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Thank you very much indeed. Hello, I'm Alexander Armstrong, and a very | 0:00:22 | 0:00:24 | |
warm welcome to this special academic edition of Pointless Celebrities, | 0:00:24 | 0:00:28 | |
the show where we are always striving to find the most obscure answers. | 0:00:28 | 0:00:32 | |
Let's meet today's Pointless celebrities. | 0:00:32 | 0:00:34 | |
And couple number one. | 0:00:39 | 0:00:41 | |
Dr John Cooper Clarke, poet. | 0:00:41 | 0:00:43 | |
Suzannah Lipscomb, historian at New College of the Humanities. | 0:00:44 | 0:00:46 | |
Couple number two! | 0:00:51 | 0:00:52 | |
I'm Mark Horton, I'm an archaeologist. | 0:00:52 | 0:00:55 | |
And I'm Alice Roberts, and I'm an anatomist. | 0:00:55 | 0:00:58 | |
Couple number three? | 0:01:02 | 0:01:04 | |
My name is Maggie Aderin-Pocock and | 0:01:04 | 0:01:05 | |
I'm a space scientist and a science communicator. | 0:01:05 | 0:01:08 | |
And I'm Jim Al-Khalili, I'm a physicist, author and broadcaster. | 0:01:08 | 0:01:11 | |
And finally, couple number four! | 0:01:16 | 0:01:18 | |
I'm Robin Ince, and I pretend to know about science for the purpose of radio. | 0:01:18 | 0:01:22 | |
And I'm Kate Williams, and I'm a historian and author. | 0:01:22 | 0:01:24 | |
Thank you very much, all of you, a very warm welcome to Pointless. | 0:01:28 | 0:01:31 | |
We'll get a chance to chat to each of you throughout the show as it | 0:01:31 | 0:01:34 | |
goes along. So that just leaves one more person for me to introduce. | 0:01:34 | 0:01:37 | |
He never knew what to become in his life. | 0:01:37 | 0:01:40 | |
Professor Osman, Dr Osman. | 0:01:40 | 0:01:42 | |
In the end, he just settled for Mister. | 0:01:42 | 0:01:44 | |
It's my Pointless friend, it's Richard. | 0:01:44 | 0:01:47 | |
Hiya. Hey, everybody. | 0:01:47 | 0:01:48 | |
-Goodness me! -Yeah. -Have you ever felt underqualified before? | 0:01:51 | 0:01:55 | |
That's unbelievable, isn't it? | 0:01:55 | 0:01:56 | |
-I know. -Might be the cleverest Pointless ever. | 0:01:56 | 0:01:58 | |
And I'm hoping, with all this skill, | 0:01:58 | 0:02:00 | |
I'm hoping all the questions are of the top 40 singles of Chico. | 0:02:00 | 0:02:02 | |
Or something like that. That would be a long round. | 0:02:02 | 0:02:05 | |
Lovely, yeah, wouldn't it? Thank you very much indeed, Richard. | 0:02:05 | 0:02:07 | |
Now as usual, all of today's questions have been put to 100 people before the show. | 0:02:07 | 0:02:11 | |
Our contestants here are looking for | 0:02:11 | 0:02:12 | |
those all-important pointless answers - | 0:02:12 | 0:02:14 | |
these are the answers that none of our 100 people gave. | 0:02:14 | 0:02:16 | |
Find one of those, and we will add £250 to the jackpot. | 0:02:16 | 0:02:19 | |
As today's show is a celebrity special, | 0:02:19 | 0:02:21 | |
each of our celebrities is playing for a nominated charity. | 0:02:21 | 0:02:24 | |
We're going to start off with a jackpot of £2,500, there it is! | 0:02:24 | 0:02:28 | |
Right, if everyone's ready, let's play Pointless! | 0:02:31 | 0:02:33 | |
APPLAUSE | 0:02:33 | 0:02:36 | |
Now remember this, if nothing else, | 0:02:38 | 0:02:40 | |
the pair with the highest score at the end of each round will be | 0:02:40 | 0:02:43 | |
eliminated. So do everything you can to make sure you do not have the | 0:02:43 | 0:02:46 | |
highest score. And there is no conferring till we get to the third round. | 0:02:46 | 0:02:49 | |
Best of luck to all four pairs. | 0:02:49 | 0:02:51 | |
Our first category this evening... | 0:02:51 | 0:02:53 | |
..is Band Members. | 0:02:54 | 0:02:55 | |
Band Members. | 0:02:57 | 0:02:58 | |
Can you all decide in your pairs, who's going to go first, | 0:02:58 | 0:03:00 | |
who's going to go second. | 0:03:00 | 0:03:02 | |
And whoever's going first, please step up to the podium. | 0:03:02 | 0:03:05 | |
OK. And the question concerns... | 0:03:09 | 0:03:13 | |
People who left bands, Richard? | 0:03:17 | 0:03:19 | |
On each board, we're going to show you seven clues to people who were | 0:03:19 | 0:03:21 | |
fired from or who left famous bands, | 0:03:21 | 0:03:23 | |
we're also going to give you their initials to give you a bit of a | 0:03:23 | 0:03:25 | |
clue. Just name the most obscure one you can, please. | 0:03:25 | 0:03:27 | |
Seven on the first board, seven on the second, | 0:03:27 | 0:03:29 | |
14 in all to have a go at at home. | 0:03:29 | 0:03:31 | |
-Very best of luck. -Thank you very much indeed. | 0:03:31 | 0:03:33 | |
So we are looking for these band leavers, | 0:03:33 | 0:03:35 | |
and here is our first board of seven. And we've got... | 0:03:35 | 0:03:37 | |
I'm going to read all of those again, here we go. | 0:04:13 | 0:04:16 | |
Now then... John, welcome back to Pointless. | 0:04:47 | 0:04:51 | |
Great to have you here again. John, you're still gigging, aren't you? | 0:04:51 | 0:04:54 | |
-Yes, indeed. -So whereabouts are you gigging? | 0:04:54 | 0:04:56 | |
-Do you go around... -I'm going to Portugal. | 0:04:56 | 0:04:59 | |
Off to Portugal? Yeah. | 0:04:59 | 0:05:00 | |
So you do international gigs? | 0:05:00 | 0:05:02 | |
International concern. | 0:05:02 | 0:05:04 | |
Fantastic. | 0:05:04 | 0:05:06 | |
Now then, John, what do you make of our board here? | 0:05:06 | 0:05:09 | |
OK, I'm going to go for Welsh | 0:05:09 | 0:05:11 | |
multi-instrumentalist who left | 0:05:11 | 0:05:13 | |
the Velvet Underground in 1968. | 0:05:13 | 0:05:15 | |
-John Cale. -John Cale, says John, | 0:05:15 | 0:05:18 | |
let's see how many of our 100 people went for John Cale. | 0:05:18 | 0:05:20 | |
It's right... | 0:05:23 | 0:05:24 | |
Down to six. What a start to the show! Very well done indeed, John. | 0:05:30 | 0:05:33 | |
He's doubting if he needs to go on, six for John Cale. | 0:05:33 | 0:05:36 | |
That's a great start, John, very well played. | 0:05:36 | 0:05:38 | |
Yeah, he was classically trained as a cellist, John Cale. | 0:05:38 | 0:05:40 | |
-Yeah? -There you go. -How about that? | 0:05:42 | 0:05:44 | |
There you go. | 0:05:44 | 0:05:46 | |
Alice? Welcome back. | 0:05:46 | 0:05:48 | |
Now you said you were an anatomist? | 0:05:48 | 0:05:50 | |
-Yes. -In the introduction there. | 0:05:50 | 0:05:51 | |
You have other disciplines as well, don't you? | 0:05:51 | 0:05:53 | |
I do. They're all kind of broadly related, though, | 0:05:53 | 0:05:56 | |
so I'm interested in the structure of the human body, | 0:05:56 | 0:05:59 | |
and I'm interested in that in terms of teaching that to surgeons. | 0:05:59 | 0:06:02 | |
So I look at the structure of the human body, I dissect bodies, | 0:06:02 | 0:06:06 | |
and I teach surgeons about that. | 0:06:06 | 0:06:08 | |
On the other side of that, I'm fascinated by old bones, | 0:06:08 | 0:06:11 | |
so I end up working with people like Mark on archaeological sites, | 0:06:11 | 0:06:14 | |
and digging up very ancient bones... | 0:06:14 | 0:06:16 | |
You're an osteoarchaeologist? | 0:06:16 | 0:06:18 | |
-Yes. -Is that what that is? -Yeah, yes. -Very exciting. | 0:06:18 | 0:06:21 | |
There we are. Now, Alice, what would you like to go for on our board? | 0:06:21 | 0:06:25 | |
I think I'm going to go for | 0:06:25 | 0:06:26 | |
the pioneer of ambient music and influential producer. | 0:06:26 | 0:06:29 | |
And I think that's Brian Eno. | 0:06:29 | 0:06:31 | |
Brian Eno, says Alice. | 0:06:31 | 0:06:32 | |
Let's see how many of our 100 people went for Brian Eno. | 0:06:32 | 0:06:35 | |
It's right, well, six is our only score at this point. | 0:06:38 | 0:06:41 | |
Brian Eno, down to 15. | 0:06:42 | 0:06:44 | |
Not bad at all, Alice! Not bad at all! | 0:06:44 | 0:06:48 | |
Very well played. Brian Eno wrote | 0:06:49 | 0:06:51 | |
what some people say is the most heard piece of music ever. | 0:06:51 | 0:06:54 | |
Which is the music that comes up when you start Microsoft Windows. | 0:06:54 | 0:06:57 | |
Brian Eno, amongst his many other talents. | 0:06:57 | 0:07:00 | |
-Wow. -Exactly. -Wow. | 0:07:00 | 0:07:02 | |
-I know, right? -Thank you. | 0:07:02 | 0:07:04 | |
Now, Maggie, welcome to Pointless, lovely to have you. | 0:07:04 | 0:07:07 | |
An astronomer, not just an astronomer, | 0:07:07 | 0:07:08 | |
but presenter of The Sky at Night now? | 0:07:08 | 0:07:11 | |
When did you start doing that? | 0:07:11 | 0:07:12 | |
About two years ago. | 0:07:12 | 0:07:14 | |
-Did you grow up watching Patrick Moore? -Very much so. | 0:07:14 | 0:07:17 | |
That definitely fuelled my interest in everything that's out there. | 0:07:17 | 0:07:20 | |
This must be a dream job? | 0:07:20 | 0:07:22 | |
It was, although I think for the first episode, | 0:07:22 | 0:07:24 | |
I was a bit like a rabbit in the headlights. | 0:07:24 | 0:07:25 | |
-It was like, "Me, Sky at Night? What's going on?!" -Aw! | 0:07:25 | 0:07:28 | |
But it was, it truly is a dream job. | 0:07:28 | 0:07:30 | |
Very exciting indeed. Now, Maggie, what would you like to go for? | 0:07:30 | 0:07:34 | |
I'm going to go for stayed signed up to Motown in 1975. | 0:07:34 | 0:07:38 | |
And I'm going for Jermaine Jackson. | 0:07:38 | 0:07:40 | |
Jermaine Jackson, says Maggie. Some vigorous nodding from Robin there | 0:07:40 | 0:07:44 | |
-on podium four. -Bated breath! -Let's see if that is right, | 0:07:44 | 0:07:47 | |
Jermaine Jackson, how many people said it? | 0:07:47 | 0:07:48 | |
It's right. Well, six is our low score, 15 our high at this point. | 0:07:51 | 0:07:55 | |
Oh, not bad at all, 29 for Jermaine Jackson. | 0:07:55 | 0:07:57 | |
Not bad at all. | 0:07:58 | 0:08:00 | |
Well played, Maggie, and Professor Ince was quite right, yes sir. | 0:08:01 | 0:08:04 | |
Jermaine Jackson, the thing we always say about Jermaine Jackson is | 0:08:04 | 0:08:07 | |
-the name of his son. -Jermajesty. | 0:08:07 | 0:08:09 | |
Jermajesty, yeah. | 0:08:09 | 0:08:10 | |
-It's a lovely name. -It is. | 0:08:12 | 0:08:13 | |
-Yeah. -Very fine name, thank you very much, Richard. | 0:08:13 | 0:08:16 | |
Kate, welcome to Pointless. | 0:08:16 | 0:08:17 | |
-Thank you. -Lovely to have you here. | 0:08:17 | 0:08:20 | |
Now your book on Josephine, I'm going to call her Josephine Bonaparte, | 0:08:20 | 0:08:23 | |
but that's probably not... What should we call her, Josephine? | 0:08:23 | 0:08:25 | |
We can call her Josephine Bonaparte, | 0:08:25 | 0:08:27 | |
She went through various surnames and a couple of husbands, so... | 0:08:27 | 0:08:31 | |
I mean, Napoleon was the last one. | 0:08:31 | 0:08:33 | |
But your book on her is being used as sort of a source material, | 0:08:33 | 0:08:36 | |
-but only half is being spliced together with Andrew Roberts' book on Napoleon? -Yes. | 0:08:36 | 0:08:40 | |
To make a programme on the pair of them? | 0:08:40 | 0:08:42 | |
To make a series of the pair of them. | 0:08:42 | 0:08:44 | |
So my vision, of course, is that we can all have a role in the show as | 0:08:44 | 0:08:48 | |
maybe revolutionaries or that sort of thing, or perhaps people at court... | 0:08:48 | 0:08:52 | |
So this is a drama, it's being done as a drama? | 0:08:52 | 0:08:53 | |
-Yes, a drama. -I think I would like to play Napoleon, please. | 0:08:53 | 0:08:57 | |
You'd like to play Napoleon? | 0:08:57 | 0:08:59 | |
-Don't you think? -Yeah, you're the right build, aren't you? | 0:08:59 | 0:09:03 | |
Well, I think I am. | 0:09:03 | 0:09:04 | |
If I just work on the accent, I think I'm in. | 0:09:04 | 0:09:06 | |
What do you mean? Your accent's perfect. | 0:09:06 | 0:09:08 | |
-COMEDY FRENCH ACCENT: -Thank you, that's very kind. -You see? | 0:09:08 | 0:09:10 | |
Now, Kate, this board is all yours. | 0:09:12 | 0:09:14 | |
If I didn't know who Ginger Spice was, I'd be a traitor to my hair, | 0:09:14 | 0:09:16 | |
so that of course is Geri Halliwell. | 0:09:16 | 0:09:19 | |
Announced his departure from the boy band, Zayn Malik. | 0:09:19 | 0:09:22 | |
I think I'm going to go for Dave Lee Roth at the bottom. | 0:09:22 | 0:09:24 | |
OK, Dave Lee Roth, says Kate. | 0:09:24 | 0:09:26 | |
Let's see how many of our 100 people went for Dave Lee Roth. | 0:09:26 | 0:09:29 | |
It's absolutely right. | 0:09:31 | 0:09:32 | |
Well, six is our low score, 29 our high. | 0:09:32 | 0:09:36 | |
Oh, you passed 29... 14, | 0:09:36 | 0:09:37 | |
there you are, second lowest score in the round! | 0:09:37 | 0:09:39 | |
Very well done indeed, Kate. | 0:09:39 | 0:09:41 | |
-Very nice. -Great answer, Kate, | 0:09:42 | 0:09:44 | |
and you chose the best one of | 0:09:44 | 0:09:45 | |
the ones that you knew as well, so well chosen. | 0:09:45 | 0:09:48 | |
Now, who left the Yardbirds? | 0:09:48 | 0:09:49 | |
-Eric Clapton. -Eric Clapton. | 0:09:49 | 0:09:51 | |
That would have scored you 43. | 0:09:51 | 0:09:54 | |
You were quite right about Geri Halliwell, Ginger Spice. | 0:09:54 | 0:09:57 | |
Would have scored 75, and of course... | 0:09:57 | 0:09:59 | |
Zayn Malik, big scorer, though, would have scored you 50. | 0:10:01 | 0:10:04 | |
So the best answer on the board, John, John Cale. | 0:10:04 | 0:10:06 | |
-Well played. -Very good indeed, thanks very much, Richard. | 0:10:06 | 0:10:08 | |
We're halfway through the round. Let's take a look at those scores. | 0:10:08 | 0:10:11 | |
John, as Richard says, the best score of the pass with six there. | 0:10:11 | 0:10:14 | |
Then we travel up to 14, Kate and Robin, there they are. | 0:10:14 | 0:10:17 | |
15 for Alice and Mark, and then 29, Maggie and Jim. | 0:10:17 | 0:10:20 | |
You're not way out ahead, but Jim, you know what we need from you. | 0:10:20 | 0:10:23 | |
And we're coming back down the line now. | 0:10:23 | 0:10:26 | |
Can the second players please step up to the podium? | 0:10:26 | 0:10:28 | |
OK, we're going to put seven more clues up on the board. | 0:10:31 | 0:10:33 | |
And remember, we're looking for these band leavers. | 0:10:33 | 0:10:36 | |
And here they are. We've got... | 0:10:36 | 0:10:38 | |
I'll read those all one last time. | 0:11:10 | 0:11:12 | |
Robin, welcome to Pointless. | 0:11:41 | 0:11:43 | |
-Hello. -Great to have you here. | 0:11:43 | 0:11:44 | |
Now, Robin, growing up in the '80s like I did, in my teens in the '80s, | 0:11:44 | 0:11:49 | |
we were spoiled rotten with science programmes. | 0:11:49 | 0:11:51 | |
I suppose we had things like Hitchhiker's Guide To The Galaxy, | 0:11:51 | 0:11:53 | |
which I suppose was comedy, but it had a big science influence on our | 0:11:53 | 0:11:56 | |
generation. Tomorrow's World, all those sorts of things. | 0:11:56 | 0:11:59 | |
Then there was a complete dearth of science programming. | 0:11:59 | 0:12:02 | |
And then you have come back, | 0:12:02 | 0:12:04 | |
you're at the forefront of the second wave of science programming. | 0:12:04 | 0:12:07 | |
For children and... You know what, actually people of all ages. | 0:12:07 | 0:12:10 | |
It is for all ages. I mean, that's the beautiful thing, | 0:12:10 | 0:12:12 | |
which I think now as you get... | 0:12:12 | 0:12:13 | |
The show that I do on radio with Brian Cox, which I... Predominantly | 0:12:13 | 0:12:17 | |
I'm on there to interrupt him every time I know the rest of the audience | 0:12:17 | 0:12:20 | |
are confused. There's a certain point he goes, | 0:12:20 | 0:12:22 | |
"..and at this point in quantum electrodynamics," and I go, | 0:12:22 | 0:12:24 | |
"I'd better interrupt - we're all lost." | 0:12:24 | 0:12:27 | |
So it's really exciting, we have eight-year-olds writing to us, | 0:12:27 | 0:12:30 | |
and we have 90-year-olds writing to us, and they all have brilliant, | 0:12:30 | 0:12:33 | |
exciting questions! | 0:12:33 | 0:12:35 | |
Fantastic. There we are, you've got a brand-new board. | 0:12:35 | 0:12:38 | |
You're on 14 - your target, to avoid | 0:12:38 | 0:12:40 | |
becoming high scores, is also 14. | 0:12:40 | 0:12:42 | |
I'm going to go with founding member of Pink Floyd who left in 1968, | 0:12:42 | 0:12:45 | |
-Syd Barrett. -Syd Barrett, says Robin. | 0:12:45 | 0:12:48 | |
Here's your red line. If you can get below this red line with Syd Barrett, | 0:12:48 | 0:12:50 | |
you're through to the next round. | 0:12:50 | 0:12:51 | |
Let's see how many of our 100 people said it. | 0:12:51 | 0:12:53 | |
Very well done indeed. | 0:12:57 | 0:12:58 | |
Yup! | 0:13:00 | 0:13:02 | |
Oh, look at that! You needed 14, you got 14! | 0:13:02 | 0:13:04 | |
28 is your total. You are into round two. | 0:13:04 | 0:13:08 | |
Well played, Robin, terrific answer. | 0:13:09 | 0:13:10 | |
See, that's the interesting thing when you get people who are | 0:13:10 | 0:13:13 | |
scientists and professors, and they say they know nothing about the real world. | 0:13:13 | 0:13:15 | |
And you give them music, and suddenly, | 0:13:15 | 0:13:17 | |
it's all the low answers again. | 0:13:17 | 0:13:18 | |
If you're interested in things, you're interested in things. | 0:13:18 | 0:13:21 | |
-There you are. -That's the truth, you tend to be interested in everything. | 0:13:21 | 0:13:24 | |
There we are, now, Jim... Welcome to Pointless. | 0:13:24 | 0:13:26 | |
-Thank you. -Great to have you here. | 0:13:26 | 0:13:28 | |
Now in the world of physics, a great deal of what you deal in is theory. | 0:13:28 | 0:13:32 | |
I mean, people propound theories that sometimes don't get proven or | 0:13:32 | 0:13:36 | |
disproven until centuries later. | 0:13:36 | 0:13:37 | |
How does that go down, do you find that there's great rivalry within | 0:13:37 | 0:13:40 | |
physics? And if you put a theory out there, do people get very heated, | 0:13:40 | 0:13:43 | |
or are people very generally quite gentlemanly about this? | 0:13:43 | 0:13:45 | |
I guess it depends what area of physics. | 0:13:45 | 0:13:47 | |
There are certain fashionable areas where there is a lot of competition. | 0:13:47 | 0:13:51 | |
People come out with new ideas about what happened before the Big Bang, | 0:13:51 | 0:13:54 | |
for example, or... | 0:13:54 | 0:13:56 | |
-Before the Big Bang? -Before that, | 0:13:56 | 0:13:57 | |
there are theories now dealing with that. | 0:13:57 | 0:13:59 | |
But there are other areas where we all get on absolutely wonderfully, | 0:13:59 | 0:14:03 | |
and we all help each other out and give each other ideas. | 0:14:03 | 0:14:06 | |
Good stuff. Now, 29 is your score. | 0:14:06 | 0:14:09 | |
A nice low score from you, Jim, at this point, should keep you in. | 0:14:09 | 0:14:12 | |
I'm going to go for left Genesis in 1975, | 0:14:12 | 0:14:15 | |
later being replaced by frontman Phil Collins. That's Peter Gabriel. | 0:14:15 | 0:14:18 | |
Peter Gabriel, says Jim. Let's see if you've chosen well. | 0:14:18 | 0:14:21 | |
No red line for you, because you're still the high scorers. | 0:14:21 | 0:14:23 | |
But let's see how many of our 100 people said Peter Gabriel. | 0:14:23 | 0:14:26 | |
He's right. | 0:14:29 | 0:14:31 | |
Ooh, it's not bad, 21. 21, taking | 0:14:34 | 0:14:37 | |
your total up to a nice neat 50. | 0:14:37 | 0:14:40 | |
Well played, Jim. The low scoring continues. Formed at Charterhouse, | 0:14:40 | 0:14:44 | |
Genesis. They all went on to be very successful individually. | 0:14:44 | 0:14:47 | |
-Yeah, didn't they? -As well as a band. -Thank you very much, Richard. | 0:14:47 | 0:14:50 | |
Mark, welcome to Pointless, great to have you here. | 0:14:50 | 0:14:53 | |
-Great to be here. -Now, Mark, you're a professor at Bristol, | 0:14:53 | 0:14:57 | |
but also a TV personality. | 0:14:57 | 0:15:00 | |
How does that go down with your fellow academics? | 0:15:00 | 0:15:03 | |
Well, I'm not sure, | 0:15:03 | 0:15:04 | |
really because they wonder why I'm not doing undergraduate tutorials | 0:15:04 | 0:15:08 | |
at nine o'clock in the morning sometimes. | 0:15:08 | 0:15:11 | |
Have you seen Mark's hands? I just had to draw attention to Mark's hands. | 0:15:11 | 0:15:14 | |
-Well, yes, I'm afraid. -They are... | 0:15:14 | 0:15:15 | |
They are an archaeologist's hands. | 0:15:15 | 0:15:17 | |
Are they? What, he found them? | 0:15:17 | 0:15:19 | |
-Exactly right. -I've just come back from the trenches. | 0:15:22 | 0:15:24 | |
That's extraordinary. Which trenches, where? | 0:15:24 | 0:15:26 | |
Well, we've been hunting for some dead winter Vikings, which, | 0:15:26 | 0:15:30 | |
as it's a family show, I won't go into details. | 0:15:30 | 0:15:33 | |
Now then, Mark. You are on 15, | 0:15:33 | 0:15:35 | |
the high scorers at the moment are Jim and Maggie on 50. | 0:15:35 | 0:15:37 | |
34 or less keeps you well and truly in the game. | 0:15:37 | 0:15:41 | |
My knowledge of music kind of ends in the 18th century. | 0:15:41 | 0:15:45 | |
This one in Las Vegas vaguely is familiar. | 0:15:45 | 0:15:48 | |
Is there somebody called Diana Ross? | 0:15:48 | 0:15:50 | |
LAUGHTER | 0:15:50 | 0:15:52 | |
Yes, there might be. | 0:15:52 | 0:15:53 | |
Let's find out. Keep the jeopardy. | 0:15:53 | 0:15:56 | |
There's your red line. If you can get below that, Mark, | 0:15:56 | 0:15:58 | |
with Diana Ross, you are through to the next round. | 0:15:58 | 0:16:00 | |
How many of our 100 people said Diana Ross? | 0:16:00 | 0:16:02 | |
It's right. | 0:16:05 | 0:16:06 | |
59, for Diana Ross. | 0:16:09 | 0:16:11 | |
Good news for Jim and Maggie, back in the game. | 0:16:11 | 0:16:14 | |
-Welcome. -Yeah, Diana Ross, apart from her musical career, | 0:16:14 | 0:16:17 | |
also took the most famous penalty in | 0:16:17 | 0:16:19 | |
football history at the opening of | 0:16:19 | 0:16:21 | |
the US World Cup. | 0:16:21 | 0:16:23 | |
She had to kick a ball into a goal, which then would fall apart, | 0:16:23 | 0:16:26 | |
from two feet. She managed to miss. | 0:16:26 | 0:16:27 | |
-Aw! -She was very much the Emile Heskey of the Supremes. | 0:16:29 | 0:16:32 | |
Thanks very much, Richard. | 0:16:34 | 0:16:36 | |
Now, Suzannah. Welcome to Pointless. | 0:16:36 | 0:16:39 | |
Great to have you here. Now the Tudors is your period. | 0:16:39 | 0:16:42 | |
-Yes, yes. -Why in particular the Tudors? | 0:16:42 | 0:16:44 | |
What got you into them? | 0:16:44 | 0:16:45 | |
It's much more comforting than talking about music. | 0:16:45 | 0:16:48 | |
Because it's a fascinating period of change and so much happens that's so | 0:16:48 | 0:16:53 | |
important to the history of our country and Europe and the world in | 0:16:53 | 0:16:57 | |
general. The Reformation, the Renaissance in northern Europe, | 0:16:57 | 0:17:00 | |
we've got these incredible characters, you know, | 0:17:00 | 0:17:02 | |
Henry VIII and Anne Boleyn, Elizabeth I, | 0:17:02 | 0:17:05 | |
it's the beginning of so much that we consider to be our modern world. | 0:17:05 | 0:17:09 | |
Very good indeed. | 0:17:09 | 0:17:11 | |
You've been very well set up by John. Six is your score. | 0:17:11 | 0:17:14 | |
67 or less gets you through. | 0:17:14 | 0:17:16 | |
I'm going to go with Duran Duran guitarist who left the band twice, | 0:17:16 | 0:17:20 | |
-Andy Taylor. -Andy Taylor, says Suzannah. | 0:17:20 | 0:17:24 | |
Here is your red line. If you get | 0:17:24 | 0:17:25 | |
below this red line, nice and high, | 0:17:25 | 0:17:27 | |
you should be through comfortably to the next round. | 0:17:27 | 0:17:30 | |
Let's see how many of our 100 people went for Andy Taylor. | 0:17:30 | 0:17:32 | |
It's right. | 0:17:35 | 0:17:36 | |
Very well done, you've done it. | 0:17:36 | 0:17:38 | |
Oh, look at that, down it goes. | 0:17:38 | 0:17:40 | |
Great answer. Brilliant, | 0:17:40 | 0:17:42 | |
16. 22 is your total. | 0:17:42 | 0:17:46 | |
Great work, Suzannah. | 0:17:46 | 0:17:48 | |
Very well played. At one point there were three Taylors in Duran Duran. | 0:17:48 | 0:17:50 | |
-Yeah. -Roger, Andy and John. | 0:17:50 | 0:17:52 | |
And John. Yeah. | 0:17:52 | 0:17:54 | |
Let's fill in these, shall we? If you said Noel Gallagher, | 0:17:54 | 0:17:56 | |
it would have been very exciting because it would have scored you 67 | 0:17:56 | 0:17:58 | |
points, you would be through by one point. | 0:17:58 | 0:18:00 | |
Noel Gallagher there. The next one, quit the boy band Busted. | 0:18:00 | 0:18:04 | |
-Charlie Simpson. -Ah, Charlie Simpson. | 0:18:04 | 0:18:06 | |
12 points for Charlie Simpson. | 0:18:06 | 0:18:09 | |
And the Beatles drummer? | 0:18:09 | 0:18:10 | |
-Pete Best. -It was Pete Best. | 0:18:10 | 0:18:12 | |
Yeah. 41 points for that, | 0:18:12 | 0:18:13 | |
so Charlie Simpson the best answer on that board. | 0:18:13 | 0:18:15 | |
-Well done if you said that. -Thank you very much indeed, | 0:18:15 | 0:18:18 | |
so at the end of our first round the pair we are sending home with their | 0:18:18 | 0:18:20 | |
high score of 74, Mark and Alice. | 0:18:20 | 0:18:22 | |
-I'm sorry. -Oh, boohoo! | 0:18:22 | 0:18:24 | |
Back to the trench. | 0:18:24 | 0:18:25 | |
I'm so sorry, but we have to send you back far too soon in my opinion. | 0:18:25 | 0:18:29 | |
Please come and play again. | 0:18:29 | 0:18:31 | |
Thank you so much, Mark and Alice. | 0:18:31 | 0:18:33 | |
Wonderful. | 0:18:33 | 0:18:35 | |
But for the remaining three pairs, it's now time for Round Two. | 0:18:38 | 0:18:40 | |
Wow. Three pairs remain. | 0:18:44 | 0:18:46 | |
At the end of this round, we'll have to say goodbye to another of those | 0:18:46 | 0:18:49 | |
pairs. But very well done, everyone. | 0:18:49 | 0:18:52 | |
Best of luck for our next round. The category for it is... | 0:18:52 | 0:18:55 | |
It's a words round. Can you all decide in your pairs who is going to go first, | 0:18:59 | 0:19:02 | |
who is going to go second. | 0:19:02 | 0:19:03 | |
And whoever is going first, please step up to the podium. | 0:19:03 | 0:19:05 | |
OK, let's find out what the question is. Here it comes. | 0:19:09 | 0:19:12 | |
We gave 100 people 100 seconds to name as many... | 0:19:12 | 0:19:17 | |
Words ending UDE. | 0:19:23 | 0:19:24 | |
-Richard. -Yeah, we are looking for any word which has its own entry in | 0:19:26 | 0:19:29 | |
the British And World English section of OxfordDictionaries.com, | 0:19:29 | 0:19:33 | |
please, that ends UDE. As always, no proper nouns, no hyphenated words, | 0:19:33 | 0:19:36 | |
anything like that. So any word that ends UDE. | 0:19:36 | 0:19:40 | |
There we go. John, always tough going first. | 0:19:40 | 0:19:44 | |
Pulchritude. | 0:19:44 | 0:19:46 | |
Pulchritude, says John. | 0:19:46 | 0:19:48 | |
Let's see how many... That's good, isn't it? | 0:19:48 | 0:19:50 | |
Let's see how many of our 100 people went for pulchritude. | 0:19:50 | 0:19:52 | |
-It's a lovely answer. Scores you one. -Who's the one? | 0:20:03 | 0:20:05 | |
One for pulchritude. | 0:20:05 | 0:20:09 | |
Yes, one of those words that sounds awful and means something lovely. | 0:20:11 | 0:20:14 | |
I know, it does. | 0:20:14 | 0:20:16 | |
-It means beauty. -Beauty. Yeah. | 0:20:16 | 0:20:18 | |
Lovely. Now, Jim. | 0:20:18 | 0:20:21 | |
What would you like to go for? | 0:20:21 | 0:20:23 | |
Oh, erm... | 0:20:23 | 0:20:24 | |
Latitude. | 0:20:24 | 0:20:26 | |
Latitude says Jim. | 0:20:26 | 0:20:27 | |
Let's see how many of our 100 people went for latitude. | 0:20:27 | 0:20:30 | |
16 for latitude. | 0:20:40 | 0:20:42 | |
-Not bad. -Yeah, latitude, | 0:20:44 | 0:20:46 | |
that's one of those words I never really understand what it means. | 0:20:46 | 0:20:49 | |
I kind of do. But if you ask me to define it, say, | 0:20:49 | 0:20:53 | |
on a television programme, | 0:20:53 | 0:20:54 | |
-I would struggle. -There you are. | 0:20:54 | 0:20:57 | |
Now, Kate. | 0:20:57 | 0:20:58 | |
-Occlude. -Occlude. | 0:21:00 | 0:21:02 | |
Occlude, let's see how many of 100 people said occlude. | 0:21:02 | 0:21:06 | |
-It's right. -Oh! | 0:21:10 | 0:21:12 | |
It's a pointless answer! | 0:21:17 | 0:21:19 | |
Very well done indeed, Kate. | 0:21:19 | 0:21:21 | |
That adds £250 to today's jackpot and takes the total up to £2,750. | 0:21:21 | 0:21:24 | |
CHEERING | 0:21:24 | 0:21:27 | |
It scores you nothing and earns you our deep, deep respect. | 0:21:27 | 0:21:31 | |
Very well played, Kate. Terrific work. | 0:21:31 | 0:21:33 | |
It means to block or stop up something. | 0:21:33 | 0:21:35 | |
At home we play Occluedo, but we can't get the dice out of the... | 0:21:35 | 0:21:38 | |
That's an "occlude" joke for you. | 0:21:38 | 0:21:40 | |
-Thank you very much. -My pleasure. | 0:21:40 | 0:21:42 | |
We're halfway through the round. Let's take a look at those scores! | 0:21:42 | 0:21:44 | |
Nothing was the best score of that pass. | 0:21:44 | 0:21:45 | |
Very well done indeed. Kate and Robin, | 0:21:45 | 0:21:47 | |
very much top of the class at this point. | 0:21:47 | 0:21:49 | |
Very close behind them are | 0:21:49 | 0:21:51 | |
John and Suzannah on one. | 0:21:51 | 0:21:53 | |
And then Jim and Maggie, | 0:21:53 | 0:21:54 | |
they are on 16. | 0:21:54 | 0:21:55 | |
So, Maggie, we need a low score from you in the next pass. | 0:21:55 | 0:21:58 | |
Good luck with that. We're going to come back down the line now. | 0:21:58 | 0:22:01 | |
Can the second players please step up to the podium? | 0:22:01 | 0:22:03 | |
OK, now, Robin, remember. | 0:22:05 | 0:22:07 | |
It's any word that ends with the letters UDE. | 0:22:07 | 0:22:10 | |
I think denude. | 0:22:10 | 0:22:12 | |
Denude? OK. | 0:22:12 | 0:22:14 | |
Here is your red line. If you can get below this red line, | 0:22:14 | 0:22:17 | |
you are through to the next round. | 0:22:17 | 0:22:18 | |
How many of our 100 people said denude? | 0:22:18 | 0:22:20 | |
You're through! Four! | 0:22:28 | 0:22:29 | |
Four for denude. | 0:22:32 | 0:22:34 | |
-Four is your total. -Well played Robin, you had denude. | 0:22:34 | 0:22:37 | |
It's what they have on page three of Der Spiegel. | 0:22:37 | 0:22:39 | |
Thank you very much indeed, Richard. | 0:22:40 | 0:22:43 | |
-Maggie. -I'm going to go for platitude. | 0:22:44 | 0:22:47 | |
Platitude, says Maggie. | 0:22:47 | 0:22:49 | |
No red line for you - you're the high scorers. | 0:22:49 | 0:22:51 | |
But let's see how many of our 100 people said platitude. | 0:22:51 | 0:22:53 | |
Look at that, six for platitude! | 0:23:02 | 0:23:04 | |
Takes you all up to 22. | 0:23:04 | 0:23:07 | |
Yes, a remark or statement that has sort of lost all its meaning over time. | 0:23:07 | 0:23:12 | |
It's been too often repeated. | 0:23:12 | 0:23:13 | |
There we are, now, Suzannah. | 0:23:13 | 0:23:15 | |
-Verisimilitude. -Verisimilitude. | 0:23:17 | 0:23:20 | |
OK. That was one of mine. | 0:23:20 | 0:23:23 | |
-No longer. -Was it? | 0:23:23 | 0:23:25 | |
There is your red line. | 0:23:27 | 0:23:29 | |
If you can get below that with verisimilitude, | 0:23:29 | 0:23:31 | |
you are through to the next round. | 0:23:31 | 0:23:32 | |
Let's see how many of our 100 people said it. | 0:23:32 | 0:23:34 | |
You're through! | 0:23:41 | 0:23:43 | |
And it's pointless! | 0:23:43 | 0:23:45 | |
Oh! Very, very well done indeed! That adds another | 0:23:45 | 0:23:48 | |
£250 to our jackpot! | 0:23:48 | 0:23:50 | |
It takes our total up to £3,000! | 0:23:50 | 0:23:52 | |
Scores you nothing, leaves your total at one. | 0:23:52 | 0:23:55 | |
Very well done. | 0:23:55 | 0:23:56 | |
Great play. And it's a lovely word as well, verisimilitude. | 0:23:56 | 0:23:59 | |
It means to give the appearance of being real. | 0:23:59 | 0:24:01 | |
There's loads of pointless answers. We'll take a look at a few more of them. | 0:24:01 | 0:24:05 | |
Certitude, a pointless answer. | 0:24:05 | 0:24:07 | |
There's etude. Ineptitude is a pointless answer, ironically. | 0:24:07 | 0:24:11 | |
Schadenfreude. That's a good one, isn't it? | 0:24:11 | 0:24:13 | |
Turpitude, which you use on garden fence, just... | 0:24:13 | 0:24:16 | |
LAUGHTER | 0:24:16 | 0:24:18 | |
And verisimilitude. | 0:24:18 | 0:24:19 | |
The one which we just heard as well. | 0:24:19 | 0:24:21 | |
Thank you very much, Richard. So at the end of our second round, | 0:24:21 | 0:24:23 | |
the pair who are heading home with their high score of 22, | 0:24:23 | 0:24:26 | |
I'm afraid Maggie and Jim, it is you! | 0:24:26 | 0:24:28 | |
Thank you so much for coming to play. | 0:24:28 | 0:24:29 | |
Please come and play again, Maggie and Jim. Thanks so much! | 0:24:29 | 0:24:32 | |
APPLAUSE | 0:24:32 | 0:24:36 | |
Right! For Robin and Kate and John and Suzannah, | 0:24:36 | 0:24:38 | |
it's now time for our head-to-head. | 0:24:38 | 0:24:40 | |
Congratulations, John and Suzannah, Robin and Kate. | 0:24:44 | 0:24:47 | |
You are now one step closer to the final, and a chance to play for that jackpot for your charities. | 0:24:47 | 0:24:51 | |
Our jackpot currently standing at £3,000. | 0:24:51 | 0:24:54 | |
There it is. | 0:24:54 | 0:24:56 | |
So this is the bit where we decide who goes through to that round to | 0:24:58 | 0:25:01 | |
play for the jackpot, and we do that by making you go head-to-head. | 0:25:01 | 0:25:04 | |
But the big difference is, you're now allowed to play as team. | 0:25:04 | 0:25:06 | |
So you can confer before you give your answers. | 0:25:06 | 0:25:09 | |
First pair to win two questions will be playing for that jackpot. | 0:25:09 | 0:25:11 | |
Best of luck to both pairs. Let's play the head-to-head. | 0:25:11 | 0:25:13 | |
Here's your first question. | 0:25:19 | 0:25:20 | |
And it concerns... | 0:25:20 | 0:25:22 | |
-Richard? -I'm going to show you five pictures now of historical artefacts | 0:25:28 | 0:25:32 | |
or structures that are over a thousand years old. | 0:25:32 | 0:25:34 | |
Can you tell us what they are, please? | 0:25:34 | 0:25:35 | |
We're going to give you some of the letters as well. | 0:25:35 | 0:25:37 | |
-Very best of luck. -Thanks very much indeed! | 0:25:37 | 0:25:39 | |
OK, let's reveal our five things that are over a thousand years old. | 0:25:39 | 0:25:42 | |
And here they come. We have got... | 0:25:42 | 0:25:44 | |
John and Suzannah, you're our low scorers, so you will go first. | 0:26:00 | 0:26:05 | |
Feel free to confer. | 0:26:05 | 0:26:06 | |
OK, we're going to go with D. | 0:26:07 | 0:26:11 | |
-Parthenon. -Parthenon. | 0:26:12 | 0:26:14 | |
Now then, Robin and Kate, that board is all yours. | 0:26:17 | 0:26:19 | |
A is Terracotta Army. | 0:26:19 | 0:26:21 | |
B is Stonehenge. | 0:26:21 | 0:26:23 | |
E is Colosseum. | 0:26:23 | 0:26:25 | |
I don't think we're going to score less than them, | 0:26:25 | 0:26:28 | |
if we choose Terracotta Army. | 0:26:28 | 0:26:31 | |
OK, so should we risk C? | 0:26:31 | 0:26:33 | |
-Should we do it? -Yeah. So we're | 0:26:33 | 0:26:35 | |
going to risk C, which we think is | 0:26:35 | 0:26:39 | |
-Karnak. -Karnak. | 0:26:39 | 0:26:41 | |
OK, so we have Parthenon and Karnak. | 0:26:41 | 0:26:45 | |
John and Suzannah said Parthenon. Let's see if that is right for D. | 0:26:45 | 0:26:48 | |
Let's see how many of our 100 said it. | 0:26:48 | 0:26:50 | |
It is right. | 0:26:53 | 0:26:54 | |
54. | 0:26:57 | 0:26:59 | |
54 for the Parthenon. | 0:26:59 | 0:27:01 | |
Now, Robin and Kate have gone for Karnak. | 0:27:01 | 0:27:04 | |
For C. Is it right? | 0:27:04 | 0:27:06 | |
It deserves to be, let's see how many people said Karnak. | 0:27:06 | 0:27:09 | |
Oh! | 0:27:13 | 0:27:15 | |
-Sorry! -No. | 0:27:15 | 0:27:17 | |
It's not Karnak, but very well done, John and Suzannah. | 0:27:17 | 0:27:19 | |
That means after one question, you are up 1-0. | 0:27:19 | 0:27:21 | |
Yeah, very well played. And it was the right tactic. | 0:27:21 | 0:27:23 | |
None of the other answers would have won you the point. So you had to go for that one, really. | 0:27:23 | 0:27:26 | |
Terracotta Army is only just above 54. | 0:27:26 | 0:27:29 | |
It would have scored 56 points, Terracotta army. | 0:27:29 | 0:27:32 | |
What do you think Stonehenge scored? | 0:27:34 | 0:27:36 | |
You'd like to think it would be ninety... | 0:27:36 | 0:27:38 | |
-95. -..eight or more... | 0:27:38 | 0:27:41 | |
88. | 0:27:43 | 0:27:44 | |
LAUGHTER | 0:27:44 | 0:27:46 | |
The last one, of course, is the Colosseum. | 0:27:46 | 0:27:50 | |
That would have scored you 70. | 0:27:50 | 0:27:52 | |
And so the best answer on the board is, of course, C. | 0:27:53 | 0:27:56 | |
Begins with K. | 0:27:56 | 0:27:58 | |
Is there a thing called the Knoss or Knossa? | 0:27:58 | 0:28:00 | |
-Oh, no! -There is indeed. On the island of Crete and it's Knossos. | 0:28:00 | 0:28:05 | |
-Oh, that's a minotaur! -Knossos. | 0:28:05 | 0:28:07 | |
-Oh, no! -It would have scored ten points. | 0:28:07 | 0:28:09 | |
Yes, a Minoan palace in Knossos. | 0:28:09 | 0:28:11 | |
Oh, no. | 0:28:11 | 0:28:12 | |
Here comes your second question. Robin and Kate, you get to answer it first. | 0:28:12 | 0:28:15 | |
But you have to win this one to stay in the game. | 0:28:15 | 0:28:17 | |
-So very, very best of luck. -OK. | 0:28:17 | 0:28:18 | |
Our second question this evening is all about... | 0:28:18 | 0:28:21 | |
Going to play you five clips now from songs which, | 0:28:24 | 0:28:26 | |
at some point in them, spell out words. | 0:28:26 | 0:28:31 | |
We just need you to tell us the artist who is singing any of these songs, | 0:28:31 | 0:28:34 | |
-please. -Thank you very much indeed. | 0:28:34 | 0:28:36 | |
So let's listen to our five songs. | 0:28:36 | 0:28:37 | |
And here we have... A... | 0:28:37 | 0:28:39 | |
# She walked up to me and she asked me to dance | 0:28:39 | 0:28:42 | |
# I asked her her name and in a dark brown voice she said Lola | 0:28:42 | 0:28:48 | |
# L-o-l-a Lola | 0:28:48 | 0:28:51 | |
# Lo-lo-lo-lo Lola | 0:28:51 | 0:28:55 | |
B... | 0:28:58 | 0:29:00 | |
# She said L-I-F-E-G-O-E-S-O-N | 0:29:00 | 0:29:03 | |
# You've got more than money and sense, my friend | 0:29:03 | 0:29:07 | |
# You've got heart and you're going your own way | 0:29:07 | 0:29:10 | |
# L-I-F-E-G-O-E-S-O-N | 0:29:13 | 0:29:15 | |
# What you don't have now will come back again | 0:29:15 | 0:29:19 | |
# You've got heart and you're going your own way... | 0:29:19 | 0:29:23 | |
Here's C... | 0:29:23 | 0:29:25 | |
# Our D-I-V-O-R-C-E | 0:29:25 | 0:29:30 | |
# Becomes final today | 0:29:30 | 0:29:35 | |
# Me and little J-O-E | 0:29:35 | 0:29:41 | |
# Will be going away... # | 0:29:41 | 0:29:43 | |
Here's D... | 0:29:46 | 0:29:48 | |
# R-E-S-P-E-C-T, find out what it means to me | 0:29:48 | 0:29:52 | |
# R-E-S-P-E-C-T, take care, TCB | 0:29:52 | 0:29:55 | |
# Sock it to me, sock it to me, sock it to me, sock it to me... | 0:29:55 | 0:29:58 | |
And here's E... | 0:30:00 | 0:30:03 | |
# D-I-S-C-O | 0:30:03 | 0:30:06 | |
# D-I-S-C-O | 0:30:06 | 0:30:09 | |
# D-I-S-C-O | 0:30:09 | 0:30:13 | |
# D-I-S-C-O... # | 0:30:13 | 0:30:17 | |
OK, there are our five songs. | 0:30:17 | 0:30:19 | |
Robin and Kate, you will go first. | 0:30:19 | 0:30:21 | |
We're looking for the artist who sang those songs. | 0:30:21 | 0:30:23 | |
-We think that more people will have gone... -I think you're right. | 0:30:23 | 0:30:27 | |
-..or fewer people, that's the rules, isn't it? -Yes. | 0:30:27 | 0:30:29 | |
Fewer people will have gone with C, | 0:30:29 | 0:30:32 | |
Tammy Wynette with D-I-V-O-R-C-E. | 0:30:32 | 0:30:35 | |
Tammy Wynette for C. | 0:30:35 | 0:30:36 | |
Now, then, John and Suzannah, talk us through the others. | 0:30:36 | 0:30:41 | |
Well, there's one that's a surefire and there's one that's a bit of a | 0:30:41 | 0:30:45 | |
-stretch. -So let's go with... | 0:30:45 | 0:30:49 | |
-A? -Yeah. -I'm going to go with A. | 0:30:49 | 0:30:52 | |
Raymond Douglas Davies of The Kinks. | 0:30:52 | 0:30:56 | |
The Kinks. So we have Tammy Wynette and we have The Kinks. | 0:30:56 | 0:30:59 | |
Robin and Kate, you have to win this one to stay in the game. | 0:30:59 | 0:31:02 | |
-I know, yes. -You went for Tammy Wynette for C. | 0:31:02 | 0:31:06 | |
Let's see how many of our 100 people said Tammy Wynette. | 0:31:06 | 0:31:09 | |
14. | 0:31:19 | 0:31:20 | |
14. | 0:31:23 | 0:31:25 | |
Meanwhile, John and Suzannah have gone for A, The Kinks. | 0:31:25 | 0:31:29 | |
Let's see how many of our 100 people said The Kinks. | 0:31:30 | 0:31:33 | |
Which was the right one to go for? | 0:31:41 | 0:31:43 | |
19, very well done indeed. | 0:31:43 | 0:31:45 | |
Robin and Kate, back in the game. | 0:31:45 | 0:31:47 | |
After two questions, it's 1-1. | 0:31:47 | 0:31:49 | |
I knew this was going to be close. | 0:31:49 | 0:31:51 | |
Very well done. Let's fill in the rest of this board, shall we? | 0:31:51 | 0:31:54 | |
There are a couple of obscurer ones. | 0:31:54 | 0:31:56 | |
B, this is a lovely song. | 0:31:56 | 0:31:58 | |
# L-I-F-E-G-O-E-S-O-N... # | 0:31:58 | 0:32:01 | |
L.I.F.E.G.O.E.S.O.N by Noah And The Whale would have scored you one | 0:32:01 | 0:32:05 | |
point. Well done if you said that. | 0:32:05 | 0:32:07 | |
D, you were all right to avoid it. | 0:32:09 | 0:32:12 | |
R-E-S-P-E-C-T by Aretha Franklin. | 0:32:12 | 0:32:15 | |
That would have scored 27. | 0:32:15 | 0:32:18 | |
Now, this last one, Robin, you were going to go for a risky answer. | 0:32:18 | 0:32:21 | |
I can't remember if the band was The Trammps or Trammps with D-I-S-C-O. | 0:32:21 | 0:32:24 | |
-Yeah, that's it. -OK, it was Ottawan. | 0:32:24 | 0:32:27 | |
LAUGHTER | 0:32:27 | 0:32:28 | |
With D.I.S.C.O. | 0:32:28 | 0:32:31 | |
Three points if you said that. | 0:32:31 | 0:32:33 | |
There we are. Thank you very much indeed. | 0:32:33 | 0:32:36 | |
OK, it all comes down to the decider, the third question. | 0:32:36 | 0:32:38 | |
Whoever wins the third question goes through to the final, | 0:32:38 | 0:32:41 | |
so very best of luck to both pairs. | 0:32:41 | 0:32:43 | |
Our third question this evening is all about... | 0:32:43 | 0:32:47 | |
-Richard. -I'm just going to show you the initials now of five Bond film | 0:32:50 | 0:32:53 | |
titles. We need you to name the most obscure of these films, please. | 0:32:53 | 0:32:57 | |
Very best of luck. Whichever team gives us the lowest answer will go | 0:32:57 | 0:32:59 | |
through to play for the jackpot. | 0:32:59 | 0:33:01 | |
Thank you very much. Let's review our five clues, and here they come. | 0:33:01 | 0:33:04 | |
There we are. John and Suzannah, you will go first. | 0:33:16 | 0:33:19 | |
We have an answer, and John is going to deliver it. | 0:33:21 | 0:33:23 | |
A View To A Kill. | 0:33:23 | 0:33:25 | |
A View To A Kill, say John and Suzannah. | 0:33:25 | 0:33:27 | |
A View To A Kill. | 0:33:27 | 0:33:29 | |
So, then, Robin and Kate, we come to you. | 0:33:29 | 0:33:31 | |
We've got You Only Live Twice, | 0:33:31 | 0:33:33 | |
Quantum Of Solace, | 0:33:33 | 0:33:34 | |
The Living Daylights and... | 0:33:34 | 0:33:37 | |
The Living Daylights, we'll go with that. | 0:33:37 | 0:33:39 | |
The Living Daylights. | 0:33:39 | 0:33:40 | |
So we have A View To A Kill and The Living Daylights. | 0:33:40 | 0:33:42 | |
John and Suzannah said A View To A Kill. Let's see if that's right. | 0:33:42 | 0:33:45 | |
Let's see how many of our 100 people went for that. | 0:33:45 | 0:33:47 | |
It's right. | 0:33:49 | 0:33:50 | |
25. APPLAUSE | 0:33:54 | 0:33:57 | |
25 for A View To A Kill. | 0:33:57 | 0:33:59 | |
Meanwhile, Robin and Kate have gone for The Living Daylights. | 0:34:01 | 0:34:04 | |
Let's see if that's right. | 0:34:04 | 0:34:05 | |
-Let's see how many of our 100 people got it. -Oh, gosh. | 0:34:05 | 0:34:08 | |
It's right. | 0:34:10 | 0:34:12 | |
Ooh, 23! GASPS AND APPLAUSE | 0:34:16 | 0:34:18 | |
Another needle match there. | 0:34:18 | 0:34:22 | |
And Robin and Kate, very well done, indeed. | 0:34:22 | 0:34:25 | |
After three questions, Robin and Kate, | 0:34:25 | 0:34:27 | |
-you are through to the final 2-1. -Oh, no. | 0:34:27 | 0:34:29 | |
What a head-to-head. Very well played, everybody. | 0:34:29 | 0:34:32 | |
The top answer, You Only Live Twice, would have scored 77. | 0:34:32 | 0:34:35 | |
Quantum Of Solace would have scored you 49. | 0:34:37 | 0:34:39 | |
And the best answer on the board, 11 points... | 0:34:39 | 0:34:42 | |
The World Is Not Enough. | 0:34:42 | 0:34:44 | |
-It took so long to get. -Oh, no! | 0:34:44 | 0:34:47 | |
Very well done if you said that at home. | 0:34:47 | 0:34:49 | |
There we go, thank you very much. | 0:34:49 | 0:34:50 | |
So the pair leaving us at the end of the head-to-head round, | 0:34:50 | 0:34:53 | |
John, I'm afraid this is not the time you win the jackpot | 0:34:53 | 0:34:55 | |
-for the second time. -I'm sorry, John. I let him down. | 0:34:55 | 0:34:57 | |
You will have to come back and do it again, | 0:34:57 | 0:34:59 | |
but you played so well, both of you, throughout. | 0:34:59 | 0:35:01 | |
It's been such a pleasure having you on the show. | 0:35:01 | 0:35:03 | |
Thank you so much. John and Suzannah. Superb. | 0:35:03 | 0:35:05 | |
APPLAUSE | 0:35:05 | 0:35:07 | |
But for Robin and Kate, it's now time for our Pointless final. | 0:35:08 | 0:35:11 | |
Congratulations, Robin and Kate. | 0:35:16 | 0:35:18 | |
You have fought off all the competition | 0:35:18 | 0:35:19 | |
and you have won our coveted Pointless trophy. | 0:35:19 | 0:35:22 | |
You now have a chance to win our Pointless jackpot. | 0:35:29 | 0:35:31 | |
At the end of today's show, the jackpot is standing at £3,000. | 0:35:31 | 0:35:35 | |
APPLAUSE There it is. | 0:35:35 | 0:35:36 | |
I have to say, you have fought so hard to make it to this point. | 0:35:40 | 0:35:44 | |
Four things will appear on the board behind me. | 0:35:44 | 0:35:47 | |
Today's choices look like this. We have got: | 0:35:47 | 0:35:49 | |
Irish Pop, probably not. | 0:35:58 | 0:36:00 | |
What's wrong with Chocolate? | 0:36:00 | 0:36:02 | |
-If you want to go with Chocolate... -Let's do it. | 0:36:02 | 0:36:04 | |
All right, let's get on with it. | 0:36:04 | 0:36:06 | |
-OK, what are we going to go for? -Chocolate, yes. | 0:36:06 | 0:36:08 | |
It's going to be Chocolate. It's going to be Chocolate. | 0:36:08 | 0:36:10 | |
OK, very best of luck. Three very different questions here. | 0:36:10 | 0:36:12 | |
Three very different areas as well. | 0:36:12 | 0:36:14 | |
The first one is we're looking for any cast member | 0:36:14 | 0:36:17 | |
according to IMDB in the 2000 film of Chocolat. | 0:36:17 | 0:36:20 | |
We are looking for any UK top 40 single by Hot Chocolate. | 0:36:20 | 0:36:23 | |
Or we are looking for | 0:36:23 | 0:36:25 | |
any of the 50 top cocoa-producing countries, please. | 0:36:25 | 0:36:29 | |
The last time those statistics were updated was 2013. | 0:36:29 | 0:36:32 | |
So any of the 50 countries that produce the most cocoa. | 0:36:32 | 0:36:34 | |
Very best of luck. | 0:36:34 | 0:36:35 | |
Thank you very much, indeed. | 0:36:35 | 0:36:37 | |
As always, you've got up to one minute | 0:36:37 | 0:36:39 | |
to come up with three answers. | 0:36:39 | 0:36:40 | |
All you need to win that jackpot for your charities | 0:36:40 | 0:36:42 | |
is for just one of those answers to be pointless. | 0:36:42 | 0:36:44 | |
-OK. -Are you ready? | 0:36:44 | 0:36:46 | |
-Are we ready? -Uh, yes. | 0:36:46 | 0:36:48 | |
OK, let's put 60 seconds up on the clock. | 0:36:48 | 0:36:51 | |
There they are. | 0:36:51 | 0:36:52 | |
Your time starts now. | 0:36:52 | 0:36:53 | |
Right, I would have thought | 0:36:53 | 0:36:54 | |
that somewhere like Ghana | 0:36:54 | 0:36:55 | |
was a top cocoa-producing country, | 0:36:55 | 0:36:57 | |
but people may not choose Ghana. | 0:36:57 | 0:36:59 | |
What about Equatorial Guinea? | 0:36:59 | 0:37:01 | |
Do you think that's obscure? | 0:37:01 | 0:37:03 | |
Shall we just go with just top cocoa-producing countries? | 0:37:03 | 0:37:06 | |
Why not? I only know You Sexy Thing and surely everyone knows that. | 0:37:06 | 0:37:09 | |
Yeah, You Sexy Thing, definitely, | 0:37:09 | 0:37:11 | |
and Johnny Depp are not going to be pointless answers. | 0:37:11 | 0:37:13 | |
-KATE LAUGHS -No. | 0:37:13 | 0:37:14 | |
So, shall we go with Ghana, Equatorial Guinea, did you say? | 0:37:14 | 0:37:17 | |
-Do you think Equatorial Guinea or Guinea-Bissau? -Oh... | 0:37:17 | 0:37:20 | |
Ah, Guinea-Bissau, would that be in the top 50? | 0:37:20 | 0:37:23 | |
Uh... | 0:37:23 | 0:37:24 | |
Let's go with Equatorial Guinea and Guinea-Bissau and Ghana. | 0:37:24 | 0:37:27 | |
Then we have a lovely G set. | 0:37:27 | 0:37:29 | |
Should we try and trick them with a South American one? | 0:37:29 | 0:37:31 | |
-Yeah, yeah, yeah. Let's do a trick as well. -Like Bolivia? | 0:37:31 | 0:37:34 | |
Do they make chocolate? | 0:37:34 | 0:37:35 | |
Bolivian chocolate, definitely. | 0:37:35 | 0:37:37 | |
-I would say yeah. -OK. | 0:37:37 | 0:37:38 | |
So do you want to go with Bolivia, | 0:37:38 | 0:37:39 | |
Equatorial Guinea and Ghana? | 0:37:39 | 0:37:42 | |
-Yeah. -10 seconds. | 0:37:42 | 0:37:43 | |
-Why not? -We'd like to make it clear that if we lose on this, | 0:37:43 | 0:37:46 | |
it's an altruistic act | 0:37:46 | 0:37:47 | |
so we can share the charity money amongst all of us. | 0:37:47 | 0:37:49 | |
-Yes. -I hope that makes it clear. -That's nice. Very good. | 0:37:49 | 0:37:52 | |
OK, Well, your minute is now up, | 0:37:52 | 0:37:54 | |
so let's have those answers officially. | 0:37:54 | 0:37:56 | |
So, Top Cocoa Producing Countries, | 0:37:56 | 0:37:58 | |
-we believe that we're going to go with Ghana. -Ghana. | 0:37:58 | 0:38:00 | |
We're going with... | 0:38:00 | 0:38:02 | |
Was it Equatorial Guinea we chose? | 0:38:02 | 0:38:04 | |
-Yeah, Equatorial Guinea. -Equatorial Guinea. | 0:38:04 | 0:38:06 | |
-And do you want to go with Bolivia? Guinea-Bissau? -I need an answer. | 0:38:06 | 0:38:09 | |
-I need an answer. -Bolivia! | 0:38:09 | 0:38:10 | |
Bolivia, OK, there we are. Three answers, good. | 0:38:10 | 0:38:12 | |
Of those three, which is your best shot at a pointless answer? | 0:38:12 | 0:38:15 | |
-Equatorial Guinea. -Equatorial Guinea we'll put last. | 0:38:15 | 0:38:17 | |
OK, least likely to be Pointless? | 0:38:17 | 0:38:19 | |
-Ghana. -Ghana, and Bolivia goes in the middle. | 0:38:19 | 0:38:21 | |
-Yeah. -Marvellous. -Bolivia in the middle. | 0:38:21 | 0:38:23 | |
OK, well, let's put those answers up on the board in that order | 0:38:23 | 0:38:26 | |
and here they are. We have got... | 0:38:26 | 0:38:28 | |
Well, very, very, very best of luck. | 0:38:32 | 0:38:35 | |
If you were to win, | 0:38:35 | 0:38:36 | |
let's say one of these answers were to turn out to be pointless, | 0:38:36 | 0:38:39 | |
which charities are you playing for? | 0:38:39 | 0:38:41 | |
-Robin. -I'm playing for the Sophie Lancaster Foundation. | 0:38:41 | 0:38:45 | |
If people would like to know more about the life of Sophie Lancaster, | 0:38:45 | 0:38:49 | |
they could see Black Roses by Simon Armitage and Sylvia Lancaster, | 0:38:49 | 0:38:52 | |
who is Sophie's mum. | 0:38:52 | 0:38:53 | |
She works very hard with her friends | 0:38:53 | 0:38:56 | |
to promote anti-bullying across the country. | 0:38:56 | 0:38:59 | |
Very good indeed. Kate, how about you? | 0:38:59 | 0:39:01 | |
My charity is the PCRF, | 0:39:01 | 0:39:03 | |
that sends medical teams to children across the Middle East | 0:39:03 | 0:39:07 | |
who need life-saving operations. | 0:39:07 | 0:39:09 | |
Very good indeed. APPLAUSE | 0:39:09 | 0:39:12 | |
Two fantastic charities there. | 0:39:12 | 0:39:14 | |
Let's hope one of these answers, at least, will turn out to be pointless | 0:39:14 | 0:39:17 | |
so you can split that prize money between those charities. | 0:39:17 | 0:39:20 | |
OK, your first answer is Ghana. | 0:39:20 | 0:39:23 | |
Now, in all three cases here, | 0:39:23 | 0:39:24 | |
you've given answers in the category of | 0:39:24 | 0:39:26 | |
our top 50 cocoa-producing countries. | 0:39:26 | 0:39:29 | |
Your first answer, I say, was Ghana. | 0:39:29 | 0:39:30 | |
Let's see if it's right. | 0:39:30 | 0:39:31 | |
If it is right, let's see how many of the 100 people said it. | 0:39:31 | 0:39:34 | |
This is for £3,000. | 0:39:34 | 0:39:36 | |
Well, it's right. That was the first thing it had to be. | 0:39:41 | 0:39:44 | |
Ghana takes us down through the 30s into the 20s. | 0:39:44 | 0:39:47 | |
If it goes all the way down to zero, you leave here with £3,000... 10. | 0:39:47 | 0:39:50 | |
We stop at 10 with Ghana. | 0:39:50 | 0:39:52 | |
APPLAUSE | 0:39:52 | 0:39:53 | |
10 people got Ghana. | 0:39:53 | 0:39:56 | |
Ooh, it's exciting. That was right. | 0:39:56 | 0:39:58 | |
Your next answer was Bolivia. | 0:39:58 | 0:40:01 | |
Bolivia. You quibbled a bit over whether to include Bolivia | 0:40:01 | 0:40:04 | |
-in your final three. -Just a little bit. | 0:40:04 | 0:40:06 | |
But there it is, nonetheless. Let's find out. | 0:40:06 | 0:40:09 | |
Again, we're looking for the world's 50 top cocoa-producing countries. | 0:40:09 | 0:40:12 | |
If this is right and if it is pointless, | 0:40:12 | 0:40:14 | |
it will win you £3,000 for your chosen charities. | 0:40:14 | 0:40:16 | |
How many people said Bolivia? | 0:40:16 | 0:40:18 | |
It's right. | 0:40:20 | 0:40:22 | |
Well, your first answer was Ghana | 0:40:22 | 0:40:24 | |
and that took us all the way down to 10. | 0:40:24 | 0:40:26 | |
Bolivia takes us down through the 20s, into the teens. | 0:40:26 | 0:40:29 | |
Down it goes. It passes 10. | 0:40:29 | 0:40:31 | |
Still going down. Still going down! | 0:40:31 | 0:40:32 | |
3! 3 for Bolivia. | 0:40:32 | 0:40:34 | |
APPLAUSE | 0:40:34 | 0:40:37 | |
We're moving in the right direction. Two correct answers so far. | 0:40:39 | 0:40:42 | |
You only have one more chance to win today's jackpot. | 0:40:42 | 0:40:45 | |
Your third and final answer is Equatorial Guinea. | 0:40:45 | 0:40:48 | |
It's a wonderful answer, so often a pointless answer on this show. | 0:40:48 | 0:40:52 | |
THEY LAUGH | 0:40:52 | 0:40:53 | |
In this category, though, | 0:40:53 | 0:40:55 | |
the world's top 50 cocoa-producing countries, | 0:40:55 | 0:40:57 | |
is Equatorial Guinea going to be correct and is it pointless? | 0:40:57 | 0:41:00 | |
If it's both of those things, | 0:41:00 | 0:41:01 | |
it wins £3,000 for your chosen charities. | 0:41:01 | 0:41:03 | |
Let's find out how many people said Equatorial Guinea. Is it pointless? | 0:41:03 | 0:41:06 | |
It's right! | 0:41:08 | 0:41:09 | |
-Oh, well done. Well done. -Equatorial Guinea is right. | 0:41:09 | 0:41:12 | |
Ghana was right, took us down to 10. | 0:41:12 | 0:41:13 | |
Bolivia was right, took us down to 3. | 0:41:13 | 0:41:15 | |
Equatorial Guinea now takes us down through the teens. | 0:41:15 | 0:41:17 | |
It passes 10. Down we go through the single figures. It passes 3. | 0:41:17 | 0:41:20 | |
It's done it! | 0:41:20 | 0:41:22 | |
CHEERING AND APPLAUSE Very well done indeed. | 0:41:22 | 0:41:25 | |
-Oh, thank you! -Very well done. | 0:41:25 | 0:41:28 | |
What about that? | 0:41:31 | 0:41:32 | |
Not only have you given us a pointless answer, | 0:41:32 | 0:41:35 | |
not only have you given us | 0:41:35 | 0:41:37 | |
the tightest and most exciting head-to-head round in recent memory, | 0:41:37 | 0:41:41 | |
you get to take home that jackpot of £3,000 for your charities, | 0:41:41 | 0:41:43 | |
so very well done, indeed. | 0:41:43 | 0:41:45 | |
Robin and Kate! APPLAUSE | 0:41:45 | 0:41:47 | |
That's exactly the way we like to end a show. | 0:41:51 | 0:41:53 | |
The 41st most cocoa-producing country in the world, | 0:41:53 | 0:41:56 | |
Equatorial Guinea. | 0:41:56 | 0:41:57 | |
Congratulations to them, as well as to you. | 0:41:57 | 0:42:00 | |
Let's look at the pointless answers in all the different categories. | 0:42:00 | 0:42:03 | |
We'll start with the cast of Chocolat. | 0:42:03 | 0:42:05 | |
Every single member of this cast is pointless apart from | 0:42:05 | 0:42:08 | |
Johnny Depp, Juliette Binoche, Judi Dench and Alfred Molina. | 0:42:08 | 0:42:11 | |
Everyone else was a pointless answer. | 0:42:11 | 0:42:13 | |
Go on to Hot Chocolate singles. | 0:42:13 | 0:42:16 | |
Heaven Is In The Back Seat Of My Cadillac - | 0:42:19 | 0:42:22 | |
-later disproven! -LAUGHTER | 0:42:22 | 0:42:24 | |
You Could've Been A Lady, | 0:42:24 | 0:42:26 | |
also Disco Queen, Don't Stop It Now, | 0:42:26 | 0:42:28 | |
I Believe In Love, I Gave You My Heart, Didn't I? | 0:42:28 | 0:42:30 | |
And I'll Put You Together Again. All of those were pointless answers. | 0:42:30 | 0:42:33 | |
And the cocoa-producing countries, lots of answers here. | 0:42:33 | 0:42:36 | |
Guinea-Bissau not one of them. | 0:42:36 | 0:42:37 | |
-Oh, Guinea-Bissau! -Oh! | 0:42:37 | 0:42:40 | |
Cameroon, the fifth biggest producer. | 0:42:40 | 0:42:42 | |
Dominican Republic, Uganda. | 0:42:42 | 0:42:43 | |
Vanuatu, an old Pointless favourite. | 0:42:43 | 0:42:45 | |
The Democratic Republic of the Congo, | 0:42:45 | 0:42:47 | |
El Salvador, Gabon, Grenada, Guinea, | 0:42:47 | 0:42:49 | |
Guyana, Haiti, Liberia, Malaysia, Philippines, | 0:42:49 | 0:42:52 | |
Saint Vincent and the Grenadines, Samoa, Sao Tome and Principe, | 0:42:52 | 0:42:55 | |
Solomon Islands, Sri Lanka, Thailand and Timor-Leste, | 0:42:55 | 0:42:58 | |
all pointless answers. | 0:42:58 | 0:42:59 | |
Very well done if you said any of those at home. | 0:42:59 | 0:43:01 | |
and congratulations in the studio, terrific show and terrific finish. | 0:43:01 | 0:43:04 | |
-Thank you. -Thanks very much indeed, Richard. | 0:43:04 | 0:43:06 | |
And thanks once again to our winning players, Robin and Kate, | 0:43:06 | 0:43:08 | |
who go away with our jackpot of £3,000 for their charities. | 0:43:08 | 0:43:11 | |
Absolutely brilliant. APPLAUSE | 0:43:11 | 0:43:13 | |
Join us next time, when we'll be putting | 0:43:15 | 0:43:16 | |
more obscure knowledge to the test on Pointless. | 0:43:16 | 0:43:19 | |
-Meanwhile, it's goodbye from Richard. -Goodbye. | 0:43:19 | 0:43:21 | |
And it's goodbye from me. Goodbye. | 0:43:21 | 0:43:23 |