Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
CHEERING AND APPLAUSE | 0:00:18 | 0:00:20 | |
Good even...oh, pushed too hard. No, still spinning. | 0:00:22 | 0:00:24 | |
Good evening and welc... No, I've overdone it. | 0:00:24 | 0:00:27 | |
LAUGHTER | 0:00:27 | 0:00:29 | |
Good evening and welc... How can that be happening?! | 0:00:29 | 0:00:32 | |
Welcome to a brand new series, Secret Service, | 0:00:33 | 0:00:36 | |
with me, Richard Hammond. | 0:00:36 | 0:00:37 | |
The mission the BBC has given me is simple. | 0:00:37 | 0:00:40 | |
You write in with a problem | 0:00:40 | 0:00:41 | |
and I send my highly trained operatives round to sort it out. | 0:00:41 | 0:00:45 | |
What we do here is top secret. | 0:00:45 | 0:00:47 | |
Unfortunately, they've given me this button. | 0:00:47 | 0:00:50 | |
ALARM BLARES | 0:00:50 | 0:00:52 | |
'Coming up on tonight's show...' | 0:00:52 | 0:00:54 | |
It's good. | 0:00:54 | 0:00:55 | |
'Just how far will this couple go to please their daughter?' | 0:00:55 | 0:00:58 | |
Will it keep like this? | 0:00:58 | 0:01:00 | |
Oo-ooh! | 0:01:00 | 0:01:02 | |
-Oh! -It is hoof of pig. -Ah, yes. | 0:01:03 | 0:01:06 | |
'Will this self-proclaimed King of Cool be pushed to boiling point | 0:01:06 | 0:01:09 | |
'in a lift journey from Hell?' | 0:01:09 | 0:01:11 | |
# Oh, baby, baby... # | 0:01:11 | 0:01:13 | |
HE BARKS AND CLUCKS | 0:01:13 | 0:01:15 | |
# Still believe! # | 0:01:15 | 0:01:17 | |
'And what will happen when these kids | 0:01:17 | 0:01:19 | |
'meet the most advanced toy in the entire world?' | 0:01:19 | 0:01:21 | |
Hello! My name is Teddy. | 0:01:21 | 0:01:24 | |
-Oh, my God! -Whoa! -Teddy Bear's working! -It's working! | 0:01:24 | 0:01:28 | |
This is my new office. | 0:01:28 | 0:01:31 | |
It's massive, I've got a desk with all buttons on it and everything, | 0:01:31 | 0:01:35 | |
one of which has got a funny cover on. Don't know what that one does. | 0:01:35 | 0:01:38 | |
ALARM BEEPS | 0:01:38 | 0:01:40 | |
Erm, can you deal with that, Agent, please? | 0:01:40 | 0:01:44 | |
-ALARM STOPS -Thank you. | 0:01:44 | 0:01:47 | |
Then over here there's our laboratory | 0:01:47 | 0:01:50 | |
where we make all our spy gadgets and stuff. | 0:01:50 | 0:01:53 | |
And it's all here at my top secret base | 0:01:53 | 0:01:56 | |
on the B412 between Harlow and Bampton. | 0:01:56 | 0:01:59 | |
Now, our first assignment this week is from Tasha. | 0:01:59 | 0:02:02 | |
Computer, show assignment. | 0:02:02 | 0:02:04 | |
Right, our first mission, and it involves this lovely girl. | 0:02:07 | 0:02:11 | |
What can we do for you? | 0:02:11 | 0:02:12 | |
I've been single for a while now | 0:02:13 | 0:02:15 | |
and my embarrassing dad Steve is always bugging me | 0:02:15 | 0:02:18 | |
about having a boyfriend and asking when I'm going to settle down. | 0:02:18 | 0:02:22 | |
He and my step-mum Beverley are desperate to meet a boyfriend | 0:02:22 | 0:02:25 | |
of mine so please can you help me put an end to all the nagging? | 0:02:25 | 0:02:28 | |
To help Tasha out, we're giving her a fake boyfriend from a | 0:02:29 | 0:02:33 | |
fictitious royal family, rulers of a non-existent country, Malvania. | 0:02:33 | 0:02:38 | |
Tasha has told her folks that they're meeting her new fella | 0:02:38 | 0:02:41 | |
and his parents for lunch. | 0:02:41 | 0:02:43 | |
Anyone else think this might get tricky? | 0:02:43 | 0:02:46 | |
So, we have a crown prince and a crown princess | 0:02:46 | 0:02:48 | |
and more importantly for Tasha, an eligible, | 0:02:48 | 0:02:51 | |
if entirely bogus, royal bachelor, Alex. | 0:02:51 | 0:02:54 | |
And right on cue, here comes Tasha, bringing unsuspecting dad Steve | 0:02:55 | 0:03:00 | |
and step-mum Bev into our royal residence, | 0:03:00 | 0:03:03 | |
which is swarming with Secret Service agents and hidden cameras. | 0:03:03 | 0:03:07 | |
Remember, they think they're meeting Tasha's new boyfriend | 0:03:07 | 0:03:10 | |
and his parents. | 0:03:10 | 0:03:12 | |
Time to break out your best curtsy. | 0:03:12 | 0:03:14 | |
It's this way. | 0:03:17 | 0:03:19 | |
The Crown Prince and Princess of Malvania. | 0:03:19 | 0:03:21 | |
-Hello, I'm Steve. -Welcome. | 0:03:25 | 0:03:29 | |
-Pleased to meet you. -Welcome. | 0:03:29 | 0:03:32 | |
Oh! | 0:03:35 | 0:03:36 | |
My name's Beverley. | 0:03:39 | 0:03:40 | |
So, enthusiastic formalities over, | 0:03:50 | 0:03:53 | |
and it seems Steve is off to hide in the toilet. | 0:03:53 | 0:03:56 | |
Tasha and Alex are acting | 0:03:56 | 0:03:59 | |
and they leave it to Bev to kick off the awkward small talk. | 0:03:59 | 0:04:02 | |
-Where do you come from? -Malvania. -Eh? -Malvania. | 0:04:02 | 0:04:05 | |
-Malvania? -Malvania. -Malvania, ahh... | 0:04:05 | 0:04:08 | |
Principality in Carpathian mountains. | 0:04:08 | 0:04:12 | |
I have just been into the Baltics. | 0:04:12 | 0:04:16 | |
Oh, no, Beverley, don't mention the Baltics. They don't like it. | 0:04:16 | 0:04:20 | |
-We're not friends of Russia in Malvania. -No, no. | 0:04:20 | 0:04:24 | |
-That's right. -Many wars. -Many wars, I know. | 0:04:24 | 0:04:27 | |
Like enemies of Malvania. | 0:04:27 | 0:04:30 | |
But long time ago! Long time ago! | 0:04:30 | 0:04:32 | |
Yes, but it stays here. | 0:04:32 | 0:04:34 | |
Yes, the memories of wars in past. | 0:04:34 | 0:04:39 | |
OK, Steve's back, | 0:04:39 | 0:04:40 | |
just in time to stop Beverley starting a diplomatic row. | 0:04:40 | 0:04:43 | |
Why are you talking in an accent? | 0:04:43 | 0:04:44 | |
Well, because sometimes they understand a bit more. | 0:04:44 | 0:04:47 | |
That's what I do, I tend to go into a bit of an accent. | 0:04:47 | 0:04:51 | |
So now, Tasha and Alex make an excuse to leave so that Steve | 0:04:51 | 0:04:55 | |
and Bev can bask in the presence of Malvanian royalty. | 0:04:55 | 0:04:58 | |
-They come from Mal...Malvania. -Malvania? -Yes, Malvania. | 0:04:58 | 0:05:04 | |
Have you got a map? | 0:05:04 | 0:05:06 | |
-Did we get a map? -In map room, but not in here. -Well covered. | 0:05:06 | 0:05:11 | |
-You have heard of Malvania? > -I haven't actually, no. | 0:05:11 | 0:05:16 | |
People in Malvania, they are poor. They are poor. Are you poor or rich? | 0:05:16 | 0:05:22 | |
BEV AND STEVE LAUGH | 0:05:22 | 0:05:24 | |
I think... | 0:05:24 | 0:05:25 | |
We would say that we're not rich, definitely not rich. | 0:05:25 | 0:05:29 | |
-Not rich, but... -But not poor. -But we're not poor. | 0:05:29 | 0:05:32 | |
You have servant. > | 0:05:32 | 0:05:33 | |
BOTH: No. | 0:05:33 | 0:05:35 | |
Why not? > | 0:05:35 | 0:05:37 | |
I don't know, it's just not us, is it? | 0:05:37 | 0:05:39 | |
I should imagine Steve and Bev could do with a stiff drink right now. | 0:05:39 | 0:05:43 | |
But there is no time, because we're about to serve a traditional | 0:05:43 | 0:05:46 | |
Malvanian delicacy, the wholly organic and ominously named yak yak. | 0:05:46 | 0:05:51 | |
Oh, that's nice and refreshing, isn't it? | 0:05:54 | 0:05:57 | |
Everybody like this in Malvania, even poor people, | 0:05:57 | 0:06:01 | |
cos flower is eaten by yak, fermented urine of yak. | 0:06:01 | 0:06:06 | |
You have fermented urine drink in England? > | 0:06:09 | 0:06:11 | |
Right, so now it's a move over to the dining area | 0:06:13 | 0:06:16 | |
in preparation for lunch. | 0:06:16 | 0:06:18 | |
You want some more yak yak? | 0:06:18 | 0:06:20 | |
No, we're fine. | 0:06:20 | 0:06:21 | |
Oh, gift, gift! | 0:06:21 | 0:06:24 | |
-It's time for gift now. -Gift! | 0:06:24 | 0:06:26 | |
SHE SPEAKS "MALVANIAN" Bring gift now. | 0:06:26 | 0:06:28 | |
Oh, gosh. | 0:06:28 | 0:06:30 | |
Let's try them with yet another Malvanian tradition, | 0:06:30 | 0:06:33 | |
exchanging lavish gifts. | 0:06:33 | 0:06:34 | |
Careful, careful. | 0:06:41 | 0:06:42 | |
Oh, wow, brilliant, look, it's one of those, erm, it's, | 0:06:42 | 0:06:45 | |
er...what is that? Looks horrible. | 0:06:45 | 0:06:48 | |
It is soil of our country and you wear on head. | 0:06:48 | 0:06:54 | |
It's like a hat, but it is symbolic, I put for you, | 0:06:54 | 0:06:59 | |
symbolic of all the history... oh, that's beautiful! | 0:06:59 | 0:07:04 | |
This is Holy earth, where all our ancestors buried | 0:07:04 | 0:07:10 | |
and this soil is like the history of the country but in a hat. | 0:07:10 | 0:07:16 | |
I want one. Oh, wait a minute, no, they're not real. | 0:07:16 | 0:07:19 | |
We need a photograph. | 0:07:19 | 0:07:21 | |
-Yes, yes. It fit! It fit! -It fits, wonderful. | 0:07:21 | 0:07:26 | |
We'll sit here with these on, lovely. | 0:07:26 | 0:07:28 | |
And will it keep? Will it keep like this? | 0:07:28 | 0:07:32 | |
You must water, just once every two days. | 0:07:32 | 0:07:37 | |
But take off head before water. | 0:07:37 | 0:07:41 | |
Oh, yes. | 0:07:41 | 0:07:43 | |
Definitely. | 0:07:44 | 0:07:46 | |
-You have done this for us. I feel very, erm, heartfelt. -They like. | 0:07:48 | 0:07:55 | |
-Thank you very, very much. -Yeah, they did this for you, that's true. | 0:07:55 | 0:07:58 | |
It is going well. So what could possibly go wrong for them now? | 0:07:58 | 0:08:01 | |
Where is your gift for us? | 0:08:01 | 0:08:04 | |
Oh... | 0:08:04 | 0:08:06 | |
-Did you give gift to Nikol? -No. -No, no gift. | 0:08:06 | 0:08:10 | |
No gift. | 0:08:10 | 0:08:11 | |
You did bring a gift, didn't you, Bev? | 0:08:11 | 0:08:13 | |
Your gift is? | 0:08:13 | 0:08:14 | |
Our gift is, erm, that... | 0:08:14 | 0:08:18 | |
Is our, is our friendship. | 0:08:21 | 0:08:25 | |
Yes. That, er, hopefully... | 0:08:25 | 0:08:28 | |
-Thinking. -..that this will be the start of a nice friendship. | 0:08:28 | 0:08:31 | |
This is good. | 0:08:31 | 0:08:32 | |
You, you are funny! | 0:08:37 | 0:08:40 | |
-You make joke. -They make joke. | 0:08:40 | 0:08:42 | |
Where is actual, real gift? | 0:08:42 | 0:08:45 | |
Oh, I've had a job interview like this! | 0:08:45 | 0:08:48 | |
Real...well, as I say, we haven't got anything | 0:08:53 | 0:08:56 | |
because we didn't know that we were going to be meeting you. | 0:08:56 | 0:08:59 | |
I know you didn't. | 0:08:59 | 0:09:00 | |
Oh! | 0:09:01 | 0:09:03 | |
-Do not worry. We will not mention gift. -Very, very sorry. | 0:09:04 | 0:09:07 | |
No, we are not hugely offended. | 0:09:07 | 0:09:10 | |
So, Tasha's set up her folks to get them | 0:09:11 | 0:09:13 | |
off her back about finding a boyfriend. | 0:09:13 | 0:09:15 | |
So far, they've endured uncomfortably long hugs, | 0:09:15 | 0:09:18 | |
the drinking of yak urine and the wearing of turf hats. | 0:09:18 | 0:09:21 | |
We'll find out just how much worse things can get | 0:09:21 | 0:09:24 | |
when we join them again later. | 0:09:24 | 0:09:26 | |
CHEERING AND APPLAUSE | 0:09:26 | 0:09:29 | |
Now, this is the lab where we develop all the technology | 0:09:29 | 0:09:32 | |
we need for our covert operations, | 0:09:32 | 0:09:34 | |
and I love it in here cos nothing is quite what it seems. | 0:09:34 | 0:09:39 | |
Take this watch for example. It may look like an ordinary watch... | 0:09:39 | 0:09:45 | |
-That's just my watch. -But if I press this button here... | 0:09:45 | 0:09:49 | |
WATCH BEEPS: "She'll Be Coming Round The Mountain" | 0:09:49 | 0:09:52 | |
Think of the possibilities! | 0:09:52 | 0:09:53 | |
Fun fact for you, this exact watch was not used in the next assignment. | 0:09:55 | 0:10:00 | |
Right, who's next for the Secret Service treatment? | 0:10:02 | 0:10:05 | |
Nice short haircut, how can we be of assistance? | 0:10:05 | 0:10:07 | |
My little brother Mo is so cool and confident under pressure, | 0:10:09 | 0:10:12 | |
he's a real gentleman and a bit of a charmer. | 0:10:12 | 0:10:15 | |
He reckons he can handle anything you throw at him. | 0:10:15 | 0:10:17 | |
Can we put this to the test? | 0:10:17 | 0:10:19 | |
A lift to a swanky restaurant, | 0:10:22 | 0:10:24 | |
where Mo thinks he's going to meet his brother for lunch. | 0:10:24 | 0:10:27 | |
Instead, he's about to meet Agent Panic Attack, | 0:10:27 | 0:10:30 | |
who just so happens to have a phobia of being stuck in a lift. | 0:10:30 | 0:10:33 | |
And...the lift is stuck! | 0:10:35 | 0:10:37 | |
Who saw that coming? Honestly! | 0:10:37 | 0:10:40 | |
-Do you think it's stuck? -Yeah, it is. | 0:10:40 | 0:10:42 | |
So it's all set up perfectly | 0:10:42 | 0:10:44 | |
for smooth operator Mo to come to the rescue. | 0:10:44 | 0:10:47 | |
LIFT ALARM BEEPS | 0:10:47 | 0:10:49 | |
'Hello, this is the lift operator. I can see you've called the bell.' | 0:10:50 | 0:10:53 | |
Yeah, the lift's just stopped. | 0:10:53 | 0:10:55 | |
'OK, bear with me and we'll get someone over to you ASAP.' | 0:10:55 | 0:10:58 | |
Oh, my God, I am not a good person to be stuck in a lift with. | 0:10:58 | 0:11:02 | |
-I'm very claustrophobic. -Oh, right. -I have panic attacks. -Really? | 0:11:02 | 0:11:06 | |
-Yeah, like serious anxiety. -It's only ten minutes. | 0:11:06 | 0:11:09 | |
One of the things I do with my therapist is association. | 0:11:09 | 0:11:13 | |
So, I have to visualise that I'm somewhere outdoors, erm... | 0:11:13 | 0:11:16 | |
-Beach? -Perfect, perfect. OK, can you describe everything to me? | 0:11:16 | 0:11:21 | |
Er, it's very sandy. | 0:11:21 | 0:11:24 | |
Er, the wind's blowing in your hair. You're in your bikini. | 0:11:25 | 0:11:30 | |
Oh-oh, he's turning on the charm already. | 0:11:30 | 0:11:32 | |
There's a handsome guy who's sat next to you. | 0:11:32 | 0:11:36 | |
In a check shirt? Yeah. | 0:11:36 | 0:11:38 | |
-What's his name? -Joey. -Is your name Joey? | 0:11:38 | 0:11:40 | |
Well, everyone calls me Joey. | 0:11:40 | 0:11:43 | |
You're not supposed to be hitting on me! | 0:11:43 | 0:11:46 | |
This is the perfect time, actually, when you're vulnerable. | 0:11:46 | 0:11:50 | |
So, things are hotting up inside our broken lift already. | 0:11:50 | 0:11:55 | |
Mo is working his magic on our glamorous agent. | 0:11:55 | 0:11:58 | |
The ocean, maybe, can I hear the ocean? | 0:11:58 | 0:12:00 | |
-MO MAKES SWISHING NOISE -That sounds like a vacuum cleaner. | 0:12:00 | 0:12:03 | |
I need you to make more of an ocean-type sound. Seagulls? | 0:12:03 | 0:12:07 | |
We asked her to play difficult, and she is. | 0:12:07 | 0:12:09 | |
Like from Nemo? | 0:12:09 | 0:12:10 | |
Yeah, like from Nemo. Can you do the seagulls? | 0:12:10 | 0:12:14 | |
IMPERSONATING SEAGULLS FROM FINDING NEMO: Mine? | 0:12:14 | 0:12:17 | |
-Yes, that's what they do. -Mine! | 0:12:17 | 0:12:18 | |
-(Do it again.) -Mine! | 0:12:18 | 0:12:20 | |
Oh, my... | 0:12:21 | 0:12:22 | |
-Do a squawk. -I don't know what a squawk is. | 0:12:22 | 0:12:25 | |
-Like, whoa-a-rk! -Oh, good squawk. | 0:12:25 | 0:12:27 | |
-MO CLUCKS HALF-HEARTEDLY -Nah. | 0:12:27 | 0:12:29 | |
I feel like I'm there. Do it again. | 0:12:29 | 0:12:32 | |
-HE CLUCKS -Sounded like a chicken, Mo. | 0:12:33 | 0:12:37 | |
(Thank you.) | 0:12:37 | 0:12:38 | |
'Hello, this is the lift operator, can you hear me? | 0:12:38 | 0:12:41 | |
'I'm afraid we're looking at another ten minutes.' | 0:12:41 | 0:12:43 | |
Oh, my God! Ten minutes, are you kidding me?! | 0:12:43 | 0:12:45 | |
You said that, like, ten minutes ago! | 0:12:45 | 0:12:47 | |
I'm claustrophobic, I have panic attacks, | 0:12:47 | 0:12:49 | |
I cannot handle this right now! | 0:12:49 | 0:12:51 | |
Oh, no, Agent Panic Attack is on the verge of another panic attack. | 0:12:51 | 0:12:55 | |
-What will Mo have to do next? -My dog Betsy, OK. | 0:12:55 | 0:12:59 | |
Whenever I get stressed I pet her. Can I just pet you? | 0:12:59 | 0:13:03 | |
-Thank you so much. -He doesn't mind. | 0:13:03 | 0:13:05 | |
Betsy, you're such a good girl. | 0:13:05 | 0:13:07 | |
I'm going to give you a cookie later when I get off the elevator. | 0:13:07 | 0:13:10 | |
Could you pant a little? Betsy pants a lot. | 0:13:10 | 0:13:12 | |
-HE PANTS -This guy's unbreakable! | 0:13:14 | 0:13:18 | |
Mind you, he's got nowhere to run, has he? | 0:13:18 | 0:13:20 | |
-MO BARKS -There's nothing strange about this. | 0:13:20 | 0:13:23 | |
-Yeah. -Is Betsy hungry? | 0:13:23 | 0:13:25 | |
-Oh, is Betsy sad. Betsy sounds sad. -No, no, Betsy's very happy. | 0:13:26 | 0:13:31 | |
He's still calm. | 0:13:31 | 0:13:33 | |
You sound so happy. D'you want to go play fetch later? | 0:13:33 | 0:13:36 | |
Give me the ball, give me the ball. | 0:13:36 | 0:13:38 | |
-OK, that is getting a bit strange now. -Give me the ball, Betsy. | 0:13:38 | 0:13:42 | |
Oh, yes, I got the ball! Go, fetch. Go run! Pretend that you're running. | 0:13:42 | 0:13:47 | |
-Pretend...? -Make the sound that you're running. | 0:13:47 | 0:13:50 | |
Oh, you're so good, you're such a good fetcher! Can I rub your belly? | 0:13:50 | 0:13:54 | |
-MO BARKS -Oh, quick tummy tuck there from Mo, | 0:13:54 | 0:13:57 | |
our Ilford Adonis. He doesn't miss a trick, this guy. What a pro. | 0:13:57 | 0:14:02 | |
You're such a good girl, you are such a good girl. | 0:14:02 | 0:14:04 | |
But he's still hanging on in there. Any sign of an engineer yet? | 0:14:04 | 0:14:08 | |
No, cos, well, he's an agent as well. | 0:14:09 | 0:14:12 | |
-You're it. -No, you're it. -No, you're it. -You're it. -You're it. | 0:14:12 | 0:14:16 | |
Hide and seek now, no peeking. | 0:14:16 | 0:14:18 | |
-Hide and seek? Now you're talking. -One, two... | 0:14:18 | 0:14:21 | |
Where's she going to go? | 0:14:21 | 0:14:22 | |
Oh, look, she's down there in the corner by the trolley, that's easy. | 0:14:22 | 0:14:26 | |
Coming, ready or not. | 0:14:26 | 0:14:28 | |
Oh, no. Where's she gone? | 0:14:28 | 0:14:30 | |
She's down there in the corner, by the trolley, Mo. | 0:14:30 | 0:14:32 | |
Yeah, I think he knows really. Yeah. | 0:14:32 | 0:14:34 | |
-Who's this? -Finally! -You found me! | 0:14:34 | 0:14:37 | |
How did you do that so fast?! | 0:14:37 | 0:14:40 | |
I'm going to count. I won't peek, I promise. | 0:14:41 | 0:14:44 | |
OK, think about your options, Mo. | 0:14:44 | 0:14:46 | |
Not got a lot of space here. Oh, he's going for low down, no. | 0:14:46 | 0:14:49 | |
Up, maybe in the corner? No. Come on, man! | 0:14:51 | 0:14:53 | |
Well, she's going to see you there, isn't she? | 0:14:53 | 0:14:55 | |
-I found you! -Yay! -You're not very good at this game. | 0:14:55 | 0:14:59 | |
-SHE SINGS -# Old Macdonald had a farm... # | 0:14:59 | 0:15:01 | |
So, Mo and Agent Panic Attack have been | 0:15:01 | 0:15:03 | |
trapped in a lift for 48 minutes. | 0:15:03 | 0:15:06 | |
# With an oink-oink here and an oink-oink there... # | 0:15:06 | 0:15:10 | |
And to be honest, | 0:15:10 | 0:15:11 | |
it looks like the novelty is finally beginning to wear off. | 0:15:11 | 0:15:15 | |
# ..he had an octopus! # | 0:15:15 | 0:15:17 | |
Is he going to crack? | 0:15:17 | 0:15:19 | |
I don't like that one, actually. | 0:15:19 | 0:15:20 | |
-Can I spank your butt? -Yeah, go for it. | 0:15:20 | 0:15:22 | |
THEY SING # Oh, baby, baby | 0:15:22 | 0:15:24 | |
# How was I supposed to know? # | 0:15:24 | 0:15:27 | |
Charmer Mo's brother wanted to see just how cool | 0:15:27 | 0:15:31 | |
and calm he can stay under pressure. | 0:15:31 | 0:15:34 | |
Seagull, dog, Britney Spears, | 0:15:34 | 0:15:36 | |
you can throw pretty much anything at him. | 0:15:36 | 0:15:39 | |
Nothing fazes the man. | 0:15:39 | 0:15:40 | |
'Hello, we will have you moving in one minute's time.' | 0:15:40 | 0:15:44 | |
Can you hurry up, cos this guy's a bit strange? | 0:15:44 | 0:15:47 | |
He's a bit of a weirdo. | 0:15:49 | 0:15:51 | |
Right, he's stood nearly an hour of this now. | 0:15:51 | 0:15:54 | |
I think it's time to get him out of there. | 0:15:54 | 0:15:57 | |
I can't stand any more and I'm just watching. | 0:15:57 | 0:15:59 | |
# I must confess, I still believe | 0:15:59 | 0:16:02 | |
# Still believe | 0:16:02 | 0:16:03 | |
# When I'm not with you I lose my mind | 0:16:03 | 0:16:06 | |
# Give me a... | 0:16:06 | 0:16:08 | |
# Sign. # | 0:16:08 | 0:16:09 | |
Higher. | 0:16:09 | 0:16:10 | |
# Sign | 0:16:10 | 0:16:13 | |
# Hit me baby one more time. # | 0:16:13 | 0:16:15 | |
'Hello there, good news. | 0:16:15 | 0:16:17 | |
'We'll have you out of the lift in a few seconds.' | 0:16:17 | 0:16:20 | |
Thank the Lord! | 0:16:20 | 0:16:21 | |
I got this crazy dude here, I gotta get out! | 0:16:21 | 0:16:24 | |
'Some more good news for you, Mo. | 0:16:24 | 0:16:26 | |
'You've been appearing on | 0:16:26 | 0:16:28 | |
'Richard Hammond's Secret Service on BBC One.' | 0:16:28 | 0:16:31 | |
Are you serious? Are you serious? | 0:16:31 | 0:16:33 | |
-Are you OK? -I'm...! | 0:16:33 | 0:16:35 | |
-You're going to have a panic attack! -Yeah, I think I'm... | 0:16:35 | 0:16:38 | |
So, Mo's brother Ro wanted to test him. | 0:16:38 | 0:16:41 | |
And it turns out he's unbreakable! | 0:16:41 | 0:16:43 | |
You're crazy! | 0:16:45 | 0:16:47 | |
You're insane! | 0:16:47 | 0:16:48 | |
I'm sorry. You're such a good sport! | 0:16:48 | 0:16:51 | |
APPLAUSE | 0:16:53 | 0:16:55 | |
So, Agent Panic Attack, are you really scared of small spaces? | 0:16:57 | 0:17:00 | |
Nope. | 0:17:00 | 0:17:02 | |
But you were in that lift for ages, I mean, come on! | 0:17:02 | 0:17:04 | |
D'you not feel like the walls are pressing in on you | 0:17:04 | 0:17:07 | |
and getting closer, all the time pressing down, | 0:17:07 | 0:17:10 | |
cos when I was a kid I got stuck in a wardrobe. | 0:17:10 | 0:17:12 | |
The clothes were above me and they were weighing down on me | 0:17:12 | 0:17:15 | |
and the walls were getting closer | 0:17:15 | 0:17:16 | |
and it just...I'm never going to get out of this! | 0:17:16 | 0:17:18 | |
Moths! There are moths in here! There are moths, get me out! | 0:17:18 | 0:17:21 | |
-PUNCH! -Ow! Thank you. | 0:17:21 | 0:17:24 | |
-That made me feel a lot better. -It was a pleasure, Richard. | 0:17:24 | 0:17:28 | |
So, back to Steve and Bev, who've been tricked by daughter Tasha | 0:17:28 | 0:17:31 | |
into thinking they're with the Malvanian royal family, all to get | 0:17:31 | 0:17:35 | |
her own back about their constant nagging about getting a boyfriend. | 0:17:35 | 0:17:39 | |
Time to take off the ceremonial mud hats | 0:17:39 | 0:17:42 | |
they've been wearing for the last hour. | 0:17:42 | 0:17:44 | |
I'm guessing they're cooking under there. | 0:17:44 | 0:17:46 | |
And here's lunch, just a straightforward vegetable soup. | 0:17:46 | 0:17:49 | |
So hopefully, no more strange Malvanian customs. | 0:17:49 | 0:17:53 | |
Oh, OK. | 0:17:55 | 0:17:57 | |
This is, erm, right... | 0:17:58 | 0:18:00 | |
This is Malvanian way, drink from bowl, not bowl to mouth. | 0:18:03 | 0:18:08 | |
Oh, I see. | 0:18:08 | 0:18:10 | |
You see, apparently, the spoon is yet to have an impact in Malvania. | 0:18:10 | 0:18:14 | |
It's good. | 0:18:19 | 0:18:21 | |
Remember, Steve and Bev are still going along with everything | 0:18:25 | 0:18:28 | |
because they think daughter Tasha is dating a royal prince from Malvania! | 0:18:28 | 0:18:34 | |
It's not real, made it up. | 0:18:34 | 0:18:36 | |
OK, whereas in the rest of the world, Pass the Parcel is | 0:18:43 | 0:18:46 | |
a children's game, in Malvania, it's an endurance sport. | 0:18:46 | 0:18:50 | |
Phew, finally! I'm shattered. What a game! Now, what's inside? | 0:18:59 | 0:19:04 | |
-Do I open it? -Yes. | 0:19:04 | 0:19:06 | |
Yeah, go on, open it. | 0:19:06 | 0:19:08 | |
Eurgh! Ohh...! | 0:19:08 | 0:19:11 | |
-It is hoof of pig. -Oh, yes. -Is delicacy. | 0:19:12 | 0:19:15 | |
-Where's the rest of the pig? -Very good prize. -Yeah. | 0:19:15 | 0:19:19 | |
Well handled. | 0:19:19 | 0:19:20 | |
-That's very unusual. -Isn't it? | 0:19:20 | 0:19:24 | |
Time for a musical interlude. | 0:19:24 | 0:19:25 | |
DRONING MUSIC PLAYS | 0:19:26 | 0:19:29 | |
THEY CHANT IN "MALVANIAN" | 0:19:29 | 0:19:31 | |
Steve and Bev are being serenaded by the crown prince himself, | 0:19:38 | 0:19:42 | |
a huge privilege if you're from Malvania. | 0:19:42 | 0:19:45 | |
I'm guessing slightly unnerving | 0:19:45 | 0:19:47 | |
if you're from Woodingdean near Brighton. | 0:19:47 | 0:19:50 | |
# Oo-oo-oo-ooh! # | 0:19:53 | 0:19:58 | |
Oh, Farike! | 0:20:03 | 0:20:04 | |
-Wonderful, wonderful. Very good. -Enchanted. | 0:20:04 | 0:20:08 | |
Yes, enchanted is the word. | 0:20:08 | 0:20:11 | |
It's not the word I'd use. | 0:20:11 | 0:20:13 | |
Back into the fray come Tasha and fake boyfriend Alex. | 0:20:13 | 0:20:16 | |
Tash, Tash, what? | 0:20:16 | 0:20:18 | |
We're engaged! | 0:20:18 | 0:20:20 | |
What?! No! | 0:20:20 | 0:20:22 | |
Oh, happy day! | 0:20:22 | 0:20:24 | |
So Tasha and Alex are engaged, | 0:20:26 | 0:20:28 | |
and that means Steve and Bev think they're about to marry into royalty. | 0:20:28 | 0:20:32 | |
Before you can say, "Get me to the church," in comes a priest! | 0:20:35 | 0:20:38 | |
Must face the east. | 0:20:38 | 0:20:40 | |
So what an unusual day out for Steve and Bev this has turned out to be. | 0:20:41 | 0:20:45 | |
Three hours ago, they thought they were meeting Tasha's new boyfriend | 0:20:45 | 0:20:48 | |
for a stuffed crust pizza. | 0:20:48 | 0:20:50 | |
Now they're about to see her married off to royalty. | 0:20:50 | 0:20:53 | |
He's giving your daughter the greatest honour, | 0:20:53 | 0:20:55 | |
to make him his third wife. | 0:20:55 | 0:20:59 | |
Third wife? | 0:20:59 | 0:21:01 | |
Third wife is very, very important wife, | 0:21:01 | 0:21:04 | |
after first and second is best wife. | 0:21:04 | 0:21:07 | |
No, Steve and Bev are not going to be happy. | 0:21:07 | 0:21:09 | |
-So what have they got to say? -Excellent. | 0:21:09 | 0:21:11 | |
I'm sure they'll be saying something any minute. | 0:21:11 | 0:21:15 | |
THEY SPEAK "MALVANIAN" | 0:21:15 | 0:21:18 | |
What does that mean? | 0:21:18 | 0:21:19 | |
You are married. | 0:21:19 | 0:21:21 | |
Steve and Bev now looking completely befuddled. | 0:21:24 | 0:21:26 | |
Time for a Malvanian blessing to reveal what a complete sham | 0:21:26 | 0:21:30 | |
this marriage really is. | 0:21:30 | 0:21:32 | |
ALL: We have just... | 0:21:32 | 0:21:33 | |
Star in... | 0:21:33 | 0:21:35 | |
ALL: Star in... | 0:21:35 | 0:21:36 | |
ALL: Richard Hammond's Secret Service on the BBC! | 0:21:36 | 0:21:41 | |
Oh, the penny's dropped. It's dropped. | 0:21:41 | 0:21:43 | |
You are the stars and you've been so brilliant! | 0:21:43 | 0:21:47 | |
CHEERING AND APPLAUSE | 0:21:47 | 0:21:49 | |
I felt like it was something from Chitty Chitty Bang Bang! | 0:21:49 | 0:21:54 | |
Bev and Steve thought their daughter had landed a right royal boyfriend. | 0:21:54 | 0:21:58 | |
You have servant? | 0:21:58 | 0:22:00 | |
-BOTH: No. -Why not? | 0:22:00 | 0:22:02 | |
And bravely went along with every strange custom... | 0:22:02 | 0:22:06 | |
-It's wonderful. -..tradition... | 0:22:06 | 0:22:07 | |
-It's hoof of pig. -Ah, yes. -Is delicacy. -I can smell it. | 0:22:07 | 0:22:12 | |
..and downright lunacy | 0:22:12 | 0:22:13 | |
their prospective Malvanian in-laws could throw at them. | 0:22:13 | 0:22:16 | |
Enchanted is the word. | 0:22:16 | 0:22:19 | |
D'you know what? I reckon we can safely call this | 0:22:19 | 0:22:22 | |
Mission Accomplished. | 0:22:22 | 0:22:24 | |
Well, this is payback for all the time you asked me | 0:22:24 | 0:22:27 | |
-why I didn't have a boyfriend. -Oh, brilliant! | 0:22:27 | 0:22:30 | |
CHEERING AND APPLAUSE | 0:22:30 | 0:22:32 | |
Now, this terminal is our very latest piece of technology. | 0:22:37 | 0:22:41 | |
From here I can keep an eye on any of my agents working | 0:22:41 | 0:22:45 | |
anywhere in the world. Look. | 0:22:45 | 0:22:48 | |
It's not a touch screen, Richard. | 0:22:49 | 0:22:51 | |
Yeah, I know, it's dusty, it's dusty. So's your keyboard. | 0:22:51 | 0:22:54 | |
Clean that. | 0:22:54 | 0:22:56 | |
Now, we're always moaning about red tape in Britain. | 0:22:57 | 0:23:00 | |
You know, like, "You've got to have a permit for that." | 0:23:00 | 0:23:03 | |
"Don't park there." | 0:23:03 | 0:23:04 | |
"No, you can't take that penguin home, Richard, it's zoo property." | 0:23:04 | 0:23:08 | |
But I believe that we British are endlessly patient and polite | 0:23:08 | 0:23:13 | |
and I can prove it. | 0:23:13 | 0:23:14 | |
To do this, we've sent out a very official looking agent | 0:23:16 | 0:23:20 | |
to enforce as many made-up laws as he can. | 0:23:20 | 0:23:24 | |
Excuse me, sir. D'you know where you're going? | 0:23:28 | 0:23:30 | |
-D'you know where you're going to? -Why? | 0:23:30 | 0:23:32 | |
-I just wonder, you look a bit lost. -Why? | 0:23:32 | 0:23:34 | |
Well, because I've seen you looking left, looking right, | 0:23:34 | 0:23:36 | |
not totally sure whether you know where you're going. | 0:23:36 | 0:23:39 | |
I'm just wandering around, why? | 0:23:39 | 0:23:40 | |
Well, because we've got a time and motion study in place here | 0:23:40 | 0:23:44 | |
and there's exactly the problem that this postcode suffers from | 0:23:44 | 0:23:47 | |
specifically on Tuesday mornings. | 0:23:47 | 0:23:48 | |
-Really? -Yeah. People just, you know, mimsying about not really knowing. | 0:23:48 | 0:23:53 | |
OK, well, I'll tell you exactly where I am. | 0:23:53 | 0:23:55 | |
I could have done you for the shade of blue that you're wearing as well. | 0:23:55 | 0:23:58 | |
-Really? -Yes. Pastel's not allowed. | 0:23:58 | 0:24:02 | |
Are you...? Are you serious? | 0:24:02 | 0:24:03 | |
No, because on CCTV you're all grey, you just blend into the pavement. | 0:24:03 | 0:24:07 | |
-Really? -Yes. | 0:24:07 | 0:24:08 | |
Excuse me, sir. I noticed you were just fiddling with your wallet there. | 0:24:08 | 0:24:12 | |
-Is that an old piece that you've got? -It's not, well, it's a purse. | 0:24:14 | 0:24:18 | |
-The purse, then, sir, I was being kind. What's the age of it? -No idea. | 0:24:18 | 0:24:21 | |
-It's old. -Quite old, yeah. -Are you happy with its functionality? | 0:24:21 | 0:24:26 | |
Oh, yeah. | 0:24:26 | 0:24:27 | |
I can issue on-the-spot fines today for the age of money receptacles. | 0:24:27 | 0:24:31 | |
Excuse me, madam, can I just stop you there? | 0:24:33 | 0:24:34 | |
Have you got a licence for this vehicle? | 0:24:34 | 0:24:37 | |
Have you got a licence for those nails? | 0:24:37 | 0:24:39 | |
Just stop you there, sir. | 0:24:43 | 0:24:44 | |
As you were. | 0:24:44 | 0:24:46 | |
-What's your first initial. -Er, Y. | 0:24:47 | 0:24:49 | |
Why? Cos I'm asking you. | 0:24:49 | 0:24:51 | |
-Y. -Why? -Yeah. -Cos I'm asking you. | 0:24:51 | 0:24:53 | |
-No, Y, the letter Y. -OK, right, OK, OK. | 0:24:53 | 0:24:57 | |
-Your middle name is Michael. -No, I don't have one. | 0:24:57 | 0:25:01 | |
-You don't have one? -No, I haven't. | 0:25:01 | 0:25:02 | |
-Sorry, you sound... -Wait a second, there's three things going on here. | 0:25:02 | 0:25:09 | |
You've got pastels, you got lost and no middle name. | 0:25:09 | 0:25:15 | |
Those...three things combined, but it's one charge sheet, OK? | 0:25:15 | 0:25:20 | |
That's the good news, cos it's only one fine. | 0:25:20 | 0:25:23 | |
I still don't believe this. | 0:25:23 | 0:25:24 | |
-It's not a wallet. -No. -It's a purse. -Yes. | 0:25:24 | 0:25:28 | |
OK, that in itself is a felony. | 0:25:28 | 0:25:31 | |
-Is it? -Yeah, a male should have a wallet. | 0:25:32 | 0:25:36 | |
You just said that if I had a wallet, that wouldn't be right. | 0:25:36 | 0:25:40 | |
Yeah, but it works both ways. | 0:25:40 | 0:25:43 | |
Can I just check your stopping distance in this? | 0:25:43 | 0:25:45 | |
-Have you got a licence for this? -I don't need a licence. | 0:25:45 | 0:25:48 | |
Come on, come on, come on, come on. | 0:25:48 | 0:25:50 | |
So, you can't have a purse, you can't have a wallet. | 0:25:53 | 0:25:56 | |
-Well, that's right. -What are you supposed to keep your money in? | 0:25:56 | 0:25:59 | |
Well, it's a European directive. | 0:25:59 | 0:26:01 | |
-Yeah, but what do I keep my money in? -Money belt, erm, | 0:26:01 | 0:26:05 | |
just a bigger bag, a bag. A piggy bank. | 0:26:05 | 0:26:08 | |
I can't believe it. | 0:26:10 | 0:26:11 | |
Look, I don't want to give you an on-the-spot fine for this. | 0:26:11 | 0:26:14 | |
You're a good guy and I can tell. So I'm just going to walk the other way. | 0:26:14 | 0:26:19 | |
-OK, fine. -What I will ask, erm, if you just do me the favour | 0:26:19 | 0:26:22 | |
of walking one mile an hour quicker than you were walking, OK? | 0:26:22 | 0:26:24 | |
Everyone's a winner then | 0:26:24 | 0:26:26 | |
because that'll keep everything flowing nicely. OK? | 0:26:26 | 0:26:29 | |
-Have a healthy high street, sir. -I won't say nothing. -Thank you. | 0:26:31 | 0:26:34 | |
Healthy high street. | 0:26:34 | 0:26:35 | |
I'm going to give you a chance, OK? | 0:26:35 | 0:26:37 | |
Paper scissors stone for whether or not you take this. | 0:26:37 | 0:26:41 | |
D'you understand me? | 0:26:41 | 0:26:42 | |
You can pay this or you can do paper scissors stone, it's up to you. | 0:26:42 | 0:26:45 | |
-I'm not going to pay this! -Well, OK, this is your chance, so let's play. | 0:26:45 | 0:26:48 | |
Paper scissors stone, ready? One, two, bang. Get ready. | 0:26:48 | 0:26:51 | |
One, two. | 0:26:51 | 0:26:52 | |
OK, you blunt my scissors. | 0:26:52 | 0:26:54 | |
-All right. -I still can't believe... | 0:26:54 | 0:26:56 | |
OK, but please, please, that blue, no! | 0:26:56 | 0:26:59 | |
CHEERING AND APPLAUSE | 0:27:00 | 0:27:02 | |
What's that? | 0:27:05 | 0:27:07 | |
Killer robo bear. | 0:27:07 | 0:27:10 | |
-Trumps everything. -Oh, damn! | 0:27:10 | 0:27:12 | |
You're good. Every time! | 0:27:12 | 0:27:14 | |
Right, onto our next assignment. | 0:27:14 | 0:27:17 | |
In this cynical world, people can be hurtful, | 0:27:17 | 0:27:22 | |
telling you that magic doesn't exist | 0:27:22 | 0:27:24 | |
or that there wasn't a staff Christmas party when there was one. | 0:27:24 | 0:27:29 | |
Oh, that really, really hurt. | 0:27:34 | 0:27:37 | |
But I think there can be magic in the world, | 0:27:37 | 0:27:41 | |
you just have to believe in it! | 0:27:41 | 0:27:43 | |
And what could be more magical than Teddy? | 0:27:45 | 0:27:47 | |
And who better to test this new toy | 0:27:47 | 0:27:49 | |
than a seasoned bunch of toy testers - kids? | 0:27:49 | 0:27:52 | |
Meet Sophia, Hayden, Sophie and George. | 0:27:52 | 0:27:55 | |
Aw, this is going to be so cute! | 0:27:56 | 0:27:59 | |
Oh, hang on, man down! I mean bear, bear down! | 0:27:59 | 0:28:03 | |
No, we can't touch this teddy today | 0:28:04 | 0:28:07 | |
because this teddy is not to be played with because he's broken. | 0:28:07 | 0:28:10 | |
Well, he's probably broken now. | 0:28:10 | 0:28:12 | |
So with grown-up Rebecca out of the room, | 0:28:12 | 0:28:15 | |
the kids are getting on with the serious business of toy testing. | 0:28:15 | 0:28:19 | |
Everyone hide in the tent! | 0:28:19 | 0:28:20 | |
-Whoa! -Oh, my gosh! -Oh, my gosh! | 0:28:27 | 0:28:30 | |
Oh, my gosh! It spoke! | 0:28:30 | 0:28:32 | |
-Oh, my gosh. -It worked! | 0:28:32 | 0:28:35 | |
The teddy bear's working! | 0:28:35 | 0:28:36 | |
-It's working! Everybody shout, it's working! -It's working! | 0:28:36 | 0:28:42 | |
The talking bear can only come to life in front of children. | 0:28:42 | 0:28:47 | |
-It is magic. -Thank you! | 0:28:47 | 0:28:50 | |
-My name... -It's good to have you back, Teddy! | 0:28:52 | 0:28:55 | |
How old are you, bear? | 0:28:55 | 0:28:56 | |
Two months old? | 0:28:58 | 0:28:59 | |
THEY LAUGH | 0:28:59 | 0:29:01 | |
Have you got a mummy? | 0:29:03 | 0:29:04 | |
-Awww! -I bet he's going to... Are you going to get married? | 0:29:09 | 0:29:13 | |
Do you have a girlfriend? | 0:29:13 | 0:29:14 | |
-What's her name? -Tell us. | 0:29:17 | 0:29:19 | |
THEY LAUGH | 0:29:20 | 0:29:23 | |
Kiss him! Kiss him! Kiss him! | 0:29:23 | 0:29:27 | |
Bear, can you please speak to Rebecca, | 0:29:27 | 0:29:31 | |
because if you just went to sleep, she won't believe us. | 0:29:31 | 0:29:35 | |
ALL: Awww! | 0:29:39 | 0:29:40 | |
We've got to...everyone just make a promise. | 0:29:46 | 0:29:49 | |
He is so sad about... | 0:29:49 | 0:29:50 | |
Let's all make a promise. | 0:29:52 | 0:29:54 | |
I promise. No-one tell Rebecca about the magic bear. | 0:29:54 | 0:29:58 | |
Magic bear, your secret is safe with us. | 0:29:58 | 0:30:01 | |
He's working! He's working! | 0:30:03 | 0:30:05 | |
Oh, well, that didn't last long! | 0:30:05 | 0:30:08 | |
You mustn't touch Teddy, he's broken. | 0:30:08 | 0:30:10 | |
-He was asleep. -Don't be silly. Teddy's broken. | 0:30:10 | 0:30:14 | |
Phew, Rebecca didn't believe them and with her out of the room, | 0:30:14 | 0:30:18 | |
the kids and the magic bear are deep in conversation. | 0:30:18 | 0:30:21 | |
OK! | 0:30:26 | 0:30:27 | |
ALL: Pizza man, pizza man, give me pizza! | 0:30:29 | 0:30:33 | |
ALL: Pizza, pizza, give me pizza! | 0:30:35 | 0:30:40 | |
ALL: Pizza, pizza, give me pizza! | 0:30:41 | 0:30:46 | |
Pizza, pizza! | 0:30:49 | 0:30:51 | |
-LAUGHTER -Pizza! | 0:30:51 | 0:30:54 | |
KNOCKING ON DOOR | 0:30:54 | 0:30:56 | |
-Did somebody order a pizza? -Yes. The bear did. | 0:30:58 | 0:31:02 | |
He told us he wanted a honey pizza. | 0:31:02 | 0:31:05 | |
I'll just put it down there for you guys, yeah? There you go. | 0:31:05 | 0:31:08 | |
-Oh, my gosh! -Enjoy. | 0:31:08 | 0:31:11 | |
-Pizza! -LAUGHTER | 0:31:13 | 0:31:15 | |
LAUGHTER | 0:31:20 | 0:31:22 | |
-I've got lunch. -Bear! Say hello! | 0:31:25 | 0:31:29 | |
Where did you get this pizza from? | 0:31:29 | 0:31:31 | |
We were calling, "Pizza, pizza!" | 0:31:31 | 0:31:34 | |
ALL SPEAK AT ONCE | 0:31:34 | 0:31:36 | |
He speaks clearly! | 0:31:36 | 0:31:39 | |
He's not speaking now, is he? Hello, bear? | 0:31:39 | 0:31:42 | |
But of course, when Rebecca leaves with the pizza, | 0:31:42 | 0:31:45 | |
Teddy comes to life again. | 0:31:45 | 0:31:47 | |
Well, that's why you should have said something. | 0:31:53 | 0:31:55 | |
If you say stuff to them, they won't give you to the teddy doctor. | 0:31:55 | 0:32:00 | |
Just say hi to Rebecca and then you won't go to the teddy doctor. | 0:32:03 | 0:32:07 | |
If you say that to Rebecca, then she'll take you back to your mum. | 0:32:10 | 0:32:13 | |
We will! | 0:32:16 | 0:32:18 | |
Afraid the grown-ups will send him to the teddy doctor, | 0:32:18 | 0:32:21 | |
Teddy has asked the kids to help him find his mummy and daddy. | 0:32:21 | 0:32:24 | |
Ah, here's your scarf. | 0:32:25 | 0:32:27 | |
THEY LAUGH AND SCREAM | 0:32:32 | 0:32:35 | |
CHILDREN LAUGH | 0:32:41 | 0:32:43 | |
CHILDREN LAUGH | 0:32:50 | 0:32:52 | |
And so, disguised as a human being, | 0:33:00 | 0:33:03 | |
Teddy left the shackles of his former life behind. | 0:33:03 | 0:33:06 | |
He made it into the lift, past the sleeping security guard | 0:33:06 | 0:33:11 | |
on the ground floor and through the strange rotating doors to find his | 0:33:11 | 0:33:15 | |
mummy and daddy and spread the magic back into a disbelieving world. | 0:33:15 | 0:33:20 | |
Bye-bye, Teddy. We love you. | 0:33:20 | 0:33:21 | |
They're not available yet, are they? | 0:33:21 | 0:33:23 | |
No, they're not in shops. Not in shops yet. | 0:33:23 | 0:33:25 | |
CHEERING AND APPLAUSE | 0:33:25 | 0:33:27 | |
So, we're agreed, no need for lawyers, | 0:33:31 | 0:33:34 | |
no need to involve the union, all right? | 0:33:34 | 0:33:36 | |
I'm sorry it got out of hand, I'm sorry the kids beat you up. | 0:33:36 | 0:33:40 | |
OK, deal? | 0:33:40 | 0:33:42 | |
Pleasure working with you. Take care. | 0:33:42 | 0:33:45 | |
(Oh, man, that was awkward!) | 0:33:48 | 0:33:50 | |
Actually, we tried that same mission before with another bear. | 0:33:50 | 0:33:53 | |
Sadly he got beaten up by kids as well, | 0:33:53 | 0:33:55 | |
and if that bear is watching, | 0:33:55 | 0:33:56 | |
I'm really sorry about your eye, Agent Pudsey. | 0:33:56 | 0:33:59 | |
Back to Agent Red Tape, | 0:34:02 | 0:34:03 | |
and his mission to test the patience of the nation | 0:34:03 | 0:34:06 | |
through the enforcement of more and more ridiculous phoney laws. | 0:34:06 | 0:34:09 | |
Can I just ask you something? | 0:34:12 | 0:34:13 | |
-What kind of music are you listening to there? -Different, dubstep... | 0:34:13 | 0:34:17 | |
Dubstep? OK, well there's good news and bad news. | 0:34:17 | 0:34:20 | |
The bad news is I'm going to give you a ticket | 0:34:20 | 0:34:22 | |
because that's an inappropriate style of music, beats per minute, | 0:34:22 | 0:34:25 | |
for Tuesday afternoon. | 0:34:25 | 0:34:27 | |
The good news is it's my 1,000th ticket, so I get a big bonus. | 0:34:27 | 0:34:30 | |
One of the things that we're trying to clear up | 0:34:30 | 0:34:32 | |
is people listening to the wrong kind of music in the city centre. | 0:34:32 | 0:34:35 | |
If too many people listen to slow songs, | 0:34:35 | 0:34:36 | |
as they're going through their daily business in the thoroughfare, | 0:34:36 | 0:34:40 | |
everything slows down and gets clogged up in the city centre. | 0:34:40 | 0:34:43 | |
-What are you listening to? -Me? -Yeah. | 0:34:43 | 0:34:45 | |
-Memories. -Andrew Lloyd Webber? | 0:34:45 | 0:34:48 | |
What have you got in your headphones at the moment? | 0:34:48 | 0:34:50 | |
-Journey. -Journey? | 0:34:50 | 0:34:52 | |
-Yeah, Don't Stop Believing. -Can I have a quick listen? | 0:34:52 | 0:34:55 | |
MUSIC: "My Heart Will Go On" by Celine Dion | 0:34:55 | 0:34:58 | |
MUSIC: "Axel F" by Crazy Frog | 0:35:01 | 0:35:04 | |
MUSIC: "Final Countdown" by Europe | 0:35:04 | 0:35:08 | |
-This is American rock? -Yeah. | 0:35:10 | 0:35:11 | |
EASY LISTENING JAZZ MUSIC PLAYS | 0:35:14 | 0:35:16 | |
See, I find that uplifting, but it was smooth. | 0:35:18 | 0:35:22 | |
-Well, because that was just wrong, that music was wrong. -Was wrong? | 0:35:22 | 0:35:26 | |
-Yeah. -Why? | 0:35:26 | 0:35:27 | |
Just, it made me feel happy but it wasn't right for a Monday. | 0:35:27 | 0:35:30 | |
-For Monday? -Yeah, for Monday morning. | 0:35:30 | 0:35:32 | |
As we go into the lunch hour, the beats per minute has to come down. | 0:35:32 | 0:35:36 | |
-That's fine, I can change it to Frank Sinatra. -Yeah? | 0:35:36 | 0:35:38 | |
How would you walk to Frank Sinatra? | 0:35:38 | 0:35:40 | |
MUSIC: "New York, New York" by Frank Sinatra | 0:35:40 | 0:35:42 | |
Can you change to a different track, less BPMs? | 0:35:44 | 0:35:47 | |
-Yeah, something slower perhaps, yeah. -What would you suggest? | 0:35:47 | 0:35:51 | |
-Something slower, Angels, Robbie Williams? -That's a bit schmaltzy. | 0:35:51 | 0:35:54 | |
You want to try me with something else? | 0:35:54 | 0:35:56 | |
Have you got anything more poppy? | 0:35:56 | 0:35:57 | |
MUSIC: "I'm So Excited" by the Pointer Sisters | 0:35:57 | 0:36:01 | |
I like this. I'm going to take that back. | 0:36:01 | 0:36:04 | |
If you listen to that, then I'm going to rip this up. | 0:36:04 | 0:36:07 | |
If you're prepared to change to that kind of level of funkiness | 0:36:07 | 0:36:10 | |
then everything will be OK. | 0:36:10 | 0:36:12 | |
Hrr-hmm! | 0:36:16 | 0:36:17 | |
Hello. | 0:36:21 | 0:36:22 | |
(It's me!) | 0:36:24 | 0:36:25 | |
-(I'm in disguise.) -I know it's you. | 0:36:26 | 0:36:28 | |
You're going to spoil the whole thing, can you go away? | 0:36:28 | 0:36:31 | |
I'll be your wingman. In the field, you're better off with two. You are. | 0:36:31 | 0:36:35 | |
-Jog on. -I'll back you up. -Yes, I don't want your back-up, thank you. | 0:36:35 | 0:36:38 | |
-I know all the lines. -I'm a trained actor, Richard. | 0:36:38 | 0:36:41 | |
Ten years at the RSC. | 0:36:41 | 0:36:43 | |
Brilliant. It shows but it doesn't show, that's the weird thing, | 0:36:43 | 0:36:46 | |
because you're an actor. | 0:36:46 | 0:36:48 | |
If you weren't an actor it would show cos you wouldn't be as good. | 0:36:48 | 0:36:50 | |
-(Go away.) -I've...I... | 0:36:50 | 0:36:53 | |
-You're spoiling it! -Just tell me one thing before I go. -OK. | 0:36:53 | 0:36:56 | |
-Where are the cameras? -Erm... | 0:36:56 | 0:36:58 | |
Is he carrying... Has he got one there? | 0:36:58 | 0:37:00 | |
-No, he's not a cameraman, Richard. -OK, what about these people here? | 0:37:00 | 0:37:04 | |
Erm, these people... | 0:37:04 | 0:37:05 | |
-She's a cameraman. -No. -This guy here. -Please help. | 0:37:05 | 0:37:08 | |
You're spoiling it! | 0:37:08 | 0:37:10 | |
-Please don't speak to anybody. -OK. | 0:37:10 | 0:37:13 | |
Why don't I use a French accent? | 0:37:13 | 0:37:15 | |
-FRENCH ACCENT: -I could talk like this... -Fool! | 0:37:15 | 0:37:19 | |
CHEERING AND APPLAUSE | 0:37:19 | 0:37:21 | |
So, I've finished my report on this week's missions. | 0:37:21 | 0:37:26 | |
What have we learned? | 0:37:26 | 0:37:27 | |
Well, firstly that the Malvanian royal family can't get upset | 0:37:27 | 0:37:30 | |
at their portrayal in this programme | 0:37:30 | 0:37:31 | |
due to their totally not existing at all. | 0:37:31 | 0:37:33 | |
That if you get stuck in the lift, you should try and stay cool and | 0:37:33 | 0:37:37 | |
not scream like a six-year-old with a moth phobia stuck in a cupboard. | 0:37:37 | 0:37:40 | |
And teddy bears can come to life, but don't worry, | 0:37:40 | 0:37:43 | |
they only attack when you're asleep. | 0:37:43 | 0:37:45 | |
Case closed. And of course, there's just one last thing to do. | 0:37:45 | 0:37:49 | |
Please, ladies and gentlemen, a massive round of applause | 0:37:49 | 0:37:52 | |
for the people who made tonight's missions possible. | 0:37:52 | 0:37:55 | |
The real stars of the show. | 0:37:55 | 0:37:56 | |
CHEERING AND APPLAUSE | 0:37:56 | 0:37:59 | |
Until next time, citizens, goodbye. | 0:38:13 | 0:38:16 | |
CHEERING AND APPLAUSE | 0:38:17 | 0:38:19 | |
Subtitles by Red Bee Media Ltd | 0:38:22 | 0:38:24 |