Browse content similar to Irene Cara and Kylie Minogue. Check below for episodes and series from the same categories and more!
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Dancing is super fun. It's a form of expression and it's cool. | 0:00:02 | 0:00:07 | |
Oh, I know this song. Let's do the routine to it. It brings everyone together. It's great. | 0:00:07 | 0:00:12 | |
Having a dance craze gives us a chance to do something all together | 0:00:12 | 0:00:15 | |
and all feel like we are one animal. | 0:00:15 | 0:00:17 | |
There's been so many great dance crazes | 0:00:19 | 0:00:21 | |
and I've partaken in most of them. | 0:00:21 | 0:00:23 | |
It's fun, it's something that everyone can do. | 0:00:23 | 0:00:26 | |
Oh, it's camp as Christmas. | 0:00:26 | 0:00:27 | |
You can just do your thing. | 0:00:27 | 0:00:30 | |
You know what I'm saying. | 0:00:30 | 0:00:32 | |
Dance is a way to free the soul and ease the mind. | 0:00:32 | 0:00:35 | |
The moment any of these songs start, you're damned if you do and you're damned if you don't. | 0:00:35 | 0:00:39 | |
Better to slap on a smile and get stuck in, I reckon. | 0:00:39 | 0:00:41 | |
Hello, I'm TV's Robert Webb, and this is Pop's Greatest Dance Crazes. | 0:00:46 | 0:00:52 | |
A countdown of the songs that have got you bopping like idiots | 0:00:52 | 0:00:55 | |
at office parties, wedding discos or alone in your front room drunk. | 0:00:55 | 0:01:00 | |
These are some of the sexiest, the quirkiest and, let's be honest, | 0:01:00 | 0:01:03 | |
the gayest dance crazes from the last 40 years. | 0:01:03 | 0:01:07 | |
Hit it. | 0:01:07 | 0:01:08 | |
It was about a young girl who aspires to be | 0:01:16 | 0:01:19 | |
a legitimate dancer, and she right now is a welder | 0:01:19 | 0:01:22 | |
during the day, and at night she does this incredible, | 0:01:22 | 0:01:26 | |
music video-type dancing. | 0:01:26 | 0:01:28 | |
It was based | 0:01:29 | 0:01:30 | |
on some girls in Pittsburgh who were | 0:01:30 | 0:01:34 | |
working in strip clubs, or whatever, but they were trying to do something that represented themselves. | 0:01:34 | 0:01:40 | |
It was called flashdancing. | 0:01:40 | 0:01:42 | |
Wow, I'm such a huge fan of Flashdance, | 0:01:44 | 0:01:46 | |
especially the scene where she pulls the chain | 0:01:46 | 0:01:48 | |
and all the water goes over her. | 0:01:48 | 0:01:49 | |
And the water, pow. | 0:01:53 | 0:01:54 | |
That was my favourite. | 0:01:56 | 0:01:58 | |
I would've kicked myself round a steelworks if I could look like that in the end. | 0:01:58 | 0:02:02 | |
I think it was a movie that was just one great music video. | 0:02:02 | 0:02:06 | |
The film made everyone want to dance, and even people who had | 0:02:06 | 0:02:10 | |
never been near a dance studio wore leg warmers and lycra. | 0:02:10 | 0:02:14 | |
Everyone knows the flashdance look, with the cut-off shoulder and the leg warmers, the whole Eighties feel. | 0:02:14 | 0:02:21 | |
It was very, very Pineapple, what with the off-the-shoulder sweat and | 0:02:24 | 0:02:28 | |
the high-cut knickers and the crop in cotton lycra. | 0:02:28 | 0:02:32 | |
It was about jazz dance, you know, that Fame era with the leotard and leg warmers and the hair. | 0:02:35 | 0:02:41 | |
It caught people's imagination, and that's great when you do that, | 0:02:43 | 0:02:46 | |
it's the best feeling, when people live your movie. | 0:02:46 | 0:02:49 | |
To fulfil her dream, Alex needed a scholarship to the dance academy, | 0:02:52 | 0:02:57 | |
and we were all rooting for her on the day of the big audition. | 0:02:57 | 0:03:00 | |
When that music kicks in and she's doing that audition, | 0:03:00 | 0:03:03 | |
I could be 100 and I'd be dancing, | 0:03:03 | 0:03:05 | |
because it's the adrenalin, "You will do it, do it, do it, do it." | 0:03:05 | 0:03:09 | |
# First, when there's nothing... # | 0:03:10 | 0:03:13 | |
That scene, where she's just like living What A Feeling | 0:03:13 | 0:03:17 | |
is just what dance is about in that era. | 0:03:17 | 0:03:20 | |
# In a world made of steel... # | 0:03:20 | 0:03:24 | |
I think people were caught up in the idea of somebody | 0:03:24 | 0:03:27 | |
wanting something enough and having their dream come true. | 0:03:27 | 0:03:31 | |
# What a feeling! | 0:03:31 | 0:03:34 | |
# Being's believing! # | 0:03:35 | 0:03:38 | |
She goes along the panel pointing you, you, you, and the kicks, everything. | 0:03:38 | 0:03:41 | |
Take your passion, make it happen. | 0:03:45 | 0:03:47 | |
It speaks to people's motivation, their faith in themselves. | 0:03:47 | 0:03:51 | |
Those are themes that are very human, very universal. | 0:03:51 | 0:03:55 | |
She's doing all these leaps and somersaults. | 0:03:57 | 0:04:00 | |
She turns on her back, | 0:04:00 | 0:04:02 | |
which is a very hardcore, hip hop move, then it was like, "Whoa." | 0:04:02 | 0:04:06 | |
Is it an urban myth, that it was really a man that all the acrobatics and stuff? | 0:04:11 | 0:04:15 | |
I've watched that over and over again, and it's definitely not her doing that backspin! | 0:04:15 | 0:04:19 | |
Being asked to wear a leotard, tights and a wig | 0:04:20 | 0:04:24 | |
and being asked to shave my legs and my underarms... | 0:04:24 | 0:04:28 | |
I wasn't groomed to be an actor or anything like that, | 0:04:28 | 0:04:30 | |
where they would be like, "Oh, yeah, cool, all right, so you need me to shave my legs? | 0:04:30 | 0:04:35 | |
"I'll shave my ass, too, just in case." | 0:04:35 | 0:04:38 | |
I was like, "Yeah, you'd better give me some money for this." | 0:04:38 | 0:04:41 | |
If you like a man whose surname is a number, you'll love our next entry. | 0:04:49 | 0:04:53 | |
It's Hey Ya!, sung by Outkast's Andre 3000. | 0:04:53 | 0:04:57 | |
I'm actually toying with the idea of changing my name from Robert Webb to Bobby Millions. | 0:04:57 | 0:05:02 | |
I won't really do it, of course. It just sounds ace when I'm chatting up women on the street. | 0:05:02 | 0:05:07 | |
Anyway, the great thing about this video | 0:05:07 | 0:05:09 | |
is that Mr 3000 plays the roles of all the band members himself. | 0:05:09 | 0:05:13 | |
It had to be filmed in one day, too, so the less energetic the dance, the later it was in the shoot. | 0:05:13 | 0:05:19 | |
And unusually for something coming out of my mouth, that's actually true. Here is your number 20. | 0:05:19 | 0:05:23 | |
Oh, guys, get some vitamin C. Come on. | 0:05:23 | 0:05:27 | |
# Hey, ya, hey ya... # | 0:05:31 | 0:05:38 | |
The Outkast dance was that. | 0:05:39 | 0:05:40 | |
# Hey, ya... # | 0:05:40 | 0:05:42 | |
It's pretty much that, isn't it? | 0:05:42 | 0:05:44 | |
# Doo-doo-doo-doo-doo-doo, doo-doo-doo-doo-doo-doo. # | 0:05:44 | 0:05:48 | |
# Shake it, shake it, shake it, shake it, shake it... # | 0:05:48 | 0:05:51 | |
Shake it like a Polaroid picture. I can only guess that it means shake your booty like a Polaroid picture. | 0:05:51 | 0:05:57 | |
# ..like a Polaroid picture... # | 0:05:57 | 0:05:59 | |
Shake it, shake it, shake, shake it... At one moment there's a slow motion. | 0:05:59 | 0:06:04 | |
I fell in love with that girl when that music video came out. | 0:06:04 | 0:06:07 | |
God, she's so hot. | 0:06:07 | 0:06:09 | |
Polaroid used the popularity of this song to try and revive sales of their cameras. | 0:06:09 | 0:06:14 | |
However, shaking a Polaroid | 0:06:14 | 0:06:16 | |
doesn't actually help to develop the picture, as the image is behind a protective film. | 0:06:16 | 0:06:20 | |
Indeed, vigorous shaking risks distorting the image and can actually cause the ink to separate. | 0:06:20 | 0:06:25 | |
I'm so sorry, that was incredibly boring, wasn't it? | 0:06:25 | 0:06:28 | |
And everyone did this to make them develop quicker, didn't they? | 0:06:28 | 0:06:32 | |
I don't know why. Photographers used to do this. | 0:06:32 | 0:06:35 | |
It was the heat I think that did it. But everyone used to shake them. | 0:06:35 | 0:06:39 | |
-I never had any Polaroid pictures of me. -It's digital now, really. It's been pretty much modernised. | 0:06:39 | 0:06:45 | |
-That's a good point. -It's completely redundant. -Get over it, Outkast. | 0:06:45 | 0:06:49 | |
At number 19 on our list of pop's greatest dance crazes | 0:06:52 | 0:06:55 | |
we have the 1989 dancefloor sensation the Lambada. | 0:06:55 | 0:06:59 | |
It's a sensual piece of music | 0:06:59 | 0:07:01 | |
that evokes romantic evenings by the beach, | 0:07:01 | 0:07:03 | |
eyes meeting over cocktails and a moustachioed busker in a sombrero going "Ayayayayeee!" | 0:07:03 | 0:07:08 | |
as he plays a guitar two feet from your table, | 0:07:08 | 0:07:10 | |
his phlegm drenching your deep fried calamari. Idiot. | 0:07:10 | 0:07:14 | |
We've brought in an expert to teach us the steps, | 0:07:15 | 0:07:18 | |
but first here's a reminder of the video that started the craze. | 0:07:18 | 0:07:23 | |
The video featured two Brazilian kids, Chico and Roberta. | 0:07:29 | 0:07:33 | |
I was about the same age as the little boy. | 0:07:33 | 0:07:36 | |
My mum used to say, "Bradley, that looks like you." | 0:07:36 | 0:07:38 | |
But the girl that he dances with, my gosh I used to fancy her so bad. | 0:07:38 | 0:07:43 | |
This sort of slightly uncomfortable Lolita-ish girl | 0:07:46 | 0:07:51 | |
and her tiny dance partner sort of, | 0:07:51 | 0:07:54 | |
you know, wiggling around like doing this really quite full-on dance. | 0:07:54 | 0:07:59 | |
I'd feel uncomfortable if that came on telly when my parents were in the room. | 0:07:59 | 0:08:02 | |
Embarrassing, maybe, but that's what the lambada was designed to do - to make us get up close and personal. | 0:08:02 | 0:08:09 | |
You need the energy of your partner that's holding your hand and he's like pulling you, hips, hips, hips. | 0:08:09 | 0:08:14 | |
The intimacy of the lambada is quite aggressive for the Brits, because | 0:08:14 | 0:08:20 | |
everyone is a bit more reserved here. | 0:08:20 | 0:08:22 | |
And of course, we know it's a Brazilian carnival type-dance. | 0:08:22 | 0:08:25 | |
-You need a partner. "Where is my partner? Partner?" -I think the Latino culture is really fiery. | 0:08:25 | 0:08:31 | |
There's no gap between the partner. It's really important to have that physical contact and eye contact. | 0:08:31 | 0:08:36 | |
You do it together and it's | 0:08:36 | 0:08:39 | |
almost like having a lot more fun than just dancing. | 0:08:39 | 0:08:42 | |
A lot of women just like wanted to put on a mini skirt and twirl and maybe show their panties, | 0:08:44 | 0:08:49 | |
-a glimpse of their panties. -I couldn't cope with it. | 0:08:49 | 0:08:52 | |
It was so beyond my experience of life, I didn't know what to do. | 0:08:52 | 0:08:56 | |
It was a very, very naughty, sexy dance. | 0:08:56 | 0:08:58 | |
That's what dancing is meant to be. | 0:09:00 | 0:09:03 | |
It's meant to be sexy and skilful and poised. | 0:09:03 | 0:09:06 | |
I agree, Rufus, but unfortunately not everyone is quite as skilful and sexy as Lorraine Kelly. | 0:09:06 | 0:09:12 | |
One, two, three, four. | 0:09:15 | 0:09:17 | |
Right, next up it's YMCA by the Village People. Not really! | 0:09:29 | 0:09:34 | |
It is of course the Bangles with their lie about how Egyptians walk. | 0:09:34 | 0:09:38 | |
But first, a Bangles fact - when they were recording the song Eternal Flame, | 0:09:38 | 0:09:42 | |
producer Davitt Sigerson convinced them to sing naked. | 0:09:42 | 0:09:46 | |
There's only one thing I have to say about that. | 0:09:46 | 0:09:49 | |
If you've got a great song with a title like Walk Like An Egyptian, | 0:10:02 | 0:10:05 | |
what do you reckon you're going to do? | 0:10:05 | 0:10:06 | |
# All the old paintings on the tomb they do the sun dance don't you know... # | 0:10:06 | 0:10:11 | |
How did people move to Walk Like An Egyptian? | 0:10:11 | 0:10:13 | |
Everybody knows it's like that. | 0:10:13 | 0:10:15 | |
It did it for you, didn't it? | 0:10:15 | 0:10:17 | |
Easy. A bit of this. | 0:10:17 | 0:10:20 | |
Thing is, we had an Egyptian kid in our school and we used to just walk past him all the time going... | 0:10:22 | 0:10:27 | |
He had a terrible time. | 0:10:27 | 0:10:28 | |
# Walk like an Egyptian... # | 0:10:28 | 0:10:31 | |
The Bangles were a trailblazing, all-girl power pop combo from LA | 0:10:33 | 0:10:37 | |
who hit number three with this track in 1986. | 0:10:37 | 0:10:40 | |
But the moves weren't exactly groundbreaking. | 0:10:40 | 0:10:43 | |
The Egyptian dance was a dance that had been done like years ago, and then they brought it back. | 0:10:43 | 0:10:49 | |
The sand dances were performed in the music halls by very, very thin men in nappies. | 0:10:52 | 0:10:59 | |
The joke basically was, "Look at this very, very thin man skidding around on some sand." | 0:10:59 | 0:11:06 | |
You just wouldn't make a song now picking a country and saying, "They all look like that!" | 0:11:08 | 0:11:15 | |
You just wouldn't nowadays. | 0:11:15 | 0:11:17 | |
But, oh, back in the Eighties you didn't think of such things. | 0:11:17 | 0:11:20 | |
Even the writer of the song admits the inspiration - | 0:11:20 | 0:11:23 | |
and he wasn't in Arabia and saw people doing that, it wasn't some documentary he saw people | 0:11:23 | 0:11:28 | |
doing that - the inspiration is when he saw people struggling on a ferry. | 0:11:28 | 0:11:33 | |
He saw people struggling to stand up on a ferry, doing that. "Oh, that looks Egyptian." | 0:11:33 | 0:11:38 | |
I think Walk Like People Struggling On A Ferry probably hasn't got the ring to it. | 0:11:38 | 0:11:42 | |
But I think what the Bangles fundamentally misunderstood | 0:11:44 | 0:11:46 | |
was that the pictorial hieroglyphic representation of Egyptian history was just that. | 0:11:46 | 0:11:52 | |
I'm not an Egyptologist, | 0:11:52 | 0:11:54 | |
but I don't think the Egyptians were walking around like that | 0:11:54 | 0:11:58 | |
and therefore I think the Bangles have done history a great disservice. | 0:11:58 | 0:12:03 | |
# Walk like an Egyptian. # | 0:12:03 | 0:12:06 | |
Hello there. I'm just rowing a small boat across a lake. | 0:12:11 | 0:12:15 | |
Hang on a minute, no, I'm not. I'm actually sat on a dancefloor with a piece of broken glass in my bottom. | 0:12:15 | 0:12:22 | |
Which can only mean one thing - I'm hammered and the DJ's put on Oops Upside Your Head. | 0:12:22 | 0:12:27 | |
I could have stopped doing this ages ago, couldn't I? | 0:12:27 | 0:12:30 | |
# Oops upside your head | 0:12:37 | 0:12:39 | |
# Say oops upside your head | 0:12:39 | 0:12:41 | |
Oops Upside Your Head is a song played exclusively at family get-togethers. | 0:12:41 | 0:12:48 | |
It's basically a group sat up on the dance floor as if they were in canoes, a pint of lager either side. | 0:12:48 | 0:12:54 | |
It's the ultimate inclusive dance craze. | 0:12:54 | 0:12:56 | |
Assuming all the kids in your family drink lager. | 0:12:56 | 0:12:59 | |
In the Eighties, Oops Upside Your Head used to come on all the time. | 0:12:59 | 0:13:02 | |
We used to sit on the floor and bash the floor. | 0:13:02 | 0:13:05 | |
Say Oops upside your head. And more. | 0:13:05 | 0:13:08 | |
Oops upside your head | 0:13:08 | 0:13:11 | |
Say oops upside your head. | 0:13:11 | 0:13:13 | |
It's basically line dancing for lazy people. | 0:13:15 | 0:13:18 | |
You can sit down and not worry about a thing. | 0:13:18 | 0:13:19 | |
It's a classic and it's one that gets everyone going. | 0:13:21 | 0:13:24 | |
-This is the biggest dance record at the moment. What do you do to this? -A sort of rowing motion. | 0:13:24 | 0:13:29 | |
-Sort of like they do at Henley, I'd say. -Something similar. | 0:13:29 | 0:13:31 | |
-# Don't believe that I wanna dance... # -The first time we went | 0:13:31 | 0:13:34 | |
to perform the song scared me half to death. | 0:13:34 | 0:13:38 | |
Everybody started sitting down. I was freaking out! I was like, "Come on, everybody come on, oops, up..." | 0:13:38 | 0:13:42 | |
And they was all getting on the floor and I was like, "What's going on?" | 0:13:42 | 0:13:46 | |
I turned around to my brothers and I was like, "This don't look good." | 0:13:46 | 0:13:49 | |
Then I turned back around and everybody was rowing and I was like, "Whoa, what's this?" | 0:13:49 | 0:13:53 | |
After I figured out they was doing a dance I was like a happy camper. | 0:13:55 | 0:13:58 | |
The origins of the dance are shrouded in mystery, | 0:13:58 | 0:14:02 | |
but it seems like it was us Brits who first came up with the moves. | 0:14:02 | 0:14:05 | |
Pat the floor, slight double pat, oops upside your head, with a shimmy to the front. | 0:14:05 | 0:14:12 | |
Once you get the hang of it, it's actually quite easy. | 0:14:13 | 0:14:16 | |
And then someone is normally sick down the back of your shoulder. | 0:14:16 | 0:14:20 | |
# Oops upside your head... # | 0:14:20 | 0:14:22 | |
I said, "So what's this called?" And he was like, "The Row Dance," and I was like, "The Row Dance? | 0:14:22 | 0:14:26 | |
OK!" And I was like, "Everybody row, come on." | 0:14:26 | 0:14:29 | |
There's something very strange about seeing lots of people sitting down on a dancefloor. | 0:14:29 | 0:14:33 | |
It kind of, is it a dance or is it a protest? | 0:14:33 | 0:14:35 | |
I don't know where it came from. It was a UK thing only. | 0:14:37 | 0:14:40 | |
They didn't do it in the States. I thought it was the coolest thing. | 0:14:40 | 0:14:43 | |
Do they still do it? They still do it. | 0:14:43 | 0:14:47 | |
That's all right. | 0:14:47 | 0:14:49 | |
We've all watched the X Factor and marvelled at Dannii Minogue's ability to make either positive, | 0:14:54 | 0:14:59 | |
negative or neutral remarks about a contestant's performance. | 0:14:59 | 0:15:04 | |
But how many of us realise that Dannii has a sister? | 0:15:04 | 0:15:08 | |
Well, she does, and her name is Kylie. | 0:15:08 | 0:15:12 | |
Interestingly, both Minogue sisters are so diddy that they sometimes save money on travel costs | 0:15:12 | 0:15:18 | |
by taking a sleeping pill, jumping into a Jiffy bag and being posted to their destination. | 0:15:18 | 0:15:23 | |
Incredible women. | 0:15:23 | 0:15:26 | |
# Come on, baby, do the locmotion... # | 0:15:31 | 0:15:33 | |
Back in 1988, Kylie had a number two hit with The Locomotion, a cover of Little Eva's song | 0:15:33 | 0:15:39 | |
with a cute little dance that had us all pratting about with a chugga chugga motion. | 0:15:39 | 0:15:44 | |
But in 2001 Kylie got us grooving in a whole new and frankly much cooler style. | 0:15:44 | 0:15:51 | |
# ..do the locomotion with me... # | 0:15:51 | 0:15:53 | |
# La la la... # | 0:16:01 | 0:16:02 | |
Can't Get You Out Of My Head was a great dance track and a really iconic video. | 0:16:02 | 0:16:07 | |
I remember the white all-in-one with the hood and the robotic dance moves. | 0:16:07 | 0:16:10 | |
That was really cleverly choreographed, actually. It was simple but it was really effective. | 0:16:10 | 0:16:15 | |
# I just can't get you out of my head | 0:16:15 | 0:16:18 | |
# Boy, your lovin' is all I think about... # | 0:16:18 | 0:16:23 | |
Can't Get You Out Of My Head - choreographically, performance wise, | 0:16:23 | 0:16:26 | |
stylistic, clothing wise, it absolutely was a turning point for her. | 0:16:26 | 0:16:30 | |
Globally and internationally, she felt like a superstar. | 0:16:30 | 0:16:35 | |
# Every day... # | 0:16:35 | 0:16:38 | |
Loved that, that white suit Kylie wears in that video is so hot. | 0:16:38 | 0:16:42 | |
I love it. It's great. With a body like that, I mean phew. | 0:16:42 | 0:16:46 | |
# Won't you stay? # | 0:16:46 | 0:16:51 | |
Kylie asked me to come | 0:16:51 | 0:16:52 | |
into her dressing room and she showed me the dress | 0:16:52 | 0:16:55 | |
that she was going to be dancing in, | 0:16:55 | 0:16:57 | |
and... I said, "Where's the dress?" | 0:16:57 | 0:17:01 | |
The outfit she was wearing was completely covering her hair, | 0:17:01 | 0:17:06 | |
burka fashion. | 0:17:06 | 0:17:07 | |
She wore that and just looked like a goddess. | 0:17:07 | 0:17:11 | |
Anything could pop out at any sort of time and she was just this swirling sort of sexy ghost. | 0:17:11 | 0:17:17 | |
What looks so scrummy on Miss Minogue was foolishly copied by clubbers. | 0:17:17 | 0:17:20 | |
But out in the real world, it just never seemed to look as good. | 0:17:20 | 0:17:24 | |
Especially on men. I only wore mine once before donating it to Dr Barnardo's, | 0:17:24 | 0:17:29 | |
unwashed and with one particularly unsightly stain. | 0:17:29 | 0:17:32 | |
There would have been a lot of toupee tape going on there | 0:17:32 | 0:17:35 | |
for those quick turns, just to, just so it doesn't come out. | 0:17:35 | 0:17:40 | |
There was some double stick tape going on. They were going to get the staple gun out, | 0:17:40 | 0:17:44 | |
but they just decided to go with the double stick. | 0:17:44 | 0:17:46 | |
Some of the iconic moves from the Can't Get You Out Of My Head video for Kylie Minogue - I had a pivot | 0:17:46 | 0:17:52 | |
where I had her step forward, sliding your feet against the floor. | 0:17:52 | 0:17:57 | |
And locking, these are called quarter pivots, slide, quarter, pivot. | 0:17:57 | 0:18:03 | |
Hands are kind of here, bent, really kind of cool. | 0:18:05 | 0:18:09 | |
Have the head kind of go with it, grooving and moving. | 0:18:09 | 0:18:13 | |
You've got a great tune there that allowed the choreographer to go, "Well, this is easy. | 0:18:21 | 0:18:26 | |
"Can't get you out of my head, hands on my head." | 0:18:26 | 0:18:28 | |
That's it, you know, and just animate that. | 0:18:28 | 0:18:32 | |
# La la la, la la la la la... # | 0:18:32 | 0:18:35 | |
Kylie doesn't even know this, but when I was making up the steps for her video | 0:18:35 | 0:18:39 | |
she put me up in a beautiful hotel and I had three feet from the bed to the wall and I literally | 0:18:39 | 0:18:44 | |
had to make up all the dance steps so I was doing everything like this | 0:18:44 | 0:18:50 | |
and keeping everything parallel, and all the dance moves that I did had to be in a three foot confined space. | 0:18:50 | 0:18:56 | |
Someone like her doesn't have to move much to make people catch on | 0:18:56 | 0:19:00 | |
to it because you're just kind of like hypnotically into it. | 0:19:00 | 0:19:03 | |
Everyone, when it came on, everyone was like going like they're a little bit demented. | 0:19:06 | 0:19:10 | |
That is the beauty of great choreography, | 0:19:12 | 0:19:17 | |
that every single person can pick it up and they can do it on a dancefloor | 0:19:17 | 0:19:22 | |
and feel like they're a star themselves. | 0:19:22 | 0:19:24 | |
# And ever... # | 0:19:24 | 0:19:26 | |
Kylie called me one day and she's like, | 0:19:26 | 0:19:28 | |
"Oh my God, Michael, everybody's doing these dance steps in the clubs in London!" | 0:19:28 | 0:19:32 | |
And I was like, so thrilled because any time a dance move catches on and becomes iconic, | 0:19:32 | 0:19:38 | |
it's just amazing. | 0:19:38 | 0:19:40 | |
If there's one thing you can always say about the British public, it's that they know their music. | 0:19:45 | 0:19:50 | |
That's why in 1998 they bought over 1.5 million copies of a single by Steps. | 0:19:50 | 0:19:55 | |
But then again, Tragedy was originally a Bee Gees song but H and the rest of the guys | 0:19:55 | 0:20:00 | |
really made it their own by coming up with these nifty little moves. | 0:20:00 | 0:20:03 | |
Maestro, if you please. | 0:20:03 | 0:20:05 | |
-# Tragedy... # -Tragedy! | 0:20:05 | 0:20:06 | |
-(SHOUTS) -When the feeling's gone and you can't go on, it's tragedy! | 0:20:06 | 0:20:10 | |
-When you know... -HE CHOKES | 0:20:10 | 0:20:14 | |
# With no-one to love you You're going nowhere | 0:20:14 | 0:20:18 | |
# Tragedy! | 0:20:20 | 0:20:22 | |
# When the feeling's gone and you can't go on, it's tragedy... # | 0:20:22 | 0:20:25 | |
Everybody remembers...Tragedy. | 0:20:25 | 0:20:27 | |
You can't not remember...Tragedy. | 0:20:27 | 0:20:30 | |
As soon as you hear Tragedy, I mean, even I can't help it. | 0:20:30 | 0:20:34 | |
If you played it now, I'd have to sit on my hands. | 0:20:34 | 0:20:36 | |
My hands automatically go up to my face. | 0:20:36 | 0:20:40 | |
Tragedy. Arms out. | 0:20:40 | 0:20:42 | |
Tragedy. | 0:20:42 | 0:20:43 | |
And the head. | 0:20:44 | 0:20:47 | |
That's one of my favourites! They just didn't even care. | 0:20:48 | 0:20:50 | |
They weren't cool, but it didn't matter | 0:20:50 | 0:20:53 | |
and I still do the routine to Tragedy. | 0:20:53 | 0:20:55 | |
Tragedy. One, da, da, da. Tragedy. | 0:20:55 | 0:20:58 | |
Under the command of pop Svengali Pete Waterman Steps conquered the UK charts, | 0:21:00 | 0:21:04 | |
peddling their own brand of catchy pop songs and disco covers | 0:21:04 | 0:21:08 | |
accompanied by equally infectious dance routines. | 0:21:08 | 0:21:11 | |
Even Prince Charles was infected, joining their legion when they performed at Hyde Park. | 0:21:11 | 0:21:16 | |
I was worried that he would think that we were taking the mickey out of his ears, | 0:21:18 | 0:21:21 | |
but of course, we were doing the Tragedy dance. | 0:21:21 | 0:21:23 | |
You know your dance craze has caught on when the future King knows the moves, | 0:21:23 | 0:21:27 | |
but actually, most people get the famous hand gesture wrong. | 0:21:27 | 0:21:31 | |
Our second single, Last Thing On My mind, had a similar dance routine to Tragedy. | 0:21:33 | 0:21:37 | |
We had a move like this and we called it "washing our hair". | 0:21:37 | 0:21:40 | |
And so some people do confuse that with that and you get a bit of a mix, but, you know, it's all good. | 0:21:40 | 0:21:46 | |
I just remember doing that. | 0:21:46 | 0:21:49 | |
Tragedy! | 0:21:49 | 0:21:50 | |
# Take a chance on a happy ending... # | 0:21:50 | 0:21:53 | |
With a string of 14 - yes, 14 - consecutive top five singles, | 0:21:53 | 0:21:57 | |
Steps were based on a simple gimmick but boy, did it catch on. | 0:21:57 | 0:22:01 | |
We learned early on that everybody enjoyed | 0:22:01 | 0:22:04 | |
the dance routine as much as the song and it really went hand in hand for us and it became our signature. | 0:22:04 | 0:22:09 | |
The dance thing was definitely as important as the music. | 0:22:09 | 0:22:13 | |
They were acting out what they were singing and that made it so easy for everyone to copy it. | 0:22:13 | 0:22:18 | |
We decided it would be a good idea to actually have the dance moves | 0:22:21 | 0:22:25 | |
in the sleeves of our singles, so that the fans could join in. | 0:22:25 | 0:22:29 | |
We wanted the steps and that's what their name was and that's what they showed us - steps. | 0:22:31 | 0:22:36 | |
If they were called Acapella Harmonies, it'd be a different story, | 0:22:36 | 0:22:40 | |
but they were called Steps, they delivered steps. That's why we like them. | 0:22:40 | 0:22:43 | |
Regardless of your level of dance, the routines were simple, | 0:22:43 | 0:22:47 | |
everybody at home could join in and that's what we wanted. | 0:22:47 | 0:22:51 | |
I mean, they were no Beyonce. | 0:22:51 | 0:22:53 | |
Do you know what I mean? They were no Jackson Five. | 0:22:53 | 0:22:56 | |
I think they knew that, the public knew that. | 0:22:56 | 0:22:58 | |
But what they were, when they were, was great. | 0:22:58 | 0:23:01 | |
So! That's your lot. If, like me, you spent the whole show | 0:23:07 | 0:23:10 | |
dancing along to each and every song, then, like me, you probably stink. | 0:23:10 | 0:23:15 | |
Take a shower. Seriously, have a shower. Now. | 0:23:15 | 0:23:19 | |
Goodbye! | 0:23:20 | 0:23:22 | |
Subtitles by Red Bee Media Ltd | 0:23:45 | 0:23:48 | |
E-mail [email protected] | 0:23:48 | 0:23:51 |