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APPLAUSE | 0:00:18 | 0:00:21 | |
Thank you very much indeed. | 0:00:21 | 0:00:22 | |
Hello, I'm Alexander Armstrong, and welcome to Pointless, | 0:00:22 | 0:00:24 | |
the show where the aim of the game is to avoid the obvious answers, | 0:00:24 | 0:00:27 | |
and find the obscure ones. | 0:00:27 | 0:00:29 | |
Let's meet today's players. | 0:00:29 | 0:00:30 | |
APPLAUSE | 0:00:30 | 0:00:31 | |
And couple number one. | 0:00:34 | 0:00:36 | |
Hi, I'm Jack, this is my best friend, Meena, | 0:00:36 | 0:00:38 | |
and we're from Bristol. | 0:00:38 | 0:00:39 | |
Couple number two. | 0:00:39 | 0:00:40 | |
Hi, I'm Colette, this is my mum, Corinne, | 0:00:40 | 0:00:42 | |
-and we're from Lincolnshire. -Couple number three. | 0:00:42 | 0:00:45 | |
Hello, I'm Alison, this is my partner, Alan, | 0:00:45 | 0:00:47 | |
and we're from South Yorkshire. | 0:00:47 | 0:00:48 | |
And finally, couple number four. | 0:00:48 | 0:00:50 | |
Hi, I'm Nash, this is James, and we're PhD students in Leicester. | 0:00:50 | 0:00:53 | |
And these are today's contestants. | 0:00:53 | 0:00:55 | |
APPLAUSE | 0:00:55 | 0:00:56 | |
Thanks very much, all of you. A warm welcome to Pointless. | 0:00:57 | 0:00:59 | |
We'll get to chat to each of you of course throughout the show | 0:00:59 | 0:01:02 | |
as it goes along. | 0:01:02 | 0:01:03 | |
So that just leaves one more person for me to introduce. | 0:01:03 | 0:01:05 | |
Here to clear things up, like a lovable school janitor, | 0:01:05 | 0:01:08 | |
it's my Pointless friend, it's Richard. | 0:01:08 | 0:01:10 | |
-LAUGHTER -Hiya. | 0:01:10 | 0:01:12 | |
-APPLAUSE -Hey, everybody. | 0:01:12 | 0:01:13 | |
Afternoon. | 0:01:13 | 0:01:15 | |
-Good afternoon to you. -Good afternoon. -How are you? | 0:01:15 | 0:01:17 | |
-I'm very well. -Now, James and Nash back with us. | 0:01:17 | 0:01:19 | |
We just heard they're PhD students from Leicester. | 0:01:19 | 0:01:21 | |
-Yes, yes. -Two extra bits of information we didn't hear. | 0:01:21 | 0:01:24 | |
They're PhD students in film, | 0:01:24 | 0:01:25 | |
and they got knocked out of the last show on a film question. | 0:01:25 | 0:01:28 | |
-AUDIENCE CHUCKLES AND GROANS -That's the extra information. | 0:01:28 | 0:01:30 | |
But knocked out in the head-to-head, so they'll be tough to beat. | 0:01:30 | 0:01:33 | |
And Alan and Alison, knocked out in round one. | 0:01:33 | 0:01:35 | |
And I suspect they've got unfinished business with Pointless, as well. | 0:01:35 | 0:01:38 | |
So, should be a lot of fun, I think. | 0:01:38 | 0:01:40 | |
Thank you very much. Well, Nigel and Katie didn't win the jackpot | 0:01:40 | 0:01:42 | |
last time, which means we add another £1,000 to it, | 0:01:42 | 0:01:44 | |
so today's jackpot starts off... | 0:01:44 | 0:01:47 | |
at £5,000. | 0:01:47 | 0:01:48 | |
CHEERING AND APPLAUSE There we are. | 0:01:48 | 0:01:50 | |
Right, if everyone's ready, let's play Pointless. | 0:01:51 | 0:01:53 | |
APPLAUSE | 0:01:53 | 0:01:54 | |
OK, now, remember this. | 0:01:59 | 0:02:00 | |
The pair with the highest score at the end of each round | 0:02:00 | 0:02:02 | |
will be eliminated, and there is to be no conferring | 0:02:02 | 0:02:05 | |
until we get to the head-to-head round. | 0:02:05 | 0:02:07 | |
Best of luck to all four pairs. | 0:02:07 | 0:02:08 | |
Our first category today is... | 0:02:08 | 0:02:11 | |
Can you all decide in your pairs who's going to go first, | 0:02:13 | 0:02:16 | |
who's going to go second? | 0:02:16 | 0:02:17 | |
And whoever's going first, please, step up to the podium. | 0:02:17 | 0:02:20 | |
OK. And our question concerns... | 0:02:24 | 0:02:26 | |
-National Flags In Black And White, Richard. -It's really, really good. | 0:02:30 | 0:02:33 | |
We're going to show you a board now of lots of | 0:02:33 | 0:02:35 | |
national flags of the world, but in black and white. | 0:02:35 | 0:02:37 | |
So you just have to notice them by the pattern alone. | 0:02:37 | 0:02:39 | |
Obviously, the most obscure answer you get, the fewer points you score. | 0:02:39 | 0:02:42 | |
Thank you very much. OK. So we're going to show you the image. | 0:02:42 | 0:02:44 | |
16 flags up on that board. | 0:02:44 | 0:02:46 | |
It will stay up for the whole round. | 0:02:46 | 0:02:48 | |
Here is the image with the flags on it. | 0:02:48 | 0:02:51 | |
Wow. There we go. | 0:02:53 | 0:02:56 | |
It's less scary than it sounds, right? | 0:02:56 | 0:02:58 | |
Mm. Jack, a warm welcome to Pointless. | 0:02:59 | 0:03:01 | |
-Good to have you here from Bristol. -Yeah. | 0:03:01 | 0:03:02 | |
What do you do, Jack? | 0:03:02 | 0:03:04 | |
I've just finished my degree and I'm on a gap year at the minute. | 0:03:04 | 0:03:07 | |
-That's... So taking your gap year after your degree? That's nice. -Yes. | 0:03:07 | 0:03:10 | |
So you haven't set yourself any sort of goals for the next year or so? | 0:03:10 | 0:03:14 | |
Well, I've got a job that starts in August. | 0:03:15 | 0:03:17 | |
-Ah, right. I see. -Yeah, so I had like a year off to like... | 0:03:17 | 0:03:20 | |
-do a bit of travelling. -I see, and what job are you starting? | 0:03:20 | 0:03:22 | |
-Marketing. -So where are you doing that, Jack? | 0:03:22 | 0:03:25 | |
-London. -Oh, so moving from Bristol up to London. | 0:03:25 | 0:03:28 | |
Have you yet worked out where you're going to be living in London? | 0:03:28 | 0:03:30 | |
-Hopefully with Meena. Hopefully. -Yeah. Let's hope it goes all well | 0:03:30 | 0:03:33 | |
today on the show today. LAUGHTER | 0:03:33 | 0:03:35 | |
Now, Jack, what are you going to go for? | 0:03:35 | 0:03:38 | |
I think I know a few, but I think they're quite obvious. | 0:03:39 | 0:03:42 | |
-I'm going to go for India. -OK. You're going to take India. | 0:03:43 | 0:03:46 | |
Let's see if India is right. | 0:03:46 | 0:03:48 | |
let's see how many of our 100 people said it. | 0:03:48 | 0:03:49 | |
It's right. | 0:03:52 | 0:03:53 | |
26 for India. APPLAUSE | 0:03:57 | 0:03:59 | |
There we are. | 0:04:00 | 0:04:01 | |
Yes, absolutely right. Top row there. | 0:04:03 | 0:04:04 | |
Second from the right. | 0:04:04 | 0:04:06 | |
Thanks very much, Richard. | 0:04:06 | 0:04:08 | |
-Now then, Colette. -Hi. -Welcome to Pointless. -Thank you. | 0:04:08 | 0:04:10 | |
Lovely to have you here. What do you do, Colette? | 0:04:10 | 0:04:12 | |
I'm an events organiser. | 0:04:12 | 0:04:13 | |
-Where do you do your organising? -Well, I actually live in Edinburgh. | 0:04:13 | 0:04:17 | |
I suppose events happen everywhere, don't they? | 0:04:17 | 0:04:19 | |
They do, but I work for a charity in Scotland, | 0:04:19 | 0:04:22 | |
so I'm Scottish-based. | 0:04:22 | 0:04:23 | |
I see. I see. | 0:04:23 | 0:04:24 | |
So how many events a year do you have to put on for them? | 0:04:24 | 0:04:27 | |
Well, we do a big award ceremony every year | 0:04:27 | 0:04:29 | |
and then lots of different training and networking events. | 0:04:29 | 0:04:31 | |
Excellent. Hard work, I happen to know. | 0:04:31 | 0:04:34 | |
-Yes. -Yeah, very early mornings. -Yes. | 0:04:34 | 0:04:37 | |
Early mornings, long hours, hotel rooms. | 0:04:37 | 0:04:39 | |
There we are. Now, Colette, this issue of the flags. | 0:04:39 | 0:04:41 | |
Yes. | 0:04:41 | 0:04:43 | |
I'm going to play pretty safe. | 0:04:43 | 0:04:45 | |
One that I know is right. | 0:04:45 | 0:04:47 | |
-I'm going to go Israel. -Israel, says Colette. | 0:04:47 | 0:04:50 | |
Let's see how many of our 100 people said Israel. | 0:04:50 | 0:04:53 | |
It's right. Well, 26 is our opening score at this point. | 0:04:56 | 0:04:59 | |
72 is our new score. APPLAUSE | 0:04:59 | 0:05:01 | |
72. | 0:05:02 | 0:05:03 | |
Yeah, fairly hefty score there, for Israel, on the third row there. | 0:05:03 | 0:05:06 | |
-Third in. -Thank you very much. | 0:05:06 | 0:05:07 | |
-Now, Alison. Welcome back to Pointless. -Hello again. | 0:05:07 | 0:05:11 | |
We had to say goodbye to you in the first round last time. | 0:05:11 | 0:05:14 | |
-Sadly. Yes. -Yes. | 0:05:14 | 0:05:15 | |
Yes, I'm afraid we did. | 0:05:15 | 0:05:17 | |
Remind us what you get up to, Alison. | 0:05:17 | 0:05:19 | |
I'm a semi-retired accountant. | 0:05:19 | 0:05:21 | |
And you were saying last time that you're trying to play more golf, | 0:05:22 | 0:05:25 | |
but you seem to be working quite a lot, still. | 0:05:25 | 0:05:27 | |
Yes. Not enough time to get the handicap down and beat Alan at golf, | 0:05:27 | 0:05:31 | |
which is my ambition. | 0:05:31 | 0:05:33 | |
Now there's a lofty ambition. | 0:05:33 | 0:05:35 | |
I'm guessing Alan is rather good, is he? | 0:05:35 | 0:05:37 | |
He's better than me. He's better than me, yes. | 0:05:37 | 0:05:39 | |
Do you travel a lot? Yes, you do, we discovered that last time, | 0:05:39 | 0:05:42 | |
-as well. -We do. We travel to Europe which makes last time's round | 0:05:42 | 0:05:44 | |
particularly embarrassing really. We should have known more. | 0:05:44 | 0:05:47 | |
Yeah, hope that sets you up quite well for this round. | 0:05:47 | 0:05:50 | |
What are you going to go for on this board? | 0:05:50 | 0:05:52 | |
Yeah, not too many European flags perhaps, | 0:05:52 | 0:05:54 | |
but I'm going to go for South Africa. | 0:05:54 | 0:05:57 | |
South Africa, says Alison. | 0:05:57 | 0:05:58 | |
Let's see how many of our 100 people went for South Africa. | 0:05:58 | 0:06:00 | |
It's right. 72 is our highest score, | 0:06:03 | 0:06:05 | |
and you pass it. | 0:06:05 | 0:06:06 | |
26 is our low score. | 0:06:06 | 0:06:08 | |
You stop at 37. APPLAUSE | 0:06:08 | 0:06:09 | |
-Not bad. -It's a solid score. | 0:06:11 | 0:06:13 | |
There it is on the bottom row, second from the right. | 0:06:13 | 0:06:15 | |
That's got lots of colours on it. | 0:06:15 | 0:06:17 | |
They were using them up when they came up with the flag. | 0:06:17 | 0:06:19 | |
-Yeah. -Why wouldn't you? If we were coming up with a flag, | 0:06:19 | 0:06:21 | |
-you'd have as many colours as possible, wouldn't you? -Yeah. | 0:06:21 | 0:06:23 | |
What would you have on your flag? | 0:06:23 | 0:06:25 | |
Erm... | 0:06:25 | 0:06:27 | |
a big...bear. | 0:06:27 | 0:06:28 | |
I think in brown or black. | 0:06:28 | 0:06:30 | |
Maybe a bear with a gold bracelet. | 0:06:30 | 0:06:32 | |
-Lovely. -And... | 0:06:32 | 0:06:34 | |
-a quiff. -And against maybe a red background? | 0:06:34 | 0:06:37 | |
-Cerise. -Cerise would be lovely. | 0:06:37 | 0:06:39 | |
So black against cerise, bear with a bracelet. | 0:06:39 | 0:06:42 | |
A bracelet and a quiff. | 0:06:42 | 0:06:43 | |
I'm just going to draw yours quickly and then I'll... | 0:06:43 | 0:06:45 | |
OK, that's nice. Lovely. | 0:06:45 | 0:06:46 | |
I'll do the... LAUGHTER | 0:06:46 | 0:06:48 | |
OK, thank you very much. | 0:06:48 | 0:06:49 | |
Nash, welcome back. | 0:06:49 | 0:06:50 | |
-Hi. -Great to have you here. | 0:06:50 | 0:06:51 | |
Now listen, you were the low scorers in the head-to-head last time, | 0:06:51 | 0:06:54 | |
and you had it whipped away from under your noses. | 0:06:54 | 0:06:56 | |
But actually, tactically, you did rather a canny thing there | 0:06:56 | 0:06:59 | |
because the jackpot's just got a little bit bigger there. | 0:06:59 | 0:07:02 | |
Now, Nash, remind us what you do. | 0:07:02 | 0:07:04 | |
I'm doing a PhD in film history. | 0:07:04 | 0:07:06 | |
-In film history. -Yes. | 0:07:06 | 0:07:07 | |
But you're sort of studying the marketing of film | 0:07:07 | 0:07:09 | |
-and the distribution of film. -Yeah, and also the exhibition of film, | 0:07:09 | 0:07:12 | |
as well. What it was like to be in the cinema back in the transition | 0:07:12 | 0:07:15 | |
from silent to sound period. | 0:07:15 | 0:07:16 | |
Of course, theatres always used to... | 0:07:16 | 0:07:18 | |
-There was a huge fire risk in theatres... -Yes. | 0:07:18 | 0:07:21 | |
-..because of all the naked flames and the... -Absolutely. | 0:07:21 | 0:07:24 | |
Was at the same in cinemas? | 0:07:24 | 0:07:25 | |
Hot, hot projectors and lenses and things? | 0:07:25 | 0:07:27 | |
Yes, yes, it was. The first-ever sweeping law ever put into place | 0:07:27 | 0:07:32 | |
for cinemas was to curb down fires, because there was a lot of fires! | 0:07:32 | 0:07:35 | |
Yeah. Now, Nash, what would you like to go for from our board of flags? | 0:07:35 | 0:07:39 | |
I've got inklings about a few. | 0:07:39 | 0:07:41 | |
I think I spy the Spanish flag. | 0:07:42 | 0:07:44 | |
I'm going to go for Spain. | 0:07:45 | 0:07:47 | |
Spain, says Nash. | 0:07:47 | 0:07:48 | |
You're getting a half nod from Alison. | 0:07:48 | 0:07:50 | |
They travel to EUROPE a lot. LAUGHTER | 0:07:50 | 0:07:53 | |
I think that could be a good sign. | 0:07:53 | 0:07:54 | |
Let's see how many of our 100 people said Spain. | 0:07:54 | 0:07:56 | |
It's right. | 0:07:59 | 0:08:00 | |
Well, 72 still our highest score. | 0:08:00 | 0:08:02 | |
You pass that. | 0:08:02 | 0:08:03 | |
Down it goes. | 0:08:03 | 0:08:04 | |
Look at this, our new low score for Spain. | 0:08:04 | 0:08:07 | |
APPLAUSE Very well done indeed, Nash. | 0:08:07 | 0:08:08 | |
"I think I spy the Spanish flag." | 0:08:11 | 0:08:13 | |
It was like Sir Francis Drake had come back to visit us, wasn't it? | 0:08:13 | 0:08:16 | |
-I've drawn your flag. -Yeah. -I can't... | 0:08:17 | 0:08:19 | |
-I haven't got cerise, I've only got a black pen. -That's OK. -So that's... | 0:08:19 | 0:08:22 | |
-Oh, it's beautiful. -It's good, isn't it? | 0:08:24 | 0:08:25 | |
LAUGHTER | 0:08:25 | 0:08:27 | |
It's beautiful. That's exactly how I pictured it. | 0:08:27 | 0:08:29 | |
Would you like a Union Jack in the corner like some countries have? | 0:08:29 | 0:08:31 | |
-Then people know if it's upside... They'll know it's upside down anyway cos the bear... -The bear. | 0:08:31 | 0:08:35 | |
-Otherwise it's going to look like that. -Yeah. | 0:08:35 | 0:08:37 | |
I think it's important that we do have the Union Jack in the corner. | 0:08:37 | 0:08:40 | |
All right, geez. I left a space. | 0:08:40 | 0:08:42 | |
-I offset the symmetry of it. -Good job. Good job. | 0:08:42 | 0:08:45 | |
-For exactly that. -Thank you very much, Richard. -Such a pleasure. | 0:08:45 | 0:08:47 | |
We are halfway through the round, | 0:08:47 | 0:08:49 | |
so I'm going to tell you where we are on our scores. | 0:08:49 | 0:08:51 | |
22, the best score of the pass. Well done, Nash. | 0:08:51 | 0:08:53 | |
Nash and James once again looking like they mean business. | 0:08:53 | 0:08:55 | |
Then up to 26 where we find Jack and Meena. | 0:08:55 | 0:08:57 | |
Up to 37, where we find Alison and Alan and then, | 0:08:57 | 0:09:00 | |
oh, Colette and Corinne. CORINNE CHUCKLES | 0:09:00 | 0:09:03 | |
The issue of 72. | 0:09:03 | 0:09:04 | |
We are quite far ahead there. | 0:09:04 | 0:09:06 | |
So, Corinne, | 0:09:06 | 0:09:07 | |
you know what we need from you. | 0:09:07 | 0:09:08 | |
I mean, you know, there will be some low scoring flags there. | 0:09:08 | 0:09:11 | |
I really hope you know one because it'd be great. | 0:09:11 | 0:09:13 | |
It'd be just awful to send you away after the first round. | 0:09:13 | 0:09:15 | |
Coming back down the line, now. | 0:09:15 | 0:09:16 | |
Second players, please step up to the podium. | 0:09:16 | 0:09:18 | |
Now then, James, welcome back. | 0:09:21 | 0:09:24 | |
Remind us what you do. | 0:09:24 | 0:09:25 | |
I am also a PhD student in film history. | 0:09:25 | 0:09:28 | |
But focusing very much on Stanley Kubrick. | 0:09:28 | 0:09:30 | |
Yes, all about the film director Stanley Kubrick. | 0:09:30 | 0:09:32 | |
Any particular period of Kubrick, | 0:09:32 | 0:09:34 | |
or do you go right the way from Soup to Nuts? | 0:09:34 | 0:09:36 | |
-Soup to Nuts, yeah. -That's it! | 0:09:36 | 0:09:38 | |
It's looking specifically at his role as producer, | 0:09:38 | 0:09:41 | |
so just looking throughout his entire career. | 0:09:41 | 0:09:43 | |
How long have you got to write it? | 0:09:43 | 0:09:45 | |
-About a year. -Oh, that's fine. JAMES CHUCKLES | 0:09:45 | 0:09:47 | |
That's fine. But I mean, you've planned it, though? | 0:09:47 | 0:09:49 | |
You only haven't written it because you've been doing so much hard work on it, I should think. | 0:09:49 | 0:09:53 | |
-Exactly. -That's it, talking to interesting people. | 0:09:53 | 0:09:55 | |
And going on the occasional game show. | 0:09:55 | 0:09:56 | |
LAUGHTER Now, you are on 22. | 0:09:56 | 0:09:58 | |
The highest score is on 72, | 0:09:58 | 0:10:00 | |
which means 49 or less is your target. | 0:10:00 | 0:10:02 | |
There's quite a few flags on there. | 0:10:04 | 0:10:06 | |
I don't know whether to... take a risk. | 0:10:06 | 0:10:08 | |
I'm going to say... | 0:10:11 | 0:10:12 | |
And I apologise, Nash, in advance. | 0:10:12 | 0:10:13 | |
I'm going to say South Korea. | 0:10:13 | 0:10:15 | |
South Korea, says James. | 0:10:15 | 0:10:17 | |
Here is your Red Line. Get below that with South Korea, | 0:10:17 | 0:10:20 | |
round two beckons. | 0:10:20 | 0:10:21 | |
Let's see how many of our 100 people said it. | 0:10:21 | 0:10:24 | |
It's right. | 0:10:26 | 0:10:27 | |
Very well done, look at that. Down you go. | 0:10:30 | 0:10:32 | |
Oh, still going. | 0:10:32 | 0:10:33 | |
20! A new low! | 0:10:33 | 0:10:34 | |
APPLAUSE | 0:10:34 | 0:10:35 | |
42 is your total, | 0:10:36 | 0:10:37 | |
very well done, James and Nash. | 0:10:37 | 0:10:39 | |
Safely through. Yeah, there it is on the second row. | 0:10:39 | 0:10:41 | |
They eat seaweed soup for their birthday in South Korea. | 0:10:41 | 0:10:44 | |
Not everybody, but... it's a tradition. | 0:10:44 | 0:10:46 | |
-Seaweed soup? -Yeah. | 0:10:46 | 0:10:47 | |
-There you are. -Mm, seaweed soup. -LAUGHTER | 0:10:49 | 0:10:50 | |
Thanks very much indeed. | 0:10:50 | 0:10:52 | |
Alan, welcome back. | 0:10:52 | 0:10:54 | |
Alan, remind us what you did. | 0:10:54 | 0:10:55 | |
You had a fascinating job. | 0:10:55 | 0:10:56 | |
I had a business that manufactured parts for big marine diesel engines. | 0:10:56 | 0:11:01 | |
So, what was the biggest part you manufactured? | 0:11:01 | 0:11:04 | |
Some sort of... | 0:11:04 | 0:11:05 | |
The biggest part for an engine? | 0:11:05 | 0:11:06 | |
-Yeah. -Well, we made piston rings. | 0:11:06 | 0:11:09 | |
-Right. -Cylinder size were about a meter on the biggest ones. | 0:11:09 | 0:11:12 | |
So, colossal, | 0:11:12 | 0:11:14 | |
and these were manufactured in the UK? | 0:11:14 | 0:11:16 | |
-Manufactured in Chesterfield. Yes. -Fantastic. That's still going? | 0:11:16 | 0:11:19 | |
-The factory itself, still going? -The factory is still thriving, yes. | 0:11:19 | 0:11:21 | |
Excellent. Fantastic. | 0:11:21 | 0:11:23 | |
And now you have retired. | 0:11:23 | 0:11:25 | |
Obviously, we've covered golf. | 0:11:25 | 0:11:26 | |
And we've touched on the travel, as well. | 0:11:26 | 0:11:28 | |
What other sorts of things do you like doing? | 0:11:28 | 0:11:30 | |
Anything outdoors. | 0:11:30 | 0:11:31 | |
So running, walking, cycling. | 0:11:31 | 0:11:34 | |
Excellent. Good for you. | 0:11:34 | 0:11:35 | |
Now, Alan, you're on 37. | 0:11:35 | 0:11:37 | |
The high score is still Corinne and Colette on 72. | 0:11:37 | 0:11:40 | |
34 or less is your target. | 0:11:40 | 0:11:42 | |
I'm going to try for Cyprus. | 0:11:43 | 0:11:46 | |
Cyprus. | 0:11:46 | 0:11:47 | |
Cyprus, says Alan. | 0:11:47 | 0:11:49 | |
Here is your Red Line. | 0:11:49 | 0:11:50 | |
Get below that, you are through to the next round. | 0:11:50 | 0:11:52 | |
How many of our 100 people said Cyprus? | 0:11:52 | 0:11:54 | |
It's right. | 0:11:57 | 0:11:58 | |
Very well done, Alan. There you go. 25. | 0:12:02 | 0:12:04 | |
Taking your total up to 62. | 0:12:04 | 0:12:06 | |
Yeah, there's Cyprus. It's got a map of itself on its flag. | 0:12:09 | 0:12:12 | |
Oh, I finished your flag. | 0:12:13 | 0:12:14 | |
Oh, let's have a look. | 0:12:14 | 0:12:15 | |
So, you've got the Union Jack, | 0:12:17 | 0:12:18 | |
and Ben Miller has turned up in the corner of it... | 0:12:18 | 0:12:21 | |
-saying, "Hi, I'm Ben Miller." -LAUGHTER | 0:12:21 | 0:12:22 | |
That looks so like Ben! | 0:12:22 | 0:12:24 | |
-It's good, isn't it? -It's really good. | 0:12:24 | 0:12:25 | |
-Yeah, I got him to pose for that while you were talking. -Ohh. | 0:12:25 | 0:12:28 | |
-Good work, isn't it? -Very good. | 0:12:28 | 0:12:30 | |
-Thank you, Richard. -Pleasure. | 0:12:30 | 0:12:31 | |
Now then, Corinne. | 0:12:31 | 0:12:33 | |
Welcome to Pointless. Lovely to have you here. | 0:12:33 | 0:12:34 | |
-What do you do, Corinne? -Well, I don't do anything any more. | 0:12:34 | 0:12:39 | |
Because what I did do, | 0:12:39 | 0:12:41 | |
I gave it up so I could do what I do at the weekends. | 0:12:41 | 0:12:44 | |
-Did you get that? -Let us unpack that. | 0:12:46 | 0:12:47 | |
OK. And you gave up with glee? | 0:12:47 | 0:12:50 | |
-You were happy to walk away? -Oh, God, yes. I couldn't wait. | 0:12:50 | 0:12:53 | |
You are now doing nothing, | 0:12:53 | 0:12:55 | |
because you gave that up in order to do what you... | 0:12:55 | 0:12:57 | |
Because it takes me till Wednesday to get over the weekend. | 0:12:57 | 0:13:01 | |
You're a professional clubber? LAUGHTER | 0:13:03 | 0:13:04 | |
Raver? What is it? | 0:13:04 | 0:13:06 | |
-Pretty much. -What do you do at the weekend? | 0:13:06 | 0:13:08 | |
Well, I'm a original Northern Souler. | 0:13:08 | 0:13:10 | |
-You ARE a clubber! -Yeah. | 0:13:11 | 0:13:13 | |
-Wow. -So back in the '70s, that was OK, you know, | 0:13:13 | 0:13:16 | |
it was all night, two nights, all day, | 0:13:16 | 0:13:19 | |
and then work on Monday morning. | 0:13:19 | 0:13:22 | |
But now, you know... | 0:13:22 | 0:13:23 | |
But you're still doing it, that's fantastic. | 0:13:23 | 0:13:26 | |
Wonderful. Where... | 0:13:26 | 0:13:28 | |
Is there a particular place you go, or... | 0:13:28 | 0:13:30 | |
-Just everywhere. -Everywhere. | 0:13:30 | 0:13:31 | |
-Everywhere. -Manchester, Leeds, Newcastle... | 0:13:31 | 0:13:35 | |
Places you've never heard of. | 0:13:37 | 0:13:38 | |
Rooms that you never, ever want to go in. | 0:13:39 | 0:13:41 | |
-LAUGHTER -That sort of thing. | 0:13:41 | 0:13:43 | |
I'm trying to read Colette's expression. | 0:13:43 | 0:13:45 | |
LAUGHTER | 0:13:45 | 0:13:46 | |
She's got a better social life than me. | 0:13:46 | 0:13:49 | |
-Fact. -Now then, Corinne. | 0:13:49 | 0:13:51 | |
-You're on 72. You're the high scorers at this stage. -Yes. | 0:13:51 | 0:13:53 | |
So we need a low score from you. | 0:13:53 | 0:13:56 | |
What are you going to go for on this board? | 0:13:56 | 0:13:58 | |
Georgia. | 0:13:58 | 0:14:00 | |
-Georgia... -Yes. -..says Corinne. | 0:14:00 | 0:14:02 | |
No Red Line for you, as you're the highest scorers. | 0:14:02 | 0:14:05 | |
Let's see how many of our 100 people said Georgia. | 0:14:05 | 0:14:07 | |
It's right. | 0:14:09 | 0:14:10 | |
That's a good score, down it goes. | 0:14:13 | 0:14:15 | |
Look at that, seven. APPLAUSE | 0:14:15 | 0:14:17 | |
The lowest score of the round, Corinne. | 0:14:17 | 0:14:20 | |
79 is what your total is. | 0:14:20 | 0:14:22 | |
I wonder if you've done enough. | 0:14:22 | 0:14:24 | |
That's a great answer, yeah. Very well played. | 0:14:24 | 0:14:26 | |
That's the one on the third row there, on the left, with the... | 0:14:26 | 0:14:28 | |
with the five different crosses. | 0:14:28 | 0:14:30 | |
There we are, thank you, Richard. | 0:14:30 | 0:14:31 | |
Now, Meena, welcome to Pointless. Great to have you here. | 0:14:31 | 0:14:34 | |
-What do you do? -I'm a subeditor on a newspaper. | 0:14:34 | 0:14:38 | |
On a daily newspaper? | 0:14:38 | 0:14:39 | |
-Yeah. -Is it a daily newspaper we know? | 0:14:39 | 0:14:42 | |
-Yes. -Which department do you sub-edit? | 0:14:42 | 0:14:45 | |
-The tablet edition of the paper. -I see. | 0:14:45 | 0:14:48 | |
And how many editions a day go up on the tablet edition? | 0:14:48 | 0:14:50 | |
Well, we build the night before | 0:14:50 | 0:14:53 | |
so it's ready for people to read the next day, | 0:14:53 | 0:14:55 | |
and then there's an update, as well. | 0:14:55 | 0:14:57 | |
-OK, so just one update every 24 hours? -Yeah. | 0:14:57 | 0:14:59 | |
What's the time of day, is it sort of lunchtime-ish kind of thing? | 0:14:59 | 0:15:02 | |
-Yeah. -Right, OK. That keeps you on your toes, doesn't it? -Yes! | 0:15:02 | 0:15:04 | |
Wow-ee! And, if necessary, when stories are breaking, | 0:15:04 | 0:15:07 | |
-do you then have sort of more instant updates? -Yes. | 0:15:07 | 0:15:10 | |
Yeah. It's quite exciting. | 0:15:10 | 0:15:12 | |
That's the thing I love, actually. | 0:15:12 | 0:15:13 | |
When something exciting happens, everything's rushing around. | 0:15:13 | 0:15:16 | |
That's when it gets pretty good. | 0:15:16 | 0:15:18 | |
Yeah. News coming in on the wire. | 0:15:18 | 0:15:20 | |
Very exciting indeed. | 0:15:20 | 0:15:21 | |
Now, 26, talking of exciting, is your score at the moment. | 0:15:21 | 0:15:24 | |
52 or less is your target. | 0:15:24 | 0:15:26 | |
Not many flags left on there, I imagine. | 0:15:26 | 0:15:28 | |
Quite a lot of the middling flags have gone. | 0:15:28 | 0:15:29 | |
Some very obscure ones and some very well-known ones. | 0:15:29 | 0:15:32 | |
I am thinking of taking a risk. | 0:15:34 | 0:15:37 | |
I'm going to go for Sri Lanka. | 0:15:37 | 0:15:39 | |
Sri Lanka, says Meena. | 0:15:39 | 0:15:42 | |
Sri Lanka. I can't read Jack's expression. | 0:15:42 | 0:15:45 | |
He's fairly easy with that at the moment, Meena. | 0:15:45 | 0:15:49 | |
There is your Red Line. | 0:15:49 | 0:15:50 | |
If you get below that with Sri Lanka, | 0:15:50 | 0:15:52 | |
you are through to the next round. How many people said Sri Lanka? | 0:15:52 | 0:15:55 | |
-Oh, thank God. -It's right! | 0:15:57 | 0:15:59 | |
And, guess what? It gets you through. | 0:16:00 | 0:16:02 | |
Very well done indeed. | 0:16:02 | 0:16:03 | |
And how! 14. APPLAUSE | 0:16:04 | 0:16:06 | |
Taking your total up to a lovely round 40. | 0:16:06 | 0:16:09 | |
Great work, Meena, well played. | 0:16:11 | 0:16:12 | |
Yeah, the first country ever to elect a female head of state, | 0:16:12 | 0:16:15 | |
Sri Lanka, in 1960. | 0:16:15 | 0:16:16 | |
Shall we fill in the rest of this board? | 0:16:16 | 0:16:18 | |
On the top row, there's two we haven't got. | 0:16:18 | 0:16:20 | |
Actually, the highest answer on the board, next to Sri Lanka, there, | 0:16:20 | 0:16:23 | |
-is... -Oh, Canada. | 0:16:23 | 0:16:24 | |
-Canada, yes. 91 for that. And top right? -Switzerland? | 0:16:24 | 0:16:27 | |
Switzerland, 64. | 0:16:27 | 0:16:28 | |
Now, best answer on the board. | 0:16:29 | 0:16:31 | |
Second row, first one, is... | 0:16:31 | 0:16:32 | |
Cambodia. Would have scored you one point. | 0:16:32 | 0:16:34 | |
Very well done if you said that. | 0:16:34 | 0:16:36 | |
And then next to South Korea you've got Bhutan, | 0:16:36 | 0:16:38 | |
which would have scored you two points. | 0:16:38 | 0:16:40 | |
United States would have scored you 88. | 0:16:40 | 0:16:42 | |
The third row, the only one we haven't had is Brazil. | 0:16:43 | 0:16:45 | |
That would have scored you 48. | 0:16:45 | 0:16:46 | |
And the lovely triangular flag there, at the bottom left. | 0:16:46 | 0:16:50 | |
-That is Nepal. -Nepal, yeah. Eight points for that. | 0:16:50 | 0:16:53 | |
And the only other one we haven't got, the bottom right, | 0:16:53 | 0:16:55 | |
-the wonderful country of... -Lebanon. | 0:16:55 | 0:16:57 | |
Lebanon, yes. And that would have scored you 17. | 0:16:57 | 0:16:59 | |
Thank you very much indeed. So, we are at the end of our first round. | 0:16:59 | 0:17:02 | |
The pair we have to say goodbye to... I can't bear it! | 0:17:02 | 0:17:04 | |
Corinne and Colette! You only just got here. | 0:17:04 | 0:17:07 | |
Oh, we were just getting to know you! | 0:17:07 | 0:17:09 | |
And already we send you away. | 0:17:09 | 0:17:10 | |
Good news is, we'll see you again next time. Corrine and Colette. | 0:17:10 | 0:17:12 | |
APPLAUSE | 0:17:12 | 0:17:13 | |
But for the remaining three pairs, | 0:17:16 | 0:17:17 | |
it's now time for round two. | 0:17:17 | 0:17:18 | |
And, now, look, we're down to three pairs. | 0:17:24 | 0:17:26 | |
At the end of this round, we'll have to say goodbye to another pair. | 0:17:26 | 0:17:28 | |
But, well done, everyone. | 0:17:28 | 0:17:30 | |
We made it through the black and white flags round, which is good. | 0:17:30 | 0:17:32 | |
Meena, of the surviving contestants, | 0:17:32 | 0:17:35 | |
yours was the best answer. | 0:17:35 | 0:17:36 | |
So, yeah, hats off to you. | 0:17:36 | 0:17:38 | |
Best of luck to all three pairs. | 0:17:38 | 0:17:39 | |
Our category for round two today is: | 0:17:39 | 0:17:41 | |
Can you all decide in your pairs, who's going to go first, | 0:17:44 | 0:17:46 | |
who's going to go second. And whoever's going first, | 0:17:46 | 0:17:48 | |
please, step up to the podium. | 0:17:48 | 0:17:50 | |
OK. And the question concerns: | 0:17:53 | 0:17:55 | |
Richard. On each board, simply six clues to famous people | 0:17:58 | 0:18:02 | |
known as Jane. | 0:18:02 | 0:18:03 | |
So, it's going to be 12 in all to have a go at home. Good luck. | 0:18:03 | 0:18:05 | |
So, who are these famous Janes? Here's our first board. | 0:18:05 | 0:18:08 | |
I'm going to read those all one last time. | 0:18:33 | 0:18:35 | |
Jack? | 0:18:56 | 0:18:57 | |
Yes. | 0:18:57 | 0:18:58 | |
So, I feel I know a few, but... | 0:18:58 | 0:19:00 | |
It's much harder when you're here than when you're at home. | 0:19:00 | 0:19:03 | |
I do know.... | 0:19:05 | 0:19:07 | |
the third one down, it's just on the tip of my tongue. | 0:19:07 | 0:19:10 | |
I'm going to have to go for the fourth one down, | 0:19:11 | 0:19:13 | |
and say Jane Austen. | 0:19:13 | 0:19:15 | |
Jane Austen, says Jack. | 0:19:15 | 0:19:16 | |
Let's see how many of our 100 people said that. | 0:19:16 | 0:19:18 | |
It's right. | 0:19:22 | 0:19:23 | |
42. Not bad. APPLAUSE | 0:19:26 | 0:19:27 | |
All of the novels published during her career were anonymous. | 0:19:32 | 0:19:34 | |
After she passed away, Persuasion was published under her own name. | 0:19:34 | 0:19:37 | |
Thank you very much. Now, then... | 0:19:37 | 0:19:40 | |
Alan. | 0:19:40 | 0:19:41 | |
Difficult board for me. | 0:19:43 | 0:19:44 | |
The only one I can bring to mind is the last one... | 0:19:45 | 0:19:49 | |
which is Jane Torvill. | 0:19:49 | 0:19:51 | |
Jane Torvill, says Alan. | 0:19:51 | 0:19:52 | |
Let's see how many of our 100 people said Jane Torvill. | 0:19:52 | 0:19:55 | |
77 for Jane Torvill. APPLAUSE | 0:20:00 | 0:20:02 | |
Big score, there. | 0:20:03 | 0:20:04 | |
Yeah, she used to be an insurance clerk, | 0:20:06 | 0:20:07 | |
before she became a national treasure. | 0:20:07 | 0:20:10 | |
Thank you very much. Now, James, this board is all yours. | 0:20:10 | 0:20:12 | |
All these Janes are yours, James. | 0:20:12 | 0:20:14 | |
James's Janes. | 0:20:14 | 0:20:15 | |
Unfortunately, number two, I delivered a conference paper... | 0:20:17 | 0:20:20 | |
..and I name checked that person several times, | 0:20:21 | 0:20:24 | |
but the name now escapes me. | 0:20:24 | 0:20:26 | |
The two Janes that I did know have gone. | 0:20:27 | 0:20:28 | |
So, I'll just have to take a risk. | 0:20:28 | 0:20:30 | |
And that first one, it's a film one again, | 0:20:30 | 0:20:32 | |
so this is really embarrassing, I'm just going to say...Jane Fonda. | 0:20:32 | 0:20:36 | |
Jane Fonda, says James. | 0:20:36 | 0:20:38 | |
Well, it earns a buzz from the audience. | 0:20:38 | 0:20:41 | |
Let's find out what that means. | 0:20:41 | 0:20:42 | |
Jane Fonda. Is it right? | 0:20:42 | 0:20:44 | |
And if it is, how many people said Jane Fonda? | 0:20:44 | 0:20:45 | |
No. I'm afraid not. | 0:20:48 | 0:20:50 | |
Jane Fonda, James, scores you 100 points. | 0:20:50 | 0:20:53 | |
I think that was a disapproving buzz from an entire coach. | 0:20:53 | 0:20:56 | |
-LAUGHTER -I think, there... | 0:20:56 | 0:20:58 | |
Jane Russell was the answer. | 0:20:58 | 0:20:59 | |
Good answer, though, would have scored you 11 points. | 0:20:59 | 0:21:01 | |
Now, the primatologist whose name you had referred to | 0:21:01 | 0:21:04 | |
was Jane Goodall. Would have scored you nine points. | 0:21:04 | 0:21:06 | |
-Played Sue Sylvester in Glee. Have you remembered yet? -No. | 0:21:06 | 0:21:09 | |
Jane Lynch. | 0:21:09 | 0:21:10 | |
Would have scored seven. | 0:21:10 | 0:21:12 | |
-And the actress and entrepreneur... -Jane Asher. | 0:21:12 | 0:21:14 | |
Jane Asher. And she would have scored 36. | 0:21:14 | 0:21:16 | |
So, the best answer on the board is Jane Lynch. | 0:21:16 | 0:21:18 | |
-Well done if you said that. -Thanks very much. | 0:21:18 | 0:21:20 | |
We're halfway through the round. Let's have a look at those scores. | 0:21:20 | 0:21:22 | |
Ooh! They're all high ending, I would say, these scores. | 0:21:22 | 0:21:25 | |
Apart from 42, of course, Jack. | 0:21:25 | 0:21:27 | |
Jack and Meena looking very strong there. | 0:21:27 | 0:21:29 | |
At 77, Alan and Alison. | 0:21:29 | 0:21:31 | |
And 100, James and Nash. | 0:21:31 | 0:21:33 | |
I mean, Nash, anything could happen on the next board | 0:21:33 | 0:21:35 | |
but make sure you don't go for a nice, comfortable easy answer. | 0:21:35 | 0:21:38 | |
It needs to be a low score. We're coming back down the line, now. | 0:21:38 | 0:21:40 | |
Can the second players please step up to the podium? | 0:21:40 | 0:21:42 | |
OK, let's put six more clues on the board, and here they come. | 0:21:45 | 0:21:49 | |
We have got... | 0:21:49 | 0:21:50 | |
I'll read all of those again. | 0:22:15 | 0:22:17 | |
There we are. Now, remember, we're looking for these famous Janes. | 0:22:42 | 0:22:44 | |
And, Nash, we need a low scoring one from you. | 0:22:44 | 0:22:47 | |
I think I've got a couple. | 0:22:49 | 0:22:51 | |
I'm going to go for the New Zealand director as Jane Campion. | 0:22:53 | 0:22:57 | |
Jane Campion, says Nash. | 0:22:57 | 0:22:59 | |
No red line for you as you're the highest scorers, | 0:22:59 | 0:23:01 | |
but let's see how far down the column we get with Jane Campion. | 0:23:01 | 0:23:04 | |
It's right. I think this is going to be a very good score. | 0:23:06 | 0:23:09 | |
Look at that, Nash. Very well done indeed. | 0:23:12 | 0:23:14 | |
Four. APPLAUSE | 0:23:14 | 0:23:16 | |
It's exactly what we needed. | 0:23:16 | 0:23:18 | |
And you might have kept yourselves in the game there. | 0:23:18 | 0:23:20 | |
-Very well done. -Great work, Nash, given yourself a chance there. | 0:23:20 | 0:23:23 | |
She won an Oscar for her screenplay for The Piano. | 0:23:23 | 0:23:25 | |
Nominated, as well, as director, but didn't win. | 0:23:25 | 0:23:27 | |
Thanks very much, Richard. | 0:23:27 | 0:23:29 | |
Alison. Alison, you're on 77. | 0:23:29 | 0:23:31 | |
The high scorers, at the moment, 104, Nash and James. | 0:23:31 | 0:23:35 | |
So, 26 or less. | 0:23:35 | 0:23:37 | |
I think I'm going to go for the fifth one. | 0:23:38 | 0:23:40 | |
The third wife of Henry VIII, | 0:23:40 | 0:23:42 | |
and say Jane Seymour. | 0:23:42 | 0:23:44 | |
Jane Seymour, says Alison. | 0:23:44 | 0:23:45 | |
Let's see how many of our 100 people got that. | 0:23:45 | 0:23:47 | |
There is your red line. | 0:23:47 | 0:23:49 | |
It's right. | 0:23:52 | 0:23:54 | |
APPLAUSE 50 for that. | 0:23:56 | 0:23:58 | |
127 is your total. | 0:23:59 | 0:24:01 | |
Nash and James, welcome back into the game. | 0:24:01 | 0:24:04 | |
Very nicely done. | 0:24:04 | 0:24:05 | |
Yeah, the first of his wives not to undergo a coronation. | 0:24:05 | 0:24:08 | |
Jane Seymour. I imagine, by that time, he thought, what's the point? | 0:24:08 | 0:24:11 | |
-He's going to run out of crowns. -Yeah, exactly. | 0:24:11 | 0:24:14 | |
Thanks very much. Now then, Meena, | 0:24:14 | 0:24:18 | |
you are on 42. | 0:24:18 | 0:24:19 | |
If you can score 84 or less, you are through to the next round. | 0:24:19 | 0:24:23 | |
I have no idea about any of the ones that are left, unfortunately, | 0:24:23 | 0:24:27 | |
so I'm going to have to guess. | 0:24:27 | 0:24:29 | |
And I'm going to say Jane Fonda for the first one. | 0:24:29 | 0:24:32 | |
For Barbarella? Jane Fonda, says Meena. | 0:24:32 | 0:24:35 | |
Complete guess. | 0:24:35 | 0:24:37 | |
There is your red line. | 0:24:37 | 0:24:38 | |
If you get below it, you are through to the next round. | 0:24:38 | 0:24:41 | |
How many of our 100 people said Jane Fonda? | 0:24:41 | 0:24:43 | |
It is Jane Fonda. | 0:24:46 | 0:24:47 | |
And through you go to the head-to-head. | 0:24:47 | 0:24:49 | |
Very well done indeed. APPLAUSE | 0:24:49 | 0:24:51 | |
Scores you 72, which is good enough, | 0:24:51 | 0:24:53 | |
taking your total up to 114. | 0:24:53 | 0:24:55 | |
Yeah. Very well played, Meena, | 0:24:55 | 0:24:57 | |
that was nicely done, wasn't it? | 0:24:57 | 0:24:58 | |
Goodness me. The best actress Oscar winner | 0:24:58 | 0:25:01 | |
and married to Reagan was Jane Wyman. | 0:25:01 | 0:25:03 | |
Audience, the blonde bombshell? | 0:25:03 | 0:25:05 | |
Jayne Mansfield. | 0:25:05 | 0:25:06 | |
Jayne Mansfield. Absolutely. | 0:25:06 | 0:25:07 | |
That would have scored 24. | 0:25:07 | 0:25:08 | |
-And played Bubble in Absolutely Fabulous? -Jane Horrocks. | 0:25:08 | 0:25:10 | |
Jane Horrocks. And she would have scored you 48. | 0:25:10 | 0:25:12 | |
So, Jane Campion, Nash, best answer on the board. | 0:25:12 | 0:25:15 | |
There we are. Thanks very much, Richard. | 0:25:15 | 0:25:17 | |
So at the end of our second round, the pair we have to say goodbye to, | 0:25:17 | 0:25:19 | |
I'm afraid, Alison and Alan, for the second time. | 0:25:19 | 0:25:22 | |
Been wonderful having you on. | 0:25:22 | 0:25:23 | |
I'm sorry we haven't got you further than this. | 0:25:23 | 0:25:25 | |
But very well played. Great to have you here. | 0:25:25 | 0:25:27 | |
Thank you so much. Alison and Alan. | 0:25:27 | 0:25:29 | |
APPLAUSE | 0:25:29 | 0:25:30 | |
But for James and Nash, Jack and Meena, | 0:25:33 | 0:25:35 | |
it's now time for our head-to-head. | 0:25:35 | 0:25:37 | |
APPLAUSE | 0:25:37 | 0:25:38 | |
Congratulations, James and Nash, Jack and Meena. | 0:25:42 | 0:25:44 | |
You are now one step closer to the final | 0:25:44 | 0:25:46 | |
and the chance to play for our jackpot, | 0:25:46 | 0:25:48 | |
which currently stands at £5,000. | 0:25:48 | 0:25:51 | |
CHEERING AND APPLAUSE | 0:25:51 | 0:25:53 | |
So, here we are. We've reached the head-to-head | 0:25:54 | 0:25:56 | |
which means you can now confer before giving your answers. | 0:25:56 | 0:25:58 | |
First pair to win two questions will be playing for that jackpot. | 0:25:58 | 0:26:01 | |
Jack and Meena. First appearance on the show, | 0:26:01 | 0:26:03 | |
straight through to the head-to-head. Very, very well done. | 0:26:03 | 0:26:06 | |
James and Nash, your second appearance on the show. | 0:26:06 | 0:26:09 | |
Second appearance in the head-to-head round | 0:26:09 | 0:26:11 | |
and as our low scoring pair. | 0:26:11 | 0:26:13 | |
Yeah, you gave us a bit of a run-around there. | 0:26:13 | 0:26:15 | |
Nash, you did very, very well to dig James out | 0:26:15 | 0:26:17 | |
after his incorrect answer in that last round. | 0:26:17 | 0:26:19 | |
But, here you are, back as our golden couple. | 0:26:19 | 0:26:23 | |
Best of luck to both pairs. Let's play the head-to-head. | 0:26:23 | 0:26:25 | |
APPLAUSE | 0:26:25 | 0:26:27 | |
Here is your first question. And it concerns: | 0:26:31 | 0:26:35 | |
-Richard. -Going to show you now the names of five works of art | 0:26:37 | 0:26:40 | |
and the initials of the gallery you will find them in. | 0:26:40 | 0:26:42 | |
Can you tell us what those galleries are, please? | 0:26:42 | 0:26:45 | |
Thank you very much indeed. | 0:26:45 | 0:26:46 | |
OK. Let's reveal our five works of art and here they come. | 0:26:46 | 0:26:49 | |
We have got... | 0:26:49 | 0:26:50 | |
I'll read those all again. | 0:27:09 | 0:27:11 | |
James and Nash will go first. | 0:27:24 | 0:27:26 | |
WHISPERING | 0:27:26 | 0:27:27 | |
Um, I think... | 0:27:31 | 0:27:34 | |
Ooh, this is a tricky one. I think we're going to try the first one. | 0:27:34 | 0:27:37 | |
The National Gallery. | 0:27:37 | 0:27:38 | |
The National Gallery, say James and Nash. The National Gallery. | 0:27:38 | 0:27:41 | |
Jack and Meena, talk us through the rest of the board, if you can. | 0:27:41 | 0:27:44 | |
We know that the third one down is The Louvre. | 0:27:44 | 0:27:46 | |
We think the fourth one down is a museum in Amsterdam. | 0:27:46 | 0:27:50 | |
But I don't know how to pronounce it correctly. | 0:27:50 | 0:27:52 | |
THEY LAUGH | 0:27:52 | 0:27:54 | |
It's, like R I J K S museum. | 0:27:54 | 0:27:57 | |
Cos I feel like The Louvre is going to be higher | 0:27:57 | 0:27:59 | |
than The National Gallery. | 0:27:59 | 0:28:00 | |
We'll go for Rijksmuseum. | 0:28:00 | 0:28:02 | |
-The Rijksmuseum. -Yes, yes. -OK. | 0:28:02 | 0:28:04 | |
So, we have The National Gallery and we have the Rijksmuseum. | 0:28:04 | 0:28:08 | |
James and Nash have gone for The National Gallery. | 0:28:08 | 0:28:11 | |
Let's see if that's right for The Hay Wain. | 0:28:11 | 0:28:13 | |
Let's see how many people said it. | 0:28:13 | 0:28:14 | |
It's right. | 0:28:18 | 0:28:19 | |
APPLAUSE | 0:28:23 | 0:28:24 | |
31. | 0:28:27 | 0:28:28 | |
Jack and Meena have gone for the Rijksmuseum. | 0:28:28 | 0:28:31 | |
Let's see how many of our 100 people said that. | 0:28:31 | 0:28:33 | |
Is it right? | 0:28:33 | 0:28:34 | |
It is absolutely right. | 0:28:37 | 0:28:39 | |
THEY CHUCKLE | 0:28:39 | 0:28:40 | |
-Go lower! Go lower! Go! Go! -Amazing. | 0:28:40 | 0:28:41 | |
And there you are, wins you the point. | 0:28:41 | 0:28:43 | |
Very well done, indeed. | 0:28:43 | 0:28:44 | |
Down it goes to six, the Rijksmuseum. | 0:28:44 | 0:28:46 | |
CHEERING AND APPLAUSE | 0:28:46 | 0:28:47 | |
And it means after one question Jack and Meena are up 1-0. | 0:28:49 | 0:28:51 | |
And you spelt it beautifully. | 0:28:51 | 0:28:53 | |
Absolutely perfect, yeah, very well done. | 0:28:53 | 0:28:54 | |
It's pronounced "Raiks" museum, but the spelling was exemplary. | 0:28:54 | 0:28:57 | |
And it's a right answer, as well. | 0:28:57 | 0:29:00 | |
Now, the birth of Venus, Sandro Botticelli, | 0:29:00 | 0:29:02 | |
-is in... -The Uffizi. | 0:29:02 | 0:29:03 | |
the Uffizi. Yep. | 0:29:03 | 0:29:04 | |
That would have scored you 12. | 0:29:04 | 0:29:06 | |
You were right to avoid the Louvre. | 0:29:06 | 0:29:08 | |
Would have scored 61. | 0:29:08 | 0:29:10 | |
And the best answer up there... | 0:29:10 | 0:29:12 | |
Guernica, one of the most famous paintings of the 20th century | 0:29:12 | 0:29:15 | |
is in the Reina Sofia in Madrid. | 0:29:15 | 0:29:17 | |
And if you knew that, you've just got a pointless answer. | 0:29:17 | 0:29:19 | |
-Very well done. -Thank you very much, indeed, Richard. | 0:29:19 | 0:29:21 | |
So, here comes your second question. | 0:29:21 | 0:29:23 | |
James and Nash, I'm getting deja vu here. | 0:29:23 | 0:29:25 | |
You have to win this one to stay in the game. | 0:29:25 | 0:29:27 | |
So, best of luck, | 0:29:27 | 0:29:28 | |
because Jack and Meena will get to answer it first. | 0:29:28 | 0:29:30 | |
Our second question is all about... | 0:29:30 | 0:29:33 | |
Fictional soldiers, Richard. | 0:29:35 | 0:29:37 | |
Yeah, even worse news, gents, this is a film question. | 0:29:37 | 0:29:39 | |
LAUGHTER | 0:29:39 | 0:29:40 | |
We're going to show you five pictures now of fictional soldiers | 0:29:40 | 0:29:42 | |
in films. We need you to tell us the name of the film, please. | 0:29:42 | 0:29:45 | |
OK. Let's reveal our five fictional soldiers and here they come. | 0:29:45 | 0:29:47 | |
We have got... | 0:29:49 | 0:29:50 | |
There we are. | 0:30:13 | 0:30:14 | |
Five fictional soldiers. | 0:30:14 | 0:30:16 | |
You just need to tell us which films they are from. | 0:30:16 | 0:30:18 | |
Jack and Meena will go first. | 0:30:18 | 0:30:20 | |
WHISPERING | 0:30:21 | 0:30:22 | |
OK. | 0:30:26 | 0:30:27 | |
We are, kind of, taking a guess. | 0:30:27 | 0:30:30 | |
-THEY CHUCKLE -As usual. | 0:30:32 | 0:30:34 | |
And we're going to say The Hurt Locker, for C. | 0:30:34 | 0:30:38 | |
C, The Hurt Locker. | 0:30:38 | 0:30:39 | |
C, The Hurt Locker. Now, James and Nash, that board is all yours. | 0:30:39 | 0:30:44 | |
If you want to talk us through it and supply names. | 0:30:44 | 0:30:47 | |
Well, I think we know four of them. | 0:30:48 | 0:30:50 | |
I famously know D because I once projected it upside down | 0:30:50 | 0:30:53 | |
-during a lecture. -LAUGHTER | 0:30:53 | 0:30:55 | |
-And they couldn't tell. -And they couldn't tell. | 0:30:55 | 0:30:57 | |
That was Apocalypse Now. | 0:30:57 | 0:30:59 | |
I think C is Jarhead. | 0:30:59 | 0:31:01 | |
C is Jarhead. | 0:31:01 | 0:31:03 | |
A is The Hurt Locker. | 0:31:03 | 0:31:05 | |
And B's Saving Private Ryan. | 0:31:05 | 0:31:06 | |
Can't remember the name of E... | 0:31:06 | 0:31:08 | |
even though I've seen it. | 0:31:08 | 0:31:10 | |
But shall we go... Which one shall we go for? | 0:31:11 | 0:31:13 | |
Let's go Apocalypse Now. | 0:31:13 | 0:31:15 | |
Might as well. Apocalypse Now. | 0:31:15 | 0:31:16 | |
OK, you're going to say D, Apocalypse Now. | 0:31:16 | 0:31:18 | |
So, we have The Hurt Locker for C, | 0:31:18 | 0:31:23 | |
from Jack and Meena. | 0:31:23 | 0:31:24 | |
Let's see if that's right, | 0:31:24 | 0:31:25 | |
let's see how many of our 100 people said The Hurt Locker for C. | 0:31:25 | 0:31:28 | |
No. Not right. | 0:31:30 | 0:31:31 | |
Which means, James and Nash, | 0:31:31 | 0:31:32 | |
you merely have to be correct with this and you are back in the game, | 0:31:32 | 0:31:35 | |
and you have gone for Apocalypse Now, for D. | 0:31:35 | 0:31:38 | |
Let's see if that's right, let's see how many people said it. | 0:31:38 | 0:31:41 | |
Well done. Back in. | 0:31:44 | 0:31:45 | |
20. APPLAUSE | 0:31:50 | 0:31:52 | |
20 for Apocalypse now. | 0:31:53 | 0:31:55 | |
And that means, after two questions, it's 1-1. | 0:31:55 | 0:31:58 | |
That landed very nicely. He looks so young there, Martin Sheen, | 0:31:58 | 0:32:00 | |
-doesn't he? -Yeah. -Isn't that amazing? | 0:32:00 | 0:32:02 | |
Took us through the board beautifully there. | 0:32:02 | 0:32:04 | |
A is The Hurt Locker. | 0:32:04 | 0:32:06 | |
That would have scored you eight points. | 0:32:06 | 0:32:07 | |
It's the best answer up there, actually. | 0:32:07 | 0:32:09 | |
Saving Private Ryan's 52 points. | 0:32:11 | 0:32:13 | |
Jarhead. Quite right. That's 16 points. | 0:32:16 | 0:32:18 | |
-And the last one? -Private Benjamin. | 0:32:19 | 0:32:21 | |
Private Benjamin, that would have scored 51. | 0:32:21 | 0:32:24 | |
Thank you very much indeed. | 0:32:24 | 0:32:25 | |
OK, here comes the third question. This is the decider. | 0:32:25 | 0:32:28 | |
James and Nash, this is where you went out last time. | 0:32:28 | 0:32:31 | |
Is that going to happen again, I wonder? Let's see. | 0:32:32 | 0:32:34 | |
Best of luck to both pairs. | 0:32:34 | 0:32:36 | |
Our third question is all about... | 0:32:36 | 0:32:38 | |
LAUGHTER | 0:32:39 | 0:32:41 | |
-Richard? -I like that it gets a laugh at least. | 0:32:42 | 0:32:45 | |
Yeah. Were going to show you five clues now about the wonderful city | 0:32:45 | 0:32:48 | |
of Norwich. Whichever team gives us the most obscure answer | 0:32:48 | 0:32:51 | |
is going through to play for that £5,000 jackpot. | 0:32:51 | 0:32:54 | |
Let's reveal our five clues. Here they come. We've got... | 0:32:54 | 0:32:56 | |
I'll read them again. | 0:33:16 | 0:33:17 | |
James and Nash will go first. | 0:33:35 | 0:33:36 | |
I think we're going to take a bit of a risk. | 0:33:38 | 0:33:40 | |
We know a few but we think they might be high-scoring. | 0:33:40 | 0:33:42 | |
So, I'm going to go for the bottom one and Nash is going to hate me | 0:33:44 | 0:33:46 | |
if this is wrong. | 0:33:46 | 0:33:48 | |
Sir John Houblon? | 0:33:48 | 0:33:50 | |
H O U B L O N. | 0:33:50 | 0:33:53 | |
Sir John Houblon, says James. | 0:33:53 | 0:33:57 | |
OK. Sir John Houblon, for the Quaker philanthropist. | 0:33:57 | 0:34:00 | |
Now then, Jack and Meena. | 0:34:00 | 0:34:02 | |
It's over to you. | 0:34:02 | 0:34:03 | |
Talk us through that board, if you can. | 0:34:03 | 0:34:06 | |
We know the DJ, which is Alan Partridge. | 0:34:06 | 0:34:08 | |
And we think the cookery writer might be Delia Smith. | 0:34:10 | 0:34:12 | |
But shall we go for that? | 0:34:12 | 0:34:14 | |
Yeah... | 0:34:14 | 0:34:15 | |
We're going to go for Delia Smith, the cookery writer. | 0:34:15 | 0:34:17 | |
Delia Smith, say Jack and Meena. | 0:34:17 | 0:34:20 | |
So, Sir John Houblon is James and Nash's answer | 0:34:20 | 0:34:23 | |
for the Quaker philanthropist. Let's see if that's right. | 0:34:23 | 0:34:26 | |
Sir John Houblon. | 0:34:26 | 0:34:27 | |
How many people said it, if it's right? | 0:34:27 | 0:34:29 | |
No! | 0:34:33 | 0:34:34 | |
Oh, I'm sorry. | 0:34:34 | 0:34:36 | |
Pointless loves it when people do that cos quite often they're right. | 0:34:36 | 0:34:39 | |
-I think I know the right answer now. -Oh, I'm sorry! | 0:34:39 | 0:34:42 | |
Anyway, Jack and Meena, you merely have to be right with Delia Smith, | 0:34:42 | 0:34:44 | |
which is also a bit of a punt for the cookery writer. | 0:34:44 | 0:34:47 | |
Let's see if it's right. | 0:34:47 | 0:34:48 | |
If it is, you go through to the final. | 0:34:48 | 0:34:50 | |
I'm afraid... | 0:34:54 | 0:34:55 | |
-Ooh! -..for James and Nash's sake... | 0:34:56 | 0:34:58 | |
..that is a correct answer. | 0:34:59 | 0:35:01 | |
It means very well done, Jack and Meena. | 0:35:01 | 0:35:03 | |
After three questions, you are through to the final, 2-1. | 0:35:03 | 0:35:06 | |
Yeah. Sir John Houblon, | 0:35:06 | 0:35:08 | |
he was the first governor of the Bank of England. | 0:35:08 | 0:35:10 | |
-Who would you have gone for now? -Elizabeth Fry. | 0:35:10 | 0:35:12 | |
It was Elizabeth Fry. | 0:35:12 | 0:35:13 | |
Yeah, it was Elizabeth Fry, | 0:35:13 | 0:35:15 | |
and she would have seen you through to the final, as well. | 0:35:15 | 0:35:17 | |
-Just eight points. -GENERAL GROANING | 0:35:17 | 0:35:19 | |
That is unlucky. | 0:35:19 | 0:35:20 | |
-Author of His Dark Materials? -Philip Pullman. | 0:35:20 | 0:35:22 | |
Philip Pullman. 28 Points. | 0:35:22 | 0:35:23 | |
It lies on the river... | 0:35:23 | 0:35:25 | |
Wensum. | 0:35:25 | 0:35:26 | |
Wensum, and that would have scored you five. | 0:35:26 | 0:35:28 | |
And you're quite right about Steve Coogan. | 0:35:28 | 0:35:30 | |
Played Alan Partridge. | 0:35:30 | 0:35:31 | |
And would have scored 40 points. | 0:35:31 | 0:35:33 | |
Thank you very much indeed, Richard. | 0:35:33 | 0:35:34 | |
So the pair leaving as at the end of the head-to-head round | 0:35:34 | 0:35:37 | |
for the second time, I'm afraid, it's James and Nash. | 0:35:37 | 0:35:41 | |
Oh... | 0:35:41 | 0:35:42 | |
I'm sorry. Pointless bridesmaids, | 0:35:42 | 0:35:43 | |
never Pointless brides. LAUGHTER | 0:35:43 | 0:35:45 | |
I'm so sorry. It's been wonderful having you on both shows. | 0:35:45 | 0:35:47 | |
Really strong performance. | 0:35:47 | 0:35:49 | |
Very exciting performance across this show. | 0:35:49 | 0:35:51 | |
You kept us on tenterhooks, there. | 0:35:51 | 0:35:52 | |
I'm afraid this is where we say goodbye. | 0:35:52 | 0:35:54 | |
Thank you so much for playing. James and Nash, very well done. | 0:35:54 | 0:35:56 | |
APPLAUSE | 0:35:56 | 0:35:57 | |
But for Jack and Meena, it's now time for our Pointless final. | 0:35:59 | 0:36:01 | |
APPLAUSE | 0:36:01 | 0:36:03 | |
Well, congratulations, | 0:36:05 | 0:36:06 | |
Jack and Meena, you've seen off all the competition. | 0:36:06 | 0:36:09 | |
And you've won our coveted Pointless trophy. | 0:36:09 | 0:36:11 | |
You now have a chance to win our Pointless jackpot. | 0:36:17 | 0:36:20 | |
At the end of today's show, the jackpot is standing at £5,000. | 0:36:20 | 0:36:23 | |
CHEERING AND APPLAUSE | 0:36:23 | 0:36:25 | |
Well, what about that? | 0:36:27 | 0:36:28 | |
One show, you just come straight in, | 0:36:28 | 0:36:30 | |
straight through to the final, | 0:36:30 | 0:36:32 | |
and now playing for a massive jackpot. | 0:36:32 | 0:36:34 | |
What would you particularly like to see come up in this last round? | 0:36:34 | 0:36:37 | |
Well, literature, so that Meena can answer all of the questions. | 0:36:38 | 0:36:41 | |
-HE GIGGLES -Music would be quite good. -Yeah. | 0:36:41 | 0:36:43 | |
-Music would be good. Like, Pop music. -Yeah. | 0:36:43 | 0:36:46 | |
-What else? A bit more geography? -Some geography. That'd be good. | 0:36:46 | 0:36:49 | |
OK. Well, you know what it's like in this last round. | 0:36:49 | 0:36:51 | |
We put four things up on the board there | 0:36:51 | 0:36:53 | |
and you've just got to hope for something that is close to something | 0:36:53 | 0:36:56 | |
-that you might know. -Yeah. | 0:36:56 | 0:36:57 | |
Best of luck. Let's see what today's selection looks like. | 0:36:57 | 0:36:59 | |
We've got... | 0:36:59 | 0:37:01 | |
THEY LAUGH IN DISBELIEF | 0:37:02 | 0:37:04 | |
SYMPATHETIC LAUGHTER | 0:37:08 | 0:37:09 | |
-Oh! -Right. | 0:37:09 | 0:37:11 | |
Can we do that again? | 0:37:11 | 0:37:13 | |
LAUGHTER | 0:37:13 | 0:37:15 | |
I've no idea... I'm thinking Tom Hardy's co-stars. | 0:37:16 | 0:37:19 | |
Yeah, shall we just go with that? | 0:37:19 | 0:37:20 | |
Pick some random actresses and actors, maybe. | 0:37:20 | 0:37:23 | |
It might be films. | 0:37:23 | 0:37:24 | |
Let's just go with that. We're not going to get Opera. | 0:37:24 | 0:37:27 | |
LAUGHTER | 0:37:27 | 0:37:29 | |
-Tom Hardy's co-stars, please? -Tom Hardy's co-stars, Richard. | 0:37:29 | 0:37:32 | |
OK, very best of luck. We're looking for anybody who starred | 0:37:32 | 0:37:34 | |
alongside Tom Hardy, | 0:37:34 | 0:37:35 | |
according to IMDB in any of these three films, please. | 0:37:35 | 0:37:37 | |
So, anyone credited with appearing alongside Tom Hardy | 0:37:47 | 0:37:50 | |
in one of those three films. Very best of luck. | 0:37:50 | 0:37:52 | |
Thanks very much indeed. | 0:37:52 | 0:37:53 | |
Now, as always, you've got a minute to come up with three answers. | 0:37:53 | 0:37:56 | |
All you need to win the jackpot is for just one of those answers | 0:37:56 | 0:37:58 | |
to be pointless. Are you ready? | 0:37:58 | 0:37:59 | |
-Yeah. -Yes. -OK. | 0:38:00 | 0:38:02 | |
Let's put 60 seconds up on the clock. There they are. | 0:38:02 | 0:38:04 | |
-Your time starts now. -OK, right. | 0:38:04 | 0:38:06 | |
-I haven't seen any of them. -JACK LAUGHS | 0:38:06 | 0:38:07 | |
No! Nor me. | 0:38:07 | 0:38:09 | |
-The Dark Knight Rises, I think. -It'll have to be an educated guess. | 0:38:09 | 0:38:11 | |
Yes, we need some obscure actors that would be in that. | 0:38:11 | 0:38:13 | |
I'm thinking Danny DeVito. | 0:38:13 | 0:38:15 | |
Really? | 0:38:16 | 0:38:17 | |
Is he old? He's quite old. | 0:38:17 | 0:38:18 | |
Mad Max. What's Mad Max about? | 0:38:19 | 0:38:20 | |
Is that the one with all the four... Those different men? | 0:38:20 | 0:38:22 | |
-Yeah. -Is it? OK. | 0:38:22 | 0:38:23 | |
Thinking about Liam Neeson, like... | 0:38:25 | 0:38:26 | |
Arnold Schwarzenegger. | 0:38:27 | 0:38:29 | |
-These are really obvious, aren't they? -No. Not to me. | 0:38:29 | 0:38:31 | |
What's the other guy... What's the guy who does Die Hard? | 0:38:31 | 0:38:34 | |
-Bruce Willis? -Bruce Willis, yeah. | 0:38:35 | 0:38:36 | |
And what's that other bald guy? | 0:38:36 | 0:38:38 | |
That the bald guy that does... Oh, my God! | 0:38:38 | 0:38:40 | |
-What about Legend? It's very recent. -What's Legend about? | 0:38:41 | 0:38:44 | |
It's about boxing. | 0:38:44 | 0:38:46 | |
-OK. -I honestly... | 0:38:46 | 0:38:47 | |
I don't think I've even seen the trailers for these films. | 0:38:47 | 0:38:49 | |
Oh, my God, we haven't got any and we've got 15 seconds. | 0:38:49 | 0:38:51 | |
-We'll go with Liam Neeson. -Yeah. Bruce Willis. | 0:38:51 | 0:38:54 | |
Ten seconds left. | 0:38:54 | 0:38:55 | |
How about somebody like Helen Mirren? | 0:38:55 | 0:38:58 | |
Then we have to pick which film she's in. | 0:38:58 | 0:38:59 | |
HE CHUCKLES | 0:38:59 | 0:39:01 | |
-Oh, no. The Dark Knight Rises. -Yeah, shall we do that? | 0:39:01 | 0:39:03 | |
-Maybe she's got a cameo. -MEENA LAUGHS | 0:39:03 | 0:39:05 | |
OK, that is your time up. I now need your three answers. | 0:39:05 | 0:39:08 | |
It's never long enough, that minute, is it? | 0:39:08 | 0:39:10 | |
We're going to say Liam Neeson for Mad Max. | 0:39:10 | 0:39:12 | |
Liam Neeson. | 0:39:12 | 0:39:14 | |
And we're going to say... (Bruce Willis?) | 0:39:14 | 0:39:16 | |
-Bruce Willis, Mad Max. -Bruce Willis. | 0:39:16 | 0:39:18 | |
-(Shall we say Helen Mirren? -Go on.) | 0:39:18 | 0:39:19 | |
We'll also put Helen Mirren in there, as well. | 0:39:19 | 0:39:21 | |
Helen Mirren in Mad Max. | 0:39:21 | 0:39:23 | |
Any of those you'd like to nominate | 0:39:23 | 0:39:24 | |
-as your most likely Pointless answer? -I think Liam Neeson. | 0:39:24 | 0:39:28 | |
I think Liam Neeson, very good one for last. | 0:39:28 | 0:39:30 | |
Least likely to be pointless? | 0:39:30 | 0:39:32 | |
BOTH: Helen Mirren. LAUGHTER | 0:39:32 | 0:39:33 | |
Helen Mirren. OK. And Bruce Willis in the middle. | 0:39:33 | 0:39:35 | |
OK. Well, let's put those answers up on the board, | 0:39:35 | 0:39:37 | |
in that order, then. And here they are. | 0:39:37 | 0:39:39 | |
We've got... | 0:39:39 | 0:39:40 | |
Well, very good luck. | 0:39:43 | 0:39:45 | |
If one of these happens to win that jackpot for you, | 0:39:45 | 0:39:47 | |
£5,000. What would you do that? Jack, you first. | 0:39:47 | 0:39:50 | |
I'd probably... | 0:39:51 | 0:39:53 | |
buy a new suit. | 0:39:53 | 0:39:54 | |
-That'd be nice. -Just fabulous. | 0:39:54 | 0:39:56 | |
Any particular kind of suit you're looking for? Gold? | 0:39:56 | 0:39:58 | |
Yeah, I don't know. | 0:39:58 | 0:40:00 | |
Meena, what would you like to do with your share? | 0:40:00 | 0:40:02 | |
-I would definitely go on holiday. -Mm. -Possibly to New York. | 0:40:02 | 0:40:06 | |
-I've been before but I absolutely loved it. So... -Ooh. | 0:40:06 | 0:40:08 | |
Very good. Well, best of luck. Your first answer is Helen Mirren. | 0:40:08 | 0:40:12 | |
In this case, in fact, in all three cases, | 0:40:12 | 0:40:14 | |
we're looking for cast members of Mad Max: Fury Road, the 2015 film. | 0:40:14 | 0:40:18 | |
If Helen Mirren is pointless, she will win you £5,000. | 0:40:18 | 0:40:22 | |
Is she right, though? | 0:40:22 | 0:40:23 | |
She's not right. | 0:40:26 | 0:40:28 | |
Sadly, Helen Mirren is not in Mad Max: Fury Road. | 0:40:28 | 0:40:32 | |
But don't worry, you've got two more answers on the board. | 0:40:32 | 0:40:35 | |
We've still got Bruce Willis and Liam Neeson waiting up there | 0:40:35 | 0:40:38 | |
on the bench. Bruce Willis. | 0:40:38 | 0:40:40 | |
Let's find out if he is in Mad Max: Fury Road. | 0:40:40 | 0:40:42 | |
If he in it, and he is pointless, he will win you £5,000. | 0:40:42 | 0:40:45 | |
How many people said Bruce Willis? | 0:40:45 | 0:40:47 | |
Bruce Willis, I'm afraid, also joining Helen Mirren... | 0:40:51 | 0:40:54 | |
not in Mad Max: Fury Road. | 0:40:54 | 0:40:56 | |
So, your last answer is Liam Neeson. | 0:40:56 | 0:40:58 | |
Let us find out if Liam Neeson was in Mad Max: Fury Road. | 0:40:59 | 0:41:04 | |
Let's find out how many people said Liam Neeson, if he was. | 0:41:04 | 0:41:06 | |
For £5,000, is it pointless? | 0:41:06 | 0:41:08 | |
-No. Bad luck. -Oh, that's so bad. | 0:41:11 | 0:41:13 | |
I'm afraid none of them was in Mad Max Fury Road. | 0:41:13 | 0:41:16 | |
APPLAUSE | 0:41:16 | 0:41:17 | |
I'm so sorry. It's always tough, though, | 0:41:17 | 0:41:20 | |
if you get a category and you just don't quite know... | 0:41:20 | 0:41:22 | |
-Any of them. -THEY CHUCKLE | 0:41:22 | 0:41:23 | |
..don't quite know those films. Well, it was a game attempt, anyway. | 0:41:23 | 0:41:26 | |
But I'm afraid you didn't manage to find | 0:41:26 | 0:41:27 | |
that all-important pointless answer, | 0:41:27 | 0:41:29 | |
so you don't win today's jackpot of £5,000. | 0:41:29 | 0:41:30 | |
That, therefore, will roll over onto the next show. | 0:41:30 | 0:41:33 | |
But you've done so well. | 0:41:33 | 0:41:34 | |
I mean, really, really well, right across the show. | 0:41:34 | 0:41:37 | |
Lovely low scoring. | 0:41:37 | 0:41:38 | |
And, for that, you get a wonderful pointless trophy each | 0:41:38 | 0:41:40 | |
to take home. So, very well done for that, Jack and Meena. | 0:41:40 | 0:41:43 | |
APPLAUSE | 0:41:43 | 0:41:44 | |
Yeah. You've been great fun, as well. You know what, | 0:41:46 | 0:41:49 | |
it's worth a guess, sometimes. | 0:41:49 | 0:41:50 | |
Like, Liam Neeson is not in Mad Max, but you know what film he is in? | 0:41:50 | 0:41:53 | |
he's in the Dark Knight Rises, | 0:41:53 | 0:41:55 | |
and he was a pointless answer, as well. | 0:41:55 | 0:41:57 | |
AUDIENCE GROANS | 0:41:57 | 0:41:59 | |
Imagine that. Imagine that. | 0:41:59 | 0:42:01 | |
Now, actors in the film Legend. Let's take a look at that first. | 0:42:01 | 0:42:04 | |
The singer Duffy has a role in that film. | 0:42:04 | 0:42:06 | |
John Sessions plays Lord Boothby. | 0:42:06 | 0:42:07 | |
Kevin McNally plays Harold Wilson, in the film. Tara Fitzgerald... | 0:42:07 | 0:42:10 | |
Everyone pointless there apart from David Thewlis, Taron Egerton, | 0:42:10 | 0:42:13 | |
Christopher Ecclestone and Emily Browning. | 0:42:13 | 0:42:15 | |
Every other member of the cast was a pointless answer. | 0:42:15 | 0:42:17 | |
Well done if you said any of those. | 0:42:17 | 0:42:19 | |
We will move on now to Mad Max: Fury Road. | 0:42:19 | 0:42:21 | |
Everyone pointless in that apart from Charlize Theron, | 0:42:25 | 0:42:27 | |
Nicholas Hoult, Rosie Huntington-Whiteley | 0:42:27 | 0:42:29 | |
and Nathan Jones. | 0:42:29 | 0:42:30 | |
-And The Dark Knight. Some big names here. -Oh... | 0:42:30 | 0:42:33 | |
Burn Gorman from Torchwood, Cillian Murphy from Peaky Blinders, | 0:42:35 | 0:42:37 | |
many other things as well... | 0:42:37 | 0:42:39 | |
And Liam Neeson. All of those pointless. | 0:42:39 | 0:42:40 | |
Every one pointless there apart from Christian Bale, Michael Caine, | 0:42:40 | 0:42:43 | |
Anne Hathaway, Gary Oldman, Marion Cotilliard, Joseph Gordon-Levitt, | 0:42:43 | 0:42:46 | |
and Morgan Freeman. Everyone else, a pointless answer. | 0:42:46 | 0:42:49 | |
Thank you very much, Richard. | 0:42:49 | 0:42:50 | |
Well, thank you, Jack and Meena. | 0:42:50 | 0:42:52 | |
I'm sorry you didn't win our jackpot today. | 0:42:52 | 0:42:54 | |
But that will then roll over onto the next show | 0:42:54 | 0:42:56 | |
when we will be playing for £6,000. | 0:42:56 | 0:42:59 | |
APPLAUSE | 0:42:59 | 0:43:00 | |
It's getting bigger and bigger! | 0:43:00 | 0:43:02 | |
Join us next time to see if someone can win it. | 0:43:02 | 0:43:03 | |
-Meanwhile, it's goodbye from Richard. -Goodbye. | 0:43:03 | 0:43:06 | |
And it's goodbye from me. | 0:43:06 | 0:43:07 | |
Goodbye. | 0:43:07 | 0:43:08 | |
APPLAUSE | 0:43:08 | 0:43:10 |