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Hello and welcome to Only Connect. | 0:00:21 | 0:00:24 | |
If knowledge is fashionable, | 0:00:24 | 0:00:25 | |
then this show is the ultimate catwalk, | 0:00:25 | 0:00:27 | |
in the sense that backstage, | 0:00:27 | 0:00:29 | |
there's nothing to eat and everyone's throwing up. | 0:00:29 | 0:00:32 | |
But knowledge ISN'T fashionable, | 0:00:32 | 0:00:34 | |
as we'll find out in a moment. | 0:00:34 | 0:00:36 | |
Let's meet the teams. | 0:00:36 | 0:00:38 | |
On my right, Mick Hodgkin, a crossword compiler and Arsenal fan | 0:00:38 | 0:00:43 | |
who's written a history of the world in 100 limericks. | 0:00:43 | 0:00:46 | |
John Tozer, a data scientist | 0:00:46 | 0:00:48 | |
who's distantly related to the noted architect Charles Holden. | 0:00:48 | 0:00:52 | |
And their captain, Richard Heald, | 0:00:52 | 0:00:55 | |
a keen Scrabbler who's able to say and spell | 0:00:55 | 0:00:58 | |
the longest place name in the world. | 0:00:58 | 0:00:59 | |
United by a compunction for competitive crossword clue writing, | 0:00:59 | 0:01:03 | |
they are the Cluesmiths. | 0:01:03 | 0:01:05 | |
Richard, you won your first game against the Operational Researchers, | 0:01:05 | 0:01:09 | |
then lost to the Yorkers. | 0:01:09 | 0:01:11 | |
More to the point, what IS the longest place name in the world? | 0:01:11 | 0:01:15 | |
It's 85 letters long, Victoria. And let's hear it. | 0:01:15 | 0:01:19 | |
Oh, OK. Um... HE CLEARS HIS THROAT | 0:01:19 | 0:01:22 | |
Taumata whakatangi hangakoauau o tamatea turi pukakapiki maunga | 0:01:22 | 0:01:26 | |
horo nuku pokai whenua kitanatahu. | 0:01:26 | 0:01:28 | |
Easy for you to say. They must sell enormous postcards. | 0:01:28 | 0:01:32 | |
Have you been there or is this just a quiz fact? Never been there. | 0:01:32 | 0:01:36 | |
Maybe one day. Maybe you can treat yourself to a trip | 0:01:36 | 0:01:38 | |
with the winnings from this show. Oh, no, hang on... That won't work. | 0:01:38 | 0:01:41 | |
You are facing tonight, on my left, | 0:01:41 | 0:01:44 | |
Chris Beer, an English graduate | 0:01:44 | 0:01:46 | |
who enjoys reading biographies of Napoleon | 0:01:46 | 0:01:48 | |
and was once interviewed as a Healthy Schools representative | 0:01:48 | 0:01:52 | |
on BBC Radio Lincolnshire. | 0:01:52 | 0:01:54 | |
Ewan MacAulay, a chemistry student who was attacked by dogs | 0:01:54 | 0:01:58 | |
owned by a local beekeeper in Kurdistan. | 0:01:58 | 0:02:01 | |
And their captain, Sam Swift, | 0:02:01 | 0:02:03 | |
a policy researcher who once had a detailed conversation | 0:02:03 | 0:02:06 | |
about drink-driving with the British ambassador to Iceland | 0:02:06 | 0:02:09 | |
and Tommy Walsh from Ground Force. | 0:02:09 | 0:02:11 | |
United in spirit, they are the Mixologists. | 0:02:11 | 0:02:14 | |
You lost your first game against the Spaghetti Westerners | 0:02:14 | 0:02:17 | |
and then won against the Collectors. How was that last game for you? | 0:02:17 | 0:02:20 | |
Tense, close, harrowing | 0:02:20 | 0:02:23 | |
and it was a good job we were all wearing dark trousers. | 0:02:23 | 0:02:25 | |
Is there anything that you might have revised before this next game, | 0:02:25 | 0:02:29 | |
having learned from last time? Um, nothing particularly comes to mind. | 0:02:29 | 0:02:33 | |
Hopefully, we can have another good Wall. | 0:02:33 | 0:02:35 | |
We've been scared of the Wall, but I think we can break it down. | 0:02:35 | 0:02:38 | |
Confident, fighting talk. | 0:02:38 | 0:02:41 | |
Before we get to the Wall, we're going play Rounds One and Two. | 0:02:41 | 0:02:45 | |
Let's start with you, Cluesmiths. You won the toss. | 0:02:45 | 0:02:47 | |
Please choose an Egyptian hieroglyph. Eye of Horus, please. | 0:02:47 | 0:02:51 | |
OK. What is the connection between four apparently random clues? | 0:02:51 | 0:02:55 | |
Here's the first. | 0:02:55 | 0:02:57 | |
INAUDIBLE MURMURING | 0:02:58 | 0:03:01 | |
Next. | 0:03:03 | 0:03:04 | |
An entry in a dictionary. Oh, OK... | 0:03:05 | 0:03:08 | |
An entry in a dictionary... Definition? Definition? | 0:03:08 | 0:03:12 | |
Next, please. | 0:03:12 | 0:03:14 | |
Your flexible friend. It's Access. It's Access. Yes. | 0:03:14 | 0:03:19 | |
Shall we go for access? | 0:03:19 | 0:03:21 | |
BELL | 0:03:21 | 0:03:22 | |
Is it access? Not the answer, I'm afraid, | 0:03:22 | 0:03:25 | |
so I'm going to show the fourth clue to the Mixologists. | 0:03:25 | 0:03:28 | |
You have the chance of a bonus point. OK, er... | 0:03:28 | 0:03:31 | |
It was the Excel. | 0:03:31 | 0:03:33 | |
No, that's not it either. | 0:03:33 | 0:03:36 | |
Now, the third clue is Access, the fourth clue is Excel. | 0:03:36 | 0:03:39 | |
Oh! The first one, Matthew Bannister's show, is Outlook. | 0:03:39 | 0:03:42 | |
And entry in a dictionary is Word. You're groaning. | 0:03:42 | 0:03:44 | |
Do you know the answer now? Yes, Microsoft Office programmes. | 0:03:44 | 0:03:48 | |
Microsoft software, yes. | 0:03:48 | 0:03:50 | |
Outlook, Word, Access, Excel. | 0:03:50 | 0:03:53 | |
Together they make Microsoft software. | 0:03:53 | 0:03:56 | |
Unlucky. No bonus point, but you do get to choose your own question. | 0:03:56 | 0:04:00 | |
Two Reeds, please. Two Reeds. These are going to be picture clues. | 0:04:00 | 0:04:03 | |
Something connects them, but what is it? | 0:04:03 | 0:04:06 | |
Here's the first. | 0:04:06 | 0:04:07 | |
Grampa Abe and a bassoon. Bassoon Abe? Bassoon Simpson? | 0:04:08 | 0:04:11 | |
Bassoon Grampa? OK, next, please. | 0:04:11 | 0:04:14 | |
That's a flute. Bird. Abe, bird... | 0:04:16 | 0:04:19 | |
Are they jazz musicians and the instruments they played? | 0:04:20 | 0:04:23 | |
And the instruments they played. Yeah, who's Abe? | 0:04:23 | 0:04:25 | |
Bird is Charlie Bird Parker. Charlie Bird Parker. Did he play the flute? | 0:04:25 | 0:04:29 | |
I don't know. Shall we get the next one? Next. | 0:04:29 | 0:04:32 | |
Top cat and a clarinet. | 0:04:32 | 0:04:34 | |
I think it... Nicknames of jazz musicians? | 0:04:34 | 0:04:37 | |
Shall we just get the last one? | 0:04:37 | 0:04:39 | |
Yeah. Next. | 0:04:39 | 0:04:42 | |
A fox and a French horn. BELL | 0:04:42 | 0:04:46 | |
OK, jazz musicians and their nicknames and instruments. | 0:04:46 | 0:04:49 | |
That is not the answer, I'm afraid. We'll come back to that in a minute, | 0:04:49 | 0:04:53 | |
but Cluesmiths, do you want to go for a bonus point? | 0:04:53 | 0:04:55 | |
We were thinking on similar lines. Wait. Is it Peter And The Wolf? | 0:04:55 | 0:04:58 | |
The instruments representing the animals? | 0:04:58 | 0:05:00 | |
It is Peter And The Wolf. | 0:05:00 | 0:05:02 | |
Right back at clue one, when you said, "Bassoon, Grampa", | 0:05:02 | 0:05:05 | |
that was your way in. | 0:05:05 | 0:05:07 | |
They are characters in Prokofiev's Peter And The Wolf | 0:05:12 | 0:05:15 | |
and the associated instruments. Well done, Cluesmiths. | 0:05:15 | 0:05:18 | |
You have a bonus point. Which question would you like? | 0:05:18 | 0:05:21 | |
Water, please. Water. What is the connection between these clues? | 0:05:21 | 0:05:24 | |
Here's the first. | 0:05:24 | 0:05:26 | |
INAUDIBLE MURMURING | 0:05:27 | 0:05:30 | |
Next. | 0:05:37 | 0:05:39 | |
.ci. .ci... This must be... 101. | 0:05:43 | 0:05:46 | |
It could be an internet domain... Next. | 0:05:46 | 0:05:49 | |
Epithet for Mary... Epithet for Mary? | 0:05:51 | 0:05:54 | |
Virgin? Virgin Islands? Channel Islands, yeah. | 0:05:54 | 0:05:58 | |
Shall we go for it? BELL | 0:05:58 | 0:06:00 | |
Is it islands? No, it is not, | 0:06:00 | 0:06:03 | |
as you'll discover when I show the fourth clue to the Mixologists. | 0:06:03 | 0:06:07 | |
A possible bonus point. Pff, er, um... | 0:06:07 | 0:06:10 | |
Mary is Theotoki, I think. OK, we'll go for that | 0:06:11 | 0:06:14 | |
cos that sounds good. Theotoki. | 0:06:14 | 0:06:16 | |
Not the answer either. Now, of course, when you see... Oh! | 0:06:16 | 0:06:20 | |
What was tickled en masse by Liberace? Keys. | 0:06:20 | 0:06:22 | |
There's only one possible answer to that. Ivories, the ivories. | 0:06:22 | 0:06:26 | |
That's all he tickled, nothing else. | 0:06:26 | 0:06:28 | |
In the first clue - that's a tricky one - | 0:06:28 | 0:06:29 | |
it's the purity of ivory soap. | 0:06:29 | 0:06:32 | |
99 and 44/100% was the boast of ivory soap. | 0:06:32 | 0:06:38 | |
.ci is the internet domain code for the Ivory Coast. | 0:06:38 | 0:06:40 | |
There are many epithets for Mary, of course, | 0:06:40 | 0:06:43 | |
but Ivory Tower is one of them. And what did Liberace tickle? | 0:06:43 | 0:06:48 | |
On a good day, it was the ivories. Mmm. | 0:06:48 | 0:06:50 | |
Mixologists, what would you like? Twisted Flax, please. Twisted Flax. | 0:06:50 | 0:06:54 | |
What is the connection between these clues? | 0:06:54 | 0:06:56 | |
Here's the first. | 0:06:56 | 0:06:58 | |
216 is 6 cubed. 6 cubed, so 666. | 0:06:59 | 0:07:02 | |
6 x 6 x 6. Yeah. That means evil. | 0:07:02 | 0:07:06 | |
Next, please. | 0:07:06 | 0:07:08 | |
376. When was...? Oh... | 0:07:09 | 0:07:11 | |
Are these amendments to something or designations or something? | 0:07:11 | 0:07:14 | |
Or acts? Acts. Next, please. | 0:07:14 | 0:07:17 | |
Polygraphy? Lie detection. Lie detection. OK. | 0:07:20 | 0:07:23 | |
Things about...? Next, please. | 0:07:24 | 0:07:27 | |
INAUDIBLE DISCUSSION | 0:07:29 | 0:07:33 | |
Three seconds. BELL | 0:07:33 | 0:07:37 | |
Um, things that were outlawed by Cromwell. | 0:07:37 | 0:07:41 | |
No, although I like the idea of outlawing evil. | 0:07:41 | 0:07:43 | |
That's my kind of law. | 0:07:43 | 0:07:45 | |
No, Cluesmiths, bonus opportunity for you. | 0:07:45 | 0:07:49 | |
Um... It's a numerical one. And... | 0:07:49 | 0:07:51 | |
..we can't see it. You can't do it? | 0:07:52 | 0:07:54 | |
Is it something to do with 6? No, it isn't. | 0:07:54 | 0:07:57 | |
I loved what you were doing at the beginning there with the 666 | 0:07:57 | 0:08:00 | |
and can you do it by maths? | 0:08:00 | 0:08:02 | |
No, it's simply the Dewey Decimal System of classifying books. | 0:08:02 | 0:08:05 | |
These are depreciated classifications. | 0:08:05 | 0:08:07 | |
They are former Dewey classifications for books in libraries. Of course! | 0:08:07 | 0:08:12 | |
Of course, now you look at it. It's all on computer now. | 0:08:12 | 0:08:14 | |
Yes, I think, initially, education of women was filed under evil | 0:08:14 | 0:08:17 | |
and then they later got rid of all of them. Yes, the Dewey System. | 0:08:17 | 0:08:21 | |
Right, come on, everyone. Time to wake up and get some points. | 0:08:21 | 0:08:24 | |
Cluesmiths, you've got the last choice of the round. Lion, please. | 0:08:24 | 0:08:27 | |
Lion. What is the connection between these clues? | 0:08:27 | 0:08:30 | |
Here's the first. | 0:08:30 | 0:08:32 | |
INAUDIBLE MURMURING | 0:08:34 | 0:08:36 | |
Is it Egyptian pharaohs? | 0:08:36 | 0:08:38 | |
Next, please. | 0:08:38 | 0:08:40 | |
INAUDIBLE MURMURING | 0:08:42 | 0:08:44 | |
Son of. Oh, son of. Yes, yes. | 0:08:44 | 0:08:46 | |
Is it son of? Yes. Shall we go for it? | 0:08:46 | 0:08:49 | |
BELL Is it son of? | 0:08:49 | 0:08:51 | |
Coming in after two clues, you get 3 points. Son of. | 0:08:51 | 0:08:54 | |
What can you tell me about the clues? | 0:08:54 | 0:08:56 | |
We can do the last one. | 0:08:56 | 0:08:58 | |
Son of Sam was the serial killer David Berkowitz. That's right. | 0:08:58 | 0:09:02 | |
Son of... Son of perdition is an epithet for Judas. | 0:09:02 | 0:09:07 | |
Yes, who said that? Jesus. | 0:09:07 | 0:09:09 | |
Jesus referred to Judas as the son of perdition. | 0:09:09 | 0:09:12 | |
The son of a preacher man was the only man who ever loved her. | 0:09:12 | 0:09:14 | |
He was the only man who ever loved Dusty Springfield, | 0:09:14 | 0:09:17 | |
according to that song. And Amenhotep was referred to | 0:09:17 | 0:09:20 | |
as son of Hapu to distinguish him | 0:09:20 | 0:09:22 | |
from King Amenhotep III in ancient Egypt. | 0:09:22 | 0:09:25 | |
He was a sort of Egyptian official, later deified. All son of. Well done. | 0:09:25 | 0:09:30 | |
OK, final question and last chance to score for you, Mixologists. | 0:09:30 | 0:09:34 | |
It's the Horned Viper. MUSICAL CHORD | 0:09:34 | 0:09:37 | |
The music question, of course. We should have known it was coming. | 0:09:37 | 0:09:40 | |
What is the connection between these clues? Here's the first. | 0:09:40 | 0:09:43 | |
# Well, I wish it could be Christmas every day.. # Next. | 0:09:43 | 0:09:48 | |
# Life goes on around him everywhere... # | 0:09:48 | 0:09:51 | |
That sounds like John Denver, but I don't know. | 0:09:51 | 0:09:55 | |
Um, shall we get the next one? Yeah. Next. | 0:09:55 | 0:09:59 | |
# Every... # Katy Perry, Domino. | 0:09:59 | 0:10:02 | |
No, it's Jesse J, Domino. | 0:10:02 | 0:10:04 | |
Wizard... Wizard, Jesse J, Domino... | 0:10:04 | 0:10:07 | |
Wishing it was Christmas every day, domino... | 0:10:07 | 0:10:09 | |
Another. Next, please. | 0:10:09 | 0:10:12 | |
# Let me take you down cos I'm going to... # Strawberry Fields Forever. | 0:10:12 | 0:10:17 | |
MUSIC DROWNS SPEECH | 0:10:17 | 0:10:20 | |
Three seconds. | 0:10:20 | 0:10:22 | |
BELL | 0:10:22 | 0:10:23 | |
Um, let's go that they are all films with Keira Knightley in them. | 0:10:23 | 0:10:29 | |
I'm afraid they are not all films with Keira Knightley in them. | 0:10:29 | 0:10:32 | |
So, a last bonus chance for you, Cluesmiths. | 0:10:32 | 0:10:35 | |
Are they all related to games? | 0:10:35 | 0:10:37 | |
No... Computer games? The middle two are but not the first and last. | 0:10:37 | 0:10:42 | |
It is more about films. Now, this is a difficult one. | 0:10:42 | 0:10:46 | |
The first tricky, oblique one, I Wish It Could Be Christmas Every Day. | 0:10:46 | 0:10:50 | |
Christmas is the key word. Next one is Solitaire, then Domino. | 0:10:50 | 0:10:54 | |
They're Bond girls. Then Strawberry Fields Forever. Oh! | 0:10:54 | 0:10:57 | |
Once again, you're going, "Oh!" At the last minute. | 0:10:57 | 0:10:59 | |
Do you know now? Are they Bond girls? It is Bond girls. | 0:10:59 | 0:11:02 | |
We're thinking about Christmas Jones from The World Is Not Enough, | 0:11:02 | 0:11:05 | |
Solitaire from Live And Let Die, Domino from...? Oh, um, er... | 0:11:05 | 0:11:12 | |
That one. Exactly, Thunderball. | 0:11:12 | 0:11:14 | |
And Strawberry Fields from the recent one, Quantum Of Solace. | 0:11:14 | 0:11:17 | |
It was Gemma Arterton. Poor boys! | 0:11:17 | 0:11:19 | |
You have spent the whole round going, "Oh!", just at the last minute. | 0:11:19 | 0:11:23 | |
And there again, Bond girls. | 0:11:23 | 0:11:25 | |
That means, at the end of Round One... | 0:11:25 | 0:11:27 | |
Round Two isn't going to be any easier, I'm afraid. | 0:11:34 | 0:11:36 | |
There are still four connective clues, but this time, | 0:11:36 | 0:11:38 | |
they come in a sequence and I want to know what the fourth one is. | 0:11:38 | 0:11:42 | |
Cluesmiths, you'll be going first again. Please choose a hieroglyph. | 0:11:42 | 0:11:46 | |
Two Reeds, please. Two Reeds. You will see the first in a sequence. | 0:11:46 | 0:11:49 | |
I want to know what comes fourth. | 0:11:49 | 0:11:51 | |
Time starts now. | 0:11:51 | 0:11:52 | |
Next. | 0:11:57 | 0:11:59 | |
INAUDIBLE MURMURING | 0:12:00 | 0:12:03 | |
INAUDIBLE DISCUSSION | 0:12:03 | 0:12:06 | |
Is it, um...absolute zero? Don't know. | 0:12:06 | 0:12:09 | |
Um... Next, please. | 0:12:09 | 0:12:11 | |
INAUDIBLE MURMURING | 0:12:12 | 0:12:15 | |
Um, we can't get a sequence. | 0:12:23 | 0:12:26 | |
Any ideas at all? Do you recognise those numbers? Three seconds. | 0:12:26 | 0:12:29 | |
That's it, I'm afraid. You're out of time. | 0:12:31 | 0:12:34 | |
So, another bonus opportunity for you, Mixologists. | 0:12:34 | 0:12:38 | |
Ewan, as our token scientist, is going to take a stab in the dark. | 0:12:38 | 0:12:41 | |
Let's hear it. Um, it's the... | 0:12:41 | 0:12:44 | |
It's the boiling and melting points of iodine. | 0:12:44 | 0:12:47 | |
Um, so... | 0:12:47 | 0:12:48 | |
I'm afraid this is far too long for your scientific brain | 0:12:48 | 0:12:52 | |
to come to the point. | 0:12:52 | 0:12:54 | |
No, the answer is Top: 100 and 212. | 0:12:54 | 0:12:57 | |
You're in the right area. | 0:12:57 | 0:12:58 | |
It's the marker points of Celsius and Fahrenheit | 0:12:58 | 0:13:01 | |
and it's the bottom and then the top | 0:13:01 | 0:13:03 | |
and we want to hear 100 and then it's equivalent 212. | 0:13:03 | 0:13:07 | |
Celsius and Fahrenheit marker points, expressed in both scales. | 0:13:07 | 0:13:12 | |
All right, Mixologists. | 0:13:12 | 0:13:13 | |
Is this going to be the moment you get off the blocks? I feel it is. | 0:13:13 | 0:13:17 | |
What is the hieroglyph of glory? Eye of Horus. The Eye of Horus. | 0:13:17 | 0:13:20 | |
What would come fourth in this sequence? | 0:13:20 | 0:13:23 | |
Here's the first. | 0:13:23 | 0:13:25 | |
General Grievous in Revenge Of The Sith. He's got four light sabres. | 0:13:25 | 0:13:29 | |
He's got four light sabres. Next, please. | 0:13:29 | 0:13:33 | |
Captain America. Easy Rider? | 0:13:33 | 0:13:37 | |
Easy Rider. Captain America is played by Chris... | 0:13:37 | 0:13:41 | |
Chris... Evans. Chris Evans. Next, please. | 0:13:41 | 0:13:45 | |
Three wheels? Ooh. | 0:13:47 | 0:13:50 | |
Cos he rides a one-wheel thing, two wheels, | 0:13:50 | 0:13:52 | |
three wheels and four wheels. OK, so Batman. Yeah, Batman. | 0:13:52 | 0:13:55 | |
BELL So, Batman. For what reason? | 0:13:55 | 0:13:58 | |
The Batmobile has four wheels. Then it's an acceptable answer. | 0:13:58 | 0:14:02 | |
We were thinking of Mr Toad from The Wind In The Willows, | 0:14:02 | 0:14:04 | |
but anybody with a four-wheeled vehicle. And why? | 0:14:04 | 0:14:07 | |
Because General Grievous, as Ewan... Has a one-wheeled vehicle. | 0:14:07 | 0:14:10 | |
A sort of giant hamster wheel, isn't it, his vehicle? | 0:14:10 | 0:14:13 | |
Easy Rider is Captain America's motorbike. | 0:14:13 | 0:14:15 | |
That is the motorbike movie. | 0:14:15 | 0:14:17 | |
The famous yellow Robin Reliant. | 0:14:17 | 0:14:19 | |
Del Boy in Only Fools And Horses has a three-wheeled van, | 0:14:19 | 0:14:22 | |
so one, two, three and four wheels. Well done. At last, 2 points. | 0:14:22 | 0:14:27 | |
Enjoy that water. It's well-earned! | 0:14:27 | 0:14:29 | |
OK, Cluesmiths, what would you like? Twisted Flax, please. | 0:14:29 | 0:14:32 | |
The Twisted Flax. What would come fourth in this sequence? | 0:14:32 | 0:14:35 | |
Here's the first. | 0:14:35 | 0:14:37 | |
INAUDIBLE MURMURING | 0:14:38 | 0:14:41 | |
Next. | 0:14:41 | 0:14:43 | |
INAUDIBLE MURMURING | 0:14:44 | 0:14:47 | |
Shall we get one more? Yeah, get another one. Next. | 0:14:49 | 0:14:53 | |
Corsica? Let's just go for Corsica. | 0:14:55 | 0:14:57 | |
Is it islands in the...? BELL | 0:14:57 | 0:15:01 | |
Is it Corsica? Not the answer, I'm afraid. | 0:15:01 | 0:15:03 | |
So, Mixologists, your chance to have a go. Sicily. | 0:15:03 | 0:15:07 | |
Sicily is the right answer. And why's that? Islands that... | 0:15:07 | 0:15:10 | |
Do they all belong to Italy, in terms of size? That's it. | 0:15:10 | 0:15:14 | |
It's simply largest Italian islands. A standard geography question. | 0:15:14 | 0:15:18 | |
And the next in the sequence would be Sicily. | 0:15:18 | 0:15:21 | |
Mixologists, you get a bonus point and your chance to choose. | 0:15:21 | 0:15:23 | |
Horned Viper, please. OK. What would come fourth in this sequence? | 0:15:23 | 0:15:27 | |
These are going to be picture clues, | 0:15:27 | 0:15:28 | |
so what would you expect to see in the fourth picture? | 0:15:28 | 0:15:31 | |
Here's the first. | 0:15:31 | 0:15:32 | |
It's a glass of wine, red wine. Next, please. | 0:15:32 | 0:15:35 | |
That's Patrick Moore. | 0:15:37 | 0:15:38 | |
INAUDIBLE MURMURING | 0:15:38 | 0:15:41 | |
Um... Next, please. | 0:15:44 | 0:15:45 | |
Who's that? With the two of them as well. I don't know who it is. | 0:15:47 | 0:15:53 | |
Wine, Moore, red wine... | 0:15:53 | 0:15:56 | |
Famous Moores. Famous Moores. Bobby Moore. Henry Moore. | 0:15:56 | 0:16:00 | |
Is it the England back four? | 0:16:00 | 0:16:03 | |
I think we should just go football or something? Stiles... | 0:16:03 | 0:16:06 | |
BELL | 0:16:06 | 0:16:08 | |
Um, let's put a picture of Damien Hirst. For what reason? | 0:16:08 | 0:16:12 | |
Because that could well be representative of Bobby Moore | 0:16:12 | 0:16:15 | |
and then that could be... | 0:16:15 | 0:16:16 | |
er, Dorothy Stile, so there's Stiles | 0:16:16 | 0:16:20 | |
and then Geoff Hurst, played up front in '66. | 0:16:20 | 0:16:23 | |
With that logic, I'm afraid Damien Hirst | 0:16:23 | 0:16:25 | |
is not an acceptable answer, so Cluesmiths, do you want to have a go? | 0:16:25 | 0:16:28 | |
No. No, sorry. I really like this question. I think this is great fun, | 0:16:28 | 0:16:32 | |
but if you don't recognise the person at clue three, | 0:16:32 | 0:16:35 | |
you never stood any chance at all. That is Cybill Shepherd. | 0:16:35 | 0:16:38 | |
Shepherds. You're all too young for Moonlighting, I think. | 0:16:38 | 0:16:40 | |
That was her big show. And there's two of her. Shepherds. | 0:16:40 | 0:16:43 | |
So, we're looking at Red, Sky At Night, | 0:16:43 | 0:16:46 | |
Shepherds. Oh! | 0:16:46 | 0:16:48 | |
We want an image of delight, for example, | 0:16:48 | 0:16:51 | |
Only Connect and some jubilant scenes from that delightful show. | 0:16:51 | 0:16:55 | |
Oh, dear. That was fun, that question. | 0:16:57 | 0:16:59 | |
Mick, have you written a limerick about Only Connect? I hear you have. | 0:16:59 | 0:17:03 | |
I have got one, if you like, yes. Come on then. OK. | 0:17:03 | 0:17:07 | |
Contestants on Only Connect Are never sure what to expect | 0:17:07 | 0:17:10 | |
We'll pass Eye of Horus Then Lion will floor us | 0:17:10 | 0:17:13 | |
With something we can't recollect. | 0:17:13 | 0:17:15 | |
APPLAUSE | 0:17:15 | 0:17:17 | |
I think that's very good. Update - ALL the clues will floor us. | 0:17:17 | 0:17:20 | |
Yes, that wasn't accurate in terms of...what's happened. | 0:17:20 | 0:17:24 | |
I like that tremendously. | 0:17:24 | 0:17:25 | |
OK, I'm so pleased I'm going to give you the chance to choose a question. | 0:17:25 | 0:17:28 | |
Lion, please. Lion. MUSICAL CHORD | 0:17:28 | 0:17:31 | |
Will the Lion floor you? It's a music sequence. | 0:17:31 | 0:17:33 | |
We just heard the little chord. | 0:17:33 | 0:17:35 | |
So, what would you expect to hear in fourth place? | 0:17:35 | 0:17:38 | |
Here's the first. | 0:17:38 | 0:17:40 | |
# Don't, don't you want me...? # Human League. Next. | 0:17:40 | 0:17:43 | |
# Save your love, my darling, save your love... # | 0:17:43 | 0:17:46 | |
It's successive Christmas number ones. | 0:17:46 | 0:17:48 | |
BELL It's Band Aid, | 0:17:48 | 0:17:51 | |
Do They Know It's Christmas? I don't know what you mean. | 0:17:51 | 0:17:54 | |
You're going to have to perform it for me so that I understand. | 0:17:54 | 0:17:56 | |
I will give you 3 points, but let's hear it. One, two, three, four. | 0:17:56 | 0:18:00 | |
# It's Christmas time There's no need to be afraid. # | 0:18:00 | 0:18:04 | |
Absolutely lovely. In that case, 3 points, very well earned. | 0:18:04 | 0:18:08 | |
Can you explain why? | 0:18:08 | 0:18:09 | |
They're the Christmas number ones of '81, '82, '83 and '84. | 0:18:09 | 0:18:12 | |
Absolutely right. | 0:18:12 | 0:18:13 | |
And the moment you heard... | 0:18:13 | 0:18:15 | |
And the third one was Only You by the Flying Pickets, I believe. | 0:18:15 | 0:18:18 | |
Only You by the Flying Pickets, yes. But you only needed to hear two. | 0:18:18 | 0:18:21 | |
Is that because you're a big fan of the charts | 0:18:21 | 0:18:24 | |
or you've just boned up on your Christmas number ones? | 0:18:24 | 0:18:27 | |
I'm still living in the '80s. | 0:18:27 | 0:18:28 | |
I see. Very well done. Back to you, Mixologists, | 0:18:28 | 0:18:32 | |
for the last question. It's Water. | 0:18:32 | 0:18:34 | |
They were not floored by Lion. | 0:18:34 | 0:18:37 | |
Can you cruise down the Water to point success? | 0:18:37 | 0:18:40 | |
What will be fourth in this sequence? | 0:18:40 | 0:18:41 | |
Here's the first. | 0:18:41 | 0:18:43 | |
These are... The Pevensie children. So, Peter the Great. | 0:18:44 | 0:18:48 | |
In age. So, Lucy's the youngest. So, Peter's the oldest. | 0:18:48 | 0:18:51 | |
INAUDIBLE DISCUSSION | 0:18:51 | 0:18:54 | |
Yes, are you sure? Um... I'm willing to go for it. I'm willing. | 0:18:54 | 0:18:57 | |
I'm willing to go for it. | 0:18:57 | 0:18:59 | |
BELL Peter the Great. | 0:18:59 | 0:19:01 | |
I love your gambling spirit, but I'm afraid that is not the answer. | 0:19:01 | 0:19:05 | |
ALL: Oh! So, Cluesmiths, I'm going to show you | 0:19:05 | 0:19:07 | |
the next two clues in the sequence | 0:19:07 | 0:19:09 | |
and I'd like to know what comes fourth. | 0:19:09 | 0:19:12 | |
Oh, was it Peter? Peter the Brave. Not it either. | 0:19:12 | 0:19:15 | |
You did well to recognise the Pevensie children's titles in Narnia. | 0:19:15 | 0:19:19 | |
We are going up in age. But it was Peter the Magnificent. Was it? Oh! | 0:19:19 | 0:19:23 | |
Peter the Magnificent. Sorry. That's all right. I'm very sorry. | 0:19:23 | 0:19:27 | |
I'd like to have given the 5 points, but I cannot. | 0:19:27 | 0:19:30 | |
At the end of Round Two... | 0:19:30 | 0:19:32 | |
Time now for the Connecting Wall. | 0:19:38 | 0:19:40 | |
The Mixologists will be going first this time. | 0:19:40 | 0:19:42 | |
I really feel I can appreciate your shirt at this point. | 0:19:42 | 0:19:46 | |
"You've cat to be kitten me right meow." | 0:19:46 | 0:19:50 | |
Based on the well-known expression... | 0:19:50 | 0:19:52 | |
You've got to be kidding me right now. Right now? Right now. | 0:19:52 | 0:19:56 | |
I don't know if that's a thing. We're feline good about it. Oh! Oh... | 0:19:56 | 0:20:00 | |
Luckily there's no time for this because we've got to play a Wall. | 0:20:00 | 0:20:04 | |
You've got a choice. Lion or Water? The Lion Wall, please. | 0:20:04 | 0:20:07 | |
You're going with the cat. You've cat to be kitten me right meow. | 0:20:07 | 0:20:12 | |
You have two and a half minutes to solve the Lion Wall, starting now. | 0:20:12 | 0:20:17 | |
Gatsby... Great Gatsby, great dictator... | 0:20:17 | 0:20:20 | |
OK, big, scary, diagonals... Nothing there. Control, Escape... | 0:20:20 | 0:20:24 | |
Enter, Control, Escape, Caps lock. | 0:20:24 | 0:20:27 | |
BUZZ A function? | 0:20:27 | 0:20:29 | |
That's fine. BUZZ | 0:20:29 | 0:20:31 | |
I've done that one but it's all right. | 0:20:31 | 0:20:33 | |
BUZZ Um... | 0:20:33 | 0:20:35 | |
BUZZ Let's do the "greats". | 0:20:35 | 0:20:37 | |
Gatsby, Portrait, Dictator... Great Escape. | 0:20:37 | 0:20:41 | |
BUZZ Great Rock 'n' Roll Swindle. | 0:20:41 | 0:20:43 | |
Not Portrait, Escape. BUZZ | 0:20:43 | 0:20:45 | |
Oh, sorry. Gatsby, Escape, Dictator and Rock 'n' Roll Swindle or... | 0:20:45 | 0:20:48 | |
BUZZ What was the other one we said? | 0:20:48 | 0:20:50 | |
Um... Oh. Defence? Great defence? BUZZ | 0:20:50 | 0:20:53 | |
Oh, hang on, we've also got South African food. | 0:20:53 | 0:20:55 | |
We've got Bunny chow, Biltong... Chakalaka. | 0:20:55 | 0:20:58 | |
Yeah, or um... BUZZ | 0:20:58 | 0:21:00 | |
It's probably... Um, Gatsby. | 0:21:00 | 0:21:03 | |
Beautiful. Right, greats. Three strikes and you're out now. | 0:21:03 | 0:21:06 | |
Dictator, Rock 'n' Roll Swindle... OK, Great Escape. Self portrait. | 0:21:06 | 0:21:10 | |
Yes. Self esteem. Self defence. Hang on. Self-serving. | 0:21:10 | 0:21:14 | |
So, what are these three? Great Waldo... They must be greats, yeah. | 0:21:14 | 0:21:17 | |
The Great Waldo Pepper, it must be, because Great Dictator, | 0:21:17 | 0:21:20 | |
Great Escape and Great Rock 'n' Roll Swindle. Go for it. | 0:21:20 | 0:21:23 | |
Cat to be kitten me right meow! You've solved the Wall. | 0:21:23 | 0:21:27 | |
That's four points immediately for the groups you've found. | 0:21:27 | 0:21:30 | |
What about the connections? | 0:21:30 | 0:21:31 | |
Tell me about the dark blue group, starting Enter. | 0:21:31 | 0:21:34 | |
These are all things you can do on a computer keyboard. | 0:21:34 | 0:21:37 | |
Simple computer keys. | 0:21:37 | 0:21:39 | |
And the second one, Gatsby and the others in the green group. | 0:21:39 | 0:21:43 | |
Chris spotted... These are South African foods. | 0:21:43 | 0:21:46 | |
South African cuisine. | 0:21:46 | 0:21:48 | |
The purple group - Portrait, Serving, Defence, Esteem. | 0:21:48 | 0:21:52 | |
Can all be preceded with the word "self". | 0:21:52 | 0:21:53 | |
Self portrait, self-serving, self defence, self esteem. | 0:21:53 | 0:21:56 | |
And the light blue group, starting Waldo Pepper. | 0:21:56 | 0:21:59 | |
They're all films that are preceded with the word "Great". That's right. | 0:21:59 | 0:22:02 | |
You don't remember the Great Waldo Pepper? | 0:22:02 | 0:22:04 | |
This might have been before our time. | 0:22:04 | 0:22:06 | |
I suppose you wouldn't remember it. | 0:22:06 | 0:22:08 | |
Robert Redford plays a pilot. Does he? | 0:22:08 | 0:22:10 | |
Not great if you're frightened of flying, which I am, | 0:22:10 | 0:22:13 | |
but it's a lovely film anyway. Well done. | 0:22:13 | 0:22:15 | |
4 points for the groups you found, 4 for the connections, | 0:22:15 | 0:22:17 | |
a bonus of 2 for getting it all right. That is a maximum of 10. | 0:22:17 | 0:22:20 | |
Let's bring back the other team now, give them a new Wall | 0:22:20 | 0:22:23 | |
and see what they can do about solving it. | 0:22:23 | 0:22:25 | |
It's the Water Wall for you, Cluesmiths. The Lion's been taken. | 0:22:25 | 0:22:28 | |
Two and a half minutes, of course, starting now. | 0:22:28 | 0:22:31 | |
Perfumes. J'Adore, Opium... Yeah. No.5. Yeah, No.5. OK. | 0:22:34 | 0:22:38 | |
J'Adore. J'Adore, Opium. | 0:22:38 | 0:22:41 | |
What else? Perfection? | 0:22:41 | 0:22:43 | |
BUZZ No. Shall we go for quiz games? | 0:22:43 | 0:22:46 | |
Let's go for quiz games. | 0:22:46 | 0:22:48 | |
15 to 1... BUZZ | 0:22:48 | 0:22:50 | |
What was the other one? | 0:22:50 | 0:22:52 | |
Oh, Perfection, yes. Perfection. | 0:22:52 | 0:22:55 | |
Er... | 0:22:55 | 0:22:58 | |
Tanner, Bob... Coins. Tanner, Bob. Yeah. Score. Lady Godiva's a fiver. | 0:22:58 | 0:23:03 | |
Yeah, OK, Lady Godiva, Score, Tanner... Nicknames of... | 0:23:03 | 0:23:07 | |
Tanner, Bob. No. BUZZ | 0:23:07 | 0:23:09 | |
Is there another one? Shalimar. Frontier... Bag of sand? No. | 0:23:09 | 0:23:12 | |
Grand? Bag of sand, grand? Bag of sand, grand. Maybe. | 0:23:12 | 0:23:15 | |
Tanner, Lady Godiva... What was the other one? | 0:23:15 | 0:23:18 | |
Score. BUZZ | 0:23:18 | 0:23:20 | |
No, Bob. Bag of sand, Tanner... BUZZ | 0:23:20 | 0:23:23 | |
There must be another rhyming slang one. | 0:23:23 | 0:23:25 | |
OK, let's go for J'Adore, Shalimar, No.5, Opium. | 0:23:25 | 0:23:30 | |
Well done. Three strikes and you're out now. Fantasy. Right... | 0:23:31 | 0:23:36 | |
We still haven't got the... | 0:23:36 | 0:23:38 | |
Lady Godiva, Score, Bag of sand... | 0:23:38 | 0:23:42 | |
Bag of sand. What's the other one? Frontier, Countdown... | 0:23:42 | 0:23:46 | |
There's Frontier... Wordplay - look for wordplay. Countdown, could be. | 0:23:46 | 0:23:49 | |
Yeah, could be. | 0:23:49 | 0:23:51 | |
Frontier... Ron? | 0:23:51 | 0:23:54 | |
Frontier... Um... | 0:23:54 | 0:23:57 | |
Ron... Er...God? | 0:23:58 | 0:24:01 | |
You've got a minute left. Score... | 0:24:01 | 0:24:03 | |
Does anything go after it? Wild Frontier... | 0:24:03 | 0:24:05 | |
Score... Frontier... Bag of sand... Countdown... | 0:24:05 | 0:24:10 | |
Um... Bag of sand and Lady Godiva has to be about money. | 0:24:10 | 0:24:16 | |
Shall we try that? Bag of sand, Lady Godiva and um... | 0:24:16 | 0:24:21 | |
Fantasy, Bob, Frontier, Countdown... | 0:24:21 | 0:24:25 | |
Bob and Tanner... We did Bob and Tanner, didn't we? | 0:24:25 | 0:24:28 | |
Bob and Score? Bob and Score. You've got 30 seconds. | 0:24:28 | 0:24:32 | |
Bob and Score. BUZZ | 0:24:32 | 0:24:34 | |
No, try Lady Godiva, Bag of sand, Tanner and Score. | 0:24:34 | 0:24:39 | |
Tanner and Score. We've not done that one before. | 0:24:40 | 0:24:43 | |
BUZZ We've got one more. | 0:24:43 | 0:24:45 | |
Um, Frontier... Final countdown, final score, Final Fantasy... | 0:24:45 | 0:24:49 | |
Ah. That's it. | 0:24:49 | 0:24:51 | |
That's it. Wow, with ten seconds to go, you solved the Wall. | 0:24:51 | 0:24:55 | |
Very well done. So those are all the groups. What about the connections? | 0:24:55 | 0:24:59 | |
Pointless, The Chase, 15 to 1, Perfection. | 0:24:59 | 0:25:02 | |
They are daytime game shows. They are daytime quiz shows. | 0:25:02 | 0:25:06 | |
And the green group, starting Opium. | 0:25:06 | 0:25:08 | |
They're all perfumes, I believe. Those are the perfumes. | 0:25:08 | 0:25:11 | |
Almost anything could be a red herring in that category. | 0:25:11 | 0:25:14 | |
I wear the Pointless perfume, | 0:25:14 | 0:25:15 | |
so I can feel the light touch of Richard Osman. | 0:25:15 | 0:25:18 | |
Yes, I wear the Bag of sand. LAUGHTER | 0:25:18 | 0:25:20 | |
The purple group - Frontier, Score, Countdown, Fantasy. | 0:25:20 | 0:25:23 | |
They can all be preceded by "final". | 0:25:23 | 0:25:25 | |
You suddenly spotted that at the end there. | 0:25:25 | 0:25:27 | |
Final frontier, final score, final countdown and Final Fantasy, | 0:25:27 | 0:25:31 | |
a video game series, that is. Well spotted. | 0:25:31 | 0:25:34 | |
And the last group - Lady Godiva, Tanner, Bob, Bag of sand. | 0:25:34 | 0:25:39 | |
They're all slang for money. It's slang for money. | 0:25:39 | 0:25:41 | |
It's bob you weren't spotting. it's a shilling. | 0:25:41 | 0:25:43 | |
Tanner - that's a sixpence. | 0:25:43 | 0:25:45 | |
Not tenner - that would be a cockly Ben. | 0:25:45 | 0:25:47 | |
But a tanner would be a sixpence. | 0:25:47 | 0:25:50 | |
Lady Godiva, deep-sea diver, a fiver. | 0:25:50 | 0:25:52 | |
Bag of sand - a grand, a thousand. Oh, I'm itching for the casino. | 0:25:52 | 0:25:56 | |
So, well done. All the groups, all the connections, plus the bonus. | 0:25:56 | 0:25:59 | |
That is a maximum of 10 points. Let's have a look at the scores. | 0:25:59 | 0:26:03 | |
One of these teams is going to the quarterfinals, | 0:26:10 | 0:26:12 | |
the other team is going home. | 0:26:12 | 0:26:14 | |
We will decide which in the missing vowels round. Fingers on buzzers. | 0:26:14 | 0:26:18 | |
The first group are all... | 0:26:18 | 0:26:20 | |
Kindle. | 0:26:23 | 0:26:25 | |
Nexus. And Android tablet. Correct. | 0:26:26 | 0:26:29 | |
Viagra. Yes, it is. | 0:26:33 | 0:26:34 | |
The Ten Commandments. Correct. | 0:26:38 | 0:26:40 | |
Next category... | 0:26:40 | 0:26:42 | |
Two Men And A Baby. From Three Men And A baby. | 0:26:48 | 0:26:50 | |
TOGETHER: Snow White And The Six Dwarfs. | 0:26:55 | 0:26:57 | |
One Hundred Dalmatians... | 0:27:02 | 0:27:04 | |
Not the right answer, I'm afraid. You lose a point. | 0:27:04 | 0:27:06 | |
Cluesmiths, do you know? | 0:27:06 | 0:27:08 | |
Nine Hundred And Ninety-Nine... Thousand, Hundred... | 0:27:08 | 0:27:12 | |
No, far too long. Nine Hundred and Ninety-Nine Thousand, | 0:27:12 | 0:27:15 | |
Nine Hundred And Ninety-Nine Dollar Baby. | 0:27:15 | 0:27:17 | |
LAUGHTER Next clue. | 0:27:17 | 0:27:19 | |
The Six Year Itch. That's more like it. | 0:27:22 | 0:27:25 | |
Next category. | 0:27:25 | 0:27:26 | |
Ode To Nightingale. To A Nightingale. I can't take it. | 0:27:32 | 0:27:36 | |
You have to lose a point. Cluesmiths, do you know? Ode To A Nightingale. | 0:27:36 | 0:27:39 | |
The full title is Ode To A Nightingale. John Keats. Next clue. | 0:27:39 | 0:27:43 | |
Cluesmiths. END OF ROUND MUSIC | 0:27:46 | 0:27:49 | |
No time to tell me that last one. | 0:27:49 | 0:27:51 | |
Dulce Et Decorum Est, the Wilfred Owen. | 0:27:51 | 0:27:54 | |
But that is the end of the quiz. | 0:27:54 | 0:27:57 | |
And finishing with an excellent 22 points, | 0:27:57 | 0:28:00 | |
through to the quarterfinals, | 0:28:00 | 0:28:03 | |
it is the Cluesmiths. | 0:28:03 | 0:28:06 | |
On 14 points and very sadly going home, | 0:28:06 | 0:28:08 | |
it's the Mixologists. I'm sorry. | 0:28:08 | 0:28:11 | |
It was lovely to see you. | 0:28:11 | 0:28:12 | |
I'm afraid it's the end of your run. Well done, Cluesmiths. | 0:28:12 | 0:28:16 | |
We'll be meeting you again later in the series. | 0:28:16 | 0:28:18 | |
What a night. We've had poetry, we've had song. | 0:28:18 | 0:28:20 | |
Frankly, it's all been far too jolly and I don't approve at all. | 0:28:20 | 0:28:24 | |
Join me for next week's episode. | 0:28:24 | 0:28:26 | |
That'll wipe the smile off everyone's faces. Goodbye. | 0:28:26 | 0:28:29 | |
The knives are sharpened and the heat is on. It can only mean one thing. | 0:28:58 | 0:29:01 | |
I've never, ever seen that! | 0:29:01 | 0:29:03 | |
Britain's best chefs are back in town. | 0:29:03 | 0:29:06 | |
They're here because they want this title. I'm really excited. | 0:29:06 | 0:29:09 |