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Hello and welcome to Only Connect, series 13. | 0:00:21 | 0:00:25 | |
Ooh! | 0:00:25 | 0:00:27 | |
You might be one of those people who thinks it's unlucky | 0:00:27 | 0:00:29 | |
to watch the 13th series of anything but if you stick with us, | 0:00:29 | 0:00:32 | |
I promise it will be absolutely spooktacular, | 0:00:32 | 0:00:36 | |
a fiendtastic extravaghostra. | 0:00:36 | 0:00:39 | |
Over the course of the episodes, you might hear the clank of chains, | 0:00:39 | 0:00:43 | |
an unexplained whimper, a strange rustle behind the camera. | 0:00:43 | 0:00:48 | |
Hi, Russell. | 0:00:48 | 0:00:50 | |
But let's go ahead now and meet our first batch of victims - | 0:00:50 | 0:00:53 | |
contestants - victims - contestants - vic...vic...vic... | 0:00:53 | 0:00:56 | |
On my right, James Baillie, a Cambridge history graduate | 0:00:56 | 0:01:00 | |
with a passion for spoken-word storytelling, | 0:01:00 | 0:01:03 | |
Sam Brennan, a chess coach | 0:01:03 | 0:01:06 | |
from Ipswich, who has size 17 feet, | 0:01:06 | 0:01:09 | |
and their captain, Samuel Cook, | 0:01:09 | 0:01:12 | |
a PhD student, who fell over twice when visiting Chernobyl | 0:01:12 | 0:01:15 | |
but has suffered no other ill effects so far. | 0:01:15 | 0:01:19 | |
Resplendent this evening, they are the Stewards. | 0:01:19 | 0:01:22 | |
You're all looking lovely. Are you airline stewards? | 0:01:22 | 0:01:24 | |
No, we're all successive stewards of the Cambridge Tolkien Society, | 0:01:24 | 0:01:28 | |
so successive presidents of the society. | 0:01:28 | 0:01:30 | |
And, despite appearances, we are not a cult. | 0:01:30 | 0:01:34 | |
Good luck. Thank you for coming. | 0:01:34 | 0:01:35 | |
You are playing, tonight, on my left, | 0:01:35 | 0:01:38 | |
Tracey Rawlins, a community development worker, | 0:01:38 | 0:01:41 | |
who once took part in the world's largest tap dance with Roy Castle, | 0:01:41 | 0:01:44 | |
Andy Rawlins, a programme manager and keen barbecue chef, | 0:01:44 | 0:01:48 | |
who was taught to cook an ostrich egg on an open fire | 0:01:48 | 0:01:51 | |
by a bushman in Botswana, | 0:01:51 | 0:01:53 | |
and their captain, Ian Fellows, | 0:01:53 | 0:01:56 | |
a vicar whose set of nativity scarecrows won | 0:01:56 | 0:01:58 | |
the 2016 Wythenshawe Community Scarecrow Award. | 0:01:58 | 0:02:02 | |
All members of the same church, led by Ian, the are the Parishioners. | 0:02:02 | 0:02:06 | |
You've put together an Only Connect team from your congregation. | 0:02:06 | 0:02:08 | |
-How did you pick who'd get in? -I called round on a Monday evening. | 0:02:08 | 0:02:12 | |
As I went into their living room, there were these | 0:02:12 | 0:02:14 | |
and there was YOU on the television screen. The rest is history. | 0:02:14 | 0:02:19 | |
We'll see what kind of history it is. A gruesome one? | 0:02:19 | 0:02:22 | |
We'll find out by playing the quiz. Now, you won the toss, Stewards, | 0:02:22 | 0:02:25 | |
but you've decided to put the Parishioners in first, | 0:02:25 | 0:02:28 | |
so please choose an Egyptian hieroglyph. | 0:02:28 | 0:02:30 | |
-We'll go Eye of Horus, please. -The Eye of Horus. | 0:02:30 | 0:02:33 | |
MUSICAL NOTE | 0:02:33 | 0:02:34 | |
Ah, the music question. What a lovely way to kick off a series. | 0:02:34 | 0:02:37 | |
Now, you'll know that round one involves | 0:02:37 | 0:02:39 | |
four apparently random clues. | 0:02:39 | 0:02:41 | |
Something connects them and these are clues you're going to hear. | 0:02:41 | 0:02:44 | |
What is the link between these pieces of music? | 0:02:44 | 0:02:47 | |
First one coming in now. | 0:02:47 | 0:02:49 | |
# I used to love her, I used to love her | 0:02:49 | 0:02:52 | |
# Once, a long, long time ago | 0:02:52 | 0:02:54 | |
# I used to love her, I used to love her | 0:02:54 | 0:02:56 | |
# Once, a long, long time ago... # | 0:02:56 | 0:02:59 | |
Next, please. | 0:02:59 | 0:03:01 | |
# Come on now, baby | 0:03:01 | 0:03:03 | |
# Oh, honey, twist and shout | 0:03:03 | 0:03:06 | |
# Twist and shout | 0:03:06 | 0:03:08 | |
# Oh, come on, come on, come on, baby, now, now... # | 0:03:08 | 0:03:11 | |
Next, please. | 0:03:11 | 0:03:12 | |
# Ain't no doubt, it's plain to see | 0:03:12 | 0:03:15 | |
# A woman like you's no good for me... # | 0:03:16 | 0:03:18 | |
BELL | 0:03:18 | 0:03:20 | |
We think that all of these songs or artists are related by carpentry | 0:03:20 | 0:03:23 | |
and the implements you might find around carpentry and do-it-yourself. | 0:03:23 | 0:03:27 | |
A brilliant answer. You didn't need to hear the last clue. | 0:03:27 | 0:03:31 | |
MC Hammer, it would have been. | 0:03:31 | 0:03:33 | |
But the answer is DIY or carpentry. | 0:03:33 | 0:03:35 | |
What did we hear? | 0:03:35 | 0:03:37 | |
We heard Jimmy Nail, singing Ain't No Doubt. | 0:03:37 | 0:03:40 | |
We heard Chaka Demus & Pliers. | 0:03:40 | 0:03:42 | |
-And the first one? -Didn't know the first one. | 0:03:42 | 0:03:45 | |
-No idea. -The Saw Doctors. | 0:03:45 | 0:03:47 | |
Do you know the real name of Pliers | 0:03:47 | 0:03:49 | |
from Chaka Demus and Pliers? | 0:03:49 | 0:03:50 | |
Oddly, no. | 0:03:50 | 0:03:51 | |
It's Everton Bonner and his brother | 0:03:51 | 0:03:53 | |
goes by the name of Spanner Banner. | 0:03:53 | 0:03:55 | |
Well done, you get two points. Stewards, what would you like? | 0:03:55 | 0:03:58 | |
Can we have the Lion question, please? | 0:03:58 | 0:04:00 | |
The Lion question. OK, what is the connection between these clues? | 0:04:00 | 0:04:04 | |
Here's the first. | 0:04:04 | 0:04:05 | |
Next. | 0:04:11 | 0:04:13 | |
-Hang on... -INAUDIBLE | 0:04:17 | 0:04:20 | |
I'm not seeing it. Next. | 0:04:22 | 0:04:24 | |
It's Tom Cruise films. That's what it is. | 0:04:26 | 0:04:28 | |
Um... It's where Tom Cruise dies or... | 0:04:28 | 0:04:32 | |
No, does he die in all of them? Next. | 0:04:32 | 0:04:36 | |
Is it the starting shot? | 0:04:40 | 0:04:42 | |
Three seconds. BELL | 0:04:42 | 0:04:44 | |
Is this the starting shot | 0:04:44 | 0:04:46 | |
of the Tom Cruise films? | 0:04:46 | 0:04:48 | |
Not the answer I'm looking for, I'm afraid. | 0:04:48 | 0:04:50 | |
So, Parishioners you have the chance of a bonus point. | 0:04:50 | 0:04:52 | |
We went with the same. We'd like to go with the starting shot | 0:04:52 | 0:04:55 | |
and the finishing shot of Tom Cruise films. | 0:04:55 | 0:04:58 | |
That's not it either. | 0:04:58 | 0:05:00 | |
The key thing about these locations... | 0:05:00 | 0:05:02 | |
It IS to do with Tom Cruise. Those are Tom Cruise films. | 0:05:02 | 0:05:04 | |
They are places where he is seen running. | 0:05:04 | 0:05:07 | |
There's a bit of an internet thing going on around this. | 0:05:07 | 0:05:10 | |
People cut together shots of Tom Cruise running, | 0:05:10 | 0:05:12 | |
and he's actually put on his Twitter biog, | 0:05:12 | 0:05:15 | |
"Actor, producer, | 0:05:15 | 0:05:17 | |
"running in movies since 1981." | 0:05:17 | 0:05:19 | |
So, you see montages of him running | 0:05:19 | 0:05:21 | |
through all of these locations, | 0:05:21 | 0:05:23 | |
inexplicably getting older but running faster and looking younger. | 0:05:23 | 0:05:26 | |
Something very weird going on there. | 0:05:26 | 0:05:28 | |
Parishioners, no bonus point, but you do get to choose a question. | 0:05:28 | 0:05:31 | |
-We would like to go with the Two Reeds, please. -Two Reeds. | 0:05:31 | 0:05:34 | |
OK, what is the connection between these clues? | 0:05:34 | 0:05:36 | |
Here's the first. | 0:05:36 | 0:05:38 | |
INAUDIBLE | 0:05:40 | 0:05:43 | |
Next, please. | 0:05:45 | 0:05:46 | |
INAUDIBLE | 0:05:48 | 0:05:51 | |
-Go for it. -BELL | 0:05:54 | 0:05:56 | |
We think that if you put "ELLA" | 0:05:56 | 0:05:58 | |
after the word before the colon, | 0:05:58 | 0:06:00 | |
it gives you an instance of the second word. | 0:06:00 | 0:06:03 | |
So, your "patella" is your kneecap, | 0:06:03 | 0:06:05 | |
I think. "Rubella" is a disease. | 0:06:05 | 0:06:08 | |
Absolutely brilliant quizzing. | 0:06:08 | 0:06:10 | |
Yes, you are going to get | 0:06:10 | 0:06:12 | |
the points for that. Very well done. | 0:06:12 | 0:06:13 | |
And coming up, "Nut" - Nutella, spread. | 0:06:13 | 0:06:15 | |
"Salmon" - salmonella, bacteria. | 0:06:15 | 0:06:18 | |
You put "ELLA" after all of them | 0:06:18 | 0:06:19 | |
to make an example of what comes afterwards. | 0:06:19 | 0:06:22 | |
Stewards, back to you for a question. | 0:06:22 | 0:06:23 | |
-Can we have the Horned Viper, please? -You certainly can. | 0:06:23 | 0:06:26 | |
OK, what is the connection between these clues? | 0:06:26 | 0:06:30 | |
Here's the first. | 0:06:30 | 0:06:31 | |
-Anything? -I mean, it's an anagram. | 0:06:35 | 0:06:38 | |
Yeah, true, but... Next. | 0:06:38 | 0:06:41 | |
So, are they anagrams of things in the category? | 0:06:46 | 0:06:48 | |
I don't see anything else in "Doctor Who". | 0:06:48 | 0:06:51 | |
Next. | 0:06:51 | 0:06:53 | |
That's an anagram. | 0:06:57 | 0:06:59 | |
-That's also "Eleven..." -"Plus two." | 0:06:59 | 0:07:01 | |
-OK, so... -BELL | 0:07:01 | 0:07:04 | |
The thing in capitals is an anagram | 0:07:04 | 0:07:06 | |
of something else that would also fit | 0:07:06 | 0:07:08 | |
into the category in not caps. | 0:07:08 | 0:07:10 | |
That is equally brilliant quizzing from you. Very well spotted. | 0:07:10 | 0:07:13 | |
You didn't need to see clue four. | 0:07:13 | 0:07:15 | |
Tokyo is also an anagram of Kyoto. Talk me through the other clues. | 0:07:15 | 0:07:19 | |
What are the anagrams? | 0:07:19 | 0:07:20 | |
-So, "Twelve plus one" is also "Eleven plus two". -Mm-hmm. | 0:07:20 | 0:07:23 | |
"Lemon" is also "melon". | 0:07:23 | 0:07:25 | |
Do we know the sci-fi? | 0:07:25 | 0:07:26 | |
I can't see it at the moment. | 0:07:26 | 0:07:28 | |
-Do you know over there? -They are so young! | 0:07:28 | 0:07:30 | |
-It's Torchwood, isn't it? -Torchwood is an anagram of Doctor Who. | 0:07:30 | 0:07:33 | |
-Oh, yeah, I should know that! -That is absolutely right. | 0:07:33 | 0:07:36 | |
Each of these is an anagram | 0:07:36 | 0:07:38 | |
of something else that could come | 0:07:38 | 0:07:40 | |
into the category described. | 0:07:40 | 0:07:41 | |
Amazingly fiendish, that one. | 0:07:41 | 0:07:43 | |
Welcome back to the new series! | 0:07:43 | 0:07:45 | |
I hope we've moved back to Monday. | 0:07:45 | 0:07:46 | |
Good luck getting your head | 0:07:46 | 0:07:48 | |
round THAT on a Friday night! | 0:07:48 | 0:07:49 | |
Very well done, Stewards. Very good quizzing from you. | 0:07:49 | 0:07:51 | |
Parishioners, what would you like? | 0:07:51 | 0:07:53 | |
-We would like water, please. -Water. | 0:07:53 | 0:07:55 | |
These are going to be picture clues. Works in the same way. | 0:07:55 | 0:07:57 | |
Something links them. What is it? | 0:07:57 | 0:07:59 | |
Here's the first. | 0:07:59 | 0:08:01 | |
A potato. A particular kind of potato? | 0:08:02 | 0:08:04 | |
A potato and a half. Spud? | 0:08:04 | 0:08:06 | |
Next, please. | 0:08:06 | 0:08:07 | |
That's the Epistle of Paul to the Romans. | 0:08:07 | 0:08:10 | |
So, it's a letter in the Bible. | 0:08:10 | 0:08:12 | |
Er...Romans. | 0:08:12 | 0:08:16 | |
-Potato... Anything at all? -No. | 0:08:16 | 0:08:18 | |
-Tracey? -No. -Next, please. | 0:08:18 | 0:08:20 | |
-Leg... -Oh, I wonder if they're all named after monarchs. | 0:08:22 | 0:08:25 | |
-Is that the Queen Anne leg and a... -King Edward potato. | 0:08:25 | 0:08:28 | |
-And the King James Bible. -Go for it. -BELL | 0:08:28 | 0:08:30 | |
We wonder whether these are, | 0:08:30 | 0:08:32 | |
perhaps, all named after monarchs. | 0:08:32 | 0:08:34 | |
That's absolutely right. | 0:08:34 | 0:08:35 | |
As I heard you say, King Edward potatoes, | 0:08:35 | 0:08:37 | |
King James Bible, Queen Anne leg. | 0:08:37 | 0:08:38 | |
The King Charles spaniel, we're seeing coming up in the fourth clue. | 0:08:38 | 0:08:41 | |
They contain the names of the British monarch associated with it. | 0:08:41 | 0:08:45 | |
In October, 1995, | 0:08:45 | 0:08:47 | |
the potato became the first vegetable grown in space. | 0:08:47 | 0:08:50 | |
NASA has come up with the technology to grow potatoes in space. | 0:08:50 | 0:08:53 | |
Once you can grow potatoes, you can basically colonise it, can't you? | 0:08:53 | 0:08:57 | |
You can go and live on a planet. What else would you need? | 0:08:57 | 0:08:59 | |
You've got potatoes. What else would you need? | 0:08:59 | 0:09:01 | |
According to Matt Damon, not a great deal. | 0:09:01 | 0:09:03 | |
I don't eat potatoes, so I'm stuffed! | 0:09:03 | 0:09:06 | |
-Yeah, you could grow something else. -Who doesn't eat potatoes? | 0:09:06 | 0:09:09 | |
Is it just potatoes or things in the potato family? | 0:09:10 | 0:09:14 | |
I...I...I dislike the sort of texture of most potato products. | 0:09:14 | 0:09:19 | |
-Chips? Crisps? -I can do crisps. -Roast potatoes? Jacket potatoes? | 0:09:19 | 0:09:24 | |
This is going to be a long night, settle in. | 0:09:24 | 0:09:26 | |
It would be no good for you, growing potatoes in space. | 0:09:26 | 0:09:28 | |
They'd have to grow something else as well. | 0:09:28 | 0:09:30 | |
No doubt, at some point, they will. | 0:09:30 | 0:09:32 | |
So, one question remains. The Twisted Flax, | 0:09:32 | 0:09:34 | |
and that will be for you. The first clue is coming up now. | 0:09:34 | 0:09:37 | |
Hooters. That's a type of bar, | 0:09:39 | 0:09:41 | |
isn't it, in the US? | 0:09:41 | 0:09:43 | |
Yeah, they famously have waitresses, in football tops. | 0:09:43 | 0:09:46 | |
Yeah, next. | 0:09:46 | 0:09:48 | |
Right, that's a thing in London. | 0:09:50 | 0:09:52 | |
That's the Tube that goes at night. | 0:09:52 | 0:09:54 | |
Er... | 0:09:54 | 0:09:56 | |
OK, next. | 0:09:57 | 0:09:59 | |
It's obviously the website. It has lots of reviews. | 0:10:02 | 0:10:05 | |
It has... Could be logo... Next. | 0:10:08 | 0:10:10 | |
Oh, are they all black and white? | 0:10:12 | 0:10:13 | |
Might be that. | 0:10:13 | 0:10:15 | |
Two seconds. BELL | 0:10:15 | 0:10:17 | |
Black and white? | 0:10:17 | 0:10:18 | |
Not all black and white. | 0:10:18 | 0:10:20 | |
I'm afraid I can't accept it, so, Parishioners, a bonus chance. | 0:10:20 | 0:10:23 | |
Our resident sportsman, I'll hand this to Andy. | 0:10:23 | 0:10:25 | |
They all have owls as their logo. | 0:10:25 | 0:10:27 | |
They all have owls as their logo. | 0:10:27 | 0:10:29 | |
Sheffield Wednesday, known as The Owls. | 0:10:29 | 0:10:31 | |
What can you tell me about the other clues? What about the second one? | 0:10:31 | 0:10:34 | |
-Very little. -Has an owl as its logo. | 0:10:34 | 0:10:37 | |
-Do you know its name? -No. -Tooting. | 0:10:37 | 0:10:41 | |
The Night Tube that runs through London has an owl as the logo. | 0:10:41 | 0:10:44 | |
It's been running about two years, basically since I had a baby. | 0:10:44 | 0:10:46 | |
The day I started going to bed | 0:10:46 | 0:10:48 | |
at eight o'clock at night, | 0:10:48 | 0:10:49 | |
they developed an all-night public transport. | 0:10:49 | 0:10:51 | |
And Hooters, an American restaurant chain, | 0:10:51 | 0:10:54 | |
named after the owl in the logo, of course. | 0:10:54 | 0:10:57 | |
Named after the owl in the logo. | 0:10:57 | 0:10:59 | |
At the end of round one... | 0:10:59 | 0:11:02 | |
And on we go to the sequences round. | 0:11:07 | 0:11:09 | |
This time the teams will see up to three clues, | 0:11:09 | 0:11:12 | |
because I want to know what comes fourth. | 0:11:12 | 0:11:14 | |
They must work out the connection and then what is the next clue. | 0:11:14 | 0:11:17 | |
You're going first again, Parishioners. | 0:11:17 | 0:11:19 | |
-Which hieroglyph would you like? -Eye of Horus again, please. | 0:11:19 | 0:11:22 | |
The Eye of Horus. OK, you are going to see the first in a sequence. | 0:11:22 | 0:11:25 | |
What would you expect to come fourth? | 0:11:25 | 0:11:27 | |
Time starts now. | 0:11:27 | 0:11:29 | |
INAUDIBLE | 0:11:31 | 0:11:34 | |
Next, please. | 0:11:36 | 0:11:37 | |
-Anything? -No. | 0:11:43 | 0:11:45 | |
Are they kind of subsections | 0:11:45 | 0:11:47 | |
or paragraphs of Maastricht or something? | 0:11:47 | 0:11:49 | |
INAUDIBLE | 0:11:49 | 0:11:51 | |
Next, please. | 0:11:51 | 0:11:53 | |
INAUDIBLE | 0:11:57 | 0:11:59 | |
Membership of the EU granted then? | 0:11:59 | 0:12:01 | |
Yeah, shall we go with that? BELL | 0:12:01 | 0:12:04 | |
Membership of the EU granted. | 0:12:04 | 0:12:07 | |
Not the answer, I'm afraid. | 0:12:07 | 0:12:09 | |
So, Stewards, you have the chance of a bonus now. | 0:12:09 | 0:12:11 | |
-Leaving the EU? -Leaving the EU is the right answer. | 0:12:11 | 0:12:14 | |
These are articles 47, 48, | 0:12:14 | 0:12:17 | |
49 and 50 of the Lisbon Treaty. | 0:12:17 | 0:12:19 | |
Well done, and you get the next question. What would you like? | 0:12:19 | 0:12:22 | |
-Lion. -Lion. OK, you'll be seeing the first in a sequence. | 0:12:22 | 0:12:25 | |
What comes fourth? | 0:12:25 | 0:12:27 | |
Time starts now. | 0:12:27 | 0:12:29 | |
Right, this is going to be computers, perhaps, or... | 0:12:31 | 0:12:33 | |
Yeah, next. | 0:12:33 | 0:12:35 | |
They possibly are computer things. | 0:12:37 | 0:12:40 | |
-So, it's cut, copy, paste. -You sure? | 0:12:40 | 0:12:42 | |
-I think so. -Shall we go for three? | 0:12:42 | 0:12:44 | |
-Yeah, I think it's "Paste". -"Paste". | 0:12:44 | 0:12:46 | |
-OK. -BELL | 0:12:46 | 0:12:49 | |
-Paste. -Not the answer, I'm afraid. | 0:12:49 | 0:12:51 | |
So, I'm going to throw the third in the sequence to the Parishioners. | 0:12:51 | 0:12:54 | |
So, we think it is whatever is represented by the letter Z | 0:12:54 | 0:12:57 | |
-when you press it with something. -Undo. Undo. | 0:12:57 | 0:13:00 | |
Undo is the right answer. | 0:13:00 | 0:13:02 | |
Tell me what it is. | 0:13:02 | 0:13:03 | |
-Microsoft Office short cuts. -They're short cuts, yes. | 0:13:03 | 0:13:07 | |
And the question writer of this one has asked, | 0:13:07 | 0:13:10 | |
"Does anybody have a favourite keyboard short cut?" | 0:13:10 | 0:13:12 | |
He's seen the show before! | 0:13:12 | 0:13:14 | |
Anyone over there have a favourite keyboard short cut? | 0:13:14 | 0:13:16 | |
Control + Alt + T, cos that opens the terminal, | 0:13:16 | 0:13:19 | |
which is what I need to do all my PhD work in. | 0:13:19 | 0:13:21 | |
Control + T opens a new tab in a web browser. That's a fabulous one. | 0:13:21 | 0:13:24 | |
Very well done, | 0:13:24 | 0:13:26 | |
for the bonus point, Parishioners. Your own question. What's it to be? | 0:13:26 | 0:13:29 | |
-Twisted Flax, please. -The Twisted Flax. | 0:13:29 | 0:13:31 | |
These are going to be picture clues. | 0:13:31 | 0:13:33 | |
What might appear in the fourth picture? | 0:13:33 | 0:13:34 | |
Here's the first. | 0:13:34 | 0:13:36 | |
-John Lennon. -Lennon and McCartney. -Two of the Beatles. | 0:13:37 | 0:13:41 | |
Er, next, please. | 0:13:41 | 0:13:42 | |
John Paul, John Paul. | 0:13:44 | 0:13:46 | |
-Yes! -In which case, it would be... | 0:13:46 | 0:13:49 | |
-Jump over the last Pope to the present Pope? -Yes. | 0:13:49 | 0:13:52 | |
-Francis. -Do we want to go Francis? | 0:13:52 | 0:13:54 | |
-Francis Bacon. -Ooh, I like that idea. | 0:13:54 | 0:13:57 | |
-Shall we try it? -Yes. -BELL | 0:13:57 | 0:13:59 | |
We would like to go with Francis Bacon, please. | 0:13:59 | 0:14:02 | |
Not a sentence I use often. | 0:14:02 | 0:14:04 | |
I will give you the points. | 0:14:04 | 0:14:05 | |
We chose Francis Drake | 0:14:05 | 0:14:07 | |
but yours is an acceptable answer. | 0:14:07 | 0:14:09 | |
What is going on here? | 0:14:09 | 0:14:11 | |
We think it's the names of successive Popes. | 0:14:11 | 0:14:13 | |
-John Paul, John Paul II and then... Oh, my goodness... -Benedict. | 0:14:13 | 0:14:17 | |
Benedict, thank you. It's a good job we're Church of England! | 0:14:17 | 0:14:21 | |
-And Pope Francis, the present pontiff. -Absolutely right. | 0:14:21 | 0:14:24 | |
It's a series of Popes. | 0:14:24 | 0:14:26 | |
What do you think of the resignation of Pope Benedict? | 0:14:26 | 0:14:28 | |
-Phew... -No comment. | 0:14:28 | 0:14:30 | |
A very wise thing and very good man who could give space | 0:14:30 | 0:14:33 | |
to somebody else to come in and take the job over. | 0:14:33 | 0:14:35 | |
That's very Christian of you. | 0:14:35 | 0:14:36 | |
There are certain jobs it really feels like you can't retire from. | 0:14:36 | 0:14:39 | |
Hosting Only Connect, for example. God knows I've tried! | 0:14:39 | 0:14:42 | |
It's not that they wouldn't let me. | 0:14:42 | 0:14:43 | |
They said, "Katie Derham will do the job," | 0:14:43 | 0:14:45 | |
and I glued myself to the chair. | 0:14:45 | 0:14:47 | |
-Stewards, what would you like? -Can we have water, please? | 0:14:47 | 0:14:50 | |
Water, yes, you can. What would come fourth in this sequence? | 0:14:50 | 0:14:52 | |
Here's the first. | 0:14:52 | 0:14:54 | |
That looks like an airport code or something, | 0:14:56 | 0:14:58 | |
but I don't know which one it is. | 0:14:58 | 0:15:00 | |
Um...next. | 0:15:00 | 0:15:01 | |
Um, King's Cross, Marylebone... | 0:15:05 | 0:15:07 | |
Right, so, is it Monopoly board? | 0:15:07 | 0:15:10 | |
-Oh, probably. -Is it Liverpool Street | 0:15:10 | 0:15:13 | |
then Fenchurch Street? | 0:15:13 | 0:15:15 | |
Liverpool Street... | 0:15:15 | 0:15:17 | |
Shall we get the next one? | 0:15:17 | 0:15:19 | |
Yes, it's King's Cross, Marylebone, | 0:15:19 | 0:15:21 | |
Liverpool Street, Fenchurch Street. | 0:15:21 | 0:15:23 | |
So, what's the code for Fenchurch? FST? | 0:15:23 | 0:15:25 | |
-Er... -Or FC something? | 0:15:25 | 0:15:29 | |
-Yeah... -Three seconds. BELL | 0:15:29 | 0:15:32 | |
-FCH. -Not the answer, I'm afraid. | 0:15:32 | 0:15:35 | |
I'm going to show the third in the sequence | 0:15:35 | 0:15:37 | |
to the Parishioners for a possible bonus point. | 0:15:37 | 0:15:39 | |
Er, we would try PDN. | 0:15:39 | 0:15:43 | |
And why would that be? | 0:15:43 | 0:15:44 | |
As an abbreviation for Paddington, | 0:15:44 | 0:15:46 | |
which is the fourth railway station on a Monopoly board? | 0:15:46 | 0:15:49 | |
I mean, that's wrong in so many ways | 0:15:49 | 0:15:51 | |
that's it's quite fascinating. | 0:15:51 | 0:15:53 | |
Paddington, eh? There's no Paddington on a Monopoly board. | 0:15:53 | 0:15:56 | |
-Oh, Liverpool Street! -Oh! | 0:15:56 | 0:15:58 | |
-LST. -LST for Liverpool Street is the right answer. -Sorry. | 0:15:58 | 0:16:03 | |
-Now, you were going for Fenchurch. -Yes. | 0:16:03 | 0:16:05 | |
But, actually, in the order you go round the board, | 0:16:05 | 0:16:08 | |
Liverpool Street would be next. | 0:16:08 | 0:16:10 | |
And these are the National Rail three-letter codes. | 0:16:10 | 0:16:13 | |
I'm going to test you on some other codes. | 0:16:13 | 0:16:15 | |
What is the three-letter code | 0:16:15 | 0:16:16 | |
for Banstead? | 0:16:16 | 0:16:18 | |
B-A-D, BAD. | 0:16:18 | 0:16:20 | |
-Tattenham Corner? -TAT? -TAT. | 0:16:20 | 0:16:23 | |
-Uckfield? -UCK? -It's simply UCK. | 0:16:23 | 0:16:25 | |
Weeton in Yorkshire? | 0:16:25 | 0:16:27 | |
-WHY? -WAT? -WET. | 0:16:27 | 0:16:30 | |
Sandwell & Dudley is SAD. | 0:16:30 | 0:16:32 | |
-Henley-on-Thames? -HOT? | 0:16:32 | 0:16:34 | |
I would think so. Nottingham is NOT, | 0:16:34 | 0:16:36 | |
-while Poole is...? -POO? -POO. | 0:16:36 | 0:16:38 | |
You may think so. I couldn't possibly comment. | 0:16:38 | 0:16:41 | |
Very well done for those bonus ones. | 0:16:41 | 0:16:44 | |
But there are no points and there are no points | 0:16:44 | 0:16:47 | |
for the stations in Monopoly cos we needed Liverpool Street. | 0:16:47 | 0:16:49 | |
OK, there is one more choice this round. Parishioners, up to you. | 0:16:49 | 0:16:52 | |
-Two Reeds, please. -Two Reeds. | 0:16:52 | 0:16:54 | |
OK, what will come fourth in this sequence? | 0:16:54 | 0:16:56 | |
Here's the first. | 0:16:56 | 0:16:58 | |
Next, please. | 0:17:01 | 0:17:03 | |
INAUDIBLE | 0:17:08 | 0:17:11 | |
Next, please. | 0:17:12 | 0:17:13 | |
Tomato. | 0:17:16 | 0:17:17 | |
INAUDIBLE | 0:17:17 | 0:17:20 | |
-BELL -Tomato? | 0:17:22 | 0:17:24 | |
Of course it is! And what's going on here? | 0:17:24 | 0:17:27 | |
There's a song from our dim and distant childhood | 0:17:27 | 0:17:29 | |
about some people say "Ee-ther" and some say "Ai-ther". | 0:17:29 | 0:17:32 | |
"Nee-ther", "Nai-ther". | 0:17:32 | 0:17:33 | |
When you say OUR dim and distant childhood, it's from a film in 1937. | 0:17:33 | 0:17:36 | |
It might be YOUR childhood. George and Ira Gershwin. | 0:17:36 | 0:17:39 | |
Tell me about the song. | 0:17:39 | 0:17:40 | |
It's a song about two people. | 0:17:40 | 0:17:42 | |
Is it called "A Fine Romance" or something? | 0:17:42 | 0:17:44 | |
Let's Call The Whole Thing Off. | 0:17:44 | 0:17:46 | |
A Fine Romance is a different song, | 0:17:46 | 0:17:47 | |
-but a similar sort of vibe. -Yeah. | 0:17:47 | 0:17:49 | |
And it's to do with alternative pronunciations, isn't it? | 0:17:49 | 0:17:52 | |
You say "Ee-ther", I say "Ai-ther". | 0:17:52 | 0:17:54 | |
You say "Nee-ther", I say "Nai-ther". | 0:17:54 | 0:17:55 | |
You say "Pot-ay-to", I say "Pot-ah-to". | 0:17:55 | 0:17:57 | |
-That's where it falls down. -Yeah. | 0:17:57 | 0:17:58 | |
And "Tom-ay-to", "Tom-ah-to" comes next. | 0:17:58 | 0:18:01 | |
One remaining question, Stewards. | 0:18:01 | 0:18:03 | |
No choice - it's the Horned Viper. | 0:18:03 | 0:18:04 | |
What would come fourth in this sequence? | 0:18:04 | 0:18:07 | |
Here's the first. | 0:18:07 | 0:18:08 | |
Next. | 0:18:10 | 0:18:11 | |
Next. | 0:18:17 | 0:18:19 | |
INAUDIBLE | 0:18:21 | 0:18:25 | |
Sixth sense... Seventh heaven, | 0:18:25 | 0:18:27 | |
sixth sense, fifth column, fourth... | 0:18:27 | 0:18:29 | |
-Something beginning with "Fourth". -Yeah. | 0:18:29 | 0:18:32 | |
Fourth...quartile. | 0:18:32 | 0:18:34 | |
-Fourth quartile? -BELL | 0:18:34 | 0:18:37 | |
Fourth quartile. So, quartile. | 0:18:37 | 0:18:39 | |
I will accept that answer. Tell me about these clues. | 0:18:40 | 0:18:43 | |
So, you can be in seventh heaven, | 0:18:43 | 0:18:45 | |
Sixth Sense is a film, | 0:18:45 | 0:18:47 | |
fifth column is a term | 0:18:47 | 0:18:49 | |
and then fourth something. | 0:18:49 | 0:18:51 | |
You went with quartile. We said "Wall". | 0:18:51 | 0:18:53 | |
The expression "fourth wall". | 0:18:53 | 0:18:55 | |
I've never understood what that means. | 0:18:55 | 0:18:56 | |
Breaking the fourth wall. What even is that? | 0:18:56 | 0:18:58 | |
Very well done for the points. And at the end of round two... | 0:18:58 | 0:19:02 | |
Time now for the Connecting Wall. | 0:19:08 | 0:19:10 | |
16 jumbled up clues that the teams need to sort | 0:19:10 | 0:19:13 | |
into four connected groups of four. | 0:19:13 | 0:19:15 | |
There are red herrings. | 0:19:15 | 0:19:16 | |
There are clues that may fall into more than one category, | 0:19:16 | 0:19:19 | |
but there is only one correct solution. | 0:19:19 | 0:19:21 | |
Your turn to go first this time, Stewards. | 0:19:21 | 0:19:24 | |
And you've got the choice - Lion or Water? | 0:19:24 | 0:19:26 | |
Can we have the Lion Wall, please? | 0:19:26 | 0:19:28 | |
OK, you have got two and a half minutes to solve the Lion Wall, | 0:19:28 | 0:19:32 | |
starting now. | 0:19:32 | 0:19:34 | |
-So, we have films starring Keanu Reeves. -Yes. | 0:19:40 | 0:19:43 | |
Constantine, John Wick, Speed and... | 0:19:43 | 0:19:46 | |
-BUZZ -No, something else. | 0:19:47 | 0:19:49 | |
-Hardball, probably. -Yeah. | 0:19:49 | 0:19:51 | |
So, that's Keanu Reeves films. | 0:19:51 | 0:19:53 | |
So, these are the Greats. | 0:19:53 | 0:19:54 | |
Herod the Great, Cyrus the Great, Llewelyn the Great, | 0:19:54 | 0:19:56 | |
Catherine the Great, Peter the Great. | 0:19:56 | 0:19:58 | |
-So, it's five, so... -Yeah. | 0:19:58 | 0:20:00 | |
Let's work out what the other two groups are before we try. | 0:20:00 | 0:20:03 | |
-Ebb, Fade, Wane and Taper. -Are all the same. -Decreasing. | 0:20:03 | 0:20:07 | |
So then we have Hart, Rice, Lerner. | 0:20:07 | 0:20:10 | |
And one of the others. | 0:20:10 | 0:20:12 | |
OK, let's solve the Greats then, cos then we can find out what it is. | 0:20:12 | 0:20:16 | |
BUZZ | 0:20:16 | 0:20:17 | |
-OK, I think it's going to be... -BUZZ | 0:20:17 | 0:20:20 | |
..without Llewelyn. | 0:20:20 | 0:20:22 | |
BUZZ | 0:20:22 | 0:20:23 | |
BUZZ | 0:20:25 | 0:20:26 | |
BUZZ | 0:20:28 | 0:20:30 | |
BUZZ | 0:20:31 | 0:20:33 | |
-Yeah. -Three lives now. | 0:20:35 | 0:20:37 | |
So then we think it's Taper, Ebb, Fade and Wane. | 0:20:37 | 0:20:41 | |
But what are these? | 0:20:41 | 0:20:43 | |
Peter, Hart, Rice, Lerner. | 0:20:43 | 0:20:44 | |
Joe Hart's the England goalkeeper, Condoleezza Rice... | 0:20:44 | 0:20:47 | |
Andy Lerner is a person. I don't know who that really is though. | 0:20:47 | 0:20:50 | |
Um... | 0:20:50 | 0:20:52 | |
-Peter could be Wane, Ebb, Fade. -You've got a minute left. | 0:20:52 | 0:20:55 | |
-Right, that's true. -Um, so it's definitely Lerner, Hart, Rice. | 0:20:55 | 0:20:59 | |
-In which case... -I think it'll either be Peter or Wane. | 0:21:01 | 0:21:06 | |
BUZZ | 0:21:06 | 0:21:07 | |
-BUZZ -Oh, we're on one life. | 0:21:08 | 0:21:11 | |
Rice, Hart... | 0:21:11 | 0:21:13 | |
-I think it'll be Wane. -Wane seems more of a surname. | 0:21:15 | 0:21:18 | |
BUZZ | 0:21:18 | 0:21:20 | |
No, that's it. Those are your three lives and the wall has frozen. | 0:21:20 | 0:21:23 | |
But you found two groups and I will give you points | 0:21:23 | 0:21:26 | |
for telling me the connections. | 0:21:26 | 0:21:28 | |
Constantine, John Wick, Hardball, Speed. | 0:21:28 | 0:21:30 | |
Films starring Keanu Reeves. | 0:21:30 | 0:21:32 | |
They are Keanu Reeves films. | 0:21:32 | 0:21:34 | |
And the second green group? | 0:21:34 | 0:21:36 | |
They're all "the Great". | 0:21:37 | 0:21:39 | |
"The Great". That's right, and you can still get points | 0:21:39 | 0:21:41 | |
for connections in the groups you didn't find. | 0:21:41 | 0:21:43 | |
So, let's resolve the wall. | 0:21:43 | 0:21:45 | |
There we go. Starting "Taper", what is that group? | 0:21:45 | 0:21:48 | |
So, those are all synonyms that mean "to decrease", "decline". | 0:21:48 | 0:21:52 | |
That's absolutely right. Taper, peter, wane, fade. | 0:21:52 | 0:21:56 | |
Synonyms for each other. Types of decline. | 0:21:56 | 0:21:58 | |
And the last group, starting Hart. | 0:21:58 | 0:22:01 | |
They're all...goalkeepers. | 0:22:01 | 0:22:03 | |
A couple of them ARE goalkeepers | 0:22:06 | 0:22:08 | |
but, no, all together, they are lyricists of musicals. | 0:22:08 | 0:22:12 | |
-Like Lerner and Loewe, Tim Rice. Musical lyricists. -Mm-hmm. | 0:22:12 | 0:22:15 | |
But you found two groups and you get three points for the connections. | 0:22:15 | 0:22:18 | |
That's a total of five. | 0:22:18 | 0:22:20 | |
Let's steward them out of the room and bring in the Parishioners now, | 0:22:20 | 0:22:23 | |
for a brand-new Connecting Wall, the Water Wall. Same idea. | 0:22:23 | 0:22:27 | |
You've got two and a half minutes to solve it, starting now. | 0:22:27 | 0:22:31 | |
Malcolm X, Inside Man.... | 0:22:34 | 0:22:36 | |
Inside Man looks like a film. Standby, Deja Vu. | 0:22:36 | 0:22:39 | |
-Election kind of things. -Election things, yes. | 0:22:39 | 0:22:42 | |
-Ballot, exit poll. -Swing, exit poll. -Shall we try? | 0:22:42 | 0:22:45 | |
-BUZZ -It's something else there. | 0:22:49 | 0:22:52 | |
-Right... What's cleavage good for? -Ha-ha. | 0:22:52 | 0:22:56 | |
-Might be a word. -Cleavage, Cover, Ballot, Alter... | 0:22:56 | 0:23:01 | |
Oh, it's "Alter-NATE". Ah... Heart, Deja Vu, Swing... | 0:23:01 | 0:23:06 | |
-Note paper, ballot paper - is that anything? -Yes. | 0:23:06 | 0:23:10 | |
-Er... Oh, dear. -Maybe not. -Alternate paper... | 0:23:11 | 0:23:16 | |
I wonder about the films. If Deja Vu is a film, it could be Inside Man... | 0:23:18 | 0:23:22 | |
-Malcolm X. -Ricochet. -Well done. -That's one. | 0:23:22 | 0:23:27 | |
OK. Flight... | 0:23:28 | 0:23:30 | |
You're about halfway through the time. | 0:23:32 | 0:23:35 | |
-Swing. Does that have anything to do with votes? -Swing vote. | 0:23:37 | 0:23:39 | |
-Alternate vote. -Swing vote, no? | 0:23:39 | 0:23:42 | |
-Swing vote. -Hustings. Exit poll? -Try. | 0:23:42 | 0:23:47 | |
-BUZZ -Try without Exit poll. | 0:23:47 | 0:23:50 | |
-BUZZ -Take out Swing. Take out Swing. | 0:23:50 | 0:23:53 | |
-BUZZ -No. Ballot? | 0:23:53 | 0:23:55 | |
BUZZ | 0:23:55 | 0:23:57 | |
BUZZ | 0:23:58 | 0:23:59 | |
-It's none of those. -Oh, dear. Standby... | 0:23:59 | 0:24:02 | |
Standby ticket, flight ticket, charge ticket, alternate ticket... | 0:24:02 | 0:24:06 | |
Er... | 0:24:06 | 0:24:07 | |
-30 seconds. -Er... | 0:24:09 | 0:24:11 | |
Um... | 0:24:11 | 0:24:13 | |
Change of heart, change of swing, change of cover... Note... | 0:24:15 | 0:24:19 | |
-Just try. -Ten seconds. BUZZ | 0:24:19 | 0:24:21 | |
Alternate, Swing, Hustings... | 0:24:21 | 0:24:23 | |
BUZZ | 0:24:23 | 0:24:25 | |
Er... | 0:24:25 | 0:24:26 | |
Electric charge, electric cover... | 0:24:28 | 0:24:30 | |
Oh, dear. What a horrible wall. | 0:24:30 | 0:24:33 | |
People that have been looking forward to the return of this show | 0:24:33 | 0:24:36 | |
are starting to wonder, starting to miss what was on last week. | 0:24:36 | 0:24:39 | |
But you found one group and I will give you a point if you can tell me | 0:24:39 | 0:24:42 | |
what connects Ricochet, Deja Vu, Malcolm X, Inside Man. | 0:24:42 | 0:24:47 | |
We think they might all be films that starred Denzel Washington. | 0:24:47 | 0:24:49 | |
They are Denzel Washington films. Very well done. | 0:24:49 | 0:24:51 | |
And you can get points for the connections in the groups | 0:24:51 | 0:24:54 | |
you didn't find, so let's resolve the wall. | 0:24:54 | 0:24:56 | |
That's how it should have been. The green group. | 0:24:56 | 0:24:58 | |
-Shall we go "charge"? -Charge. -That's not it. They are understudies. | 0:25:01 | 0:25:06 | |
And the next group. | 0:25:06 | 0:25:07 | |
-Ooh. -Paper. -Paper? -Do you think? Just a guess. | 0:25:09 | 0:25:13 | |
We'll say paper, but we're doubtful. Go on. | 0:25:13 | 0:25:17 | |
I'm afraid it's "Take". | 0:25:17 | 0:25:19 | |
-You take charge, take heart, take flight, take note. -Oh! -Yes. | 0:25:19 | 0:25:23 | |
And the last group. | 0:25:23 | 0:25:25 | |
-These are all to do with elections. -Election terminology, yes. | 0:25:26 | 0:25:29 | |
What's cleavage good for? | 0:25:29 | 0:25:30 | |
A question I've asked myself on so many occasions. | 0:25:30 | 0:25:33 | |
But you found one group and you get two points for the connections. | 0:25:33 | 0:25:36 | |
That is a total of three and, take heart, | 0:25:36 | 0:25:39 | |
there's another round to come. Let's go in and play round four. | 0:25:39 | 0:25:42 | |
We're now going to play round four, the missing vowels round. | 0:25:49 | 0:25:52 | |
This is where we put well-known names, | 0:25:52 | 0:25:54 | |
phrases and sayings into connected groups of four, | 0:25:54 | 0:25:56 | |
but we take out the vowels and respace the consonants, | 0:25:56 | 0:26:00 | |
and I want the teams to tell me what are the disguised clues. | 0:26:00 | 0:26:03 | |
Fingers on the bells. I can tell you that the first group are all... | 0:26:03 | 0:26:07 | |
Taylor Swift. | 0:26:12 | 0:26:14 | |
Martin Short. | 0:26:18 | 0:26:20 | |
Blake Lively. | 0:26:24 | 0:26:25 | |
-Will Young. -Yes, it is. | 0:26:29 | 0:26:31 | |
Next category, questions you might hear in a job interview. | 0:26:31 | 0:26:35 | |
Where do you see yourself in five years' time? | 0:26:38 | 0:26:40 | |
What is your biggest weakness? | 0:26:44 | 0:26:46 | |
I haven't got all night. Next clue. | 0:26:46 | 0:26:48 | |
-Why did you leave your last job? -Very good. | 0:26:51 | 0:26:54 | |
-Do you have any questions? -Excellent. | 0:26:57 | 0:27:00 | |
Next category. They won a Tony Award for Best Musical. | 0:27:00 | 0:27:03 | |
Avenue Q. | 0:27:06 | 0:27:08 | |
Annie. | 0:27:13 | 0:27:14 | |
Fiddler On The Roof. | 0:27:18 | 0:27:20 | |
-The King And I. -Good group for you. Next category. | 0:27:24 | 0:27:28 | |
-See you later, alligator. -That's the best one. | 0:27:32 | 0:27:35 | |
Have a nice day. | 0:27:37 | 0:27:39 | |
MUSIC SIGNALS END OF ROUND | 0:27:39 | 0:27:42 | |
That's it. It's the end of the quiz. Good round from you there, Ian, | 0:27:42 | 0:27:46 | |
and very good categories from you earlier. | 0:27:46 | 0:27:48 | |
But I can tell you, at the end of tonight's game, the winners, | 0:27:48 | 0:27:52 | |
with 26 points, are the Parishioners. | 0:27:52 | 0:27:54 | |
And in second place, with 15, it's the Stewards. So, very well done. | 0:27:54 | 0:27:58 | |
You are through to the next round. | 0:27:58 | 0:28:00 | |
Stewards, you might be through to the next round. | 0:28:00 | 0:28:03 | |
We've got new rules again this series | 0:28:03 | 0:28:05 | |
and the two highest-scoring losers will go through. | 0:28:05 | 0:28:07 | |
Yes, a new structure. | 0:28:07 | 0:28:09 | |
I look forward to telling you about THAT over the next 37 weeks! | 0:28:09 | 0:28:12 | |
So, we may be seeing you again. | 0:28:12 | 0:28:14 | |
If not, you've looked wonderful, | 0:28:14 | 0:28:16 | |
you've quizzed very well. | 0:28:16 | 0:28:17 | |
Thank you for playing, and please join me next time | 0:28:17 | 0:28:19 | |
for another episode of the quiz | 0:28:19 | 0:28:21 | |
that's being replicated around the world, | 0:28:21 | 0:28:23 | |
from France's C'est Diabolique to America's Connect That, | 0:28:23 | 0:28:27 | |
all the way through to Australia's Strewth, That's A Nut Scratcher. | 0:28:27 | 0:28:30 | |
Good night. | 0:28:30 | 0:28:32 |