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APPLAUSE | 0:00:16 | 0:00:20 | |
Thank you very much indeed. Hello, I'm Alexander Armstrong | 0:00:22 | 0:00:25 | |
and welcome to this special edition of Pointless Celebrities, | 0:00:25 | 0:00:28 | |
the quiz where the aim of the game is to find the most obscure answers possible. | 0:00:28 | 0:00:32 | |
Let's meet today's Pointless celebrities. | 0:00:32 | 0:00:35 | |
And couple number one. | 0:00:38 | 0:00:40 | |
Hello, my name is Todd Carty and this is my third time on Pointless. | 0:00:40 | 0:00:43 | |
Ooh. My name is Bonnie Langford. | 0:00:43 | 0:00:46 | |
This is my second time on Pointless. | 0:00:46 | 0:00:48 | |
Couple number two. | 0:00:52 | 0:00:54 | |
Hello. Jon Culshaw. I am a comedian, impersonator, | 0:00:54 | 0:00:57 | |
and amateur astronomer from time to time. | 0:00:57 | 0:01:00 | |
I'm Debra Stephenson. I'm an actress, impressionist | 0:01:00 | 0:01:04 | |
and mum! Hello, kids! | 0:01:04 | 0:01:06 | |
Couple number three. | 0:01:10 | 0:01:12 | |
My partner is the gorgeous Mark Watson, who happens to be | 0:01:12 | 0:01:15 | |
an author and the next big thing in comedy, I'll have you know, people. | 0:01:15 | 0:01:19 | |
Thanks. We... | 0:01:19 | 0:01:21 | |
What are you going to say about me? | 0:01:23 | 0:01:24 | |
I think they normally wait to applaud | 0:01:24 | 0:01:26 | |
-till both people have introduced themselves. -Sorry. | 0:01:26 | 0:01:29 | |
Yvette Fielding - what is there to say? | 0:01:29 | 0:01:32 | |
I don't know. | 0:01:32 | 0:01:34 | |
Um... | 0:01:34 | 0:01:35 | |
TV presenter, actor, | 0:01:35 | 0:01:37 | |
ghost-hunter and has just opened a tearoom in Manchester Cathedral. | 0:01:37 | 0:01:42 | |
And finally, couple number four. | 0:01:46 | 0:01:49 | |
I'm Kate Garraway and I'm a presenter. | 0:01:49 | 0:01:51 | |
I've got nothing else! | 0:01:51 | 0:01:53 | |
I've got... | 0:01:53 | 0:01:55 | |
A memory, almost. | 0:01:55 | 0:01:57 | |
I'm Anton du Beke | 0:01:57 | 0:01:59 | |
and I am a dancer. | 0:01:59 | 0:02:01 | |
Ohh... | 0:02:01 | 0:02:03 | |
And these are today's contestants. | 0:02:03 | 0:02:05 | |
Thanks very much, all of you. We'll find out about you | 0:02:05 | 0:02:08 | |
as the show goes along. That leaves one more person for me to introduce. | 0:02:08 | 0:02:11 | |
Hannibal Lecter was a genius, a wine enthusiast and violent cannibal. | 0:02:11 | 0:02:15 | |
The only thing this man does not have in common with him | 0:02:15 | 0:02:18 | |
is he's more of a real ale man. It's my Pointless friend, it's Richard. | 0:02:18 | 0:02:21 | |
Hiya. Hi, everybody. | 0:02:21 | 0:02:24 | |
Hi, everyone. | 0:02:24 | 0:02:26 | |
-Good evening to you. -And to you. | 0:02:26 | 0:02:28 | |
-This is a nice line-up, isn't it? -Isn't it! | 0:02:28 | 0:02:31 | |
Normally, we get quite shy, Xander and I, when we have new people on. | 0:02:31 | 0:02:34 | |
Almost everyone here has been on before, which is lovely. | 0:02:34 | 0:02:38 | |
It's one of the nice things about this show. | 0:02:38 | 0:02:40 | |
On our regular shows, people come back twice, | 0:02:40 | 0:02:42 | |
and on our celebrity shows, people do as well. | 0:02:42 | 0:02:44 | |
We have people who have done incredibly well on the show. | 0:02:44 | 0:02:47 | |
Jon Culshaw won the jackpot before. No-one's ever won it twice. | 0:02:47 | 0:02:50 | |
That'd be quite something to do. | 0:02:50 | 0:02:52 | |
Todd and Bonnie came on the show together and got to the final. | 0:02:52 | 0:02:55 | |
Didn't win the jackpot, so hopefully put that right this time. | 0:02:55 | 0:02:58 | |
On our last podium, we have Kate and Anton. | 0:02:58 | 0:03:01 | |
-Kate, you've been in a final. -Yeah. | 0:03:01 | 0:03:03 | |
Yvette, also in a second round. And our one newcomer, Mark, | 0:03:03 | 0:03:06 | |
amongst all of these prof... The rookie, the Cinderella story. | 0:03:06 | 0:03:09 | |
-Yeah. -If you were to win, it'd be one of the all-time great sporting triumphs. | 0:03:09 | 0:03:13 | |
It'd be one of the all-time moments of TV history. | 0:03:13 | 0:03:16 | |
The worrying thing for our team is that I am the rookie | 0:03:16 | 0:03:19 | |
but Yvette keeps saying, "I don't know what's going on." | 0:03:19 | 0:03:22 | |
Between us, we should be unstoppable. | 0:03:22 | 0:03:25 | |
If you think for one second that anyone on any of these podiums | 0:03:25 | 0:03:28 | |
has any idea what's going on, you are very much mistaken. | 0:03:28 | 0:03:31 | |
Thanks very much indeed, Richard. | 0:03:31 | 0:03:33 | |
Now, all our questions on Pointless have been put to 100 people. | 0:03:33 | 0:03:36 | |
Our contestants here must find the obscure answers | 0:03:36 | 0:03:38 | |
those 100 people didn't get. | 0:03:38 | 0:03:40 | |
Everyone is trying to find a pointless answer, | 0:03:40 | 0:03:42 | |
an answer than none of our 100 people gave, | 0:03:42 | 0:03:45 | |
and each time that happens, we will add 250 quid to the jackpot. | 0:03:45 | 0:03:47 | |
As today's show is a celebrity special, | 0:03:47 | 0:03:50 | |
and all our celebrities are playing for a nominated charity, | 0:03:50 | 0:03:53 | |
we start off with a jackpot of... | 0:03:53 | 0:03:55 | |
Right, if everyone's ready, let's play Pointless. | 0:03:57 | 0:04:00 | |
So all you have to remember is that the pair with the highest score | 0:04:04 | 0:04:07 | |
at the end of each round will be eliminated. | 0:04:07 | 0:04:10 | |
Your job is to make sure that you're not in that pair. | 0:04:10 | 0:04:13 | |
OK. Our first category today is... | 0:04:13 | 0:04:15 | |
Surnames. Can you all decide in your pairs who's going to go first, | 0:04:18 | 0:04:21 | |
who's going to go second? | 0:04:21 | 0:04:23 | |
-You should go first. -Whoever's going first, please step up to the podium. | 0:04:23 | 0:04:28 | |
OK. And the question concerns... | 0:04:30 | 0:04:33 | |
Famous Moores. Richard. | 0:04:36 | 0:04:38 | |
On each pass, we're going to give you seven clues to famous people | 0:04:38 | 0:04:41 | |
whose surname is Moore. You have to give us the most obscure answer. | 0:04:41 | 0:04:45 | |
There are 14 to have a go at at home. Very best of luck. | 0:04:45 | 0:04:48 | |
OK. So we are looking for these famous people whose surname is Moore | 0:04:48 | 0:04:51 | |
and here is our first board of seven clues. We have... | 0:04:51 | 0:04:54 | |
I will read those all one last time. | 0:05:26 | 0:05:29 | |
Bonnie, welcome back to Pointless. | 0:05:56 | 0:05:58 | |
-Thank you. -It's lovely to have you here. | 0:05:58 | 0:06:00 | |
Now, Bonnie, you have been in show business almost from the cradle. | 0:06:00 | 0:06:03 | |
Yes. 20 years(!) | 0:06:03 | 0:06:05 | |
LAUGHTER | 0:06:05 | 0:06:08 | |
-And the rest! -Yeah. | 0:06:08 | 0:06:10 | |
So, of all the things you've done - | 0:06:10 | 0:06:11 | |
the singing, the acting, the dancing - | 0:06:11 | 0:06:14 | |
is there one discipline you favour over the others? | 0:06:14 | 0:06:17 | |
No, not at all. I just like to work, really, | 0:06:17 | 0:06:19 | |
and I love the idea of doing new things all the time, | 0:06:19 | 0:06:22 | |
because no matter what you train for, | 0:06:22 | 0:06:25 | |
you're always asked to do something you can't do. | 0:06:25 | 0:06:27 | |
-Is there a role you have your eye on? -I don't know about that. | 0:06:27 | 0:06:30 | |
I never try and keep an eye on roles because that can go a bit wrong, | 0:06:30 | 0:06:34 | |
but the fact that you never know quite what's round the corner, | 0:06:34 | 0:06:37 | |
-including this. -Yeah, exactly! | 0:06:37 | 0:06:40 | |
Exactly. Talking of strange things round the corner, | 0:06:40 | 0:06:44 | |
-what about all these Moores here? -Right. | 0:06:44 | 0:06:46 | |
I wish I knew all of them, and I don't, | 0:06:46 | 0:06:49 | |
I'm actually sort of toying between a few of them, | 0:06:49 | 0:06:53 | |
but I think I'm just going to go for the English sculptor | 0:06:53 | 0:06:56 | |
born in 1898 who was particularly famous for his abstract stone | 0:06:56 | 0:07:00 | |
and bronze figures. | 0:07:00 | 0:07:02 | |
-Sir Henry Moore. -Sir Henry Moore, says Bonnie. | 0:07:02 | 0:07:05 | |
Let's see if that's right. Let's see how many of our 100 said it. | 0:07:05 | 0:07:08 | |
There we are, absolutely right. | 0:07:10 | 0:07:12 | |
Wow. Nice low score there. 18. Well done, Bonnie. | 0:07:15 | 0:07:18 | |
Gets the ball rolling beautifully at the start of the show. | 0:07:18 | 0:07:21 | |
Well played, Bonnie. Funnily enough, he's not SIR Henry Moore. | 0:07:21 | 0:07:24 | |
He turned down the knighthood, so he's just Henry Moore. | 0:07:24 | 0:07:27 | |
Thank you. Debra, welcome back to Pointless. | 0:07:27 | 0:07:31 | |
Now, you've done some straight acting, | 0:07:31 | 0:07:33 | |
you've done Bad Girls, of course, then a stretch on Corrie. | 0:07:33 | 0:07:37 | |
Now you do your impressions. | 0:07:37 | 0:07:39 | |
When you're dividing up your impressions, you and Jon, | 0:07:39 | 0:07:42 | |
I know it sounds like a silly question, but is it always obvious | 0:07:42 | 0:07:46 | |
who's going to take which one? Do you do any males? | 0:07:46 | 0:07:49 | |
I have been known to be Richard Hammond before, | 0:07:49 | 0:07:52 | |
which was a bit frightening cos I ended up looking like my husband. | 0:07:52 | 0:07:55 | |
Very frightening for him! | 0:07:55 | 0:07:57 | |
That's a whole new avenue to explore at another date. | 0:07:57 | 0:08:01 | |
Yeah, a bit dodgy. But other than that... | 0:08:01 | 0:08:04 | |
We did once argue about which of us was going to be Ann Widdecombe. | 0:08:04 | 0:08:07 | |
-That's right. -Who won out on that? -I did. | 0:08:07 | 0:08:10 | |
OK, now, Debra, what are you going to go for, of our Moores? | 0:08:12 | 0:08:16 | |
I'm just going to go for question number...whatever it is, | 0:08:16 | 0:08:20 | |
-the one at the bottom. -The very bottom one? -Yeah. | 0:08:20 | 0:08:24 | |
-And Demi Moore. -Demi Moore. Demi Moore, says Debra. | 0:08:24 | 0:08:28 | |
Let's see if that's right. Let's see how many of our 100 said Demi Moore. | 0:08:28 | 0:08:32 | |
-Oh! -Oh, I'm afraid not Demi Moore. | 0:08:36 | 0:08:39 | |
Oh, I really thought it was. | 0:08:39 | 0:08:41 | |
-I'm afraid that scores you 100 points, Debra. -Sorry, Debra. | 0:08:41 | 0:08:44 | |
When you said you only knew two of them, actually, | 0:08:44 | 0:08:47 | |
you only knew one of them! | 0:08:47 | 0:08:49 | |
-Maybe. -Yeah, even that is... We'll find out. | 0:08:49 | 0:08:52 | |
Yeah. Thanks very much indeed. | 0:08:52 | 0:08:54 | |
Now, Mark, welcome to Pointless. The only newcomer today. | 0:08:54 | 0:08:58 | |
Yeah. It's... It's really exciting. | 0:08:58 | 0:09:00 | |
-Yeah. A bit nervous? -Oh, very nervous. | 0:09:00 | 0:09:03 | |
You can't be nervous. You can't be any more nervous... | 0:09:03 | 0:09:06 | |
-Mark did a 25-hour-long stand-up routine. -DEBRA: -No! | 0:09:06 | 0:09:09 | |
-That's true. -When did you do that? | 0:09:09 | 0:09:11 | |
Last year, for Comic Relief. | 0:09:11 | 0:09:13 | |
-How did that go? -Quite badly. | 0:09:13 | 0:09:16 | |
It was actually fine | 0:09:16 | 0:09:18 | |
because, in a way, it's less risky than doing a one-hour-long show | 0:09:18 | 0:09:22 | |
because there, things really can go quite wrong | 0:09:22 | 0:09:24 | |
if people don't like your jokes. | 0:09:24 | 0:09:26 | |
Over 25 hours, you grind the audience down into submission | 0:09:26 | 0:09:29 | |
and after about 15 hours, they've forgotten whether it's funny or not, | 0:09:29 | 0:09:32 | |
they're just grateful to still be in a warm room! | 0:09:32 | 0:09:35 | |
So, Mark, the Moores are up there. | 0:09:35 | 0:09:38 | |
-Which is the lowest-scoring one you know? -The trouble is, | 0:09:38 | 0:09:41 | |
there are two that I definitely know | 0:09:41 | 0:09:43 | |
but they wouldn't be very good. | 0:09:43 | 0:09:46 | |
Then there's one which would be a good one, | 0:09:46 | 0:09:48 | |
except I'm not sure if it's right. | 0:09:48 | 0:09:50 | |
I hope I'm right about this, otherwise it'd be terrible. | 0:09:50 | 0:09:54 | |
That thing where the cross came up really chilled my blood. | 0:09:54 | 0:09:57 | |
I... I think that the writer of the graphic novels | 0:09:57 | 0:10:02 | |
V For Vendetta, Batman and Watchmen is Alan Moore. | 0:10:02 | 0:10:05 | |
Alan Moore, says Mark. Alan Moore. | 0:10:05 | 0:10:07 | |
Let's find out if that punt has paid off. | 0:10:07 | 0:10:10 | |
How many people said Alan Moore? Is it right? | 0:10:10 | 0:10:13 | |
It IS right, very well done indeed, Mark. | 0:10:13 | 0:10:16 | |
18 is our low score so far. | 0:10:16 | 0:10:19 | |
You fly past that. 9 for Alan Moore. Very well done. | 0:10:19 | 0:10:22 | |
-Good answer, Mark. -Brilliant. | 0:10:22 | 0:10:24 | |
Well played, Mark. You've taken to this very nicely indeed. | 0:10:28 | 0:10:31 | |
The wait for that thing to change | 0:10:31 | 0:10:33 | |
was among the most nerve-racking moments of my life so far. | 0:10:33 | 0:10:36 | |
You did very well. | 0:10:36 | 0:10:37 | |
Also writes under the pennames Kurt Vile and Translucia Baboon. | 0:10:37 | 0:10:40 | |
I always thought Translucia Baboon was you. | 0:10:40 | 0:10:43 | |
No, Translucia Baboon is Alan Moore. | 0:10:43 | 0:10:45 | |
Good Lord! Thanks very much. | 0:10:45 | 0:10:47 | |
-Anton, welcome back. -Thank you. | 0:10:47 | 0:10:49 | |
Welcome back. Now, you've been on Strictly since the very beginning. | 0:10:49 | 0:10:53 | |
And, um, I think the best you've done is third. | 0:10:53 | 0:10:56 | |
I'm just saying, I'm just saying. | 0:10:56 | 0:10:59 | |
-That's OK. Third's not bad. -I don't want your pity, I want your votes. | 0:10:59 | 0:11:03 | |
I did that in the very first year with Lesley Garrett, of course, | 0:11:03 | 0:11:08 | |
-but there were only eight of us in it, so it's... -That's OK. | 0:11:08 | 0:11:12 | |
Of course, I danced with the gorgeous Kate | 0:11:12 | 0:11:15 | |
who was, I always thought, misunderstood and under-marked. | 0:11:15 | 0:11:18 | |
Or just rubbish. | 0:11:18 | 0:11:20 | |
-But we didn't do badly, did we? -No. | 0:11:20 | 0:11:23 | |
-We struggled through to about halfway, didn't we? -Yeah. | 0:11:23 | 0:11:26 | |
-No, it was good, thanks to a lot of sympathy votes. -Sympathy votes. | 0:11:26 | 0:11:29 | |
Do you have any hand at all in who you're going to be partnered with? | 0:11:29 | 0:11:33 | |
With all due respect to all of all of my remarkably talented | 0:11:33 | 0:11:37 | |
and unique partners, I would be the worst chooser | 0:11:37 | 0:11:40 | |
of a partner, if that were the case. | 0:11:40 | 0:11:42 | |
Would you go for someone who would be really good fun | 0:11:42 | 0:11:45 | |
or would you go for somebody who was likely to win? | 0:11:45 | 0:11:48 | |
Do you know... Oh, yeah(!) | 0:11:48 | 0:11:50 | |
Yeah, cos I'll get the second option all the time(!) | 0:11:50 | 0:11:53 | |
-I really... -Careful! | 0:11:53 | 0:11:55 | |
..enjoyed my time with Kate, | 0:11:55 | 0:11:57 | |
and before I danced with Kate, I really wanted to win. | 0:11:57 | 0:12:01 | |
-And I realised that that was just... -But failing's lovely. | 0:12:01 | 0:12:05 | |
Coming second isn't bad. | 0:12:05 | 0:12:07 | |
Or even ninth is good. | 0:12:07 | 0:12:08 | |
Now, Anton, here's fun. | 0:12:08 | 0:12:10 | |
This board is all yours. | 0:12:10 | 0:12:12 | |
Do you fancy talking us through it and filling in the blanks? | 0:12:12 | 0:12:16 | |
I think the top one we're all pretty familiar with, | 0:12:16 | 0:12:18 | |
so we shouldn't choose that, which was Roger Moore. | 0:12:18 | 0:12:21 | |
The Irish poet I think we're all really familiar with, | 0:12:21 | 0:12:24 | |
that would be an easy one, so I'm not going to tell you what that is. | 0:12:24 | 0:12:27 | |
You don't know, do you?! | 0:12:27 | 0:12:29 | |
Obviously, Bobby Moore, the World Cup-winning fella. | 0:12:29 | 0:12:32 | |
-I think the bottom one there was Julianne Moore perhaps. -Yeah. | 0:12:32 | 0:12:35 | |
But the one I was going to opt for... | 0:12:35 | 0:12:37 | |
I could make myself look stupid here. | 0:12:37 | 0:12:39 | |
-I was going to go for the Northern Irish guitarist. -Yeah. | 0:12:39 | 0:12:43 | |
I don't know if I should take such a punt, really, | 0:12:43 | 0:12:46 | |
but I'll go for it. | 0:12:46 | 0:12:48 | |
-Gary Moore. -Gary Moore? | 0:12:48 | 0:12:50 | |
Let's see how many people said that. | 0:12:50 | 0:12:53 | |
It's right. | 0:12:54 | 0:12:57 | |
Wow. | 0:12:57 | 0:12:58 | |
21 for Gary Moore! | 0:13:00 | 0:13:02 | |
Not bad at all, Anton. | 0:13:02 | 0:13:04 | |
-Not bad. -Not bad. Very good. -Very well played, Anton. | 0:13:04 | 0:13:07 | |
Congratulations, going for a punt. It's the right thing to do. | 0:13:07 | 0:13:10 | |
Funnily enough, you're right about Julianne Moore, | 0:13:10 | 0:13:13 | |
but she would have been a lower scorer than Gary Moore - 19. | 0:13:13 | 0:13:16 | |
Didn't do too much damage | 0:13:16 | 0:13:17 | |
but, as you suspected, | 0:13:17 | 0:13:19 | |
the other two were very, very big scorers. | 0:13:19 | 0:13:21 | |
Roger Moore would have scored you 75 | 0:13:21 | 0:13:24 | |
and Bobby Moore, you were right about him, | 0:13:24 | 0:13:26 | |
would have scored you 64. | 0:13:26 | 0:13:28 | |
And the best answer on the board - Anton, let me say it, | 0:13:28 | 0:13:32 | |
I know you want to tell everybody - | 0:13:32 | 0:13:34 | |
-it was of course Thomas Moore. -Thomas... -I know you know. | 0:13:34 | 0:13:37 | |
2 points for Thomas Moore. We were having a chat about Thomas Moore | 0:13:37 | 0:13:40 | |
-just before the show, reciting some of his work. -We were. | 0:13:40 | 0:13:43 | |
Well, thank you very much. We're halfway through the round. | 0:13:43 | 0:13:46 | |
Let's take a look at the scores. Mark, the newcomer, | 0:13:46 | 0:13:49 | |
he waltzes off with the lowest score of the pass so far, | 0:13:49 | 0:13:52 | |
so very well done. Mark and Yvette looking strong at this point. | 0:13:52 | 0:13:55 | |
Then 18, well done, Bonnie and Todd. | 0:13:55 | 0:13:57 | |
21 - that's Anton and Kate. | 0:13:57 | 0:13:59 | |
Oh, and Debra, Jon... Oh, dear. | 0:13:59 | 0:14:02 | |
I'm sorry, you're on 100. | 0:14:02 | 0:14:04 | |
Jon, what we most definitely | 0:14:04 | 0:14:06 | |
will need from you is a low score. | 0:14:06 | 0:14:08 | |
We'll come back down the line now. | 0:14:08 | 0:14:10 | |
Can the second players please step up to the podium? | 0:14:10 | 0:14:14 | |
OK. We're going to put seven more people up on the board. | 0:14:14 | 0:14:17 | |
Seven more Moores. And here they are. | 0:14:17 | 0:14:19 | |
I'll read those all one last time. | 0:14:45 | 0:14:47 | |
Ah, Kate, welcome back to Pointless. | 0:15:10 | 0:15:13 | |
-Hello. -A finalist, as well. | 0:15:13 | 0:15:15 | |
-Right. -A finalist last time you were on, weren't you? | 0:15:15 | 0:15:17 | |
-Yes, you were. -I was! I was. | 0:15:17 | 0:15:20 | |
I was. I did quite well. | 0:15:20 | 0:15:22 | |
You did very well. Extremely well. | 0:15:22 | 0:15:24 | |
-You're doing very well in this round too. -I haven't done anything yet. | 0:15:24 | 0:15:27 | |
-Still, on the back of Anton. -Oh, yes. -The place to be. | 0:15:27 | 0:15:31 | |
-Oh, yes. -I always think the morning sofa | 0:15:31 | 0:15:34 | |
is the best place to learn for Pointless. | 0:15:34 | 0:15:37 | |
That is where you're going to pick up all the pointless information. | 0:15:37 | 0:15:40 | |
-It's a very good point. -Isn't it? -I've been there a long time. -Now, | 0:15:40 | 0:15:44 | |
there you are, on 21. The highest scorers Jon and Debra | 0:15:44 | 0:15:47 | |
taking a bit of pressure off you there, but 78 or less | 0:15:47 | 0:15:50 | |
-gets you into the next round very comfortably. -Right, OK. | 0:15:50 | 0:15:54 | |
Um...I don't know a lot of these, | 0:15:54 | 0:15:57 | |
so I'm probably going to have to go for a really obvious one, | 0:15:57 | 0:16:00 | |
I'm afraid. | 0:16:00 | 0:16:02 | |
I don't know why I look at you like that. I was hoping for support. | 0:16:04 | 0:16:07 | |
Got to be 78 or less, obviously. | 0:16:07 | 0:16:10 | |
I think this is going to be really obvious, | 0:16:10 | 0:16:12 | |
-but I think it's right, so shall I go for it? -Yes. | 0:16:12 | 0:16:15 | |
Dudley Moore, the bottom one. | 0:16:15 | 0:16:18 | |
-Dudley Moore? -Yeah. | 0:16:18 | 0:16:20 | |
Let's see how many people said Dudley Moore. | 0:16:20 | 0:16:22 | |
There's your red line. | 0:16:22 | 0:16:24 | |
It's right, and through you go, Kate. Very well done indeed. | 0:16:24 | 0:16:28 | |
-Wow. 63. High score. -Sorry. -It's OK. | 0:16:28 | 0:16:30 | |
-It's quite high. -No, it's OK. | 0:16:30 | 0:16:32 | |
84 is your total. Gets you through, though. | 0:16:32 | 0:16:34 | |
Very well played. Safely through to Round Two. | 0:16:34 | 0:16:37 | |
-Thanks very much indeed. Yvette. -Hello. -Welcome back. | 0:16:37 | 0:16:40 | |
-Thank you. -You still hold the record for the youngest ever | 0:16:40 | 0:16:44 | |
-Blue Peter presenter. -I do. 17. | 0:16:44 | 0:16:46 | |
-That must have been terrifying. -It was. | 0:16:46 | 0:16:49 | |
-Wow. -I was absolutely terrified, | 0:16:49 | 0:16:51 | |
and every time I looked at the camera, I just froze. | 0:16:51 | 0:16:54 | |
We didn't have autocue, we didn't have earpieces, we had nothing. | 0:16:54 | 0:16:58 | |
-You just had to do it? -We used to write on our arm. -Wow. | 0:16:58 | 0:17:01 | |
So if you had a long link, you just had to turn it like a wax cylinder. | 0:17:01 | 0:17:05 | |
Myself and Caron Keating, we would often pull back the sleeve, | 0:17:05 | 0:17:08 | |
we'd have Post-it notes on George the tortoise and the dogs | 0:17:08 | 0:17:12 | |
-to help us through. -Now, there we are. You're on 9. | 0:17:12 | 0:17:15 | |
Very nice position Mark's left you in. 90 or less sees you through. | 0:17:15 | 0:17:19 | |
I'm going to go with the British astronomer and broadcaster | 0:17:19 | 0:17:23 | |
who presented The Sky At Night for over 50 years | 0:17:23 | 0:17:26 | |
who taught me how to interview properly - Patrick Moore. | 0:17:26 | 0:17:29 | |
-Did he? -Yes. -Did you ask him for that? -No. | 0:17:29 | 0:17:32 | |
-Or did he come over and give it to you? -Yes. | 0:17:32 | 0:17:35 | |
I was about to interview him on Blue Peter and we had autocue, | 0:17:35 | 0:17:38 | |
and he had a walking stick and he bashed the autocue and went, | 0:17:38 | 0:17:41 | |
"We'll have none of that here! Learn it properly!" | 0:17:41 | 0:17:44 | |
And I went, "Oh-oh-oh-oh!" It was the best interview I'd ever done. | 0:17:44 | 0:17:48 | |
-It was brilliant. -Wow. Thank God it went that way. | 0:17:48 | 0:17:50 | |
Could have gone either way. So, Patrick Moore? | 0:17:50 | 0:17:53 | |
Let's see how many people said it. Lovely high red line for you. | 0:17:53 | 0:17:56 | |
I'm sure you can get below that. | 0:17:56 | 0:17:59 | |
It's right and you're through. Very well done indeed. | 0:18:00 | 0:18:04 | |
-Ooh. -52. | 0:18:04 | 0:18:06 | |
Takes your total up to 61. | 0:18:06 | 0:18:09 | |
Very well played, Yvette. Safely through. | 0:18:11 | 0:18:13 | |
Yvette was reminding me, last time she was on was a Blue Peter special, | 0:18:13 | 0:18:16 | |
-and do you remember I had a dog? -Oh, you did! -Wasn't that lovely? | 0:18:16 | 0:18:20 | |
-We said we should have it more often but we never have. -No. -Inca. | 0:18:20 | 0:18:24 | |
I remember. Inca. Lovely. | 0:18:24 | 0:18:26 | |
Now, Jon. Jon... Jon. | 0:18:26 | 0:18:29 | |
Jon, welcome. | 0:18:29 | 0:18:31 | |
-AS PATRICK MOORE: -Very nice to have Patrick Moore mentioned there, | 0:18:31 | 0:18:34 | |
and you're right, that was a very marvellous interview. | 0:18:34 | 0:18:37 | |
APPLAUSE | 0:18:37 | 0:18:39 | |
Do you reckon, Jon, if you... | 0:18:42 | 0:18:44 | |
if you had to do an impression of someone, | 0:18:44 | 0:18:47 | |
and you took 24 hours, | 0:18:47 | 0:18:50 | |
do you think you could nail anyone? | 0:18:50 | 0:18:52 | |
I think so. I'd have a good go. | 0:18:52 | 0:18:54 | |
What's first, to get the voice, the tone of voice, or... | 0:18:54 | 0:18:57 | |
You just have to watch for as long as you can and see what you notice. | 0:18:57 | 0:19:01 | |
-AS SIMON COWELL: -With Simon Cowell, it would probably be | 0:19:01 | 0:19:04 | |
that sort of body language, "OK, I'm going to stop you." | 0:19:04 | 0:19:08 | |
-AS ALAN CARR: -And with Alan Carr, he's so chirpy and all that, | 0:19:08 | 0:19:11 | |
expressive dance, like this. | 0:19:11 | 0:19:14 | |
-You never know what you'll notice. -They click into place and suddenly, | 0:19:14 | 0:19:17 | |
"Oh, there it is! It's suddenly ringing true." | 0:19:17 | 0:19:20 | |
Listen, you know what you have to do. We need a very low score | 0:19:20 | 0:19:23 | |
-and even then it might not be enough. -OK... | 0:19:23 | 0:19:26 | |
Well, of the ones I know on there, | 0:19:26 | 0:19:30 | |
I think I might go for the rugby union hooker, | 0:19:30 | 0:19:33 | |
now commentator, Brian Moore. | 0:19:33 | 0:19:36 | |
Brian Moore. OK. No red line for you, I'm afraid, | 0:19:36 | 0:19:39 | |
cos you're the high scorers but let's see how many of our 100 people said Brian Moore. | 0:19:39 | 0:19:43 | |
It's right. | 0:19:43 | 0:19:45 | |
It's a good answer. Look at that, down it goes. 16. | 0:19:49 | 0:19:52 | |
Very well done. | 0:19:52 | 0:19:53 | |
16 is in fact our second-lowest score of the round so far. | 0:19:53 | 0:19:57 | |
-116 is your total. -Well played, Jon. | 0:19:57 | 0:19:59 | |
All you could do there was put the pressure on Todd on that last podium. | 0:19:59 | 0:20:03 | |
-Terrific answer. -Now, Todd, welcome back. -Thanks very much. | 0:20:03 | 0:20:06 | |
Now, you are someone else who has spent most of their life | 0:20:06 | 0:20:10 | |
-in front of the camera. -Hmm. -What age did you start? | 0:20:10 | 0:20:13 | |
I started when I was four. Yeah. | 0:20:13 | 0:20:15 | |
That's even younger than Bonnie went on Opportunity Knocks. | 0:20:15 | 0:20:18 | |
For heaven's sake. Of course, recently... | 0:20:18 | 0:20:20 | |
not that recently, you've started directing, | 0:20:20 | 0:20:23 | |
-so you've stepped behind the camera. -Indeed. | 0:20:23 | 0:20:26 | |
I've directed my first feature film | 0:20:26 | 0:20:29 | |
and I direct... | 0:20:29 | 0:20:31 | |
half a dozen...no, sorry. Yes, six episodes of Doctors for the BBC, | 0:20:31 | 0:20:35 | |
so, yeah, there's a method to my madness. | 0:20:35 | 0:20:38 | |
-It keeps me out of trouble. -Very good. | 0:20:38 | 0:20:39 | |
Now, Todd, you do have a target here, which is 97 or less. | 0:20:39 | 0:20:43 | |
Essentially, you have to give us a right answer, | 0:20:43 | 0:20:46 | |
but if you can do that, you are through to the next round. | 0:20:46 | 0:20:49 | |
-Do you want to talk us through that board? -There's only one I think | 0:20:49 | 0:20:52 | |
I know, and I think everyone else will know it. | 0:20:52 | 0:20:55 | |
Just hoping the 100 people had a moment of madness, | 0:20:55 | 0:20:59 | |
it's the only one I know, one of the most famous pottery scenes... | 0:20:59 | 0:21:03 | |
as a young man I'll ever remember! | 0:21:03 | 0:21:05 | |
-Demi Moore. -Demi Moore, says Todd. | 0:21:05 | 0:21:08 | |
Here's your red line, nice and high. | 0:21:08 | 0:21:11 | |
Get below that with Demi Moore and you are in Round Two. | 0:21:11 | 0:21:15 | |
Yep, well done. Down it goes. | 0:21:15 | 0:21:17 | |
Very well done. 74. A high score, but with a total of 92, | 0:21:17 | 0:21:20 | |
that's good enough. | 0:21:20 | 0:21:22 | |
Very well played, Todd. | 0:21:24 | 0:21:25 | |
That's really rubbing it in for Debra. | 0:21:25 | 0:21:28 | |
I think Julianne Moore scored so few in that first pass | 0:21:28 | 0:21:30 | |
because so many of our 100 said Demi Moore to the same question you did. | 0:21:30 | 0:21:33 | |
As soon as you see the actress, | 0:21:33 | 0:21:35 | |
it's the first thing that pops into your head. | 0:21:35 | 0:21:37 | |
Let's take a look at the rest of these. | 0:21:37 | 0:21:40 | |
The voice from Rapunzel was Mandy Moore. 21 points. | 0:21:40 | 0:21:44 | |
Pink's real name is Alecia Moore. | 0:21:44 | 0:21:47 | |
-It's a good name. -7. Alecia Moore? -Yeah, it's a good name. | 0:21:47 | 0:21:50 | |
But Pink is more fun. She's got an upside down "i" in it. | 0:21:50 | 0:21:53 | |
She could have an upside-down "i" in Alecia. | 0:21:53 | 0:21:56 | |
She could do it with "Moore". She could have a couple of goggly eyes. | 0:21:56 | 0:21:59 | |
That's a good idea. And a couple of eyebrows. | 0:21:59 | 0:22:02 | |
This last one is a pointless answer, | 0:22:02 | 0:22:04 | |
so very well done if you said it. It is Ann Moore. | 0:22:04 | 0:22:07 | |
Terrific answer if you got that at home. | 0:22:07 | 0:22:09 | |
Thank you very much indeed. So, at the end of our first round, | 0:22:09 | 0:22:12 | |
the pair who are heading home with a high score of 116, | 0:22:12 | 0:22:15 | |
I'm so sorry, Jon and Debra. You were hot favourites | 0:22:15 | 0:22:18 | |
-to be lifting the trophy. -As Patrick Moore himself once said... | 0:22:18 | 0:22:21 | |
-AS PATRICK MOORE: -Never mind, these things happen. | 0:22:21 | 0:22:25 | |
Well, they do. Very stoical of you there. | 0:22:25 | 0:22:27 | |
But we will see you again another time. Come back and win again. | 0:22:27 | 0:22:30 | |
But meantime, thanks very much for playing. Jon and Debra, wonderful. | 0:22:30 | 0:22:35 | |
But for the remaining three pairs, it's time for Round Two. | 0:22:36 | 0:22:39 | |
And so now we're down to three pairs. At the end of this round, | 0:22:43 | 0:22:46 | |
we will be down to two pairs. | 0:22:46 | 0:22:49 | |
Our category for Round Two today is... | 0:22:49 | 0:22:52 | |
Can you all decide in your pairs who's going to go first, | 0:22:54 | 0:22:57 | |
who's going to go second? | 0:22:57 | 0:22:59 | |
Whoever's going first, please step up to the podium. | 0:22:59 | 0:23:02 | |
OK, let's find out what the question is. Here it comes. | 0:23:05 | 0:23:08 | |
We gave 100 people 100 seconds to name as many... | 0:23:08 | 0:23:12 | |
..as they could. I'll just read that again. | 0:23:17 | 0:23:19 | |
There we are. Richard. | 0:23:23 | 0:23:25 | |
Yeah, From Me To You, that was The Beatles' first number one | 0:23:25 | 0:23:28 | |
and The Ballad Of John And Yoko, that was their last number one to date. | 0:23:28 | 0:23:31 | |
We are looking for any UK top 40 single by them that appear | 0:23:31 | 0:23:34 | |
alphabetically between the two of them. Any Beatles UK top 40 hits | 0:23:34 | 0:23:37 | |
that would fit alphabetically between those two songs. | 0:23:37 | 0:23:40 | |
-Very best of luck. -OK. Thank you, Richard. | 0:23:40 | 0:23:42 | |
-So, Bonnie. -Oh, it's me again. -Yes, it's you again. -Oh! | 0:23:42 | 0:23:46 | |
SHE LAUGHS | 0:23:46 | 0:23:48 | |
Help! | 0:23:48 | 0:23:50 | |
SCATTERED LAUGHTER | 0:23:50 | 0:23:52 | |
Perfect. Let's see if Bonnie's right. | 0:23:52 | 0:23:55 | |
Let's see how many of our 100 people said "Help!". | 0:23:55 | 0:23:57 | |
It's right. | 0:23:59 | 0:24:01 | |
-23. -I can't believe that's that low. | 0:24:05 | 0:24:07 | |
23 for "Help!". | 0:24:09 | 0:24:11 | |
Well played, Bonnie. From 1965. | 0:24:11 | 0:24:13 | |
John Lennon says he wrote it | 0:24:13 | 0:24:15 | |
as he was struggling to comprehend the level of fame they'd achieved. | 0:24:15 | 0:24:18 | |
Thank you, Richard. Mark, what are you going to go for? | 0:24:18 | 0:24:21 | |
Um...I think...I think... | 0:24:21 | 0:24:24 | |
Love Me Do, I'll go for. | 0:24:24 | 0:24:26 | |
-Love Me Do. -I'm pretty confident that was a single | 0:24:26 | 0:24:29 | |
-but I fear it will be quite a popular answer. -Love Me Do. | 0:24:29 | 0:24:32 | |
Let's see how many of our 100 people said it, Love Me Do. | 0:24:32 | 0:24:35 | |
It's right. | 0:24:35 | 0:24:37 | |
Oh, it's not bad. 29. | 0:24:39 | 0:24:41 | |
Not bad at all. | 0:24:41 | 0:24:43 | |
-Perfectly respectable. -Well played, Mark. | 0:24:45 | 0:24:47 | |
Did what you had to do and didn't panic. | 0:24:47 | 0:24:49 | |
One of the first ones they ever wrote together, Lennon and McCartney. | 0:24:49 | 0:24:53 | |
What happened to John's harmonica-playing after that? | 0:24:53 | 0:24:56 | |
It was George Martin's idea to have that on the record, | 0:24:56 | 0:24:59 | |
-but he didn't do it much after that. -No. It's a shame. | 0:24:59 | 0:25:02 | |
They seemed to do all right without it(!) | 0:25:02 | 0:25:04 | |
Think how much better they might have done with it, though. | 0:25:04 | 0:25:07 | |
-A sobering thought. -Anyway, there we are. We'll move on. | 0:25:07 | 0:25:10 | |
-Kate. -Um...Michelle. | 0:25:10 | 0:25:13 | |
OK. Michelle. Let's see how many of our 100 people said Michelle. | 0:25:13 | 0:25:18 | |
LOUD GASPS | 0:25:20 | 0:25:22 | |
Oh, no, Kate, I'm so sorry. | 0:25:22 | 0:25:23 | |
We'll discover why in a second | 0:25:23 | 0:25:25 | |
but that is an incorrect answer and it scores you 100 points. | 0:25:25 | 0:25:29 | |
Yeah. A lovely song but it's an album track from Rubber Soul, I'm afraid. | 0:25:29 | 0:25:33 | |
It may not...it may not be the last 100 of the round, actually. | 0:25:33 | 0:25:36 | |
Let's have a look at those scores. | 0:25:36 | 0:25:38 | |
23, the best score. Well done, Bonnie and Todd. | 0:25:38 | 0:25:41 | |
Ahead of the game at this point. | 0:25:41 | 0:25:43 | |
Then at 29, we find Mark and Yvette, | 0:25:43 | 0:25:45 | |
then up to 100, Kate and Anton, | 0:25:45 | 0:25:46 | |
but Anton, as I say, | 0:25:46 | 0:25:47 | |
at the very least, | 0:25:47 | 0:25:49 | |
-we need a low score from you if you are to survive. -Thank you. | 0:25:49 | 0:25:52 | |
We're going to come back down the line. Can the second players | 0:25:52 | 0:25:55 | |
please step up to the podium? | 0:25:55 | 0:25:56 | |
So, Anton, remember, we are looking for the titles of Beatles' | 0:25:58 | 0:26:01 | |
UK top 40 singles that come alphabetically between | 0:26:01 | 0:26:04 | |
From Me To You and The Ballad Of John And Yoko. | 0:26:04 | 0:26:07 | |
Um...Please Please Me. | 0:26:07 | 0:26:10 | |
-Oh! -Please Please Me says Anton. | 0:26:10 | 0:26:12 | |
That's not a track. That's just a request. | 0:26:12 | 0:26:15 | |
LAUGHTER | 0:26:15 | 0:26:17 | |
Now, then, Anton, there's no red line for you | 0:26:17 | 0:26:21 | |
because you're the highest scorers. | 0:26:21 | 0:26:22 | |
Let's see how far down the column you can get with Please Please Me. | 0:26:22 | 0:26:26 | |
-It's right. -Oh, it's good. | 0:26:29 | 0:26:31 | |
Keep going. | 0:26:31 | 0:26:33 | |
-Ohh. -24. | 0:26:33 | 0:26:35 | |
Well done. | 0:26:35 | 0:26:37 | |
24. That could keep you in the game. | 0:26:37 | 0:26:40 | |
Well played, Anton. Put some pressure on Yvette there. | 0:26:40 | 0:26:43 | |
It was their second single. Originally it was a slow ballad | 0:26:43 | 0:26:46 | |
and George Martin said, "Why don't you try and speed it up?" | 0:26:46 | 0:26:49 | |
And Paul McCartney said, | 0:26:49 | 0:26:50 | |
-"That's the moment we first got that Beatles sound." -Thank you. | 0:26:50 | 0:26:53 | |
-Yvette. -I was going to do that. -Oh! | 0:26:53 | 0:26:55 | |
They had a couple of other songs, it's fine(!) | 0:26:55 | 0:26:58 | |
But I'm not sure if they're a single, though, that's the thing. | 0:26:58 | 0:27:02 | |
-I thought Michelle was a single. -I know. I blame the Red Album | 0:27:02 | 0:27:05 | |
and the Blue Album. They sowed all these seeds in our heads. | 0:27:05 | 0:27:09 | |
-Anyway, this is good news. You have to score 94 or less. -OK. | 0:27:09 | 0:27:12 | |
Money. | 0:27:12 | 0:27:14 | |
-Money. -Hmm. | 0:27:14 | 0:27:16 | |
Money, says Yvette. There's your red line, Yvette. | 0:27:16 | 0:27:19 | |
If you can get below that with Money, | 0:27:19 | 0:27:22 | |
you are in the head-to-head. Let's see how many people said Money. | 0:27:22 | 0:27:26 | |
-Oh, no! -Oh, Yvette, I'm sorry. | 0:27:28 | 0:27:30 | |
I'm sorry, I'm so sorry. | 0:27:30 | 0:27:32 | |
100 is your score there. 129 is your very high total. | 0:27:32 | 0:27:34 | |
I'm sorry. | 0:27:34 | 0:27:36 | |
Yeah, a very early album track, Money, from With The Beatles, | 0:27:36 | 0:27:39 | |
but not a single. | 0:27:39 | 0:27:41 | |
Thanks very much. | 0:27:41 | 0:27:43 | |
Good knowledge, though. | 0:27:43 | 0:27:45 | |
-Can't fault your Beatles knowledge. -Thank you. | 0:27:45 | 0:27:48 | |
And then the Flying Lizards did their version of it later on. | 0:27:48 | 0:27:52 | |
-It's a shame that didn't come up. -Yes! | 0:27:52 | 0:27:54 | |
Todd, I have great news for you. You are going to be in the head-to-head. | 0:27:54 | 0:27:58 | |
-Oh. -Ooh. -There we are. You're on 23. | 0:27:58 | 0:28:01 | |
It doesn't matter what you score. What are you going to say? | 0:28:01 | 0:28:04 | |
Um... | 0:28:04 | 0:28:06 | |
Now that you mention it, | 0:28:06 | 0:28:08 | |
Get Back. | 0:28:08 | 0:28:10 | |
Get Back. | 0:28:10 | 0:28:11 | |
Surely that was a single? | 0:28:11 | 0:28:13 | |
From Let It Be. Let's see how many of our 100 people said Get Back. | 0:28:13 | 0:28:18 | |
It's right. | 0:28:19 | 0:28:21 | |
Very well done indeed. Good answer, Todd. | 0:28:21 | 0:28:23 | |
Let's see how far down we can go with that. | 0:28:23 | 0:28:26 | |
Best score of the round. | 0:28:26 | 0:28:28 | |
27. Total of 30. | 0:28:28 | 0:28:31 | |
The best total of the round as well, so very well done indeed. | 0:28:31 | 0:28:35 | |
Great answer, Todd. Very well played. 1969, reached number one. | 0:28:35 | 0:28:38 | |
The only Beatles single to go straight in the charts at number one. | 0:28:38 | 0:28:41 | |
There was one pointless answer, and that was in 1996 they remastered | 0:28:41 | 0:28:45 | |
a lot of The Beatles' songs | 0:28:45 | 0:28:48 | |
and one of the hits was Real Love. Well done if you said that. | 0:28:48 | 0:28:50 | |
You would have got 1 point for Something, | 0:28:50 | 0:28:53 | |
2 points for Lady Madonna, 4 for I Feel Fine, | 0:28:53 | 0:28:55 | |
4 also for Hello, Goodbye. | 0:28:55 | 0:28:58 | |
You'd have got 5 for Let It Be, 5 for Strawberry Fields Forever, | 0:28:58 | 0:29:01 | |
7 for Paperback Writer, 12 for Penny Lane, | 0:29:01 | 0:29:03 | |
17 for I Want To Hold Your Hand, | 0:29:03 | 0:29:05 | |
23 for She Loves You. | 0:29:05 | 0:29:07 | |
Let's look at the top three, we've seen a couple of them already. | 0:29:07 | 0:29:11 | |
There's Please Please Me, 24. | 0:29:11 | 0:29:13 | |
And in second place, Hey Jude, also 24. | 0:29:13 | 0:29:16 | |
And right at the top, Love Me Do on 29. | 0:29:16 | 0:29:19 | |
Thank you very much. | 0:29:19 | 0:29:20 | |
So, the pair leaving us at the end of the second round, | 0:29:20 | 0:29:22 | |
our heroes of Round One, oh, I'm so sorry, Yvette and Mark. | 0:29:22 | 0:29:27 | |
There's only one thing for it, you have to come back and play again. | 0:29:27 | 0:29:30 | |
Mark, please... I mean, Yvette, obviously, but... | 0:29:30 | 0:29:34 | |
-LAUGHTER -..but you've been here before. | 0:29:34 | 0:29:37 | |
But Mark, please, don't be put off by this. | 0:29:37 | 0:29:39 | |
On the contrary, I'll spend from now | 0:29:39 | 0:29:42 | |
until the next time just researching everything in the world. | 0:29:42 | 0:29:45 | |
Excellent, perfect. Well, we will look forward to that. | 0:29:45 | 0:29:47 | |
But thanks so much, Yvette and Mark, wonderful contestants. | 0:29:47 | 0:29:51 | |
But for Anton and Kate and Todd and Bonnie, | 0:29:51 | 0:29:54 | |
it's now time for our head-to-head. | 0:29:54 | 0:29:56 | |
Congratulations, Todd and Bonnie, Kate and Anton, | 0:29:59 | 0:30:02 | |
you are now one step closer to the final and the chance to play for | 0:30:02 | 0:30:05 | |
our jackpot, which currently stands at £2,500. | 0:30:05 | 0:30:09 | |
So, Todd and Bonnie and Kate, all been here before, of course, | 0:30:13 | 0:30:16 | |
all been finalists in the past. So, Anton, new boy. | 0:30:16 | 0:30:20 | |
Never been in a final in me life! | 0:30:20 | 0:30:23 | |
-Wow. -Never been anywhere near it. | 0:30:23 | 0:30:25 | |
Well, very best of luck to both pairs, let's play the head-to-head. | 0:30:25 | 0:30:29 | |
OK, here comes your first question, and it concerns... | 0:30:35 | 0:30:38 | |
Children's Programmes. Richard. | 0:30:41 | 0:30:43 | |
We'll show you five images from children's TV programmes, | 0:30:43 | 0:30:46 | |
you just need to tell us the most obscure of these. | 0:30:46 | 0:30:48 | |
Thanks, Richard, let's reveal our five images. | 0:30:48 | 0:30:51 | |
We've got... | 0:30:51 | 0:30:53 | |
OK, there we are, five images from children's programmes. | 0:31:14 | 0:31:18 | |
Now, Todd and Bonnie, you've been our lowest scorers throughout, | 0:31:18 | 0:31:21 | |
-so, you get to go first. -Ooh! | 0:31:21 | 0:31:23 | |
THEY CONFER | 0:31:23 | 0:31:25 | |
-Well, E is... -Is the Teenage Mutant Ninja Turtles. | 0:31:25 | 0:31:29 | |
-Is that the correct title? -Yes. I think so. | 0:31:29 | 0:31:33 | |
THEY LAUGH | 0:31:35 | 0:31:37 | |
We're going to go for E, the Teenage Mutant Ninja Turtles. | 0:31:37 | 0:31:42 | |
Teenage Mutant Ninja Turtles, say Todd and Bonnie. | 0:31:42 | 0:31:45 | |
Now, Kate and Anton, the board is all yours, talk us through it. | 0:31:45 | 0:31:48 | |
I mean, E could be the most obscure one, I don't know. | 0:31:48 | 0:31:51 | |
But what did you think that A was? | 0:31:51 | 0:31:53 | |
You thought it was the Magic Roundabout? | 0:31:53 | 0:31:55 | |
-Yeah, but it looks a bit modern. -D is The Wombles and C is... | 0:31:55 | 0:31:59 | |
-Danger Mouse. -Danger Mouse. B is... -Pingu. -Pingu. | 0:31:59 | 0:32:04 | |
-B, Pingu, I'm going to go with you. -B, Pingu. | 0:32:04 | 0:32:07 | |
So, we have Teenage Mutant Ninja Turtles versus Pingu. | 0:32:07 | 0:32:10 | |
Todd and Bonnie went Teenage Mutant Ninja Turtles for E, | 0:32:10 | 0:32:12 | |
let's see if that's right and how many people said it. | 0:32:12 | 0:32:15 | |
Look at that, 53. | 0:32:20 | 0:32:21 | |
-53. -53. -Could have gone a bit lower, I think, for comfort. | 0:32:25 | 0:32:29 | |
But anyway, Kate and Anton, meanwhile, have said Pingu | 0:32:29 | 0:32:32 | |
for B, let's see if that's right and how many people said Pingu. | 0:32:32 | 0:32:35 | |
It's right... | 0:32:37 | 0:32:38 | |
Oh, 79. | 0:32:38 | 0:32:40 | |
So, not so bad, Todd and Bonnie. Very well done. | 0:32:41 | 0:32:44 | |
-After one question, you are up 1-0. -Very well played. | 0:32:44 | 0:32:46 | |
There's only one answer there that would have beaten them, | 0:32:46 | 0:32:49 | |
and it is A, but A is actually from 1976, it's Chorlton And The Wheelies. | 0:32:49 | 0:32:54 | |
Very well done if you said that. Would have scored 7 points. | 0:32:54 | 0:32:57 | |
I wasn't even born! | 0:32:57 | 0:33:00 | |
-LAUGHTER -Yeah, yeah(!) | 0:33:00 | 0:33:01 | |
What's so funny? | 0:33:01 | 0:33:03 | |
LAUGHTER | 0:33:03 | 0:33:05 | |
C, Danger Mouse, a slightly better scorer, would have scored 75 points. | 0:33:05 | 0:33:09 | |
And the biggest scorer of all was The Wombles, | 0:33:09 | 0:33:12 | |
they would have scored you 87. | 0:33:12 | 0:33:15 | |
Thanks very much indeed, Richard, so, here comes your second question, | 0:33:15 | 0:33:18 | |
Kate and Anton, you get to answer it first, | 0:33:18 | 0:33:20 | |
but you have to win it to stay in the game, so, very best of luck. | 0:33:20 | 0:33:23 | |
It concerns... | 0:33:23 | 0:33:24 | |
-Oh, come on! -We've got the Dolly of Dolly Land over here! | 0:33:25 | 0:33:30 | |
She's sung them all, I don't know about songs from musicals! | 0:33:32 | 0:33:35 | |
-Richard... -Could we have some that she hasn't done? | 0:33:35 | 0:33:38 | |
Well, let's find out, we are | 0:33:38 | 0:33:39 | |
about to play you five versions of songs from musicals, we need you | 0:33:39 | 0:33:42 | |
to tell us the name of the musical each of these songs is from, please. | 0:33:42 | 0:33:47 | |
OK, so, let's listen to our five excerpts, and here they are. | 0:33:47 | 0:33:52 | |
We have... | 0:33:52 | 0:33:54 | |
# The most beautiful sound I ever heard | 0:33:55 | 0:34:01 | |
# Maria | 0:34:03 | 0:34:05 | |
# Maria, Maria, Maria... # | 0:34:05 | 0:34:11 | |
Can you do the second line? You sing the next verse. | 0:34:11 | 0:34:14 | |
MAJESTIC ORCHESTRAL MUSIC | 0:34:16 | 0:34:21 | |
I'll do that one. Can I do that one? | 0:34:28 | 0:34:30 | |
# Anything you can do, I can do better | 0:34:31 | 0:34:34 | |
I can do anything better than you | 0:34:34 | 0:34:37 | |
-# No, you can't -Yes, I can | 0:34:37 | 0:34:38 | |
-# No, you can't -Yes, I can | 0:34:38 | 0:34:40 | |
-# No, you can't -Yes, I can, yes, I can... # | 0:34:40 | 0:34:43 | |
SWINGING JAZZY MUSIC | 0:34:46 | 0:34:48 | |
Shall we do a turn? | 0:35:01 | 0:35:02 | |
# When you walk through a storm | 0:35:05 | 0:35:10 | |
# Hold your head up high | 0:35:10 | 0:35:16 | |
# And don't be afraid of the dark... # | 0:35:16 | 0:35:23 | |
OK, there we are. Five songs from musicals. | 0:35:25 | 0:35:28 | |
Kate and Anton, you will go first this time. | 0:35:28 | 0:35:31 | |
We think, possibly, I think people know the song, | 0:35:31 | 0:35:34 | |
but probably not where it came from. | 0:35:34 | 0:35:36 | |
-That's what I'm thinking. So, we think... -Probably D. -D. -D. | 0:35:36 | 0:35:42 | |
-Which is... -Sweet Charity. | 0:35:42 | 0:35:44 | |
Sweet Charity. D, Sweet Charity. | 0:35:44 | 0:35:47 | |
Now, Todd and Bonnie, do you want to talk us through the others? | 0:35:47 | 0:35:51 | |
Well, A is Tonight from West Side Story. | 0:35:51 | 0:35:54 | |
B was Jesus Christ Superstar, the title track. | 0:35:54 | 0:35:57 | |
Um, C, we think we know. D, yes, Sweet Charity. | 0:35:57 | 0:36:02 | |
And E is, um, You'll Never Walk Alone, from...Carousel. | 0:36:02 | 0:36:08 | |
So, it's about whether... | 0:36:08 | 0:36:10 | |
We think C is the most obscure, | 0:36:10 | 0:36:13 | |
the fact that people wouldn't know which show it is, | 0:36:13 | 0:36:16 | |
it's Anything You Can Do, I Can Do Better, | 0:36:16 | 0:36:18 | |
which is from Annie, Get Your Gun. | 0:36:18 | 0:36:20 | |
Annie, Get Your Gun. | 0:36:20 | 0:36:22 | |
So, we have Sweet Charity and Annie, Get Your Gun. | 0:36:22 | 0:36:25 | |
Kate and Anton went for Sweet Charity, let's see | 0:36:25 | 0:36:27 | |
if that's right and if it is, how many people said Sweet Charity. | 0:36:27 | 0:36:30 | |
It's right. | 0:36:32 | 0:36:33 | |
Oh, it's a good score, down it goes, still going down. | 0:36:37 | 0:36:40 | |
Look at that, 3! Very well done indeed, Kate and Anton, good answer. | 0:36:40 | 0:36:44 | |
Well done. | 0:36:44 | 0:36:45 | |
That's going to take some beating, I would say. | 0:36:47 | 0:36:50 | |
But Todd and Bonnie might give it a run for its money, they've gone for Annie, Get Your Gun, | 0:36:50 | 0:36:54 | |
let's see if that's right and if it is, how many people said that. | 0:36:54 | 0:36:57 | |
It is right. | 0:37:01 | 0:37:02 | |
It's going to be another low one. Down it goes, still going down... | 0:37:04 | 0:37:07 | |
Oh, 7! | 0:37:07 | 0:37:08 | |
Very close indeed. I should imagine, the two best answers on the board. | 0:37:10 | 0:37:15 | |
But well done, Kate and Anton, you're back in the game, after two questions, it's 1-1. | 0:37:15 | 0:37:19 | |
Well played, both teams. As we would expect, I think, from the people here, | 0:37:19 | 0:37:22 | |
they are the best two answers on the board by a mile. I'll go through all of them for you. | 0:37:22 | 0:37:26 | |
The first song was Maria from West Side Story, would have scored you 22. | 0:37:26 | 0:37:29 | |
Jesus Christ Superstar, would have scored you 53. | 0:37:29 | 0:37:32 | |
And E was, as you said, You'll Never Walk Alone from Carousel, | 0:37:32 | 0:37:35 | |
would have scored you 20. See, Big Spender from Sweet Charity. | 0:37:35 | 0:37:40 | |
-Very good answer. -Thank you very much. | 0:37:40 | 0:37:42 | |
OK, here comes your third and final question, | 0:37:42 | 0:37:45 | |
whoever wins this goes through to the final. | 0:37:45 | 0:37:48 | |
Best of luck, both pairs. Our third question today concerns... | 0:37:48 | 0:37:52 | |
LAUGHTER | 0:37:52 | 0:37:54 | |
-Wow! Wow! -Why wouldn't it? | 0:37:54 | 0:37:58 | |
Richard. | 0:37:58 | 0:37:59 | |
We've given you kids' TV programmes and musicals, we've got to give you something! | 0:37:59 | 0:38:03 | |
We'll give you five clues to facts about archery, | 0:38:03 | 0:38:05 | |
the team that gives us the best answer will go through | 0:38:05 | 0:38:08 | |
to play for the jackpot, so, best of luck. | 0:38:08 | 0:38:10 | |
OK, let's reveal our five clues. We have... | 0:38:10 | 0:38:13 | |
I'll read those all one last time. | 0:38:33 | 0:38:34 | |
Todd and Bonnie, you will go first. | 0:38:50 | 0:38:53 | |
Er, I think we're going to have to go for an obvious one. | 0:38:53 | 0:38:57 | |
Which is the second one down, the sign of the zodiac sometimes | 0:38:57 | 0:39:00 | |
known as The Archer, which is Sagittarius. | 0:39:00 | 0:39:02 | |
Sagittarius, say Todd and Bonnie. | 0:39:02 | 0:39:04 | |
OK, Kate and Anton, talk us through the rest of that board. | 0:39:04 | 0:39:08 | |
I think the top, the colour of the bull's-eye | 0:39:08 | 0:39:11 | |
-on an archery target is gold. -OK. I thought it was red. | 0:39:11 | 0:39:14 | |
But I like your answer | 0:39:14 | 0:39:16 | |
for the one-word term for a long, narrow case. | 0:39:16 | 0:39:19 | |
I don't know if it's right, but I think it might be quiver. | 0:39:19 | 0:39:22 | |
Go with the quiver. Because that's obscure. I mean, I like that. | 0:39:22 | 0:39:26 | |
-Let's go for quiver. -A lot of wrong things are obscure! Go for quiver. | 0:39:26 | 0:39:30 | |
So, we have Sagittarius and we have quiver. | 0:39:30 | 0:39:32 | |
Todd and Bonnie said Sagittarius, let's see | 0:39:32 | 0:39:34 | |
if it's right, and how many people said it. | 0:39:34 | 0:39:36 | |
It's right. | 0:39:39 | 0:39:40 | |
Oh, 42. | 0:39:42 | 0:39:44 | |
Happy with 42, Todd and Bonnie? | 0:39:44 | 0:39:47 | |
Now, then, Kate and Anton have gone for quiver, | 0:39:49 | 0:39:52 | |
let's see if that's right and let's see how many people said quiver. | 0:39:52 | 0:39:55 | |
It is a quiver. | 0:39:58 | 0:39:59 | |
42 is what you have to beat. | 0:39:59 | 0:40:01 | |
Oh, 48! | 0:40:01 | 0:40:03 | |
Todd and Bonnie, you have done it again. | 0:40:04 | 0:40:07 | |
After three questions, you are through to the final, 2-1, | 0:40:07 | 0:40:10 | |
-very well done indeed. -Yeah, very well played. | 0:40:10 | 0:40:13 | |
Funnily enough, if you'd gone for the target, it's yellow, | 0:40:13 | 0:40:17 | |
we would have taken gold, though, it would have scored you 24 points. | 0:40:17 | 0:40:20 | |
Would have seen you through to the final. | 0:40:20 | 0:40:22 | |
I think quiver is a much more common word than you are imagining, | 0:40:22 | 0:40:25 | |
I'm afraid. | 0:40:25 | 0:40:26 | |
Classical mythology, that is Penelope, | 0:40:26 | 0:40:29 | |
would have scored you eight points. | 0:40:29 | 0:40:31 | |
And the Jennifer Lawrence character is Katniss Everdeen. | 0:40:31 | 0:40:35 | |
-She would have scored you 13 points. -Thank you very much. | 0:40:35 | 0:40:38 | |
So, the pair leaving us at the end of the head-to-head round, I'm | 0:40:38 | 0:40:41 | |
afraid it's Kate and Anton, but what a brilliant head-to-head that was. | 0:40:41 | 0:40:45 | |
-And so, so close. -APPLAUSE | 0:40:45 | 0:40:48 | |
Well done. | 0:40:48 | 0:40:49 | |
Very, very well done, both pairs. But Kate and Anton, | 0:40:49 | 0:40:53 | |
it's been wonderful having you on the show, thank you for playing. | 0:40:53 | 0:40:56 | |
-Kate and Anton! -Thank you. -Thank you. | 0:40:56 | 0:40:58 | |
But for Todd and Bonnie, it's now time for our Pointless final. | 0:40:58 | 0:41:02 | |
Congratulations, Todd and Bonnie, | 0:41:05 | 0:41:07 | |
you have fought off all the competition | 0:41:07 | 0:41:09 | |
and won our coveted Pointless trophy, for the second time! | 0:41:09 | 0:41:12 | |
Good grief! | 0:41:12 | 0:41:13 | |
You now have a chance to win our Pointless jackpot, | 0:41:19 | 0:41:21 | |
and at the end of today's show, the jackpot stands at £2,500. | 0:41:21 | 0:41:25 | |
Well done. | 0:41:27 | 0:41:29 | |
-You've done it, you've got the double covet! -Yes! Bookends. | 0:41:29 | 0:41:32 | |
Exactly, bookends, perfect. | 0:41:32 | 0:41:35 | |
Do you think you can do the double jackpot, though? That would be fantastic. | 0:41:35 | 0:41:38 | |
-Don't let's push it, let's see how we do. -Fingers crossed. | 0:41:38 | 0:41:41 | |
-Fingers crossed. -Very, very best of luck. As always, you get to choose your category. | 0:41:41 | 0:41:45 | |
Four options for you to choose from, here they are. | 0:41:45 | 0:41:48 | |
-Almost a fully alliterative board, in fact! -That's a very... | 0:41:55 | 0:41:58 | |
wide cross-section, isn't it? What are you thinking? | 0:41:58 | 0:42:03 | |
I've forgotten how to play the game! | 0:42:03 | 0:42:05 | |
LAUGHTER | 0:42:05 | 0:42:07 | |
-Will we do Rat Pack...? -I think we have to. -We've no option. | 0:42:07 | 0:42:10 | |
I think we've got to do Rat Pack. | 0:42:10 | 0:42:11 | |
You're going for the Rat Pack. Richard. | 0:42:11 | 0:42:13 | |
OK, we'll give you three questions now | 0:42:13 | 0:42:15 | |
about members of the Rat Pack, take your answers from any of these. | 0:42:15 | 0:42:18 | |
We are looking for... | 0:42:18 | 0:42:20 | |
So, any UK top 40 single up to April 2014, please, | 0:42:28 | 0:42:32 | |
released by any of those three artists. | 0:42:32 | 0:42:34 | |
Very best of luck. | 0:42:34 | 0:42:36 | |
OK, now, as always, you've got up to one minute to come up with | 0:42:36 | 0:42:39 | |
three answers, and all you need to win that jackpot | 0:42:39 | 0:42:41 | |
for your charities is for just one answer to be pointless. | 0:42:41 | 0:42:44 | |
-Are you ready? -Yup. -Er, yeah. | 0:42:44 | 0:42:46 | |
OK, let's put 60 seconds up on the clock. Your time starts now. | 0:42:46 | 0:42:50 | |
Er, Frank Sinatra one that I think might be obscure is Witchcraft. | 0:42:50 | 0:42:54 | |
-Do you think? -Witchcraft... | 0:42:54 | 0:42:56 | |
Or more of, do you want It Was A Very Good Year? | 0:42:56 | 0:42:59 | |
Is that the title of it, though? | 0:42:59 | 0:43:00 | |
Do you remember that one? | 0:43:00 | 0:43:02 | |
SHE HUMS TUNE | 0:43:02 | 0:43:04 | |
Um, Dean Martin, erm... | 0:43:04 | 0:43:06 | |
SHE HUMS | 0:43:06 | 0:43:09 | |
# How do you like your eggs in the morning? # | 0:43:09 | 0:43:11 | |
Er, Sammy Davis Jr could be... But we don't have to do any of them. | 0:43:11 | 0:43:16 | |
Candy Man is a good one. But that's quite obvious. | 0:43:16 | 0:43:18 | |
-What about Talk To The Animals? -Did he sing that? -Birth Of The Blues? | 0:43:18 | 0:43:21 | |
-Er, what was the other one...? -What was the more obscure one you were saying? | 0:43:21 | 0:43:24 | |
The Birth Of The Blues, but if it's top 40, that's the only thing, | 0:43:24 | 0:43:27 | |
-top 40 UK. -What was the other one you were saying? -Witchcraft. | 0:43:27 | 0:43:30 | |
-About talking to the animals? -If I Could Talk To The Animals. | 0:43:30 | 0:43:33 | |
He did that as well, but he did so many others. | 0:43:33 | 0:43:36 | |
Er... Rhythm Of Life. | 0:43:36 | 0:43:40 | |
The Rhythm Of Life, that's Sammy Davis as well, that might be obscure. But was it top 40? | 0:43:40 | 0:43:44 | |
OK, what about the Frank Sinatra one? | 0:43:44 | 0:43:45 | |
Frank Sinatra could be Witchcraft, it could be... No, I've gone blank. | 0:43:45 | 0:43:50 | |
-That's not a song! -OK. | 0:43:50 | 0:43:52 | |
That's your time up, I now need your three answers. | 0:43:52 | 0:43:54 | |
And if you could say which category you are answering in as well. | 0:43:54 | 0:43:57 | |
-Shall we do two Frank Sinatras and a Sammy Davis, just to be safe? -Yeah. | 0:43:57 | 0:44:01 | |
Which Sammy Davis shall we do? | 0:44:01 | 0:44:02 | |
Talk To The Animals, because I've never heard of it. | 0:44:02 | 0:44:05 | |
If that's the right title. | 0:44:05 | 0:44:06 | |
I don't know if it was a top 40 hit, though. | 0:44:06 | 0:44:09 | |
I think we'll go for The Birth Of The Blues. | 0:44:09 | 0:44:11 | |
OK, Sammy Davis, The Birth Of The Blues. | 0:44:11 | 0:44:13 | |
The Birth Of The Blues. | 0:44:13 | 0:44:14 | |
-Frank Sinatra, My Way. -My Way. | 0:44:14 | 0:44:17 | |
My Way. And Frank Sinatra, Witchcraft. | 0:44:17 | 0:44:22 | |
Witchcraft, OK. | 0:44:22 | 0:44:23 | |
Of those three, which is the most likely to be pointless? | 0:44:23 | 0:44:25 | |
-Witchcraft. -Witchcraft, we'll put last. Least likely to be pointless? | 0:44:25 | 0:44:31 | |
-The least likely, I would say, is My Way. -OK, well, let's put | 0:44:31 | 0:44:34 | |
those answers up on the board, in that order. And here they are. | 0:44:34 | 0:44:37 | |
Well, very, very best of luck. Wouldn't it be so exciting if | 0:44:42 | 0:44:45 | |
you could win two jackpots on the trot? That would be fantastic. | 0:44:45 | 0:44:48 | |
Well, only one of these answers has to be pointless | 0:44:48 | 0:44:50 | |
for you to win that jackpot for your charities. What are your charities? | 0:44:50 | 0:44:53 | |
-Todd? -We are going to split it this time round. | 0:44:53 | 0:44:58 | |
I'm going to go for the RSPCA. | 0:44:58 | 0:45:00 | |
-And I'm going to go for ChildLine. -Excellent. | 0:45:00 | 0:45:04 | |
APPLAUSE | 0:45:04 | 0:45:08 | |
Well, let's hope that at least one of these answers is pointless | 0:45:08 | 0:45:11 | |
to win the jackpot for you. | 0:45:11 | 0:45:13 | |
OK, so, the one you thought was probably the least likely to be pointless was My Way. In this case, | 0:45:13 | 0:45:17 | |
we are looking for a Frank Sinatra UK top 40 hit. Let's find out if | 0:45:17 | 0:45:20 | |
it's right and let's find out if it's pointless, for £2,500. | 0:45:20 | 0:45:24 | |
It's right. | 0:45:27 | 0:45:29 | |
Down it goes, through the 60s, into the 50s... | 0:45:30 | 0:45:33 | |
Oh, 55 for My Way. | 0:45:33 | 0:45:34 | |
THEY LAUGH | 0:45:37 | 0:45:39 | |
I think, in the general maelstrom that was going on, I think | 0:45:39 | 0:45:42 | |
-you just... -Just something that was right! -But there we are, | 0:45:42 | 0:45:45 | |
it was right, perfect. That was just to clear the barrels, wasn't it? Absolutely fine. | 0:45:45 | 0:45:49 | |
Unfortunately, not a pointless answer. Only two more shots at the jackpot. | 0:45:49 | 0:45:52 | |
Your second answer was The Birth Of The Blues. In this case, we were looking for | 0:45:52 | 0:45:55 | |
a Sammy Davis Jr UK top 40 hit. | 0:45:55 | 0:45:58 | |
Let's find out how many people said it, for £2,500, is it pointless? | 0:45:58 | 0:46:02 | |
No! | 0:46:06 | 0:46:07 | |
Oh, no, I'm sorry, an incorrect answer there. Which means | 0:46:09 | 0:46:12 | |
everything is now riding on your third and final answer, the one | 0:46:12 | 0:46:15 | |
you thought was probably your best shot at a pointless answer, | 0:46:15 | 0:46:18 | |
Witchcraft. We're back to Frank Sinatra. | 0:46:18 | 0:46:20 | |
Let's find out if it's right and let's find out if it's pointless. | 0:46:20 | 0:46:23 | |
For £2,500, how many people said Witchcraft? | 0:46:23 | 0:46:26 | |
-It's right. -It's right. -It's right, that's the first thing it had to be. | 0:46:30 | 0:46:33 | |
Your first answer scored 55, My Way. | 0:46:33 | 0:46:36 | |
The Birth Of The Blues was incorrect. | 0:46:36 | 0:46:38 | |
But Witchcraft taking us down through single figures, | 0:46:38 | 0:46:41 | |
still going down... You've done it! Very well done indeed. | 0:46:41 | 0:46:44 | |
That is superb. | 0:46:44 | 0:46:45 | |
CHEERING AND APPLAUSE | 0:46:45 | 0:46:47 | |
Our first double jackpot, I mean, that is absolutely brilliant. | 0:46:47 | 0:46:52 | |
-Well done, you. -Well done! Well done! -I can't believe that! | 0:46:52 | 0:46:57 | |
-Well done. -Congratulations, Witchcraft was a pointless | 0:46:57 | 0:47:00 | |
answer, which means you go away, for the second time, with a jackpot of | 0:47:00 | 0:47:04 | |
£2,500 for your charity. Brilliant work, Todd and Bonnie, well done. | 0:47:04 | 0:47:09 | |
Well done, darling. | 0:47:10 | 0:47:12 | |
-Thank you. -Well done. | 0:47:12 | 0:47:14 | |
Very well played, you barely put a foot wrong throughout the | 0:47:14 | 0:47:17 | |
whole show, terrific stuff and a great answer. Let's take a look at the other pointless answers. | 0:47:17 | 0:47:21 | |
See if you've got one at home. | 0:47:21 | 0:47:23 | |
The Tender Trap would have been a pointless answer. | 0:47:23 | 0:47:25 | |
Love's Been Good To Me. | 0:47:25 | 0:47:27 | |
Me And My Shadow, a duet with Sammy Davis Jr. So, that also would | 0:47:27 | 0:47:30 | |
have been a pointless answer for Sammy Davis Jr. | 0:47:30 | 0:47:32 | |
Nice 'n' Easy, you could have had Chicago, My Blue Heaven, | 0:47:32 | 0:47:34 | |
Summer Wind, Young At Heart, lots of pointless answers for Frank Sinatra. | 0:47:34 | 0:47:38 | |
Let's look at Dean Martin. Gentle On My Mind was a pointless answer. | 0:47:38 | 0:47:42 | |
Let Me Go, Lover. Return To Me. Under The Bridges Of Paris. | 0:47:42 | 0:47:45 | |
You also could have had Kiss, Naughty Lady, Shady Lane and The Man Who Plays The Mandolino. | 0:47:45 | 0:47:50 | |
Let's take a look at Sammy Davis Jr. | 0:47:50 | 0:47:52 | |
All Of You, Something's Gotta Give, That Old Black Magic, | 0:47:52 | 0:47:56 | |
and What Kind of Fool Am I? Very well done if you got any of those at home. | 0:47:56 | 0:47:59 | |
And congratulations in the studio, a terrific win. | 0:47:59 | 0:48:02 | |
-Wow, that was lucky! -Well, thanks once again to our winning players, | 0:48:02 | 0:48:05 | |
Todd and Bonnie, who go away with today's jackpot of £2,500 for their charities, very well done. | 0:48:05 | 0:48:10 | |
Thank you! Thank you so much. | 0:48:10 | 0:48:13 | |
Join us next time, when we'll be putting more obscure knowledge to the test on Pointless. | 0:48:13 | 0:48:17 | |
-Meanwhile, it's goodbye from Richard... -Goodbye. -..and it's goodbye from me. Goodbye. | 0:48:17 | 0:48:21 |