Browse content similar to Episode 8. Check below for episodes and series from the same categories and more!
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On tonight's show, floating... | 0:00:02 | 0:00:03 | |
That's just bizarre. | 0:00:03 | 0:00:05 | |
..spinning, and a heavy landing. | 0:00:05 | 0:00:06 | |
Ah! | 0:00:06 | 0:00:08 | |
-You'll hear the famous magic words. -I want these locked tighter, Doug. | 0:00:08 | 0:00:11 | |
And something tastes funny. | 0:00:11 | 0:00:13 | |
THEY SCREAM | 0:00:13 | 0:00:15 | |
Not that funny. | 0:00:15 | 0:00:17 | |
We'll find out what singing superstar Liam Payne thinks. | 0:00:17 | 0:00:19 | |
I love these things, they're so good. I'm glad it's going well. | 0:00:19 | 0:00:22 | |
What band's he in again? | 0:00:22 | 0:00:23 | |
-This direction. -This direction, OK. -Close enough. | 0:00:23 | 0:00:26 | |
If only there was one little word | 0:00:26 | 0:00:28 | |
to describe the fun you're about to experience... | 0:00:28 | 0:00:30 | |
-Magic. -Yeah, that'll do. | 0:00:30 | 0:00:33 | |
Welcome to Now You See It. | 0:00:33 | 0:00:35 | |
This is just getting strange now. | 0:00:35 | 0:00:37 | |
Let's begin with a card trick. | 0:00:48 | 0:00:49 | |
We haven't had enough of those on this show. | 0:00:49 | 0:00:51 | |
Diamonds are forever, as long as you don't shake the card too hard. | 0:00:51 | 0:00:55 | |
On a long car journey, you've got to make your own entertainment. | 0:00:56 | 0:01:00 | |
The joy of being a magician is never having to decide | 0:01:00 | 0:01:02 | |
which fingers to keep your elastic band on. | 0:01:02 | 0:01:05 | |
THEY SPEAK MANDARIN | 0:01:05 | 0:01:10 | |
And also, you can remove the elastic from your fingers | 0:01:10 | 0:01:13 | |
in a really stylish way. | 0:01:13 | 0:01:14 | |
Hang on, which one of you is supposed to be driving? | 0:01:16 | 0:01:19 | |
Want to see a T-shirt change colour mid-bounce? | 0:01:19 | 0:01:22 | |
Done! | 0:01:22 | 0:01:23 | |
Now over to magician Ben Hanlin with more clothes-based shenanigans. | 0:01:24 | 0:01:28 | |
Here's some money. | 0:01:28 | 0:01:30 | |
Just go in there and buy an outfit, buy whatever you want. | 0:01:30 | 0:01:33 | |
-See you in a bit. -See you guys later. Anything, a full outfit? | 0:01:33 | 0:01:36 | |
-A full outfit, go. -For 50 quid? -Yeah. | 0:01:36 | 0:01:39 | |
He's sent a fashion student shopping. | 0:01:39 | 0:01:42 | |
I'm surprised she hasn't come back with a bird cage and a hard hat. | 0:01:42 | 0:01:45 | |
Hello! | 0:01:45 | 0:01:46 | |
Right, I'm intrigued, you took your time. Let's have a look. | 0:01:46 | 0:01:49 | |
You've got...some socks, good. | 0:01:49 | 0:01:52 | |
It's a really pretty look. | 0:01:52 | 0:01:55 | |
What are they? | 0:01:55 | 0:01:56 | |
Some leggings. | 0:01:56 | 0:01:58 | |
-Some leggings. -She's a fashion designer! | 0:02:00 | 0:02:04 | |
-Some shorts. -Shorts. | 0:02:04 | 0:02:06 | |
-And a vest. -What did she do with the other £49.50? | 0:02:09 | 0:02:12 | |
-What I didn't tell you is this outfit, it was for me. -Wow! | 0:02:12 | 0:02:16 | |
Sexy still. | 0:02:17 | 0:02:19 | |
That's the top! | 0:02:22 | 0:02:24 | |
Oh! | 0:02:29 | 0:02:30 | |
-Hold on. -No! | 0:02:31 | 0:02:34 | |
-Love a Velcro-sided trouser. -Stunning. -It's a good look! | 0:02:34 | 0:02:37 | |
To be fair, this is better than a lot of magicians dress. | 0:02:37 | 0:02:40 | |
What do you think? | 0:02:40 | 0:02:42 | |
It's a good look. | 0:02:42 | 0:02:43 | |
Now, you know where they love a good trick and a joke? The airport. | 0:02:45 | 0:02:49 | |
I don't now if I'm supposed to report it, but it's been | 0:02:51 | 0:02:53 | |
doing this thing where it floats around and follows me | 0:02:53 | 0:02:56 | |
and it's been really suspicious. | 0:02:56 | 0:02:59 | |
-Should I report it? -Yeah! | 0:02:59 | 0:03:00 | |
-Who should I report this to? -Do that again. | 0:03:00 | 0:03:02 | |
A suspicious dollar has been floating around. | 0:03:02 | 0:03:05 | |
It's been really, really suspicious. | 0:03:05 | 0:03:07 | |
I don't know! Where's security? | 0:03:08 | 0:03:11 | |
Oh, I suspect they're on their way now. | 0:03:11 | 0:03:13 | |
-Meanwhile in the airport multistorey... -Do you have keys? | 0:03:13 | 0:03:17 | |
..it's Andrew Mayne... | 0:03:17 | 0:03:19 | |
Is that even a key? | 0:03:19 | 0:03:21 | |
..amusing himself while his flight's delayed. | 0:03:21 | 0:03:24 | |
Magic in a multistorey car park. Fun on so many levels. | 0:03:24 | 0:03:28 | |
-You don't need a key any more? -No. | 0:03:28 | 0:03:30 | |
You're right, you don't need a key any more. At all. | 0:03:30 | 0:03:33 | |
It's a very good trick. | 0:03:33 | 0:03:34 | |
Can I help you or can I just get my key back, or...? | 0:03:34 | 0:03:37 | |
I'm going to help you get your key back, going to help you find it. | 0:03:37 | 0:03:40 | |
I know where my key is, you have it. | 0:03:40 | 0:03:42 | |
-You can have your tape back, I don't want this. -You know what? | 0:03:43 | 0:03:47 | |
We should use the tape. | 0:03:47 | 0:03:48 | |
That's creepy. | 0:03:49 | 0:03:51 | |
-What we need is a ball of tape. -OK. | 0:03:52 | 0:03:55 | |
What we need is a ball of tape. | 0:03:55 | 0:03:58 | |
Magic. | 0:04:03 | 0:04:04 | |
-Getting angry with me, all right? -OK. | 0:04:04 | 0:04:06 | |
-Tape is the answer to everything. -Yeah. | 0:04:06 | 0:04:08 | |
Except when it's not the answer to anything. That's the problem. | 0:04:08 | 0:04:11 | |
Where are my keys at? | 0:04:12 | 0:04:13 | |
Come on! | 0:04:22 | 0:04:24 | |
What? | 0:04:26 | 0:04:27 | |
I can't reach that. Do you realise I'm only 5'2"? With my heels! | 0:04:29 | 0:04:33 | |
And of course, every hour they're there is costing them another £8.20. | 0:04:34 | 0:04:38 | |
Here's another of Andrew's victims, | 0:04:41 | 0:04:44 | |
trying to drill his way into the car using his head. | 0:04:44 | 0:04:47 | |
Give him back his keys, Andrew! | 0:04:47 | 0:04:49 | |
Back in a Terminal One, this guy is still trying to report | 0:04:53 | 0:04:56 | |
his magic trick to the relevant authorities. | 0:04:56 | 0:04:58 | |
Go! We got to report this. | 0:05:00 | 0:05:02 | |
OK, we've got to report it right away. | 0:05:02 | 0:05:04 | |
-This is not good! -This is completely suspicious. | 0:05:04 | 0:05:07 | |
Totally... | 0:05:07 | 0:05:08 | |
No, wait a minute. Uh-uh. Give me that. | 0:05:08 | 0:05:11 | |
No, you're doing it wrong, like this, let me borrow it. | 0:05:12 | 0:05:15 | |
You've got to stick it on top of your fingertip, right there. | 0:05:15 | 0:05:18 | |
So, it looks like it's floating. | 0:05:18 | 0:05:19 | |
And then slowly pull your fingertip away and then it becomes suspicious. | 0:05:19 | 0:05:23 | |
Well, we've all done it - | 0:05:26 | 0:05:27 | |
spent so long making a dollar bill float, they've closed the gate. | 0:05:27 | 0:05:31 | |
But enough of appropriate audience responses, | 0:05:31 | 0:05:34 | |
it's time to enjoy some massive overreactions | 0:05:34 | 0:05:36 | |
to something quite small. | 0:05:36 | 0:05:38 | |
You know the trick where the assistant | 0:05:40 | 0:05:42 | |
is secretly hidden inside the magic box? | 0:05:42 | 0:05:44 | |
Well, this guy doesn't. | 0:05:44 | 0:05:45 | |
Ah! Oh! Holy cow! | 0:05:49 | 0:05:52 | |
What about the one where you put an air horn under a seat? | 0:05:52 | 0:05:55 | |
-HORN BLARES -Agh! | 0:05:58 | 0:05:59 | |
Yep, he doesn't know that one either. | 0:05:59 | 0:06:01 | |
In massive overreaction number two, it's elastic bands again. | 0:06:04 | 0:06:07 | |
SHE SCREAMS | 0:06:07 | 0:06:09 | |
What is wrong with you? | 0:06:13 | 0:06:15 | |
Magic! Magic is awesome, dude! | 0:06:15 | 0:06:18 | |
She's going to cry. Are you crying? | 0:06:18 | 0:06:21 | |
If you give her a hanky to dry those tears, | 0:06:21 | 0:06:23 | |
make sure it isn't one that turns into a dove. | 0:06:23 | 0:06:25 | |
But when it comes to massive overreactions, the prize goes to... | 0:06:26 | 0:06:30 | |
Time to take off, mate. | 0:06:33 | 0:06:35 | |
All aboard the 9.47 to Plaque Central. | 0:06:37 | 0:06:40 | |
-HE SPEAKS MANDARIN -Agh! | 0:06:40 | 0:06:43 | |
Whoa! | 0:06:47 | 0:06:49 | |
Another train, another magician. | 0:06:51 | 0:06:52 | |
Look, Dynamo's giving us a wave. | 0:06:52 | 0:06:55 | |
That's utterly baffling. | 0:07:10 | 0:07:12 | |
He's getting off where he was getting on. | 0:07:12 | 0:07:14 | |
Waste of a ticket if you ask me. | 0:07:14 | 0:07:15 | |
Now, let's go back to a simpler time, | 0:07:21 | 0:07:23 | |
when trains were powered by steam | 0:07:23 | 0:07:25 | |
and pastel colours had yet to be invented. | 0:07:25 | 0:07:27 | |
And it's Finn Jon, the real-life pioneer of floating magic. | 0:07:31 | 0:07:35 | |
Yeah, try telling him to put a cork in it. | 0:07:45 | 0:07:47 | |
They don't make magic like this any more. | 0:07:59 | 0:08:01 | |
Or wallpaper. Or menswear. | 0:08:01 | 0:08:03 | |
Speaking of which, you've heard of three coins in a fountain? | 0:08:05 | 0:08:08 | |
Well, here's two coins in a shirt. | 0:08:08 | 0:08:10 | |
Now, that's smart. The trick, I mean. | 0:08:14 | 0:08:16 | |
Not the shirt, that's more sports casual. | 0:08:16 | 0:08:18 | |
Want some sunglasses to complete the outfit? | 0:08:20 | 0:08:23 | |
Hmm, looks like there's a problem. | 0:08:23 | 0:08:25 | |
What are you doing, mate? They go over your ears. | 0:08:27 | 0:08:29 | |
Ah, that's better. Now let's head for the sun. | 0:08:33 | 0:08:36 | |
And Great Yarmouth's looking lovely. | 0:08:38 | 0:08:40 | |
Find pouring orange juice too much like hard work? | 0:08:42 | 0:08:45 | |
Try magic! | 0:08:45 | 0:08:46 | |
Let's have some more orange juice-based trickery | 0:08:51 | 0:08:53 | |
with the brilliant Michael Carbonaro. | 0:08:53 | 0:08:55 | |
-I didn't know they made such a thing. -Yeah, it's tiny. | 0:08:55 | 0:08:57 | |
He's demonstrating a miracle juicer. The gadget doesn't look like much | 0:08:57 | 0:09:00 | |
and it's going to take a lot to impress these customers. | 0:09:00 | 0:09:03 | |
..from it, that's what's cool about it. | 0:09:03 | 0:09:05 | |
-Let me see your muscles. -All right. | 0:09:05 | 0:09:07 | |
There we go. | 0:09:07 | 0:09:08 | |
-Let's see if I can get it. -SHE GASPS | 0:09:08 | 0:09:11 | |
-But fair enough, that's a lot. -Yes. -OK, wait a minute. | 0:09:12 | 0:09:15 | |
How did you do that with that one little thing? | 0:09:15 | 0:09:17 | |
The juicer actually pulps the pulp. | 0:09:17 | 0:09:20 | |
-For some reason, it doesn't work with lime. -OK, this is not real. | 0:09:20 | 0:09:24 | |
-The Juicer? -It's just called The Juicer, yeah. | 0:09:24 | 0:09:26 | |
What in the world? | 0:09:26 | 0:09:27 | |
-Are you kidding me? -No, it's great. You see, it's pulping its own pulp. | 0:09:29 | 0:09:33 | |
-How are you doing that? -You've got to squeeze. | 0:09:34 | 0:09:37 | |
If you keep turning while you squeeze. | 0:09:37 | 0:09:40 | |
-Are you getting that much orange juice out of there? -Yeah. | 0:09:40 | 0:09:43 | |
-Stop it. -This is just one orange and you got that much juice? | 0:09:43 | 0:09:47 | |
-Yeah, because it's pulping... -No, I'm talking. | 0:09:47 | 0:09:49 | |
This orange gave you that? | 0:09:49 | 0:09:51 | |
Yeah, the pulp is juiced. | 0:09:51 | 0:09:53 | |
This is a miracle. | 0:09:54 | 0:09:56 | |
And here's another miracle. Plus you get the answer to the question - | 0:09:56 | 0:10:00 | |
how do they do that? | 0:10:00 | 0:10:01 | |
This week, the disembodied hands of Professor Richard Wiseman. | 0:10:03 | 0:10:07 | |
Empty hands, empty cup. Or so you'd think. | 0:10:07 | 0:10:10 | |
Bet you can't do it with yellow. | 0:10:13 | 0:10:15 | |
Sorcerer! How does he do that? | 0:10:20 | 0:10:23 | |
Well, to do this yourself, all you need is a cup, two balls, | 0:10:24 | 0:10:27 | |
a black curtain with a hole in it, 100 yards of metal | 0:10:27 | 0:10:30 | |
shaped into a channel at exactly the right angle | 0:10:30 | 0:10:32 | |
and a friend in a bear suit. | 0:10:32 | 0:10:33 | |
He's no Debbie McGee, is he? | 0:10:42 | 0:10:44 | |
The bear suit isn't necessary, but he doesn't know that. | 0:10:44 | 0:10:47 | |
Stand by for some more mind-blowing magic. | 0:10:51 | 0:10:54 | |
I hate these things, they scare me. | 0:10:54 | 0:10:56 | |
Expect the unexpected. | 0:10:56 | 0:10:57 | |
How crazy is that? | 0:10:57 | 0:10:59 | |
OK, that is random. | 0:10:59 | 0:11:00 | |
-Are you ready? -Yes, Criss! Yeah, we are. | 0:11:00 | 0:11:03 | |
More from Michael Carbonaro now, this time performing animal magic. | 0:11:07 | 0:11:12 | |
Someone came by before... | 0:11:12 | 0:11:13 | |
You've seen a magician produce a rabbit from a hat, | 0:11:13 | 0:11:15 | |
but I bet you haven't seen a magician do this. | 0:11:15 | 0:11:18 | |
These are Norwegian jack rabbits, | 0:11:18 | 0:11:20 | |
so you're not supposed to put them in the same cage together. | 0:11:20 | 0:11:23 | |
-Oh, uh-huh. -Yeah. | 0:11:23 | 0:11:25 | |
-He's got the cutest little face, right? -Hey there, bunny. | 0:11:25 | 0:11:28 | |
You know what? I'm going to put them together. | 0:11:28 | 0:11:31 | |
It'll be all right. | 0:11:31 | 0:11:32 | |
And this one's really interesting because... | 0:11:32 | 0:11:35 | |
-See? -They said they would go crazy if you put the two together. | 0:11:35 | 0:11:39 | |
-And this one has the cutest little eye. -Oh, yeah, how cute. | 0:11:39 | 0:11:43 | |
-Got a little bit of colour... -Oh, and you got another one! | 0:11:43 | 0:11:46 | |
Look at that! Wait a minute. | 0:11:46 | 0:11:48 | |
-Did it just pop out? -That can't be! | 0:11:48 | 0:11:50 | |
No way, there were only two rabbits in here. | 0:11:50 | 0:11:53 | |
-Oh, they're like a little family. -Yeah. | 0:11:53 | 0:11:55 | |
-Look, there's another one. -What? | 0:11:55 | 0:11:57 | |
-Whoa! Wait a minute. -SHE LAUGHS | 0:11:58 | 0:12:00 | |
-How? -Now there's two babies! Whoa! | 0:12:00 | 0:12:03 | |
-There's three babies! -How? -Where were those babies? | 0:12:03 | 0:12:07 | |
-I don't... -That is the most bizarre thing ever. -Yeah! | 0:12:07 | 0:12:11 | |
Is that why you're not supposed to put them together? | 0:12:11 | 0:12:13 | |
I mean... Look, there's a black one. I saw a black one! | 0:12:13 | 0:12:17 | |
-That's just a bizarre. -That is bizarre. Take one out. | 0:12:17 | 0:12:20 | |
-Now this one here is moving around. -Yeah, here there's one. | 0:12:20 | 0:12:23 | |
I mean, how in the world could they...? Yeah, there's four. | 0:12:23 | 0:12:26 | |
There's four... One, two, three... | 0:12:26 | 0:12:29 | |
-No way, there's five. -Wait. | 0:12:29 | 0:12:31 | |
One, two, three, four, five. | 0:12:31 | 0:12:33 | |
-There's five. -Let me see, one, two, three... | 0:12:33 | 0:12:36 | |
..four... | 0:12:37 | 0:12:38 | |
-..five. -Six! | 0:12:40 | 0:12:41 | |
-Six? -How did that just happen? I mean, I swear... | 0:12:41 | 0:12:46 | |
No wonder she said they would go crazy. | 0:12:46 | 0:12:48 | |
-There's seven. -Seven? Whoa! | 0:12:48 | 0:12:51 | |
-I think there's one underneath. -Wait a minute, here. Come over here. | 0:12:51 | 0:12:55 | |
-You got those? -I've got these! | 0:12:55 | 0:12:58 | |
Oh! | 0:12:58 | 0:12:59 | |
I mean, it couldn't happen that quick. | 0:12:59 | 0:13:01 | |
-No way, they can't... Whoa. -Yeah, that's what I'm saying. | 0:13:01 | 0:13:04 | |
OK, check underneath them and just see if there is any... | 0:13:04 | 0:13:07 | |
-OK, just look underneath them? -Yeah. | 0:13:07 | 0:13:08 | |
-Just see if there's any left. -Do you see any? -No, I don't see any. -No? | 0:13:08 | 0:13:12 | |
-No. -OK. And any over here? | 0:13:12 | 0:13:14 | |
-No. -No? Whoa! -How many is it? Eight? -I don't know. | 0:13:16 | 0:13:19 | |
Was that one already in there? | 0:13:19 | 0:13:22 | |
No, you just told me it was empty. Wait a minute. | 0:13:22 | 0:13:24 | |
-Did you put this one in here? -No! -Hole on, how many are here now? | 0:13:24 | 0:13:27 | |
-I'm losing count. -Three, four, six, eight, ten, 11. | 0:13:27 | 0:13:32 | |
-11, 11. -Dude, stop! | 0:13:32 | 0:13:34 | |
What am I going to do with all of them? | 0:13:34 | 0:13:36 | |
They're still there, by the way, and the latest tally is 743. | 0:13:36 | 0:13:40 | |
Plastic bottle, straw. | 0:13:42 | 0:13:44 | |
Correct, you've passed the audition for Eggheads. | 0:13:44 | 0:13:46 | |
Impressive. | 0:13:48 | 0:13:50 | |
Why not try this next time you're in the pub? | 0:13:50 | 0:13:53 | |
Fold up the menu, waitresses love that. | 0:13:53 | 0:13:55 | |
If he only wanted a half pint, it's what he should have ordered. | 0:14:07 | 0:14:10 | |
Yep, these are actually just delaying tactics | 0:14:16 | 0:14:19 | |
cos it's his round. | 0:14:19 | 0:14:20 | |
I wonder how he feels that no-one stuck around to watch | 0:14:28 | 0:14:31 | |
his wonderful beer trick? | 0:14:31 | 0:14:32 | |
Bitter? Possibly. I mean, it's obviously not lager. | 0:14:32 | 0:14:36 | |
HE SPEAKS FRENCH | 0:14:36 | 0:14:38 | |
FRENCH ACCENT: Over now to gay Paris, where this petit garcon | 0:14:38 | 0:14:41 | |
has roped in an unsuspecting adult to take part in his trick. | 0:14:41 | 0:14:44 | |
Everyone else on the boat breathes a sigh of relief. | 0:14:46 | 0:14:49 | |
HE SPEAKS FRENCH | 0:14:49 | 0:14:51 | |
HE CONTINUES SPEAKING | 0:14:52 | 0:14:55 | |
If I'd paid 50 euros for a cruise down the Seine, | 0:14:56 | 0:14:59 | |
I wouldn't agree to block my own view with an old tea towel! | 0:14:59 | 0:15:02 | |
HE CONTINUES SPEAKING | 0:15:03 | 0:15:06 | |
..un, deux, trois. Go! | 0:15:09 | 0:15:14 | |
Either all the people on this boat have been magic'd away | 0:15:16 | 0:15:19 | |
or the bar has just opened on the lower deck. | 0:15:19 | 0:15:21 | |
Maybe you should check overboard. That's right, I'm sure it's fine. | 0:15:27 | 0:15:30 | |
Just double check. | 0:15:30 | 0:15:32 | |
Oh, well. Bon chance, as they say. | 0:15:33 | 0:15:35 | |
We all know three is the magic number, | 0:15:36 | 0:15:38 | |
although in this case it's 3, O2 and Vodafone. | 0:15:38 | 0:15:41 | |
Check out this new invisible phone. | 0:15:41 | 0:15:44 | |
If you do have an invisible phone, don't put it on silent. | 0:15:44 | 0:15:47 | |
You'll never find it. | 0:15:47 | 0:15:48 | |
I'm getting a call. Hello? | 0:15:48 | 0:15:50 | |
Hey, where did that come from? | 0:15:50 | 0:15:52 | |
Er... Actually, I am kind of a busy. | 0:15:54 | 0:15:57 | |
I'm actually recording, recording my video for the... | 0:15:57 | 0:16:02 | |
..my project and... | 0:16:03 | 0:16:05 | |
Oh, they've hung up. | 0:16:05 | 0:16:06 | |
This magician also has an invisible phone. | 0:16:06 | 0:16:10 | |
MOBILE RINGS | 0:16:10 | 0:16:12 | |
Yeah, you'd better answer that, mate. | 0:16:14 | 0:16:16 | |
DUTCH ACCENT: And now to the Netherlands where a woman | 0:16:18 | 0:16:21 | |
is being given a gift-wrapped box above a canal. | 0:16:21 | 0:16:23 | |
THEY SPEAK DUTCH | 0:16:23 | 0:16:25 | |
And now he's after the man's mobiel. | 0:16:28 | 0:16:31 | |
I wonder what that is in Dutch? | 0:16:31 | 0:16:33 | |
Ah, mobile! Yeah, should have guessed. | 0:16:33 | 0:16:35 | |
Immediately, he's realised that dropping his phone into a canal | 0:16:50 | 0:16:53 | |
because someone he'd never met told him to do it | 0:16:53 | 0:16:56 | |
was a silly thing to do. | 0:16:56 | 0:16:57 | |
SHE LAUGHS | 0:17:00 | 0:17:02 | |
THEY SPEAK DUTCH | 0:17:04 | 0:17:07 | |
I can't help thinking the word on her T-shirt is describing | 0:17:15 | 0:17:18 | |
her boyfriend's intelligence. | 0:17:18 | 0:17:20 | |
Oh, yes, come on. Let's see what's in the box. | 0:17:21 | 0:17:23 | |
Hooray, it's his mobile! Great trick. | 0:17:24 | 0:17:27 | |
It's One Direction megastar Liam Payne. Not him. Him! | 0:17:34 | 0:17:38 | |
And he's about to have his mind read by Chris Cox. Shouldn't take long. | 0:17:38 | 0:17:41 | |
All I want you do is think of an artist, a musical artist for me. | 0:17:41 | 0:17:44 | |
And I want to imagine seeing the person up there singing. | 0:17:44 | 0:17:47 | |
Look at them in your head and I'm going to say the alphabet. | 0:17:48 | 0:17:50 | |
Think about the first letter of this person, don't give anything away | 0:17:50 | 0:17:53 | |
when I say the alphabet, but just think of a first letter, OK? | 0:17:53 | 0:17:56 | |
So, do you mind if I touch your earlobe? Bit weird, but... OK? | 0:17:56 | 0:17:59 | |
A-B-C-D-E-F-G-H-I-J... Oh, OK, great. | 0:17:59 | 0:18:02 | |
A-B-C-D-E-F... A-B-C-D... | 0:18:02 | 0:18:05 | |
This is good, you're going as poker face as possible now. | 0:18:05 | 0:18:09 | |
A-B-C-D, it's a D, yeah? Starts with a D? | 0:18:09 | 0:18:12 | |
-I hate these things, they scare me. -OK. | 0:18:12 | 0:18:14 | |
Next letter, so imagine typing. | 0:18:14 | 0:18:17 | |
Don't move your hands but imagine typing | 0:18:17 | 0:18:19 | |
the next letter of their name. | 0:18:19 | 0:18:20 | |
Don't move your fingers, I'm just going to... | 0:18:20 | 0:18:22 | |
I think it's this hand, good. | 0:18:24 | 0:18:26 | |
OK, put that hand down. Keep typing. | 0:18:26 | 0:18:29 | |
No, it's not, it's here. | 0:18:31 | 0:18:33 | |
-It is here, isn't it? -You were close there. -I know. | 0:18:33 | 0:18:37 | |
Is it an R? | 0:18:37 | 0:18:39 | |
-This is just getting strange now, isn't it? -Yeah, erm... | 0:18:39 | 0:18:43 | |
Just say the person to yourself. | 0:18:44 | 0:18:47 | |
You're thinking of Drake. | 0:18:47 | 0:18:48 | |
-I'm leaving. -Are you thinking of Drake? -Yes, I am. -OK, right. | 0:18:49 | 0:18:52 | |
-I want you to imagine Drake... -I love these things, they're so good! | 0:18:52 | 0:18:55 | |
-It's going well. -Let's try one more thing. | 0:18:55 | 0:18:56 | |
I want you to imagine Drake singing a song - not his song, | 0:18:56 | 0:18:59 | |
someone else's song. | 0:18:59 | 0:19:00 | |
See Drake sing a song, it's not his song but I want you to go... | 0:19:00 | 0:19:04 | |
-# La-la-la! # Do a little scale for me. -# La-la-la! # | 0:19:04 | 0:19:08 | |
That's quite nice, have you considered a career in music? | 0:19:08 | 0:19:11 | |
-Sometimes. It's a passion of mine. -It's a current song. | 0:19:11 | 0:19:15 | |
Will it...? | 0:19:15 | 0:19:16 | |
Hang on, you've got two songs in your head there, haven't you? | 0:19:16 | 0:19:19 | |
-Yeah, yeah. -You're confused between two? -Yes. -OK. Give me... | 0:19:19 | 0:19:23 | |
Do a downward scale. | 0:19:23 | 0:19:24 | |
# La-la-la! # | 0:19:24 | 0:19:26 | |
-One's male, one's female. -Yes. | 0:19:26 | 0:19:28 | |
You're thinking of Hello, aren't you? The song Hello. | 0:19:30 | 0:19:33 | |
Yeah, but is Adele's song called Hello? | 0:19:33 | 0:19:36 | |
Yeah, Adele's song's Hello and then the Lionel Richie one, yeah. | 0:19:36 | 0:19:39 | |
-Yeah, yeah. -You got both of them. | 0:19:39 | 0:19:41 | |
-Brilliant. -That's ridiculous. | 0:19:41 | 0:19:42 | |
Kick a soccer ball just right... | 0:19:42 | 0:19:45 | |
He shoots, he scores! Gets a dog. | 0:19:45 | 0:19:46 | |
..get a puppy! | 0:19:47 | 0:19:49 | |
-Yeah. -How did he...? | 0:19:51 | 0:19:53 | |
Oh, I think I know. | 0:19:53 | 0:19:54 | |
Over now to the big stage to join Nathan Burton | 0:19:54 | 0:19:57 | |
with a beautiful childhood memory. | 0:19:57 | 0:19:59 | |
I picked up a napkin, kind of like this. | 0:19:59 | 0:20:02 | |
And I told all my friends to watch closely. | 0:20:02 | 0:20:04 | |
I then ripped it once, twice, | 0:20:05 | 0:20:07 | |
three times and I told them every snowflake is different. | 0:20:07 | 0:20:11 | |
But this is kind of what one looks like. | 0:20:11 | 0:20:14 | |
Yep, your reaction was about the same as my friends'. It's OK. | 0:20:16 | 0:20:21 | |
But I then told them real snowflakes are made out of water | 0:20:21 | 0:20:24 | |
and they never forgot what happened after this. | 0:20:24 | 0:20:26 | |
The reason they never forgot it | 0:20:36 | 0:20:37 | |
was because they were snowed in with him for a fortnight. | 0:20:37 | 0:20:40 | |
It's snowing! | 0:20:45 | 0:20:47 | |
-Do you guys want more? -THEY CHEER | 0:20:47 | 0:20:49 | |
I can't hear you. Do you want more? | 0:20:49 | 0:20:52 | |
More snow? Best not. | 0:20:52 | 0:20:54 | |
How am I going to get home, Nathan? | 0:20:54 | 0:20:56 | |
Check...this...out! | 0:20:56 | 0:20:59 | |
Wow, a snowmobile! I was not expecting that. | 0:21:00 | 0:21:04 | |
The only snowmobile in Hollywood. | 0:21:04 | 0:21:05 | |
Brilliant illusion, although this childhood memory | 0:21:05 | 0:21:08 | |
has gone a bit weird. | 0:21:08 | 0:21:09 | |
Touch the top of one card. There we go, pick it up for me. | 0:21:10 | 0:21:13 | |
Have a look at it, make sure I can't see it, show your friends. | 0:21:13 | 0:21:16 | |
-Yep, you done that? -Yeah. | 0:21:16 | 0:21:18 | |
-Beautiful, put it back in the pack. -On the top? | 0:21:18 | 0:21:20 | |
On the top. We're going to put it in the middle. Is that fair? | 0:21:20 | 0:21:23 | |
Fair, in the middle? OK, lovely. | 0:21:23 | 0:21:25 | |
Now, we've had a lot of tricks with phones on this show, | 0:21:25 | 0:21:27 | |
so let's try something completely different | 0:21:27 | 0:21:29 | |
with a trick that uses some mobile phone earphones. | 0:21:29 | 0:21:32 | |
Hold it like that, like this. OK. Oh, amazing. | 0:21:32 | 0:21:36 | |
And I have my headphones. | 0:21:36 | 0:21:40 | |
OK, I've got my headphones. | 0:21:40 | 0:21:41 | |
That looks like a charger. | 0:21:41 | 0:21:43 | |
Here we go. Here we go, headphones. | 0:21:43 | 0:21:46 | |
Hold it up like this, beautiful. OK, so here we go. | 0:21:47 | 0:21:49 | |
Here are my headphones. | 0:21:49 | 0:21:51 | |
OK, I love you smelling it. That's Versace right there. | 0:21:51 | 0:21:53 | |
Here we go, guys. Remember your card, yeah? | 0:21:53 | 0:21:56 | |
OK, I'm going to take the headphones. | 0:21:56 | 0:21:57 | |
I'm going to go in like this and I'm going to try and find your card. | 0:21:57 | 0:22:01 | |
Here we go, I'm going to use a bit of fishing. | 0:22:01 | 0:22:03 | |
-Here we go, do you remember your card? -Yes. -Do you remember? | 0:22:03 | 0:22:06 | |
-How crazy is that? -Ah! | 0:22:06 | 0:22:08 | |
-No, that's weird. -It's a lie! -How did you do that? | 0:22:11 | 0:22:15 | |
Yeah, how did you do that? | 0:22:15 | 0:22:16 | |
Yeah, how did he do that? How did he do that? Yeah, how did he do that? | 0:22:16 | 0:22:20 | |
Time now for some inexplicable mind control as we enjoy | 0:22:20 | 0:22:23 | |
the mystifying magic of Katherine Mills. | 0:22:23 | 0:22:25 | |
I hear that you're a bit of a bookworm, is that right? | 0:22:25 | 0:22:28 | |
Yeah, to some extent. | 0:22:28 | 0:22:30 | |
OK, did you have a favourite book that you liked to read | 0:22:30 | 0:22:33 | |
-when you were younger? -Hobbit. -The Hobbit? -Yes. -Good choice. | 0:22:33 | 0:22:36 | |
This is one of Britain's biggest bookshops. | 0:22:37 | 0:22:40 | |
There's actually over 200,000 books in here, and what I want you to do | 0:22:40 | 0:22:44 | |
is choose one single book from the entire 200,000. | 0:22:44 | 0:22:49 | |
She can do this with an online bookseller, but it does | 0:22:49 | 0:22:52 | |
take five to ten working days to get to the finale. | 0:22:52 | 0:22:55 | |
Barrington has a one-in-200,000 choice to make, | 0:22:55 | 0:22:58 | |
a completely free decision, except it's not. | 0:22:58 | 0:23:02 | |
I'm going to influence Barrington to choose one specific book in here | 0:23:02 | 0:23:06 | |
and I'm so confident that I'm going to get that book right, | 0:23:06 | 0:23:09 | |
that I've written it down here. | 0:23:09 | 0:23:11 | |
This is it. Are We Being Watched? | 0:23:13 | 0:23:16 | |
I hope so or I may as well go home. | 0:23:16 | 0:23:19 | |
The first decision I want you to make is do we go down a floor, | 0:23:19 | 0:23:23 | |
stay on this floor or go up? | 0:23:23 | 0:23:26 | |
-What do you want to do? -Erm, go up. -Go up. Yeah. | 0:23:26 | 0:23:29 | |
Second decision for you. | 0:23:30 | 0:23:31 | |
-Do you want to go in this direction? -OK. | 0:23:31 | 0:23:35 | |
Or that direction? | 0:23:35 | 0:23:38 | |
Erm, this direction. | 0:23:38 | 0:23:40 | |
This direction, OK, great. | 0:23:40 | 0:23:42 | |
Do you want to go in this direction, this direction or that direction? | 0:23:42 | 0:23:47 | |
-That direction. -This direction? -Yeah. | 0:23:47 | 0:23:49 | |
Do you feel you are more drawn to this part of the bookshop? | 0:23:49 | 0:23:53 | |
Or this part of the bookshop? | 0:23:55 | 0:23:59 | |
-What do you feel? -This way. -That part. | 0:23:59 | 0:24:01 | |
Great, let's head down there. So, do you want that way or this way? | 0:24:01 | 0:24:05 | |
-This way. -This way, OK, great. | 0:24:05 | 0:24:08 | |
Right, we've ended up here. | 0:24:08 | 0:24:09 | |
We've got lots of different topics of books here. | 0:24:09 | 0:24:13 | |
-What do you want to go for? -Popular science. | 0:24:13 | 0:24:15 | |
-Popular science. -Yes. | 0:24:15 | 0:24:17 | |
-So, what shelf do you want to go for? -I'm going to go with third. | 0:24:17 | 0:24:20 | |
Third one. Just pick out which book you'd like. | 0:24:20 | 0:24:23 | |
Yeah. | 0:24:26 | 0:24:28 | |
What book have you chosen? | 0:24:29 | 0:24:31 | |
-Are We Being Watched? -By Paul Murdin. | 0:24:31 | 0:24:34 | |
You know, the entire time I've been trying to lead you. | 0:24:34 | 0:24:39 | |
OK. | 0:24:39 | 0:24:40 | |
And I was so confident that right before we started, | 0:24:40 | 0:24:44 | |
I wrote down a book that I thought you would choose. | 0:24:44 | 0:24:49 | |
Are We Being Watched? | 0:24:49 | 0:24:50 | |
-OK. -What was that book that you said that you loved? What was it? | 0:24:50 | 0:24:55 | |
-The Hobbit. -The Hobbit? | 0:24:55 | 0:24:57 | |
Open up the book, have a look inside. | 0:24:57 | 0:25:00 | |
I already know from the first page what this is. | 0:25:00 | 0:25:03 | |
-Let's have a look. -Yeah, The Hobbit. | 0:25:03 | 0:25:06 | |
-OK, that is random. -Or is it random? | 0:25:08 | 0:25:12 | |
If you thought that was amazing, | 0:25:12 | 0:25:14 | |
check out this optical illusion in New York City. | 0:25:14 | 0:25:16 | |
Is it a bird? Is it a plane? | 0:25:17 | 0:25:19 | |
Or is it a sort of balsawood model of a person | 0:25:22 | 0:25:24 | |
piloted by remote control? | 0:25:24 | 0:25:26 | |
It's brilliant, you could make your own superhero movie | 0:25:27 | 0:25:30 | |
with only some sticky back plastic. | 0:25:30 | 0:25:33 | |
Although not quite so much fun when the batteries run out, | 0:25:33 | 0:25:36 | |
unless you like a swim. | 0:25:36 | 0:25:37 | |
Time now to join the always ambitious Criss Angel | 0:25:39 | 0:25:41 | |
for a record-breaking big finish. | 0:25:41 | 0:25:43 | |
-Are you ready? -THEY CHEER | 0:25:44 | 0:25:46 | |
I'm ready, Criss! Whoo! | 0:25:46 | 0:25:48 | |
Sorry, I went a bit American there. | 0:25:48 | 0:25:50 | |
We are here in the ballroom, | 0:25:50 | 0:25:54 | |
at the Luxor Las Vegas, | 0:25:54 | 0:25:56 | |
to set a new Guinness Book Of World Record! | 0:25:56 | 0:26:02 | |
-Feel the excitement. -I want these locked tighter, Doug. | 0:26:02 | 0:26:05 | |
I want them locked tighter. | 0:26:05 | 0:26:07 | |
If this is a card trick, I'll be very disappointed. | 0:26:07 | 0:26:09 | |
If you could do me a favour and just kind of split back there. | 0:26:09 | 0:26:12 | |
Everybody just split the other way. | 0:26:12 | 0:26:14 | |
Split that way, you split that way. | 0:26:14 | 0:26:16 | |
-Just like you're parting the... -Red Sea, Criss. It's the Red Sea. | 0:26:16 | 0:26:19 | |
Chains all the way round. | 0:26:19 | 0:26:21 | |
And I want you to see that that goes over here as well. | 0:26:21 | 0:26:23 | |
A crowd of people handcuffed together? | 0:26:23 | 0:26:25 | |
You've got me interested, Criss. | 0:26:25 | 0:26:27 | |
Actually, he's about to break the record for the most people | 0:26:27 | 0:26:31 | |
to disappear at the same time. | 0:26:31 | 0:26:33 | |
If you are by a side, I need you to help me pick up the curtain, | 0:26:33 | 0:26:36 | |
just lean down and gently bring it up for me. | 0:26:36 | 0:26:39 | |
Stop right about there, good. Perfect. | 0:26:39 | 0:26:42 | |
As you can see, folks, | 0:26:42 | 0:26:43 | |
do you see yourselves on the monitor right there? | 0:26:43 | 0:26:47 | |
This is my point of view, my POV camera, | 0:26:47 | 0:26:51 | |
and you're going to see everything as it unfolds. | 0:26:51 | 0:26:54 | |
I need you to be silent, I need you to listen to what I'm saying. | 0:26:54 | 0:26:58 | |
Now what were going to do is raise up the curtain. | 0:26:59 | 0:27:02 | |
Raise up the curtain. | 0:27:02 | 0:27:03 | |
I want you to see the impossible conditions. We have 100 people here. | 0:27:04 | 0:27:09 | |
Literally people completely random, on the ground, handcuffed | 0:27:09 | 0:27:13 | |
to the ankle of the person next to them. | 0:27:13 | 0:27:16 | |
Completely impossible conditions. | 0:27:18 | 0:27:20 | |
I want everybody to close your eyes now. | 0:27:20 | 0:27:23 | |
Completely close your eyes. | 0:27:23 | 0:27:26 | |
I hope you're not stealing their valuables, Criss. | 0:27:26 | 0:27:29 | |
Close your eyes, I'm going to go in the centre over here. | 0:27:29 | 0:27:32 | |
I want everybody to take a deep breath in through your nose, | 0:27:32 | 0:27:35 | |
out through your mouth. | 0:27:35 | 0:27:36 | |
Yeah, this is just normal breathing, by the way, Criss. | 0:27:36 | 0:27:39 | |
You can't take credit for that. | 0:27:39 | 0:27:41 | |
..completely becoming invisible. | 0:27:41 | 0:27:44 | |
Believe that you can become invisible. Feel nothing. | 0:27:45 | 0:27:49 | |
-It's going to happen. -I believe, I believe. | 0:27:49 | 0:27:52 | |
-One! -Whoa! | 0:27:52 | 0:27:54 | |
-Oh, what's happening. Where am I? -Two! Three! Now! | 0:27:54 | 0:27:58 | |
-Agh! -Where have they all gone? | 0:28:00 | 0:28:02 | |
That's the most people to disappear out of a ballroom | 0:28:02 | 0:28:04 | |
since Jeremy Vine took to the floor on Strictly. | 0:28:04 | 0:28:07 | |
Let's have a look at that again from another angle. | 0:28:07 | 0:28:10 | |
It's even more impressive. | 0:28:10 | 0:28:11 | |
They have vanished and now, sadly, so must we. | 0:28:14 | 0:28:17 | |
Done! Bam! | 0:28:17 | 0:28:20 | |
We've seen some One Direction. | 0:28:20 | 0:28:22 | |
Join us next time for more magic and misdirection. | 0:28:22 | 0:28:25 | |
SHE SCREAMS | 0:28:25 | 0:28:26 | |
I can promise you tricks that'll make you go... | 0:28:26 | 0:28:28 | |
What in the world? | 0:28:28 | 0:28:30 | |
Magic. | 0:28:32 | 0:28:33 | |
Oh, come on. Cheer up, mate. | 0:28:33 | 0:28:35 | |
Aw! | 0:28:35 | 0:28:36 |