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Dancing is super fun. It's a form of expression and it's cool. | 0:00:02 | 0:00:06 | |
Oh, I know this song. Let's do the routine. It brings everyone together. It's great. | 0:00:06 | 0:00:11 | |
There's been so many great dance crazes, | 0:00:11 | 0:00:13 | |
and I've partaken in most of them. | 0:00:13 | 0:00:15 | |
It's fun, it's something that everyone can do. | 0:00:15 | 0:00:18 | |
Oh, it's camp as Christmas. | 0:00:18 | 0:00:19 | |
The moment any of these songs start, you're damned if you do and you're damned if you don't. | 0:00:19 | 0:00:25 | |
Better to slap on a smile and get stuck in, I reckon. | 0:00:25 | 0:00:27 | |
Ooh! Hello, I'm TV's Robert Webb, | 0:00:32 | 0:00:34 | |
actor, writer and, as I'll constantly remind you | 0:00:34 | 0:00:37 | |
over the next half an hour, a highly accomplished dancer. | 0:00:37 | 0:00:41 | |
It's a combination of skills that makes me the perfectly... | 0:00:41 | 0:00:44 | |
adequate choice to host Pop's Greatest Dance Crazes. | 0:00:44 | 0:00:47 | |
A countdown of the 50 songs that have got you bopping like idiots | 0:00:47 | 0:00:50 | |
at office parties, wedding discos, or alone in your front room drunk. | 0:00:50 | 0:00:55 | |
# Don't blame it on the sunshine | 0:00:55 | 0:00:57 | |
# Don't blame it on the moonlight... # | 0:00:57 | 0:00:59 | |
At number 13, it's Blame It On The Boogie. | 0:00:59 | 0:01:02 | |
But it's not the Jacksons' version that most of us know and love, | 0:01:02 | 0:01:06 | |
because they didn't make up the dance. Incidentally, they didn't even write the song. | 0:01:06 | 0:01:10 | |
That was a fella called Mick Jackson from Sheffield, but there's no time | 0:01:10 | 0:01:13 | |
to dwell on that now because... Actually, there IS time to dwell on that, but I just don't want to. | 0:01:13 | 0:01:18 | |
Instead, let's learn about the dance. | 0:01:18 | 0:01:20 | |
# Blame it on the boogie... # | 0:01:20 | 0:01:21 | |
'People ask me, "Who are Big Fun?"' | 0:01:27 | 0:01:28 | |
And I say, "Sunshine, moonlight, good times." | 0:01:28 | 0:01:31 | |
"Oh, yeah, I remember now." | 0:01:31 | 0:01:33 | |
# Don't blame it on the sunshine | 0:01:33 | 0:01:34 | |
# Don't blame it on the moonlight... # | 0:01:34 | 0:01:36 | |
Yeah, we were the guys that did THAT dance routine! | 0:01:36 | 0:01:41 | |
# Don't blame it on the sunshine... # | 0:01:41 | 0:01:43 | |
We were the first all-dancing boy band, prior to Boyzone, Take That, we were on Top Of The Pops. | 0:01:43 | 0:01:49 | |
We were on front covers of magazines. | 0:01:49 | 0:01:52 | |
Everyone was just like, screaming and doing the routine. | 0:01:52 | 0:01:55 | |
We got the most amazing response everywhere we went. | 0:01:55 | 0:01:58 | |
Big Fun. What a great name, because they were literally having big fun, | 0:01:58 | 0:02:02 | |
as they shot to fame in the early '90s. | 0:02:02 | 0:02:04 | |
They were produced by Stock, Aitken and Waterman, but the band had creative input. Oh, yes. | 0:02:04 | 0:02:10 | |
The boys made up their groovy little dance in the kitchen of their North London flat. | 0:02:10 | 0:02:15 | |
We came up with the idea of doing something simple. | 0:02:15 | 0:02:17 | |
With every main word for the chorus, we just tried to do something that would relate to it. | 0:02:17 | 0:02:21 | |
Don't blame it on the sunshine. | 0:02:21 | 0:02:24 | |
Moonlight, don't know where that came from. | 0:02:24 | 0:02:26 | |
Then there's the good times, a kind of sexual thing, that's a bit rude. | 0:02:26 | 0:02:29 | |
We'd have called it at school, a sort of sex-skiing kind of move. | 0:02:29 | 0:02:33 | |
As a kid, I didn't really approve of that. | 0:02:33 | 0:02:35 | |
# Don't blame it on the sunshine | 0:02:37 | 0:02:39 | |
# Don't blame it on the moonlight | 0:02:39 | 0:02:40 | |
# Don't blame it on the good times... # Blokes | 0:02:40 | 0:02:42 | |
loving this. Once you get a bit of a pelvic thrust in there, can't go wrong. | 0:02:42 | 0:02:47 | |
I hate all that sort of stuff, when the choreography | 0:02:47 | 0:02:50 | |
is speaking the words. | 0:02:50 | 0:02:53 | |
I mean, it's great for two or three year olds, but please, don't bring it into pop. | 0:02:53 | 0:02:58 | |
The other two guys, Jason and Mark, said, "No, we can't do that!" | 0:02:58 | 0:03:01 | |
I said, "Just trust me, I think it'll really work." | 0:03:01 | 0:03:04 | |
And it did. The response was incredible. | 0:03:04 | 0:03:07 | |
Everyone was doing the dance routine. | 0:03:07 | 0:03:09 | |
# ..Blame it on the boogie! # | 0:03:09 | 0:03:11 | |
'I don't think people boogie enough.' | 0:03:11 | 0:03:13 | |
They blame the boogie too much. | 0:03:13 | 0:03:15 | |
'They never specify what the crime is, do they?' | 0:03:15 | 0:03:18 | |
They just give you advice on who you should blame it on. | 0:03:18 | 0:03:21 | |
Accompanied by illustrative dance! | 0:03:21 | 0:03:24 | |
# ..I just can't, I just can't I just can't control my feet... # | 0:03:24 | 0:03:27 | |
# I just can't, I just can't... # | 0:03:27 | 0:03:30 | |
# I just can't control my feet... # | 0:03:30 | 0:03:31 | |
# ..I just can't, I just can't I just can't control my feet... # | 0:03:31 | 0:03:36 | |
Big Fun had it all, the looks, the bum bags and a few catchy songs, | 0:03:36 | 0:03:39 | |
but in 1995, their name stopped being literal and became ironic, | 0:03:39 | 0:03:43 | |
as they were dumped by their record label. | 0:03:43 | 0:03:46 | |
Big Fun mania was over as quick as you could say, Take That. | 0:03:46 | 0:03:49 | |
# ..Blame it on the boogie... # | 0:03:49 | 0:03:51 | |
# Body movin', body movin' | 0:03:52 | 0:03:54 | |
# Body movin'. We be body movin'! # | 0:03:54 | 0:03:56 | |
Now, there's something you guys should know. | 0:03:58 | 0:04:01 | |
Ever since I was an incredibly small boy, I've always been able to move my ass. | 0:04:01 | 0:04:05 | |
Put a tune on the ghetto-blaster and believe me, this baby can shift. | 0:04:05 | 0:04:08 | |
And it's just as well, because next on our run-down is the Queen of rump shaking herself, Beyonce Knowles. | 0:04:08 | 0:04:14 | |
And in her honour, I'd now like to perform for you what I have called the Bobby Webb botty jiggle. | 0:04:14 | 0:04:19 | |
Hit it. | 0:04:19 | 0:04:20 | |
# Uh-oh, uh-oh, uh-oh Oh, no, no | 0:04:20 | 0:04:23 | |
# Uh-oh, uh-oh, uh-oh Oh, no, no | 0:04:23 | 0:04:25 | |
# Uh-oh, uh-oh, uh-oh Oh, no, no... # | 0:04:25 | 0:04:28 | |
She does it slightly better. | 0:04:28 | 0:04:30 | |
# Yes! So crazy right now | 0:04:31 | 0:04:35 | |
# Most incredibly Crazy right now... # | 0:04:35 | 0:04:38 | |
Crazy In Love was definitely a breakthrough video for Beyonce. | 0:04:38 | 0:04:42 | |
It was her first video coming into her solo career, outside of Destiny's Child. | 0:04:42 | 0:04:47 | |
# Ready? # | 0:04:47 | 0:04:49 | |
I remember watching the video and literally looking at the TV screen like this... | 0:04:50 | 0:04:55 | |
She's walking, the hair's blowing and it's like, wow! | 0:04:57 | 0:05:01 | |
Like, you walk down the street like that? | 0:05:01 | 0:05:03 | |
# ..I look and stare so deep in your eyes | 0:05:03 | 0:05:06 | |
# I touch on you more and more every time... # | 0:05:06 | 0:05:09 | |
Beyonce is queen. She walks down and struts. She's dropped on the floor! | 0:05:09 | 0:05:13 | |
Why's she dropped on the floor? No, she hasn't. | 0:05:13 | 0:05:15 | |
She's booty popping... | 0:05:15 | 0:05:17 | |
-and dancing around. -Everything Beyonce does, I love. | 0:05:17 | 0:05:20 | |
She just looks so hot in the red high heels, | 0:05:20 | 0:05:23 | |
the denim shorts, and they were short. | 0:05:23 | 0:05:26 | |
You know, hello! | 0:05:26 | 0:05:28 | |
# ..Got me lookin' so crazy right now. Your touch got me... # | 0:05:28 | 0:05:31 | |
She's just this woman who just wanted to dance | 0:05:31 | 0:05:34 | |
and it was just like, wow. Wow, wow, wow! | 0:05:34 | 0:05:37 | |
# ..Uh-oh, uh-oh, uh-oh Oh, no, no... # | 0:05:37 | 0:05:40 | |
Crazy In Love, you cannot forget the, "Uh-oh". | 0:05:40 | 0:05:43 | |
And the moment the... # Uh-oh, uh-oh.... # | 0:05:43 | 0:05:47 | |
It's just hot! | 0:05:47 | 0:05:49 | |
The key move is the booty shake, and it does help if you've got some junk in your trunk as well. | 0:05:49 | 0:05:54 | |
Can I show you my booty shake? I've been practising, | 0:05:56 | 0:05:59 | |
and this is my Beyonce. | 0:05:59 | 0:06:00 | |
It turns out I have to start quite slow, like that. | 0:06:00 | 0:06:03 | |
And then you have to really get going like that. | 0:06:03 | 0:06:06 | |
# ..So crazy right now... # | 0:06:06 | 0:06:08 | |
# Uh-oh, uh-oh, uh-oh Oh, no, no... # | 0:06:08 | 0:06:11 | |
Beyonce's all about the bum. | 0:06:14 | 0:06:16 | |
I can't keep it going, I can't sustain. | 0:06:20 | 0:06:22 | |
I'm quite knackered after that. How does she do it? | 0:06:23 | 0:06:26 | |
All of that, without a bra on? | 0:06:26 | 0:06:29 | |
# Young hov, y'all know when the flow is loco... # | 0:06:29 | 0:06:31 | |
Everyone was doing the Beyonce, even boys were doing it. Someone comes on | 0:06:31 | 0:06:34 | |
who wouldn't know the words, but he'd know how to do that, Uh-oh... | 0:06:34 | 0:06:37 | |
You had three year olds doing it. 52 year olds doing it. | 0:06:37 | 0:06:41 | |
-103 year olds doing it. -# ..Got me looking | 0:06:41 | 0:06:45 | |
# So crazy, my baby... # | 0:06:45 | 0:06:47 | |
Where she kicked the fire extinguisher | 0:06:47 | 0:06:49 | |
and she just starts to go all in the water and her hair's all wet. | 0:06:49 | 0:06:54 | |
It's like, whoo! She means business. | 0:06:54 | 0:06:57 | |
# ..Your love's got the best of me | 0:06:57 | 0:06:59 | |
# And, baby, you're makin' a fool of me... # | 0:06:59 | 0:07:01 | |
Crazy In Love, for me, it's just hot. | 0:07:01 | 0:07:06 | |
It's the cheekiness of the walk and the nipple lick | 0:07:06 | 0:07:10 | |
where she's nipple licking. It's so cheeky and I absolutely love it. | 0:07:10 | 0:07:16 | |
Take your thumb and rub yourself and you've got yourself a Beyonce move. | 0:07:16 | 0:07:21 | |
It's less sexy when a man is doing it | 0:07:21 | 0:07:23 | |
and just slightly moistening a tiny bit of chest hair | 0:07:23 | 0:07:26 | |
that they've got. When Beyonce does it down her cleavage, it's somehow sexy. | 0:07:26 | 0:07:31 | |
She's also got a tiny bit of chest hair. | 0:07:31 | 0:07:35 | |
I knew that one where she was like that, that way, head, that way, that way, up, down, spin around. | 0:07:36 | 0:07:44 | |
I think people just love the fact that she's all woman. | 0:07:47 | 0:07:52 | |
You know, she had something to shake and she shook it. | 0:07:52 | 0:07:55 | |
I fully approved... | 0:07:55 | 0:07:58 | |
Sorry. | 0:07:58 | 0:07:59 | |
So, ooh, here we are, perched on the brink of the top 10, | 0:08:02 | 0:08:06 | |
and what can I say about the dance craze that's at Number 11? | 0:08:06 | 0:08:10 | |
Well, that's easy, really. I just say what's written on the autocue. | 0:08:10 | 0:08:14 | |
Ever since I learned how to read last year, it's not really been a problem. | 0:08:14 | 0:08:17 | |
Anyway, it says here that our Number 11 is none other than Can't Touch This, by MC Hammer. | 0:08:17 | 0:08:24 | |
Here he is. | 0:08:24 | 0:08:26 | |
# U can't touch this | 0:08:28 | 0:08:29 | |
# U can't touch this | 0:08:32 | 0:08:34 | |
# U can't touch this... # | 0:08:36 | 0:08:37 | |
It came to me, I was doing it and I just say, you can't touch this. | 0:08:37 | 0:08:40 | |
When it's time to do it, it's Hammertime. | 0:08:40 | 0:08:43 | |
# ..My music hits me, so hard | 0:08:43 | 0:08:45 | |
# Makes me say, oh, my Lord | 0:08:45 | 0:08:46 | |
# Thank you, for blessing me... # | 0:08:46 | 0:08:50 | |
When you think of MC Hammer, you think of dancing, having a good time, partying on the dance floor. | 0:08:50 | 0:08:56 | |
I don't know anybody who doesn't know the MC Hammer dance. | 0:08:58 | 0:09:01 | |
There's something about the way that geezer moves his feet. | 0:09:01 | 0:09:05 | |
I've just never seen anybody do that side-to-side, jerky crab movement quite like the Hammer. | 0:09:05 | 0:09:12 | |
# You got it like that and you know you want to dance... # | 0:09:14 | 0:09:17 | |
Dance craze, MC Hammer. | 0:09:17 | 0:09:18 | |
We want to show you how we get down. 5, 6, 7... | 0:09:18 | 0:09:21 | |
# ..Why are you standing there, man? You can't touch this... # | 0:09:24 | 0:09:28 | |
That's what I'm talking about. | 0:09:28 | 0:09:29 | |
MC Hammer in the place. | 0:09:29 | 0:09:31 | |
Everybody would remember | 0:09:32 | 0:09:35 | |
the running man from MC Hammer. | 0:09:35 | 0:09:37 | |
I used to do that move at weddings and stuff. | 0:09:37 | 0:09:39 | |
I'd be the first on the dance floor with my dad, in the middle, doing the running man. | 0:09:39 | 0:09:44 | |
The running man is like this... | 0:09:44 | 0:09:46 | |
You've just got to run on the spot, with a little bounce to it. | 0:09:46 | 0:09:49 | |
# ..Break it down... # | 0:09:51 | 0:09:52 | |
You get your knees up, put your arms down and then some people take that to the side and go this way. | 0:09:54 | 0:10:00 | |
Or this way... And then some people do some jumping | 0:10:00 | 0:10:04 | |
and MC Hammer took it a bit further, we had some of this. | 0:10:04 | 0:10:08 | |
-Running man. -# ..Wave your hands in the air... # | 0:10:08 | 0:10:13 | |
Forget about the music. | 0:10:13 | 0:10:15 | |
It was all about the pants. I mean, the pants were amazing. | 0:10:15 | 0:10:19 | |
MC Hammer's pants were brilliant. | 0:10:21 | 0:10:23 | |
They've just been back in fashion, haven't they? | 0:10:23 | 0:10:25 | |
We call them pooh catchers. | 0:10:25 | 0:10:26 | |
# ..Look, man You can't touch this... # | 0:10:26 | 0:10:28 | |
We all like to dance and when you're dancing, the baggy pants | 0:10:28 | 0:10:31 | |
capture the wind, so all your movements are accentuated by having the nice loose-fitting pants. | 0:10:31 | 0:10:38 | |
I used to try and wear the pants. | 0:10:38 | 0:10:40 | |
I didn't know where to get them from, so gym pants, they're similar, | 0:10:40 | 0:10:43 | |
like bodybuilder pants. | 0:10:43 | 0:10:45 | |
I had a pair of those, really awkward colours, like purples and turquoise. | 0:10:45 | 0:10:50 | |
I'm just grateful nobody's got photos of that stuff. | 0:10:50 | 0:10:52 | |
People always say, "Hammer, I had the pants, I had the pants!" | 0:10:54 | 0:10:58 | |
You know, from current adults to young kids, "When I was little, I had some Hammer pants." | 0:10:58 | 0:11:05 | |
# ..You can't touch this... # | 0:11:06 | 0:11:08 | |
MC Hammer, with that one dance, became a phenomenon. | 0:11:08 | 0:11:10 | |
I mean, that bloke made an absolute fortune | 0:11:10 | 0:11:14 | |
for being the biggest thing in the world for all of about six months. | 0:11:14 | 0:11:19 | |
And that dance was pretty much why. | 0:11:19 | 0:11:25 | |
# ..You can't touch this. # | 0:11:25 | 0:11:27 | |
We're in the top 10! | 0:11:29 | 0:11:31 | |
So, "What's the 10th best dance craze of all time?" I hear you ask. | 0:11:31 | 0:11:36 | |
'What's the 10th best dance craze of all time?' | 0:11:37 | 0:11:40 | |
Thank you! | 0:11:40 | 0:11:43 | |
The 10th best dance craze of all time is the Macarena. | 0:11:43 | 0:11:46 | |
This staggeringly repetitive tune by the evil geniuses of Los Del Rio | 0:11:46 | 0:11:51 | |
comes with a dance that's as simple as it is simple. | 0:11:51 | 0:11:55 | |
'The Macarena. Oh, Macarena!' | 0:12:00 | 0:12:03 | |
The Maca-flipping-rena! | 0:12:03 | 0:12:06 | |
'Those people should have been shot.' | 0:12:07 | 0:12:09 | |
Those men singing that song, they should have been put in a small room, | 0:12:09 | 0:12:14 | |
and they should have been played that record | 0:12:14 | 0:12:16 | |
for the rest of their natural lives. | 0:12:16 | 0:12:17 | |
It was dreadful. | 0:12:17 | 0:12:20 | |
'Budda-budda-budda-budda...' | 0:12:20 | 0:12:21 | |
You never really know the words. | 0:12:21 | 0:12:23 | |
You just know the bit that goes, # Hey, macarena! All right! # | 0:12:23 | 0:12:27 | |
'I love the Macarena.' | 0:12:27 | 0:12:30 | |
-The Macarena is just genius. -You all move the same, then you all turn around and do the same movements. | 0:12:30 | 0:12:36 | |
It's just another form of line-dancing. | 0:12:36 | 0:12:37 | |
Whether you loathe it or just hate it, nobody knew what it was actually about, until right now. | 0:12:37 | 0:12:44 | |
In 1992, Spanish lounge singers Los Del Rio saw a Venezuelan dancer | 0:12:44 | 0:12:49 | |
who inspired them to write these poetic words. | 0:12:49 | 0:12:52 | |
-TRANSLATION: -Give your body joy and good things. | 0:12:54 | 0:12:57 | |
Because your body is meant to be given joy and good things. | 0:12:57 | 0:13:01 | |
Their song about a flamenco-dancing floozie became a worldwide hit after a club remix was released in 1996. | 0:13:03 | 0:13:09 | |
Souped up with a funky new video that taught everyone that groovy little dance. | 0:13:09 | 0:13:14 | |
When you make up those kind of dances, you have to remember that | 0:13:14 | 0:13:17 | |
you are appealing to people that maybe have | 0:13:17 | 0:13:19 | |
no notions of dance. So it was like, let's do something easy. | 0:13:19 | 0:13:24 | |
If you want to learn how to do the Macarena, all you have to do is follow me. | 0:13:26 | 0:13:30 | |
You just go right arm out, left arm out. Then you turn your hand | 0:13:30 | 0:13:34 | |
towards the ceiling, right and then left. | 0:13:34 | 0:13:37 | |
Then you cross on your shoulder, right then left. | 0:13:37 | 0:13:39 | |
Put it behind your head, right then left. | 0:13:39 | 0:13:42 | |
Then you cross on your hip, right, then on your left. | 0:13:42 | 0:13:46 | |
Then you go back on your booty on your right and then on your left. | 0:13:46 | 0:13:49 | |
Then you go down, and you just rock it. To the right, to the left, to the right, to the left. | 0:13:49 | 0:13:55 | |
And then you pop and jump to the side. | 0:13:55 | 0:13:57 | |
Rock, you know, like a clock that's ticking. | 0:13:59 | 0:14:01 | |
And don't forget your smile! | 0:14:01 | 0:14:04 | |
It was like, let's do something that, if you make a mistake, | 0:14:04 | 0:14:07 | |
it doesn't really matter because maybe you will be hopping in front of someone else. It's funny. | 0:14:07 | 0:14:12 | |
-TRANSLATION: -We wanted to show that the song is meant for the whole world. | 0:14:13 | 0:14:18 | |
And that's why there's an Indian girl and one from the Netherlands, and an African girl. | 0:14:18 | 0:14:23 | |
It was a beautiful thing and we loved it. | 0:14:23 | 0:14:26 | |
Oh, I see. World peace via the Macarena. | 0:14:28 | 0:14:31 | |
The Macarena got massive attention. | 0:14:31 | 0:14:33 | |
Everybody just got the virus of the Macarena. | 0:14:33 | 0:14:36 | |
It was a pandemic, and all across the globe, people began dancing like simpletons. | 0:14:36 | 0:14:42 | |
The single spent an astonishing 14 weeks at the top of the US charts. | 0:14:42 | 0:14:47 | |
A crowd of 50,000 people danced the Macarena together at the New York Yankees stadium. | 0:14:47 | 0:14:51 | |
And if you get 50,000 Americans to do anything, it must be straightforward. | 0:14:51 | 0:14:56 | |
-TRANSLATION: -We never thought that they would be dancing to one of our songs in India, or in Chile, | 0:14:56 | 0:15:02 | |
or in Italy, or in Japan. | 0:15:02 | 0:15:06 | |
We knew it was out of hand when even US Secretary of State Madeleine Albright | 0:15:06 | 0:15:11 | |
was grooving with the Minister for Botswana at the United Nations. | 0:15:11 | 0:15:14 | |
Yes, you heard me correctly. That's the UN. | 0:15:14 | 0:15:17 | |
The minute the song would come on, people would actually freak. | 0:15:17 | 0:15:23 | |
They would be hypnotised and just drawn to start doing it. | 0:15:23 | 0:15:28 | |
I have done the Macarena, but only in the comfort of my own living room. | 0:15:28 | 0:15:33 | |
'I have danced it a few times in my life, I've got to say.' | 0:15:33 | 0:15:37 | |
I'm quite good at it, actually. | 0:15:37 | 0:15:40 | |
'Everybody could do it, and it was like, you needed to do it. And if you didn't participate,' | 0:15:40 | 0:15:46 | |
you look bad. | 0:15:46 | 0:15:47 | |
This dance is cool! | 0:15:47 | 0:15:49 | |
'Everyone does it. Even the boyfriends at a party or at a wedding' | 0:15:49 | 0:15:54 | |
that don't want to dance, | 0:15:54 | 0:15:55 | |
they go, "All right, we'll do this one. | 0:15:55 | 0:15:57 | |
"We know this one, boys, come on, let's do this one." | 0:15:57 | 0:16:00 | |
It's a song that's inviting everyone to have a laugh, have a dance. | 0:16:00 | 0:16:05 | |
We're not being serious, everyone's smiling and having a good time. | 0:16:05 | 0:16:08 | |
The dance is like a legend. It's a creature, and it goes on. | 0:16:09 | 0:16:13 | |
It's a monster, and it goes on, you know, with or without me. | 0:16:13 | 0:16:18 | |
# Hey, Macarena! # | 0:16:20 | 0:16:23 | |
At number nine, it's his Royal Highness, Michael Jackson, the King of Pop. | 0:16:26 | 0:16:32 | |
That's pop as in pop music, not pop as in fizzy drinks. | 0:16:32 | 0:16:36 | |
Although, I'm told he did enjoy the feeling of Bubbles. | 0:16:36 | 0:16:39 | |
Oh, please! | 0:16:39 | 0:16:42 | |
Michael Jackson has to be one of the most influential dancers in history. | 0:16:48 | 0:16:54 | |
# She was more like a beauty queen from a movie scene... # | 0:16:54 | 0:16:58 | |
When it comes to dancing, Michael is funky and he dances inside the music. | 0:16:58 | 0:17:02 | |
He wasn't a trained dancer. | 0:17:04 | 0:17:06 | |
You know, it's not like he went to ballet classes or jazz. | 0:17:06 | 0:17:08 | |
He did all this... He had his own unique style. | 0:17:08 | 0:17:12 | |
And never more so than at the 25 Years Of Motown concert, when he first performed his signature move, | 0:17:13 | 0:17:19 | |
the moonwalk, in a routine that shook the world. | 0:17:19 | 0:17:21 | |
SCREAMING | 0:17:24 | 0:17:25 | |
I remember feeling like I was right there, | 0:17:27 | 0:17:30 | |
feeling like I was in the audience, watching it on TV. | 0:17:30 | 0:17:33 | |
Because everybody went completely mad. | 0:17:33 | 0:17:36 | |
I was so excited and right away tried to do it on the carpet. | 0:17:36 | 0:17:40 | |
# Get ready tonight... # | 0:17:40 | 0:17:43 | |
But Michael Jackson did not actually invent the moonwalk. | 0:17:43 | 0:17:46 | |
Body popper Jeffrey Daniel, from Shalamar, had performed | 0:17:46 | 0:17:49 | |
his version of Top Of the Pops in 1982. | 0:17:49 | 0:17:52 | |
And it was Jeffrey who taught Michael how to do the iconic step. | 0:17:55 | 0:17:58 | |
We started showing Michael | 0:17:58 | 0:18:00 | |
the backslide in 1980. It wasn't called the moonwalk yet. | 0:18:00 | 0:18:04 | |
It wasn't just a backslide, it's a series of dances. | 0:18:04 | 0:18:06 | |
You're working on popping, working on dances that are in the clubs. | 0:18:06 | 0:18:11 | |
Michael Jackson would take something, | 0:18:11 | 0:18:14 | |
repolish it and do it even better. Look at the moonwalk, | 0:18:14 | 0:18:16 | |
which originally was a backslide that Jeffrey Daniel did. | 0:18:16 | 0:18:20 | |
And then Michael Jackson took it, and gave it that kind of magic, made it his own, | 0:18:20 | 0:18:26 | |
brought it to the world, and hey presto, it's a Michael Jackson move. | 0:18:26 | 0:18:29 | |
I spent a long time trying to do the moonwalk. | 0:18:32 | 0:18:36 | |
And I think I might have just done it once. | 0:18:36 | 0:18:40 | |
It's weird. You suddenly think, I'm doing it! | 0:18:40 | 0:18:42 | |
It's like riding a bike for the first time. | 0:18:42 | 0:18:45 | |
The moment you realise you're doing it, you've stopped. | 0:18:45 | 0:18:47 | |
I was lucky enough to meet Michael Jackson, I had dinner with him. He took me through | 0:18:50 | 0:18:55 | |
the theory of the moonwalk, and it's actually opposite to | 0:18:55 | 0:18:58 | |
what people think in their heads. | 0:18:58 | 0:19:00 | |
If you want me to show you. You start with your forefoot on the floor. | 0:19:00 | 0:19:03 | |
And then you keep it on the floor as long as you possibly can, | 0:19:03 | 0:19:07 | |
and drag it all the way back until you have to start lifting your heel. | 0:19:07 | 0:19:10 | |
You transfer your weight and repeat with the other foot. | 0:19:10 | 0:19:14 | |
So it's actually heel-toe, | 0:19:14 | 0:19:17 | |
and not toe-heel, as a lot of people think. | 0:19:17 | 0:19:20 | |
Anyone can do it. Simply purchase your very own rhinestone glove - | 0:19:23 | 0:19:27 | |
maybe go halves on a pair with your friend. | 0:19:27 | 0:19:29 | |
Resign from your job, practise just 10 hours a day for 200 days, | 0:19:29 | 0:19:32 | |
and you too can impress your mates with a moonwalk like mine. | 0:19:32 | 0:19:36 | |
There is not a single person that can do the moonwalk | 0:19:37 | 0:19:41 | |
and not think of Michael Jackson or have somebody say, "Michael Jackson, yeah!" | 0:19:41 | 0:19:45 | |
He's... One and the same, synonymous with him. The moonwalk. | 0:19:45 | 0:19:50 | |
Michael Jackson, the legend lives on. | 0:19:50 | 0:19:53 | |
Bill Medley might sound like the best bits from an ITV police drama, but it's also the name of a man. | 0:19:58 | 0:20:04 | |
And together with Jennifer Warnes, that man gave the world the song you're about to hear. | 0:20:04 | 0:20:09 | |
Brackets - I've had - close brackets - The Time Of My Life. | 0:20:09 | 0:20:12 | |
OK, guys. Let's do the lift! We're doing the lift! | 0:20:12 | 0:20:15 | |
Yeah? Just like the film?! | 0:20:15 | 0:20:17 | |
It's a bit like the film, yeah?! | 0:20:17 | 0:20:19 | |
# With my body and soul | 0:20:19 | 0:20:22 | |
# I want you more than you'll ever know... # | 0:20:22 | 0:20:26 | |
'The plot of Dirty Dancing is really about' | 0:20:26 | 0:20:29 | |
the sexual awakening of a teenage girl. | 0:20:29 | 0:20:31 | |
And also Patrick Swayze with his top off, yes! | 0:20:33 | 0:20:37 | |
'I think every woman's dream is to be taught how to dance' | 0:20:39 | 0:20:42 | |
by someone like Patrick Swayze! | 0:20:42 | 0:20:45 | |
Patrick Swayze was the alpha male of dance for a long time. | 0:20:48 | 0:20:51 | |
He is the most sexiest dancer | 0:20:53 | 0:20:55 | |
I think I've ever seen. | 0:20:55 | 0:20:57 | |
Apart from when I've caught myself in the mirror. | 0:20:57 | 0:21:00 | |
In the final, climactic scene of the film, | 0:21:02 | 0:21:04 | |
Baby and Johnny perform a dance routine that reveals their secret love. | 0:21:04 | 0:21:08 | |
When she's dancing her last dance with Johnny, | 0:21:08 | 0:21:12 | |
just the lifting the arm up and the tickle down there, | 0:21:12 | 0:21:15 | |
that is just brilliant. | 0:21:15 | 0:21:18 | |
Basic move. | 0:21:20 | 0:21:22 | |
# I've had the time of my life | 0:21:22 | 0:21:24 | |
# No, I've never felt this way before | 0:21:24 | 0:21:27 | |
# Yes, I swear... # | 0:21:27 | 0:21:30 | |
The final dance, that's what the movie has been about. | 0:21:30 | 0:21:33 | |
It's all about, is she going to do this lift? | 0:21:33 | 0:21:37 | |
That lift is hard to do. It involves strength, | 0:21:38 | 0:21:41 | |
a lot of balance and a lot of technique. | 0:21:41 | 0:21:44 | |
And, done badly, could be quite catastrophic. | 0:21:44 | 0:21:47 | |
It takes a bit of practice. You need a strong man. | 0:21:49 | 0:21:52 | |
And, I guess, it is all about the timing. | 0:21:52 | 0:21:55 | |
That's a lift you attempt when you're drunk, | 0:21:57 | 0:21:59 | |
probably the worst time to try it. | 0:21:59 | 0:22:01 | |
If that Dirty Dancing song comes on and I have had enough to drink, | 0:22:01 | 0:22:05 | |
I...usually try to jump. | 0:22:05 | 0:22:08 | |
And hope someone catches you! | 0:22:08 | 0:22:10 | |
So iconic has the lift become, that the routine is now a popular | 0:22:10 | 0:22:13 | |
first dance for Swayze-loving brides around the world. | 0:22:13 | 0:22:17 | |
Ready, steady...catch the bride! | 0:22:20 | 0:22:23 | |
I've seen a few of the wedding routines on the internet. | 0:22:25 | 0:22:29 | |
I think it's hilarious the way it's turned into a craze | 0:22:29 | 0:22:31 | |
and they've really reinvented the first dance. | 0:22:31 | 0:22:35 | |
It's gone from being something where people are a bit embarrassed and maybe they just have a little smooch | 0:22:35 | 0:22:40 | |
on the dance floor to actually, this is our wedding, | 0:22:40 | 0:22:43 | |
this is our first dance, and it's something for everyone to remember. | 0:22:43 | 0:22:48 | |
And this couple, Julia and James, danced their way to | 0:22:48 | 0:22:52 | |
becoming an internet phenomenon, with 8 million people watching their first dance on YouTube. | 0:22:52 | 0:22:58 | |
It wasn't his idea! It was my idea. | 0:22:58 | 0:23:00 | |
Let's be honest, every woman has the fantasy of doing that. | 0:23:00 | 0:23:04 | |
-It was my day, and... -YOUR day? | 0:23:04 | 0:23:07 | |
Sorry, OUR day! OUR day. | 0:23:07 | 0:23:08 | |
The first thing that popped into my head when Julia said, | 0:23:08 | 0:23:12 | |
"Let's do that dance from Dirty Dancing as our first dance," was the lift. | 0:23:12 | 0:23:16 | |
We didn't go to a lake to practise, we went to my friend's back garden. | 0:23:16 | 0:23:19 | |
So if we fell, we actually fell into his flowerbeds. | 0:23:19 | 0:23:23 | |
There were 120 people there. | 0:23:25 | 0:23:27 | |
And if I really screwed up badly, what they would remember was me dropping my bride on her face. | 0:23:27 | 0:23:33 | |
We've had millions of people contacting us telling us that that dance made them cry. | 0:23:37 | 0:23:42 | |
It just made them feel all warm and fantastic. | 0:23:42 | 0:23:46 | |
-(SOBBING) -It's so beautiful! | 0:23:47 | 0:23:49 | |
At number seven, it's the Time Warp from the Rocky Horror Picture Show. | 0:23:51 | 0:23:56 | |
A musical all about... Actually, it doesn't matter. | 0:23:56 | 0:23:59 | |
But why is the Time Warp so popular? | 0:23:59 | 0:24:02 | |
Perhaps because the song contains instructions in the lyrics | 0:24:02 | 0:24:05 | |
that explain how to do the dance as you go along. | 0:24:05 | 0:24:08 | |
It's basically the hokey-cokey for transvestites. | 0:24:08 | 0:24:11 | |
LAUGHTER | 0:24:11 | 0:24:14 | |
It's astounding. | 0:24:15 | 0:24:17 | |
-Time is fleeting. -'What is the Time Warp about?' | 0:24:17 | 0:24:21 | |
It's not about anything. Should it be about anything? | 0:24:21 | 0:24:25 | |
Most dances are just about getting people to move on the dance floor, | 0:24:25 | 0:24:28 | |
encourage them to actually make fools of themselves, | 0:24:28 | 0:24:31 | |
most of the time. | 0:24:31 | 0:24:32 | |
# Let's do the time warp again... # | 0:24:32 | 0:24:37 | |
This isn't a dance for intellectuals. | 0:24:37 | 0:24:39 | |
This is a dance for people... | 0:24:39 | 0:24:41 | |
You can have an IQ in single figures. | 0:24:41 | 0:24:43 | |
# ..It's just a jump to the left And then a step to the right... # | 0:24:43 | 0:24:48 | |
It's just a jump to the left. | 0:24:48 | 0:24:51 | |
You see? Easy. And then a step to the right, two, three, four, one. | 0:24:51 | 0:24:56 | |
With your hands on your hips. | 0:24:56 | 0:24:59 | |
We all know where they are, don't we? There they are, yes, that's it. | 0:24:59 | 0:25:02 | |
You bring your knees in tight. | 0:25:02 | 0:25:04 | |
Got it? # Then it's the pelvic thrust... # | 0:25:04 | 0:25:07 | |
That's the sexy bit. | 0:25:07 | 0:25:09 | |
# Really drives you insa-a-a-ane | 0:25:09 | 0:25:13 | |
# Let's do the time warp again | 0:25:13 | 0:25:17 | |
# Let's do the time warp again. # | 0:25:17 | 0:25:20 | |
It's so simple. | 0:25:20 | 0:25:22 | |
-# It's just a jump to the left. # -The Time Warp is the signature song from the Rocky Horror Show, | 0:25:22 | 0:25:28 | |
the transgender-bending musical that brilliantly parodies science fiction and B-movie horror films. | 0:25:28 | 0:25:33 | |
You've seen all kinds of movies, but you've never seen anything like the Rocky Horror Picture Show. | 0:25:33 | 0:25:40 | |
# Let's do the Time Warp again... # | 0:25:40 | 0:25:44 | |
Bafflingly, the film is said to be | 0:25:44 | 0:25:46 | |
the longest-running cinema release in history, and is still being shown in some cinemas 35 years later. | 0:25:46 | 0:25:52 | |
-They're probably foreigners with ways different than our own. -It's fabulously freaky. | 0:25:52 | 0:25:56 | |
It's a perfect opportunity for men to don a basque, | 0:25:56 | 0:26:00 | |
seemingly for the sake of | 0:26:00 | 0:26:02 | |
Rocky Horror, but actually, just to satisfy a strange fetish they have. | 0:26:02 | 0:26:06 | |
I think the British men have got an awful lot, deep down inside of them, that's dying to get out | 0:26:06 | 0:26:11 | |
and any excuse that makes it look OK, Rocky Horror Show is there to supply that OK-ness. | 0:26:11 | 0:26:17 | |
# Transvestite! # | 0:26:17 | 0:26:19 | |
The Rocky Horror Show comes to town and you'll see your neighbour, | 0:26:19 | 0:26:22 | |
Gerald and Sandra, dressed up in their S&M outfits. | 0:26:22 | 0:26:26 | |
You're like, "Where are you off?" "Off to see the Rocky Horror Show." | 0:26:26 | 0:26:29 | |
You're like, "Oh, this is awkward." | 0:26:29 | 0:26:31 | |
Sandra's got Gerald on a lead. | 0:26:31 | 0:26:33 | |
They never went that far in the Rocky Horror, but... | 0:26:33 | 0:26:36 | |
Got him on a lead! | 0:26:36 | 0:26:39 | |
# Let's do the Time Warp again... # | 0:26:39 | 0:26:43 | |
The Time Warp encapsulates the freak-show party atmosphere of Rocky Horror, and the dance that | 0:26:43 | 0:26:48 | |
actually started out as a parody of Simon Says routines has become the very thing it was poking fun at. | 0:26:48 | 0:26:55 | |
-# It's just a jump to the left. # -We've got a song where the instructions come in the lyrics. | 0:26:55 | 0:27:00 | |
It was getting them up there to join in and do something collectively. | 0:27:00 | 0:27:06 | |
It did, strangely, become accepted as a dance, and a big hit. | 0:27:06 | 0:27:11 | |
Let's do the Time Warp again. | 0:27:13 | 0:27:15 | |
I'm a massive Rocky Horror fan and I don't like the Time Warp, it cheapens it. | 0:27:15 | 0:27:19 | |
The Time Warp is now owned by drunkards just thrusting | 0:27:19 | 0:27:23 | |
at you in night clubs, whereas the theatre and the film experience is actually way more than that. | 0:27:23 | 0:27:28 | |
It's a little bit annoying, actually. | 0:27:28 | 0:27:31 | |
# Let's do the Time Warp again. # | 0:27:31 | 0:27:34 | |
Do-do-do-do. Wasn't that easy? | 0:27:34 | 0:27:37 | |
Piece of cake. I'm not going to do it again. No, I'm not, I'm sorry. | 0:27:37 | 0:27:41 | |
So! That's your lot. If, like me, you spent the whole show | 0:27:45 | 0:27:48 | |
dancing along to each and every song, then, like me, you probably stink. | 0:27:48 | 0:27:53 | |
Take a shower. Seriously, have a shower. Now. | 0:27:53 | 0:27:57 | |
Goodbye! | 0:27:58 | 0:27:59 |