Browse content similar to Eurovision. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
APPLAUSE AND CHEERING | 0:00:15 | 0:00:18 | |
Thank you very much indeed. | 0:00:24 | 0:00:26 | |
Hello, I'm Alexander Armstrong, and a very warm welcome to this special Eurovision edition | 0:00:26 | 0:00:29 | |
of Pointless Celebrities - the show where we are always striving | 0:00:29 | 0:00:33 | |
to find the most obscure answers. | 0:00:33 | 0:00:34 | |
Let's meet today's Pointless Celebrities. | 0:00:34 | 0:00:37 | |
And couple number one. | 0:00:41 | 0:00:43 | |
My name is Johnny Logan, and I won the Eurovision Song Contest | 0:00:43 | 0:00:46 | |
three times - twice on my own and once with this young lady. | 0:00:46 | 0:00:49 | |
And my name is Linda Martin, and I was second in Eurovision, | 0:00:49 | 0:00:54 | |
and then I won it in 1992, with a song written by this young man. | 0:00:54 | 0:00:58 | |
Couple number two. | 0:01:03 | 0:01:05 | |
Hello, my name is Russ Spencer. | 0:01:05 | 0:01:06 | |
I'm part of the Eurovision group Scooch, | 0:01:06 | 0:01:09 | |
and we came second...to last. | 0:01:09 | 0:01:11 | |
I'm Natalie, also in Scooch, and we definitely can't compete with you, Johnny. | 0:01:14 | 0:01:18 | |
Couple number three. | 0:01:23 | 0:01:25 | |
Hello, I'm Jenny Frost. I was in Eurovision in 1999... Correct. | 0:01:25 | 0:01:30 | |
..in the band Precious, but probably best known for being | 0:01:30 | 0:01:32 | |
in Atomic Kitten after that. | 0:01:32 | 0:01:34 | |
And I'm Sophie McDonnell. | 0:01:34 | 0:01:35 | |
I too was in Precious in 1999, and we came joint 12th. | 0:01:35 | 0:01:40 | |
Did we? Yeah. Oh. | 0:01:40 | 0:01:42 | |
And, finally, couple number four. | 0:01:45 | 0:01:48 | |
Hi, I'm Jay Aston. | 0:01:48 | 0:01:49 | |
I'm a former original member of Bucks Fizz, and we won in 1981. | 0:01:49 | 0:01:54 | |
And I'm Cheryl Baker, and I was in the band with Jay, | 0:01:54 | 0:01:57 | |
and we won with the song Making Your Mind Up. Yayhey! | 0:01:57 | 0:02:00 | |
Thank you all so much. It's lovely to have you here. | 0:02:02 | 0:02:05 | |
A very warm welcome to Pointless. | 0:02:05 | 0:02:06 | |
We'll get to chat to each of you a little bit more throughout the show as it goes along. | 0:02:06 | 0:02:10 | |
So, that just leaves one more person for me to introduce - | 0:02:10 | 0:02:12 | |
a man who'd never let HIS inhibition take him from behind! LAUGHTER | 0:02:12 | 0:02:15 | |
It's my Pointless friend... | 0:02:15 | 0:02:17 | |
It's Richard. | 0:02:17 | 0:02:19 | |
Hiya. Hello, everybody. | 0:02:19 | 0:02:22 | |
Good evening. | 0:02:22 | 0:02:24 | |
Well, it's the start of a very exciting evening. I love Eurovision. | 0:02:24 | 0:02:28 | |
I cannot wait, and this is going to be a terrific little taster, | 0:02:28 | 0:02:31 | |
a little pre-tease. So exciting. | 0:02:31 | 0:02:33 | |
Four Eurovision wins between our four podiums here. LAUGHTER | 0:02:33 | 0:02:37 | |
Not quite spread out as they might be, but that's OK. | 0:02:37 | 0:02:40 | |
And a couple of people who've been on before. Johnny's been on before. | 0:02:40 | 0:02:43 | |
Not only has Johnny been on before, he's won before. | 0:02:43 | 0:02:45 | |
Cheryl has also been on, and got all the way to the head-to-head. So, they've both got good records | 0:02:45 | 0:02:49 | |
on this show. I think everyone's going to be happy with the first two rounds. | 0:02:49 | 0:02:53 | |
There's stuff you're going to be able to do, | 0:02:53 | 0:02:55 | |
stuff that's in your realm of interest. | 0:02:55 | 0:02:56 | |
But I'm very, very excited about Eurovision. | 0:02:56 | 0:02:58 | |
I love it now we're underdogs all the time. | 0:02:58 | 0:03:00 | |
Yes! Good. It's quite rare that the UK and Ireland are underdogs to Azerbaijan. | 0:03:00 | 0:03:05 | |
I like it. Yeah. | 0:03:05 | 0:03:06 | |
You know, one year...one year we're going to win it. Might be this year. | 0:03:06 | 0:03:09 | |
Can you imagine, Richard? Wouldn't that be the most exciting thing ever? | 0:03:11 | 0:03:15 | |
Do you know, I can't imagine, but you never know. LAUGHTER | 0:03:15 | 0:03:18 | |
Oh, do you know, no, I've got something really exciting to tell you. Oh, go on. | 0:03:18 | 0:03:21 | |
There is a rumour that we might have a performance at the end of the show. | 0:03:21 | 0:03:25 | |
Oh, really? Yeah. I'll just leave it at that. | 0:03:25 | 0:03:27 | |
You are kidding me. | 0:03:27 | 0:03:28 | |
Are you telling me here and now that Scooch are reforming? LAUGHTER | 0:03:28 | 0:03:32 | |
Let's just leave it at that, shall we say. OK. All right. | 0:03:32 | 0:03:34 | |
Thank you very much, Richard. | 0:03:34 | 0:03:36 | |
Now, as usual, all of today's questions have been put to 100 people before the show. | 0:03:36 | 0:03:39 | |
Our contestants are looking for those all-important pointless answers. | 0:03:39 | 0:03:43 | |
These are answers that none of our 100 people gave. Find one of those and we will add ?250 to the jackpot. | 0:03:43 | 0:03:47 | |
Now, as today's show is a celebrity special, | 0:03:47 | 0:03:49 | |
and each of our celebrities is playing for a nominated charity, | 0:03:49 | 0:03:52 | |
we're going to start off with a jackpot of... | 0:03:52 | 0:03:54 | |
Right, if everyone's ready, let's play Pointless. | 0:03:59 | 0:04:02 | |
So, just remember this - | 0:04:06 | 0:04:08 | |
the pair with the highest score at the end of each round will be | 0:04:08 | 0:04:11 | |
eliminated, so make sure your scores are nice and low. | 0:04:11 | 0:04:13 | |
Very best of luck. No conferring for our first two rounds. | 0:04:13 | 0:04:16 | |
Our first category this evening is... | 0:04:16 | 0:04:19 | |
What about that? Music. | 0:04:20 | 0:04:22 | |
Can you all decide in your pairs, who's going to go first, | 0:04:22 | 0:04:24 | |
who's going to go second. | 0:04:24 | 0:04:26 | |
And, whoever's going first, please step up to the podium. | 0:04:26 | 0:04:29 | |
OK. And the question concerns... | 0:04:32 | 0:04:35 | |
Richard. On each board, we're going to show you the names of seven | 0:04:40 | 0:04:43 | |
top-40 singles from the UK which have one word in their title that | 0:04:43 | 0:04:46 | |
were also released by artists who have one word in their name. | 0:04:46 | 0:04:48 | |
Tell us the names of those artists, please. We'll give you their initials as well. | 0:04:48 | 0:04:52 | |
There'll be seven on the first board, seven on the second. | 0:04:52 | 0:04:54 | |
14 in all to have a go at at home. Very best of luck. | 0:04:54 | 0:04:56 | |
Thanks very much. OK, so, we're looking for the artists - | 0:04:56 | 0:04:59 | |
also one word - who had hits with these singles. And here they are. | 0:04:59 | 0:05:03 | |
We've got... | 0:05:03 | 0:05:04 | |
I'll read those all again... | 0:05:21 | 0:05:23 | |
There we are. | 0:05:31 | 0:05:33 | |
Johnny. Welcome back to Pointless. Thank you. | 0:05:33 | 0:05:36 | |
Tell me, does that jacket, like every cloud, have a silver lining? LAUGHTER | 0:05:36 | 0:05:41 | |
Um.... No, it doesn't! No, it doesn't actually. | 0:05:41 | 0:05:43 | |
No, it's just a black lining. I don't like clouds like that. | 0:05:43 | 0:05:47 | |
Now, Johnny, you're sort of Mr Eurovision. | 0:05:47 | 0:05:49 | |
I'm not sure there's anyone who's had so much success with Eurovision. | 0:05:49 | 0:05:52 | |
I've been called a lot of things... I hope that's... That's one of them. | 0:05:52 | 0:05:56 | |
But, you know, you've won twice in your own right... | 0:05:56 | 0:05:59 | |
Twice as a singer, and twice as a writer. | 0:05:59 | 0:06:01 | |
So, you've got your trophies at home. Three trophies. Yep. | 0:06:01 | 0:06:04 | |
Have the trophies improved over the years? | 0:06:04 | 0:06:07 | |
The funny thing is that I have a 24-year-old son who's | 0:06:07 | 0:06:10 | |
a musician as well, | 0:06:10 | 0:06:11 | |
and his friends wanted to come along and have a photograph taken | 0:06:11 | 0:06:14 | |
with one of my trophies, | 0:06:14 | 0:06:15 | |
and they weren't interested in the Eurovision ones at all. | 0:06:15 | 0:06:18 | |
They wanted the Pointless trophy that I had. | 0:06:18 | 0:06:20 | |
That is fantastic. What about that! There you are. | 0:06:20 | 0:06:23 | |
Now, Johnny, I imagine you'll know all of these answers, | 0:06:23 | 0:06:26 | |
it's just a matter of working out which is the lowest scorer. | 0:06:26 | 0:06:29 | |
I know that Linda's probably much better at this than me. | 0:06:29 | 0:06:31 | |
I'm going to go with Africa and Toto. | 0:06:31 | 0:06:34 | |
Toto, says Johnny. Let's see how many of our 100 people went with Toto. | 0:06:34 | 0:06:38 | |
Not bad. Good start to the show. | 0:06:50 | 0:06:52 | |
34 for Toto. That is a good start. | 0:06:52 | 0:06:54 | |
They had a number three hit, sold over 13 million records worldwide, Toto. | 0:06:54 | 0:06:57 | |
Thank you very much, Richard. | 0:06:57 | 0:06:59 | |
And now, Natalie. Hello. So, Scooch. | 0:06:59 | 0:07:02 | |
I mean, lots of people obviously remember Flying The Flag. | 0:07:02 | 0:07:05 | |
Yes. Absolutely. | 0:07:05 | 0:07:07 | |
But, Scooch, you had quite a lot of success before that. You had a top-five single, didn't you? | 0:07:07 | 0:07:11 | |
You had a run of successful singles. We did, yes. | 0:07:11 | 0:07:13 | |
'99 was our first release, and we had a couple of number fives. | 0:07:13 | 0:07:18 | |
One was with Flying The Flag, actually. | 0:07:18 | 0:07:20 | |
But then you disbanded, and then you reformed. We did. | 0:07:20 | 0:07:23 | |
What were you doing in those years off? Many things. Having babies. | 0:07:23 | 0:07:26 | |
Ah, yeah. You can't be Scooching and having babies at the same time. | 0:07:26 | 0:07:30 | |
Well, it's quite tough. And then back you came for Flying The Flag. | 0:07:30 | 0:07:34 | |
Did you keep going after that, or did you...? | 0:07:34 | 0:07:37 | |
Yeah, we're still doing gigs now. A very busy time of the year. | 0:07:37 | 0:07:42 | |
Just one day of the year... | 0:07:42 | 0:07:45 | |
Now then, Natalie. What would you like to go for? | 0:07:45 | 0:07:47 | |
Well, I'm just relieved that I actually know some of the answers. | 0:07:47 | 0:07:51 | |
So, that's a good start. | 0:07:51 | 0:07:53 | |
I'm going to go for... | 0:07:53 | 0:07:55 | |
And I just hope I've got the name right, I think I've got it right. | 0:07:55 | 0:07:59 | |
The Milkshake song. Kelis. | 0:07:59 | 0:08:01 | |
Kelis. Oh, you say Kel-eese. I would just say Kel-iss. But no, Kel-eese. If that's how it's pronounced. | 0:08:01 | 0:08:07 | |
Taking a little bit of a chance here. | 0:08:07 | 0:08:09 | |
Kel-eese. Let's see if it's right. | 0:08:09 | 0:08:10 | |
Let's see how many of our 100 people said Kelis. Or Kel-eese. | 0:08:10 | 0:08:14 | |
It's right. | 0:08:15 | 0:08:16 | |
Well, we have 34 for Toto. | 0:08:16 | 0:08:19 | |
18 for Kelis. Very well done. | 0:08:23 | 0:08:26 | |
Yeah, I would say Kel-eese too. Number two hit that was, Milkshake. | 0:08:29 | 0:08:32 | |
And she's now got her own cooking show in America. She does lots of cooking. | 0:08:32 | 0:08:36 | |
Does she? Yeah. There we are. Thank you very much indeed. | 0:08:36 | 0:08:38 | |
Now, Jenny. Hello. Welcome. Thank you. | 0:08:38 | 0:08:40 | |
It's just marvellous to have you here. | 0:08:40 | 0:08:43 | |
Now, when you sang as Precious... Say It Again was your hit. Yes. | 0:08:43 | 0:08:47 | |
Who chose you to be our representative? | 0:08:47 | 0:08:49 | |
Because, in those days, we didn't have the TV show, did we, where it was voted by an audience. | 0:08:49 | 0:08:53 | |
I think it was the writer of the song... Yeah. ..who put it forward. | 0:08:53 | 0:08:56 | |
And then we did have to do a bit of a competition to get in, didn't we? | 0:08:56 | 0:09:00 | |
Beat some bands off. I've got a really bad memory, | 0:09:00 | 0:09:02 | |
so I kind of phone Sophie if I ever need to know anything about that era. | 0:09:02 | 0:09:06 | |
But was there an evening when you all got up and sang your songs? | 0:09:06 | 0:09:09 | |
Yeah, on Top Of The Pops, actually. On Top Of The Pops it was, yes (!) | 0:09:09 | 0:09:11 | |
And somebody voted, or there was a panel, or... | 0:09:11 | 0:09:14 | |
The general public voted in their thousands. Oh, there we are. | 0:09:14 | 0:09:17 | |
And then you got the news that... Our mothers, our fathers... Yeah. | 0:09:17 | 0:09:21 | |
Speed dial. | 0:09:21 | 0:09:23 | |
Yeah, but that's brilliant. Exciting news to get. | 0:09:23 | 0:09:25 | |
And then terrifying, I should think. Yeah. Yeah. | 0:09:25 | 0:09:28 | |
You kind of don't really understand how there's the audience that | 0:09:28 | 0:09:30 | |
watches it, when somebody actually tells you the figures, you go, | 0:09:30 | 0:09:33 | |
"Oh. OK, that's a lot of people." | 0:09:33 | 0:09:35 | |
It gets a little bit daunting all of a sudden. | 0:09:35 | 0:09:38 | |
Just a bit. Thinking, "What, they were all watching? Blimey." | 0:09:38 | 0:09:41 | |
So, Jenny, what would you like to go for? | 0:09:41 | 0:09:43 | |
Um... I'm going to go for Glamorous. Fergie. | 0:09:43 | 0:09:48 | |
Fergie, says Jenny. | 0:09:48 | 0:09:50 | |
Let's see if that's right for Glamorous, | 0:09:50 | 0:09:52 | |
let's see how many of our 100 people said it. | 0:09:52 | 0:09:54 | |
Fergie. | 0:09:54 | 0:09:56 | |
It's right. 34 is our highest score, 18 is our low. | 0:09:57 | 0:10:01 | |
Passing the high score, passing the low. Look at that, Jenny! | 0:10:01 | 0:10:06 | |
A new low. | 0:10:06 | 0:10:08 | |
Best score so far. | 0:10:08 | 0:10:11 | |
Yeah, another very good answer. Number 6 hit, that was. | 0:10:11 | 0:10:13 | |
I think that was genuinely the thing that made him | 0:10:13 | 0:10:15 | |
think for the first time, "I'm probably going to leave Man United." | 0:10:15 | 0:10:18 | |
He thought, "Do you know what? There's other things I want to do with my life and my career." | 0:10:18 | 0:10:23 | |
Because that was his first big hit, really. Massive hit, yeah. | 0:10:23 | 0:10:26 | |
Produced by Sir Bobby Charlton. | 0:10:26 | 0:10:28 | |
Was it really? Yeah, yeah, yeah. | 0:10:28 | 0:10:30 | |
And, to this day, David Moyes never had a bigger hit single than that. | 0:10:30 | 0:10:34 | |
So... Well, to date. To date. There's time yet. | 0:10:34 | 0:10:37 | |
There's time yet, you're absolutely right. | 0:10:37 | 0:10:39 | |
Thanks very much indeed, Richard. | 0:10:39 | 0:10:40 | |
Cheryl. Welcome back to Pointless. Thank you very much. | 0:10:40 | 0:10:44 | |
Lovely to have you here. | 0:10:44 | 0:10:45 | |
When you went as Bucks Fizz to Eurovision, | 0:10:45 | 0:10:47 | |
you'd been already in Co-Co, hadn't you? Yeah. In 1978. | 0:10:47 | 0:10:51 | |
We did worse than any other time that the UK had entered, | 0:10:51 | 0:10:54 | |
at that time. | 0:10:54 | 0:10:56 | |
No! We came eleventh. ALEXANDER GASPS | 0:10:56 | 0:10:58 | |
Really? | 0:10:58 | 0:11:00 | |
Now? Come eleventh now and you're, "Wow!" | 0:11:00 | 0:11:02 | |
But it means that you were in a position to enjoy it all | 0:11:02 | 0:11:04 | |
the more, the great glory. | 0:11:04 | 0:11:06 | |
Because there were only four points in it, weren't there? | 0:11:06 | 0:11:08 | |
Yeah. It was the skirt that did it. | 0:11:08 | 0:11:10 | |
It was the piece of Velcro on our skirt that won us | 0:11:10 | 0:11:13 | |
those extra points. And it held. Yeah. Fantastic. Now, Cheryl, you're the last person to have this board. | 0:11:13 | 0:11:18 | |
Would you like to talk us through it? | 0:11:18 | 0:11:20 | |
I can't talk you through it completely, but the first one of course, Skyfall, is Adele. | 0:11:20 | 0:11:25 | |
Vogue is Madonna. | 0:11:25 | 0:11:28 | |
I don't know Hyperballad. | 0:11:28 | 0:11:30 | |
And Flash is Queen. | 0:11:30 | 0:11:32 | |
So, out of the three that I do know, I think I'm going | 0:11:32 | 0:11:34 | |
to go for Flash and Queen. | 0:11:34 | 0:11:36 | |
Queen. OK, let's see how many of our 100 people agree with Cheryl. | 0:11:36 | 0:11:40 | |
How many people said Queen? | 0:11:40 | 0:11:41 | |
Well, it's right. 34 still our... | 0:11:44 | 0:11:46 | |
Oh, no! | 0:11:46 | 0:11:48 | |
Oh, look at that. | 0:11:48 | 0:11:49 | |
65 for Queen. | 0:11:49 | 0:11:52 | |
No-one ever forgets anything Freddie Mercury ever did. | 0:11:52 | 0:11:55 | |
I'll have to remember that at some point. 65. | 0:11:55 | 0:11:57 | |
That's true, actually. All three you knew were fairly big scorers. | 0:11:57 | 0:12:00 | |
Adele is the biggest scorer of all, up the top there. She would've scored you 82 points. | 0:12:00 | 0:12:04 | |
Vogue, Madonna, would've scored you 64. | 0:12:04 | 0:12:07 | |
And the best answer on the board is Hyperballad, | 0:12:07 | 0:12:10 | |
which is Bjork. Bjork, yeah. | 0:12:10 | 0:12:12 | |
And that would've scored 2 points, so very well done if you said that. | 0:12:12 | 0:12:15 | |
Thanks very much indeed, Richard. | 0:12:15 | 0:12:16 | |
So, we're halfway through the round. Let's take a quick recap of those scores. | 0:12:16 | 0:12:19 | |
9, Jenny. What about that? Very impressed with ourselves. | 0:12:19 | 0:12:22 | |
The best score of the pass. | 0:12:22 | 0:12:23 | |
Jenny and Sophie, I think I'll be very surprised | 0:12:23 | 0:12:26 | |
if you're not in Round Two. | 0:12:26 | 0:12:27 | |
Ditto Natalie and Russ. Very well done on 18. | 0:12:27 | 0:12:29 | |
34 is where we find Johnny and Linda. | 0:12:29 | 0:12:31 | |
And then up to 65. I'm so sorry, Cheryl and Jay, | 0:12:31 | 0:12:34 | |
that's quite a high score there. | 0:12:34 | 0:12:35 | |
So, Jay, you'll get the new board. | 0:12:35 | 0:12:37 | |
Find a lovely low-scoring answer on that... I'll try. ..and let's hope that will keep you in the game. | 0:12:37 | 0:12:41 | |
We're going to come back down the line now. Can the second players please step up to the podium. | 0:12:41 | 0:12:46 | |
OK, let's put seven more single-word song titles up on the board, and here they are. | 0:12:48 | 0:12:52 | |
I'll read those all again... | 0:13:08 | 0:13:10 | |
Jay. Mmmm. Fantastic to have you here. | 0:13:18 | 0:13:21 | |
A very, very warm welcome. Thank you. | 0:13:21 | 0:13:24 | |
Let's just talk a little bit more about that skirt moment. | 0:13:24 | 0:13:26 | |
Because, I have to say, I think if you compile ten iconic moments - | 0:13:26 | 0:13:30 | |
just ten iconic moments from the 1980s - | 0:13:30 | 0:13:32 | |
you'd have probably the Royal Wedding, you'd have Torvill and Dean | 0:13:32 | 0:13:35 | |
winning in Sarajevo, and you'd have that skirt coming off. | 0:13:35 | 0:13:39 | |
It was that important, I think. | 0:13:39 | 0:13:41 | |
It was fantastic, yes. We both couldn't quite agree on the length of the skirt, | 0:13:41 | 0:13:45 | |
so it was kind of a compromise that worked very well. | 0:13:45 | 0:13:47 | |
I can't remember what the differentiation was between the... | 0:13:47 | 0:13:50 | |
I mean, it wasn't TOO long, the first skirt, was it? | 0:13:50 | 0:13:52 | |
The song was a bit rock and roll, so Cheryl wanted this sort of '50s look. | 0:13:52 | 0:13:55 | |
And I thought the miniskirts would get us a few more points. | 0:13:55 | 0:13:59 | |
And she was right. There you go. | 0:13:59 | 0:14:01 | |
But it was the skirt removal, I think, that's what, you know... | 0:14:01 | 0:14:04 | |
It was a great moment, a real "wow" moment, | 0:14:04 | 0:14:06 | |
worked like a charm. Very well done. | 0:14:06 | 0:14:08 | |
Now, listen, you're the high scorers at the moment, Jay. Yes. | 0:14:08 | 0:14:11 | |
But, look at this lovely, pristine board - box-fresh. | 0:14:11 | 0:14:13 | |
I've got to put my glasses on. OK. Yes. | 0:14:13 | 0:14:16 | |
But don't go for something too comfortable and easy. | 0:14:16 | 0:14:19 | |
Make sure you go for something that's a little bit challenging. | 0:14:19 | 0:14:22 | |
Mmmm. I think I'm going to just go with one I know, which is | 0:14:22 | 0:14:26 | |
Believe, which is Cher. | 0:14:26 | 0:14:27 | |
She didn't listen to a word I said, did she? | 0:14:27 | 0:14:30 | |
So, now, Believe, Cher, says Jay. | 0:14:32 | 0:14:34 | |
No red line for you as you're the highest scorers, but let's see | 0:14:34 | 0:14:37 | |
how far down the column we can get with Cher. | 0:14:37 | 0:14:40 | |
It's right. | 0:14:42 | 0:14:44 | |
Oh, that's not bad at all. Look at that. | 0:14:47 | 0:14:48 | |
Very well done indeed, Jay. | 0:14:48 | 0:14:50 | |
Yeah, that was a number-one single for Cher. | 0:14:54 | 0:14:56 | |
Her first-ever single was Ringo, I Love You, which was a flop. | 0:14:56 | 0:15:00 | |
Believe it or not. | 0:15:00 | 0:15:01 | |
Ringo, I Love You. Yeah. | 0:15:01 | 0:15:03 | |
She was a backing singer on Be My Baby by The Ronettes. | 0:15:03 | 0:15:05 | |
No! Yeah. How about that? I didn't know that at all. | 0:15:05 | 0:15:08 | |
That's quite cool, isn't it? Yeah. | 0:15:08 | 0:15:10 | |
There we are. | 0:15:10 | 0:15:12 | |
Now, then. Sophie, welcome to Pointless. Hello. Great to have you here. | 0:15:12 | 0:15:16 | |
Now, you and Jenny had known each other for ages, hadn't you, before you started... | 0:15:16 | 0:15:20 | |
Yes, we were friends before the band. ..Precious. And how did Precious come about? | 0:15:20 | 0:15:23 | |
We were manufactured - not for Eurovision, | 0:15:23 | 0:15:26 | |
but we auditioned as a girl band. | 0:15:26 | 0:15:28 | |
They took both of us, so... | 0:15:28 | 0:15:30 | |
But you went to Eurovision - only two years before | 0:15:30 | 0:15:33 | |
Katrina And The Waves had won in '97, so there was real expectation. | 0:15:33 | 0:15:36 | |
How old were you when you did that? I was 22. I was the oldest member of the band. | 0:15:36 | 0:15:40 | |
The youngest one, Kalli, was 16, so we were young girls, yeah. | 0:15:40 | 0:15:43 | |
And that's an enormous audience to play in front of. | 0:15:43 | 0:15:46 | |
How did you cope with that, or was it just a sort of blur? | 0:15:46 | 0:15:49 | |
It was exciting. | 0:15:49 | 0:15:50 | |
Our families all came, we went to Tel Aviv, and we had a great time. | 0:15:50 | 0:15:54 | |
Sophie got us all strip-searched in the airport on the way home. | 0:15:54 | 0:15:57 | |
I took a present for one of my... | 0:15:57 | 0:15:59 | |
They said, "Did you pack your bags yourself?" She said, | 0:15:59 | 0:16:02 | |
"Oh, yes, we've all got those gifts off the record company, haven't we?" | 0:16:02 | 0:16:05 | |
And we all went... | 0:16:05 | 0:16:06 | |
The next minute, all these bags are getting torn apart. "It's a candle!" | 0:16:06 | 0:16:10 | |
It was a candle. Yeah. | 0:16:10 | 0:16:12 | |
That was what you got from your record company? Yeah. | 0:16:12 | 0:16:15 | |
Now then, Sophie, | 0:16:15 | 0:16:16 | |
brilliant low score from Jenny in the first pass, which means, | 0:16:16 | 0:16:19 | |
if you can score 87 or less, | 0:16:19 | 0:16:21 | |
you are definitely through to the next round. | 0:16:21 | 0:16:23 | |
Oh, good. So, a little bit of pressure off there. | 0:16:23 | 0:16:25 | |
OK. I do know a couple of the answers, I think, but I'm trying to | 0:16:25 | 0:16:28 | |
think of the most obscure, because that's the game, so... LAUGHTER | 0:16:28 | 0:16:32 | |
I'm going to go with Disturbia and Rihanna. | 0:16:32 | 0:16:36 | |
Rihanna for Disturbia, says Sophie. Here's your red line. | 0:16:36 | 0:16:39 | |
Get below that with Rihanna and you are home and dry. | 0:16:39 | 0:16:42 | |
Let's see how many of our 100 people said Rihanna. | 0:16:42 | 0:16:45 | |
It's right, and you are through. Very well done. | 0:16:47 | 0:16:49 | |
Look at that - down it goes. | 0:16:51 | 0:16:52 | |
Good answer! 15 for Rihanna, taking your total up to... | 0:16:52 | 0:16:56 | |
I reckon that will be the lowest total of the round. | 0:16:58 | 0:17:00 | |
Yeah, very nicely played. Another number-three hit. | 0:17:00 | 0:17:02 | |
Her real name is Robyn. With a Y? With a Y, yeah. | 0:17:02 | 0:17:06 | |
Her middle name's Rihanna, to be fair to her. | 0:17:06 | 0:17:08 | |
What's your middle name? Henry Fenwick. I've got two of them. | 0:17:08 | 0:17:11 | |
Which one should I perform under? Fenwick. Fenwick. | 0:17:11 | 0:17:14 | |
Yeah, you should call yourself Fenwick Armstrong. | 0:17:14 | 0:17:16 | |
I've heard people call you something very similar. LAUGHTER | 0:17:16 | 0:17:19 | |
Thank you very much, Richard. | 0:17:24 | 0:17:26 | |
Russ. Hello. Welcome to Pointless. | 0:17:27 | 0:17:30 | |
Now, Flying The Flag. You co-wrote Flying The Flag. I did, yes. | 0:17:30 | 0:17:33 | |
It's my fault. No, I'm not saying that. | 0:17:33 | 0:17:36 | |
But when you start writing a Eurovision song... | 0:17:36 | 0:17:38 | |
Obviously, there are some songs that have to have... | 0:17:38 | 0:17:41 | |
If you're writing a Bond song, for example, you have to have your Bond strings in there, don't you? | 0:17:41 | 0:17:45 | |
There are the little chromatics you have to have. If you're writing a Eurovision song, | 0:17:45 | 0:17:48 | |
where do you start from? What are the building blocks you have to have? | 0:17:48 | 0:17:51 | |
Well, we listened to Making Your Mind Up over and over again. | 0:17:51 | 0:17:54 | |
No, but we just wanted to do something a little bit camp. | 0:17:54 | 0:17:58 | |
It all came around the concept, and...yeah. | 0:17:58 | 0:18:00 | |
We just had a bit of fun with it, really, to see | 0:18:00 | 0:18:03 | |
what we could get away with. | 0:18:03 | 0:18:04 | |
Lots of silly innuendos and things. LAUGHTER | 0:18:04 | 0:18:08 | |
But, actually, in the heyday of Eurovision, there were no innuendos. | 0:18:08 | 0:18:12 | |
It was a very innocent affair in the '70s and '80s, actually. | 0:18:12 | 0:18:15 | |
Oh, Russ, you changed all that. | 0:18:15 | 0:18:17 | |
Now, listen, you're there on 18. The high scorers | 0:18:17 | 0:18:20 | |
are Jay and Cheryl, at this stage, on 97, | 0:18:20 | 0:18:22 | |
so 78 or less keeps you in the game. | 0:18:22 | 0:18:25 | |
Not too much of a challenge, I wouldn't have thought there, Russ. | 0:18:25 | 0:18:28 | |
No. Well, I've got a couple, | 0:18:28 | 0:18:31 | |
but I'm thinking Boombastic, Shaggy. | 0:18:31 | 0:18:36 | |
Shaggy, says Russ, for Boombastic. | 0:18:36 | 0:18:38 | |
Here is your red line. | 0:18:38 | 0:18:40 | |
Get below that and you are through the next round. | 0:18:40 | 0:18:42 | |
How many of our 100 people said Shaggy? | 0:18:42 | 0:18:44 | |
It's right. | 0:18:46 | 0:18:48 | |
And you're through. Very well done indeed. Down it goes. | 0:18:48 | 0:18:51 | |
Taking your total up to... | 0:18:54 | 0:18:56 | |
Well played, Russ. And his real name is Orville. Is...? Orville. | 0:18:57 | 0:19:01 | |
As we've discussed before, his real name is Orville, | 0:19:01 | 0:19:03 | |
and Shaggy from Scooby Doo's real name is Norville. | 0:19:03 | 0:19:05 | |
Wow. | 0:19:05 | 0:19:07 | |
Thanks very much indeed. Now, Linda. | 0:19:07 | 0:19:09 | |
So, you... I mean, perfect partnership, you and Johnny. | 0:19:09 | 0:19:12 | |
A winning team. You've been in Eurovision twice. Yes. | 0:19:12 | 0:19:14 | |
I think you came second the first time. That's right. | 0:19:14 | 0:19:17 | |
And he wrote that one as well. He wrote that one? Oh... | 0:19:17 | 0:19:20 | |
Johnny, I hope, somewhere, back at Eurovision's | 0:19:20 | 0:19:23 | |
headquarters in Hartlepool, they have a statue of you. | 0:19:23 | 0:19:27 | |
I hope they do. Yeah, they throw things at it. I bet they don't. | 0:19:28 | 0:19:31 | |
But Linda, so, who partnered you with Johnny, incidentally? | 0:19:31 | 0:19:34 | |
Well, believe it or believe it not, we were both managed by Louis Walsh. | 0:19:34 | 0:19:38 | |
Really? From, like, centuries ago, yes. | 0:19:38 | 0:19:40 | |
Of course, one forgets that Louis is in fact nearly 107 now. | 0:19:40 | 0:19:44 | |
That's how it all came around, you see, | 0:19:46 | 0:19:48 | |
because we were both in the office. So, when Johnny was writing the songs, | 0:19:48 | 0:19:51 | |
Louis was in his ears saying, "When you write this song, you've got to give it to Linda." | 0:19:51 | 0:19:54 | |
And you were persuaded. Twice. Well, it didn't take too much, yeah. | 0:19:54 | 0:19:58 | |
Very good. | 0:19:58 | 0:19:59 | |
Now then, Linda. We have a competition here. | 0:19:59 | 0:20:01 | |
You have to score 62 or less. | 0:20:01 | 0:20:04 | |
See, the funny thing about it is that I know the song Free, | 0:20:04 | 0:20:07 | |
but I'm darned if I can think of who the heck E is. | 0:20:07 | 0:20:10 | |
So, that's a big problem. You could say that. | 0:20:10 | 0:20:14 | |
I know that Wonderwall is Oasis, and that is very, very obvious. | 0:20:14 | 0:20:18 | |
I haven't a clue who Sober was, | 0:20:18 | 0:20:20 | |
and the only alternative left to me is Venus with Bananarama. | 0:20:20 | 0:20:25 | |
I'll have to go with Venus. You're going to go with... With Bananarama. Bananarama. | 0:20:25 | 0:20:29 | |
OK, here's your red line. It could be higher, let's be honest. | 0:20:29 | 0:20:32 | |
But let's see, if you can get below that with Bananarama, | 0:20:32 | 0:20:35 | |
you are through to the next round. Very, very best of luck. | 0:20:35 | 0:20:37 | |
Let's see how many of our 100 people said Bananarama for Venus. | 0:20:37 | 0:20:37 | |
It's right. | 0:20:37 | 0:20:41 | |
You've done it! Well done. | 0:20:44 | 0:20:46 | |
Very well done - look at that! | 0:20:46 | 0:20:48 | |
With space to spare. | 0:20:50 | 0:20:52 | |
59 is your total. Very well done. | 0:20:52 | 0:20:55 | |
Well played, Linda. It was originally by a Dutch band called Shocking Blue, | 0:20:55 | 0:20:58 | |
and I think Shocking Blue are the only band in history to have songs covered by Bananarama and Nirvana. | 0:20:58 | 0:21:03 | |
Because Nirvana did Love Buzz, which was also a Shocking Blue song. | 0:21:03 | 0:21:06 | |
You were right to avoid Wonderwall - would've been too many points for you - | 0:21:06 | 0:21:09 | |
by Oasis, of course, and would've scored 73. | 0:21:09 | 0:21:12 | |
Sober was Pink. Good scorer at 6 points for that. | 0:21:12 | 0:21:17 | |
Now, Free is a very, very tough answer. Very well done if you got it at home. | 0:21:17 | 0:21:20 | |
She had a much, much bigger hit with American Boy, which she released with Kanye, | 0:21:20 | 0:21:24 | |
and it was Estelle. | 0:21:24 | 0:21:26 | |
Very well done if you said that pointless answer. | 0:21:26 | 0:21:28 | |
Thanks very much indeed. | 0:21:28 | 0:21:29 | |
Now, there we are at the end of our first round. | 0:21:29 | 0:21:32 | |
I'm afraid there is one, but there always has to be a pair we say goodbye to. | 0:21:32 | 0:21:35 | |
I can't bear it. Cheryl and Jay, it's you we have to send home. | 0:21:35 | 0:21:39 | |
Never mind. Well, I mean, it was going to be painful whoever it was, | 0:21:39 | 0:21:42 | |
but it's especially painful it's you. It's been such a treat having you here. | 0:21:42 | 0:21:45 | |
I heard a rumour that you might be singing for us at the end of the show, | 0:21:45 | 0:21:48 | |
but I'm not going to say any more. Thank you so much for coming and playing, | 0:21:48 | 0:21:51 | |
please come and play again. Jay and Cheryl. Wonderful. | 0:21:51 | 0:21:54 | |
But, for our remaining three pairs, it's now time for Round Two. | 0:21:57 | 0:22:00 | |
And so we're down to three pairs. Obviously, at the end of this round, | 0:22:05 | 0:22:08 | |
we'll have to say goodbye to another pair. | 0:22:08 | 0:22:09 | |
Can't say at this stage who that's going to be - you all did | 0:22:09 | 0:22:12 | |
so well in that last round. | 0:22:12 | 0:22:14 | |
Very, very best of luck to all three pairs. | 0:22:14 | 0:22:16 | |
Our category for Round Two is... | 0:22:16 | 0:22:18 | |
Can you all decide in your pairs who's going to go first, | 0:22:21 | 0:22:23 | |
who's going to go second. LINDA SIGHS | 0:22:23 | 0:22:25 | |
And, whoever's going first, please step up to the podium. | 0:22:25 | 0:22:28 | |
OK, let's find out what the question is. Here it comes. | 0:22:31 | 0:22:34 | |
We gave 100 people 100 seconds to name as many... | 0:22:34 | 0:22:37 | |
RUSS: Begin or end... | 0:22:43 | 0:22:44 | |
European Union countries that begin or end with the letters | 0:22:44 | 0:22:48 | |
A, B, C, D, or E. | 0:22:48 | 0:22:51 | |
We're looking for any European country that's a member | 0:22:51 | 0:22:53 | |
of the EU that begins or ends with one of those letters, please. | 0:22:53 | 0:22:56 | |
As always, by country, we mean a sovereign state that's a member of the UN in its own right. | 0:22:56 | 0:23:00 | |
So, those European countries that are members of the EU, and begin or end with those letters. | 0:23:00 | 0:23:04 | |
Thank you very much, Richard. | 0:23:04 | 0:23:07 | |
Yes. | 0:23:07 | 0:23:08 | |
Johnny, we come to you. Yeah. Ah. This is... | 0:23:08 | 0:23:14 | |
I'm going to go for... | 0:23:14 | 0:23:17 | |
E. Estonia. | 0:23:19 | 0:23:20 | |
Estonia, says Johnny. Estonia. Let's see if that's right. | 0:23:20 | 0:23:23 | |
Let's see how many of our 100 people said Estonia. | 0:23:23 | 0:23:26 | |
It's right. | 0:23:28 | 0:23:30 | |
26 for Estonia. | 0:23:34 | 0:23:36 | |
That's a nice start, isn't it? They won Eurovision in 2001, Estonia. | 0:23:40 | 0:23:43 | |
And doubly qualified. | 0:23:43 | 0:23:45 | |
Yes, because they begin with E and they end in A. | 0:23:45 | 0:23:48 | |
I mean, how about that? Estonia, come through. Through you come. | 0:23:48 | 0:23:51 | |
Oi, not so fast, next country. | 0:23:51 | 0:23:54 | |
We have to check you're on the list. | 0:23:54 | 0:23:56 | |
Now, Russ. | 0:23:56 | 0:23:58 | |
I think I'm going to go for Andorra. | 0:23:58 | 0:24:02 | |
Andorra. Mm. Andorra, says Russ. Let's see if that's right. | 0:24:02 | 0:24:06 | |
Let's see how many of our 100 people said Andorra. | 0:24:06 | 0:24:09 | |
Oh! Oh, no. | 0:24:12 | 0:24:14 | |
It's the EU thing again. Brussels! Ooh! | 0:24:14 | 0:24:17 | |
Yeah. I thought I had a double there - two "A"s - but no. | 0:24:17 | 0:24:21 | |
There you are. It scores you 100 points. | 0:24:21 | 0:24:23 | |
It may very well not be the last 100 pointer of the round. | 0:24:23 | 0:24:26 | |
Yeah, it's really unlucky. Most European countries are a member of the EU, | 0:24:26 | 0:24:29 | |
but not Andorra, it's so diddy. But it does begin and end with an A. | 0:24:29 | 0:24:32 | |
Yeah, that's what I thought. And it's an obscure country. I'm worried that Scooch | 0:24:32 | 0:24:35 | |
are going to finish second-to-last again. | 0:24:35 | 0:24:39 | |
Well, I don't know, let's see. The round is young. It's true, and that is unlucky. | 0:24:39 | 0:24:43 | |
That is unlucky. | 0:24:43 | 0:24:44 | |
Jenny. Now, Jenny. | 0:24:44 | 0:24:46 | |
OK. Bosnia. | 0:24:47 | 0:24:49 | |
Bosnia, says Jenny. Let's see if that's right, let's see how many of our 100 people went for Bosnia. | 0:24:49 | 0:24:53 | |
Oh! Oooooh. | 0:24:56 | 0:24:59 | |
Bad luck. Like I said, Russ wasn't going to be the last 100 of the round. That scores you 100 points. | 0:24:59 | 0:25:03 | |
Yeah, again, begins with a B, which is lovely, also... | 0:25:03 | 0:25:05 | |
Ends with... An A, so doubly qualifies as well, | 0:25:05 | 0:25:08 | |
but not a member of the EU, I'm afraid. | 0:25:08 | 0:25:10 | |
Anyway, we're halfway through the round, so let's... Yes, and it's going pretty well so far. | 0:25:10 | 0:25:14 | |
Yeah. Let's remind ourselves of the scores. | 0:25:14 | 0:25:16 | |
Only two for me to remember from the three teams. | 0:25:16 | 0:25:19 | |
Look at that. | 0:25:19 | 0:25:20 | |
A dazzling beacon you are, Johnny, there with your correct answer. | 0:25:20 | 0:25:24 | |
And then we travel up to 100 where we find Russ and Natalie, | 0:25:24 | 0:25:27 | |
and Jenny and Sophie. So, very best of luck. | 0:25:27 | 0:25:29 | |
We're going to come back down the line now. Can the second players please step up to the podium. | 0:25:29 | 0:25:33 | |
OK. Sophie, remember we're looking for any European Union country | 0:25:35 | 0:25:39 | |
that begins or ends with A, B, C, D, or E. | 0:25:39 | 0:25:43 | |
OK. I'm going to play it safe, I think, and say Denmark. | 0:25:44 | 0:25:49 | |
Denmark, says Sophie. Denmark. | 0:25:49 | 0:25:52 | |
No red line for you, you're the joint high scorers. | 0:25:52 | 0:25:54 | |
Let's see how many of our 100 people said Denmark. | 0:25:54 | 0:25:57 | |
It's right. Well, 26 is our... | 0:25:58 | 0:26:01 | |
Oh! | 0:26:01 | 0:26:02 | |
69 - it's good enough. | 0:26:02 | 0:26:04 | |
Denmark. Very popular country. 169's your total. | 0:26:05 | 0:26:09 | |
Yeah, they've won it three times, Denmark. | 0:26:09 | 0:26:11 | |
They won it in 2013, which makes you think we could win it. We could. | 0:26:11 | 0:26:14 | |
We could win it again. Come on. We could. | 0:26:14 | 0:26:17 | |
Yeah. Happiest country to live in the world, Denmark. | 0:26:17 | 0:26:21 | |
Ah. That's nice, isn't it? That's nice. | 0:26:21 | 0:26:23 | |
Thank you very much. | 0:26:23 | 0:26:24 | |
Now, Natalie. 68 or less is what you need to score. | 0:26:24 | 0:26:29 | |
Otherwise we have to say goodbye to you. | 0:26:29 | 0:26:31 | |
No pressure. | 0:26:31 | 0:26:32 | |
OK. I'm going to go for... I'm still worried it might be wrong. | 0:26:32 | 0:26:38 | |
I'm going to go with Greece. | 0:26:38 | 0:26:39 | |
Greece. Greece, says Natalie. | 0:26:39 | 0:26:42 | |
Let's see how many of our 100 people said Greece. There's your red line. | 0:26:42 | 0:26:45 | |
Get below that with Greece, you're through to the next round. | 0:26:45 | 0:26:49 | |
Absolutely right, Natalie. | 0:26:49 | 0:26:52 | |
And you go through to the next round, Natalie. | 0:26:52 | 0:26:55 | |
Lowest score of the round so far. | 0:26:57 | 0:26:59 | |
118 is your total. | 0:26:59 | 0:27:01 | |
That's a great answer, Natalie. Exactly the thing to do as well, look for the ones at the end, | 0:27:03 | 0:27:07 | |
sometimes you get a lower score, and it ends with an E. | 0:27:07 | 0:27:09 | |
They won the Eurovision Song Contest in 2005, last time they won it. | 0:27:09 | 0:27:13 | |
Thanks very much. | 0:27:13 | 0:27:14 | |
Now, Linda. | 0:27:14 | 0:27:16 | |
I have great news for you... | 0:27:16 | 0:27:17 | |
Oh, good. ..which is, doesn't matter what you score, | 0:27:17 | 0:27:19 | |
you're still going to be in the head-to-head. Mm-hmm. | 0:27:19 | 0:27:22 | |
Um, I'm going to go with B, and I'm going to try Belgium. | 0:27:22 | 0:27:26 | |
Belgium, says Linda. | 0:27:26 | 0:27:27 | |
No red line for you, Linda, as you're already through. Let's see how many | 0:27:27 | 0:27:30 | |
of our 100 people said Belgium. | 0:27:30 | 0:27:32 | |
There we are. | 0:27:37 | 0:27:39 | |
98 is your total. | 0:27:39 | 0:27:41 | |
Yeah, missing a trick on that, podium one. | 0:27:43 | 0:27:45 | |
I'll tell you what would've been the lowest scorer of the round. Where are you from? | 0:27:45 | 0:27:48 | |
ROI. Ireland. Ireland, yeah, it would've scored you 12 points. | 0:27:48 | 0:27:51 | |
I thought it was very obvious. That would've been a terrific answer. | 0:27:51 | 0:27:54 | |
There's quite a few low scorers, no pointless answers at all, | 0:27:54 | 0:27:56 | |
but you'd have got 3 points for Malta and Slovenia, | 0:27:56 | 0:27:59 | |
you'd have got 4 for Lithuania and Finland, 5 for Slovakia, | 0:27:59 | 0:28:02 | |
7 for Romania, 8 Cyprus, 9 Poland... | 0:28:02 | 0:28:05 | |
This is a bit like the Eurovision Song Contest. | 0:28:05 | 0:28:07 | |
I should have done it like that. Slovaquie, cinq points. | 0:28:07 | 0:28:10 | |
Roumanie, sept points. La Chypre, huit points. | 0:28:10 | 0:28:15 | |
Le Pologne, neuf points. | 0:28:15 | 0:28:18 | |
What's Latvia in French? Let's say "Latvie". Latvie... | 0:28:18 | 0:28:21 | |
LAUGHTER | 0:28:21 | 0:28:23 | |
..onze points. Et l'Irlande, douze points. | 0:28:23 | 0:28:26 | |
Wayhey! | 0:28:26 | 0:28:27 | |
Et aussi, douze points pour la Republique tcheque. | 0:28:27 | 0:28:31 | |
"Tcheque"? Tcheque, oui. | 0:28:31 | 0:28:34 | |
LAUGHTER | 0:28:34 | 0:28:36 | |
Dix-neuf points pour la Bulgarie. | 0:28:36 | 0:28:39 | |
Bulgaria. LAUGHTER | 0:28:39 | 0:28:42 | |
Trente-et-un points pour la Croatie. La Croatie. | 0:28:42 | 0:28:47 | |
Croatie. Croatia. Right, I've got it, yeah. | 0:28:47 | 0:28:49 | |
Et la belle France, trente-cinq points. | 0:28:49 | 0:28:51 | |
L'Osterreich, l'Austriche, | 0:28:51 | 0:28:54 | |
quarante-neuf points pour l'Austriche. | 0:28:54 | 0:28:56 | |
Et, er... | 0:28:56 | 0:28:58 | |
Everything else we've had. LAUGHTER | 0:28:58 | 0:29:00 | |
Wouldn't it be ironic if | 0:29:00 | 0:29:01 | |
this actually pushed Eurovision back in the schedules? | 0:29:01 | 0:29:06 | |
You know what I mean? They now can't start until after 10pm. | 0:29:06 | 0:29:09 | |
And these suddenly became the points. | 0:29:09 | 0:29:10 | |
They'd go, "Blimey, Austria getting 49 points there from the UK jury. | 0:29:10 | 0:29:14 | |
"That's very impressive." Thanks very much indeed, Richard. | 0:29:14 | 0:29:17 | |
So, at the end of our second round, | 0:29:17 | 0:29:19 | |
the pair who are heading home with their high score of 169... | 0:29:19 | 0:29:21 | |
Oh, Sophie and Jenny, I'm sorry, it's you. | 0:29:21 | 0:29:24 | |
Thank you so much. I'm not enjoying the ends of these rounds. No. | 0:29:24 | 0:29:26 | |
The partings. Well, listen, thanks so much for playing. | 0:29:26 | 0:29:29 | |
It's been lovely having you here. Sophie and Jenny. | 0:29:29 | 0:29:31 | |
Thank you very much. Thank you. | 0:29:31 | 0:29:32 | |
APPLAUSE | 0:29:32 | 0:29:34 | |
But, for Linda and Johnny, Natalie and Russ, | 0:29:35 | 0:29:38 | |
it's now time for our head-to-head. | 0:29:38 | 0:29:39 | |
APPLAUSE | 0:29:39 | 0:29:42 | |
Well, congratulations Linda and Johnny, Natalie and Russ, | 0:29:43 | 0:29:46 | |
you are now one step closer to the final, | 0:29:46 | 0:29:48 | |
and a chance to play for that jackpot for your charities, | 0:29:48 | 0:29:51 | |
and that jackpot is standing currently at ?2,500. | 0:29:51 | 0:29:54 | |
APPLAUSE | 0:29:54 | 0:29:56 | |
So, this is the part where we decide who goes through to | 0:29:57 | 0:30:00 | |
play for that jackpot, and we do it by making you go head-to-head, | 0:30:00 | 0:30:03 | |
but the difference is you now start playing as a team. | 0:30:03 | 0:30:05 | |
You can confer before you give your answers, and the first pair | 0:30:05 | 0:30:07 | |
to win two questions will be playing for that jackpot. | 0:30:07 | 0:30:10 | |
Well, Linda and Johnny, no surprise there, Johnny. | 0:30:10 | 0:30:13 | |
Everything to do with Eurovision that you just touch turns to gold. | 0:30:13 | 0:30:16 | |
So yes, here you are as our low-scoring pair, | 0:30:16 | 0:30:18 | |
and Natalie and Russ, very well done indeed. Greece, Natalie. | 0:30:18 | 0:30:22 | |
I salute you. | 0:30:22 | 0:30:24 | |
That's what earned you your place here, so very, very well done. | 0:30:24 | 0:30:27 | |
Best of luck to both players. Let's play the head-to-head. | 0:30:27 | 0:30:29 | |
APPLAUSE | 0:30:29 | 0:30:32 | |
Here is your first question, and it is all about... | 0:30:35 | 0:30:38 | |
Oh, dear. Richard. | 0:30:41 | 0:30:43 | |
Have you heard of this(?) The Eurovision Song Contest. | 0:30:43 | 0:30:46 | |
It's an annual contest they hold for the best song in Europe. | 0:30:46 | 0:30:48 | |
We're going to give you five clues now to facts about | 0:30:48 | 0:30:51 | |
the Eurovision Song Contest. | 0:30:51 | 0:30:52 | |
Whichever team gives us the most obscure answer will win a point. | 0:30:52 | 0:30:55 | |
OK, thank you very much indeed. | 0:30:55 | 0:30:57 | |
Well, listen, I could, of course turn the board round, | 0:30:57 | 0:31:00 | |
and read you the things. | 0:31:00 | 0:31:01 | |
It'd be very... YAWNS | 0:31:01 | 0:31:03 | |
Why would we do that | 0:31:03 | 0:31:05 | |
when we've got Graham Norton here? | 0:31:05 | 0:31:07 | |
Hi there, Xander and Richard. | 0:31:07 | 0:31:08 | |
I'm sorry I can't be there, | 0:31:08 | 0:31:10 | |
but as you know, I'm currently in Stockholm, keenly awaiting the acts. | 0:31:10 | 0:31:14 | |
But here are five questions, all about Eurovision. | 0:31:14 | 0:31:17 | |
Who was the female singer who, in 1967, became the UK's first winner? | 0:31:17 | 0:31:23 | |
Which UK seaside town hosted the event in 1974, when ABBA won? | 0:31:26 | 0:31:31 | |
Which year did I take over from Sir Terry Wogan | 0:31:33 | 0:31:36 | |
as the BBC's Eurovision commentator? | 0:31:36 | 0:31:38 | |
What was the title of the song by Jemini which scored | 0:31:41 | 0:31:44 | |
"nul points" at the 2003 contest? | 0:31:44 | 0:31:47 | |
What was the title of the interval act | 0:31:49 | 0:31:51 | |
created by Michael Flatley for the 1994 contest? | 0:31:51 | 0:31:55 | |
So easy. | 0:31:55 | 0:31:57 | |
APPLAUSE | 0:31:57 | 0:32:00 | |
There we are. Let me read those all again. | 0:32:03 | 0:32:05 | |
There we are. Now then, Linda and Johnny will go first. | 0:32:24 | 0:32:27 | |
Looks like they've already got an answer. | 0:32:27 | 0:32:30 | |
Yeah, I think... | 0:32:30 | 0:32:32 | |
We're going to try and go for the female singer who won in 1967, | 0:32:32 | 0:32:38 | |
and became the UK's first winner. Was it Sandie Shaw? | 0:32:38 | 0:32:41 | |
Sandie Shaw, say Linda and Johnny. Sandie Shaw. | 0:32:41 | 0:32:43 | |
Now then, Natalie and Russ. That board is all yours. | 0:32:43 | 0:32:45 | |
Do you want to talk us through it? | 0:32:45 | 0:32:47 | |
Erm, yes. CHUCKLES | 0:32:47 | 0:32:50 | |
The seaside town, I'm pretty sure that was Brighton. | 0:32:50 | 0:32:54 | |
Graham Norton, I'm pretty sure was 2009. | 0:32:54 | 0:32:57 | |
The song which Jemini did was Cry Baby. And, obviously, Riverdance. | 0:32:57 | 0:33:02 | |
Shall we go for...Jemini? | 0:33:02 | 0:33:05 | |
Yeah? Cry Baby for Jemini. | 0:33:06 | 0:33:10 | |
OK, Cry Baby. So, we have Sandie Shaw and Cry Baby. | 0:33:10 | 0:33:14 | |
Linda and Johnny said Sandie Shaw. | 0:33:14 | 0:33:16 | |
Let's see if that is right, for 1967 act, Sandie Shaw. | 0:33:16 | 0:33:20 | |
It is right. | 0:33:23 | 0:33:25 | |
36 for Sandie Shaw. | 0:33:28 | 0:33:30 | |
APPLAUSE | 0:33:30 | 0:33:32 | |
You get a life. All the questions you know... Get a life! | 0:33:32 | 0:33:35 | |
Natalie and Russ. | 0:33:35 | 0:33:37 | |
Impressive Eurovision knowledge there, by the way, Natalie and Russ. | 0:33:37 | 0:33:41 | |
You've gone for Cry Baby, let's see if that's right for Jemini, | 0:33:41 | 0:33:43 | |
let's see how many of our 100 people said Cry Baby. | 0:33:43 | 0:33:46 | |
It's right. | 0:33:47 | 0:33:49 | |
Oh, look, it beats Sandie Shaw! | 0:33:52 | 0:33:54 | |
APPLAUSE | 0:33:55 | 0:33:57 | |
1 for Cry Baby! Very well done indeed. | 0:33:57 | 0:34:00 | |
That means, after one question, Natalie and Russ are up 1-0. | 0:34:00 | 0:34:04 | |
Goodness me, Scooch, absolutely killing that board there. | 0:34:04 | 0:34:08 | |
That's amazing stuff. | 0:34:08 | 0:34:09 | |
You're right about Brighton. That's 24 points. | 0:34:09 | 0:34:13 | |
You're absolutely right about Graham Norton, 2009. | 0:34:13 | 0:34:15 | |
That's very impressive. That would have scored you 2. | 0:34:15 | 0:34:18 | |
And you were right about Riverdance, of course. | 0:34:18 | 0:34:20 | |
Riverdance, biggest scorer up there with 43. | 0:34:20 | 0:34:22 | |
Thanks very much indeed. So, here comes your second question. | 0:34:22 | 0:34:25 | |
Natalie and Russ, you get to answer it first, but Linda and Johnny, | 0:34:25 | 0:34:28 | |
you have to win it to stay in the game, so very, very best of luck. | 0:34:28 | 0:34:31 | |
Our second question this evening is all about... | 0:34:31 | 0:34:34 | |
We're going to show you five pictures now of different | 0:34:38 | 0:34:40 | |
cuts of gemstone. We're going to give you the names | 0:34:40 | 0:34:43 | |
as well, each alternate letter. | 0:34:43 | 0:34:44 | |
We just need you to tell us what they are, please. | 0:34:44 | 0:34:46 | |
Thank you very much indeed. | 0:34:46 | 0:34:47 | |
OK, let's reveal our five gemstone cuts, and here they come. | 0:34:47 | 0:34:51 | |
There we go. Five gemstone cuts. Now, Natalie and Russ will go first. | 0:35:29 | 0:35:34 | |
Hmmm. OK, erm... | 0:35:35 | 0:35:37 | |
I'm not going to go with the one that I think is the most obvious. | 0:35:39 | 0:35:42 | |
The only other one that I know for sure, I hope, is the princess cut. | 0:35:42 | 0:35:48 | |
C. OK, C, princess, say Natalie and Russ. C, princess. | 0:35:48 | 0:35:53 | |
Now then, Linda and Johnny, talk us through the rest of those gem cuts. | 0:35:53 | 0:35:57 | |
I think E is oval. Oval. Right. I think that's the one that we know. | 0:35:58 | 0:36:03 | |
OK. The only one that we have a clue on. Yeah. | 0:36:03 | 0:36:06 | |
Is D brilliant? | 0:36:07 | 0:36:09 | |
B, R, I... | 0:36:09 | 0:36:10 | |
We should go for D and do brilliant, I think. OK. | 0:36:12 | 0:36:15 | |
Go D and go brilliant. Brilliant. | 0:36:15 | 0:36:17 | |
OK, so we have princess and we have brilliant. | 0:36:17 | 0:36:20 | |
Natalie and Russ said princess for C. | 0:36:20 | 0:36:22 | |
Let's see if that's right, and let's see how many of our | 0:36:22 | 0:36:25 | |
100 people got it. | 0:36:25 | 0:36:26 | |
It's right. | 0:36:28 | 0:36:30 | |
Look at that, 12 for princess. What about that, Natalie? | 0:36:34 | 0:36:37 | |
APPLAUSE | 0:36:37 | 0:36:39 | |
Very well done indeed. Good scoring there. | 0:36:39 | 0:36:41 | |
That's why. | 0:36:41 | 0:36:43 | |
Meanwhile... That's why I know. Yeah. | 0:36:43 | 0:36:45 | |
Linda and Johnny, meanwhile, have gone for brilliant for D. | 0:36:45 | 0:36:48 | |
Let's see if that's right, let's see how many of our 100 people got it. | 0:36:48 | 0:36:52 | |
It is brilliant. | 0:36:53 | 0:36:54 | |
Where's it going to end up? | 0:36:56 | 0:36:58 | |
Ooh, 38 for brilliant. | 0:36:58 | 0:37:00 | |
APPLAUSE | 0:37:00 | 0:37:01 | |
Which means, after only two questions, | 0:37:04 | 0:37:07 | |
Scooch are going through to the final, 2-0. | 0:37:07 | 0:37:10 | |
Very well done indeed, Natalie and Russ. | 0:37:10 | 0:37:12 | |
APPLAUSE | 0:37:12 | 0:37:16 | |
Let's fill in this board, shall we? A is... Emerald. Emerald cut. | 0:37:16 | 0:37:21 | |
B is the best answer on the board. I can't work it out. | 0:37:24 | 0:37:27 | |
It's Marquise. | 0:37:27 | 0:37:28 | |
Oh, Marquise. That would have scored you 6 points. | 0:37:28 | 0:37:32 | |
And E, of course, is oval. | 0:37:32 | 0:37:33 | |
So, I will point out, Scooch, you are through to the final, | 0:37:36 | 0:37:38 | |
and you did it by scoring the second-lowest score. | 0:37:38 | 0:37:41 | |
It's what you did in Eurovision, but on Pointless... | 0:37:41 | 0:37:43 | |
LAUGHTER | 0:37:43 | 0:37:45 | |
On Pointless, it's a good thing. It's a terrific performance. | 0:37:45 | 0:37:49 | |
Very well done indeed. | 0:37:49 | 0:37:50 | |
So, the pair leaving us at the end of the head-to-head round, | 0:37:50 | 0:37:53 | |
I'm afraid, Linda and Johnny, it is you. I know. | 0:37:53 | 0:37:55 | |
It's been wonderful having you on, please come and play again. | 0:37:55 | 0:37:57 | |
Linda and Johnny, superb. Thank you. | 0:37:57 | 0:38:00 | |
APPLAUSE | 0:38:00 | 0:38:01 | |
But, for Natalie and Russ, it's now time for our Pointless final. | 0:38:01 | 0:38:05 | |
APPLAUSE | 0:38:05 | 0:38:07 | |
Well, congratulations, Natalie and Russ. | 0:38:08 | 0:38:11 | |
You've seen off all the competition | 0:38:11 | 0:38:13 | |
and you have won our coveted Pointless trophy. | 0:38:13 | 0:38:15 | |
You now have a chance to win our Pointless jackpot, | 0:38:22 | 0:38:24 | |
and at the end of today's show, the jackpot is standing at... | 0:38:24 | 0:38:27 | |
APPLAUSE | 0:38:29 | 0:38:32 | |
Well, what about that? I just think there's something poetic about this. | 0:38:32 | 0:38:35 | |
Scooch have knocked out Bucks Fizz, you've knocked out Precious, | 0:38:35 | 0:38:39 | |
and you've knocked out Johnny Logan and Linda Martin. | 0:38:39 | 0:38:42 | |
Here you are, Scooch. Exactly. The underdogs. | 0:38:42 | 0:38:45 | |
The victors of all you survey. | 0:38:45 | 0:38:48 | |
Well, listen, very, very well done, hats off to you. | 0:38:48 | 0:38:50 | |
You know what happens in this last round. | 0:38:50 | 0:38:52 | |
We put four categories up on the board, | 0:38:52 | 0:38:53 | |
and you get to choose the category that you like the most. | 0:38:53 | 0:38:56 | |
Let's hope there's something up there that you like the look of. | 0:38:56 | 0:38:59 | |
Today's selection reads like this. | 0:38:59 | 0:39:01 | |
I don't know. What do you think? Dogs. I'm not... | 0:39:11 | 0:39:14 | |
I don't know much about dogs at all. | 0:39:14 | 0:39:16 | |
I'd probably go for the soul singers, but... | 0:39:16 | 0:39:19 | |
What do you think? OK, yeah. | 0:39:20 | 0:39:22 | |
I think so, cos we both might know... | 0:39:22 | 0:39:23 | |
I might not be able to help you, but, yeah. Let's go for the singers. | 0:39:23 | 0:39:27 | |
OK. Soul singers, Natalie and Russ. Very best of luck. | 0:39:27 | 0:39:30 | |
We're looking for any UK Top 40 single, | 0:39:30 | 0:39:32 | |
according to officialcharts.com, by any of the following three, please. | 0:39:32 | 0:39:36 | |
So, Top 40 singles by any of those three. Very best of luck. | 0:39:44 | 0:39:47 | |
OK. Now, as always, you've got up to one minute to come up with three | 0:39:47 | 0:39:51 | |
answers, and all you need to win that jackpot for your charities | 0:39:51 | 0:39:54 | |
is for just one of those answers to be pointless. | 0:39:54 | 0:39:56 | |
Are you ready? Yes. | 0:39:56 | 0:39:57 | |
OK. Let's put 60 seconds up on the clock. There they are. | 0:39:57 | 0:40:01 | |
Your time starts now. | 0:40:01 | 0:40:02 | |
Right, what about Alicia Keys, | 0:40:02 | 0:40:04 | |
have you got anything? | 0:40:04 | 0:40:05 | |
Fallin', I know is one. OK. | 0:40:05 | 0:40:07 | |
Mary J Blige, she did a duet with | 0:40:07 | 0:40:10 | |
George Michael, As, I don't know | 0:40:10 | 0:40:12 | |
whether that would be... | 0:40:12 | 0:40:13 | |
Would that be classed as... I don't know. | 0:40:13 | 0:40:16 | |
Yeah, if she's named on the thing, yeah. | 0:40:16 | 0:40:19 | |
OK. Yeah. So, I think that. | 0:40:19 | 0:40:20 | |
Luther Vandross, I think | 0:40:20 | 0:40:22 | |
he did a song called | 0:40:22 | 0:40:23 | |
Love The One You're With. | 0:40:23 | 0:40:26 | |
So... I know I know another | 0:40:28 | 0:40:30 | |
Alicia Keys one. | 0:40:30 | 0:40:31 | |
But I just can't think of the title. | 0:40:31 | 0:40:33 | |
I think As is a good one. Yeah. | 0:40:33 | 0:40:35 | |
Love The One You're With. I think it's Love The One... | 0:40:36 | 0:40:38 | |
You know that one? | 0:40:38 | 0:40:40 | |
# Love the one you're with. # | 0:40:40 | 0:40:41 | |
Is that... You know the one? Erm... | 0:40:41 | 0:40:44 | |
I might need a bit more than that. | 0:40:44 | 0:40:45 | |
I think Bucks Fizz did a cover | 0:40:45 | 0:40:47 | |
of it, actually. I don't know. | 0:40:47 | 0:40:50 | |
Alicia Keys, I'm not. | 0:40:50 | 0:40:51 | |
Ten seconds left. Is it New York... | 0:40:51 | 0:40:53 | |
New York song, isn't there? Oh, yeah. | 0:40:53 | 0:40:55 | |
Bit it's probably going to be high. Empire State Of Mind. | 0:40:55 | 0:40:57 | |
And there's Fallin'. So it's | 0:40:57 | 0:40:58 | |
Fallin', I reckon. Do Fallin'. | 0:40:58 | 0:41:00 | |
I think we do Fallin', As, | 0:41:00 | 0:41:01 | |
and Love The One You're With. | 0:41:01 | 0:41:02 | |
OK, that is your time up. I'm afraid that minute is never long enough. | 0:41:02 | 0:41:06 | |
I now need your three answers. What would you like to go for? | 0:41:06 | 0:41:09 | |
Alicia Keys, we'll go with Fallin'. Fallin'. | 0:41:09 | 0:41:13 | |
Mary J Blige, we'll go with As. As. | 0:41:13 | 0:41:16 | |
And Luther Vandross, Love The One You're With. | 0:41:16 | 0:41:20 | |
Love The One You're With. OK, of those three, which is | 0:41:20 | 0:41:22 | |
your best shot at a Pointless answer, do you think? | 0:41:22 | 0:41:24 | |
I reckon As. Yeah. Yeah? OK. I don't know about the other two. | 0:41:24 | 0:41:28 | |
Should we do Fallin' first, then Love The One You're With... | 0:41:28 | 0:41:33 | |
And then As. Then As, OK. | 0:41:33 | 0:41:34 | |
Let's put those answers up on the board in that order, then, | 0:41:34 | 0:41:37 | |
and here they are. | 0:41:37 | 0:41:38 | |
Well, three good answers up there on the board. Very, very best of luck. | 0:41:42 | 0:41:45 | |
Let's hope one of these is pointless and wins that jackpot | 0:41:45 | 0:41:48 | |
for your charities. What charities are you playing for? | 0:41:48 | 0:41:50 | |
Natalie, what's yours? The Royal Brompton Hospital. | 0:41:50 | 0:41:53 | |
My son actually had a week's stay in that hospital | 0:41:53 | 0:41:56 | |
when he was one-and-a-half. They were amazing. Absolutely brilliant. | 0:41:56 | 0:41:59 | |
Fantastic. Russ... | 0:41:59 | 0:42:01 | |
APPLAUSE | 0:42:01 | 0:42:03 | |
I'm going to go for the Royal Bournemouth Hospital, | 0:42:05 | 0:42:08 | |
they've been fantastic to my mum. | 0:42:08 | 0:42:10 | |
Fantastic. APPLAUSE | 0:42:10 | 0:42:12 | |
Well, two lovely institutions there that stand to benefit | 0:42:12 | 0:42:14 | |
if one of these excellent answers turn out to be pointless. | 0:42:14 | 0:42:17 | |
Let's hope one of them is. | 0:42:17 | 0:42:18 | |
Your first answer was Fallin'. | 0:42:18 | 0:42:19 | |
In this case, we were looking for Alicia Keys UK Top 40 hits. | 0:42:19 | 0:42:23 | |
If this is pointless, it will win ?2,500 for your charities. | 0:42:23 | 0:42:27 | |
Let's see how many of our 100 people said Fallin'. Is it pointless? | 0:42:27 | 0:42:31 | |
It's right. That was the first thing it had to be. | 0:42:33 | 0:42:35 | |
Now, it just has to take us all the way down to zero. | 0:42:35 | 0:42:38 | |
Fallin', takes us now down through the 30s, into the 20s, | 0:42:38 | 0:42:41 | |
still going down into the teens... | 0:42:41 | 0:42:43 | |
Ooh, 12. | 0:42:43 | 0:42:45 | |
Good, though. Not bad. | 0:42:45 | 0:42:47 | |
APPLAUSE | 0:42:47 | 0:42:49 | |
Fallin' fell, but didn't fall quite far enough. | 0:42:51 | 0:42:53 | |
That's it, but still, not bad. | 0:42:53 | 0:42:55 | |
A good score in any other part of the game. | 0:42:55 | 0:42:57 | |
Just in this round, we have to have pointless answers. | 0:42:57 | 0:42:59 | |
So, we now move onto your next answer, Love The One You're With. | 0:42:59 | 0:43:02 | |
In this case, we were looking for Luther Vandross UK Top 40 singles. | 0:43:02 | 0:43:06 | |
If this is pointless, it wins you ?2,500. | 0:43:06 | 0:43:08 | |
Let's see how many of our 100 people said | 0:43:08 | 0:43:10 | |
Love The One You're With for Luther Vandross. | 0:43:10 | 0:43:13 | |
Well, it's right. Fallin', your first answer, took us down to 12. | 0:43:16 | 0:43:21 | |
Love The One You're With now takes us down through the 20s, | 0:43:21 | 0:43:23 | |
through the teens, passes 12 into single figures. | 0:43:23 | 0:43:26 | |
Down it goes, still going down... | 0:43:26 | 0:43:28 | |
You've done it, look at that! Very well done indeed. | 0:43:28 | 0:43:30 | |
Love The One You're With was a pointless answer. | 0:43:30 | 0:43:34 | |
Very well done. | 0:43:35 | 0:43:37 | |
APPLAUSE | 0:43:37 | 0:43:38 | |
Look at that, wonderful! | 0:43:38 | 0:43:41 | |
Many, many congratulations. | 0:43:43 | 0:43:45 | |
Love The One You're With was a pointless answer, which means | 0:43:45 | 0:43:48 | |
you go home with that jackpot of ?2,500 for your charities. | 0:43:48 | 0:43:51 | |
Brilliant. | 0:43:51 | 0:43:53 | |
APPLAUSE | 0:43:53 | 0:43:55 | |
How brilliant was that? | 0:43:57 | 0:43:58 | |
Congratulations, you've been amazing throughout that show. | 0:43:58 | 0:44:00 | |
Not only is that a pointless answer, but you're quite right, | 0:44:00 | 0:44:03 | |
Bucks Fizz also did do a cover version of it. | 0:44:03 | 0:44:05 | |
We'll be hearing from them in a moment. It's all linked. | 0:44:05 | 0:44:07 | |
It is all linked. It's originally a Stephen Stills song. | 0:44:07 | 0:44:10 | |
And As, which as you know is Mary J Blige and George Michael, | 0:44:10 | 0:44:13 | |
also a pointless answer. | 0:44:13 | 0:44:15 | |
APPLAUSE | 0:44:15 | 0:44:17 | |
Let's take a look at the pointless answers now, | 0:44:21 | 0:44:23 | |
in the different categories. Alicia Keys first. | 0:44:23 | 0:44:25 | |
The Bond theme, Another Way To Die, is a pointless answer. | 0:44:25 | 0:44:27 | |
Empire State Of Mind wasn't pointless, but she released | 0:44:27 | 0:44:30 | |
her own version without Jay Z, Empire State Of Mind (Part II), | 0:44:30 | 0:44:33 | |
it was a pointless answer. Gangsta Lovin' with Eve was | 0:44:33 | 0:44:35 | |
a pointless answer, | 0:44:35 | 0:44:36 | |
and Try Sleeping With A Broken Heart, also a pointless answer. | 0:44:36 | 0:44:40 | |
Mary J Blige now. She had a hit with Wyclef Jean, 911. | 0:44:40 | 0:44:44 | |
And we'll finish with Luther Vandross. | 0:44:48 | 0:44:51 | |
Very well done if you said any of those at home. | 0:44:55 | 0:44:57 | |
That's not actually the end of me reading stuff out this evening, | 0:44:57 | 0:45:00 | |
because one very exciting thing I'm doing this evening | 0:45:00 | 0:45:02 | |
is I'm going to read out the UK's votes on the Eurovision. | 0:45:02 | 0:45:05 | |
No! Yeah. What, the jury? Yeah, that's where I'm heading now. | 0:45:05 | 0:45:09 | |
That's exciting, isn't it? Kept that quiet, didn't I? | 0:45:09 | 0:45:14 | |
LAUGHTER | 0:45:14 | 0:45:16 | |
# Ba ba ba ba Ba ba ba ba! # | 0:45:16 | 0:45:18 | |
But it means I can make them up. # Ba ba ba ba! # | 0:45:18 | 0:45:22 | |
Which I won't. | 0:45:22 | 0:45:23 | |
But if I did, I'd give 12 points to Ireland, that's what I'd be doing. | 0:45:23 | 0:45:26 | |
Oh, you must. Yeah. But no, they don't let you cheat. | 0:45:26 | 0:45:30 | |
I've asked and asked and asked, but they don't let you. | 0:45:30 | 0:45:33 | |
Thanks very much, Richard, | 0:45:33 | 0:45:34 | |
and thanks once again to our winning players, Natalie and Russ, | 0:45:34 | 0:45:38 | |
who go away with today's jackpot of ?2,500 for their charities. | 0:45:38 | 0:45:41 | |
APPLAUSE | 0:45:41 | 0:45:44 | |
Join us next time, when we'll be putting more obscure knowledge | 0:45:45 | 0:45:48 | |
to the test on Pointless. | 0:45:48 | 0:45:49 | |
Meanwhile, it's goodbye from Richard. Goodbye. | 0:45:49 | 0:45:51 | |
And it's goodbye from me, but before we go, playing us out | 0:45:51 | 0:45:54 | |
with Making Your Mind Up are Cheryl, Mike, Bobby and Jay, | 0:45:54 | 0:45:57 | |
Formerly Of Bucks Fizz! | 0:45:57 | 0:45:59 | |
APPLAUSE | 0:45:59 | 0:46:03 | |
# You gotta speed it up | 0:46:10 | 0:46:13 | |
# And then you gotta slow it down | 0:46:13 | 0:46:15 | |
# Cos if you believe that our love can hit the top | 0:46:15 | 0:46:18 | |
# You gotta play around | 0:46:18 | 0:46:21 | |
# But soon you'll find that there comes a time for making your mind up | 0:46:21 | 0:46:25 | |
# You gotta turn it on | 0:46:27 | 0:46:29 | |
# And then you gotta put it out | 0:46:29 | 0:46:32 | |
# You gotta be sure that it's something | 0:46:32 | 0:46:34 | |
# Everybody's gonna talk about | 0:46:34 | 0:46:38 | |
# Before you decide that the time's arrived | 0:46:38 | 0:46:40 | |
# For making your mind up | 0:46:40 | 0:46:42 | |
# Don't let your indecision | 0:46:44 | 0:46:46 | |
# Take you from behind | 0:46:46 | 0:46:49 | |
# Trust your inner vision | 0:46:49 | 0:46:52 | |
# Don't let others change your mind | 0:46:52 | 0:46:55 | |
# And now you really gotta burn it up | 0:46:55 | 0:46:58 | |
# Or make another fly by night | 0:46:58 | 0:47:01 | |
# Get a run for your money and take a chance | 0:47:01 | 0:47:04 | |
# And it'll turn out right | 0:47:04 | 0:47:07 | |
# And when you can see how it's going to be | 0:47:07 | 0:47:09 | |
# You're making your mind up... # | 0:47:09 | 0:47:11 | |
Come on, everyone, clap your hands! Come on. | 0:47:11 | 0:47:13 | |
# Try to look as if you don't care less | 0:47:24 | 0:47:27 | |
# But if you wanna see some more | 0:47:27 | 0:47:30 | |
# Bending the rules of the game | 0:47:30 | 0:47:32 | |
# Will let you find the one you're looking for | 0:47:32 | 0:47:35 | |
# And then you can show that you think you know | 0:47:35 | 0:47:38 | |
# You're making your mind up | 0:47:38 | 0:47:41 | |
# Don't let your indecision | 0:47:41 | 0:47:45 | |
# Take you from behind | 0:47:45 | 0:47:47 | |
# Trust your inner vision | 0:47:47 | 0:47:50 | |
# Don't let others change your mind | 0:47:50 | 0:47:53 | |
# And now you really gotta speed it up | 0:47:53 | 0:47:56 | |
# And then you gotta slow it down | 0:47:56 | 0:47:59 | |
# Cos if you believe that our love can hit the top | 0:47:59 | 0:48:02 | |
# You gotta play around | 0:48:02 | 0:48:05 | |
# Soon you will find that there comes a time | 0:48:05 | 0:48:07 | |
# For making your mind up | 0:48:07 | 0:48:10 | |
# And now you really gotta speed it up | 0:48:10 | 0:48:13 | |
# And then you gotta slow it down | 0:48:13 | 0:48:16 | |
# Cos if you believe that our love | 0:48:16 | 0:48:18 | |
# Can hit the top You gotta play around | 0:48:18 | 0:48:21 | |
# Soon you will find that there comes a time | 0:48:21 | 0:48:24 | |
# For making your mind up | 0:48:24 | 0:48:26 | |
# For making your mind up | 0:48:27 | 0:48:29 | |
# For making your mind up | 0:48:30 | 0:48:32 | |
# For making your mind up. # | 0:48:33 | 0:48:34 | |
APPLAUSE AND CHEERING | 0:48:36 | 0:48:38 |