Browse content similar to Radio 2. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
APPLAUSE | 0:00:15 | 0:00:19 | |
Thank you very much indeed. | 0:00:22 | 0:00:24 | |
Hello, I'm Alexander Armstrong and a very warm welcome | 0:00:24 | 0:00:26 | |
to this special Radio 2 edition of Pointless Celebrities. | 0:00:26 | 0:00:29 | |
This is the show where all the questions have been asked | 0:00:29 | 0:00:31 | |
to 100 people before the show. | 0:00:31 | 0:00:33 | |
All our celebrities have to do is come up with the answers | 0:00:33 | 0:00:35 | |
those 100 people couldn't think of. | 0:00:35 | 0:00:37 | |
Let's meet today's Pointless celebrities. | 0:00:37 | 0:00:39 | |
APPLAUSE | 0:00:39 | 0:00:42 | |
-Couple number one. -I'm Anneka Rice | 0:00:44 | 0:00:46 | |
and I present the weekend breakfast show on a Saturday on Radio 2. | 0:00:46 | 0:00:51 | |
And I'm Ken Bruce. | 0:00:51 | 0:00:52 | |
I ask difficult questions in PopMaster every day | 0:00:52 | 0:00:55 | |
but I can't answer any questions! | 0:00:55 | 0:00:57 | |
APPLAUSE | 0:00:57 | 0:01:01 | |
Couple number two. | 0:01:01 | 0:01:03 | |
Hi, I'm Craig Charles and I present the House Party | 0:01:03 | 0:01:06 | |
on Radio 2 on a Saturday night. | 0:01:06 | 0:01:07 | |
And I'm Vanessa Feltz and I'm the early bird on Radio 2. | 0:01:07 | 0:01:11 | |
At some point, I hope to catch a worm. | 0:01:11 | 0:01:14 | |
APPLAUSE | 0:01:14 | 0:01:16 | |
Couple number three. | 0:01:17 | 0:01:20 | |
Hi, I'm Jeremy Vine and I present the kind of news show at midday | 0:01:20 | 0:01:23 | |
and do some graphics for BBC elections. | 0:01:23 | 0:01:26 | |
I'm Jo Whiley and I'm for the night shift workers. | 0:01:26 | 0:01:29 | |
I play records on the radio. | 0:01:29 | 0:01:31 | |
APPLAUSE | 0:01:31 | 0:01:34 | |
-And, finally, couple number four. -I'm Michael Ball. | 0:01:35 | 0:01:38 | |
I present a show on a Sunday. | 0:01:38 | 0:01:40 | |
I'm here to tell you that "love changes everything" | 0:01:40 | 0:01:42 | |
and that this is my mother, Zoe. | 0:01:42 | 0:01:45 | |
Yes, hello, I'm Zoe Ball, mother of two | 0:01:45 | 0:01:48 | |
and occasional host of PopMaster, when Mr Ken Bruce is away | 0:01:48 | 0:01:52 | |
and yes, I know I'm not really very good at it. | 0:01:52 | 0:01:55 | |
And also, I sometimes get involved in dancing. | 0:01:55 | 0:01:58 | |
APPLAUSE | 0:01:58 | 0:02:01 | |
Thanks very much, all of you. | 0:02:01 | 0:02:02 | |
We'll get to chat to each of you through the show as it goes along. | 0:02:02 | 0:02:05 | |
So, that just leaves one more person for me to introduce - | 0:02:05 | 0:02:08 | |
a man who's capable of a short wave AND a long wave, | 0:02:08 | 0:02:11 | |
depending on what kind of mood he's in, | 0:02:11 | 0:02:12 | |
it's my Pointless friend, it's Richard. | 0:02:12 | 0:02:15 | |
-Hiya. Hey, everybody. -APPLAUSE | 0:02:15 | 0:02:17 | |
Good evening. Well, good evening to you. | 0:02:17 | 0:02:21 | |
Well, good evening. | 0:02:21 | 0:02:22 | |
I have to say this is about as close to my perfect line-up | 0:02:22 | 0:02:25 | |
-as you could possibly get. -Yeah. | 0:02:25 | 0:02:26 | |
Some of the loveliest people you could imagine on today's show. | 0:02:26 | 0:02:29 | |
If I'm being super picky, | 0:02:29 | 0:02:30 | |
I'd like Jedward to be here as well but they're not. | 0:02:30 | 0:02:33 | |
We've got a lovely pair of Balls on podium four though, so that's nice. | 0:02:33 | 0:02:36 | |
Now, the most competitive show we've ever had | 0:02:36 | 0:02:38 | |
was the Radio 1 special, | 0:02:38 | 0:02:40 | |
-cos they all worked in the same building next to each other. -Mm. | 0:02:40 | 0:02:43 | |
-I suspect we might see something similar today. -I think we may. | 0:02:43 | 0:02:46 | |
I should point out, though, competitive though it will be, | 0:02:46 | 0:02:49 | |
that podium two is going to be difficult to beat. | 0:02:49 | 0:02:51 | |
Vanessa and Craig have both been on the show before | 0:02:51 | 0:02:53 | |
and have both got through to the jackpot round. | 0:02:53 | 0:02:55 | |
-Vanessa's won the jackpot as well. -Fix! -Ooh! | 0:02:55 | 0:02:58 | |
They are going to be pretty strong, I think. | 0:02:58 | 0:03:02 | |
There we are. Thank you very much, Richard. | 0:03:02 | 0:03:04 | |
All of today's questions have been asked to 100 people before the show. | 0:03:04 | 0:03:07 | |
Our contestants are hoping to find one of those pointless answers, | 0:03:07 | 0:03:10 | |
an answer that none of our 100 people gave. | 0:03:10 | 0:03:13 | |
Find one of those and we will add £250 to the jackpot. | 0:03:13 | 0:03:16 | |
As today's show is a celebrity special, | 0:03:16 | 0:03:18 | |
each of our celebrities is playing for a nominated charity, | 0:03:18 | 0:03:21 | |
we are going to start off with a jackpot of £2,500. There we are. | 0:03:21 | 0:03:24 | |
APPLAUSE | 0:03:24 | 0:03:27 | |
Right, if everyone's ready, let's play Pointless. | 0:03:27 | 0:03:30 | |
APPLAUSE | 0:03:30 | 0:03:33 | |
The only rule you have to remember is this. | 0:03:35 | 0:03:37 | |
The pair with the highest score | 0:03:37 | 0:03:39 | |
at the end of each round will be eliminated. | 0:03:39 | 0:03:42 | |
Best of luck to all four pairs. | 0:03:42 | 0:03:43 | |
Our first category this evening is... | 0:03:43 | 0:03:46 | |
-Ooh! -No pressure! -Popular Music. Can you all decide in your pairs... | 0:03:49 | 0:03:53 | |
Michael Ball already looking worried. | 0:03:53 | 0:03:54 | |
..which of you is going to go first, which is going to go second. | 0:03:54 | 0:03:58 | |
And whoever is going first, please step up to the podium. | 0:03:58 | 0:04:01 | |
OK, and the question concerns... | 0:04:04 | 0:04:07 | |
-Richard. -In a moment, Xander's going to show you | 0:04:10 | 0:04:13 | |
the name of six artists and we are looking for | 0:04:13 | 0:04:16 | |
any UK number one single by any of those artists, please, | 0:04:16 | 0:04:19 | |
according to officialcharts.com. | 0:04:19 | 0:04:21 | |
OK, we're going to put those six artists up on the board | 0:04:21 | 0:04:24 | |
and they'll stay up there for the whole round. | 0:04:24 | 0:04:26 | |
You just have to throw out the name of any song | 0:04:26 | 0:04:30 | |
that has been a number one hit for any of these artists. | 0:04:30 | 0:04:33 | |
HE SIGHS I'm nervous. | 0:04:34 | 0:04:36 | |
Let's see who those artists are. We have got... | 0:04:36 | 0:04:38 | |
-Anneka. -Oh! -Anneka, welcome back to Pointless. -It's lovely to see you. | 0:04:52 | 0:04:57 | |
I gather you're revisiting Challenge Anneka, you're catching up. | 0:04:57 | 0:05:01 | |
We're catching up, because the over 60 projects we did, | 0:05:01 | 0:05:04 | |
well, some are celebrating their 25th anniversary this year, | 0:05:04 | 0:05:08 | |
-some their 21st, cos it went on for many years. -Yeah. | 0:05:08 | 0:05:11 | |
So, I'm going round the whole country, revisiting... | 0:05:11 | 0:05:14 | |
That must be so rewarding. | 0:05:14 | 0:05:16 | |
I've been off to Romania, soup kitchens in London. | 0:05:16 | 0:05:19 | |
The projects are so varied and they're all going strong, | 0:05:19 | 0:05:23 | |
so it's a lovely thing to do. | 0:05:23 | 0:05:25 | |
And, of course, on The Archers, recently... | 0:05:25 | 0:05:27 | |
Because 23 years ago, I did up their village hall, | 0:05:27 | 0:05:31 | |
-they asked me back over Easter to reopen it again. -Fantastic! | 0:05:31 | 0:05:36 | |
Highlight of my life, frankly! The rest is nothing. | 0:05:36 | 0:05:39 | |
-Now, back to reality here, Anneka. -OK. | 0:05:39 | 0:05:42 | |
What about these artists and their number one singles? | 0:05:42 | 0:05:47 | |
I'm just going to go for Robbie Williams and Millennium. | 0:05:47 | 0:05:50 | |
Millennium, says Anneka. Let's see if that's right | 0:05:50 | 0:05:53 | |
and how many of our 100 people said Millennium. | 0:05:53 | 0:05:56 | |
It's right. | 0:05:58 | 0:05:59 | |
Ooh. | 0:06:01 | 0:06:03 | |
-It's not bad. -Oh! | 0:06:03 | 0:06:05 | |
There we are. 19. APPLAUSE | 0:06:05 | 0:06:08 | |
A good start to the round and for the show. | 0:06:08 | 0:06:10 | |
Yeah, tough on that first podium. | 0:06:10 | 0:06:12 | |
That was a number one in 1998, confusingly. | 0:06:12 | 0:06:15 | |
-It's a little bit early, isn't it? -A little bit previous there. | 0:06:15 | 0:06:17 | |
-A little bit, isn't it? -Yeah. -Yeah. -Thank you very much. | 0:06:17 | 0:06:21 | |
-Vanessa, welcome back. -Yes, hello. -Welcome back. Vanessa, your show... | 0:06:21 | 0:06:25 | |
-You're on at five, I think. -That's right. | 0:06:25 | 0:06:27 | |
You're there at five, you look at the papers, you do a round-up, | 0:06:27 | 0:06:32 | |
and then you walk over to BBC London... | 0:06:32 | 0:06:35 | |
Yes, I waddle fast to another building, yes. | 0:06:35 | 0:06:37 | |
But then, presumably, | 0:06:37 | 0:06:39 | |
the show you do on Radio 2 is your warm-up for BBC London. | 0:06:39 | 0:06:43 | |
Don't tell anyone at Radio 2 that, for goodness' sake! No, far from it! | 0:06:43 | 0:06:47 | |
-That's just what it sounds like. -How rude! | 0:06:47 | 0:06:50 | |
That's quite handy cos you'll have done all the newspaper work. | 0:06:50 | 0:06:54 | |
It's a different kind of show. | 0:06:54 | 0:06:55 | |
The Radio 2 show is a lovely, cosy good morning show | 0:06:55 | 0:06:58 | |
-and the other one, on BBC Radio London, is hard news. -Oh, it is! | 0:06:58 | 0:07:02 | |
Very different sort of show. | 0:07:02 | 0:07:03 | |
-You have to land on every issue running, don't you? -That's right. | 0:07:03 | 0:07:06 | |
You have to have opinions. | 0:07:06 | 0:07:08 | |
Do you sometimes, just for the fun of it, think, | 0:07:08 | 0:07:10 | |
-"I'm fairly easygoing on this one..."? -Never! Never! -OK. | 0:07:10 | 0:07:14 | |
-You don't think, "I'd better up the vinegar on this"? -Certainly not, no. | 0:07:14 | 0:07:18 | |
Quite right. Now, Vanessa, what would you like to go for? | 0:07:18 | 0:07:23 | |
Well, I thought I might try Elton John and Daniel. | 0:07:23 | 0:07:28 | |
Daniel, says Vanessa. Let's see how many of our 100 people said Daniel. | 0:07:28 | 0:07:33 | |
-Oh, no! -Oh! Oh! | 0:07:35 | 0:07:38 | |
-Oh, dear! -That is an incorrect answer. | 0:07:38 | 0:07:41 | |
Scores you 100 points. | 0:07:41 | 0:07:43 | |
Yeah, not a number one single, I'm afraid, Daniel. | 0:07:43 | 0:07:45 | |
It may not be the last 100 points of the round, I suspect. | 0:07:45 | 0:07:47 | |
It's wrong for the right reasons, | 0:07:47 | 0:07:49 | |
though, Vanessa. Jo, welcome. | 0:07:49 | 0:07:52 | |
-Hi. -Lovely to have you here. | 0:07:52 | 0:07:55 | |
-You started at Radio 1 in, sort of, early '90s, mid '90s? -Yeah. | 0:07:55 | 0:08:00 | |
-Sort of '92. -'92, '93, yeah. | 0:08:00 | 0:08:03 | |
There you are, breaking new acts still, aren't you? | 0:08:03 | 0:08:06 | |
-Yeah. -You're doing a sort of John Peel job on Radio 2 now. | 0:08:06 | 0:08:09 | |
Yeah, I was doing the Evening Session at 1 | 0:08:09 | 0:08:11 | |
and now I'm kind of doing an evening session at Radio 2, | 0:08:11 | 0:08:13 | |
so, we have loads of concerts, the likes of Ed Sheeran, a-ha... | 0:08:13 | 0:08:16 | |
-It's a varied palate that I have. -But still, not a duff flavour on it. | 0:08:16 | 0:08:21 | |
-All you're hearing is a-ha, you're happy. -Yeah. | 0:08:21 | 0:08:24 | |
It could be 24-hour a-ha and he'd be over the moon. | 0:08:24 | 0:08:27 | |
It seems to have been the best thing I've done at Radio 2, apparently. | 0:08:27 | 0:08:31 | |
There you go. Now, Jo, what would you like to go for? | 0:08:31 | 0:08:34 | |
Can I just say commiserations to Craig and Vanessa? | 0:08:34 | 0:08:37 | |
I'd just like to put that out there. | 0:08:37 | 0:08:38 | |
Not that we're competitive at all in any way(!) | 0:08:38 | 0:08:41 | |
-No, we were quietly upset. -Now watch me sink here. | 0:08:41 | 0:08:44 | |
I'm going to go with Eminem and I'm going to say Stan. | 0:08:44 | 0:08:47 | |
-Stan. -Yeah. -Stan. | 0:08:47 | 0:08:50 | |
A little bit of agitation on podium four there. | 0:08:50 | 0:08:52 | |
I think you might have nicked someone's answer there, | 0:08:52 | 0:08:54 | |
-but there we are. Stan. -Really well done, Jo. | 0:08:54 | 0:08:58 | |
Let's see how many of our 100 people went for Stan. | 0:08:58 | 0:09:00 | |
-It's right. -Phew! -100 was our high score, 19 is our low. | 0:09:02 | 0:09:06 | |
You passed the high score at the beginning of the round. | 0:09:06 | 0:09:08 | |
-You pass the low. -Whoa! -There we are. | 0:09:08 | 0:09:11 | |
14, very well done indeed, Jo. APPLAUSE | 0:09:11 | 0:09:14 | |
Very well played, Jo. From 2000, that was. | 0:09:16 | 0:09:19 | |
The one that samples Dido in it as well. | 0:09:19 | 0:09:21 | |
Thank you very much, Richard. Now, Michael, welcome. | 0:09:21 | 0:09:25 | |
-Yes. -Now, there you are, Sunday morning. -Yeah. | 0:09:25 | 0:09:27 | |
-Prestigious flagship show. -It's a lovely, lovely, lovely show. | 0:09:27 | 0:09:30 | |
It's, for me, the best time of the week and the best show of the week. | 0:09:30 | 0:09:34 | |
-Wonderful. -No disrespect, guys. | 0:09:34 | 0:09:36 | |
That is lovely, and to take over from Sir Terry as well. | 0:09:36 | 0:09:39 | |
Yes, taking over in such sad circumstances | 0:09:39 | 0:09:41 | |
and not expected at all. A real honour. | 0:09:41 | 0:09:44 | |
I adored the man, I adored the bones of him | 0:09:44 | 0:09:47 | |
and so, to be able to sit in his seat is a real privilege. | 0:09:47 | 0:09:51 | |
Wonderful, and I imagine you get a lot of support from the TOGs | 0:09:51 | 0:09:54 | |
-as well. -Yeah, yeah. None from these guys, obviously. -No, no. | 0:09:54 | 0:09:58 | |
LAUGHTER | 0:09:58 | 0:09:59 | |
-Well, very best of luck with that, Michael. -Thank you. | 0:09:59 | 0:10:02 | |
-What would you like to go for? -Right... | 0:10:02 | 0:10:06 | |
Cos someone stole my answer, I'm going to go for Robbie Williams | 0:10:06 | 0:10:11 | |
and Something Stupid, which he did with Nicole Kidman. | 0:10:11 | 0:10:13 | |
OK, let's see if that's right | 0:10:13 | 0:10:15 | |
and how many of our 100 people went for Something Stupid. | 0:10:15 | 0:10:18 | |
Oh, it's not going to, is it? | 0:10:19 | 0:10:21 | |
It's right. It is, it is. | 0:10:21 | 0:10:22 | |
Well, 19 - sorry - 14 is our low score. | 0:10:22 | 0:10:26 | |
Oh, and look at that! | 0:10:26 | 0:10:28 | |
CHEERING AND APPLAUSE | 0:10:30 | 0:10:33 | |
1, Michael, 1! | 0:10:33 | 0:10:35 | |
-Very well done indeed. -No, really, | 0:10:35 | 0:10:39 | |
I'm very relaxed about that. | 0:10:39 | 0:10:40 | |
So, by stealing your original answer, | 0:10:40 | 0:10:43 | |
-actually, Jo did you an enormous favour. -Fabulous! | 0:10:43 | 0:10:46 | |
Not competitive at all(!) Yeah, it was Christmas number one, that song. | 0:10:46 | 0:10:51 | |
The Christmas number one the previous year was | 0:10:51 | 0:10:53 | |
-Can We Fix It by Bob The Builder. Just so you know. -There we are. | 0:10:53 | 0:10:57 | |
We're halfway through the round. Let's take a look at those scores. | 0:10:57 | 0:10:59 | |
1, Michael Ball, the best, the best answer of the round | 0:10:59 | 0:11:03 | |
by a margin, in fact. Very well done. | 0:11:03 | 0:11:07 | |
Then we travel up to 14, | 0:11:07 | 0:11:08 | |
Jo and Jeremy. | 0:11:08 | 0:11:10 | |
19's where we find Anneka and Ken. | 0:11:10 | 0:11:12 | |
And then...well, Vanessa and Craig. | 0:11:12 | 0:11:14 | |
Craig, a low score from you, you never know, | 0:11:14 | 0:11:16 | |
might keep you in the game. | 0:11:16 | 0:11:18 | |
Anything could happen. | 0:11:18 | 0:11:21 | |
Can the second players please step up to the podium? | 0:11:21 | 0:11:23 | |
OK, Zoe. | 0:11:27 | 0:11:28 | |
-Oh, yes, hello. -Welcome. Lovely to have you here. | 0:11:28 | 0:11:31 | |
-Zoe, you've worked at Radio 1 and Radio 2. -Yeah. | 0:11:31 | 0:11:34 | |
What would you say is the difference? Is there a difference? | 0:11:34 | 0:11:37 | |
Well, I actually grew up listening to more of Radio 2 than Radio 1, | 0:11:37 | 0:11:42 | |
I have to say. I loved all the shows on Sundays, | 0:11:42 | 0:11:46 | |
I loved all the kind of... | 0:11:46 | 0:11:48 | |
I grew up with Terry Wogan at breakfast time, so I kind of, | 0:11:48 | 0:11:53 | |
I was never very cool, but I always thought I was quite cool, | 0:11:53 | 0:11:56 | |
so I kind of feel like I've come home, in a way, actually. | 0:11:56 | 0:12:00 | |
But I guess, Radio 2... | 0:12:00 | 0:12:01 | |
I love the fact that younger people listen to Radio 2 as well. | 0:12:01 | 0:12:04 | |
-I do listen to a bit of Radio 1. -Yeah. | 0:12:04 | 0:12:06 | |
Occasionally, it's a bit grrr, frenetic for me, | 0:12:06 | 0:12:10 | |
but I love a bit of grime. Doesn't everybody? | 0:12:10 | 0:12:13 | |
So, I do have a little switch between the two. | 0:12:13 | 0:12:15 | |
There we are. Listen, Zoe, you're on 1. | 0:12:15 | 0:12:18 | |
The high-scorers are Craig and Vanessa on 100. | 0:12:18 | 0:12:20 | |
So, 98 or less definitely sees you through to the next round. | 0:12:20 | 0:12:25 | |
I think I'm going to go with Elton John, | 0:12:25 | 0:12:28 | |
Song For Guy. | 0:12:28 | 0:12:30 | |
-Song For Guy. -Yeah. -Oh! | 0:12:30 | 0:12:32 | |
There is your red line. If you can get below that red line, | 0:12:32 | 0:12:35 | |
you're through to the next round. | 0:12:35 | 0:12:37 | |
Let's see how many people said Song For Guy. | 0:12:37 | 0:12:39 | |
-Oh, no! -Oh, gosh! | 0:12:41 | 0:12:44 | |
-Was it number two? -Was it number two? -OK, there we are. | 0:12:44 | 0:12:46 | |
100 is what that scores. | 0:12:46 | 0:12:48 | |
-Takes your total up to 101. -I'm so sorry. | 0:12:48 | 0:12:52 | |
You might still be in the game. | 0:12:52 | 0:12:54 | |
-Oh, gosh! -101 is your total though. | 0:12:54 | 0:12:57 | |
The big question here is, | 0:12:57 | 0:12:58 | |
what on Earth has Elton John been playing at? | 0:12:58 | 0:13:00 | |
LAUGHTER | 0:13:00 | 0:13:02 | |
Thanks very much indeed. Jeremy, welcome to Pointless. | 0:13:02 | 0:13:04 | |
-Thank you so much. -Great to have you here. | 0:13:04 | 0:13:07 | |
Let's just talk a bit about your brilliant show. | 0:13:07 | 0:13:09 | |
You took over from Jimmy Young how long ago? | 0:13:09 | 0:13:12 | |
2003, January 6th. | 0:13:12 | 0:13:15 | |
I totted it up recently and it's 13 years, actually. | 0:13:15 | 0:13:19 | |
That is extraordinary. | 0:13:19 | 0:13:21 | |
And I think it's the best job in the BBC, notwithstanding all of the fun | 0:13:21 | 0:13:24 | |
that my colleagues have described. I really love it. | 0:13:24 | 0:13:26 | |
It's an extraordinary programme. | 0:13:26 | 0:13:28 | |
He got the ball rolling fantastically, | 0:13:28 | 0:13:31 | |
but you have made it your own | 0:13:31 | 0:13:33 | |
and, unsurprisingly, it's more popular than the Today programme, | 0:13:33 | 0:13:36 | |
-for example. -Well... -The sort of flagship news programme on Radio 4. | 0:13:36 | 0:13:39 | |
You didn't say that on the Radio 4 special. | 0:13:39 | 0:13:41 | |
On the Radio 4 special, there was about 20 minutes of, | 0:13:41 | 0:13:45 | |
"Oh, Jeremy Vine..." | 0:13:45 | 0:13:47 | |
LAUGHTER | 0:13:47 | 0:13:49 | |
Well, the craziness of being able to interview the Prime Minister | 0:13:49 | 0:13:52 | |
and then say, "Have you ever been pecked in the eye by a gannet?" | 0:13:52 | 0:13:55 | |
But it is that extraordinary... It's the perfect magazine programme. | 0:13:55 | 0:13:58 | |
It manages to be very light-hearted at the same time as being... | 0:13:58 | 0:14:01 | |
-That's very kind. -It deals with all the major stories. Brilliant. | 0:14:01 | 0:14:05 | |
-Thank you. -Absolutely fantastic. | 0:14:05 | 0:14:07 | |
Now then, Jeremy, talking about major stories, | 0:14:07 | 0:14:09 | |
what are you going to go for here? | 0:14:09 | 0:14:11 | |
The high-scorers are behind you, 101. You're on 14. | 0:14:11 | 0:14:14 | |
86 is your target, 86 or less. | 0:14:14 | 0:14:18 | |
Yeah, I think I'm going to go for Kylie Minogue, | 0:14:18 | 0:14:21 | |
-Spinning Around. -Spinning Around. Here is your red line. | 0:14:21 | 0:14:25 | |
Get below that with Spinning Around, you're into the next round. | 0:14:25 | 0:14:28 | |
How many of our 100 people said it? | 0:14:28 | 0:14:30 | |
-It's right and you're through. Very well done indeed. -Oh, that's good. | 0:14:32 | 0:14:35 | |
Oh, that's good. Come on! Go down. | 0:14:35 | 0:14:38 | |
Perfectly good. 10 for Spinning Around. | 0:14:38 | 0:14:41 | |
APPLAUSE Takes your total up to 24, | 0:14:41 | 0:14:44 | |
which I suspect might be the lowest total of the round. We'll see. | 0:14:44 | 0:14:47 | |
Very well played. Number one in 2000. | 0:14:47 | 0:14:49 | |
-Kylie Minogue really showing Elton John the way to go, isn't she? -Yeah. | 0:14:49 | 0:14:52 | |
-Thank you very much. Craig. -Hi. -Welcome. The newest member | 0:14:52 | 0:14:57 | |
-of the Radio 2 line-up there. -Yeah. -Fantastic. | 0:14:57 | 0:15:00 | |
And the House Party. | 0:15:00 | 0:15:02 | |
I'm kind of Mr Saturday night now. I do six till nine on 6 Music | 0:15:02 | 0:15:05 | |
have an hour off, then I do ten till midnight on Radio 2. | 0:15:05 | 0:15:08 | |
So, you're like Vanessa. You tiptoe across | 0:15:08 | 0:15:11 | |
-from one studio to the next. -We do it from the same studio, though, | 0:15:11 | 0:15:14 | |
-which is good. -Clever. -We just change the frequency. | 0:15:14 | 0:15:16 | |
LAUGHTER | 0:15:16 | 0:15:18 | |
Tell me about House Party. You only started recently, didn't you? | 0:15:18 | 0:15:21 | |
It's basically a continuation of the Funk And Soul Show. | 0:15:21 | 0:15:23 | |
I just play all my favourite records. | 0:15:23 | 0:15:26 | |
Funk and soul and northern soul is your thing, isn't it? | 0:15:26 | 0:15:28 | |
That kind of stuff. | 0:15:28 | 0:15:29 | |
And you can just make up your playlist as you... | 0:15:29 | 0:15:32 | |
Yeah, no-one tells me what to play, which is really good. | 0:15:32 | 0:15:34 | |
It's a great feeling cos it is just like being round at your house, | 0:15:34 | 0:15:37 | |
sticking your favourite records on and talking nonsense, | 0:15:37 | 0:15:40 | |
-and I thought, "Well, I'm your man." -Fantastic. | 0:15:40 | 0:15:43 | |
OK, now, Craig, you really need a pointless answer at this point. | 0:15:43 | 0:15:48 | |
-I know. -That's what we're... MICHAEL: -No, he doesn't. | 0:15:48 | 0:15:50 | |
LAUGHTER | 0:15:50 | 0:15:52 | |
I think you... I bet you've got one. | 0:15:52 | 0:15:54 | |
Shall we stay with Kylie Minogue and go for Can't Get You Out Of My Head? | 0:15:54 | 0:15:57 | |
-Was that a number one? -OK, Can't Get You Out Of My Head, | 0:15:57 | 0:16:00 | |
says Craig. It wants to be pointless, | 0:16:00 | 0:16:03 | |
which means there is going to be a red line there | 0:16:03 | 0:16:06 | |
but it won't be visible to you. | 0:16:06 | 0:16:08 | |
LAUGHTER | 0:16:08 | 0:16:10 | |
Can't Get You Out Of My Head - how many people said it? | 0:16:10 | 0:16:13 | |
Oh! | 0:16:15 | 0:16:16 | |
-Not bad. Sorry about that. -18. | 0:16:22 | 0:16:25 | |
-Ah, well. -Well, 118 is your total. | 0:16:25 | 0:16:30 | |
-There is a scenario in which you could still survive. -Yeah. | 0:16:30 | 0:16:35 | |
-It's all in Mr Bruce's hands. -Number one from 2001. | 0:16:35 | 0:16:37 | |
It was released in the same week as a Victoria Beckham single | 0:16:37 | 0:16:40 | |
and they had that sort of Blur v Oasis, who's going to be number one? | 0:16:40 | 0:16:43 | |
And it was Kylie and Victoria Beckham got to number six. | 0:16:43 | 0:16:46 | |
Oh, dear. There you are. | 0:16:48 | 0:16:49 | |
Ken, a very warm welcome. How long have you been at Radio 2? | 0:16:49 | 0:16:54 | |
Oh, only a month or two now. | 0:16:54 | 0:16:56 | |
I don't want to say it out loud in case they realise. | 0:16:56 | 0:16:59 | |
I've been doing a daily programme on Radio 2 for 31 years. | 0:16:59 | 0:17:03 | |
-Which is ridiculous! -Goodness! APPLAUSE | 0:17:03 | 0:17:05 | |
Everyone's clapping you. | 0:17:05 | 0:17:07 | |
Well done, well done. | 0:17:07 | 0:17:09 | |
And how long have you been at your current slot, the 9.30 slot? | 0:17:09 | 0:17:13 | |
Well, I started that in 1986 and then the BBC moved me | 0:17:13 | 0:17:16 | |
to late night for a year and early morning for a year | 0:17:16 | 0:17:18 | |
and then they put me back there. | 0:17:18 | 0:17:20 | |
-Is there any other slot that you would consider? No! -Well, no. | 0:17:20 | 0:17:23 | |
When I did late night, | 0:17:23 | 0:17:25 | |
I found I didn't quite get used to it cos I was always going to work. | 0:17:25 | 0:17:28 | |
-I hate that. -You know that feeling. | 0:17:28 | 0:17:31 | |
And now, I'm finished work and I can go, "Ha-ha!" | 0:17:31 | 0:17:34 | |
And enjoy myself all day, sleeping. | 0:17:34 | 0:17:36 | |
Now, what we require from you, Ken, essentially, | 0:17:36 | 0:17:39 | |
is a correct answer. | 0:17:39 | 0:17:41 | |
-It's all we need is a correct answer. -Well, yes. | 0:17:41 | 0:17:43 | |
I'm going to play it very safe and say Elton John and Kiki Dee, | 0:17:43 | 0:17:49 | |
-Don't Go Breaking My Heart. -Don't Go Breaking My Heart. | 0:17:49 | 0:17:51 | |
Here is your red line, up there. | 0:17:51 | 0:17:52 | |
Let's see if it's right and how many of our 100 people got it. | 0:17:52 | 0:17:55 | |
-It's right. -Well done. | 0:17:57 | 0:17:59 | |
It's going down further than I thought. | 0:17:59 | 0:18:01 | |
-11. -What a surprise. | 0:18:03 | 0:18:05 | |
Taking your total up to 30. Nice round score there. | 0:18:05 | 0:18:09 | |
-APPLAUSE -Very well played, Ken. | 0:18:09 | 0:18:12 | |
It was originally supposed to be a duet | 0:18:12 | 0:18:14 | |
between Elton and Dusty Springfield | 0:18:14 | 0:18:16 | |
but she was ill at the time of recording, | 0:18:16 | 0:18:17 | |
so Kiki Dee stepped in. | 0:18:17 | 0:18:19 | |
There's lots of pointless answers. | 0:18:19 | 0:18:20 | |
I'll take you through them via the different artists. | 0:18:20 | 0:18:23 | |
Two Rod Stewart number ones are pointless answers. | 0:18:23 | 0:18:25 | |
The First Cut Is The Deepest is a pointless answer | 0:18:25 | 0:18:28 | |
and Baby Jane a pointless answer as well. | 0:18:28 | 0:18:30 | |
Robbie Williams - two pointless answers. | 0:18:30 | 0:18:32 | |
The Road To Mandalay and It's Only Us. | 0:18:32 | 0:18:34 | |
Rihanna - What's My Name?, which she released with Drake, | 0:18:34 | 0:18:36 | |
was a pointless answer. Also Take A Bow and Run This Town. | 0:18:36 | 0:18:39 | |
Kylie - no pointless answers at all, | 0:18:39 | 0:18:41 | |
but 1 point for Hand On Your Heart and Tears On My Pillow. | 0:18:41 | 0:18:44 | |
That's two different songs. | 0:18:44 | 0:18:45 | |
Eminem - pointless answers for Just Lose It, | 0:18:45 | 0:18:47 | |
Smack That, that he did with Akon, and Like Toy Soldiers. | 0:18:47 | 0:18:51 | |
And pointless answers for Elton John - | 0:18:51 | 0:18:52 | |
Something About The Way You Look Tonight was a pointless answer | 0:18:52 | 0:18:55 | |
and Ghetto Gospel that he featured on | 0:18:55 | 0:18:58 | |
with Tupac was a pointless answer. Let's look at the top three scorers, | 0:18:58 | 0:19:02 | |
the ones most of our 100 people said. | 0:19:02 | 0:19:04 | |
Sailing, Rod Stewart - 35. | 0:19:05 | 0:19:08 | |
Umbrella, Rihanna - 37. | 0:19:08 | 0:19:10 | |
And Candle In The Wind 1997 - 56 - for Elton John. | 0:19:11 | 0:19:15 | |
Thank you very much, Richard. So, at the end of our first round, | 0:19:15 | 0:19:18 | |
the pair we have to say goodbye to, | 0:19:18 | 0:19:20 | |
with their high score of 118, I can't bear it, Craig and Vanessa. | 0:19:20 | 0:19:24 | |
Far too soon to be sending you home, but please come and play again. | 0:19:24 | 0:19:27 | |
-It's been lovely having you here. -Thank you. -Craig and Vanessa. | 0:19:27 | 0:19:31 | |
APPLAUSE | 0:19:31 | 0:19:33 | |
For the remaining three pairs, it's time for Round Two. | 0:19:33 | 0:19:35 | |
APPLAUSE | 0:19:35 | 0:19:38 | |
And look at that! Suddenly, we're down to three pairs. | 0:19:39 | 0:19:42 | |
That's just how it works but it's cruel, Pointless. | 0:19:42 | 0:19:45 | |
At the end of this round, we'll have to say goodbye to another pair. | 0:19:45 | 0:19:48 | |
Well done, all of you. You've seen off our multi-multi-trophy winners. | 0:19:48 | 0:19:52 | |
-Yes! -So, very well done. Best of luck to all three pairs. | 0:19:52 | 0:19:55 | |
Our category for Round Two this evening is... | 0:19:55 | 0:19:58 | |
Can you all decide in your pairs | 0:20:00 | 0:20:01 | |
who's going first, who's going second. | 0:20:01 | 0:20:04 | |
And whoever's going first, please step up to the podium. | 0:20:04 | 0:20:06 | |
OK, and the question concerns... | 0:20:09 | 0:20:12 | |
-Richard. -On each board, we're going to give you six clues, | 0:20:15 | 0:20:18 | |
the answers to which are fictional professors. | 0:20:18 | 0:20:20 | |
You need to give us the most obscure answer you can, please. | 0:20:20 | 0:20:23 | |
Six on the first board, six on the second, | 0:20:23 | 0:20:25 | |
-12 in all to have go at home. Best of luck. -Thanks very much indeed. | 0:20:25 | 0:20:27 | |
Let's reveal our first board of clues to our fictional professors | 0:20:27 | 0:20:30 | |
and here they come. We've got... | 0:20:30 | 0:20:33 | |
I'll read those all one last time. | 0:20:57 | 0:20:59 | |
-Ken Bruce. -Right, I was worried when I saw these, | 0:21:23 | 0:21:28 | |
but I will go for the rocket scientist created by Nigel Kneale. | 0:21:28 | 0:21:34 | |
-Professor Quatermass. -Professor Quatermass, says Ken. | 0:21:34 | 0:21:38 | |
Let's see if that's right | 0:21:38 | 0:21:40 | |
and how many of our 100 people said Professor Quatermass. | 0:21:40 | 0:21:42 | |
It's right. | 0:21:44 | 0:21:46 | |
It's right and it's a good answer. Look at that. | 0:21:47 | 0:21:50 | |
Down it goes to 8. Very well done indeed, Ken. | 0:21:50 | 0:21:54 | |
Lovely low score there. | 0:21:54 | 0:21:56 | |
-APPLAUSE -Very well played, Ken. | 0:21:56 | 0:21:59 | |
From the Quatermass Xperiment about a manned flight into space. | 0:21:59 | 0:22:02 | |
It was broadcast live | 0:22:02 | 0:22:04 | |
-on Saturday evenings. -There we are. Thank you, Richard. | 0:22:04 | 0:22:07 | |
Jeremy. | 0:22:07 | 0:22:09 | |
Um, I'm going to go for the absent-minded genius | 0:22:09 | 0:22:12 | |
with hearing difficulties created by Herge. | 0:22:12 | 0:22:15 | |
-I think that's Professor Calculus. -Professor Calculus, says Jeremy. | 0:22:15 | 0:22:20 | |
Let's see if that's right | 0:22:20 | 0:22:21 | |
and how many of our 100 people went for Professor Calculus. | 0:22:21 | 0:22:24 | |
It's good. 8 is our only score so far. | 0:22:28 | 0:22:32 | |
Oh, and you score 1! | 0:22:33 | 0:22:35 | |
-APPLAUSE Look at that! -Always the one. | 0:22:35 | 0:22:39 | |
-Professor Calculus scoring 1 point. -Always the one. | 0:22:39 | 0:22:42 | |
Very good stuff so far. Well played, everybody. | 0:22:42 | 0:22:45 | |
-Yeah, Cuthbert Calculus. -There we are. Thank you very much, Richard. | 0:22:45 | 0:22:49 | |
-Now, Zoe, look at this. -I know. -The bar has been set incredibly low. | 0:22:49 | 0:22:53 | |
Do you feel like talking us through this board? | 0:22:53 | 0:22:55 | |
Well, I know the first one is Ross Geller. | 0:22:55 | 0:22:59 | |
X-Men, I think Professor Xavier. | 0:22:59 | 0:23:01 | |
Um, Moriarty, the nemesis of Sherlock Holmes. | 0:23:01 | 0:23:05 | |
And the answer I'm going to give as my choice | 0:23:05 | 0:23:09 | |
is River Song. | 0:23:09 | 0:23:11 | |
Curse you, Zoe Ball, curse you. Dr Who is the only thing I know. | 0:23:11 | 0:23:15 | |
River Song, says Zoe. The daughter of Amy Pond and Rory Williams. | 0:23:15 | 0:23:19 | |
Let's see if River Song is right and how many of our 100 people got it. | 0:23:19 | 0:23:22 | |
It's right. 8 is our high score, 1 is our low. | 0:23:24 | 0:23:27 | |
It's going to be higher. | 0:23:27 | 0:23:30 | |
-17 for River Song. -Well done. -APPLAUSE | 0:23:30 | 0:23:32 | |
Not bad at all. | 0:23:32 | 0:23:35 | |
Not bad at all. | 0:23:35 | 0:23:36 | |
I have to say, this happens very rarely on regular Pointless. | 0:23:36 | 0:23:40 | |
I don't think it's ever happened on Pointless Celebrities. | 0:23:40 | 0:23:43 | |
It's the best three answers on the board from our three pairs, | 0:23:43 | 0:23:46 | |
-so terrific stuff. -Wow. -Wow. | 0:23:46 | 0:23:47 | |
APPLAUSE | 0:23:47 | 0:23:50 | |
Let's fill in the rest of these. | 0:23:50 | 0:23:53 | |
In fact, Zoe's just done it for us expertly. | 0:23:53 | 0:23:55 | |
Ross Geller at the top, the palaeontologist. | 0:23:55 | 0:23:58 | |
That would have scored you 45. | 0:23:58 | 0:24:00 | |
Charles Xavier is the next one, | 0:24:00 | 0:24:02 | |
would have score you 31. | 0:24:02 | 0:24:04 | |
And, of course, Professor Moriarty, James Moriarty, | 0:24:04 | 0:24:07 | |
would have scored you 49. | 0:24:07 | 0:24:09 | |
Thank you very much. We're halfway through the round. | 0:24:09 | 0:24:12 | |
Let's look at the scores. 1, Jeremy and Jo. Very well done. | 0:24:12 | 0:24:14 | |
That's the best score of that pass. Then up to 8, Ken and Anneka. | 0:24:14 | 0:24:17 | |
And then up to 17 - | 0:24:17 | 0:24:18 | |
they're nice low scores, all of these - Zoe and Michael. | 0:24:18 | 0:24:22 | |
-Michael... -Yeah. -You just happen to be out in front there, | 0:24:22 | 0:24:24 | |
so we need a low score from you to make sure you remain with us. | 0:24:24 | 0:24:28 | |
-I'll do my best. -You'll have a lovely new board, | 0:24:28 | 0:24:30 | |
but make sure you find | 0:24:30 | 0:24:31 | |
a testing answer there. | 0:24:31 | 0:24:34 | |
Can the second players please step up to the podium? | 0:24:34 | 0:24:37 | |
We're going to put six more clues to fictional professors | 0:24:39 | 0:24:42 | |
up on the board and here they come. | 0:24:42 | 0:24:44 | |
I shall read those one last time. | 0:25:11 | 0:25:12 | |
-Michael. -Yes. -Michael. -I really wish I'd had the other board. | 0:25:36 | 0:25:41 | |
So, I'm going to be really obvious, which is a terrible thing, | 0:25:41 | 0:25:45 | |
and go for the professor of phonetics, | 0:25:45 | 0:25:47 | |
-which is Professor Henry Higgins. -Henry Higgins, says Michael, | 0:25:47 | 0:25:51 | |
for My Fair Lady. Let's see if that's right. | 0:25:51 | 0:25:53 | |
No red line for you, cos you're the high-scorers, | 0:25:53 | 0:25:55 | |
but let's see how many of our 100 people got Henry Higgins. | 0:25:55 | 0:25:59 | |
It's right. | 0:26:01 | 0:26:02 | |
That's not a bad score. Down it goes. | 0:26:05 | 0:26:07 | |
17. | 0:26:07 | 0:26:08 | |
Exactly the same as you got on the first pass, taking your total to 34. | 0:26:08 | 0:26:12 | |
-Not bad. -It's not a bad score at all. It's one of those things. | 0:26:12 | 0:26:16 | |
Because you're in musical theatre, | 0:26:16 | 0:26:18 | |
you assume everyone knows that but, actually, | 0:26:18 | 0:26:21 | |
-17 is a pretty low score. -Great. -Not bad at all. | 0:26:21 | 0:26:24 | |
-Jo, ideally you'd score 32 or less. -OK. | 0:26:24 | 0:26:28 | |
I was, obviously, going to say Henry Higgins. Thank you, Michael Ball! | 0:26:28 | 0:26:31 | |
Pretty much the only other one I know is Dumbledore | 0:26:31 | 0:26:35 | |
and that's going to have a massive score. | 0:26:35 | 0:26:37 | |
You're going to say... | 0:26:37 | 0:26:39 | |
Oh, and then I've said it and, therefore, you have to take it. | 0:26:39 | 0:26:42 | |
-I do. -So, I've stitched myself up. -Oh, Jo, I'm sorry. | 0:26:42 | 0:26:46 | |
-It's got to be. -Dumbledore. | 0:26:46 | 0:26:49 | |
-Now, here is your red line. -I'm sorry, Jeremy. | 0:26:49 | 0:26:51 | |
Get below that with Dumbledore, you're through to the next round. | 0:26:51 | 0:26:54 | |
Let's see how many of our 100 people went for Professor Dumbledore. | 0:26:54 | 0:26:57 | |
It's right. | 0:26:59 | 0:27:01 | |
Ooh, look at that! | 0:27:02 | 0:27:04 | |
Oh, 35! | 0:27:04 | 0:27:06 | |
APPLAUSE 35. Takes your total up to 36. | 0:27:06 | 0:27:10 | |
-Oh. -Yes, a tougher board, this one, I have to say, | 0:27:10 | 0:27:14 | |
-so all still to play for, I suspect, in this round. -Absolutely. | 0:27:14 | 0:27:18 | |
-Thank you very much indeed. Now, Anneka. -Oh! | 0:27:18 | 0:27:21 | |
This board is all yours, | 0:27:21 | 0:27:23 | |
-if you fancy talking us through it. -I can't! | 0:27:23 | 0:27:25 | |
I literally can't. | 0:27:25 | 0:27:27 | |
Thank goodness I've got one left, | 0:27:27 | 0:27:30 | |
but I'm going to go for the archaeologist and adventurer | 0:27:30 | 0:27:35 | |
-as Indiana Jones. -Indiana Jones, | 0:27:35 | 0:27:37 | |
says Anneka. Here is your red line. | 0:27:37 | 0:27:39 | |
If you can get below that with Indiana Jones, | 0:27:39 | 0:27:42 | |
you're through to the next round. | 0:27:42 | 0:27:43 | |
How many people said Indiana Jones though? | 0:27:43 | 0:27:46 | |
It's right. | 0:27:48 | 0:27:50 | |
Oh, 62, I'm afraid, | 0:27:51 | 0:27:52 | |
for Indiana Jones, which takes your total up to 70. | 0:27:52 | 0:27:57 | |
APPLAUSE | 0:27:57 | 0:27:59 | |
Now, on this pass, we've had the three biggest answers | 0:27:59 | 0:28:03 | |
on the board, so it just goes to show. | 0:28:03 | 0:28:04 | |
There's three tough answers still up there. | 0:28:04 | 0:28:07 | |
The expert in religious iconology - Robert Langdon. | 0:28:07 | 0:28:10 | |
12 points if you said that. | 0:28:10 | 0:28:13 | |
The architect played by Josh Radnor. This is a brilliant comedy. | 0:28:13 | 0:28:16 | |
He's called Ted Mosby and would have scored you 9 points. | 0:28:16 | 0:28:19 | |
And the Planet Express owner is Professor Hubert Farnsworth | 0:28:19 | 0:28:23 | |
and he would have scored you 8 points | 0:28:23 | 0:28:25 | |
-and he's the best answer on the board. -Thank you very much indeed. | 0:28:25 | 0:28:28 | |
We are at the end of our second round | 0:28:28 | 0:28:30 | |
and I'm sorry to say the pair we have to send home, | 0:28:30 | 0:28:32 | |
with their high score of 70, Anneka and Ken. | 0:28:32 | 0:28:34 | |
It's been lovely having you. | 0:28:34 | 0:28:36 | |
Sorry to say goodbye so soon. Come back and play again soon. | 0:28:36 | 0:28:38 | |
-Thank you. -We will, thank you. -Anneka and Ken. Wonderful. | 0:28:38 | 0:28:41 | |
APPLAUSE | 0:28:41 | 0:28:43 | |
But for Zoe and Michael, Jo and Jeremy, | 0:28:43 | 0:28:45 | |
it's now time for our head-to-head. | 0:28:45 | 0:28:47 | |
APPLAUSE | 0:28:47 | 0:28:49 | |
Congratulations, Jo and Jeremy, Zoe and Michael. | 0:28:51 | 0:28:53 | |
You're now one step closer to the final and the chance to play | 0:28:53 | 0:28:56 | |
for our jackpot, which currently stands at £2,500. | 0:28:56 | 0:29:01 | |
APPLAUSE | 0:29:01 | 0:29:03 | |
This is the point where we decide who goes through to the final | 0:29:03 | 0:29:06 | |
to play for that jackpot and we do it by making you go head-to-head. | 0:29:06 | 0:29:09 | |
The difference is you can now start playing as a team. | 0:29:09 | 0:29:11 | |
The first pair to win two questions will be playing for that jackpot. | 0:29:11 | 0:29:14 | |
Best of luck to both pairs. Let's play the head-to-head. | 0:29:14 | 0:29:16 | |
APPLAUSE | 0:29:16 | 0:29:19 | |
Here comes your first question and it concerns... | 0:29:22 | 0:29:26 | |
-Brilliant! Yes! -LAUGHTER | 0:29:29 | 0:29:32 | |
-Richard. -We're going to show you five pictures | 0:29:32 | 0:29:34 | |
of famous statues and sculptures from around the world. | 0:29:34 | 0:29:37 | |
Can you tell us the country in which you would find these, please? | 0:29:37 | 0:29:40 | |
Thank you very much. | 0:29:40 | 0:29:41 | |
Let's reveal our five famous statues and sculptures and here they come. | 0:29:41 | 0:29:45 | |
There we are. Five famous statues or sculptures. | 0:30:10 | 0:30:13 | |
We just need the countries in which you would find them. | 0:30:13 | 0:30:16 | |
Jo and Jeremy, you're our low-scorers, so you'll go first. | 0:30:16 | 0:30:20 | |
-Jo, you say this cos... -We're going to go for D, Denmark, because... | 0:30:20 | 0:30:26 | |
-Denmark? -Yeah. -Yeah. -D. D, Denmark. | 0:30:26 | 0:30:29 | |
Now, Zoe and Michael, do you want to talk us through that board? | 0:30:29 | 0:30:32 | |
Well, we think the Sphinx might be in Egypt. | 0:30:32 | 0:30:36 | |
-That's where we run into a little bit of trouble. -Mm-hmm. | 0:30:36 | 0:30:39 | |
E's got to be China. Shall we take a guess and go C is France? | 0:30:39 | 0:30:44 | |
-ZOE GASPS -Or B is France. | 0:30:44 | 0:30:46 | |
-You choose. -Oh, don't make me choose. | 0:30:46 | 0:30:48 | |
All right, let's not look foolish on television. | 0:30:48 | 0:30:50 | |
-We'd like to go for E and China, please. -OK, E, China. | 0:30:50 | 0:30:54 | |
So, Jo and Jeremy are saying D, Denmark. | 0:30:54 | 0:30:57 | |
Let's see if that's right and how many of people said Denmark for D. | 0:30:57 | 0:31:00 | |
-Well done, Jo. Brilliant. -APPLAUSE | 0:31:07 | 0:31:10 | |
-There we are. It's right and it scores you 40. -Superb. | 0:31:10 | 0:31:13 | |
Zoe and Michael are saying China for E. | 0:31:13 | 0:31:16 | |
Let's see if that's right and how many people said it. | 0:31:16 | 0:31:19 | |
-It would be funny if it was wrong. -It's right. | 0:31:20 | 0:31:23 | |
And it scores 63. APPLAUSE | 0:31:23 | 0:31:27 | |
Which means, Jo and Jeremy, very well done. | 0:31:27 | 0:31:30 | |
After one question, you're up 1-0. | 0:31:30 | 0:31:32 | |
Well played. Your instincts were right. | 0:31:32 | 0:31:33 | |
The two that you knew were going to be high-scorers, | 0:31:33 | 0:31:36 | |
cos A is Egypt and that's a very big scorer as well. | 0:31:36 | 0:31:39 | |
Would have scored you 80. | 0:31:39 | 0:31:40 | |
B and C are the answers that would have won you the point | 0:31:40 | 0:31:42 | |
and you were tempted to go for France for one or other of them. | 0:31:42 | 0:31:46 | |
-Yeah. -Which do you think is France? -I think I probably would have gone, | 0:31:46 | 0:31:49 | |
actually been perverse, and done France was B. | 0:31:49 | 0:31:52 | |
-Well, I can tell you B is Slovakia. -Oh. -Oh, thank goodness. | 0:31:52 | 0:31:56 | |
-And it was a pointless answer. -Right, wow. | 0:31:56 | 0:31:58 | |
It's a statue of a sewer worker. But C... | 0:31:58 | 0:32:01 | |
-Is France. -Is Russia. -Oh! | 0:32:01 | 0:32:03 | |
LAUGHTER | 0:32:03 | 0:32:06 | |
-It's The Motherland Calls. -Oh, thank goodness. -1 point for that. | 0:32:06 | 0:32:09 | |
-Who is it? -It's nearly 300 feet high, that is. | 0:32:09 | 0:32:11 | |
-That's Mother Russia, essentially. -Oh. -Oh. | 0:32:11 | 0:32:13 | |
-It's to commemorate the Battle of Stalingrad. -There we are. | 0:32:13 | 0:32:15 | |
Thank you, Richard. Here comes your second question. | 0:32:15 | 0:32:18 | |
Zoe and Michael, you get to answer it first, | 0:32:18 | 0:32:20 | |
-but you have to win this one to stay in the game. -Course we do. | 0:32:20 | 0:32:22 | |
Our second question this evening is all about... | 0:32:22 | 0:32:26 | |
Five clues now to facts about Roger Federer. | 0:32:28 | 0:32:30 | |
-Can you give us the most obscure answer? -Oh, my goodness. | 0:32:30 | 0:32:33 | |
Here come our five clues, and we've got... | 0:32:33 | 0:32:36 | |
Here they come again. | 0:32:53 | 0:32:55 | |
Zoe and Michael will go first. | 0:33:10 | 0:33:12 | |
OK, let's go for the US player. | 0:33:13 | 0:33:16 | |
-I think they'll know that less than his nationality. -Well, let's see. | 0:33:16 | 0:33:22 | |
-Pete Sampras. -Pete Sampras, say Zoe and Michael. Pete Sampras. | 0:33:22 | 0:33:26 | |
Now then, Jo and Jeremy, that board's all yours. | 0:33:26 | 0:33:29 | |
-Talk us through it. -Oh, dear! Well, we thought about his nationality. | 0:33:29 | 0:33:32 | |
We veered between Swedish and Swiss and we went Swiss, | 0:33:32 | 0:33:35 | |
so I think we've got to go number one or number two. | 0:33:35 | 0:33:38 | |
I would say... What would you say for...? | 0:33:38 | 0:33:40 | |
You said Nadal. Or Djokovic. | 0:33:40 | 0:33:43 | |
-So, let's say Nadal. -OK, the player who defeated him we think was... | 0:33:43 | 0:33:48 | |
-TOGETHER: -Nadal. | 0:33:48 | 0:33:50 | |
OK, so, we have Pete Sampras and we have Rafa Nadal. | 0:33:50 | 0:33:52 | |
Zoe and Michael have gone for Pete Sampras. | 0:33:52 | 0:33:55 | |
Let's see if that's right and how many of our 100 people said it. | 0:33:55 | 0:33:58 | |
-It's right. It is Pete Sampras. -Thank goodness. | 0:34:00 | 0:34:03 | |
-Oh, thank goodness. -That's a good answer. | 0:34:03 | 0:34:06 | |
-Down it goes to 24. -Oh, no! | 0:34:06 | 0:34:08 | |
APPLAUSE | 0:34:08 | 0:34:10 | |
-We suddenly... -Hang on, what's happened? -We've suddenly realised. | 0:34:10 | 0:34:13 | |
We've suddenly realised the answer we should have given. | 0:34:13 | 0:34:16 | |
-Moment of terrible clarity here. -No, go on, give us the answer. | 0:34:16 | 0:34:19 | |
-Have you just had a moment? -We've suddenly realised! | 0:34:19 | 0:34:21 | |
-Have you remembered who won gold at 2012? -Yeah. -But memorably. | 0:34:21 | 0:34:25 | |
-Oh, my goodness! -Let's just find out what happens | 0:34:25 | 0:34:27 | |
if we say Rafa Nadal to our column. LAUGHTER | 0:34:27 | 0:34:31 | |
-What a shame. -Oh, mm. | 0:34:31 | 0:34:33 | |
Oh, it's not Rafa Nadal. | 0:34:36 | 0:34:38 | |
Which means well done, Zoe and Michael. | 0:34:38 | 0:34:40 | |
That's exactly what we needed to happen. You're back in the game. | 0:34:40 | 0:34:42 | |
-After two questions, it's 1-1. -I would like to be a fly on the wall | 0:34:42 | 0:34:46 | |
when the Eggheads get their hands on YOU, Jeremy. | 0:34:46 | 0:34:48 | |
LAUGHTER | 0:34:48 | 0:34:50 | |
I feel so bad and, Andy Murray, I'm a big fan. How did that happen? | 0:34:50 | 0:34:54 | |
Cos I remember there was a moment of him saying, "This is a great moment. | 0:34:54 | 0:34:57 | |
"I'm connecting with the British people," and all that. | 0:34:57 | 0:35:00 | |
Of course it was Andy Murray, of course it was! | 0:35:00 | 0:35:03 | |
It was Andy Murray. Actually only scored 29 points. | 0:35:03 | 0:35:05 | |
His nationality is Swiss. Big scorer, though. | 0:35:05 | 0:35:07 | |
Would have scored you 50. | 0:35:07 | 0:35:10 | |
Good work from our 100 on the name of the woman he married. | 0:35:10 | 0:35:12 | |
It's Mirka and would have scored 7 points. | 0:35:12 | 0:35:16 | |
And the best answer is the year he won his sole French Open title. | 0:35:16 | 0:35:19 | |
It took him much longer to win the French than any other grand slam. | 0:35:19 | 0:35:22 | |
2009 was the answer there. Would have scored 2 points. | 0:35:22 | 0:35:26 | |
Very well done if you said that at home. | 0:35:26 | 0:35:28 | |
Thank you very much indeed. Now we have a competition on our hands. | 0:35:28 | 0:35:32 | |
Very, very best of luck to both pairs. | 0:35:32 | 0:35:34 | |
Whoever wins this question goes through to the final | 0:35:34 | 0:35:36 | |
-and plays for that jackpot for their charities. -I want the trophy. | 0:35:36 | 0:35:39 | |
Here it comes. It's all about... | 0:35:39 | 0:35:41 | |
-Richard. -We're going to show you the names of five composers of musicals | 0:35:44 | 0:35:48 | |
but we're going to show the first and last letters of their names | 0:35:48 | 0:35:51 | |
and something that they've composed. | 0:35:51 | 0:35:53 | |
Can you tell us the most obscure of these five, please? | 0:35:53 | 0:35:55 | |
Whoever does that is going through to play for our jackpot. | 0:35:55 | 0:35:58 | |
OK, best of luck to both pairs. | 0:35:58 | 0:36:00 | |
Let's reveal our five musical composers and here they come. | 0:36:00 | 0:36:03 | |
I'm going to read all those again. | 0:36:20 | 0:36:22 | |
Jo and Jeremy, you go first. | 0:36:31 | 0:36:34 | |
We think the newest one is the most obscure, | 0:36:34 | 0:36:37 | |
-so we are thinking Tim Minchin. -OK, Tim Minchin, say Jo and Jeremy. | 0:36:37 | 0:36:43 | |
Now, Zoe and Michael, do you feel like talking us through this board? | 0:36:43 | 0:36:48 | |
OK, we've got Irving Berlin, Cole Porter... | 0:36:48 | 0:36:51 | |
-Your mate. -Andrew Lloyd Webber | 0:36:51 | 0:36:53 | |
and Lionel Bart. | 0:36:53 | 0:36:55 | |
-Shall we go Lionel Bart? -Lionel Bart. -I'd say Lionel Bart. | 0:36:55 | 0:36:57 | |
Zoe and Michael are going to go for Lionel Bart. | 0:36:57 | 0:37:01 | |
We have Tim Minchin, we have Lionel Bart. | 0:37:01 | 0:37:03 | |
Jo and Jeremy said Tim Minchin for Matilda The Musical. | 0:37:03 | 0:37:06 | |
Let's see how many of our 100 people got that. | 0:37:06 | 0:37:08 | |
It's right. | 0:37:10 | 0:37:12 | |
-22. -Is that us? -APPLAUSE | 0:37:16 | 0:37:20 | |
22 for Tim Minchin. | 0:37:20 | 0:37:23 | |
Zoe and Michael have said Lionel Bart for Oliver! | 0:37:23 | 0:37:26 | |
Let's see how many of our 100 people said that. | 0:37:26 | 0:37:28 | |
It's right. | 0:37:30 | 0:37:31 | |
-Ooh, 50, Lionel Bart. -Oh, I'm so sorry. | 0:37:34 | 0:37:36 | |
-I'm sorry. -APPLAUSE | 0:37:36 | 0:37:39 | |
-Which means very well done, Jo and Jeremy. -Well done. | 0:37:39 | 0:37:43 | |
After three questions, you are through to the final, 2-1. | 0:37:43 | 0:37:46 | |
I think you spiked each other's guns on every single question there. | 0:37:46 | 0:37:49 | |
Tim Minchin's the best answer on the board. | 0:37:49 | 0:37:51 | |
The only thing to clear up is the best answer you could have gone for. | 0:37:51 | 0:37:54 | |
Cole porter would have been a better answer. | 0:37:54 | 0:37:56 | |
Cole Porter would have scored you 40 points. | 0:37:56 | 0:37:59 | |
And Irving Berlin an even better answer. | 0:37:59 | 0:38:02 | |
Irving Berlin would have scored you 30 points. | 0:38:02 | 0:38:04 | |
Andrew Lloyd Webber. | 0:38:04 | 0:38:05 | |
Give him a ring now and tell him he scored 88 points. | 0:38:05 | 0:38:09 | |
-That was a good head-to-head, wasn't it? -Good head-to-head, yeah. | 0:38:09 | 0:38:13 | |
Well, what about that? | 0:38:13 | 0:38:14 | |
I'm afraid, at the end of it, Zoe and Michael, | 0:38:14 | 0:38:17 | |
we have to say goodbye to you. You've done so well. | 0:38:17 | 0:38:20 | |
Come and play again. | 0:38:20 | 0:38:22 | |
It would be lovely to see you through to the final next time. | 0:38:22 | 0:38:24 | |
-Thank you very much indeed. Zoe and Michael. -Thank you. -Good luck. | 0:38:24 | 0:38:28 | |
-Well played. -APPLAUSE | 0:38:28 | 0:38:31 | |
For Jo and Jeremy, it's now time for our Pointless final. | 0:38:31 | 0:38:33 | |
APPLAUSE | 0:38:33 | 0:38:36 | |
Well done, Jo and Jeremy. You've seen off all the competition | 0:38:37 | 0:38:40 | |
and you have won our coveted Pointless trophy. | 0:38:40 | 0:38:43 | |
You now have a chance to win our Pointless jackpot | 0:38:49 | 0:38:52 | |
for your charities, and at the end of today's show, | 0:38:52 | 0:38:54 | |
the jackpot is standing at £2,500. | 0:38:54 | 0:38:56 | |
APPLAUSE | 0:38:56 | 0:38:59 | |
Very, very well done. | 0:38:59 | 0:39:01 | |
All you have to do now is win this round and take that jackpot home | 0:39:01 | 0:39:04 | |
for your charities, which would just be the perfect close. | 0:39:04 | 0:39:07 | |
I'm sure you can do it. | 0:39:07 | 0:39:08 | |
As always, you get to choose your category in this last round. | 0:39:08 | 0:39:11 | |
Four things on the board. Let's see what today's selection looks like. | 0:39:11 | 0:39:15 | |
We have got... | 0:39:15 | 0:39:16 | |
-Romantic poetry? -What would you do? -I'd do whatever you want to do. | 0:39:23 | 0:39:28 | |
Shall we do romantic poetry cos I think we could find ourselves | 0:39:28 | 0:39:31 | |
-in good shape there, I think? -All right. -Romantic poetry it is. | 0:39:31 | 0:39:35 | |
Very best of luck. | 0:39:35 | 0:39:37 | |
We're looking for any of the following three things, please. | 0:39:37 | 0:39:39 | |
We're looking for any words of six or more letters | 0:39:39 | 0:39:42 | |
in Jerusalem by William Blake. | 0:39:42 | 0:39:44 | |
That's the version that starts "And did those feet..." | 0:39:44 | 0:39:46 | |
Any words of six letters or more in Ozymandias. | 0:39:46 | 0:39:48 | |
Or any words of six letters or more in Daffodils by Wordsworth. | 0:39:48 | 0:39:52 | |
They're all taken from The New Penguin Book of Romantic Poetry. | 0:39:52 | 0:39:55 | |
Obviously, we won't accept the words "Jerusalem", | 0:39:55 | 0:39:57 | |
"Ozymandias" or "Daffodils". | 0:39:57 | 0:39:59 | |
Oh, that is quite an important addition of information. | 0:39:59 | 0:40:02 | |
Thank you very much. As always, you've got up to one minute | 0:40:02 | 0:40:04 | |
to come up with three answers. | 0:40:04 | 0:40:06 | |
All you need to win that jackpot for your charities | 0:40:06 | 0:40:08 | |
is for just one of those answers to be pointless. | 0:40:08 | 0:40:10 | |
-Are you ready? -Yes. -Good. | 0:40:10 | 0:40:12 | |
Let's put 60 seconds up on the clock. Your time starts now. | 0:40:12 | 0:40:15 | |
-OK, what are you thinking, just quickly? -I'm thinking nothing. | 0:40:15 | 0:40:19 | |
-This is all on you. -Let's just focus on Jerusalem. | 0:40:19 | 0:40:21 | |
"And did those feet in ancient times Walk upon England's mountains green | 0:40:21 | 0:40:24 | |
"And did the holy Lamb of God | 0:40:24 | 0:40:26 | |
"In England's pleasant pastures seen..." | 0:40:26 | 0:40:29 | |
-Er... So, we've got... -"Pleasant". -"Pleasant". "Mountains". | 0:40:29 | 0:40:34 | |
Just bear with. We're not there yet. | 0:40:34 | 0:40:36 | |
Daffodils is "I wandered lonely as a cloud". | 0:40:36 | 0:40:39 | |
-So, I think you could have "wandered" on that. -OK. -I think. | 0:40:39 | 0:40:41 | |
Um... And did... Let's just think about this. | 0:40:41 | 0:40:45 | |
Um, "Bring me my bow of burning gold Bring me my arrows of desire." | 0:40:45 | 0:40:51 | |
So, "arrows", definitely. "Bring me my spear of burnished..." Something. | 0:40:51 | 0:40:57 | |
I think "burnished" is in there. | 0:40:57 | 0:40:59 | |
So, I would say "arrows", | 0:40:59 | 0:41:00 | |
"burnished" and "wandered" at the moment. | 0:41:00 | 0:41:02 | |
-We've got 14 seconds left. -OK. -Anything else? -No. -Ten seconds left. | 0:41:02 | 0:41:06 | |
# Bring me my bow of burning gold | 0:41:06 | 0:41:08 | |
# Bring me my arrows of desire | 0:41:08 | 0:41:10 | |
# Bring me my... O clouds unfold... # | 0:41:10 | 0:41:13 | |
-Cos the poem became the hymn, so... -There we are. | 0:41:13 | 0:41:17 | |
That is your minute up. Let's have your three words. | 0:41:17 | 0:41:19 | |
Are they all three going to be from Jerusalem? | 0:41:19 | 0:41:21 | |
No, I'm going to go for "wandered", which is from Wordsworth, | 0:41:21 | 0:41:24 | |
-"arrows" and "burnished". -So, "wandered", "arrows", "burnished". | 0:41:24 | 0:41:31 | |
-Yes. -There we are. | 0:41:31 | 0:41:32 | |
Of those three, which is your best shot at a pointless answer? | 0:41:32 | 0:41:35 | |
-"Burnished". -"Burnished" goes last. Least likely to be pointless? | 0:41:35 | 0:41:38 | |
-"Wandered"? -"Wandered". -Yeah, for sure. | 0:41:38 | 0:41:40 | |
OK, well, let's put those answers up on the board in that order | 0:41:40 | 0:41:43 | |
and here they are. We've got... | 0:41:43 | 0:41:45 | |
Three answers. Let us hope one of those is pointless | 0:41:49 | 0:41:52 | |
and will win that jackpot for your charities. | 0:41:52 | 0:41:54 | |
Can I ask what your charities are? Jo, who are you playing for? | 0:41:54 | 0:41:56 | |
-Mine is Shooting Star Chase, which is a hospice. -Excellent. Jeremy? | 0:41:56 | 0:42:01 | |
Motor Neurone Disease Association, | 0:42:01 | 0:42:03 | |
-helping people with that disease. -Wonderful. | 0:42:03 | 0:42:06 | |
APPLAUSE | 0:42:06 | 0:42:10 | |
Two excellent charities there. | 0:42:10 | 0:42:11 | |
Let's hope one of these answers - at least one of these answers - | 0:42:11 | 0:42:14 | |
is pointless and you can take that jackpot home and split it | 0:42:14 | 0:42:17 | |
between those charities. Your first answer was "wandered". | 0:42:17 | 0:42:20 | |
In this case, we were looking for words of six letters or more | 0:42:20 | 0:42:22 | |
from Daffodils by Wordsworth. | 0:42:22 | 0:42:24 | |
It has to be right, obviously, | 0:42:24 | 0:42:26 | |
then it has to be pointless for you to win, so for £2,500, | 0:42:26 | 0:42:29 | |
let's see how many people said "wandered". | 0:42:29 | 0:42:31 | |
It's right. | 0:42:34 | 0:42:36 | |
All it has to be is pointless and you will win that jackpot. | 0:42:36 | 0:42:40 | |
Down it goes. "Wandered" takes us down through the 30s | 0:42:40 | 0:42:43 | |
to 34. | 0:42:43 | 0:42:44 | |
APPLAUSE | 0:42:44 | 0:42:46 | |
OK, so not a pointless answer at this stage. | 0:42:46 | 0:42:49 | |
We move on to your next answer, which is "arrows". | 0:42:49 | 0:42:52 | |
Now we've moved onto Jerusalem by Blake. | 0:42:52 | 0:42:55 | |
It has to be pointless for you to win the jackpot. | 0:42:55 | 0:42:58 | |
Let's find out, for £2,500, how many of our 100 people said "arrows". | 0:42:58 | 0:43:02 | |
It's right. "Wandered" took us all the way down to 34. | 0:43:05 | 0:43:08 | |
"Arrows" now takes us down through the 40s, passes 34. | 0:43:08 | 0:43:11 | |
Into the 20s, into the teens. Are we going to make single figures? | 0:43:11 | 0:43:14 | |
Yes, we are. Down it goes. | 0:43:14 | 0:43:16 | |
-Still going down to 3! -Oh! | 0:43:16 | 0:43:17 | |
-APPLAUSE Wow! -Oh, my God! | 0:43:17 | 0:43:20 | |
APPLAUSE DROWNS SPEECH | 0:43:20 | 0:43:23 | |
Well, we've hit a rich vein here. Very good indeed. | 0:43:23 | 0:43:26 | |
OK, your third and final answer is "burnished". | 0:43:26 | 0:43:30 | |
Again, we're looking for words of six letters or more | 0:43:30 | 0:43:33 | |
from Jerusalem by Blake. "Burnished" has to be correct, | 0:43:33 | 0:43:36 | |
then it has to be pointless for you to win so, for £2,500, | 0:43:36 | 0:43:39 | |
let's see how many of our 100 people said "burnished". | 0:43:39 | 0:43:41 | |
-Oh! -AUDIENCE GROAN | 0:43:45 | 0:43:47 | |
-Not in there. -I'm afraid it's not in there. | 0:43:47 | 0:43:50 | |
APPLAUSE I'm afraid it's not in there. | 0:43:50 | 0:43:53 | |
"Arrows" - lovely low score there, | 0:43:53 | 0:43:57 | |
but I'm afraid you just didn't find | 0:43:57 | 0:43:59 | |
that pointless answer that you needed, | 0:43:59 | 0:44:01 | |
so you didn't win today's jackpot of £2,500. | 0:44:01 | 0:44:04 | |
However, as today's show is a celebrity special | 0:44:04 | 0:44:07 | |
and each celebrity is playing for a charity, | 0:44:07 | 0:44:09 | |
we're going to donate £500 to each pair | 0:44:09 | 0:44:12 | |
-to split between their respective charities. -Thank you. -Thank you. | 0:44:12 | 0:44:15 | |
It's been fabulous having you on. Very well done indeed. | 0:44:15 | 0:44:18 | |
Tremendous performance. Thank you so much. | 0:44:18 | 0:44:20 | |
And you get a Pointless trophy as well to take home. | 0:44:20 | 0:44:22 | |
Jo and Jeremy. Brilliant. | 0:44:22 | 0:44:24 | |
APPLAUSE | 0:44:24 | 0:44:26 | |
Yeah, not "burnished". "Burning" is in there. | 0:44:28 | 0:44:31 | |
"Burning would have scored you 3 points though. | 0:44:31 | 0:44:33 | |
But right at the end of our 60 seconds, | 0:44:33 | 0:44:35 | |
you said the line, "O clouds unfold". | 0:44:35 | 0:44:38 | |
"Clouds" and "unfold" both pointless answers. | 0:44:38 | 0:44:42 | |
You didn't even hear yourself say it, I don't think. | 0:44:42 | 0:44:45 | |
You stuck with the answers you came with. | 0:44:45 | 0:44:47 | |
Let's take a look at all the pointless answers. | 0:44:47 | 0:44:50 | |
We'll start with Jerusalem. | 0:44:50 | 0:44:52 | |
"Countenance divine". "Countenance" would have scored you 1 point. | 0:44:53 | 0:44:57 | |
And "clouded" also a pointless answer. | 0:44:58 | 0:45:02 | |
Well done if you said any of those. Ozymandias now by Percy Shelley. | 0:45:02 | 0:45:06 | |
Lots of pointless answers here. | 0:45:06 | 0:45:09 | |
Everything, apart from "despair", "traveller", "nothing", | 0:45:12 | 0:45:16 | |
"remains", "pedestal", "mighty" and "antique". | 0:45:16 | 0:45:18 | |
Everything else was a pointless answer. | 0:45:18 | 0:45:20 | |
Well done if you said anything else. | 0:45:20 | 0:45:22 | |
And words of six letters or more in Daffodils. | 0:45:22 | 0:45:24 | |
Everything in that, apart from "wandered", "lonely", | 0:45:29 | 0:45:32 | |
"golden", "floats". Everything else was a pointless answer in that. | 0:45:32 | 0:45:35 | |
Well done if you got any of those at home. It's been brilliant fun. | 0:45:35 | 0:45:38 | |
Thank you so much for entertaining us so mightily. | 0:45:38 | 0:45:40 | |
I'm sorry we couldn't send you away with the whole jackpot. | 0:45:40 | 0:45:43 | |
Thanks very much indeed. Thank you, Jo and Jeremy. | 0:45:43 | 0:45:46 | |
We've loved having you on and please come and play again. | 0:45:46 | 0:45:49 | |
In the meantime, thank you so much. Jo and Jeremy. | 0:45:49 | 0:45:52 | |
CHEERING AND APPLAUSE | 0:45:52 | 0:45:55 | |
Join us next time, | 0:45:55 | 0:45:57 | |
when we'll be putting more obscure knowledge to the test on Pointless. | 0:45:57 | 0:46:00 | |
-Meanwhile, it's goodbye from Richard. -Goodbye. | 0:46:00 | 0:46:02 | |
And it's goodbye from me. But, before we go, | 0:46:02 | 0:46:04 | |
we have a special performance by the host of The Art Of Song on Radio 2. | 0:46:04 | 0:46:08 | |
Here's Mika, singing Piano Man. | 0:46:08 | 0:46:10 | |
CHEERING AND APPLAUSE | 0:46:10 | 0:46:13 | |
# It's nine o'clock on a Saturday | 0:46:16 | 0:46:20 | |
# The regular crowd shuffles in | 0:46:20 | 0:46:23 | |
# There's an old man sitting right next to me | 0:46:23 | 0:46:28 | |
# Making love to his tonic and gin | 0:46:28 | 0:46:32 | |
# He says, "Son, will you play me a memory | 0:46:32 | 0:46:36 | |
# "I'm not really sure how it goes | 0:46:36 | 0:46:40 | |
# "But it's sad and it's sweet and I knew it complete | 0:46:40 | 0:46:44 | |
# "When I wore a younger man's clothes" | 0:46:44 | 0:46:48 | |
# Da-da-da-di-di-doh | 0:46:49 | 0:46:53 | |
# Da-da-da-di-di-do-o-oh | 0:46:53 | 0:47:00 | |
# Oh, sing us a song You're the piano man | 0:47:00 | 0:47:05 | |
# Sing us a song tonight | 0:47:05 | 0:47:08 | |
# Cos we're all in the mood for a melody | 0:47:08 | 0:47:12 | |
# And you've got us feeling all right | 0:47:12 | 0:47:16 | |
# Now John at the bar is a friend of mine | 0:47:16 | 0:47:20 | |
# He gives me my drinks for free | 0:47:20 | 0:47:24 | |
# And he's quick with a joke and to light up your smoke | 0:47:24 | 0:47:28 | |
# But there's someplace that he'd rather be | 0:47:28 | 0:47:32 | |
# He says, "Bill, I believe this is killing me" | 0:47:32 | 0:47:36 | |
# As the smile runs away from his face | 0:47:36 | 0:47:40 | |
# "And I know that I could be a movie star | 0:47:40 | 0:47:44 | |
# "If I could get out of this place" | 0:47:44 | 0:47:49 | |
# La-da-da-di-di-do-doh | 0:47:49 | 0:47:53 | |
# # La-da-da-di-di-do-o-o-oh | 0:47:53 | 0:48:01 | |
# Sing us a song You're the piano man | 0:48:01 | 0:48:06 | |
# Sing us a song tonight | 0:48:06 | 0:48:10 | |
# Cos we're all in the mood for a melody | 0:48:10 | 0:48:15 | |
# And you've got us feeling all right. # | 0:48:15 | 0:48:21 | |
APPLAUSE | 0:48:32 | 0:48:36 |