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APPLAUSE Thank you very much indeed. | 0:00:22 | 0:00:24 | |
Hello, I'm Alexander Armstrong, | 0:00:24 | 0:00:26 | |
and a very warm welcome to Pointless Celebrities, | 0:00:26 | 0:00:28 | |
the quiz show where the aim of the game is to score as few | 0:00:28 | 0:00:30 | |
points as you can, and you do | 0:00:30 | 0:00:31 | |
that by coming up with the answers no-one else could think of. | 0:00:31 | 0:00:34 | |
Let meet today's Pointless Celebrities. | 0:00:34 | 0:00:35 | |
And couple number one. | 0:00:40 | 0:00:42 | |
My name is Ellie Taylor, and I'm a stand-up comedian. | 0:00:42 | 0:00:44 | |
My name is Milton Jones, and I'm still a fashion icon. | 0:00:44 | 0:00:48 | |
LAUGHTER AND APPLAUSE | 0:00:48 | 0:00:52 | |
Couple number two. | 0:00:52 | 0:00:54 | |
Hello, my name is Tommi Miers, and I'm co-founder of Oaxaca. | 0:00:54 | 0:00:57 | |
And I'm Jay Rayner. | 0:00:57 | 0:00:58 | |
Despite my slender frame, I'm a restaurant critic and a broadcaster. | 0:00:58 | 0:01:02 | |
APPLAUSE | 0:01:02 | 0:01:06 | |
Couple number three. | 0:01:06 | 0:01:08 | |
Hello, I'm Sarah, I'm a writer and comedian. | 0:01:08 | 0:01:11 | |
Hi, I'm Paul Martin, I'm a TV presenter and I love antiques. | 0:01:11 | 0:01:14 | |
APPLAUSE | 0:01:14 | 0:01:19 | |
-And finally, couple number four. -Hi there, I'm Sam Nixon. | 0:01:19 | 0:01:22 | |
I'm the Sam half of the CBBC presenting duo Sam and Mark. | 0:01:22 | 0:01:26 | |
Hello, I'm Mark Rhodes. | 0:01:26 | 0:01:27 | |
I'm the other half of the presenting duo Sam and Mark. | 0:01:27 | 0:01:30 | |
I also work on CBBC. | 0:01:30 | 0:01:31 | |
LAUGHTER AND APPLAUSE | 0:01:31 | 0:01:33 | |
Thank you very much all of you, a very warm welcome to Pointless. | 0:01:33 | 0:01:36 | |
It's lovely to have you here. We'll get to chat throughout the show | 0:01:36 | 0:01:38 | |
as it goes along, of course. | 0:01:38 | 0:01:39 | |
So that just leaves one more person for me to introduce. | 0:01:39 | 0:01:42 | |
He's like a human encyclopaedia, | 0:01:42 | 0:01:44 | |
and, yes, some of his parts are better thumbed than others. | 0:01:44 | 0:01:46 | |
It's my Pointless friend, it's Richard. | 0:01:46 | 0:01:49 | |
Hiya. Hey, everybody. Hiya. Evening. | 0:01:49 | 0:01:53 | |
-Good evening to you. -Good evening. -Oh, this is lovely. | 0:01:53 | 0:01:56 | |
-What a nice bunch of guests. -I know! | 0:01:56 | 0:01:58 | |
-It's like a perfect dinner party for us, isn't it? -Ah. | 0:01:58 | 0:02:01 | |
Tommi can do the cooking, Jay can tut about the cooking. | 0:02:01 | 0:02:04 | |
Sam and Mark can have a little table by themselves right at the end. | 0:02:04 | 0:02:08 | |
So they don't disturb the adults, I think, is the key. | 0:02:08 | 0:02:11 | |
We have Pointless royalty with us today, Sara Pascoe, | 0:02:11 | 0:02:13 | |
who has won Pointless before with Josh Widdecombe | 0:02:13 | 0:02:15 | |
and won the jackpot as well, so very, very impressive. | 0:02:15 | 0:02:18 | |
Yeah, thank you. Thank you. | 0:02:18 | 0:02:20 | |
APPLAUSE | 0:02:20 | 0:02:22 | |
Absolutely no pressure there, Paul. | 0:02:22 | 0:02:24 | |
Lovely to have Paul here as well. Because, Paul, | 0:02:24 | 0:02:26 | |
you often hand over to us from Flog It! to Pointless | 0:02:26 | 0:02:29 | |
during the day as well, so lovely to have you here in person as well. | 0:02:29 | 0:02:32 | |
-It should be fun, shouldn't it? -Well, it should be. -It should be. | 0:02:32 | 0:02:35 | |
Listen, it might not be. | 0:02:35 | 0:02:36 | |
-Sometimes it's not. -I'd be surprised. | 0:02:36 | 0:02:38 | |
Sometimes it's not. Sometimes Jedward come on | 0:02:38 | 0:02:40 | |
and it becomes difficult. Sometimes it's not. | 0:02:40 | 0:02:42 | |
You know, but this, I think, should be easy. | 0:02:42 | 0:02:44 | |
I can't see who's going to cause trouble. | 0:02:44 | 0:02:46 | |
No, I think it will be absolutely fine. | 0:02:46 | 0:02:47 | |
Richard, thank you very much. Now, as usual, | 0:02:47 | 0:02:49 | |
today's questions have been put to 100 people before the show. | 0:02:49 | 0:02:52 | |
Our contestants are looking for those all-important pointless | 0:02:52 | 0:02:54 | |
answers, these are answers that none of our 100 people gave. | 0:02:54 | 0:02:57 | |
Find one of those, and we will add to £250 to the jackpot. | 0:02:57 | 0:03:00 | |
Now, as today's show is a celebrity special and | 0:03:00 | 0:03:02 | |
all of our celebrities here are playing for a nominated charity, | 0:03:02 | 0:03:04 | |
we start off with a rather larger jackpot than usual. | 0:03:04 | 0:03:07 | |
There's a jackpot of £2,500. There we are. | 0:03:07 | 0:03:10 | |
Right, if everyone's ready, let's play Pointless. | 0:03:12 | 0:03:15 | |
So, just to remind you, the pair with the highest | 0:03:18 | 0:03:21 | |
score at the end of each round will be eliminated. | 0:03:21 | 0:03:23 | |
So just score as low as you possibly can and everything will be fine. | 0:03:23 | 0:03:27 | |
Best of luck to all four pairs. Our first category this evening is... | 0:03:27 | 0:03:31 | |
Can you all decide in your pairs who's going to go first, | 0:03:33 | 0:03:35 | |
who's going to go second? | 0:03:35 | 0:03:37 | |
And whoever's going first, please step up to the podium. | 0:03:37 | 0:03:40 | |
OK, let's find out what the question is. Here it comes. | 0:03:42 | 0:03:44 | |
We gave 100 people 100 seconds to name as many... | 0:03:44 | 0:03:48 | |
..as they could. | 0:03:51 | 0:03:52 | |
Mm. Richard? | 0:03:54 | 0:03:55 | |
Yep, we're looking for any of the 69 officially designated | 0:03:55 | 0:03:58 | |
cities of the UK that are south of York, please. | 0:03:58 | 0:04:01 | |
Any of them south of York. | 0:04:01 | 0:04:02 | |
Good question for someone, say, who is a comedian, who does | 0:04:02 | 0:04:05 | |
a lot of touring, or for somebody presenting an antiques show | 0:04:05 | 0:04:07 | |
that goes from city to city literally all year round. | 0:04:07 | 0:04:10 | |
-Mm. -I would've thought. -Mm. | 0:04:10 | 0:04:13 | |
Thanks very much indeed. | 0:04:13 | 0:04:14 | |
Now, Ellie, welcome to Pointless, | 0:04:14 | 0:04:16 | |
-lovely to have you here. -Thank you very much. | 0:04:16 | 0:04:18 | |
Now then, Ellie, I read... I read somewhere that... | 0:04:18 | 0:04:22 | |
Ellie is a comedian. Ellie decided to become a comedian | 0:04:22 | 0:04:25 | |
after watching a friend do a five-minute set. | 0:04:25 | 0:04:27 | |
I did, yeah. I saw one of my friends do it and I thought, | 0:04:27 | 0:04:29 | |
"I'm quite similar to you, I reckon I can have a crack at that." | 0:04:29 | 0:04:31 | |
-"So I did. -"I reckon I could do better than that." | 0:04:31 | 0:04:33 | |
-Presumably somewhere is what you were thinking. -Yeah. -Still a friend? | 0:04:33 | 0:04:36 | |
Yes, yes. I don't think she knows she was the one who inspired me, | 0:04:36 | 0:04:39 | |
actually. So I should probably... | 0:04:39 | 0:04:41 | |
-She knows you're a comedian now, though? -She knows. I hope she knows. | 0:04:41 | 0:04:44 | |
-Maybe she put two... Maybe she doesn't. -She better know. | 0:04:44 | 0:04:46 | |
"Why is Ellie always on stage? It's just really odd." | 0:04:46 | 0:04:49 | |
-Ellie, you're doing a show at the moment called Infidelliety. -Yes. | 0:04:49 | 0:04:52 | |
Infidelliety, so it's all about being married | 0:04:52 | 0:04:54 | |
and wishing I had slept with more people. | 0:04:54 | 0:04:56 | |
-LAUGHTER -Husband's delighted, guys! | 0:04:56 | 0:04:59 | |
I was going to say... How many times has he seen it? | 0:04:59 | 0:05:02 | |
Many. I change it every time. | 0:05:02 | 0:05:04 | |
It's just all about love and romance when he comes to see it. | 0:05:04 | 0:05:06 | |
-Oh, that's nice. Does he ever sneak in unannounced? -No, he hasn't... | 0:05:06 | 0:05:09 | |
-Well, not that I know! -Oh. | 0:05:09 | 0:05:11 | |
And he hasn't divorced me, so it must be going all right so far. | 0:05:11 | 0:05:14 | |
There you go. Ellie, we are looking for cities south of York. | 0:05:14 | 0:05:17 | |
I went to university in York, so I'm desperately trying to | 0:05:17 | 0:05:20 | |
think of the train journey up there. | 0:05:20 | 0:05:22 | |
I'm going to have to go for a reasonably obvious one because | 0:05:22 | 0:05:25 | |
I just cannot think of a clever one, | 0:05:25 | 0:05:27 | |
so I'm just going to say Manchester. | 0:05:27 | 0:05:31 | |
Manchester, says Ellie. | 0:05:32 | 0:05:33 | |
Let's see how many of our 100 people said Manchester. | 0:05:33 | 0:05:36 | |
It's right. It's still going down. | 0:05:39 | 0:05:43 | |
-Look at that, until going down. 33. -Not bad. -Not bad. | 0:05:43 | 0:05:46 | |
Good start to the show, Ellie. 33 for Manchester. | 0:05:46 | 0:05:49 | |
-Yeah, Manchester, it's a city in the UK south of York. -Mm. -Yeah. | 0:05:51 | 0:05:55 | |
LAUGHTER | 0:05:55 | 0:05:57 | |
Home of Manchester City. | 0:05:57 | 0:05:59 | |
-XANDER LAUGHS There we are. Thank you. -Pleasure. | 0:05:59 | 0:06:01 | |
Thank you very much indeed, Richard. Now... Oh, Thomasina, | 0:06:01 | 0:06:04 | |
-welcome to Pointless. Lovely to have you here. -Thank you. | 0:06:04 | 0:06:07 | |
Now, you won MasterChef back in the mists of time. | 0:06:07 | 0:06:10 | |
When was that, 200...? | 0:06:10 | 0:06:11 | |
-2005. -2005. -Yes. -You won MasterChef. -Yes. | 0:06:11 | 0:06:15 | |
And then Oaxaca. | 0:06:15 | 0:06:18 | |
-Yes. -It's been so enormously successful. | 0:06:18 | 0:06:20 | |
Yeah, well, Mexican, you know. A bit of Mexican, kind of fun, | 0:06:20 | 0:06:23 | |
-flavourful, tasty. -Yeah. -Yeah, sexy. | 0:06:23 | 0:06:26 | |
You're selling it, you're selling it! | 0:06:26 | 0:06:28 | |
Would Oaxaca have happened without MasterChef? | 0:06:28 | 0:06:30 | |
-Yes, presumably? -I don't know what would've happened. | 0:06:30 | 0:06:32 | |
I mean, I've been to Mexico, loved it, but I was writing as well. | 0:06:32 | 0:06:36 | |
I still write. I kind of write recipes and books. | 0:06:36 | 0:06:38 | |
So I still do all that. | 0:06:38 | 0:06:39 | |
I think about MasterChef, they might not have given me | 0:06:39 | 0:06:42 | |
-the confidence to go forth into restaurants. -The oomph. | 0:06:42 | 0:06:44 | |
Quite right. So, presumably, | 0:06:44 | 0:06:46 | |
you're always having to go back to Mexico, to find fresh ideas. | 0:06:46 | 0:06:49 | |
Yeah, I go to Mexico a lot, which is obviously tough. | 0:06:49 | 0:06:51 | |
That is tough, yeah. And it's work as well. | 0:06:51 | 0:06:54 | |
Yeah, and we take quite a lot of our staff with us, | 0:06:54 | 0:06:57 | |
so that's really tough. | 0:06:57 | 0:06:58 | |
And you have to eat out a lot, actually. | 0:06:58 | 0:07:00 | |
Yeah, the tequila, the mescal, you know. | 0:07:00 | 0:07:02 | |
-Well, it's important, you've got to sample all of this. -Yeah, exactly. | 0:07:02 | 0:07:05 | |
-Yeah. -Now, Thomasina, 33 is our only score at this point. | 0:07:05 | 0:07:10 | |
What would you like to go for? City south of York. | 0:07:10 | 0:07:14 | |
-Is Brighton a city? -Shall we find out? -Yes. | 0:07:14 | 0:07:17 | |
Thomasina says Brighton. | 0:07:17 | 0:07:19 | |
Let's see how many of our 100 people said Brighton. | 0:07:19 | 0:07:22 | |
It's right, it is a city. | 0:07:23 | 0:07:24 | |
33 is what we have on the board at the moment. | 0:07:24 | 0:07:27 | |
Brighton takes whizzing past 33, all the way down to 18. | 0:07:27 | 0:07:30 | |
Very well done indeed, Tommi. | 0:07:30 | 0:07:31 | |
18 for Brighton. | 0:07:34 | 0:07:35 | |
Yeah, officially Brighton and Hope, but we'll take Brighton. | 0:07:36 | 0:07:39 | |
-That's really, really a long way south of York. -It is. | 0:07:39 | 0:07:42 | |
Paul, welcome to Pointless. Lovely to have you here. | 0:07:42 | 0:07:45 | |
As Richard said, we watch you all the time | 0:07:45 | 0:07:48 | |
-because you're on the telly as we come in. -I'm... | 0:07:48 | 0:07:50 | |
For us you are, every day of the week. | 0:07:50 | 0:07:53 | |
How did it all begin with you with antiques? | 0:07:53 | 0:07:56 | |
Oh, about 16 years ago, sitting in my antiques shop, yeah. | 0:07:56 | 0:07:59 | |
Did a television person come in and say...? | 0:07:59 | 0:08:02 | |
A researcher walked in, took a few photographs, recorded me, | 0:08:02 | 0:08:06 | |
you know, on a little tiny camcorder, dumped the tape down | 0:08:06 | 0:08:10 | |
on the controller's desk, and within two weeks, I had a phone call. | 0:08:10 | 0:08:13 | |
-And you've never looked at. -I've ever looked back. | 0:08:13 | 0:08:15 | |
We've made 1,000 shows now. | 0:08:15 | 0:08:17 | |
-1,000 Flog Its! -Yes. -What about that?! Oh, it's great, fun show. | 0:08:17 | 0:08:20 | |
You can tell just by looking at the schedules how much people | 0:08:20 | 0:08:22 | |
love watching antiques shows. Fantastic. | 0:08:22 | 0:08:25 | |
And what are you up to at the moment? | 0:08:25 | 0:08:26 | |
Still filming Flog It! I've been doing Countryfile Diaries this year. | 0:08:26 | 0:08:29 | |
And a brand-new show called Street Auction. | 0:08:29 | 0:08:32 | |
Now, what happens in Street Auction? | 0:08:32 | 0:08:34 | |
It's all about helping people that have fallen on hard times, | 0:08:34 | 0:08:38 | |
people that have a disability, they have no money, | 0:08:38 | 0:08:40 | |
we're there to help them. | 0:08:40 | 0:08:41 | |
We're raising money by selling everything we can, | 0:08:41 | 0:08:43 | |
-that everybody donates from the street. -Brilliant. | 0:08:43 | 0:08:46 | |
-It's a brilliant show. -Good luck with that. | 0:08:46 | 0:08:48 | |
Now, Paul, cities south of York. This, as Richard says, should be... | 0:08:48 | 0:08:51 | |
OK, I'm going to go as far south and southwest as possible and say Truro. | 0:08:51 | 0:08:55 | |
Truro, says Paul. What about that? | 0:08:55 | 0:08:57 | |
Let's see how many of our 100 people said Truro. | 0:08:57 | 0:09:00 | |
It's right. 33, still the high score. | 0:09:02 | 0:09:05 | |
18 is the low. We pass 33. | 0:09:05 | 0:09:06 | |
We past 18 down to 7. | 0:09:06 | 0:09:08 | |
Look at that! Very well done indeed, Paul. | 0:09:08 | 0:09:10 | |
Yeah, well played, Paul. I bet you've filmed in Truro, haven't you? | 0:09:15 | 0:09:18 | |
-I have. -Course you have. | 0:09:18 | 0:09:19 | |
I was brought up down there. | 0:09:19 | 0:09:21 | |
-Oh, were you? -In Falmouth. | 0:09:21 | 0:09:22 | |
It's the only city in Cornwall, Truro. Been a city since 1877. | 0:09:22 | 0:09:25 | |
-Oh, good for them. -I know. -That is good. -Yeah. | 0:09:25 | 0:09:28 | |
I think it's going to stay a city. | 0:09:28 | 0:09:30 | |
I don't know what they'd have to do to get that taken away from them, | 0:09:30 | 0:09:32 | |
-but I imagine they'll be fine. -Wow. | 0:09:32 | 0:09:34 | |
What...? Has a city ever had its status taken away? No. | 0:09:34 | 0:09:37 | |
Oh, yeah, all sorts of places. Yeah. Just if you cause trouble. | 0:09:37 | 0:09:40 | |
LAUGHTER If you cause trouble... | 0:09:40 | 0:09:43 | |
-Thanks very much, Richard. Mark. Mark. -Hello. | 0:09:43 | 0:09:46 | |
Welcome back to Pointless. | 0:09:46 | 0:09:48 | |
-Now, Mark, you and Sam, famously, you met on Pop Idol. -Yes. | 0:09:48 | 0:09:51 | |
How far into the show did you realise that you had met | 0:09:51 | 0:09:55 | |
a great friend? | 0:09:55 | 0:09:56 | |
-Uh... -Too early. -Too early. | 0:09:56 | 0:09:59 | |
Well, we actually met in the final 100 stage, | 0:09:59 | 0:10:01 | |
and I made a really, really | 0:10:01 | 0:10:03 | |
bad joke, and he laughed, and I thought, "Oh, will you be my mate?" | 0:10:03 | 0:10:06 | |
And he's stayed with me ever sent. | 0:10:06 | 0:10:08 | |
And it was just by coincidence that we came second and third. | 0:10:08 | 0:10:11 | |
-Have you ever let Sam forget you came second, he came third? -No! | 0:10:11 | 0:10:14 | |
-No, no. -Seriously, he hasn't. | 0:10:14 | 0:10:15 | |
-I haven't. -I mean, I can't... | 0:10:15 | 0:10:18 | |
I'm struggling to think of any other reality show friendship. | 0:10:18 | 0:10:21 | |
I mean, the rivalry has got to quite sort of... Hasn't it? | 0:10:21 | 0:10:24 | |
He's very competitive, especially today, | 0:10:24 | 0:10:27 | |
and I'm worried. I'm not very good at quizzes, so... | 0:10:27 | 0:10:30 | |
I'm worried that he's going to, like, disown me after this. | 0:10:30 | 0:10:32 | |
-It could happen. -LAUGHTER | 0:10:32 | 0:10:35 | |
Mark, how are you feeling about cities? | 0:10:35 | 0:10:37 | |
-UK cities. -I think there is only one city that I could possibly go for, | 0:10:37 | 0:10:42 | |
and if I didn't go for it, then I'd... | 0:10:42 | 0:10:44 | |
Well, my dad'd have a word with me. | 0:10:44 | 0:10:46 | |
So it's Wolverhampton. | 0:10:46 | 0:10:47 | |
Wolverhampton, says Mark. Wolverhampton. | 0:10:47 | 0:10:49 | |
Let's see how many over 100 people... | 0:10:49 | 0:10:51 | |
Gasp from the audience! | 0:10:51 | 0:10:53 | |
I hope it is! | 0:10:53 | 0:10:55 | |
Is it right? How many people said it? | 0:10:55 | 0:10:57 | |
It is right. | 0:10:59 | 0:11:00 | |
Well, 33 still the high score, 7 now our low. | 0:11:00 | 0:11:03 | |
We pass 33. | 0:11:03 | 0:11:05 | |
Oh, we'll be passing 7 as well. | 0:11:05 | 0:11:06 | |
Look at that! | 0:11:08 | 0:11:09 | |
Wolverhampton does you proud, 3. | 0:11:09 | 0:11:11 | |
Lowest score so far, Mark, very well done. | 0:11:11 | 0:11:13 | |
Yeah, well played, Mark. It's been a city since 2000, Wolverhampton. | 0:11:14 | 0:11:18 | |
And the pride at getting such a low score, I hope, is counterbalanced by | 0:11:18 | 0:11:21 | |
the lack of pride at Wolverhampton getting such a low score. | 0:11:21 | 0:11:23 | |
Absolutely. Absolutely. | 0:11:23 | 0:11:25 | |
What are you, half as famous as Truro? What's that about? | 0:11:25 | 0:11:28 | |
I'm kind of sad about it. | 0:11:28 | 0:11:30 | |
Well, we're halfway through the round. Let's look at the scores. | 0:11:30 | 0:11:33 | |
3 the best score of the pass, Mark. Very well done indeed. | 0:11:33 | 0:11:35 | |
Then 7. Equally well done to you, Paul. | 0:11:35 | 0:11:37 | |
Paul and Sara are looking very strong. | 0:11:37 | 0:11:39 | |
Then up to 18, where we find Tommi and Jay. | 0:11:39 | 0:11:41 | |
And then 33, Ellie and Milton. | 0:11:41 | 0:11:43 | |
Locally, Milton, I know you've got a brilliant city up your sleeve. | 0:11:43 | 0:11:47 | |
Let's hope no-one else gets it before we come to you | 0:11:47 | 0:11:49 | |
and maybe it'll keep you in the game. Good luck. | 0:11:49 | 0:11:51 | |
We come back down the line now, | 0:11:51 | 0:11:53 | |
can the second players please step up to the podium? | 0:11:53 | 0:11:56 | |
Sam, welcome to Pointless again. | 0:11:58 | 0:12:00 | |
Remember, we're looking for any city in the UK south of York. | 0:12:00 | 0:12:03 | |
-Now, Sam. -Yup? -You're always Sam and Mark, aren't you? -Yes. | 0:12:03 | 0:12:08 | |
-So, that was awkward when I was stood over there... -Yeah. | 0:12:08 | 0:12:11 | |
You always have that, that's your Sam mark and your Mark mark! | 0:12:11 | 0:12:14 | |
Does that mean it's always S&M, not... | 0:12:14 | 0:12:18 | |
LAUGHTER | 0:12:18 | 0:12:19 | |
-Not M&S! -Not M&S! | 0:12:19 | 0:12:22 | |
Although it's possible to be both, I dare say. | 0:12:22 | 0:12:25 | |
APPLAUSE | 0:12:25 | 0:12:27 | |
Oh, fabulous. | 0:12:27 | 0:12:29 | |
Well... LAUGHTER | 0:12:29 | 0:12:30 | |
What are you up to at the moment, Sam? | 0:12:30 | 0:12:32 | |
So, Mark and I present a show on CBBC | 0:12:32 | 0:12:35 | |
called Sam and Mark's Big Friday Wind Up, | 0:12:35 | 0:12:38 | |
which is in its sixth series, which is amazing. | 0:12:38 | 0:12:41 | |
So, yeah, we're filming that, which is a nice, big, | 0:12:41 | 0:12:44 | |
family sort of entertainment show for CBBC, which we love. | 0:12:44 | 0:12:47 | |
Very good, and that's done with a big live audience, is it? | 0:12:47 | 0:12:49 | |
Yes, it is, yeah. | 0:12:49 | 0:12:50 | |
It's the sort of maximum amount of time you can keep | 0:12:50 | 0:12:53 | |
that sort of age group in a contained space before... | 0:12:53 | 0:12:55 | |
Thankfully, we have a family audience, so the mums | 0:12:55 | 0:12:57 | |
-and dads are there as well, so they get to keep the kids, like... -Phew! | 0:12:57 | 0:13:00 | |
To be fair, I think it's the adults that are ready to leave by the end. | 0:13:00 | 0:13:03 | |
I was just thinking, the anarchy that must... | 0:13:03 | 0:13:05 | |
There must be a point, after about an hour and a half, | 0:13:05 | 0:13:07 | |
where you think it's going to kick off! | 0:13:07 | 0:13:09 | |
And also, on that show, we wind up members of the audience quite | 0:13:09 | 0:13:13 | |
a lot, so I think they're constantly on the edge of their seats, | 0:13:13 | 0:13:16 | |
-worrying that we're going to come to them at any point. -Oh, fabulous. | 0:13:16 | 0:13:20 | |
Sam, you're on three, brilliant low score from Mark. | 0:13:20 | 0:13:22 | |
If you can score 29 or less with this answer, | 0:13:22 | 0:13:25 | |
you won't even be the high-scorers. | 0:13:25 | 0:13:27 | |
I'm doing that thing where I'm worrying | 0:13:27 | 0:13:29 | |
-whether they're cities or towns. -Yeah. | 0:13:29 | 0:13:32 | |
Um, so, I'm going to go for one I think is a city, | 0:13:32 | 0:13:35 | |
I hope it's a low score, I'm going to go Hull. | 0:13:35 | 0:13:37 | |
-Hull, says Sam. -Yeah. | 0:13:37 | 0:13:40 | |
That was great, every head turned to me as one! Hull, shall we find out? | 0:13:40 | 0:13:43 | |
Here is your red line, if you get below that with Hull, | 0:13:43 | 0:13:45 | |
you are through to Round Two. | 0:13:45 | 0:13:47 | |
Let's see how many of our 100 people said Hull. | 0:13:47 | 0:13:49 | |
It's right. | 0:13:52 | 0:13:53 | |
Look at that, Sam, fantastic. | 0:13:56 | 0:13:58 | |
Down to 4. | 0:13:58 | 0:14:00 | |
Taking your total up to 7. | 0:14:00 | 0:14:03 | |
-That's all right. -All right, I'll take that, I'll take that. | 0:14:03 | 0:14:07 | |
Yeah, terrific answer. | 0:14:07 | 0:14:08 | |
I mean, listen, it's no Wolverhampton, | 0:14:08 | 0:14:10 | |
but it's a good answer. | 0:14:10 | 0:14:11 | |
That's a risky one, Hull, I think, in terms of being north or... | 0:14:11 | 0:14:14 | |
I wouldn't have liked to have called if it was north or south of York. | 0:14:14 | 0:14:17 | |
-But it's south. -It's south. -That's the good news here. | 0:14:17 | 0:14:20 | |
Thank you very much indeed, Richard. Now, Sara. | 0:14:20 | 0:14:22 | |
-Hello! -Now, listen, you're touring a book at the moment? | 0:14:22 | 0:14:25 | |
-I'm touring a show. -Yeah? | 0:14:25 | 0:14:27 | |
I wrote a book, which I sell at the end of the shows. | 0:14:27 | 0:14:30 | |
Touring a book sounds like, "Look what I did!" | 0:14:30 | 0:14:32 | |
I just read you are touring a book. | 0:14:32 | 0:14:34 | |
But the book is called The Autobiography of the Female Body? | 0:14:34 | 0:14:37 | |
-Yes. -And the show is also called that, is it? | 0:14:37 | 0:14:39 | |
-The show's called Animal, so the book's called Animal. -I see, right. | 0:14:39 | 0:14:42 | |
-It's different material, but... -I see. -..complimentary. | 0:14:42 | 0:14:45 | |
Complimentary, but it sort of satisfies | 0:14:45 | 0:14:47 | |
the publishers at the same time as being a tour? | 0:14:47 | 0:14:49 | |
-Yeah. -That's nice. -Got to keep those guys happy... | 0:14:49 | 0:14:51 | |
-Got to keep them happy! -..if you want to do another one. | 0:14:51 | 0:14:54 | |
What would you like to go for? 7 is your score at the moment. | 0:14:54 | 0:14:56 | |
Everyone's doing really well, and at stand-up, actually, | 0:14:56 | 0:14:59 | |
I often make the mistake at gigs of saying, | 0:14:59 | 0:15:01 | |
"I've never been here before, what a lovely town," | 0:15:01 | 0:15:03 | |
and some passive-aggressive 50-year-old goes, "City!" | 0:15:03 | 0:15:06 | |
So, actually, I've got a choice of a few, I think, that people | 0:15:06 | 0:15:10 | |
don't know they're cities, but I'm going to go for Peterborough. | 0:15:10 | 0:15:13 | |
-Peterborough. -Yes. -Yeah, I think you know the answer to this. | 0:15:13 | 0:15:17 | |
Or do you not? Or maybe? | 0:15:17 | 0:15:18 | |
The trouble is, if you have too long to think, | 0:15:18 | 0:15:20 | |
-you start to doubt yourself. -Let's doubt no more. | 0:15:20 | 0:15:23 | |
There is your red line, get below that with Peterborough, | 0:15:23 | 0:15:25 | |
-you're into Round Two. -Come on! | 0:15:25 | 0:15:26 | |
How many of our 100 people said Peterborough? | 0:15:26 | 0:15:29 | |
It's right. | 0:15:31 | 0:15:33 | |
I have a very good feeling about Peterborough. | 0:15:33 | 0:15:35 | |
Absolutely, there it goes, | 0:15:35 | 0:15:37 | |
down to 6, very well done indeed. | 0:15:37 | 0:15:40 | |
13 is your total. | 0:15:40 | 0:15:41 | |
Yeah, two facts about Peterborough that I know. | 0:15:47 | 0:15:49 | |
Firstly, Catherine of Aragon is buried in Peterborough Cathedral. | 0:15:49 | 0:15:52 | |
And secondly, it is twice as popular as Wolverhampton. | 0:15:52 | 0:15:56 | |
LAUGHTER Thank you very much indeed, Richard. | 0:15:56 | 0:15:59 | |
-Jay, welcome to Pointless. -Lovely to be here. | 0:15:59 | 0:16:03 | |
Lovely to have you here again. | 0:16:03 | 0:16:05 | |
First thing I want to ask you - I read somewhere that you watch | 0:16:05 | 0:16:08 | |
-Pointless when you work out. Is this true? -Yes, I do. | 0:16:08 | 0:16:11 | |
You know, I have a stupid job which involves eating for a living, | 0:16:11 | 0:16:14 | |
so I go to the gym four or five times a week | 0:16:14 | 0:16:16 | |
and I get on the cross trainer at 5:15, | 0:16:16 | 0:16:19 | |
-and then I see if I can make it all the way to the... -No! | 0:16:19 | 0:16:23 | |
You know, it's a good day when I've seen somebody lose. | 0:16:23 | 0:16:26 | |
That's very impressive. We were talking about MasterChef earlier - | 0:16:26 | 0:16:30 | |
occasionally they summon you in as a judge, | 0:16:30 | 0:16:33 | |
where you come in and you have to sit while some of the most | 0:16:33 | 0:16:36 | |
nervous people you've ever seen come and serve food up for you. | 0:16:36 | 0:16:39 | |
I'm going to say you are the bad cop on that one. | 0:16:39 | 0:16:42 | |
I'm harsh, but fair. | 0:16:42 | 0:16:44 | |
You are - I think people always like it | 0:16:44 | 0:16:46 | |
when they get a compliment from you, however slight. | 0:16:46 | 0:16:49 | |
We get a bit tunnel vision. We're there for five or six hours. | 0:16:49 | 0:16:51 | |
Quite a lot of food you have to eat as well, presumably. | 0:16:51 | 0:16:53 | |
-Do you get time to walk it off? -No breakfast, no dinner, | 0:16:53 | 0:16:56 | |
-probably a gym trip before to kind of work it up. -OK. | 0:16:56 | 0:16:58 | |
And then, one of the things is, we do taste it, | 0:16:58 | 0:17:01 | |
but there's always that television thing of, you have to have a knife | 0:17:01 | 0:17:04 | |
and fork going down on an empty plate, and we slightly stunt that. | 0:17:04 | 0:17:07 | |
I see. Anyway, now then, Jay, 18 is your score at the moment, | 0:17:07 | 0:17:11 | |
this is tense, | 0:17:11 | 0:17:14 | |
you have to score 14 or less. | 0:17:14 | 0:17:15 | |
Um, now, similar to Sara, I have been abused for calling cities towns | 0:17:15 | 0:17:21 | |
in my restaurant reviews. | 0:17:21 | 0:17:22 | |
So, I went to review a restaurant in Hereford | 0:17:22 | 0:17:26 | |
and said, "What a fine town," and then e-mails started... | 0:17:26 | 0:17:30 | |
Apparently, it's a city - who knew? Not me. | 0:17:30 | 0:17:33 | |
But I do now, so, Hereford. | 0:17:33 | 0:17:35 | |
Hereford, says Jay. | 0:17:35 | 0:17:36 | |
Well, it looks like we don't have any jeopardy on this one - | 0:17:36 | 0:17:39 | |
we know Hereford is a city. There is your red line, | 0:17:39 | 0:17:41 | |
the question is, will it get below that red line? | 0:17:41 | 0:17:43 | |
How many of our 100 people said Hereford? | 0:17:43 | 0:17:46 | |
It is a city. | 0:17:48 | 0:17:49 | |
You've done it. | 0:17:53 | 0:17:55 | |
Oh, yeah! | 0:17:55 | 0:17:56 | |
APPLAUSE | 0:17:56 | 0:17:59 | |
Very good. Turns out nobody knows Hereford is a city, | 0:17:59 | 0:18:01 | |
that's a pointless answer, that's £250 to today's jackpot, | 0:18:01 | 0:18:04 | |
takes the total up to £2,750, | 0:18:04 | 0:18:07 | |
scores you nothing. | 0:18:07 | 0:18:09 | |
-That weekend of abuse... -LAUGHTER | 0:18:09 | 0:18:10 | |
..from the good people of Hereford was worth it! | 0:18:10 | 0:18:13 | |
-They are lovely people. -They're lovely. | 0:18:13 | 0:18:15 | |
-Just, nobody knows their town is a city. -My favourite people! | 0:18:15 | 0:18:18 | |
Very well played, Jay. | 0:18:18 | 0:18:19 | |
The world's biggest cider producing factory is in Hereford. | 0:18:19 | 0:18:22 | |
Yes, huge cider production in Herefordshire. | 0:18:22 | 0:18:24 | |
-Yes, the world's biggest. -Yeah. LAUGHTER | 0:18:24 | 0:18:27 | |
They have a huge apple - | 0:18:27 | 0:18:28 | |
everyone thinks that Kent is where all of our apples come from... | 0:18:28 | 0:18:31 | |
Oh, the size of the apples in that place... | 0:18:31 | 0:18:33 | |
-No, the apples are small, but... -The apples are, like, this size. | 0:18:33 | 0:18:35 | |
-But the volume... -The size of beach balls! | 0:18:35 | 0:18:37 | |
LAUGHTER | 0:18:37 | 0:18:39 | |
Extraordinary. That's why the factory has to be so big. | 0:18:39 | 0:18:41 | |
You know, get three or four apples in there and it's a crush. | 0:18:41 | 0:18:46 | |
-Yeah, yeah. -Whoo! -There we go. Thank you very much indeed, Richard. | 0:18:46 | 0:18:49 | |
Well, it comes to this point... | 0:18:49 | 0:18:51 | |
Oh, Milton, I can't bear this. Don't like this. | 0:18:51 | 0:18:54 | |
-I'm so sorry. -You are our high-scorers. | 0:18:54 | 0:18:57 | |
You haven't given an answer yet, I... | 0:18:57 | 0:18:59 | |
-Unless you got a minus score. -Yeah, I have. | 0:18:59 | 0:19:02 | |
If anybody could, if anyone could, Milton... | 0:19:02 | 0:19:05 | |
-Johannesburg? -..it would be you. | 0:19:05 | 0:19:08 | |
Don't, he'll take it, don't! | 0:19:08 | 0:19:11 | |
-See, Milton, you have... Cos you are Milton Jones... -I think... Oh, yeah. | 0:19:11 | 0:19:16 | |
You also have the persona of Milton Jones, | 0:19:16 | 0:19:18 | |
who lives in the very world of Milton Jones. | 0:19:18 | 0:19:20 | |
-Yes. -I've been in the very world of Milton Jones. | 0:19:20 | 0:19:24 | |
Yes, well, we all have, occasionally. | 0:19:24 | 0:19:26 | |
Sometimes you wear a boiler suit | 0:19:26 | 0:19:28 | |
when you are the persona Milton Jones. | 0:19:28 | 0:19:29 | |
-Yeah. -Sometimes your hair is sticking up | 0:19:29 | 0:19:31 | |
-when you are the persona Milton Jones. -Yes. | 0:19:31 | 0:19:33 | |
I THINK you are just Milton Jones now. | 0:19:33 | 0:19:35 | |
Normally, I say the thicker the crowd, | 0:19:35 | 0:19:37 | |
the higher the hair has to go. | 0:19:37 | 0:19:39 | |
LAUGHTER | 0:19:39 | 0:19:42 | |
I'd take that as a compliment, if I were you. | 0:19:42 | 0:19:44 | |
Now, Milton, I'm sorry to... HE SIGHS | 0:19:46 | 0:19:49 | |
It's going to be a pyrrhic victory, | 0:19:49 | 0:19:51 | |
whatever it is, your answer here. | 0:19:51 | 0:19:54 | |
What are you going to go for? | 0:19:54 | 0:19:56 | |
Exeter. | 0:19:56 | 0:19:57 | |
Exeter. | 0:19:57 | 0:19:58 | |
No red line for you, I'm afraid, as you are already our high-scorers. | 0:19:58 | 0:20:01 | |
Let's see how far down the column we get with Exeter. | 0:20:01 | 0:20:04 | |
It's a good answer. | 0:20:06 | 0:20:07 | |
Oh, look... | 0:20:10 | 0:20:12 | |
Oh, 25, for Exeter. | 0:20:12 | 0:20:14 | |
58 is your total. | 0:20:16 | 0:20:18 | |
I always think that Exeter | 0:20:19 | 0:20:21 | |
is a very appropriate answer if you're leaving. | 0:20:21 | 0:20:23 | |
LAUGHTER | 0:20:23 | 0:20:26 | |
There's a few other pointless answers out there | 0:20:27 | 0:20:29 | |
as well as Hereford. Let's take a look at them. | 0:20:29 | 0:20:32 | |
Well done if you said any of these. | 0:20:32 | 0:20:34 | |
Bangor in North Wales is a pointless answer. | 0:20:34 | 0:20:36 | |
There's Hereford. Salford is a pointless answer. | 0:20:36 | 0:20:39 | |
You also could have said St Albans and St Asaph, which is in Wales. | 0:20:39 | 0:20:42 | |
I'll give you some other low scorers because I know some people | 0:20:42 | 0:20:45 | |
are not sure what's a city and what's not. One point for Newport, | 0:20:45 | 0:20:48 | |
Worcester, Preston, Wells and Wakefield. | 0:20:48 | 0:20:50 | |
Two points for St Davids, city of Westminster, Chichester, Lichfield. | 0:20:50 | 0:20:54 | |
Three points for... Am I saying this right, | 0:20:54 | 0:20:56 | |
Waal-ver-hompton, Waal-ver-humpton? | 0:20:56 | 0:20:58 | |
I haven't heard of it. I've not heard of it. | 0:20:58 | 0:21:00 | |
It's pronounced... | 0:21:00 | 0:21:01 | |
-IRISH ACCENT: -..Wall-ver-hampton. -Wall-ver-hampton. | 0:21:01 | 0:21:04 | |
And four points for Stoke-on-Trent, Chester. | 0:21:04 | 0:21:07 | |
Five points for Ely, Chelmsford, Bradford, Gloucester. | 0:21:07 | 0:21:09 | |
Six points for Salisbury. Those are your lowest scorers. | 0:21:09 | 0:21:12 | |
We'll take a look at the three highest scorers now, | 0:21:12 | 0:21:14 | |
the ones that most of our 100 people said. | 0:21:14 | 0:21:16 | |
36 people said Bristol. | 0:21:17 | 0:21:19 | |
45 people said Birmingham. | 0:21:19 | 0:21:21 | |
And London is at the top there with 69. | 0:21:21 | 0:21:24 | |
69 of our 100 people! There we go. | 0:21:24 | 0:21:26 | |
Well, if you've got to name lots of them, you don't | 0:21:26 | 0:21:28 | |
-always name all of them. -You maybe don't. -That's the thing. | 0:21:28 | 0:21:31 | |
Yes, exactly. Thank you very much, Richard. | 0:21:31 | 0:21:33 | |
We are at the end of our first round so the pair we have to say goodbye | 0:21:33 | 0:21:36 | |
to, with our highest score of 58, Milton and Ellie, I'm so sorry. | 0:21:36 | 0:21:39 | |
-I'm so ashamed. -No, it's the curse of the first podium. Always happens. | 0:21:39 | 0:21:42 | |
-I'm taking that, fine. -You didn't have any time to think. -I didn't! | 0:21:42 | 0:21:45 | |
You didn't! These people have a framework. | 0:21:45 | 0:21:47 | |
You gave them Manchester | 0:21:47 | 0:21:48 | |
and they could then branch out from Manchester. | 0:21:48 | 0:21:50 | |
It was all thanks to you that we had such a low-scoring round, in fact. | 0:21:50 | 0:21:53 | |
You're welcome. | 0:21:53 | 0:21:54 | |
It's been lovely having you here. I'm sorry it's been so brief | 0:21:54 | 0:21:58 | |
but please come and play again, Milton and Ellie. Wonderful. | 0:21:58 | 0:22:01 | |
But, for the remaining three pairs, it's now time for Round Two. | 0:22:03 | 0:22:07 | |
And, so, we are down to three pairs. | 0:22:10 | 0:22:12 | |
At the end of this round, I'm sorry to say, | 0:22:12 | 0:22:14 | |
we'll have to say goodbye to another pair. | 0:22:14 | 0:22:16 | |
Well done, Sam and Mark, | 0:22:16 | 0:22:18 | |
our lowest combined score there in the first round, seven. | 0:22:18 | 0:22:21 | |
Really very, very good indeed. | 0:22:21 | 0:22:23 | |
I knew, coming from Wolverhampton, it would stand me in good stead. | 0:22:23 | 0:22:26 | |
And, Jay, our lowest individual scorer there. | 0:22:26 | 0:22:30 | |
Not only that, not only did you... | 0:22:30 | 0:22:31 | |
You wove your answer into an anecdote. And then it was pointless. | 0:22:31 | 0:22:35 | |
-True story! -What a pro. | 0:22:35 | 0:22:37 | |
Best of luck to all three pairs. | 0:22:37 | 0:22:39 | |
Our category for Round Two this evening is... | 0:22:39 | 0:22:41 | |
..Shared Words. | 0:22:42 | 0:22:44 | |
Shared Words. Can you all decide in your pairs who's going to go first, | 0:22:44 | 0:22:47 | |
who's going to go second. | 0:22:47 | 0:22:48 | |
And whoever's going first, please step up to the podium. | 0:22:48 | 0:22:50 | |
And the question concerns... | 0:22:54 | 0:22:56 | |
..Boys And Girls. | 0:22:58 | 0:22:59 | |
Hm. Richard. | 0:22:59 | 0:23:01 | |
On each board we're going to show you six descriptions of TV shows, | 0:23:01 | 0:23:04 | |
songs, plays or films that have the words "boys" or "girls" | 0:23:04 | 0:23:08 | |
in their title. Just need to give us their names, please. | 0:23:08 | 0:23:10 | |
Six on the first board, six on the second board, | 0:23:10 | 0:23:12 | |
12 in all to have a go at at home. Good luck. | 0:23:12 | 0:23:14 | |
OK, can you give us the titles of these songs, films, | 0:23:14 | 0:23:17 | |
plays or TV series. | 0:23:17 | 0:23:18 | |
Here is our first board of clues. We have got... | 0:23:18 | 0:23:21 | |
I will read those all one last time. | 0:23:46 | 0:23:49 | |
Thomasina. | 0:24:11 | 0:24:12 | |
Well... | 0:24:14 | 0:24:15 | |
So, Cyndi Lauper song... | 0:24:17 | 0:24:19 | |
-..Boys, Boys, Boys? -Boys, Boys, Boys? | 0:24:20 | 0:24:24 | |
I'm looking at Jay's face, I wonder what that means? | 0:24:24 | 0:24:26 | |
-Does he think that's a good answer? Or a bad... -I love her very much. | 0:24:26 | 0:24:30 | |
XANDER LAUGHS | 0:24:30 | 0:24:32 | |
-My mind is blank. -I wonder if it's right or wrong. | 0:24:32 | 0:24:35 | |
Boys, Boys, Boys, says Tommi. | 0:24:35 | 0:24:36 | |
Let's see how many of our 100 people | 0:24:36 | 0:24:38 | |
said Boys, Boys, Boys for Cyndi Lauper. | 0:24:38 | 0:24:40 | |
Not Boys, Boys, Boys, as it turns out, I'm afraid, Thomasina. | 0:24:42 | 0:24:47 | |
Sorry, Tommi, I think that was Sabrina, Boys, Boys, Boys. | 0:24:47 | 0:24:50 | |
-Remember her? -I can remember it, I can remember the song. Oh, yes. | 0:24:50 | 0:24:53 | |
-Sara. -Hello. | 0:24:53 | 0:24:55 | |
So, what are the titles of these songs, films, plays and TV series? | 0:24:55 | 0:24:59 | |
I'm going to go for the single by Avril Lavigne, | 0:24:59 | 0:25:02 | |
and that is Skater Boy. | 0:25:02 | 0:25:04 | |
Skater Boy, says Sara. | 0:25:04 | 0:25:05 | |
Let's see how many of our 100 people said Skater Boy. | 0:25:05 | 0:25:08 | |
What? | 0:25:11 | 0:25:12 | |
What? | 0:25:15 | 0:25:17 | |
-What? -They're all saying "what." | 0:25:17 | 0:25:18 | |
None of this is landing right for me. None of this. | 0:25:18 | 0:25:20 | |
-I know I'm being stupid, but... -No, I thought exactly the same. | 0:25:20 | 0:25:23 | |
Lots of people at home will think exactly the same. | 0:25:23 | 0:25:25 | |
Actually, the year is wrong. It was 2002, Skater Boy, | 0:25:25 | 0:25:27 | |
so a long time further back. | 0:25:27 | 0:25:29 | |
-We are a great deal older than we imagine. -There we are. | 0:25:29 | 0:25:32 | |
Thank you very much indeed, Richard. Now, then, Mark. | 0:25:32 | 0:25:35 | |
It's all going so well! Do you want to talk us through the board? | 0:25:35 | 0:25:38 | |
There's a whole board full of unanswered songs there. | 0:25:38 | 0:25:41 | |
I know a couple of them but I will go for the Avril Lavigne song, | 0:25:41 | 0:25:45 | |
and I think it's Girlfriend. | 0:25:45 | 0:25:47 | |
Girlfriend, says Mark. Let's see if that's right, | 0:25:47 | 0:25:50 | |
let's see how many of our 100 people said Girlfriend. | 0:25:50 | 0:25:52 | |
It is Girlfriend! | 0:25:54 | 0:25:57 | |
Well, our high score is 100, you passed that a while back. | 0:25:57 | 0:26:00 | |
There you are. That's a pointless answer. | 0:26:04 | 0:26:06 | |
From one extremity to another. That adds £250 to today's jackpot, | 0:26:06 | 0:26:10 | |
taking the total up to £3,000. | 0:26:10 | 0:26:12 | |
Scores you absolutely nothing, very well done indeed. | 0:26:12 | 0:26:16 | |
You see, anyone who would have voted for it was | 0:26:16 | 0:26:18 | |
-siphoned off into Skater Boy. -Yes, I think that's exactly right. | 0:26:18 | 0:26:21 | |
-Mark, would you have said Skater Boy if Sara hadn't said it? -Yes. | 0:26:21 | 0:26:24 | |
-So, thanks for that. -SARA: -It's all for charity, guys. | 0:26:24 | 0:26:28 | |
Now, let's fill in the rest of this board, shall we? | 0:26:30 | 0:26:33 | |
The top one, Yosser Hughes... | 0:26:33 | 0:26:34 | |
..Boys From The Black Stuff | 0:26:34 | 0:26:35 | |
would have scored you 44 points. A big scorer. | 0:26:35 | 0:26:37 | |
-Do you remember the Ordinary Boys song? -Yes, I do, | 0:26:37 | 0:26:40 | |
-Preston from the Ordinary Boys? -Yes. | 0:26:40 | 0:26:42 | |
-Um...Boys Will Be Boys. -Exactly. | 0:26:42 | 0:26:45 | |
Would have scored you two points. | 0:26:45 | 0:26:47 | |
So, Preston would have been a very good answer in both rounds so far. | 0:26:47 | 0:26:50 | |
-Well done if you've done that. -LAUGHTER | 0:26:50 | 0:26:52 | |
Now, the Cyndi Lauper song that's not Boys, Boys, Boys... | 0:26:52 | 0:26:54 | |
Girls Just Want To Have Fun. | 0:26:54 | 0:26:56 | |
Girls Just Want To Have Fun and that would have scored 47. | 0:26:56 | 0:26:58 | |
-The Tom Hooper film? -Um... It's the D... | 0:26:58 | 0:27:02 | |
..Danish Girl. | 0:27:02 | 0:27:03 | |
The Danish Girl, yes, and that would have scored you 19. | 0:27:03 | 0:27:06 | |
-And the Alan Bennett play? -History Boys. | 0:27:06 | 0:27:10 | |
Very low scorer, would have scored you four points. | 0:27:10 | 0:27:12 | |
Thank you very much indeed, Richard. So, we are halfway through | 0:27:12 | 0:27:15 | |
the round, let's take a look at the scores. | 0:27:15 | 0:27:17 | |
Two scores between our three pairs and they are... | 0:27:17 | 0:27:19 | |
..nothing, well done, Mark and Sam, | 0:27:19 | 0:27:22 | |
and 100, bad luck, Sara, Paul, Tommi and Jay. | 0:27:22 | 0:27:25 | |
So, Paul and Jay, I suggest it is between the pair of you. | 0:27:25 | 0:27:28 | |
OK, we're going to come back down the line now. | 0:27:28 | 0:27:30 | |
Can the second players please step up to the podium? | 0:27:30 | 0:27:32 | |
That was just beautifully done. It was like watching | 0:27:34 | 0:27:37 | |
Changing The Guards or something. It was fabulous. | 0:27:37 | 0:27:39 | |
OK, we're going to put six more close up on the board | 0:27:39 | 0:27:42 | |
and here they are. We have got... | 0:27:42 | 0:27:44 | |
I'm going to read those again. | 0:28:08 | 0:28:09 | |
Sam. | 0:28:30 | 0:28:31 | |
-Sam. -Uh-huh. | 0:28:31 | 0:28:33 | |
Well, Mark has set you up in a way that, | 0:28:33 | 0:28:36 | |
I mean, this is just marvellous. Just marvellous. | 0:28:36 | 0:28:39 | |
You couldn't be in a better position to shine. | 0:28:39 | 0:28:42 | |
I'm starting to feel the pressure, though, now. | 0:28:42 | 0:28:45 | |
Don't feel any pressure, Sam. If you can score 99 or less, it's fine. | 0:28:45 | 0:28:50 | |
I think I know the top one. So I think I'm going to go for that. | 0:28:50 | 0:28:53 | |
-I believe that that is The Jersey Boys. -The Jersey Boys, says Sam. | 0:28:53 | 0:28:57 | |
Here is your red line, lovely and high, couldn't be higher. | 0:28:57 | 0:29:00 | |
Let's see how many of our 100 people said The Jersey Boys. | 0:29:00 | 0:29:03 | |
It's right, you're through. | 0:29:05 | 0:29:06 | |
Good enough, Sam. Look at that, | 0:29:08 | 0:29:10 | |
down it goes to 28. | 0:29:10 | 0:29:12 | |
-28 is your total. -Well played, Sam. | 0:29:15 | 0:29:18 | |
It's won 57 major theatre awards worldwide, Jersey Boys. | 0:29:18 | 0:29:22 | |
-That's a lot. -That's a lot. | 0:29:22 | 0:29:24 | |
That's a lot. Thank you very much, Richard. | 0:29:24 | 0:29:27 | |
-Paul, you're looking flummoxed. -Yeah. | 0:29:27 | 0:29:30 | |
I kind of know two but I'm trying to work out | 0:29:30 | 0:29:33 | |
which would be the least obvious. | 0:29:33 | 0:29:35 | |
Second to bottom, David Fletcher... | 0:29:37 | 0:29:39 | |
-..Gone Girl? -Gone Girl, says Paul. | 0:29:39 | 0:29:42 | |
No red line, you're joint high-scorers, | 0:29:42 | 0:29:44 | |
let's see how far down the column we get with Gone Girl. | 0:29:44 | 0:29:47 | |
It is Gone Girl. | 0:29:49 | 0:29:51 | |
Not bad at all, look at that, | 0:29:54 | 0:29:55 | |
down to 11. Very well done. | 0:29:55 | 0:29:57 | |
111 is your total, that's given Jay something to think about. | 0:29:58 | 0:30:03 | |
Yeah, that certainly puts the pressure on. Gone Girl, | 0:30:03 | 0:30:05 | |
the film with Ben Affleck and Rosamunde Pike, | 0:30:05 | 0:30:07 | |
nominated for an Oscar for her role. | 0:30:07 | 0:30:09 | |
Thank you very much indeed. Now, Jay. | 0:30:09 | 0:30:12 | |
-OK, you know what we need from you. -I do. -You have to score 10 or less. | 0:30:12 | 0:30:16 | |
Talk us through this board. | 0:30:16 | 0:30:17 | |
So, the Thin Lizzy song in the soundtrack to the | 0:30:17 | 0:30:19 | |
2001 from A Knight's Tale I think is The Boys Are Back In Town. | 0:30:19 | 0:30:23 | |
The sitcom about an Irish family starring Brendan O'Carroll is | 0:30:23 | 0:30:26 | |
Mrs Brown's Boys. | 0:30:26 | 0:30:27 | |
And the Richard Linklater film is Boyhood. | 0:30:27 | 0:30:30 | |
I'm going to go for the Richard Linklater film, | 0:30:30 | 0:30:33 | |
-made over 12 years with the same cast, Boyhood. -Boyhood. | 0:30:33 | 0:30:36 | |
Boyhood, says Jay. | 0:30:36 | 0:30:38 | |
-Here is your red line. It's quite low. -It is. | 0:30:38 | 0:30:41 | |
Let's see if it's right, | 0:30:41 | 0:30:42 | |
let's see how far down the column we get with Boyhood. | 0:30:42 | 0:30:45 | |
It is Boyhood. | 0:30:47 | 0:30:48 | |
You've done it! | 0:30:53 | 0:30:55 | |
Look at that, down to two with Boyhood, | 0:30:55 | 0:30:56 | |
very, very well done indeed, Jay! | 0:30:56 | 0:30:58 | |
Boys, Boys, Boys but a memory now. | 0:31:00 | 0:31:02 | |
Taking your total up to 102, seeing you through to the head-to-head. | 0:31:02 | 0:31:05 | |
-Very well done. -And well chosen as well. It's the only one up there | 0:31:05 | 0:31:08 | |
that would have seen you through, Boyhood. | 0:31:08 | 0:31:10 | |
The Thin Lizzy song, you're right, is The Boys Are Back In Town. | 0:31:10 | 0:31:12 | |
That would have scored you 16 points. | 0:31:12 | 0:31:15 | |
The sitcom you knew was Mrs Brown's Boys, | 0:31:15 | 0:31:18 | |
that's the biggest scorer up there, 59. And the TV series. | 0:31:18 | 0:31:21 | |
Well, it's Superman-based which gives you two choices, really. | 0:31:21 | 0:31:24 | |
-It's either Superboy or Supergirl. What would you go for? -Superboy. | 0:31:24 | 0:31:28 | |
You'd get 100 points. It's Supergirl. | 0:31:28 | 0:31:31 | |
-That would have scored you 16. -Thank you very much indeed, Richard. | 0:31:31 | 0:31:34 | |
Well, we are at the end of our second round and there's one pair | 0:31:34 | 0:31:36 | |
we have to say goodbye to. Paul and Sara, I'm so sorry. | 0:31:36 | 0:31:39 | |
It just didn't happen. Oh, Paul and Sara, please come back | 0:31:39 | 0:31:41 | |
and play again. It's been lovely having you here. | 0:31:41 | 0:31:43 | |
Brilliant contestants, Paul and Sara. | 0:31:43 | 0:31:45 | |
But for Sam and Mark, Thomasina and Jay | 0:31:48 | 0:31:50 | |
it's now time for our head-to-head. | 0:31:50 | 0:31:52 | |
Congratulations, Sam and Mark, Thomasina and Jay. | 0:31:55 | 0:31:58 | |
You are now one step closer to the final and the chance to | 0:31:58 | 0:32:00 | |
play for our jackpot, which currently stands at £3,000. | 0:32:00 | 0:32:04 | |
This is the point where we decide who goes through to the final | 0:32:07 | 0:32:10 | |
to play for that jackpot. We do it by making you go head-to-head | 0:32:10 | 0:32:12 | |
but the big difference is you're now allowed to confer. | 0:32:12 | 0:32:14 | |
And the first pair to win two questions will be | 0:32:14 | 0:32:16 | |
playing for that jackpot. | 0:32:16 | 0:32:18 | |
Well, Jay, Sam and Mark, you have been on Pointless before. | 0:32:18 | 0:32:21 | |
You have got as far as the head-to-head. | 0:32:21 | 0:32:23 | |
One of you will be going further than you have ever | 0:32:23 | 0:32:25 | |
gone before on Pointless at the end of this round. | 0:32:25 | 0:32:29 | |
It's very exciting indeed. Very best of luck. | 0:32:29 | 0:32:31 | |
Let's see what happens, let's play the head-to-head. | 0:32:31 | 0:32:33 | |
Here is your first question and it concerns... | 0:32:39 | 0:32:42 | |
..Western Films. | 0:32:43 | 0:32:45 | |
-Richard. -We're going to show you five stills now from Western films. | 0:32:45 | 0:32:48 | |
-Can you name the films, please? -Thank you very much indeed. | 0:32:48 | 0:32:52 | |
Let's reveal our five stills from Westerns and here they are. | 0:32:52 | 0:32:55 | |
There we go. Five stills from Westerns, what are the Westerns? | 0:33:23 | 0:33:27 | |
Sam and Mark, you'll go first. | 0:33:27 | 0:33:30 | |
-I think we only know the top one, don't we, really? -We know A. | 0:33:30 | 0:33:34 | |
That's the only one we can go for, really. We're going to go for... | 0:33:34 | 0:33:38 | |
-..Django Unchained. -Django Unchained say Sam and Mark. Django Unchained. | 0:33:40 | 0:33:44 | |
Now, Thomasina and Jay, that board is all yours, talk us through it. | 0:33:44 | 0:33:48 | |
I actually thought A was Hateful Eight. | 0:33:48 | 0:33:50 | |
B is Butch Cassidy And The Sundance Kid. | 0:33:50 | 0:33:54 | |
D, the clue is in the picture, that's The Magnificent Seven. | 0:33:54 | 0:33:57 | |
And E, I think, is Support Your Local Gunslinger. | 0:33:57 | 0:34:01 | |
I think we do D. Let's go for D, | 0:34:01 | 0:34:02 | |
-Magnificent Seven. -Magnificent seven. | 0:34:02 | 0:34:05 | |
So, we have Django Unchained and The Magnificent Seven. | 0:34:05 | 0:34:08 | |
Sam and Mark said Django Unchained for A. | 0:34:08 | 0:34:10 | |
Let's see how many of our 100 people said it. Is it right? | 0:34:10 | 0:34:13 | |
It is right. | 0:34:16 | 0:34:17 | |
Oh, it's very right. Look at that, | 0:34:21 | 0:34:23 | |
down to seven, very well done indeed. | 0:34:23 | 0:34:24 | |
Sam and Mark on seven there. | 0:34:26 | 0:34:29 | |
Well done. Django Unchained. | 0:34:29 | 0:34:30 | |
If you only knew one, that was clearly the one to know. | 0:34:30 | 0:34:34 | |
Now, Jay and Thomasina have gone for D and The Magnificent Seven. | 0:34:34 | 0:34:38 | |
-Can we concede now, or...? -Well, let's see what happens. -Shall we? | 0:34:38 | 0:34:42 | |
-Shall we? -How many people said The Magnificent Seven. | 0:34:42 | 0:34:45 | |
Yeah, there we are, 43. | 0:34:52 | 0:34:53 | |
43 for that, but a magnificent seven for Sam and Mark, which means, | 0:34:56 | 0:34:59 | |
after one question, you are up 1-0. | 0:34:59 | 0:35:01 | |
Yeah, you only knew one, it was the best answer on the board, | 0:35:01 | 0:35:04 | |
so that's quite handy. B is Butch Cassidy And The Sundance Kid. | 0:35:04 | 0:35:09 | |
It actually scores fewer points than Magnificent Seven, | 0:35:09 | 0:35:12 | |
32 points for that. | 0:35:12 | 0:35:13 | |
C, it's a brilliant film, it's a remake as well, it's True Grit. | 0:35:14 | 0:35:18 | |
Would have scored you 15. | 0:35:18 | 0:35:20 | |
And the last one, it's not Support Your Local Gunslinger. | 0:35:20 | 0:35:23 | |
-Thank God for that! -It's even more famous than that, | 0:35:23 | 0:35:25 | |
that's Gary Cooper, High Noon. | 0:35:25 | 0:35:26 | |
Absolutely. Would have scored you 28. | 0:35:26 | 0:35:29 | |
Thank you very much indeed, Richard. | 0:35:29 | 0:35:31 | |
Now, here comes your second question. | 0:35:31 | 0:35:33 | |
Tommi and Jay, you get to answer this one first but you have to | 0:35:33 | 0:35:35 | |
win it to stay in the game, so very, very best of luck. | 0:35:35 | 0:35:37 | |
A bit of pressure on you there. | 0:35:37 | 0:35:38 | |
Our second question today is all about... | 0:35:38 | 0:35:42 | |
..Royal Songs. Richard. | 0:35:42 | 0:35:44 | |
We're about to play you excerpts from five UK top 40 singles. | 0:35:44 | 0:35:47 | |
They've all got a royal title in their title. | 0:35:47 | 0:35:49 | |
-Can you give us the titles of one of these songs, please? -OK. | 0:35:49 | 0:35:53 | |
Here are the five songs. We have A... | 0:35:53 | 0:35:55 | |
# Now we're sharing the same dream | 0:35:55 | 0:36:00 | |
# And our hearts, they beat as one | 0:36:00 | 0:36:04 | |
# No more love on the run... # | 0:36:06 | 0:36:08 | |
Here's B. | 0:36:13 | 0:36:14 | |
# Ridicule is nothing to be scared of | 0:36:14 | 0:36:17 | |
# Don't you ever | 0:36:17 | 0:36:19 | |
# Don't you ever | 0:36:19 | 0:36:20 | |
# Stop being dandy, showing me you're handsome | 0:36:20 | 0:36:24 | |
# Don't you ever, don't you ever... # | 0:36:27 | 0:36:30 | |
Here's C. | 0:36:30 | 0:36:31 | |
# And her clothes are all hand-me-downs | 0:36:33 | 0:36:36 | |
# From the folks in town who treat her so good | 0:36:36 | 0:36:41 | |
# Though she hasn't got a dime | 0:36:42 | 0:36:46 | |
# I'm so proud that she's all mine... # | 0:36:46 | 0:36:50 | |
Here's D. | 0:36:51 | 0:36:53 | |
# He's got a daytime job, he's doing all right | 0:36:53 | 0:36:56 | |
# He can play the honky tonk like anything | 0:36:59 | 0:37:03 | |
# Saving it up for Friday night... # | 0:37:06 | 0:37:09 | |
And here's E. | 0:37:12 | 0:37:14 | |
# Ain't got no cigarettes | 0:37:14 | 0:37:18 | |
# Ah, but two hours of pushin' broom | 0:37:18 | 0:37:22 | |
# Buys an eight by 12 four-bit room | 0:37:22 | 0:37:25 | |
# I'm a man of means by no means... # | 0:37:25 | 0:37:31 | |
There we go. So, what are the titles of those songs? | 0:37:31 | 0:37:35 | |
Tommi and Jay will go first. | 0:37:35 | 0:37:36 | |
You just want to sing the end of E, which is | 0:37:36 | 0:37:39 | |
the title of the song, which is King Of The Hill. | 0:37:39 | 0:37:42 | |
AUDIENCE MURMUR | 0:37:42 | 0:37:44 | |
-King Of The HILL... -Or not as the case may be. | 0:37:44 | 0:37:46 | |
LAUGHTER | 0:37:46 | 0:37:48 | |
-King Of The Road! Agh! -THOMASINA: -King Of The Road! | 0:37:48 | 0:37:52 | |
Sam and Mark, what would you like to go for? | 0:37:52 | 0:37:54 | |
We're going to go for B because that's wrong. | 0:37:54 | 0:37:57 | |
-Prince Charming, please. -JAY: -Congratulations. | 0:37:57 | 0:38:00 | |
LAUGHTER | 0:38:00 | 0:38:02 | |
Prince Charming for B, say Sam and Mark. | 0:38:02 | 0:38:05 | |
So, we have King Of The Hill, and we have Prince Charming. | 0:38:05 | 0:38:08 | |
King Of The Hill, let's see what happens. | 0:38:08 | 0:38:10 | |
-REALLY? -Oh, no, I'm so sorry. That's unfair. | 0:38:13 | 0:38:16 | |
Sam and Mark have gone for Prince Charming. Let's see | 0:38:16 | 0:38:18 | |
how many of our 100 people said that. | 0:38:18 | 0:38:20 | |
If it's right... | 0:38:20 | 0:38:22 | |
..it does the job. There we are. Yes, it is right. | 0:38:22 | 0:38:25 | |
44. | 0:38:27 | 0:38:28 | |
44... | 0:38:31 | 0:38:32 | |
Bad luck, Jay. It's not the first time | 0:38:33 | 0:38:36 | |
and it won't be the last time somebody has | 0:38:36 | 0:38:38 | |
tripped on their tongue. I'm sorry. Very well done, Sam and Mark. | 0:38:38 | 0:38:41 | |
After only two questions, you are straight through to the final 2-0. | 0:38:41 | 0:38:44 | |
Yeah, that's the way to win a head-to-head. | 0:38:44 | 0:38:45 | |
The first question, you get the best answer possible, | 0:38:45 | 0:38:48 | |
second question your opponents give the worst answer possible. | 0:38:48 | 0:38:50 | |
That's the way to do it. It is of course King Of The Road. | 0:38:50 | 0:38:53 | |
I know you know that. It absolutely happen sometimes. | 0:38:53 | 0:38:57 | |
It would have scored you 45 points. | 0:38:57 | 0:38:59 | |
That would have been exciting. | 0:38:59 | 0:39:01 | |
Wouldn't it? Ooh! | 0:39:01 | 0:39:04 | |
Let's take a look... Let's have a listen to A. | 0:39:04 | 0:39:06 | |
# Now we're sharing the same dream... # | 0:39:06 | 0:39:08 | |
-Caribbean Queen. -Caribbean Queen. Yeah, by Billy Ocean. | 0:39:08 | 0:39:12 | |
B we've heard. Now C. | 0:39:12 | 0:39:14 | |
# And her clothes... # | 0:39:16 | 0:39:17 | |
It's Gene Pitney you can probably just about hear. | 0:39:17 | 0:39:20 | |
Princess In Rags is the answer. | 0:39:20 | 0:39:23 | |
It pointless answer. And D. | 0:39:23 | 0:39:26 | |
-Sultans Of Swing. -Sultans Of Swing by Dire Straits. | 0:39:27 | 0:39:31 | |
That would have scored you 10 points, a very good answer. | 0:39:32 | 0:39:34 | |
Thank you, Richard. | 0:39:34 | 0:39:36 | |
So, the pair leaving us at the end of the head-to-head round, | 0:39:36 | 0:39:38 | |
I'm so sorry, Tommi and Jay, I'm sorry. | 0:39:38 | 0:39:41 | |
The nice news is you just have to come back, which is great. | 0:39:41 | 0:39:43 | |
It's been lovely having you on the show, | 0:39:43 | 0:39:45 | |
thank you so much. Tommi and Jay! | 0:39:45 | 0:39:46 | |
But, for Sam and Mark, it's now time for our Pointless final. | 0:39:50 | 0:39:53 | |
Congratulations, Sam and Mark, you have fought off all the | 0:39:57 | 0:40:00 | |
competition and, valiantly, you have won our coveted Pointless trophy. | 0:40:00 | 0:40:04 | |
You now have the chance to win our Pointless jackpot | 0:40:17 | 0:40:19 | |
for your charities. And, at the end of today's show, | 0:40:19 | 0:40:22 | |
the jackpot is standing at £3,000, there it is. | 0:40:22 | 0:40:25 | |
Now, this is a new Pointless high water mark for you. | 0:40:28 | 0:40:32 | |
Every single round, you've smashed it, you've been our low scorers. | 0:40:32 | 0:40:34 | |
Low scorers, low scorers, we had a pointless answer from you, | 0:40:34 | 0:40:37 | |
-for goodness' sake with Avril Lavigne. -We're very lucky. | 0:40:37 | 0:40:40 | |
And then 2-0 in the head-to-head! Anyway, listen, | 0:40:40 | 0:40:42 | |
you get to choose your category in this last round, as you know. | 0:40:42 | 0:40:44 | |
There'll be four things that seem impossible on the board behind me. | 0:40:44 | 0:40:47 | |
They may be impossible or there might be three rather nicer | 0:40:47 | 0:40:50 | |
categories behind each one. We'll just have to see what's up there. | 0:40:50 | 0:40:52 | |
Anyway, best of luck. Let's see what we can find. | 0:40:52 | 0:40:55 | |
-Um... Sugar...is food. And you were on MasterChef. -Yeah, but... | 0:41:06 | 0:41:11 | |
And Child Actors... | 0:41:11 | 0:41:13 | |
I think we should go the Noughties Debut Albums. | 0:41:14 | 0:41:18 | |
Do you think? | 0:41:18 | 0:41:20 | |
That face suggests no. | 0:41:20 | 0:41:22 | |
No, no, I think they're all, like, so cryptic. | 0:41:22 | 0:41:25 | |
OK, for me, it would either be Child Actors or Noughties Debut Albums. | 0:41:25 | 0:41:27 | |
Let's go with... | 0:41:27 | 0:41:30 | |
-..Child Actors because... -You've changed last-minute! | 0:41:30 | 0:41:32 | |
-Yeah, I did. -Why? -Because... | 0:41:32 | 0:41:34 | |
-I want you to pick it. -What?! | 0:41:34 | 0:41:36 | |
Now I'm saying that, I only know Macauley Culkin. That's it. | 0:41:37 | 0:41:41 | |
That ain't going to be pointless, mate. | 0:41:41 | 0:41:43 | |
-Shall we go for Noughties Albums? -Yeah, yeah, yeah, yeah. Yeah. -Sorry. | 0:41:43 | 0:41:48 | |
It's almost like you've worked together for years, isn't it? | 0:41:48 | 0:41:51 | |
-Extraordinary. Brilliant. -We are terrible. | 0:41:51 | 0:41:53 | |
-So, Noughties albums it is. -OK, good luck, gents. | 0:41:53 | 0:41:55 | |
You've been terrific all the way through. | 0:41:55 | 0:41:57 | |
Fingers crossed one of these works for you. | 0:41:57 | 0:41:59 | |
We are looking for any tracks from any of the following three albums, | 0:41:59 | 0:42:02 | |
please. So, any of the tracks from the original releases of... | 0:42:02 | 0:42:05 | |
So, any tracks on the original releases of any of those three | 0:42:16 | 0:42:19 | |
-albums, very, very best of luck. -Thanks very much indeed. | 0:42:19 | 0:42:21 | |
Now, as always, you've got up to one minute to come up with three | 0:42:21 | 0:42:24 | |
answers and all you need to win that jackpot for your charities | 0:42:24 | 0:42:26 | |
is for just one of those answers to be pointless. | 0:42:26 | 0:42:28 | |
-Are you ready? -Yes. | 0:42:28 | 0:42:30 | |
Let's put 60 seconds up on the clock. | 0:42:30 | 0:42:32 | |
There they are, your time starts now. | 0:42:32 | 0:42:34 | |
I think the only way... | 0:42:34 | 0:42:36 | |
-It's all about Coldplay for you, isn't it? -Yeah. | 0:42:36 | 0:42:38 | |
-You love Coldplay. Have you got that album? -I've got the album. | 0:42:38 | 0:42:41 | |
Which is the filler, the song that you'd skip in the car? | 0:42:41 | 0:42:45 | |
-Don't Panic is one. -Definitely, from that album? -Yes. Don't Panic. | 0:42:45 | 0:42:48 | |
There's Shiver. There's Yellow. There's Trouble. | 0:42:48 | 0:42:52 | |
Shiver was a single, wasn't it? So, maybe not that. | 0:42:52 | 0:42:55 | |
-Well, it's tracks on the album. -We're looking for pointless answers. | 0:42:55 | 0:42:59 | |
Yeah, I know, but Shiver's one that... | 0:42:59 | 0:43:01 | |
-I don't think anybody bought it. -OK. | 0:43:01 | 0:43:04 | |
I mean, they've done all right for themselves. | 0:43:06 | 0:43:09 | |
I'd put Don't Panic... | 0:43:09 | 0:43:11 | |
Oh, where's the other one? | 0:43:12 | 0:43:14 | |
-Shiver I'd put in. -Yeah. -Shiver, Don't Panic, and... | 0:43:15 | 0:43:19 | |
Oh, do you know Arctic Monkeys? They're from down your end. | 0:43:21 | 0:43:23 | |
Yeah, I Bet You Look Good On The Dance Floor, | 0:43:23 | 0:43:26 | |
but that's their most famous one. | 0:43:26 | 0:43:27 | |
101 points, that would be. | 0:43:27 | 0:43:29 | |
Um... I reckon... I reckon Trouble... | 0:43:29 | 0:43:33 | |
..or Yellow. | 0:43:33 | 0:43:34 | |
That's your time up. So, let's have those three answers. And if you say | 0:43:34 | 0:43:37 | |
which category you're answering as well, that would be great. | 0:43:37 | 0:43:40 | |
We are saying Don't Panic for Coldplay. | 0:43:40 | 0:43:43 | |
We are going to say Shiver, the same album. | 0:43:43 | 0:43:48 | |
And we're also... | 0:43:48 | 0:43:50 | |
Uh... | 0:43:50 | 0:43:51 | |
We're going to say... | 0:43:51 | 0:43:53 | |
-..Trouble. -And Trouble from the same album? -Yes. -All three of them | 0:43:53 | 0:43:56 | |
Coldplay answers. Of those three, which do you think is your | 0:43:56 | 0:43:58 | |
best shot at a pointless answer? | 0:43:58 | 0:43:59 | |
-Don't Panic. -Don't Panic goes last. Least likely to be pointless? | 0:43:59 | 0:44:02 | |
-Trouble. -OK, so, Trouble, Shiver, Don't Panic, in that order. | 0:44:02 | 0:44:05 | |
OK, let's put the answers up on the board in that order, | 0:44:05 | 0:44:07 | |
then, and here they are. We have got Trouble, | 0:44:07 | 0:44:10 | |
we've got Shiver, and we've got Don't Panic. | 0:44:10 | 0:44:12 | |
Well, three good answers there. | 0:44:12 | 0:44:14 | |
All from Coldplay's Parachutes album from 2000. Very, very best of luck. | 0:44:14 | 0:44:19 | |
Now, if one of these turns out to be pointless, | 0:44:19 | 0:44:21 | |
-surely a good chance of one of these being pointless... -Fingers crossed! | 0:44:21 | 0:44:24 | |
..what charities are you playing for? | 0:44:24 | 0:44:26 | |
We're both playing for the same charity. | 0:44:26 | 0:44:29 | |
We're patrons of a charity called Whizz-Kidz. | 0:44:29 | 0:44:31 | |
It provides electronic wheelchairs for disabled children. | 0:44:31 | 0:44:36 | |
Fabulous. Fabulous charity. | 0:44:36 | 0:44:38 | |
APPLAUSE | 0:44:38 | 0:44:40 | |
Well, fingers tightly crossed one of these answers, at least one of these | 0:44:41 | 0:44:45 | |
answers, will be pointless and will win that jackpot for your charity. | 0:44:45 | 0:44:48 | |
Trouble is your first answer. | 0:44:48 | 0:44:50 | |
All of these are Coldplay Parachutes tracks. | 0:44:50 | 0:44:53 | |
Let's see how many of our 100 people said Trouble. | 0:44:53 | 0:44:55 | |
Is it pointless, for £3,000? | 0:44:55 | 0:44:58 | |
It's right. | 0:45:00 | 0:45:02 | |
All it has to be now is pointless so if Trouble takes us down to zero, | 0:45:02 | 0:45:05 | |
you leave with £3,000 for your charity. | 0:45:05 | 0:45:08 | |
We now whizz down through the teens. We're into single figures, | 0:45:08 | 0:45:11 | |
down we go with Trouble still going down to four. | 0:45:11 | 0:45:13 | |
-It's not bad. Trouble. And it was a single. -Wow. | 0:45:16 | 0:45:20 | |
Not a pointless answer. But quite reassuring, I would say. | 0:45:20 | 0:45:23 | |
Two more chances to win today's jackpot for your charity. | 0:45:23 | 0:45:26 | |
Shiver is your next answer. | 0:45:26 | 0:45:28 | |
Again, we're looking for Coldplay songs from Parachutes. | 0:45:28 | 0:45:31 | |
If it's pointless, it wins you £3,000. | 0:45:31 | 0:45:33 | |
How many of our 100 people said Shiver? | 0:45:33 | 0:45:36 | |
Shiver's right. | 0:45:38 | 0:45:40 | |
Trouble, your first answer, took us down to four. | 0:45:42 | 0:45:45 | |
Shiver now takes us down through the 20s, into the teens... | 0:45:45 | 0:45:48 | |
Down we go into single figures. | 0:45:48 | 0:45:50 | |
Oh, seven! | 0:45:50 | 0:45:51 | |
I'm surprised! | 0:45:51 | 0:45:53 | |
Seven. It's gone in the wrong direction but it's fine. | 0:45:55 | 0:45:58 | |
-It's fine. -I'm surprised at that. -It's fine. | 0:45:58 | 0:46:01 | |
Aptly enough, Don't Panic is... | 0:46:01 | 0:46:03 | |
LAUGHTER | 0:46:03 | 0:46:05 | |
..is your next answer. | 0:46:05 | 0:46:06 | |
This is the one you thought was going to be your best shot | 0:46:06 | 0:46:09 | |
at a pointless answer. Please can this be pointless? | 0:46:09 | 0:46:11 | |
It will win you £3,000 for your charity, if it is. | 0:46:11 | 0:46:13 | |
Let's find out how many people named Don't Panic as | 0:46:13 | 0:46:15 | |
a track on Parachutes. | 0:46:15 | 0:46:17 | |
It's right. Trouble, your first answer, took us down to four. | 0:46:20 | 0:46:24 | |
Shiver, your next answer, took us down to seven. | 0:46:24 | 0:46:27 | |
Don't Panic takes us down through the 20s, into the teens... | 0:46:27 | 0:46:30 | |
..back into single figures, | 0:46:30 | 0:46:31 | |
down we go... Oh, no! Oh, no! Six. | 0:46:31 | 0:46:35 | |
Oh, shame. | 0:46:35 | 0:46:37 | |
-I can't believe that! -Well, what about that? | 0:46:40 | 0:46:43 | |
-Trouble was the lowest scorer of all of those. -Wow, I'm very surprised. | 0:46:43 | 0:46:46 | |
-Very surprised. -Oh, no. Well, listen, three great answers there. | 0:46:46 | 0:46:50 | |
I'm afraid that's really unlucky that you didn't get lower than that. | 0:46:50 | 0:46:53 | |
I thought at least one of those would be pointless. | 0:46:53 | 0:46:55 | |
So, I'm afraid you didn't manage | 0:46:55 | 0:46:56 | |
to find the pointless answer you needed to win that jackpot | 0:46:56 | 0:46:59 | |
but, because it is a celebrity special, we're going to | 0:46:59 | 0:47:01 | |
donate £500 to each celebrity pair to give to their charities. | 0:47:01 | 0:47:04 | |
Thank you. Nice one. | 0:47:04 | 0:47:05 | |
And you get a Pointless trophies, so very, very well done. | 0:47:05 | 0:47:08 | |
A superb performance across the show. Brilliant work. | 0:47:08 | 0:47:10 | |
Oh, that's unlucky, gents. Very well played. | 0:47:11 | 0:47:14 | |
Yellow would have scored you 30 points and, actually, | 0:47:14 | 0:47:16 | |
Yellow and those three were the four high-scorers on that album. | 0:47:16 | 0:47:19 | |
There are three pointless answers on Parachutes. | 0:47:19 | 0:47:21 | |
And we're about to take a look at them. Here we go. | 0:47:21 | 0:47:24 | |
You could have had Everything's Not Lost. | 0:47:24 | 0:47:28 | |
High Speed and We Never Change. | 0:47:28 | 0:47:30 | |
Very well done if you said any of those at home. Now, Norah Jones... | 0:47:30 | 0:47:34 | |
Also, I've Got To See You Again, One Flight Down and Painter Song. | 0:47:38 | 0:47:42 | |
Those were the pointless answers there. And the Arctic Monkeys... | 0:47:42 | 0:47:45 | |
It's a slightly longer read. | 0:47:45 | 0:47:46 | |
Also, Perhaps Vampires Is A Bit Strong But..., | 0:47:51 | 0:47:54 | |
Red Light Indicates Doors Are Secured, and You Probably | 0:47:54 | 0:47:56 | |
Couldn't See For The Lights But You Were Staring Straight At Me. | 0:47:56 | 0:47:59 | |
Very well done if you got any of those at home. | 0:47:59 | 0:48:01 | |
Terrific performance, you are lovely fellows and brilliant | 0:48:01 | 0:48:03 | |
presenters and it's been a pleasure, as always to have you with us. | 0:48:03 | 0:48:06 | |
-Right back at you. Thank you very much. -Thanks very much indeed. | 0:48:06 | 0:48:09 | |
We've loved having you on the show, Sam and Mark. Absolutely superb, | 0:48:10 | 0:48:13 | |
thank you so much for playing. Brilliant. Join us next time | 0:48:13 | 0:48:15 | |
when we'll be putting more obscure knowledge to the test on Pointless. | 0:48:15 | 0:48:18 | |
Meanwhile, it's goodbye from Richard... | 0:48:18 | 0:48:20 | |
-Goodbye. -And it's goodbye from me, goodbye. | 0:48:20 | 0:48:22 |