Browse content similar to Whigfield and Beyonce. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Dancing is super fun. It's a form of expression and it's cool. | 0:00:02 | 0:00:06 | |
Oh, I know this song. Let's do the routine to it. It brings everyone together. It's great. | 0:00:06 | 0:00:11 | |
Having a dance craze gives us a chance to do something all together | 0:00:11 | 0:00:14 | |
and all feel like we are one animal. | 0:00:14 | 0:00:16 | |
There's been so many great dance crazes | 0:00:16 | 0:00:19 | |
and I've partaken in most of them. | 0:00:19 | 0:00:21 | |
It's fun, it's something that everyone can do. | 0:00:21 | 0:00:25 | |
Oh, it's camp as Christmas. | 0:00:25 | 0:00:26 | |
You can just do your thing. You know what I'm saying. | 0:00:26 | 0:00:29 | |
Dance is a way to free the soul and ease the mind. | 0:00:29 | 0:00:33 | |
The moment any of these songs start, you're damned if you do when you're damned if you don't. | 0:00:33 | 0:00:38 | |
Better to slap on a smile and get stuck in, I reckon. | 0:00:38 | 0:00:41 | |
Hello, I'm TV's Robert Webb, actor, writer and, as I'm going to be | 0:00:45 | 0:00:50 | |
reminding you over the next half an hour, a highly accomplished dancer. | 0:00:50 | 0:00:54 | |
It's a combination of skills that makes me the perfect... | 0:00:54 | 0:00:57 | |
..ly adequate choice to host pop's greatest dance crazes. | 0:00:57 | 0:01:00 | |
A countdown of the songs that have got you bopping like idiots at | 0:01:00 | 0:01:04 | |
office parties, wedding discos or alone in your front room drunk. | 0:01:04 | 0:01:08 | |
Do be do be do noo. Whatever she said. | 0:01:14 | 0:01:16 | |
Dee de da la da da. | 0:01:16 | 0:01:18 | |
Noo me noo me na na. | 0:01:18 | 0:01:19 | |
Dee dee na na na. Dee dee na na na. | 0:01:19 | 0:01:22 | |
-I -never had rollers in on a Saturday night. | 0:01:24 | 0:01:26 | |
Heated rollers went out in the '70s. | 0:01:26 | 0:01:28 | |
# Saturday night, I feel the air is getting hot... # | 0:01:28 | 0:01:33 | |
Saturday Night topped the charts for four weeks in 1994, and got a whole generation up and dancing. | 0:01:33 | 0:01:39 | |
For me, it was the first dance craze | 0:01:39 | 0:01:42 | |
that was of my generation, being in a pub, it coming on | 0:01:42 | 0:01:46 | |
and it feeling important | 0:01:46 | 0:01:47 | |
that you did know the moves, that you weren't being left out. | 0:01:47 | 0:01:51 | |
# Da ba da dan dee dee dee da nee na na na | 0:01:51 | 0:01:56 | |
# Be my baby... # | 0:01:56 | 0:01:57 | |
It's just easy and it's fun, and it's drunk proof, isn't it? | 0:01:59 | 0:02:03 | |
# Pretty baby... # | 0:02:03 | 0:02:06 | |
The moves didn't originate in a dance studio, but on a Spanish beach. | 0:02:06 | 0:02:11 | |
The aerobics instructor responsible has never stepped up to take credit, | 0:02:11 | 0:02:14 | |
or maybe the blame, whichever way you look at it! | 0:02:14 | 0:02:17 | |
Every time he'd do his classes on the beach, he'd play this track | 0:02:20 | 0:02:24 | |
and do this dance to this song. | 0:02:24 | 0:02:26 | |
Then people went to clubs at night and heard the song, and it just moved around. | 0:02:26 | 0:02:31 | |
# Saturday night I feel the air is getting hot | 0:02:31 | 0:02:35 | |
# Like you, baby... # | 0:02:36 | 0:02:38 | |
The record labels around, they didn't believe in the song, they didn't like it very much. | 0:02:38 | 0:02:44 | |
It was actually a song that was built up by the audience. | 0:02:44 | 0:02:48 | |
By the public. | 0:02:48 | 0:02:49 | |
# Viva Espana. # | 0:02:49 | 0:02:52 | |
People just went on holiday in Spain and in Portugal and came back and requested the song. | 0:02:52 | 0:02:59 | |
We go on holiday, two weeks out of the year, | 0:02:59 | 0:03:02 | |
Costa Brava, Costa del Sol and we crave | 0:03:02 | 0:03:05 | |
quite a rubbish song with a bit of a silly dance routine. | 0:03:05 | 0:03:08 | |
What's that about? | 0:03:08 | 0:03:09 | |
When you go there, it's contagious. | 0:03:12 | 0:03:14 | |
You come back and you're like, "Guys..." | 0:03:14 | 0:03:17 | |
I bet Whigfield loved doing that dance. | 0:03:17 | 0:03:20 | |
I just saw people doing these moves, but it's not like, "Oh, I want to learn it too." | 0:03:20 | 0:03:24 | |
Because it's not, "I'm going on stage, I've got to do the dance." | 0:03:24 | 0:03:27 | |
I said, "I'll never do the dance," | 0:03:27 | 0:03:28 | |
-I don't want people to think it's something that we did, you know? -Oh. | 0:03:28 | 0:03:32 | |
-Stop it, will you, hey? -He's just a bit, how do you say it in Danish? | 0:03:32 | 0:03:37 | |
-Thick? -Yeah, thick, that's the word. | 0:03:37 | 0:03:39 | |
You know, it's a rite of passage, is just one of those things when you get a bit older, | 0:03:42 | 0:03:47 | |
it's on the list of things that are valid to look back and hate about yourself. | 0:03:47 | 0:03:51 | |
17 years on, Whigfield is still making music, but a different kind of music - the kind you never hear. | 0:03:53 | 0:04:01 | |
I used to be quite sick of this song. | 0:04:01 | 0:04:03 | |
I think maybe after one, two, three years, I was fed up, I couldn't hear it. | 0:04:03 | 0:04:08 | |
And now, it's part of me, you know? | 0:04:08 | 0:04:11 | |
# Saturday night... # | 0:04:11 | 0:04:13 | |
It's under my skin. | 0:04:13 | 0:04:15 | |
Better get some ointment for that! | 0:04:15 | 0:04:17 | |
It's 1978 and the world has gone disco crazy. | 0:04:25 | 0:04:29 | |
Saturday Night Fever is in the cinemas and dance floors are | 0:04:29 | 0:04:32 | |
full of hairy-chested men dancing like absolute idiots. | 0:04:32 | 0:04:36 | |
Every man jack of them is trying to copy the sexy moves of Mr John Travolta. | 0:04:36 | 0:04:41 | |
We just think of him now as a crazy Scientologist who makes often bad films, but in the 1970s, | 0:04:41 | 0:04:47 | |
he was responsible for the dance craze that makes it to number five on our list. | 0:04:47 | 0:04:51 | |
It's Night Fever, take it away, John. | 0:04:51 | 0:04:55 | |
I think if you put Saturday Night Fever on, everyone | 0:05:03 | 0:05:05 | |
starts to do the John Travolta, and you can't get away from that. | 0:05:05 | 0:05:08 | |
# Night fever, night fever... # | 0:05:08 | 0:05:11 | |
When you think about Saturday Night Fever, you think of the disco and the lights | 0:05:11 | 0:05:16 | |
and the white suit and the moves, and people living for the weekend. | 0:05:16 | 0:05:19 | |
Saturday Night Fever is a gritty portrayal of alcohol abuse and rape, | 0:05:19 | 0:05:26 | |
but what people really remember is John Travolta doing this. | 0:05:26 | 0:05:30 | |
It was the first time a normal person, who did a nine-to-five job, | 0:05:30 | 0:05:35 | |
went to a disco | 0:05:35 | 0:05:37 | |
on a Saturday night and became the star of that disco, | 0:05:37 | 0:05:42 | |
the king of that disco. | 0:05:42 | 0:05:44 | |
# Night fever, night fever... # | 0:05:44 | 0:05:46 | |
Travolta really could bust some moves, | 0:05:46 | 0:05:49 | |
but it took him five months' dance training to get ready for the role. | 0:05:49 | 0:05:53 | |
It's kind of a squiggly move, and very weird, because you can roll the arms this way and this way. | 0:05:53 | 0:05:58 | |
I met Travolta. Of course, John came walking in, strutting, you know. | 0:05:58 | 0:06:02 | |
I said, "Can I see how you dance?" He goes, "I already know how to dance." | 0:06:02 | 0:06:05 | |
I said, "Sit down," and I started doing the splits and all the points. | 0:06:05 | 0:06:09 | |
He said, "That's it, that's what I want to learn." | 0:06:09 | 0:06:12 | |
John particularly liked this step here, where he was stepping back. | 0:06:13 | 0:06:17 | |
It was a step he could work with, | 0:06:17 | 0:06:18 | |
and he'd do this, and turn like this, and he'd roll his hips and | 0:06:18 | 0:06:24 | |
point out the women. | 0:06:24 | 0:06:26 | |
Everybody knew that. It's like the roll... | 0:06:26 | 0:06:30 | |
Down, up, down, up. | 0:06:30 | 0:06:34 | |
Saturday Night Fever was a shock for the audience, | 0:06:34 | 0:06:38 | |
when they saw guys giving it large. Amazing. | 0:06:38 | 0:06:41 | |
The Bee Gees sold more than 15 million copies of their soundtrack, | 0:06:43 | 0:06:47 | |
people lined up to learn the dance moves and DJs playing vinyl records replaced live bands. | 0:06:47 | 0:06:52 | |
Disco, as we know it, was born. | 0:06:52 | 0:06:55 | |
The whole nation in the '70s was doing Saturday Night Fever, | 0:06:55 | 0:06:58 | |
everyone wanted to be John Travolta. | 0:06:58 | 0:07:00 | |
A very popular one is called the roly-poly. | 0:07:00 | 0:07:02 | |
Get your John Travolta thumb, roll the hands and mark the rhythm at the same time. | 0:07:02 | 0:07:07 | |
And one, and two, one, and two. | 0:07:07 | 0:07:10 | |
So many guys took dance lessons and all this stuff, just to be noticed. | 0:07:10 | 0:07:16 | |
Dance clubs all over the world, and dance studios, were just jam-packed with people you'd never expect. | 0:07:16 | 0:07:22 | |
People with two left feet, two right feet. | 0:07:22 | 0:07:24 | |
Everyone wanted to dance. Like me at the family weddings... | 0:07:24 | 0:07:27 | |
Before, I was just a solo boy on the floor. | 0:07:27 | 0:07:30 | |
Soon as John Travolta started, that was it. Didn't have room for an elbow. | 0:07:30 | 0:07:34 | |
It would start with one person, then someone else would join in, | 0:07:38 | 0:07:41 | |
then someone else would join in, till the whole room is going mad, doing the same dance. | 0:07:41 | 0:07:46 | |
It was mad, I loved that time. | 0:07:46 | 0:07:50 | |
Never, ever, did I think it would become mainstream. | 0:07:50 | 0:07:54 | |
And now it's found its place in history. | 0:07:54 | 0:07:56 | |
You can go into clubs now and see a lot of sampling done | 0:07:56 | 0:07:59 | |
of disco music, and they'll play straight disco, they'll play retro. | 0:07:59 | 0:08:03 | |
So it's found its place in history as great dance music. | 0:08:03 | 0:08:06 | |
# My woman keeps me warm... # | 0:08:06 | 0:08:09 | |
Madonna is such an icon of pop music, | 0:08:09 | 0:08:12 | |
it's sometimes hard to believe that she's now 83 years of age. | 0:08:12 | 0:08:17 | |
In 1990, when Vogue was released, she was a mere slip of a gal | 0:08:17 | 0:08:21 | |
in her early 60s, long before her arthritis started giving her all that gip. | 0:08:21 | 0:08:25 | |
Back then, she was one heck of a dancer. | 0:08:25 | 0:08:29 | |
When I first saw Madonna's Vogue, those moves were just amazing. | 0:08:40 | 0:08:46 | |
Everybody was doing that dance in the clubs, including moi. | 0:08:46 | 0:08:51 | |
Strike a pose. | 0:08:51 | 0:08:54 | |
You can just do your thing, you know what I'm saying, you know? | 0:08:54 | 0:08:57 | |
# Vogue... # | 0:08:59 | 0:09:02 | |
When Vogue came out, that was enormous, darling. | 0:09:02 | 0:09:06 | |
Everyone wanted to Vogue and it is, I have to say, one of the most technically difficult things to do. | 0:09:06 | 0:09:12 | |
# Come on, Vogue | 0:09:12 | 0:09:14 | |
# Let your body move to the music Hey, hey, hey... # | 0:09:14 | 0:09:20 | |
Vogue comes from the actual magazine, Vogue, | 0:09:20 | 0:09:23 | |
and portraying the images that you'd see in that magazine. | 0:09:23 | 0:09:28 | |
# Come on, Vogue... # | 0:09:28 | 0:09:31 | |
It's dance put into modelling shapes. | 0:09:31 | 0:09:34 | |
You know, it'll be that, it'll be that, it'll be that. | 0:09:34 | 0:09:38 | |
# All you need is your own imagination... # | 0:09:38 | 0:09:41 | |
It's really about the attitude. | 0:09:41 | 0:09:44 | |
Every movement should be photogenic. | 0:09:44 | 0:09:46 | |
# It makes no difference if you're black or white | 0:09:46 | 0:09:49 | |
# If you're a boy or a girl... # | 0:09:49 | 0:09:52 | |
Then you do your poses, poses. | 0:09:52 | 0:09:55 | |
# If the music's pumping It'll give you new life. | 0:09:55 | 0:09:57 | |
Have you ever tried to dance with someone who's Voguing? | 0:09:57 | 0:10:00 | |
It's like a barrier. "Get away from me, I'm Voguing." | 0:10:00 | 0:10:04 | |
It's so elitist, isn't it? | 0:10:04 | 0:10:07 | |
"I'm not trying to dance. | 0:10:08 | 0:10:10 | |
"I'm just going to do it." That's Vogue. | 0:10:10 | 0:10:13 | |
Vogue was Madonna's seventh UK number one and if you've | 0:10:13 | 0:10:17 | |
ever struck a pose a la Madge, you might be surprised to learn that | 0:10:17 | 0:10:20 | |
she pinched the dance from the New York gay scene that was strutting its stuff around Harlem in the '80s. | 0:10:20 | 0:10:26 | |
Everyone thinks Madonna invented it, and of course, she didn't. | 0:10:26 | 0:10:30 | |
It was happening in underground clubs all around New York. | 0:10:30 | 0:10:33 | |
I first saw Vogue in New York in the mid-'80s. I was amazed. | 0:10:33 | 0:10:38 | |
It was such a visual impact, seeing all these confident, | 0:10:38 | 0:10:42 | |
flamboyant children, working the disco dance floor threadbare. | 0:10:42 | 0:10:47 | |
Ghetto queens wanted to run competitions, | 0:10:47 | 0:10:51 | |
and what they would have are houses, and each week they would compete against different boroughs. | 0:10:51 | 0:10:58 | |
When you're competing with somebody, it's like... | 0:10:58 | 0:11:02 | |
"I'm so much better than you." | 0:11:02 | 0:11:06 | |
It's possibly one of the gayest dances ever, in the world. | 0:11:06 | 0:11:11 | |
Madonna's very good at picking up whatever's current or happening underground | 0:11:13 | 0:11:18 | |
at that moment, and making it more mainstream. | 0:11:18 | 0:11:20 | |
-She has the power to popularise it. -# Let your body... # | 0:11:20 | 0:11:24 | |
Even though it was, at that time, considered a dance craze | 0:11:24 | 0:11:29 | |
for the masses, to us, it's not a dance craze, it's a way of life. | 0:11:29 | 0:11:33 | |
# Vogue, Vogue, Vogue, Vogue. # | 0:11:33 | 0:11:36 | |
I love Single Ladies. | 0:11:37 | 0:11:39 | |
I mean, the song, Single Ladies, not ladies who are single. I can't be doing with them. | 0:11:39 | 0:11:44 | |
At number three on our list, it's Beyonce, who's most certainly not a single lady. | 0:11:44 | 0:11:49 | |
I get that, now, Beyonce, I'm fine with it, and I'm sorry about the e-mails... | 0:11:49 | 0:11:54 | |
# All the single ladies All the single ladies | 0:11:55 | 0:11:58 | |
# All the single ladies All the single ladies | 0:11:58 | 0:12:01 | |
# All the single ladies All the single ladies | 0:12:01 | 0:12:03 | |
# All the single ladies, Now put your hands up... # | 0:12:03 | 0:12:05 | |
The Single Ladies message is saying to a man who isn't prepared | 0:12:05 | 0:12:09 | |
to ask you to marry him, that you'll just go out and find someone else. | 0:12:09 | 0:12:13 | |
Which... | 0:12:13 | 0:12:15 | |
is a little bit 19th century. | 0:12:15 | 0:12:17 | |
# He up on me Don't pay him any attention... # | 0:12:17 | 0:12:20 | |
Single Ladies is basically that girl song for the clubs, | 0:12:20 | 0:12:24 | |
to talk junk to the guys. | 0:12:24 | 0:12:26 | |
It says, "Hey, you know, too late, you know, he looking at it now, | 0:12:26 | 0:12:29 | |
"you can't get me." | 0:12:29 | 0:12:30 | |
# Don't be mad once you seen That he want it... # | 0:12:30 | 0:12:32 | |
The first time I watched Single Ladies, I said to myself, | 0:12:32 | 0:12:36 | |
"Self, you need to learn this dance, because it's going to be big." | 0:12:36 | 0:12:39 | |
# Oh, oh, oh, oh, oh, oh, oh... # | 0:12:39 | 0:12:42 | |
You had to know it from the beginning to the end, everything. All this bit, all this bit. | 0:12:42 | 0:12:47 | |
# If you liked it, then you should have put a ring on it... # | 0:12:47 | 0:12:50 | |
Single Ladies is such an intricate routine but it still has a sense of being approachable. | 0:12:50 | 0:12:56 | |
You can take it and you can make it your own. | 0:12:56 | 0:13:00 | |
Beyonce's Single Ladies video, I really like, because she's all woman in that video. | 0:13:00 | 0:13:05 | |
# If you liked it, then you should have put a ring on it... # | 0:13:05 | 0:13:07 | |
The iconic look of Single Ladies is definitely the ring dance, | 0:13:07 | 0:13:12 | |
and people played with it. # Uh oh oh uh... # ta ta, click, hey. | 0:13:12 | 0:13:18 | |
You're at a party and they put on Single Ladies, the first thing people start doing is the hand. | 0:13:19 | 0:13:25 | |
# If you liked it, then you should have put a ring on it... # | 0:13:25 | 0:13:27 | |
I think my favourite was... I call it the choo-choo train. | 0:13:27 | 0:13:31 | |
You can go around with it... | 0:13:33 | 0:13:36 | |
a tee tee ta. | 0:13:36 | 0:13:37 | |
It still had Beyonce's style and flavour and bounce and it was really quite original. | 0:13:39 | 0:13:44 | |
Beyonce's video may look fresh but nothing is 100% original, | 0:13:45 | 0:13:49 | |
and the Single Ladies dance routine is no exception. | 0:13:49 | 0:13:52 | |
It was influenced by the moves of legendary Broadway choreographer Bob Fosse. | 0:13:52 | 0:13:57 | |
Single Ladies was inspired by Bob Fosse and I don't think a lot of people know that. | 0:13:57 | 0:14:02 | |
Fosse himself was a master of minimal movement, and making minimal movement extraordinary. | 0:14:02 | 0:14:09 | |
And that's exactly what they did. | 0:14:09 | 0:14:12 | |
They made it small, they contained it and they made it iconic. | 0:14:12 | 0:14:16 | |
Going into Single Ladies, we knew Beyonce had this Bob Fosse reference | 0:14:17 | 0:14:21 | |
and we knew that she wanted to create something iconic and fun and just funky. | 0:14:21 | 0:14:29 | |
I think that's why people can relate to it so easily. | 0:14:29 | 0:14:33 | |
# Like a ghost, I'll be gone All the single ladies... # | 0:14:33 | 0:14:37 | |
Beyonce's look was simple but striking, in her asymmetrical | 0:14:37 | 0:14:40 | |
leotard, metallic glove, and of course, her high heels. | 0:14:40 | 0:14:44 | |
The beautiful thing about that video was actually to get girls back in heels, dancing. | 0:14:44 | 0:14:51 | |
Beyonce doesn't have little heels, she has heels. | 0:14:51 | 0:14:56 | |
No pain, no gain, that's what I say. | 0:14:58 | 0:15:00 | |
But it's worth it if you end up looking like Ms Knowles. | 0:15:00 | 0:15:03 | |
Hers was a dance craze that inspired thousands of imitations, | 0:15:03 | 0:15:07 | |
including Katy Brand in Let's Dance For Sport Relief. | 0:15:07 | 0:15:10 | |
The Single Ladies dance is really difficult. | 0:15:11 | 0:15:14 | |
The steps don't follow a regular pattern of beats. I only refer to them as the punchy bit, | 0:15:14 | 0:15:19 | |
the fally down bit, the hurty bit. I don't think... | 0:15:19 | 0:15:22 | |
I'm not sure Beyonce referred to things like the hurty bit, or the groin strain bit. | 0:15:22 | 0:15:26 | |
# ..then you should have put a ring on it... # | 0:15:26 | 0:15:28 | |
People do copy moves from Single Ladies, and | 0:15:28 | 0:15:31 | |
I've been at the concert and I watch them do the entire routine. | 0:15:31 | 0:15:36 | |
I'm like... | 0:15:36 | 0:15:38 | |
"Are you really going to do that full routine? | 0:15:38 | 0:15:41 | |
"It's a long one and it's hard." | 0:15:41 | 0:15:44 | |
If anyone's got about 47 consecutive hours that they can donate directly | 0:15:46 | 0:15:51 | |
to learning to dance, then anyone can do the Single Ladies dance. | 0:15:51 | 0:15:56 | |
# If you liked it, then you should have put a ring on it Uh oh oh. # | 0:15:56 | 0:16:00 | |
In second place, it's the Village People and Y-M-C-A. | 0:16:08 | 0:16:12 | |
In this good natured and uplifting anthem, well built and highly sexed gay men sing... | 0:16:12 | 0:16:18 | |
Hang on, who says they're highly sexed? | 0:16:18 | 0:16:20 | |
And how do we know they're gay? | 0:16:20 | 0:16:23 | |
They might be gay. | 0:16:23 | 0:16:25 | |
Which is brilliant, I wish I was gay. Sometimes... | 0:16:25 | 0:16:28 | |
Mainly when I watch this! | 0:16:28 | 0:16:30 | |
Being gay looks amazing! | 0:16:30 | 0:16:32 | |
# Young man... # | 0:16:39 | 0:16:41 | |
Y-M-C-A | 0:16:41 | 0:16:42 | |
is about spelling the letters of the alphabet, Y, M, C and A. | 0:16:42 | 0:16:47 | |
# Y-M-C-A! It's fun to stay at the Y-M-C-A... # | 0:16:47 | 0:16:53 | |
It's Y, M, C... | 0:16:53 | 0:16:57 | |
It's Y, M, C, A? | 0:16:57 | 0:17:02 | |
The routine was created to encourage audience participation when the Village People performed | 0:17:02 | 0:17:07 | |
on Dick Clark's American Bandstand in January 1979. | 0:17:07 | 0:17:11 | |
Dick Clark surprised us by announcing | 0:17:12 | 0:17:15 | |
that the dances on the show | 0:17:15 | 0:17:17 | |
were going to show us a new dance step. | 0:17:17 | 0:17:20 | |
# Y-M-C-A! # | 0:17:20 | 0:17:23 | |
They introduced the arm movements. | 0:17:23 | 0:17:25 | |
So, we liked it, | 0:17:25 | 0:17:27 | |
we took it. | 0:17:27 | 0:17:29 | |
Right? | 0:17:29 | 0:17:31 | |
# Y-M-C-A... # | 0:17:32 | 0:17:34 | |
Y, M, C, A. | 0:17:34 | 0:17:35 | |
HE MOUTHS | 0:17:35 | 0:17:38 | |
Y-M-C-A was really cool. | 0:17:41 | 0:17:43 | |
I don't think it's cool now but it was cool at the time. | 0:17:43 | 0:17:46 | |
It really brought people together. | 0:17:46 | 0:17:48 | |
It was quite sensational, actually. | 0:17:48 | 0:17:51 | |
#Y-M-C-A | 0:17:51 | 0:17:53 | |
The band was the brainchild of a French disco producer | 0:17:53 | 0:17:56 | |
who brought to public attention some of the colourful characters | 0:17:56 | 0:17:59 | |
that lived in New York's Greenwich Village. | 0:17:59 | 0:18:02 | |
This is Greenwich Village, centred in and around Christopher Street, | 0:18:02 | 0:18:06 | |
on the west side of this traditionally bohemian district of Manhattan, | 0:18:06 | 0:18:10 | |
is a vast community of gay men. | 0:18:10 | 0:18:11 | |
We presented to America | 0:18:12 | 0:18:14 | |
six young guys, good-looking, | 0:18:14 | 0:18:17 | |
each one of them was one of the stereotype | 0:18:17 | 0:18:21 | |
of the American male. | 0:18:21 | 0:18:23 | |
It was like a comic strip or a bunch of superheroes to me. | 0:18:23 | 0:18:27 | |
You have your policeman, your leather man, your cowboy and your construction worker. | 0:18:27 | 0:18:34 | |
Everyone loves a bit of dress-up, don't they? | 0:18:34 | 0:18:37 | |
# It's fun to stay at the... # | 0:18:37 | 0:18:39 | |
I think the macho stereotypes are all the people that gay guys want to get off with, to be honest. | 0:18:39 | 0:18:45 | |
You know, it's all the gay, iconic, porno stars, I suppose. | 0:18:45 | 0:18:49 | |
I do remember thinking, "Oh, I quite like that." | 0:18:50 | 0:18:54 | |
You know, I'd wear that. I knew that my dad wouldn't really wear something like that. | 0:18:54 | 0:18:59 | |
I did think, "Maybe they're a bit more like me." | 0:18:59 | 0:19:02 | |
# Together, we will go our way.. # | 0:19:02 | 0:19:05 | |
Their unique look caught the public's imagination | 0:19:05 | 0:19:08 | |
and back in the late '70s, when the gay community was still fighting to be out and proud, | 0:19:08 | 0:19:12 | |
the Village People danced straight to the top of the charts and into the mainstream. | 0:19:12 | 0:19:17 | |
If it was perceived as one of the first gay bands, good, I'm happy about it. | 0:19:17 | 0:19:22 | |
# Tell our friends goodbye... # | 0:19:22 | 0:19:24 | |
There was a huge moment, I think, in liberation, wasn't it, really. | 0:19:24 | 0:19:29 | |
It did wave a sort of rainbow flag. | 0:19:29 | 0:19:32 | |
# Go west! Life is peaceful there... # | 0:19:32 | 0:19:35 | |
It got the message out there that it's all right to be out and proud. | 0:19:35 | 0:19:40 | |
It was a gay anthem and the family audience loved it, too. | 0:19:41 | 0:19:45 | |
But they had no idea it was about cruising for male company at a youth hostel. | 0:19:47 | 0:19:52 | |
Everyone knew Y-M-C-A, didn't they? Your dad and your uncle and the whole football team. | 0:19:52 | 0:19:56 | |
# Y-M-C-A... # | 0:19:56 | 0:19:58 | |
The melody and the dance just made it very | 0:19:58 | 0:20:01 | |
family friendly and you didn't really listen to the words. | 0:20:01 | 0:20:05 | |
You didn't really look at it as being gay because it was so overt. | 0:20:05 | 0:20:11 | |
So you thought, "No, it can't be." | 0:20:11 | 0:20:13 | |
It confused me in the '70s. | 0:20:13 | 0:20:15 | |
I thought, "Hold on, my uncle was a Y-M-C-A-er" | 0:20:15 | 0:20:18 | |
and then my dad started and then I was like, "Whoa! This is all wrong." | 0:20:18 | 0:20:22 | |
I don't think about the double entendre that there is in the lyrics. | 0:20:22 | 0:20:26 | |
I think only of the fact that someone is getting fun in doing the Y-M-C-A, that's all. | 0:20:26 | 0:20:32 | |
The original line-up may have changed a little but the Village People is still packing them in | 0:20:32 | 0:20:37 | |
on the gay nostalgia circuit and three decades on, hapless punters are still getting the moves wrong. | 0:20:37 | 0:20:43 | |
You've got to do a Y, | 0:20:43 | 0:20:45 | |
a great big Y. It's easy enough | 0:20:45 | 0:20:47 | |
but apparently it gets harder when we get to M, which is M - | 0:20:47 | 0:20:50 | |
not the monkey thing. | 0:20:50 | 0:20:52 | |
Is it possible to get Y, M, C, A wrong. | 0:20:52 | 0:20:56 | |
Not the Joan Crawford thing. | 0:20:56 | 0:20:57 | |
-Y, M, C, A. -Then we say C and they all do it the wrong way. | 0:20:57 | 0:21:02 | |
-Is it that way, or that way. -Did I just get it different. Like, maybe. | 0:21:02 | 0:21:06 | |
What do I do? | 0:21:06 | 0:21:08 | |
Then the A. | 0:21:08 | 0:21:09 | |
But you look out there... | 0:21:09 | 0:21:12 | |
And you see all kinds of variety. | 0:21:12 | 0:21:14 | |
So if you've been made to look an idiot when attempting the Y-M-C-A, you know who to blame. | 0:21:14 | 0:21:19 | |
Sorry, y'all. | 0:21:19 | 0:21:20 | |
A bit late for apologies. | 0:21:20 | 0:21:23 | |
# Body moving, body moving, body moving | 0:21:23 | 0:21:27 | |
# We be body moving Body moving, body moving... # | 0:21:27 | 0:21:30 | |
Well, we've almost reached our dance craze destination. | 0:21:30 | 0:21:32 | |
We've danced ourselves dizzy | 0:21:32 | 0:21:35 | |
and now it's time to find out what is pop's greatest dance craze. | 0:21:35 | 0:21:38 | |
So, it's over to me again. | 0:21:38 | 0:21:41 | |
# Body moving, keep your body moving | 0:21:42 | 0:21:45 | |
# Body moving, we be body moving... # | 0:21:45 | 0:21:47 | |
And so we arrive at the top of the list. | 0:21:49 | 0:21:53 | |
And the dance craze that is the craziest craze of all the crazes. | 0:21:53 | 0:21:57 | |
Which could it be? | 0:21:57 | 0:21:59 | |
It's Thriller by Michael Jackson. | 0:21:59 | 0:22:01 | |
A man who sums up the twin themes of dance and crazy more than any popstar who ever lived. | 0:22:01 | 0:22:07 | |
In this video he plays a zombie with eerie accuracy. | 0:22:07 | 0:22:10 | |
Clearly, his odyssey into the depths of plastic surgery gave him | 0:22:10 | 0:22:13 | |
a better understanding than most of how a zombie feels facially. | 0:22:13 | 0:22:18 | |
The results, as you are about to see, are quite spectacular. | 0:22:18 | 0:22:22 | |
I have something I want to tell you. | 0:22:22 | 0:22:25 | |
Yes, Michael? | 0:22:25 | 0:22:28 | |
I'm not like other guys. | 0:22:28 | 0:22:30 | |
Of course not, that's why I love you. | 0:22:30 | 0:22:33 | |
No, I mean, I'm different. | 0:22:33 | 0:22:35 | |
In the beginning Michael's telling me that I'm not | 0:22:36 | 0:22:39 | |
like everyone else and I'm like, I know you're not. | 0:22:39 | 0:22:42 | |
He's like, no, I'm really not like anybody else. | 0:22:42 | 0:22:45 | |
Michael called me and basically | 0:22:47 | 0:22:50 | |
he'd seen American Werewolf In London | 0:22:50 | 0:22:52 | |
and wanted to turn into a monster. | 0:22:52 | 0:22:54 | |
Are you all right? | 0:22:55 | 0:22:57 | |
Go away. | 0:22:57 | 0:22:58 | |
Aaargh! | 0:22:58 | 0:23:00 | |
It is quite an amazing transformation he does. | 0:23:02 | 0:23:04 | |
The thing I used to really flinch at is when the claws come through the ends of his fingers. | 0:23:04 | 0:23:09 | |
There's that noise, isn't there? Krrr. | 0:23:09 | 0:23:11 | |
Released on December 2nd 1983 Thriller was a horror movie in a 13-minute music video. | 0:23:14 | 0:23:19 | |
An epic with the biggest and best dance number we'd ever seen. | 0:23:19 | 0:23:23 | |
Critics called it the greatest music video ever made and now we crown it Pop's Greatest Dance Craze. | 0:23:23 | 0:23:30 | |
# Cos this is thriller, thriller night... # | 0:23:30 | 0:23:35 | |
It was groundbreaking, you know, the video was incredible. The routine was brilliant. | 0:23:35 | 0:23:40 | |
-Everybody knows a bit of Thriller. -# Thriller night... # | 0:23:40 | 0:23:43 | |
It was amazing, absolutely amazing. When you say Thriller now, my shoulders are going. | 0:23:43 | 0:23:48 | |
They're like zombies but they can dance. | 0:23:48 | 0:23:51 | |
I've never seen zombies that can dance. | 0:23:51 | 0:23:54 | |
They were cool dancing zombies. | 0:23:54 | 0:23:56 | |
That took my breath away because it was so intricate and so unique | 0:23:58 | 0:24:02 | |
and just these dancers the way they executed it was just amazing. | 0:24:02 | 0:24:06 | |
Michael Jackson was a hot zombie. | 0:24:09 | 0:24:12 | |
You wouldn't care if his arm fell off. You would just, "Ooh, take me now." | 0:24:12 | 0:24:16 | |
It was cool because there were all kinds of moves in that scene You know, the iconic stuff. | 0:24:19 | 0:24:24 | |
There's no moves that you've ever seen that have been done again. | 0:24:24 | 0:24:27 | |
You have this move that goes chung, chung. | 0:24:29 | 0:24:32 | |
It's like everyone can do that. | 0:24:32 | 0:24:34 | |
Just lift your arms up, grab an apple and there you have it. | 0:24:34 | 0:24:37 | |
You've also got the one where he goes... The zombie. | 0:24:41 | 0:24:46 | |
I said I demand that the dancers have two weeks' rehearsal. | 0:24:56 | 0:24:58 | |
Rehearsal in a rock video is unheard of. | 0:24:58 | 0:25:01 | |
You know, they learn it the day before. | 0:25:01 | 0:25:02 | |
I said it's not quick cut, I want to do it like a dance number. Michael is a brilliant performer. | 0:25:02 | 0:25:07 | |
# Cos this is Thriller! # | 0:25:07 | 0:25:09 | |
The video cost £800,000, an amount unheard of for a pop promo at the time. | 0:25:09 | 0:25:14 | |
The production had the kind of costumes and make-up that you'd expect in a Hollywood feature film. | 0:25:14 | 0:25:19 | |
Each individual dancer was in the make-up chair, | 0:25:20 | 0:25:23 | |
for, I would say, three to four hours apiece. | 0:25:23 | 0:25:26 | |
By the time you were finished, you looked in the mirror and it was really frightening. | 0:25:26 | 0:25:30 | |
You had this hideous premonition of possibly what you'll look like | 0:25:30 | 0:25:35 | |
after you've been in the ground for a period of time. | 0:25:35 | 0:25:39 | |
I'm going to show you my Thriller teeth, OK? | 0:25:39 | 0:25:41 | |
This is the bottom set. | 0:25:41 | 0:25:43 | |
This is the top set. | 0:25:43 | 0:25:46 | |
As you can see, just that alone, all of a sudden makes you somebody that you're not. | 0:25:46 | 0:25:53 | |
In 2007, Philippine prisoners became synonymous with the Thriller dance | 0:26:00 | 0:26:04 | |
after a video of 1,500 inmates went viral with 46 million recorded hit. | 0:26:04 | 0:26:10 | |
Thriller worked absolutely everywhere. | 0:26:10 | 0:26:12 | |
Look at the inmates in the Filipino jail. How fantastic is that? | 0:26:12 | 0:26:18 | |
You can take our freedom but you'll never take the dance away from us. | 0:26:18 | 0:26:22 | |
The theories of Michael Jackson are rehearse, rehearse, rehearse, rehearse, rehearse | 0:26:22 | 0:26:27 | |
and if you're doing 25 in jail, you've got time to | 0:26:27 | 0:26:29 | |
rehearse, rehearse, rehearse, rehearse. | 0:26:29 | 0:26:32 | |
Ever since the '80s Michael's fan have wanted to be part | 0:26:32 | 0:26:35 | |
of the Thriller experience by learning the routine. | 0:26:35 | 0:26:39 | |
I bought a magazine and on each page had a perforated thing of a foot. | 0:26:39 | 0:26:45 | |
Once you'd cut out these feet it had various diagrams where you could lay them out | 0:26:45 | 0:26:53 | |
to show you how to do Michael Jackson's most iconic dances. | 0:26:53 | 0:26:57 | |
That is like an Amish version of a dance mat, isn't it? | 0:26:57 | 0:27:02 | |
The late king of pop may be infamous for many reasons but tonight we pay homage and remember him | 0:27:04 | 0:27:08 | |
for his unparalleled ability to light up a dance floor and get us up and busting some moves. | 0:27:08 | 0:27:14 | |
-Thanks, Jacko. -The whole world watched the dance. | 0:27:14 | 0:27:19 | |
I remember watching it with my parents and to think everybody sat there and watched that | 0:27:19 | 0:27:24 | |
and then the next day everyone's trying to get the dance. | 0:27:24 | 0:27:27 | |
Everyone had done Thriller at some point. | 0:27:27 | 0:27:32 | |
To be part of the Thriller dance was the greatest highlight of my career. | 0:27:32 | 0:27:37 | |
EVIL LAUGHTER | 0:27:37 | 0:27:39 | |
So! That's your lot. If, like me, you spent the whole show | 0:27:45 | 0:27:49 | |
dancing along to each and every song, then, like me, you probably stink. | 0:27:49 | 0:27:53 | |
Take a shower. Seriously, have a shower. Now. | 0:27:53 | 0:27:56 | |
Goodbye! | 0:27:58 | 0:28:00 | |
Subtitles by Red Bee Media Ltd | 0:28:16 | 0:28:19 | |
E-mail [email protected] | 0:28:19 | 0:28:22 |