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What you're about to see is the ultimate test of human reaction | 0:00:02 | 0:00:04 | |
and reflex. | 0:00:04 | 0:00:06 | |
Starring in tonight's battle of the reflexes | 0:00:06 | 0:00:09 | |
is the Mortimer family from South Yorkshire, | 0:00:09 | 0:00:11 | |
led by 48-year-old Zena | 0:00:11 | 0:00:13 | |
with her brother-in-law Ray and her husband Chris. | 0:00:13 | 0:00:17 | |
They're up against the Moore triplets from Eastbourne, captained | 0:00:17 | 0:00:22 | |
by 22-year-old Katherine with her sister Sarah and their brother Nick. | 0:00:22 | 0:00:28 | |
They'll compete in a series of split-second, nerve-jangling | 0:00:28 | 0:00:32 | |
and sometimes, well, | 0:00:32 | 0:00:33 | |
just daft challenges all captured in super slow motion. | 0:00:33 | 0:00:38 | |
If you like fast and you like game shows, | 0:00:39 | 0:00:41 | |
then you've come to the right place! | 0:00:41 | 0:00:43 | |
I'm Ken Bruce. | 0:00:43 | 0:00:44 | |
Ladies and gentlemen, your host - Shane Ritchie! | 0:00:44 | 0:00:48 | |
APPLAUSE | 0:00:48 | 0:00:49 | |
This is Reflex, the ultimate test of the human reaction, | 0:00:50 | 0:00:54 | |
where families compete in a series of super challenges, | 0:00:54 | 0:00:57 | |
both physical and mental | 0:00:57 | 0:00:59 | |
and the families that work best together | 0:00:59 | 0:01:01 | |
will stand a chance of winning £20,000! Woo-hoo! | 0:01:01 | 0:01:05 | |
APPLAUSE AND CHEERING | 0:01:05 | 0:01:07 | |
Let's meet our super-fast families. | 0:01:07 | 0:01:08 | |
APPLAUSE | 0:01:08 | 0:01:09 | |
The Mortimers are here! How are you guys? Who's joining me tonight? | 0:01:13 | 0:01:19 | |
-I'm Zena, this is Ray... -Ray. -..and Chris, and I'm married to Chris. | 0:01:19 | 0:01:24 | |
Oh, Chris, OK, and, er, how long have you been married? | 0:01:24 | 0:01:26 | |
BOTH: Oooh! | 0:01:26 | 0:01:28 | |
That's not one of the games, by the way, OK? | 0:01:28 | 0:01:30 | |
-You don't need to remember that one. -27? -No. | 0:01:30 | 0:01:32 | |
Oh, it's kicking off already! | 0:01:32 | 0:01:34 | |
If it's a memory game, they've lost already. | 0:01:34 | 0:01:36 | |
-Any pastimes, any hobbies, lads? -We've been quite sporty in the past. | 0:01:36 | 0:01:39 | |
In the past?! LAUGHTER | 0:01:39 | 0:01:42 | |
Anything you might not be any good at tonight, do you think, maybe? | 0:01:42 | 0:01:45 | |
Memory or mental games, agility? | 0:01:45 | 0:01:47 | |
I would say memory is probably me, er, er... | 0:01:47 | 0:01:50 | |
MASTERMIND THEME PLAYS | 0:01:50 | 0:01:52 | |
..er...my worst area. | 0:01:52 | 0:01:55 | |
OK, give a nice round of applause for the Mortimers! | 0:01:55 | 0:01:58 | |
APPLAUSE | 0:01:58 | 0:02:00 | |
As we say hello to the Moores. | 0:02:02 | 0:02:03 | |
CHEERING AND APPLAUSE | 0:02:03 | 0:02:05 | |
So tell us a bit about yourselves and where you're from. | 0:02:05 | 0:02:07 | |
-We are triplets. -So who's the oldest and who's the youngest? | 0:02:07 | 0:02:10 | |
-Oldest. -Oldest. -Youngest. -Youngest. -In the middle. -Oh, really? | 0:02:10 | 0:02:12 | |
-So do you ever get picked on by your sisters? -Her. | 0:02:12 | 0:02:15 | |
-She gets picked on a bit. -I get picked on by them two. -Really? | 0:02:15 | 0:02:18 | |
-Is there sibling rivalry though, between the three of you? -Yeah. | 0:02:18 | 0:02:21 | |
I used to be smaller until I was about 15 | 0:02:21 | 0:02:22 | |
and then suddenly I shot up. | 0:02:22 | 0:02:24 | |
-How tall are you, by the way? -6ft 4 maybe. | 0:02:24 | 0:02:27 | |
6ft 4 maybe. | 0:02:27 | 0:02:28 | |
When you fall asleep... | 0:02:28 | 0:02:30 | |
LAUGHTER | 0:02:30 | 0:02:31 | |
A little secret birdie tells me that you do impressions of animals. | 0:02:31 | 0:02:34 | |
-Yeah. -OK, what's your speciality? | 0:02:34 | 0:02:36 | |
Erm, I'll do the lion. | 0:02:36 | 0:02:38 | |
Right, picture the scene, we are in the jungle, OK? Ugh... | 0:02:38 | 0:02:42 | |
And up comes a red-haired lion. | 0:02:42 | 0:02:44 | |
SHE ROARS | 0:02:44 | 0:02:48 | |
That's really freaky, isn't it? That's brilliant! | 0:02:48 | 0:02:51 | |
APPLAUSE | 0:02:51 | 0:02:52 | |
Right, give it up for the Moores! | 0:02:52 | 0:02:55 | |
Well done. Welcome, guys, I hope you have a great night tonight. | 0:02:55 | 0:02:59 | |
Now, Mortimers, Moores, | 0:03:00 | 0:03:01 | |
this is what you face tonight in our very first challenge. | 0:03:01 | 0:03:05 | |
The first of three head-to-head challenges | 0:03:05 | 0:03:08 | |
that all the players will face. | 0:03:08 | 0:03:10 | |
On hearing the Reflex starting trigger, tonight's first two players | 0:03:10 | 0:03:13 | |
must aim for the button at the other end of this slippery runway. | 0:03:13 | 0:03:16 | |
Standing in their way is a one-metre circular glass window. | 0:03:16 | 0:03:20 | |
When the game begins, they must dive headfirst through that glass. | 0:03:20 | 0:03:24 | |
The first player to hit the button will win tonight's first point | 0:03:24 | 0:03:27 | |
for their family. | 0:03:27 | 0:03:29 | |
APPLAUSE | 0:03:29 | 0:03:30 | |
Well, that's the first challenge | 0:03:30 | 0:03:32 | |
and that's all there is to it. | 0:03:32 | 0:03:34 | |
I'm going to ask you guys to get into a huddle | 0:03:34 | 0:03:36 | |
and have a little talk about who's going to play our first game. | 0:03:36 | 0:03:39 | |
I think you. | 0:03:39 | 0:03:40 | |
-Not yourself? I think me or you. -I think you, you're taller. | 0:03:40 | 0:03:43 | |
I'm a bit taller, more reach. | 0:03:43 | 0:03:45 | |
-It's going to be a shock going through the glass. -Yeah. | 0:03:45 | 0:03:47 | |
After that, I think you've just got to go hell for leather. | 0:03:47 | 0:03:50 | |
Every member of each family will need to face | 0:03:50 | 0:03:53 | |
one of the first three challenges, | 0:03:53 | 0:03:55 | |
so they need to choose who plays carefully. | 0:03:55 | 0:03:57 | |
-So, what are you thinking? -We're thinking Nick. | 0:03:57 | 0:03:59 | |
I'm going to do it. | 0:03:59 | 0:04:01 | |
-Are they picking on you, Nick, already? -No, not quite. | 0:04:01 | 0:04:03 | |
You know you might have to wear a dress in this, don't you? | 0:04:03 | 0:04:05 | |
-He's still here, he's still here. -Good luck. | 0:04:05 | 0:04:08 | |
Zena, princess warrior, what're you thinking, guys? | 0:04:10 | 0:04:12 | |
We're thinking upper-body strength, we need for this. | 0:04:12 | 0:04:15 | |
-Right, so you're up for it then? -Not for that. | 0:04:15 | 0:04:17 | |
LAUGHTER | 0:04:17 | 0:04:18 | |
Good luck, guys. | 0:04:18 | 0:04:20 | |
OK, Moores, Mortimers, if you'd like to turn round and face your public. | 0:04:20 | 0:04:24 | |
Right, have we decided who's going to play? | 0:04:24 | 0:04:26 | |
ALL: Yes. | 0:04:26 | 0:04:28 | |
Yes? Our first challenge, who's it going to be? Please step forward! | 0:04:28 | 0:04:31 | |
APPLAUSE | 0:04:31 | 0:04:34 | |
Ooooh! | 0:04:34 | 0:04:36 | |
Nick playing Chris, | 0:04:36 | 0:04:40 | |
a lads face off. | 0:04:40 | 0:04:41 | |
This is young versus...someone who's smaller than him! | 0:04:41 | 0:04:44 | |
LAUGHTER | 0:04:44 | 0:04:46 | |
Guys, are you ready to play? | 0:04:46 | 0:04:47 | |
-Yep. -Right, let's play! | 0:04:47 | 0:04:49 | |
So Chris is giving away 29 years to his opponent - | 0:04:49 | 0:04:52 | |
he plays a mean game of table tennis | 0:04:52 | 0:04:55 | |
and, crucially, has karate skills, | 0:04:55 | 0:04:57 | |
which he'll need because... | 0:04:57 | 0:04:59 | |
Nick is a master baker. | 0:04:59 | 0:05:01 | |
Yes, don't mess with | 0:05:01 | 0:05:02 | |
this man's fondant fancy | 0:05:02 | 0:05:04 | |
or, in fact, his upside-down cake, | 0:05:04 | 0:05:05 | |
which he might well need in this challenge. | 0:05:05 | 0:05:08 | |
The rules couldn't be simpler - | 0:05:10 | 0:05:12 | |
the first player to launch themselves through that window | 0:05:12 | 0:05:14 | |
and hit that yellow button will win | 0:05:14 | 0:05:16 | |
tonight's first point. | 0:05:16 | 0:05:18 | |
All right, Chris, Nick, are you ready to play the game? | 0:05:18 | 0:05:21 | |
Are you sure? | 0:05:21 | 0:05:23 | |
Good luck, let's play! | 0:05:23 | 0:05:26 | |
TENSE MUSIC PLAYS | 0:05:26 | 0:05:28 | |
That creepy music really is unnerving - | 0:05:28 | 0:05:30 | |
and the anticipation to perform is intense. | 0:05:30 | 0:05:34 | |
Luckily, though, these two players seem focused. | 0:05:34 | 0:05:37 | |
Hang on, Chris is having a practice. | 0:05:37 | 0:05:40 | |
Never seen that before. | 0:05:40 | 0:05:42 | |
He really is eager, but that won't help his nerves. | 0:05:42 | 0:05:45 | |
Remember, the game only begins when the music stops | 0:05:45 | 0:05:47 | |
and the trigger fires. | 0:05:47 | 0:05:49 | |
No harm done...yet, | 0:05:49 | 0:05:51 | |
although that might change when they throw themselves | 0:05:51 | 0:05:53 | |
through that one-metre glass window. | 0:05:53 | 0:05:56 | |
Please don't try and replicate anything you see on Reflex | 0:05:56 | 0:05:58 | |
because everything you see is controlled and carefully planned, | 0:05:58 | 0:06:01 | |
and costs a fortune. | 0:06:01 | 0:06:03 | |
TRIGGER GOES OFF | 0:06:07 | 0:06:08 | |
And they're off! | 0:06:08 | 0:06:09 | |
Are they off? I can't tell if they're off. | 0:06:09 | 0:06:12 | |
Oh, wait, | 0:06:12 | 0:06:13 | |
this is in super slow motion. Hurry up, you guys! | 0:06:13 | 0:06:16 | |
Oh, yeah, they're off now! | 0:06:16 | 0:06:18 | |
Oh, look, so are the Mortimers. | 0:06:18 | 0:06:20 | |
Look at them go like a pair of...mad March hares. | 0:06:20 | 0:06:24 | |
But back to the real action and, yes, I think that's Nick, | 0:06:24 | 0:06:26 | |
he's through the window first. | 0:06:26 | 0:06:28 | |
Several split seconds | 0:06:28 | 0:06:30 | |
in front of Chris, | 0:06:30 | 0:06:32 | |
who breaks through | 0:06:32 | 0:06:33 | |
with an impeccable dive. | 0:06:33 | 0:06:35 | |
That could well make up for his false start. | 0:06:35 | 0:06:38 | |
And that's a baker and security firm | 0:06:38 | 0:06:40 | |
owner flying through a window | 0:06:40 | 0:06:42 | |
in perfect unison. | 0:06:42 | 0:06:43 | |
I've never had to say that before. | 0:06:43 | 0:06:45 | |
I hope the friction from Chris' face | 0:06:48 | 0:06:50 | |
doesn't slow him down. | 0:06:50 | 0:06:52 | |
And I can confirm the Mortimers are | 0:06:52 | 0:06:54 | |
winning the supporters competition, | 0:06:54 | 0:06:56 | |
I've got a feeling Ray wanted | 0:06:56 | 0:06:57 | |
to do this game. | 0:06:57 | 0:06:59 | |
And now the button is in sight, | 0:06:59 | 0:07:00 | |
they're using sheer momentum | 0:07:00 | 0:07:02 | |
to glide down that runway. | 0:07:02 | 0:07:04 | |
Nick appears to have the edge. | 0:07:05 | 0:07:08 | |
But Chris isn't throwing in the towel, | 0:07:08 | 0:07:09 | |
head down, locked onto that button. | 0:07:09 | 0:07:12 | |
Chris is getting ready to leap, | 0:07:14 | 0:07:16 | |
he's going to have to be quick | 0:07:16 | 0:07:17 | |
because Nick's arm is up. | 0:07:17 | 0:07:20 | |
He's going for it. | 0:07:20 | 0:07:22 | |
But Chris is gliding towards | 0:07:22 | 0:07:24 | |
that button, can he do it? | 0:07:24 | 0:07:25 | |
No! Nick is victorious. | 0:07:27 | 0:07:30 | |
First point to the Moores. | 0:07:30 | 0:07:31 | |
And there goes Katherine... | 0:07:33 | 0:07:35 | |
ROAR | 0:07:35 | 0:07:36 | |
..with...is that a mountain lion impression? Impressive. | 0:07:36 | 0:07:39 | |
Quick, wasn't it? Well done, Nick! | 0:07:43 | 0:07:45 | |
Well done, Nick! Congratulations! | 0:07:48 | 0:07:52 | |
Well done, buddy, right now, after all this excitement and pandemonium, | 0:07:52 | 0:07:55 | |
let's see how the results have effected our scores. | 0:07:55 | 0:07:58 | |
Well, baking Nick's recipe | 0:07:58 | 0:08:00 | |
for success does taste sweet - | 0:08:00 | 0:08:02 | |
it's 1-0 to the Moore triplets! | 0:08:02 | 0:08:04 | |
-Are we ready for challenge number two? -Yes, we are, yes! | 0:08:06 | 0:08:08 | |
I think you're going to like this, have a look at this. | 0:08:08 | 0:08:11 | |
Each player will stand under five suspended water balloons. | 0:08:11 | 0:08:14 | |
On hearing the three-colour sequence - | 0:08:14 | 0:08:16 | |
they must smash the correct balloons using their spiked mallet. | 0:08:16 | 0:08:19 | |
The player to burst the balloons in the correct order, | 0:08:19 | 0:08:22 | |
in the fastest time, | 0:08:22 | 0:08:23 | |
will win that heat. | 0:08:23 | 0:08:24 | |
There are three heats | 0:08:24 | 0:08:26 | |
and the best out of three will win a point for their family. | 0:08:26 | 0:08:29 | |
Ooh! | 0:08:29 | 0:08:32 | |
OK, so, guys, if you want to get into a huddle, | 0:08:32 | 0:08:35 | |
talk about who's going to play this game, we know who can't play. | 0:08:35 | 0:08:38 | |
OK, coloured balloons. | 0:08:38 | 0:08:40 | |
Right, I think colours, colours and colour sequences, | 0:08:40 | 0:08:43 | |
I'm usually better at remembering those. | 0:08:43 | 0:08:46 | |
I think you've got a bit of a range of things which you could do well. | 0:08:46 | 0:08:49 | |
-Yeah. -Katherine can definitely do this well. -Yeah. | 0:08:49 | 0:08:52 | |
This is all about listening to instructions, once they shout | 0:08:52 | 0:08:55 | |
the colours, how quick can you see the colours, how quick can you hit | 0:08:55 | 0:08:57 | |
them with a hammer, and obviously someone's going to get wet. | 0:08:57 | 0:09:00 | |
I'm kind of thinking, the Mortimers here, they've got a past playing | 0:09:00 | 0:09:03 | |
table tennis, that could probably be very quick, you know, | 0:09:03 | 0:09:06 | |
hand speed. Err...Nick's already played the first game, | 0:09:06 | 0:09:09 | |
so this is really down to Katherine or Sarah as to who's going to | 0:09:09 | 0:09:12 | |
play this one, so there could be a bit of a row going on. Ha-ha! | 0:09:12 | 0:09:16 | |
OK, Mortimers and Moores, if you'd like to turn round | 0:09:16 | 0:09:19 | |
and face the front. Lovely. Right, have you made a decision? | 0:09:19 | 0:09:22 | |
ALL: Yes. | 0:09:22 | 0:09:23 | |
Let's find out. | 0:09:23 | 0:09:25 | |
Please step forward. | 0:09:25 | 0:09:27 | |
APPLAUSE | 0:09:27 | 0:09:28 | |
Well, this will be a clash of the captains. | 0:09:28 | 0:09:30 | |
Zena plays the trombone and claims | 0:09:30 | 0:09:32 | |
she has an excellent memory. | 0:09:32 | 0:09:34 | |
She's up against animal impersonating Katherine, | 0:09:34 | 0:09:38 | |
who also works with her | 0:09:38 | 0:09:39 | |
brother in the bakery. | 0:09:39 | 0:09:40 | |
And she too claims to have | 0:09:40 | 0:09:41 | |
a fantastic memory. | 0:09:41 | 0:09:43 | |
Well, they both can't be right! | 0:09:43 | 0:09:45 | |
So, guys, do you still think you made the right decision? | 0:09:49 | 0:09:51 | |
Yeah, she'll be fine. She likes destroying things. | 0:09:51 | 0:09:54 | |
SHE ROARS | 0:09:54 | 0:09:57 | |
Oh, she's doing her lion impression. | 0:09:57 | 0:09:58 | |
Zena is very confident about playing this one. | 0:09:58 | 0:10:02 | |
OK, that's fine. | 0:10:02 | 0:10:03 | |
Would you have chosen differently had you known it was Zena? | 0:10:03 | 0:10:06 | |
-No, I've got every faith in her. -OK, good luck, guys. | 0:10:06 | 0:10:08 | |
Ray, Chris, still think you made the right decision? | 0:10:08 | 0:10:11 | |
-She's good with colours. -You know, Katherine, | 0:10:11 | 0:10:14 | |
she does play a lot of darts, which could be great for this game. | 0:10:14 | 0:10:17 | |
Do you still think you made the right decision? | 0:10:17 | 0:10:19 | |
Yeah, I still do, you've got to get the colours right. | 0:10:19 | 0:10:21 | |
You're not colour-blind, are you, love? Good girl, well done, Zena. | 0:10:21 | 0:10:24 | |
So this is heat one, and it's the best of three. | 0:10:24 | 0:10:27 | |
Katherine, Zena, let's play. | 0:10:27 | 0:10:31 | |
TENSE MUSIC PLAYS | 0:10:31 | 0:10:32 | |
Can Zena be a warrior princess here? | 0:10:32 | 0:10:35 | |
Armed with her deadly...erm.. | 0:10:35 | 0:10:37 | |
plastic mallet. | 0:10:37 | 0:10:39 | |
Or will Katherine treat us | 0:10:39 | 0:10:40 | |
to another of her victory animal impersonations? | 0:10:40 | 0:10:43 | |
Now, at this point, I get the opportunity | 0:10:43 | 0:10:46 | |
to shout out the sequence, and I've been practising, | 0:10:46 | 0:10:48 | |
so here's my best Shakespearian actor's voice. | 0:10:48 | 0:10:51 | |
Bit nervous. Hope I don't mess it up. | 0:10:51 | 0:10:53 | |
OK, press the button. | 0:10:55 | 0:10:56 | |
'And the order is - blue, yellow, green.' | 0:10:59 | 0:11:04 | |
TRIGGER GOES OFF | 0:11:06 | 0:11:07 | |
Yes! Nailed it! Anyway, more importantly, off they go. | 0:11:07 | 0:11:10 | |
Both racing for that blue balloon. | 0:11:12 | 0:11:14 | |
Katherine hammers it first. | 0:11:15 | 0:11:17 | |
Zena is only a fraction of a second behind. | 0:11:17 | 0:11:20 | |
Wow, that balloon has just disappeared | 0:11:20 | 0:11:22 | |
leaving what looks like a massive teardrop. | 0:11:22 | 0:11:25 | |
This is so close and we're looking for the yellow next. | 0:11:25 | 0:11:28 | |
Oh, she's just skimmed the edge. | 0:11:28 | 0:11:30 | |
Look at that ripple go. | 0:11:30 | 0:11:33 | |
Now it's Zena's chance to overtake. | 0:11:33 | 0:11:35 | |
And the occupational therapist | 0:11:35 | 0:11:37 | |
smashes that yellow balloon with ease, | 0:11:37 | 0:11:39 | |
she needs to open her eyes though | 0:11:39 | 0:11:41 | |
if she's going to see the green one. | 0:11:41 | 0:11:42 | |
But Katherine's got her eyes closed too, and there goes her yellow. | 0:11:42 | 0:11:46 | |
Who will open their eyes first? | 0:11:46 | 0:11:48 | |
Just the green to go. | 0:11:48 | 0:11:49 | |
It's Zena, yeah! | 0:11:51 | 0:11:54 | |
It's rippling. | 0:11:54 | 0:11:56 | |
Is it going to pop? | 0:11:56 | 0:11:57 | |
Any minute now. The Mortimers can't believe their eyes. | 0:11:57 | 0:12:00 | |
It's going... Yes! | 0:12:02 | 0:12:03 | |
No! | 0:12:03 | 0:12:04 | |
Yes! | 0:12:04 | 0:12:06 | |
No, it's not going to pop, is it? | 0:12:07 | 0:12:09 | |
Oh, but there's Katherine, | 0:12:09 | 0:12:11 | |
she's obliterated that balloon. | 0:12:11 | 0:12:13 | |
But it's too late for Zena. | 0:12:13 | 0:12:15 | |
Heat one to the Moores. | 0:12:15 | 0:12:17 | |
APPLAUSE | 0:12:17 | 0:12:18 | |
Sarah and Nick are ecstatic! | 0:12:18 | 0:12:20 | |
Stand by for a traditional lion celebration from Katherine... | 0:12:20 | 0:12:25 | |
ROAR | 0:12:25 | 0:12:27 | |
Textbook. But remember, it's the best of three, | 0:12:27 | 0:12:30 | |
the Moores haven't bagged that precious point yet! | 0:12:30 | 0:12:32 | |
Well done, Katherine! You still got faith in her? | 0:12:34 | 0:12:37 | |
-Yes! -Yeah. | 0:12:37 | 0:12:38 | |
Zena just did not hit it hard enough. | 0:12:38 | 0:12:41 | |
Zena, we need you to get this one, OK? | 0:12:41 | 0:12:44 | |
So first game goes to Katherine, but as I said, it is best of three. | 0:12:44 | 0:12:48 | |
Katherine, Zena, are you ready? | 0:12:48 | 0:12:50 | |
Let's play heat two. | 0:12:50 | 0:12:52 | |
So the Mortimers need to win this heat | 0:12:52 | 0:12:54 | |
if they are going to have a chance of taking the point. | 0:12:54 | 0:12:57 | |
This is tense, so time to deliver the sequence, | 0:12:57 | 0:13:00 | |
in my finest tense voice, press the button. | 0:13:00 | 0:13:03 | |
-IN A SINISTER VOICE: -'Red, pink, blue.' | 0:13:05 | 0:13:09 | |
TRIGGER GOES OFF | 0:13:09 | 0:13:11 | |
Took years of vocal training, that did, and here goes Zena. | 0:13:11 | 0:13:14 | |
She is desperate to get to that red first. | 0:13:14 | 0:13:17 | |
What's Katherine doing? | 0:13:17 | 0:13:18 | |
Well, nothing at the moment. | 0:13:18 | 0:13:19 | |
Here comes Zena. | 0:13:19 | 0:13:21 | |
Oh, Katherine's moving now. | 0:13:21 | 0:13:24 | |
Zena's swing is far too low. | 0:13:24 | 0:13:26 | |
And Katherine's obliterated that red, | 0:13:27 | 0:13:29 | |
and Katherine was incredibly quick there, | 0:13:29 | 0:13:31 | |
overtaking Zena once she got moving, | 0:13:31 | 0:13:33 | |
really showing some fast reactions. | 0:13:33 | 0:13:35 | |
and a wide angle of attack. | 0:13:35 | 0:13:37 | |
Incredible, Zena's caught up, | 0:13:37 | 0:13:39 | |
what a balloon-bashing battle! | 0:13:39 | 0:13:41 | |
Here's an all out dash to the pink next. | 0:13:41 | 0:13:43 | |
There's nothing in this. | 0:13:45 | 0:13:46 | |
Katherine has smashed it. | 0:13:48 | 0:13:50 | |
What an incredible change of direction from the senior triplet. | 0:13:50 | 0:13:53 | |
Zena's some way off, but that balloon is well within her sight. | 0:13:53 | 0:13:57 | |
Come on, Zena. | 0:13:57 | 0:13:58 | |
Both going for that balloon now, this is going to be close. | 0:13:58 | 0:14:01 | |
But Zena looks closer. | 0:14:02 | 0:14:04 | |
Oh, no, she's wobbled that green. | 0:14:05 | 0:14:08 | |
Never mind, she just needs to pop that blue. | 0:14:08 | 0:14:10 | |
I don't believe it, she's wobbled that too! | 0:14:10 | 0:14:13 | |
Zena is wobbling these balloons into submission, | 0:14:13 | 0:14:16 | |
which is a problem because here comes Katherine. | 0:14:16 | 0:14:19 | |
Who smashes it! | 0:14:19 | 0:14:20 | |
Heat two and game two to the Moores. | 0:14:20 | 0:14:24 | |
Well done, Katherine. Zena's spirits look slightly dampened. | 0:14:24 | 0:14:28 | |
As the Moores make their way back victorious. | 0:14:32 | 0:14:35 | |
Let's take a look at the scores. | 0:14:35 | 0:14:37 | |
And with a balloon-tastic display, | 0:14:37 | 0:14:40 | |
Dr Dolittle herself, Katherine, | 0:14:40 | 0:14:42 | |
continues the triplets' onslaught, | 0:14:42 | 0:14:43 | |
two to nothing. | 0:14:43 | 0:14:46 | |
Don't despair now, guys. Already, I can see you as the comeback kids. | 0:14:46 | 0:14:50 | |
All right? Still loads of more points to be had, OK? | 0:14:50 | 0:14:52 | |
Oh, they're throwing down the gauntlet now, I tell ya. | 0:14:52 | 0:14:55 | |
Let's look at challenge number three. | 0:14:55 | 0:14:57 | |
Two giant stacks, | 0:14:58 | 0:15:00 | |
each built using 190 tin cans. | 0:15:00 | 0:15:03 | |
In the middle of each, | 0:15:03 | 0:15:04 | |
there's one yellow can. | 0:15:04 | 0:15:06 | |
On hearing the reflex trigger, | 0:15:06 | 0:15:08 | |
the first player to grab the yellow | 0:15:08 | 0:15:10 | |
can and place it on the target area | 0:15:10 | 0:15:11 | |
will win one point for their family. | 0:15:11 | 0:15:14 | |
What other TV show would you run through a tower of tin cans? | 0:15:19 | 0:15:24 | |
And now I know who's playing this game. | 0:15:24 | 0:15:27 | |
Of course, so Sarah and Ray, if you'd like to step forward, guys. | 0:15:27 | 0:15:31 | |
Give a big round of applause. | 0:15:31 | 0:15:33 | |
CHEERING AND APPLAUSE | 0:15:33 | 0:15:36 | |
Right. | 0:15:36 | 0:15:37 | |
-Are you feeling confident? -I am feeling confident. | 0:15:37 | 0:15:40 | |
OK, you know how important this is. | 0:15:40 | 0:15:41 | |
-Cos you kind of want to get back into the game. -We do, indeed. | 0:15:41 | 0:15:44 | |
Have you ever run through a tower of tin cans before? | 0:15:44 | 0:15:46 | |
Have you ever been angry in a supermarket and gone, "Urgh, I want that tin of prunes"? | 0:15:46 | 0:15:49 | |
Now you mention it, no. | 0:15:49 | 0:15:51 | |
So good luck, buddy, you need this. So how do you feel about this one? | 0:15:51 | 0:15:55 | |
-Fine, it's going to be 3-0. -You reckon? -Yeah. | 0:15:55 | 0:15:57 | |
I wish you the best of luck, don't forget it's for three points. | 0:15:57 | 0:16:00 | |
But you guys, you need this. | 0:16:00 | 0:16:01 | |
-Absolutely. -Give them a round of applause, as they go to play the game! | 0:16:01 | 0:16:04 | |
So the Mortimers' hopes of scoring their first point are resting | 0:16:04 | 0:16:07 | |
on the broad shoulders of Ray. | 0:16:07 | 0:16:09 | |
His secret weapon - | 0:16:09 | 0:16:11 | |
crown-green bowling, | 0:16:11 | 0:16:13 | |
he must be feeling confident. | 0:16:13 | 0:16:15 | |
Except his opponent, the youngest Moore triplet Sarah, | 0:16:15 | 0:16:18 | |
just happens to be one of | 0:16:18 | 0:16:19 | |
the country's top heptathletes | 0:16:19 | 0:16:21 | |
and plays a ludicrous number of sports. | 0:16:21 | 0:16:23 | |
Gulp! | 0:16:23 | 0:16:24 | |
The first player to grab their yellow can | 0:16:24 | 0:16:27 | |
and place it in the target area will score another precious point | 0:16:27 | 0:16:30 | |
and lead their family one step closer | 0:16:30 | 0:16:32 | |
to a potential £20,000. | 0:16:32 | 0:16:34 | |
Right, so how do you think Ray's going to do in this? | 0:16:34 | 0:16:37 | |
-I think he's... -He's focused, isn't he? -Yeah, he is focused. | 0:16:37 | 0:16:40 | |
He's ready, so I think, yeah. | 0:16:40 | 0:16:41 | |
-Has he got binoculars on or something? -He's looking at the can in his line of sight... | 0:16:41 | 0:16:45 | |
Focus on the can. | 0:16:45 | 0:16:47 | |
Ray is giving away 26 years | 0:16:47 | 0:16:49 | |
and he is hoping to try and outrun Sarah, | 0:16:49 | 0:16:51 | |
a top-class athlete on the right side of her 20s. | 0:16:51 | 0:16:55 | |
I don't like writing people off, but, well, good luck, Ray. | 0:16:55 | 0:17:00 | |
-How do you think she'll do? -I think she's got this. -Yeah? | 0:17:00 | 0:17:02 | |
It's just another athletics event. | 0:17:02 | 0:17:04 | |
Oh, of course, yeah, cos she's a heptathlete. | 0:17:04 | 0:17:06 | |
-Third best in the country, is that right? -Yeah. | 0:17:06 | 0:17:09 | |
Well, OK, everything to play for. | 0:17:09 | 0:17:11 | |
Raymundo, Sarah, | 0:17:11 | 0:17:13 | |
you guys ready? | 0:17:13 | 0:17:15 | |
Yes. | 0:17:15 | 0:17:17 | |
Good luck, guys. | 0:17:17 | 0:17:18 | |
Let's play. | 0:17:18 | 0:17:20 | |
This will be over in just a few short seconds. | 0:17:21 | 0:17:25 | |
But the impact on the competition will be huge. | 0:17:25 | 0:17:27 | |
A win for Sarah gives the triplets three points. | 0:17:27 | 0:17:30 | |
A win for Ray is, well...unlikely. | 0:17:30 | 0:17:32 | |
The tension, as always, is palpable. | 0:17:33 | 0:17:37 | |
TRIGGER GOES OFF | 0:17:43 | 0:17:44 | |
And that's the trigger! | 0:17:44 | 0:17:45 | |
Let the battle commence. | 0:17:45 | 0:17:48 | |
Both players locked onto their | 0:17:48 | 0:17:49 | |
target, those yellow cans. | 0:17:49 | 0:17:51 | |
It will need a delicate mix | 0:17:51 | 0:17:52 | |
of precision and speed to grab | 0:17:52 | 0:17:54 | |
and run them to the target. | 0:17:54 | 0:17:55 | |
Both players are giving no quarter though, | 0:17:57 | 0:17:59 | |
as they approach the all-important grab. | 0:17:59 | 0:18:01 | |
It looks finely balanced. | 0:18:01 | 0:18:03 | |
This is the calm before the storm. | 0:18:05 | 0:18:07 | |
Crikey! Against the form book, Ray gets there first. | 0:18:08 | 0:18:11 | |
But in his haste, | 0:18:12 | 0:18:13 | |
he's grabbed an extra can, | 0:18:13 | 0:18:15 | |
but that doesn't matter, | 0:18:15 | 0:18:16 | |
he's ahead of Sarah, who hasn't | 0:18:16 | 0:18:19 | |
grabbed any cans, yellow or not. | 0:18:19 | 0:18:22 | |
Her yellow can is falling away, | 0:18:22 | 0:18:24 | |
this will be a test of her ability | 0:18:24 | 0:18:26 | |
to recover the initiative. | 0:18:26 | 0:18:28 | |
But remember, she has all the sporting skills to do just that. | 0:18:28 | 0:18:31 | |
Disaster for the Moores, | 0:18:33 | 0:18:35 | |
cans cascade everywhere, | 0:18:35 | 0:18:37 | |
as Sarah desperately tries to recover. | 0:18:37 | 0:18:39 | |
But Ray has his can | 0:18:39 | 0:18:41 | |
and is approaching the target drop. | 0:18:41 | 0:18:43 | |
But hang on, no! | 0:18:43 | 0:18:45 | |
He seems to be losing his balance. | 0:18:45 | 0:18:47 | |
The mayhem of the cans | 0:18:47 | 0:18:48 | |
and the desperation to win may have just got the better of him. | 0:18:48 | 0:18:51 | |
Sarah is groping around desperately for that yellow can | 0:18:51 | 0:18:55 | |
while Ray is crashing to the floor. | 0:18:55 | 0:18:58 | |
Now, Sarah's yellow can bounces, | 0:18:58 | 0:19:00 | |
it's right there, Sarah, | 0:19:00 | 0:19:01 | |
right in front of you, | 0:19:01 | 0:19:03 | |
bouncing like a rugby ball. | 0:19:03 | 0:19:04 | |
Katherine looks concerned, | 0:19:04 | 0:19:06 | |
it's within her grasp. | 0:19:06 | 0:19:07 | |
Can Sarah make it count? | 0:19:07 | 0:19:08 | |
No, because it's a can down for Ray. | 0:19:10 | 0:19:12 | |
He's won it! | 0:19:12 | 0:19:13 | |
He's got it! | 0:19:15 | 0:19:16 | |
CHEERING AND APPLAUSE | 0:19:16 | 0:19:18 | |
A precious first point for the Mortimers. | 0:19:18 | 0:19:20 | |
I love an underdog! | 0:19:20 | 0:19:21 | |
Let's see that again. | 0:19:23 | 0:19:24 | |
Again! | 0:19:26 | 0:19:27 | |
No, not the bit when he falls over! | 0:19:28 | 0:19:30 | |
That's better. | 0:19:32 | 0:19:34 | |
And you can see what it really means to Ray. | 0:19:35 | 0:19:38 | |
Who needs a tin opener when he's around? | 0:19:38 | 0:19:40 | |
Raymundo! Mortimer! | 0:19:42 | 0:19:45 | |
CHEERING | 0:19:45 | 0:19:48 | |
Well done! Well done. | 0:19:48 | 0:19:51 | |
Now, joking aside, you guys needed that to get back in the game. | 0:19:51 | 0:19:53 | |
I couldn't lose. I could not afford to lose. | 0:19:53 | 0:19:56 | |
You're back in the game now. | 0:19:56 | 0:19:57 | |
Congratulations. Well done. | 0:19:57 | 0:20:00 | |
The Mortimers are back in the game. | 0:20:00 | 0:20:03 | |
Come here, love. | 0:20:03 | 0:20:04 | |
Don't look so disappointed, you've got lovely hair. | 0:20:04 | 0:20:07 | |
LAUGHTER | 0:20:07 | 0:20:08 | |
The helmet didn't mess up your hair, did it? What happened down there? | 0:20:08 | 0:20:11 | |
-Cos these guys were saying how sporty you are. -Yeah, not good. | 0:20:11 | 0:20:14 | |
Well, listen, you've let them back in the game now. | 0:20:14 | 0:20:17 | |
Yes, let's have a look at the scores, | 0:20:17 | 0:20:18 | |
how they stand right now. | 0:20:18 | 0:20:20 | |
Well, that was exhilarating. | 0:20:20 | 0:20:22 | |
But the Mortimers have | 0:20:22 | 0:20:23 | |
timed their comeback well. | 0:20:23 | 0:20:24 | |
It's now 2-1 to the Moores. | 0:20:24 | 0:20:26 | |
We still got a long way to go, OK? | 0:20:28 | 0:20:31 | |
Let's have a look at challenge number four. | 0:20:31 | 0:20:35 | |
Each pair of players will be fitted | 0:20:35 | 0:20:37 | |
with an electronic button suit. | 0:20:37 | 0:20:38 | |
On hearing the Reflex trigger, they must follow a 20-light sequence. | 0:20:38 | 0:20:42 | |
Alternating between each player by finding | 0:20:42 | 0:20:44 | |
and hitting each button that's eliminated. | 0:20:44 | 0:20:47 | |
First player to complete this sequence in the fastest time | 0:20:47 | 0:20:51 | |
will score their family two points. | 0:20:51 | 0:20:53 | |
Now, that is a challenge. | 0:20:57 | 0:20:58 | |
So out of the triplets, you're going to become twins. | 0:21:00 | 0:21:02 | |
Someone's going to get left behind. | 0:21:02 | 0:21:04 | |
Are you going to do the husband and wife? Is it going to be brothers? | 0:21:04 | 0:21:07 | |
Let's find out, guys, get in a huddle | 0:21:07 | 0:21:09 | |
to decide who you're going to leave behind. | 0:21:09 | 0:21:11 | |
I reckon me and you are probably the quickest. | 0:21:11 | 0:21:14 | |
I was going to say you as well. | 0:21:14 | 0:21:15 | |
-We need to win. -We're always good at stuff like that. -You've got to win this. -I'll win this one. | 0:21:15 | 0:21:19 | |
I'll tell you what I'm thinking, this is like a dance routine. | 0:21:19 | 0:21:22 | |
You two must have danced with each other in the past. | 0:21:22 | 0:21:24 | |
One dance. | 0:21:24 | 0:21:27 | |
So...what are you guys thinking? | 0:21:27 | 0:21:29 | |
Me and Sarah will go. | 0:21:29 | 0:21:31 | |
-How do you feel about that? -That's fine with me. | 0:21:31 | 0:21:33 | |
Well, you don't sound happy, "That's fine with me!" | 0:21:33 | 0:21:36 | |
No, that's perfectly fine. | 0:21:36 | 0:21:38 | |
-So are you all right being left behind, mate? -Yeah. | 0:21:38 | 0:21:40 | |
You're not being left behind. | 0:21:40 | 0:21:41 | |
Well, he is a bit. Come on now, you'll be fine, don't worry. | 0:21:41 | 0:21:45 | |
Thank you. | 0:21:45 | 0:21:46 | |
OK, families, if you'd like to turn around and face the front | 0:21:46 | 0:21:49 | |
and you've made your decision, yes? | 0:21:49 | 0:21:51 | |
ALL: Yes. | 0:21:51 | 0:21:52 | |
OK, let's find out, take a step forward. | 0:21:52 | 0:21:56 | |
CHEERING AND APPLAUSE | 0:21:56 | 0:22:03 | |
Guys, let's go play. | 0:22:03 | 0:22:05 | |
So, will Chris and Zena's marital harmony prove decisive | 0:22:05 | 0:22:08 | |
or will the psychic connection of triplets Nick and Sarah win the day? | 0:22:08 | 0:22:12 | |
Let's find out. | 0:22:12 | 0:22:14 | |
Can I say something? I kind of know how you are both feeling | 0:22:20 | 0:22:24 | |
at the moment because I remember being at school | 0:22:24 | 0:22:26 | |
and when they used to pick the football team, I was left behind. | 0:22:26 | 0:22:30 | |
LAUGHTER | 0:22:30 | 0:22:31 | |
So I'm feeling your pain. | 0:22:31 | 0:22:33 | |
Pain is one thing, but shame is another thing entirely. | 0:22:33 | 0:22:36 | |
I mean, imagine having to wear that on national television. | 0:22:36 | 0:22:39 | |
But let's not make them feel uncomfortable | 0:22:39 | 0:22:41 | |
by drawing attention to it. | 0:22:41 | 0:22:42 | |
Nick, Sarah, Zena, Chris, | 0:22:42 | 0:22:45 | |
can I just say something? | 0:22:45 | 0:22:46 | |
You look ridiculous! | 0:22:46 | 0:22:48 | |
Well done, Shane. | 0:22:48 | 0:22:49 | |
Are you guys ready to play? | 0:22:49 | 0:22:51 | |
ALL: Yes. | 0:22:51 | 0:22:52 | |
OK, remember, there's two points in this | 0:22:52 | 0:22:54 | |
that could change the whole dimension of this game. | 0:22:54 | 0:22:57 | |
We're getting closer to playing for £20,000, so good luck to you, guys. | 0:22:57 | 0:23:03 | |
-Are you ready to play? -Yes! | 0:23:03 | 0:23:05 | |
Let's play! | 0:23:05 | 0:23:06 | |
They may look stupid, but these suits are state-of-the-art. | 0:23:08 | 0:23:10 | |
VIDEO GAME MUSIC PLAYS | 0:23:10 | 0:23:12 | |
Unlike this music. | 0:23:12 | 0:23:14 | |
TRIGGER GOES OFF | 0:23:16 | 0:23:17 | |
And they're off, and a chance for old scores to be settled. | 0:23:17 | 0:23:21 | |
Sarah straight in there | 0:23:21 | 0:23:22 | |
with a traditional head slap. | 0:23:22 | 0:23:24 | |
Look at that, right on the bonce. | 0:23:24 | 0:23:27 | |
Oh, but two can play at that game. | 0:23:27 | 0:23:30 | |
Glorious right hand from Chris. | 0:23:30 | 0:23:33 | |
Nick gets one back on Sarah. | 0:23:33 | 0:23:35 | |
Both teams hit for hit on 16. | 0:23:35 | 0:23:37 | |
Cheeky. | 0:23:37 | 0:23:38 | |
Chris and Zena are confused. | 0:23:38 | 0:23:40 | |
Oh, naughty. | 0:23:40 | 0:23:41 | |
Chris and Zena are even more confused. | 0:23:41 | 0:23:44 | |
And that bang on that bonce means | 0:23:48 | 0:23:50 | |
things are getting serious. | 0:23:50 | 0:23:51 | |
Remember - two points at stake | 0:23:54 | 0:23:55 | |
and there really is nothing in this. | 0:23:55 | 0:23:57 | |
It's going to go right down to the wire. | 0:23:57 | 0:24:00 | |
Well, Ray and Zena demonstrating exactly | 0:24:01 | 0:24:04 | |
what a long-term marriage is built on. | 0:24:04 | 0:24:06 | |
But who will prevail? Just three lights left, make that two. | 0:24:06 | 0:24:09 | |
THEY CHEER | 0:24:09 | 0:24:11 | |
Oh, I can't contain myself. And neither can Ray, | 0:24:11 | 0:24:13 | |
or does he need the toilet, really badly? | 0:24:13 | 0:24:16 | |
So the ultimate test of reactions, just two lights left. | 0:24:16 | 0:24:21 | |
Sarah's seen hers and so has Chris. | 0:24:21 | 0:24:24 | |
Sarah's got hers and so has Chris. | 0:24:24 | 0:24:27 | |
Just one light left for victory, | 0:24:27 | 0:24:28 | |
right there on the shoulder, | 0:24:28 | 0:24:29 | |
right there, Zena. | 0:24:29 | 0:24:31 | |
Nick's seen it and he is making his move. | 0:24:31 | 0:24:33 | |
And he's won it by just a split second from Zena. | 0:24:37 | 0:24:41 | |
ROAR | 0:24:41 | 0:24:42 | |
Amazing scenes as Katherine roars her approval. | 0:24:42 | 0:24:45 | |
Nick and Sarah are over the moon. | 0:24:47 | 0:24:50 | |
And the Mortimers, | 0:24:50 | 0:24:51 | |
well, looks like Zena's not happy with Chris' performance and | 0:24:51 | 0:24:55 | |
she's letting him know by hitting him repeatedly, marital bliss. | 0:24:55 | 0:24:59 | |
APPLAUSE | 0:24:59 | 0:25:02 | |
Oh! | 0:25:02 | 0:25:04 | |
Congratulations! | 0:25:04 | 0:25:06 | |
I can't tell you how close that was. | 0:25:06 | 0:25:08 | |
Right, families, after all that excitement, | 0:25:08 | 0:25:10 | |
let's see how that result has affected the scores. | 0:25:10 | 0:25:13 | |
So, conclusive proof then that being part of triplets does make you | 0:25:13 | 0:25:16 | |
better at slapping each other. | 0:25:16 | 0:25:18 | |
It's 4-1 to the Moores! | 0:25:18 | 0:25:20 | |
So we've reach a climax in tonight's battle of the families, | 0:25:21 | 0:25:24 | |
but there is still everything to play for as the families | 0:25:24 | 0:25:28 | |
face each other in the ultimate reaction showdown. | 0:25:28 | 0:25:32 | |
So let's bring on the families! | 0:25:32 | 0:25:34 | |
CHEERING AND APPLAUSE | 0:25:34 | 0:25:36 | |
Welcome, Mortimers. Welcome, Moores. | 0:25:36 | 0:25:39 | |
Now, this game right now will decide who will go and play | 0:25:41 | 0:25:45 | |
for a possible £20,000. Now, guys, you've played individually | 0:25:45 | 0:25:48 | |
and you've played some wonderful games. | 0:25:48 | 0:25:49 | |
This one is all about using your brain, OK? | 0:25:49 | 0:25:52 | |
Eye coordination, get there, whoosh, on the button. | 0:25:52 | 0:25:54 | |
You're going to see a series of questions on the TV screens | 0:25:54 | 0:25:57 | |
in front of you, as soon as you know the answer, you press that button | 0:25:57 | 0:25:59 | |
in front of you and it's the first one to ten will get a chance | 0:25:59 | 0:26:03 | |
to go into our endgame, which is the money ball | 0:26:03 | 0:26:05 | |
and a possible chance of £20,000. | 0:26:05 | 0:26:09 | |
Both families will be asked a question | 0:26:10 | 0:26:13 | |
and see a series of answers. | 0:26:13 | 0:26:15 | |
The instant they see the correct one, they must race to the button. | 0:26:15 | 0:26:18 | |
The player with the quickest reactions will score | 0:26:18 | 0:26:20 | |
a point for their family. | 0:26:20 | 0:26:22 | |
But if they react to an incorrect answer, they'll hand the point | 0:26:22 | 0:26:26 | |
over to the opposition. | 0:26:26 | 0:26:27 | |
First family to ten points will win. | 0:26:27 | 0:26:30 | |
So far, it's four to the Moores and one to the Mortimers, OK? | 0:26:30 | 0:26:34 | |
Here we go, our first question. | 0:26:34 | 0:26:36 | |
When both playing cards are identical | 0:26:36 | 0:26:39 | |
in suit and number, hit your buttons. | 0:26:39 | 0:26:43 | |
Let's play. | 0:26:43 | 0:26:44 | |
OK, they're playing a hi tech game of snap. | 0:26:47 | 0:26:49 | |
Oh, Nick's matched the seven but they're not the same suit, | 0:26:56 | 0:26:58 | |
that's a point to the Mortimers. | 0:26:58 | 0:27:00 | |
Which brings us to 4-2. | 0:27:00 | 0:27:03 | |
Still a long way to go, guys. | 0:27:03 | 0:27:04 | |
We're going to carry on playing this game, | 0:27:04 | 0:27:07 | |
remember we are looking for the same suit and number. Let's play. | 0:27:07 | 0:27:10 | |
Still looking for identical playing cards. | 0:27:10 | 0:27:13 | |
And Ray's seen it, and so has Sarah, | 0:27:15 | 0:27:18 | |
but Ray gets it. | 0:27:18 | 0:27:19 | |
Oh, I do believe that went to Raymundo! | 0:27:19 | 0:27:22 | |
APPLAUSE | 0:27:22 | 0:27:23 | |
Yeah, get in there, yes. | 0:27:23 | 0:27:25 | |
Could this be the comeback? | 0:27:25 | 0:27:27 | |
Three to the Mortimers playing against four to the Moores, | 0:27:27 | 0:27:31 | |
we are on to our second question. | 0:27:31 | 0:27:33 | |
When the coins add up to £3.50, | 0:27:33 | 0:27:35 | |
hit your button. | 0:27:35 | 0:27:36 | |
Let's play! | 0:27:36 | 0:27:37 | |
So who will be able to add up | 0:27:40 | 0:27:42 | |
the loose change to £3.50 first? | 0:27:42 | 0:27:45 | |
Sounds easy. | 0:27:45 | 0:27:47 | |
Oh, quick off the mark, | 0:27:51 | 0:27:53 | |
there was Katherine. | 0:27:53 | 0:27:55 | |
Come on! | 0:27:55 | 0:27:57 | |
Far too quick, hey, well done there, Katherine, | 0:27:58 | 0:28:01 | |
even I struggled on that one, sweetheart, well done. | 0:28:01 | 0:28:03 | |
Still playing at the moment, it's five to the Moores | 0:28:03 | 0:28:05 | |
and three to the Mortimers. | 0:28:05 | 0:28:07 | |
We go onto our next question, when the word matches the colour, | 0:28:07 | 0:28:10 | |
let's play! | 0:28:10 | 0:28:11 | |
So they're looking for the word | 0:28:13 | 0:28:15 | |
in its corresponding colour. | 0:28:15 | 0:28:17 | |
Quick off the mark there, Sarah pulls it out the bag! | 0:28:21 | 0:28:25 | |
Sarah gets her second point, great reflexes. | 0:28:25 | 0:28:28 | |
It's getting tense here right now, guys, six plays three. | 0:28:28 | 0:28:33 | |
This might make you smile. | 0:28:33 | 0:28:34 | |
When there are more Shanes than anything else, hit your button. | 0:28:34 | 0:28:39 | |
Let's play. | 0:28:39 | 0:28:40 | |
This reminds me of a weird dream | 0:28:43 | 0:28:45 | |
I had last night. | 0:28:45 | 0:28:46 | |
Oh, quick on the mark was Raymundo! | 0:28:55 | 0:28:59 | |
A crucial point for the Mortimers | 0:28:59 | 0:29:00 | |
which keeps them in the game. | 0:29:00 | 0:29:02 | |
Four to the Mortimers, six to the Moores. | 0:29:02 | 0:29:04 | |
Don't forget, once again to remind you - first one to ten, | 0:29:04 | 0:29:06 | |
it's still all to play for. | 0:29:06 | 0:29:08 | |
So I want you to hit the button when you see a ten-sided shape. | 0:29:08 | 0:29:11 | |
Let's play. | 0:29:11 | 0:29:12 | |
So this is basic geometry, | 0:29:15 | 0:29:17 | |
they are looking for a dodecahedron. | 0:29:17 | 0:29:19 | |
Oh, quick off the mark, that was Sarah! | 0:29:29 | 0:29:31 | |
Wow, you were all staring at each other! | 0:29:31 | 0:29:33 | |
Sarah with yet another point, this really is her game. | 0:29:33 | 0:29:37 | |
OK, now, guys, you're only three away. | 0:29:37 | 0:29:39 | |
-Yep. -To our endgame, OK? -One each. | 0:29:39 | 0:29:41 | |
OK, come on, you can get back in this, OK? Here we go. | 0:29:41 | 0:29:44 | |
When you see the grumpy baby, | 0:29:44 | 0:29:47 | |
hit your button. Let's play. | 0:29:47 | 0:29:48 | |
Oh, cute. But they are looking | 0:29:51 | 0:29:53 | |
for the only one grumpy baby. | 0:29:53 | 0:29:55 | |
Oh, who was quickest there? It was Raymundo! | 0:30:01 | 0:30:04 | |
And Ray, almost single-handedly, | 0:30:04 | 0:30:05 | |
scoring all the points for his family. | 0:30:05 | 0:30:08 | |
That was fast, you all went for that, didn't you? | 0:30:08 | 0:30:11 | |
Again, very close there, seven to the Moores, five to the Mortimers. | 0:30:11 | 0:30:15 | |
OK, here we go, hit the button | 0:30:15 | 0:30:17 | |
when the wrong letter appears in the alphabetical sequence, let's play. | 0:30:17 | 0:30:22 | |
It couldn't be simpler, | 0:30:26 | 0:30:27 | |
just follow the alphabet, easy. | 0:30:27 | 0:30:29 | |
What a terrible time to give away a precious point. | 0:30:33 | 0:30:37 | |
Well, let's hope the pressure has got to Chris | 0:30:37 | 0:30:39 | |
rather than thinking D doesn't follow C. | 0:30:39 | 0:30:41 | |
D for duh! | 0:30:41 | 0:30:43 | |
LAUGHTER | 0:30:43 | 0:30:44 | |
You've given the opposition a point there, which brings them up to eight. | 0:30:44 | 0:30:48 | |
So we're still playing with this one, alphabetical order, let's play. | 0:30:48 | 0:30:51 | |
Hopefully the Mortimers have learnt their lesson now. | 0:30:52 | 0:30:56 | |
I don't believe it, Ray's at it now, | 0:30:59 | 0:31:02 | |
this is a full-blown disaster, | 0:31:02 | 0:31:03 | |
they've handed four match points to the Moores. | 0:31:03 | 0:31:06 | |
OK, we are going to carry on with the next question | 0:31:08 | 0:31:10 | |
because the answer was directly coming up next, | 0:31:10 | 0:31:12 | |
so, Moores, you are one point away | 0:31:12 | 0:31:14 | |
from playing for a potential £20,000, | 0:31:14 | 0:31:17 | |
but these guys are known as the comeback kids, am I right? | 0:31:17 | 0:31:19 | |
-Still feeling confident? -Absolutely. | 0:31:19 | 0:31:22 | |
APPLAUSE | 0:31:22 | 0:31:23 | |
OK, five to the Mortimers nine to the Moores, | 0:31:23 | 0:31:25 | |
it could be down to this last question. | 0:31:25 | 0:31:28 | |
When you see a cat, hit that button | 0:31:28 | 0:31:32 | |
as fast as you can, let's play. | 0:31:32 | 0:31:36 | |
Really tense now, lots of dogs, | 0:31:40 | 0:31:43 | |
but they are looking for a cat. | 0:31:43 | 0:31:45 | |
And Katherine, the lion heart, | 0:31:50 | 0:31:52 | |
snatches victory for the Moores. | 0:31:52 | 0:31:54 | |
She won it with a cat, applauded gallantly by the losing Mortimers. | 0:31:54 | 0:31:59 | |
You pulled it out the bag, all right, all right. | 0:32:02 | 0:32:06 | |
-Now, of course, you love working with animals, don't you? -I do. | 0:32:06 | 0:32:09 | |
-You were so focused then. -I was, I was, I was on it. | 0:32:09 | 0:32:11 | |
Well, sadly, we've got to say goodbye, have you had a lovely time? | 0:32:11 | 0:32:14 | |
-Great time. -Thank you. -Thank you so much for being great fun, | 0:32:14 | 0:32:16 | |
nice big round of applause for the Mortimers. | 0:32:16 | 0:32:19 | |
CHEERING AND APPLAUSE | 0:32:19 | 0:32:22 | |
So the Mortimers staged a real fight back in the later stages | 0:32:26 | 0:32:29 | |
of the competition, but didn't quite manage the ultimate comeback. | 0:32:29 | 0:32:33 | |
Well, what can I say? Well played. | 0:32:40 | 0:32:42 | |
You have made it through to the end, you've played a blinding game | 0:32:42 | 0:32:45 | |
-if you don't mind me saying, so congratulations. -Thank you. | 0:32:45 | 0:32:47 | |
But now we've come to the endgame, the pay off, the money ball | 0:32:47 | 0:32:52 | |
and we are playing for a vast amount of money, OK? | 0:32:52 | 0:32:55 | |
Take a look at this. | 0:32:55 | 0:32:57 | |
One player from tonight's fastest family will stand | 0:32:57 | 0:33:00 | |
on a three-metre-tall podium. | 0:33:00 | 0:33:01 | |
Facing them are three high-speed cannons. | 0:33:01 | 0:33:03 | |
In the green phase, 15 high-impact balls are randomly fired | 0:33:03 | 0:33:07 | |
towards them. The player must make contact with as many of them | 0:33:07 | 0:33:11 | |
as possible, scoring a point for each. | 0:33:11 | 0:33:13 | |
Next is the red phase, | 0:33:13 | 0:33:15 | |
where they face 15 more high-impact balls. | 0:33:15 | 0:33:18 | |
This time, the player must now avoid every ball | 0:33:18 | 0:33:20 | |
and every one that makes contact subtracts a point. | 0:33:20 | 0:33:24 | |
If at the end of both phases any green points remain, | 0:33:24 | 0:33:27 | |
the family win £10,000 and the chance to double their money. | 0:33:27 | 0:33:30 | |
So, now is your chance for one of you to step up to the plate. | 0:33:32 | 0:33:37 | |
You've played a blinder so far tonight | 0:33:37 | 0:33:39 | |
and now you've got to choose who's going to play the money ball game. | 0:33:39 | 0:33:42 | |
We are going to think Nick. | 0:33:42 | 0:33:44 | |
Why Nick? | 0:33:44 | 0:33:45 | |
His catching hand-eye coordination, | 0:33:45 | 0:33:47 | |
you can throw anything and he'll catch it, so... | 0:33:47 | 0:33:50 | |
How do you feel about it, Nick? | 0:33:50 | 0:33:51 | |
Yeah, nervous, but I reckon I'd be able to do that. | 0:33:51 | 0:33:54 | |
Well, Nick, it's all down to you, mate, | 0:33:54 | 0:33:56 | |
the chance of winning £20,000, buddy, put it there. | 0:33:56 | 0:34:00 | |
Go, be a hero, off you go. | 0:34:00 | 0:34:02 | |
Well, Nick's been magnificent for the triplets, | 0:34:02 | 0:34:05 | |
but didn't score a single point | 0:34:05 | 0:34:06 | |
in the showdown. | 0:34:06 | 0:34:07 | |
Now is his moment to step up | 0:34:07 | 0:34:09 | |
and trouser the money. | 0:34:09 | 0:34:10 | |
Nick, how are you, buddy? | 0:34:13 | 0:34:14 | |
You all right there? Listen, let me just quickly remind you. | 0:34:14 | 0:34:17 | |
15 green balls will randomly be shot at you, OK? | 0:34:17 | 0:34:22 | |
For every one you hit, you're going to score a point. | 0:34:22 | 0:34:25 | |
-Yep. -All right, buddy? We're rooting for you, OK? | 0:34:25 | 0:34:28 | |
Girls, come on, girls, let me get in the middle, OK. | 0:34:28 | 0:34:30 | |
So, you ready to play, bud? | 0:34:30 | 0:34:32 | |
Yep. | 0:34:32 | 0:34:33 | |
OK, it's money ball time, let's play. | 0:34:33 | 0:34:37 | |
CHEERING AND APPLAUSE | 0:34:37 | 0:34:39 | |
This first phase is all about contact with those green balls. | 0:34:43 | 0:34:46 | |
Remember, Nick's a baker, | 0:34:48 | 0:34:49 | |
so let's see what this baker man can cook up here. | 0:34:49 | 0:34:52 | |
Yes! | 0:34:52 | 0:34:53 | |
First one straight into his hands, | 0:34:53 | 0:34:55 | |
confident start for Nick. | 0:34:55 | 0:34:57 | |
Can he deal with two? | 0:34:58 | 0:35:01 | |
Hang on, he's using his foot, | 0:35:01 | 0:35:03 | |
don't see that very often. | 0:35:03 | 0:35:04 | |
And that's why. | 0:35:04 | 0:35:06 | |
Oh, and he nearly slipped off, | 0:35:06 | 0:35:08 | |
that would cost him a precious point. | 0:35:08 | 0:35:10 | |
Come on, baker man, time to show us | 0:35:10 | 0:35:12 | |
how quick those hands are in the kitchen. | 0:35:12 | 0:35:15 | |
Oh, did he miss both of those? | 0:35:15 | 0:35:17 | |
Maybe he just does the washing up. | 0:35:17 | 0:35:18 | |
Can he make up for it now? | 0:35:18 | 0:35:20 | |
He must start making contact with these. | 0:35:20 | 0:35:22 | |
That's better. | 0:35:22 | 0:35:23 | |
Here comes another one on his blind side, | 0:35:23 | 0:35:25 | |
oh, and he's totally missed that. | 0:35:25 | 0:35:27 | |
Nick, it's time for the baker man to turn the heat up. | 0:35:27 | 0:35:31 | |
Holy crumpet, it's like he hit that | 0:35:31 | 0:35:32 | |
with a rolling pin, | 0:35:32 | 0:35:34 | |
and again, he's made a souffle out of that one. | 0:35:34 | 0:35:37 | |
That really does take the biscuit, | 0:35:37 | 0:35:39 | |
here's the proof in the pudding! | 0:35:39 | 0:35:40 | |
Sorry, I've overcooked the baking metaphors, | 0:35:40 | 0:35:43 | |
I mean, overdone... Oh, whatever. | 0:35:43 | 0:35:45 | |
Here comes another, I think he got a whisker on that, | 0:35:46 | 0:35:49 | |
that's whisker, not whisk. | 0:35:49 | 0:35:50 | |
OK, what can he make of this? | 0:35:50 | 0:35:52 | |
Oh, he's spooned that one away, | 0:35:52 | 0:35:53 | |
I've done it again, haven't I? | 0:35:53 | 0:35:55 | |
Can't be many left, this is an easy one. | 0:35:55 | 0:35:58 | |
No, he's made a mess of that. | 0:35:58 | 0:36:00 | |
Final three and they are all served together. | 0:36:03 | 0:36:06 | |
Can the triplet score a triple | 0:36:06 | 0:36:08 | |
whammy, can he make contact? | 0:36:08 | 0:36:10 | |
No, he can't! | 0:36:13 | 0:36:15 | |
Nick, you managed to score... | 0:36:17 | 0:36:19 | |
..nine points, well done, bud, that's good. | 0:36:21 | 0:36:24 | |
CHEERING AND APPLAUSE | 0:36:24 | 0:36:27 | |
Confirmation there that Nick scored nine points, | 0:36:27 | 0:36:30 | |
not quite a baker's dozen but still a good score. | 0:36:30 | 0:36:33 | |
Now, time to turn up the heat in the red phase. | 0:36:33 | 0:36:37 | |
OK, Nick, are you ready for phase two? | 0:36:39 | 0:36:41 | |
-Yep. -OK, this is what is going to happen, my friend - | 0:36:41 | 0:36:43 | |
15 red balls are going to be randomly fired in your direction. | 0:36:43 | 0:36:46 | |
-It's important you make contact with none of them. -Yeah. | 0:36:46 | 0:36:49 | |
For every red ball that hits you, sadly, we've got to deduct | 0:36:49 | 0:36:52 | |
from the points you scored in the first round with the green balls, OK? | 0:36:52 | 0:36:55 | |
Now, if nine or more red balls hit you, sadly, mate, | 0:36:55 | 0:36:59 | |
we say goodbye and you go home with nothing. | 0:36:59 | 0:37:03 | |
-Yep. -All right, Nick? -Yep. | 0:37:03 | 0:37:04 | |
We are rooting for you, buddy. OK, rooting for Nick, everybody, yes! | 0:37:04 | 0:37:08 | |
CHEERING AND APPLAUSE | 0:37:08 | 0:37:11 | |
Let's play. | 0:37:11 | 0:37:12 | |
£20,000 at stake. | 0:37:14 | 0:37:16 | |
So if you can't stand the heat, it's best to get out of the kitchen. | 0:37:16 | 0:37:19 | |
Come on, baker man, first ball then. | 0:37:19 | 0:37:22 | |
Wow, yes, what a move, that's what I call a flambe. | 0:37:22 | 0:37:25 | |
Now, then, ball number two. | 0:37:27 | 0:37:29 | |
Great, what a duck a l'orange! | 0:37:29 | 0:37:31 | |
Sees it late. | 0:37:33 | 0:37:35 | |
Oh, Nick's just got smashed. | 0:37:35 | 0:37:37 | |
Oh, you'll get a spot | 0:37:38 | 0:37:39 | |
of indigestion after that. | 0:37:39 | 0:37:41 | |
Let's hope he can recover from it. | 0:37:41 | 0:37:44 | |
Time for another, come on, Nick! | 0:37:44 | 0:37:45 | |
Ouch. | 0:37:47 | 0:37:49 | |
Baker man got toasted. | 0:37:49 | 0:37:51 | |
Again. | 0:37:51 | 0:37:53 | |
Nearly got a mouthful that time. | 0:37:53 | 0:37:55 | |
OK, it's a double whammy, | 0:37:57 | 0:37:58 | |
straight on top of him. | 0:37:58 | 0:38:00 | |
Oh, I don't believe that, | 0:38:01 | 0:38:03 | |
this is beginning to make him look a bit silly. | 0:38:03 | 0:38:05 | |
Ouch! | 0:38:05 | 0:38:06 | |
OK, Nick really has to avoid some of these now to stop him | 0:38:08 | 0:38:11 | |
looking a bit silly. | 0:38:11 | 0:38:13 | |
And there is nothing silly about that or that! | 0:38:13 | 0:38:17 | |
Yes, definitely nothing silly | 0:38:17 | 0:38:20 | |
about that. | 0:38:20 | 0:38:22 | |
Nothing silly at all. | 0:38:22 | 0:38:23 | |
Here we go, all to play for now. | 0:38:26 | 0:38:28 | |
And that's made contact. | 0:38:28 | 0:38:31 | |
Can he react to this? | 0:38:31 | 0:38:32 | |
Yes, what a move, that really is the cherry on the cake. | 0:38:32 | 0:38:37 | |
What can he top that with? | 0:38:37 | 0:38:39 | |
Only another flambe! | 0:38:39 | 0:38:40 | |
But can he cope with this final flurry? | 0:38:42 | 0:38:44 | |
First ball hits him, not good, | 0:38:45 | 0:38:47 | |
here's the second. | 0:38:47 | 0:38:49 | |
It misses him and the third too. | 0:38:49 | 0:38:51 | |
This has to be the last ball, | 0:38:55 | 0:38:58 | |
what can he do here? | 0:38:58 | 0:39:00 | |
Ouch. | 0:39:01 | 0:39:02 | |
Oh! Poor Nick. | 0:39:03 | 0:39:05 | |
Took that right in the profiteroles. | 0:39:07 | 0:39:09 | |
Woo-hoo, well done, Nick! | 0:39:10 | 0:39:12 | |
Well done, Nick! | 0:39:12 | 0:39:14 | |
CHEERING AND APPLAUSE | 0:39:14 | 0:39:16 | |
Yes! | 0:39:16 | 0:39:18 | |
Hero! | 0:39:19 | 0:39:21 | |
Man hug, man hug. Come and stand here, mate. | 0:39:21 | 0:39:24 | |
How do you think you've done, pal? | 0:39:24 | 0:39:26 | |
I think close, maybe just. | 0:39:26 | 0:39:30 | |
Let me tell ya. So we know what you got in phase one. | 0:39:30 | 0:39:32 | |
-You were hit by nine green balls, OK? -Yeah. | 0:39:32 | 0:39:35 | |
And I said to ya, | 0:39:35 | 0:39:37 | |
the red balls coming out, | 0:39:37 | 0:39:39 | |
nine or more, sadly, you are going home with nothing. | 0:39:39 | 0:39:43 | |
I am happy to tell you you got hit by six! | 0:39:48 | 0:39:51 | |
CHEERING | 0:39:51 | 0:39:53 | |
Well, Nick almost got his fingers burnt, | 0:39:55 | 0:39:58 | |
but that means he bags £10,000 for his family. | 0:39:58 | 0:40:01 | |
And in our face, one last dilemma. | 0:40:01 | 0:40:04 | |
This is entirely up to you, make a decision as a family. | 0:40:07 | 0:40:10 | |
You could walk away right now with £10,000 | 0:40:10 | 0:40:13 | |
or, or... | 0:40:13 | 0:40:15 | |
LAUGHTER | 0:40:15 | 0:40:17 | |
..you could go for the golden ball challenge. | 0:40:17 | 0:40:20 | |
And this is it. | 0:40:20 | 0:40:21 | |
Nick will face one golden ball, fired randomly at him. | 0:40:21 | 0:40:25 | |
He must dive to make contact and in doing so, | 0:40:25 | 0:40:28 | |
double his family's winning to £20,000. | 0:40:28 | 0:40:31 | |
But miss the golden ball and they leave with nothing. | 0:40:31 | 0:40:35 | |
-What do you reckon? -I think we've got to go for it, | 0:40:38 | 0:40:40 | |
we came with nothing, so it doesn't actually matter. | 0:40:40 | 0:40:42 | |
What does the audience think? | 0:40:42 | 0:40:44 | |
CHEERING | 0:40:44 | 0:40:48 | |
They don't mind shouting when it's not their money. | 0:40:48 | 0:40:51 | |
We're going to go. | 0:40:51 | 0:40:53 | |
They're going to go for it, so, Nick, get back on that podium! | 0:40:53 | 0:40:55 | |
Off you go. | 0:40:55 | 0:40:57 | |
You're going for £20,000. | 0:40:57 | 0:40:59 | |
You've got this, mate, this is yours, come on! | 0:40:59 | 0:41:02 | |
So, Nick, the baker from Eastbourne, prepares for perhaps the biggest | 0:41:03 | 0:41:07 | |
event in baking since the Great Fire of London in 1666. | 0:41:07 | 0:41:11 | |
This ball is worth £20,000. | 0:41:15 | 0:41:17 | |
You miss it and you take home nothing. | 0:41:20 | 0:41:22 | |
Let's play. | 0:41:24 | 0:41:26 | |
Here it comes. | 0:41:39 | 0:41:40 | |
Has he seen it? | 0:41:40 | 0:41:42 | |
On his favourite right side. | 0:41:42 | 0:41:44 | |
Eyes locked. | 0:41:47 | 0:41:48 | |
Body poised, | 0:41:49 | 0:41:51 | |
I've got a good feeling. | 0:41:51 | 0:41:52 | |
I think he's going to do it. | 0:41:56 | 0:41:59 | |
Yes, he's definitely going to do it. | 0:41:59 | 0:42:01 | |
Cue the obvious celebrational baker music. | 0:42:01 | 0:42:05 | |
MUSIC: "Baker Street" by Gerry Rafferty | 0:42:05 | 0:42:07 | |
No, he's missed it! | 0:42:07 | 0:42:10 | |
It couldn't have been by much, | 0:42:10 | 0:42:12 | |
I really thought he'd done it. | 0:42:12 | 0:42:14 | |
CHEERING AND APPLAUSE | 0:42:14 | 0:42:17 | |
Nick, come and join me, buddy. | 0:42:17 | 0:42:20 | |
And he misses by the slimmest of margins. | 0:42:21 | 0:42:24 | |
Literally, a fingertip away | 0:42:24 | 0:42:26 | |
from £20,000... | 0:42:26 | 0:42:27 | |
Cruel. | 0:42:27 | 0:42:29 | |
But that's the way the cookie | 0:42:29 | 0:42:31 | |
crumbles. No pun intended. | 0:42:31 | 0:42:32 | |
Are you all right, bud? | 0:42:36 | 0:42:38 | |
The ultimate gamble there, mate, and it didn't pay off. | 0:42:38 | 0:42:41 | |
That was hard, that was a long way left. | 0:42:41 | 0:42:44 | |
I needed to see it earlier, I saw it a little late. | 0:42:44 | 0:42:47 | |
Listen, guys, it has been an absolute pleasure tonight. | 0:42:47 | 0:42:49 | |
-Have you enjoyed yourselves? -Yes, it has been really good. | 0:42:49 | 0:42:52 | |
Thank you so much for being here tonight, guys. | 0:42:52 | 0:42:54 | |
Listen, haven't they been wonderful? The Moores! | 0:42:54 | 0:42:57 | |
They may not go back to Eastbourne with any winnings, | 0:43:01 | 0:43:04 | |
but the Moore triplets can hold their heads up high. | 0:43:04 | 0:43:07 | |
They were magnificent. | 0:43:07 | 0:43:08 | |
Three is most definitely the magic number. | 0:43:08 | 0:43:11 | |
Well, sadly it didn't happen for them tonight, | 0:43:15 | 0:43:18 | |
but who knows what will happen next week? | 0:43:18 | 0:43:20 | |
So join me for some more slow-mo commotion on Reflex. | 0:43:20 | 0:43:23 | |
Take care, everybody. Bye-bye. | 0:43:23 | 0:43:25 | |
CHEERING AND APPLAUSE | 0:43:25 | 0:43:27 |