a superfluous twirl. | 0:21:19 | 0:21:22 | |
The preparations for this are intense. | 0:21:23 | 0:21:25 | |
A triple espresso, followed by a double espresso chaser. | 0:21:25 | 0:21:29 | |
Then he pops over to his mum's to borrow her curtains. | 0:21:29 | 0:21:32 | |
Brilliant! | 0:21:36 | 0:21:37 | |
That's three down - we'll catch up with him later in the show. | 0:21:37 | 0:21:40 | |
Easiest way to cut pizza? You spin it, you slam it! Ah! | 0:21:40 | 0:21:44 | |
Magicians love tricks with pizza. | 0:21:44 | 0:21:46 | |
Woo! | 0:21:46 | 0:21:48 | |
Pizza man? Come on, come on in. | 0:21:48 | 0:21:50 | |
-How's it going? -Pretty good. | 0:21:51 | 0:21:53 | |
OK. Think of a number between 1 and 100. | 0:21:53 | 0:21:57 | |
-Don't tell me, just keep it in your head. -Sure. | 0:21:57 | 0:21:59 | |
-You got it? -Yeah. | 0:21:59 | 0:22:00 | |
-OK. How much is it? -This is... | 0:22:00 | 0:22:02 | |
12.54. | 0:22:06 | 0:22:07 | |
12.54? | 0:22:07 | 0:22:08 | |
That's not between 1 and 100... Oh! | 0:22:08 | 0:22:10 | |
Oh, I see - that's the cost! | 0:22:10 | 0:22:12 | |
-Have we ever met before? -No. | 0:22:14 | 0:22:16 | |
"Have we met before?" | 0:22:16 | 0:22:17 | |
No, and you're being creepy mate, so I'm not sure we'll be meeting again. | 0:22:17 | 0:22:20 | |
I put it in an envelope right there. | 0:22:20 | 0:22:22 | |
Before you even walked in, | 0:22:22 | 0:22:24 | |
I wrote a number from between 1 and 100 in that envelope. | 0:22:24 | 0:22:26 | |
-Cool. -Would you be amazed if that was your number? | 0:22:26 | 0:22:29 | |
-I would be impressed, yeah. -Yeah? Yeah? -Yeah. | 0:22:29 | 0:22:31 | |
From 1 to 100, you could have picked any number. | 0:22:31 | 0:22:34 | |
What was your number? 6. | 0:22:34 | 0:22:36 | |
From 1 to 100, you thought of 6, really? | 0:22:36 | 0:22:38 | |
-Yeah. -Really? Look. | 0:22:38 | 0:22:40 | |
Can you please reach inside? | 0:22:40 | 0:22:42 | |
Take it out, unfold it, | 0:22:42 | 0:22:44 | |
and in your best voice, as loud as you can, read what it says. | 0:22:44 | 0:22:47 | |
Go ahead. Say it. | 0:22:47 | 0:22:49 | |
"Dear Pizza Man, I knew you'd pick the number six". | 0:22:49 | 0:22:52 | |
-That's great. -MAGICIAN LAUGHS | 0:22:52 | 0:22:53 | |
If you're wondering how he did it, | 0:22:53 | 0:22:55 | |
he's probably got 100 of those envelopes Sellotaped all over his house. | 0:22:55 | 0:22:58 | |
Time now for glamour and glitz from the amazing magician Jasz Vegas, | 0:23:00 | 0:23:04 | |
with an unspeakably good number trick. | 0:23:04 | 0:23:06 | |
OK. | 0:23:09 | 0:23:10 | |
Yep. | 0:23:12 | 0:23:14 | |
33. | 0:23:14 | 0:23:15 | |
Yep. | 0:23:17 | 0:23:18 | |
THEY LAUGH | 0:23:19 | 0:23:22 | |
1...2...3... | 0:23:22 | 0:23:24 | |
Now, that's an unusual lounge outfit. | 0:23:24 | 0:23:27 | |
An evening gown and some duct tape. I prefer a onesie. | 0:23:27 | 0:23:29 | |
..31...32...33. | 0:23:29 | 0:23:33 | |
-OK. -OK. | 0:23:39 | 0:23:41 | |
THEY LAUGH | 0:23:42 | 0:23:45 | |
What are we watching? | 0:23:45 | 0:23:46 | |
-Yeah, it's not there. -SHE LAUGHS | 0:23:57 | 0:23:58 | |
Don't tell me it's in Jasz Vegas' mouth. | 0:24:07 | 0:24:10 | |
I guess what happens in Vegas doesn't stay in Vegas. | 0:24:10 | 0:24:14 | |
..been sealed for this time? | 0:24:14 | 0:24:16 | |
THEY LAUGH | 0:24:20 | 0:24:22 | |
That... | 0:24:23 | 0:24:25 | |
It's Klok again, and we find him struggling with his bicycle chain. | 0:24:25 | 0:24:30 | |
Quick bit of trivia, | 0:24:30 | 0:24:31 | |
Hans went into magic after his Bucks Fizz tribute act failed. | 0:24:31 | 0:24:34 | |
Yeah, just leave her there, she looks fine. | 0:24:37 | 0:24:40 | |
Three minutes to go and that's five illusions completed. | 0:24:40 | 0:24:43 | |
Quick, do another one! | 0:24:43 | 0:24:45 | |
APPLAUSE | 0:24:53 | 0:24:54 | |
No time for twirls, Hans, you've got a clock to beat! | 0:24:54 | 0:24:57 | |
Don't worry, Hans, we'll be back in time for your big finish. | 0:24:57 | 0:25:01 | |
Let's slow it down now for some animal magic. | 0:25:01 | 0:25:04 | |
And there's nothing like a bit of magic | 0:25:05 | 0:25:06 | |
to bring you out of your shell. | 0:25:06 | 0:25:08 | |
Yeah, the tortoise is thinking, "Take that money | 0:25:19 | 0:25:22 | |
"and go and get me some lettuce." | 0:25:22 | 0:25:23 | |
Never has a tortoise looked forward to hibernation so much. | 0:25:36 | 0:25:40 | |
Now, remember when Ben broke the mug | 0:25:42 | 0:25:44 | |
and mended it with his miracle fluid? | 0:25:44 | 0:25:46 | |
I don't understand how that just happened. | 0:25:46 | 0:25:49 | |
Let's find out how he DID do that. | 0:25:49 | 0:25:51 | |
Well, here goes. | 0:25:53 | 0:25:54 | |
The secret lies in the fact that that's not water, it's glycerine. | 0:25:54 | 0:25:57 | |
And the mug's made from borosilicate glass, whatever that is. | 0:25:57 | 0:26:01 | |
They both let through the same amount of light, I'm told, | 0:26:01 | 0:26:04 | |
so when put together you can't tell one from the other. | 0:26:04 | 0:26:06 | |
Ben pretends the smashed mug is fixed, | 0:26:06 | 0:26:08 | |
but in fact he's simply pulling out a different one | 0:26:08 | 0:26:10 | |
that's invisible when submerged in the tank of glycerine. Sneaky! | 0:26:10 | 0:26:14 | |
And that's how to get this amazed, over-the-top reaction. | 0:26:14 | 0:26:17 | |
-How is that... -What? | 0:26:17 | 0:26:19 | |
The clock's still ticking, so let's not waste a second. | 0:26:19 | 0:26:22 | |
It's time for the big finish. | 0:26:22 | 0:26:25 | |
Hans Klok has completed eight illusions, | 0:26:25 | 0:26:27 | |
but remember ten's the number he has to beat. | 0:26:27 | 0:26:30 | |
And he's out of the box. He's HANS-free. | 0:26:39 | 0:26:41 | |
He's got women everywhere, you know. | 0:26:41 | 0:26:43 | |
It's a curse - poor Hans can't open a washing machine at home | 0:26:43 | 0:26:45 | |
without a latex-clad hottie climbing out. | 0:26:45 | 0:26:48 | |
Mm. | 0:26:48 | 0:26:49 | |
And she's gone! | 0:26:59 | 0:27:00 | |
Oh, don't worry Hans, there's plenty more where she came from. | 0:27:00 | 0:27:04 | |
Ten down, he's equalled his previous record, | 0:27:04 | 0:27:06 | |
but with a minute still to go, how many more can he do? | 0:27:06 | 0:27:09 | |
Actually, where... where DID she come from by the way? | 0:27:16 | 0:27:19 | |
11. He's beaten the record. Yes! | 0:27:19 | 0:27:21 | |
He's taking a lap of honour... No, no! | 0:27:21 | 0:27:24 | |
Hang on, he's going for one more. This is unprecedented. | 0:27:24 | 0:27:28 | |
This poor woman's lost her top in all the celebrations. | 0:27:32 | 0:27:35 | |
Is that Hans' hand, I wonder? | 0:27:48 | 0:27:50 | |
Oh, no - there's Hans' hand. | 0:27:51 | 0:27:53 | |
That's HER hand. | 0:27:53 | 0:27:54 | |
So...whose hands are Hans' hands? | 0:27:54 | 0:27:56 | |
And yes, he's done it. A dozen illusions in five minutes. | 0:28:09 | 0:28:13 | |
That's right, people, get on your feet | 0:28:13 | 0:28:16 | |
and put your HANS together for the master. | 0:28:16 | 0:28:18 | |
APPLAUSE AND CHEERING | 0:28:18 | 0:28:20 | |
Join us next time on Now You See It for more surprises, | 0:28:22 | 0:28:25 | |
more astonishment... | 0:28:25 | 0:28:27 | |
Waa! | 0:28:27 | 0:28:28 | |
..and more magic that will leave you saying... | 0:28:30 | 0:28:32 | |
What...? | 0:28:32 | 0:28:33 |