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Ah, uh, I am most awfully sorry, Your Majesty. The lift has jammed. | 0:00:25 | 0:00:29 | |
Erm, don't worry, Your Majesty. | 0:00:29 | 0:00:31 | |
It happens a lot around here. All perfectly normal. | 0:00:31 | 0:00:33 | |
-What I'll do, I'll open the doors. -GRUNTS WITH EFFORT | 0:00:33 | 0:00:35 | |
I'm going to climb down, and... | 0:00:35 | 0:00:37 | |
then I'll get my agents to come back and fix it. | 0:00:37 | 0:00:41 | |
We'll have you out in a jiffy, we'll carry on with your tour. | 0:00:41 | 0:00:44 | |
And then, maybe, we can talk a bit more about that OBE, Your Majesty. | 0:00:44 | 0:00:47 | |
Thank you. Agent Gemma! | 0:00:47 | 0:00:49 | |
Agent Gemma! Quick! | 0:00:49 | 0:00:50 | |
-Yes, Richard! -Very important mission for you. | 0:00:50 | 0:00:52 | |
It's of the utmost national security. | 0:00:52 | 0:00:54 | |
Yes, Richard. | 0:00:54 | 0:00:55 | |
Erm... | 0:00:55 | 0:00:57 | |
No, it's gone. Can't be anything important. Never mind. | 0:00:57 | 0:00:59 | |
I never forget anything important. | 0:00:59 | 0:01:01 | |
Like I remember it's very important that I do not hit this button. | 0:01:01 | 0:01:04 | |
ALARM SHRIEKS | 0:01:04 | 0:01:07 | |
'Coming up on tonight's show...' | 0:01:08 | 0:01:10 | |
WOMAN SCREAMS | 0:01:10 | 0:01:12 | |
'Will this young trend-setter fool the art world into thinking | 0:01:14 | 0:01:18 | |
'he's the next big thing?' | 0:01:18 | 0:01:20 | |
'Can this smooth operator woo the girl of his dreams | 0:01:22 | 0:01:25 | |
'in a bonkers blind date?' | 0:01:25 | 0:01:27 | |
Will you marry me? | 0:01:27 | 0:01:28 | |
Yes, I will! Oh, my God! | 0:01:28 | 0:01:30 | |
'And will these shoppers still be smiling | 0:01:30 | 0:01:33 | |
'when they find out they've starred in a ridiculously fake TV advert?' | 0:01:33 | 0:01:38 | |
OK. Time for today's first mission. | 0:01:43 | 0:01:46 | |
And it's one of these two buttons. | 0:01:46 | 0:01:48 | |
Erm... | 0:01:48 | 0:01:50 | |
I'm going to go for this one. | 0:01:50 | 0:01:52 | |
Er, nope. | 0:01:54 | 0:01:56 | |
It's THIS one. | 0:01:56 | 0:01:57 | |
A super trendy art gallery | 0:02:00 | 0:02:02 | |
full of uber-cool modern art, | 0:02:02 | 0:02:04 | |
including the majestic centrepiece of the entire exhibition... | 0:02:04 | 0:02:08 | |
Please Put In Bin. | 0:02:08 | 0:02:10 | |
It's not really art, it's just a load of old rubbish. | 0:02:10 | 0:02:12 | |
Literally, more Turnip Prize than Turner. | 0:02:12 | 0:02:15 | |
But it is the setting for another secret service mission. | 0:02:15 | 0:02:18 | |
OK, we've set the scene, | 0:02:18 | 0:02:21 | |
let's get the details. | 0:02:21 | 0:02:23 | |
Me and my mates are always making fun of my friend Jason. | 0:02:24 | 0:02:28 | |
He thinks that his good looks and boyish charm | 0:02:28 | 0:02:31 | |
can get him out of any situation. | 0:02:31 | 0:02:32 | |
And I want to prove he's not the blagger he thinks he is. | 0:02:32 | 0:02:35 | |
Can you help me bring him back down to my level? | 0:02:35 | 0:02:38 | |
So Jack has brought Jason - who's on the left - | 0:02:38 | 0:02:41 | |
to the trendy art gallery. | 0:02:41 | 0:02:43 | |
Jason thinks he's there to help out with a major new exhibition. | 0:02:43 | 0:02:47 | |
We need to push the ultimate blagger to his limits | 0:02:47 | 0:02:49 | |
and where better to do this than a highly pretentious art gallery | 0:02:49 | 0:02:53 | |
where, ultimately, he'll be the one on display? | 0:02:53 | 0:02:56 | |
-Hello. Who are you? -Jason. -Oh, hello, I'm Becky. | 0:02:56 | 0:02:58 | |
-You'll be helping me out today. You all right? -Yeah, fine. | 0:02:58 | 0:03:01 | |
Welcome. Um, so, I'll just talk you through the basics. | 0:03:01 | 0:03:04 | |
So, basically, this bit is where we show, like, pictures and stuff. | 0:03:04 | 0:03:09 | |
-Mm-hm. -It's called a gallery. | 0:03:09 | 0:03:10 | |
So, that's the basics covered. | 0:03:10 | 0:03:12 | |
So this is the stuff we're going to be showing off today? | 0:03:12 | 0:03:17 | |
OK. | 0:03:17 | 0:03:18 | |
And most of this art is worth more than my flat. | 0:03:18 | 0:03:20 | |
Seriously? | 0:03:20 | 0:03:22 | |
Well, actually, all of it is. | 0:03:22 | 0:03:23 | |
It's an artist called Sammm Gerrard. With three Ms. | 0:03:23 | 0:03:27 | |
-OK. -Sammm...Gerrard. | 0:03:27 | 0:03:29 | |
Um, so, it's quite exciting. | 0:03:29 | 0:03:32 | |
Do you like art? Are you into art at all? | 0:03:32 | 0:03:34 | |
-Yeah, yeah, yeah. -Who do you like? | 0:03:34 | 0:03:35 | |
Um, I'm not, like, a big fan of art, | 0:03:35 | 0:03:37 | |
-but, obviously I can appreciate what people do. -Yeah. | 0:03:37 | 0:03:40 | |
I really like Damien Hirst. | 0:03:40 | 0:03:42 | |
He did the one with the shark. You know that one? | 0:03:42 | 0:03:45 | |
Is he well known? | 0:03:45 | 0:03:46 | |
He's, yeah, really well known. | 0:03:46 | 0:03:48 | |
Right, OK. | 0:03:48 | 0:03:49 | |
-So who have you heard... Have you heard of anyone? -No, not, like, not this sort of art, no. | 0:03:49 | 0:03:54 | |
-What about Neil Buchanan, Art Attack? -Yeah. | 0:03:54 | 0:03:57 | |
So, Jason has heard of Art Attack, but not Damien Hirst. | 0:03:58 | 0:04:03 | |
He's in big trouble. | 0:04:03 | 0:04:05 | |
I'm just going to pop next door and get a coffee. | 0:04:05 | 0:04:07 | |
-What do you want me to do? -While I'm gone can you... | 0:04:07 | 0:04:10 | |
Can you just clear away all the rubbish there. | 0:04:10 | 0:04:13 | |
Basically, the cleaning products go in a cupboard out the back, | 0:04:13 | 0:04:16 | |
-and this, just put out the front for the bin man. -Right, cool. | 0:04:16 | 0:04:18 | |
Just put it out the front. | 0:04:18 | 0:04:20 | |
I'll be two seconds, then we can chill till they get here. | 0:04:20 | 0:04:23 | |
Tonight our gallery is showcasing a major modern artist | 0:04:23 | 0:04:28 | |
and Jason has been told to tidy the place up. | 0:04:28 | 0:04:31 | |
It does look a little barren in that one corner, though. | 0:04:31 | 0:04:33 | |
Is something missing? | 0:04:33 | 0:04:35 | |
So using the handy catalogue, Jason diligently familiarises himself | 0:04:36 | 0:04:41 | |
with each stunning piece of art. | 0:04:41 | 0:04:42 | |
Bless. | 0:04:42 | 0:04:44 | |
(BECKY ON PHONE) Defin-ately! | 0:04:44 | 0:04:46 | |
Erm, yep. All your work's here. | 0:04:46 | 0:04:48 | |
Looking forward to it, very much. | 0:04:48 | 0:04:50 | |
TENSELY DRAMATIC MUSIC | 0:04:50 | 0:04:54 | |
Uh-oh! What Jason's realised, is that what he thought was a load of old rubbish | 0:04:55 | 0:05:00 | |
was, in fact, a ridiculously expensive piece of art called | 0:05:00 | 0:05:03 | |
Please Put in Bin. | 0:05:03 | 0:05:05 | |
Which is exactly what he's done. | 0:05:05 | 0:05:07 | |
Oh, my God! | 0:05:07 | 0:05:09 | |
What are we going to do?! | 0:05:09 | 0:05:10 | |
I can't believe this. | 0:05:14 | 0:05:16 | |
That's like... That's, like, valued at £200,000. | 0:05:16 | 0:05:22 | |
Oh, my God! | 0:05:22 | 0:05:23 | |
-Like, seriously, we're going to get done for theft or something. -Really? | 0:05:24 | 0:05:29 | |
Thing is, I wasn't meant to leave you on your own. | 0:05:29 | 0:05:32 | |
OK, listen, right, I'm sorry. I know it's not your fault. | 0:05:35 | 0:05:38 | |
Do you know what, that's not a bad idea! | 0:05:42 | 0:05:45 | |
Well, it's a plan. | 0:05:45 | 0:05:47 | |
Using the picture in the guide | 0:05:47 | 0:05:48 | |
and a load of actual rubbish, | 0:05:48 | 0:05:50 | |
Jason recreates the expensive art piece, | 0:05:50 | 0:05:52 | |
and I think he's hoping nobody will notice. | 0:05:52 | 0:05:55 | |
It looks good, honestly. You've just got to, like, trust yourself. | 0:05:56 | 0:05:59 | |
Feeling good? Game face? | 0:06:00 | 0:06:02 | |
You look worried. Have a drink. | 0:06:03 | 0:06:05 | |
I'm very worried. | 0:06:05 | 0:06:06 | |
Yeah, and so you should be, because here comes the artist, Sammm. | 0:06:08 | 0:06:11 | |
She's actually a Secret Service agent in a colourful disguise. | 0:06:11 | 0:06:15 | |
But that doesn't mean she's not going to be completely bonkers. | 0:06:15 | 0:06:19 | |
Rather you than me, fella. | 0:06:19 | 0:06:21 | |
Hi, I'm Sammm. | 0:06:21 | 0:06:23 | |
-What's your name? -Jason. | 0:06:23 | 0:06:25 | |
Jason. I'm going to call you John. I'm calling everyone John today. | 0:06:25 | 0:06:29 | |
-I think it symbolises the fact that we're all equal in art. -OK. -Yeah. | 0:06:29 | 0:06:36 | |
-So, are you an artist, John? -No, but I do appreciate art. | 0:06:36 | 0:06:40 | |
-Which is your favourite piece here? -I like Drag. | 0:06:40 | 0:06:45 | |
-Oh, right. -I like the fact that you | 0:06:45 | 0:06:48 | |
see the birds trying to escape. | 0:06:48 | 0:06:52 | |
So, if this piece had a mouth and it could speak, | 0:06:52 | 0:06:57 | |
what sound do you think it would make? | 0:06:57 | 0:06:59 | |
Like a soft sort of like... | 0:06:59 | 0:07:02 | |
-Go on, make it for me. -Brrr, brrr. | 0:07:03 | 0:07:07 | |
-Do it again. -Brrr. -That's exactly what I had. | 0:07:07 | 0:07:09 | |
-We're obviously really on the same wavelength. -That's good. | 0:07:09 | 0:07:12 | |
I really like you, John. | 0:07:12 | 0:07:15 | |
Where is Please Put In Bin? | 0:07:17 | 0:07:19 | |
Because that's the main shebang that everyone's here to see. | 0:07:19 | 0:07:23 | |
I can see all of the others... | 0:07:25 | 0:07:28 | |
Well, no. That's... | 0:07:29 | 0:07:32 | |
I don't think so. That's just rubbish. | 0:07:32 | 0:07:34 | |
No, I'd just like to know where it is, really. | 0:07:34 | 0:07:38 | |
-That's definitely not it? -That's definitely not it. | 0:07:40 | 0:07:43 | |
That's just a load of rubbish in a corner. | 0:07:43 | 0:07:47 | |
And, you know, my piece took me almost three hours to create. | 0:07:48 | 0:07:52 | |
-Oh, hi. -Hi, Sammm. Rebecca, hello. -Hi! | 0:07:53 | 0:07:57 | |
-I'm so sorry, it accidentally got thrown away and we just... -What? | 0:07:57 | 0:08:04 | |
What's happened to Please Put In Bin, | 0:08:04 | 0:08:06 | |
because I'm getting rather het up. | 0:08:06 | 0:08:08 | |
I don't know much about this, I've just been asked to come here today. | 0:08:08 | 0:08:12 | |
And I don't know any of these people and they asked me | 0:08:12 | 0:08:15 | |
to take out the trash. | 0:08:15 | 0:08:17 | |
I just need a moment to myself, now. | 0:08:17 | 0:08:19 | |
SAMMM SCREAMS | 0:08:20 | 0:08:23 | |
-I think she took that pretty well. -Please Put In Bin! | 0:08:25 | 0:08:29 | |
So, on Jason's first day in the art world, | 0:08:29 | 0:08:31 | |
he's destroyed a piece of art thinking it was rubbish, | 0:08:31 | 0:08:35 | |
tried to create his own masterpiece to replace it | 0:08:35 | 0:08:37 | |
and pushed an artist to breaking point. | 0:08:37 | 0:08:40 | |
SAMMM SCREAMS | 0:08:40 | 0:08:42 | |
We'll come back later to see if our consummate blagger can convince | 0:08:42 | 0:08:45 | |
a gallery full of critics that he's the next big thing in the art world. | 0:08:45 | 0:08:48 | |
'Please welcome Excel.' | 0:08:48 | 0:08:50 | |
When my agents have been out in the field, it is | 0:09:00 | 0:09:02 | |
important they know they can return here, to a safe haven. | 0:09:02 | 0:09:06 | |
So, this is just a normal office, maybe like the one you work in. | 0:09:06 | 0:09:10 | |
This is just an ordinary computer. | 0:09:10 | 0:09:12 | |
This, just an ordinary stapler. | 0:09:14 | 0:09:16 | |
This, just an ordinary umbrella for keeping the rain off. Nothing more. | 0:09:18 | 0:09:23 | |
DART SHOOTS | 0:09:23 | 0:09:24 | |
Right, time for the next mission. | 0:09:27 | 0:09:29 | |
This chap clearly looks concerned about something. Fear not, friend. | 0:09:32 | 0:09:36 | |
Help is at hand. | 0:09:36 | 0:09:37 | |
My mate, Legzy, | 0:09:38 | 0:09:40 | |
thinks he's God's gift. | 0:09:40 | 0:09:41 | |
There's literally nothing he | 0:09:41 | 0:09:43 | |
wouldn't do for a good-looking woman. | 0:09:43 | 0:09:45 | |
His Achilles' heel? American girls. | 0:09:45 | 0:09:48 | |
He's such an easy target, you just can't miss. | 0:09:48 | 0:09:52 | |
-AMERICAN WOMAN: -Hi! Are you Legzy? | 0:09:52 | 0:09:53 | |
Hi, nice to meet you. I'm Liberty. How are you? | 0:09:53 | 0:09:57 | |
A cosy restaurant, the perfect setting for a blind date | 0:09:57 | 0:10:01 | |
and a romantic dinner for two. | 0:10:01 | 0:10:03 | |
And we set Legzy up with his Achilles heel, | 0:10:03 | 0:10:06 | |
special agent Liberty, a pretty, vivacious, American femme fatale. | 0:10:06 | 0:10:10 | |
..just keeping my options open... | 0:10:10 | 0:10:12 | |
Let's find out just how far this lady's man will | 0:10:12 | 0:10:15 | |
go for a pretty girl. | 0:10:15 | 0:10:17 | |
We're sat right in the middle. | 0:10:17 | 0:10:20 | |
Yeah, it's the best table! | 0:10:20 | 0:10:22 | |
Don't you like being in the middle? | 0:10:22 | 0:10:24 | |
I've never been to a restaurant where I'm sat in the middle. | 0:10:24 | 0:10:27 | |
-Really? -Everyone's all around us. | 0:10:27 | 0:10:29 | |
Small talk over, Liberty starts to hot things up, Italian style. | 0:10:30 | 0:10:34 | |
I love anything Italian, the sophistication. | 0:10:34 | 0:10:37 | |
Even the language. You know how the language kind of flows. | 0:10:37 | 0:10:40 | |
Can you speak any Italian? | 0:10:40 | 0:10:42 | |
-Nothing. -None at all? | 0:10:42 | 0:10:43 | |
OK, speak a little French. | 0:10:45 | 0:10:47 | |
Just basic. I'm sure it will. Just say whatever. | 0:10:50 | 0:10:52 | |
Oh my God! That's amazing. | 0:10:54 | 0:10:55 | |
What does that mean? | 0:10:55 | 0:10:57 | |
It means my name's Legala, | 0:10:57 | 0:10:58 | |
how are you? | 0:10:58 | 0:11:00 | |
Oh, my God. I love it. | 0:11:00 | 0:11:01 | |
Could you describe me in French. | 0:11:01 | 0:11:03 | |
Maybe give me a compliment in French. | 0:11:03 | 0:11:05 | |
What does that mean? | 0:11:10 | 0:11:11 | |
I'm fit? | 0:11:13 | 0:11:15 | |
Oh, that's awesome! That's so funny. | 0:11:15 | 0:11:17 | |
Ah, French, the language of love. | 0:11:25 | 0:11:27 | |
So, what's next? | 0:11:27 | 0:11:29 | |
In London, they have this thing called raproake, | 0:11:29 | 0:11:31 | |
and there's a stage and | 0:11:31 | 0:11:32 | |
you go up and you freestyle. | 0:11:32 | 0:11:34 | |
And I went there last week, OK? | 0:11:34 | 0:11:36 | |
No plans to rap. | 0:11:36 | 0:11:37 | |
But I got so into it. | 0:11:37 | 0:11:39 | |
I got up there and | 0:11:39 | 0:11:40 | |
I made up a rap. | 0:11:40 | 0:11:41 | |
-Will you wrap with me? -No. | 0:11:41 | 0:11:43 | |
-Sing a little rap. Sing a little rap. -Seriously... -What? | 0:11:43 | 0:11:46 | |
So I'm going BIG. | 0:11:50 | 0:11:52 | |
# So all the ladies in the place With style and grace | 0:11:52 | 0:11:55 | |
# Allow me to lace these lyrical dishes in your dishes | 0:11:55 | 0:11:57 | |
# Who's got moves and make moves With all the mommas | 0:11:57 | 0:12:00 | |
# The back of the truck | 0:12:00 | 0:12:01 | |
# Sippin' Moet Is where you'll find me. # | 0:12:01 | 0:12:04 | |
Boom! High five. | 0:12:04 | 0:12:06 | |
I feel such a vibe between us. | 0:12:08 | 0:12:10 | |
Don't you? Can we just do one more? | 0:12:10 | 0:12:13 | |
Can we do Gangster's Paradise? | 0:12:13 | 0:12:15 | |
How am I not married? | 0:12:19 | 0:12:20 | |
Are you proposing? | 0:12:25 | 0:12:27 | |
Well, I've got a ring right now. | 0:12:28 | 0:12:29 | |
If you get on one knee and propose in a French accent, | 0:12:29 | 0:12:32 | |
I will say yes. | 0:12:32 | 0:12:33 | |
Are you kidding me? | 0:12:33 | 0:12:34 | |
Come on, do it. French accent, on one knee, | 0:12:34 | 0:12:36 | |
I will say yes. Let's do it. | 0:12:36 | 0:12:38 | |
-Can you do me a favour? -What? | 0:12:38 | 0:12:39 | |
-LIBERTY: -Hell, yes! | 0:12:45 | 0:12:46 | |
So, here's the deal. We don't know where this might go. | 0:12:48 | 0:12:51 | |
Let's say, in the future, it does go somewhere good. | 0:12:51 | 0:12:53 | |
Wouldn't it be funny to say | 0:12:53 | 0:12:54 | |
on our first date | 0:12:54 | 0:12:56 | |
that you actually proposed. | 0:12:56 | 0:12:57 | |
-LIBERTY: -This is like a real relationship in five minutes. I'm loving it. | 0:13:03 | 0:13:06 | |
Legzy, Legzy! Do not fall in love with the Secret Service agent. | 0:13:09 | 0:13:13 | |
Do not... Too late, I think he is. | 0:13:13 | 0:13:14 | |
Recently, in New York and LA, all of the guys, | 0:13:14 | 0:13:17 | |
like, rock stars - Rod Stewart's | 0:13:17 | 0:13:18 | |
been seen on with it, loads of people. | 0:13:18 | 0:13:21 | |
Little dots above the eye of eyeliner. | 0:13:21 | 0:13:24 | |
Cannot see it, | 0:13:24 | 0:13:26 | |
but it just goes bam | 0:13:26 | 0:13:27 | |
it brings out your eyes. Actually... | 0:13:27 | 0:13:28 | |
No, no. Let me see. | 0:13:31 | 0:13:32 | |
Do I have it? | 0:13:32 | 0:13:34 | |
I've got it, it's special. | 0:13:37 | 0:13:38 | |
-What are you doing? -I'm going to show you. | 0:13:38 | 0:13:40 | |
No, no it's clear. Shut your eyes. | 0:13:43 | 0:13:45 | |
It feels nice, doesn't it? | 0:13:49 | 0:13:51 | |
-Kind of like a massage. -Oh, my God. | 0:13:51 | 0:13:54 | |
Special agent Liberty, pushing things as far as she can, | 0:13:54 | 0:13:57 | |
but she's not alone. We sent her in with backup - | 0:13:57 | 0:14:01 | |
everybody else in the room. | 0:14:01 | 0:14:02 | |
they're all agents. | 0:14:02 | 0:14:04 | |
Your eyes are just popping. | 0:14:04 | 0:14:05 | |
Excuse me, I'm so sorry to interrupt. | 0:14:05 | 0:14:08 | |
Are his eyes not just popping? | 0:14:08 | 0:14:10 | |
Are they not beautiful? | 0:14:10 | 0:14:11 | |
-They look really nice. -She's just put make-up on me. | 0:14:11 | 0:14:14 | |
-Really? -You can barely tell. | 0:14:14 | 0:14:15 | |
It's going to blend in. It kind of blends, a bit. | 0:14:15 | 0:14:18 | |
-It looks good, mate. -Sorry about that. -It's no problem. | 0:14:18 | 0:14:21 | |
Sorry to interrupt. Sorry. Did I embarrass you? | 0:14:21 | 0:14:25 | |
-Oh, my word. -I'm so sorry. | 0:14:25 | 0:14:26 | |
It's out of order. Oh, my God. | 0:14:26 | 0:14:28 | |
I'll take a photo. Want a photo? | 0:14:28 | 0:14:29 | |
I'll take a photo for you. | 0:14:29 | 0:14:30 | |
I'm so sorry to bother you again, | 0:14:30 | 0:14:32 | |
can you just take a picture of us? | 0:14:32 | 0:14:34 | |
I'm so sorry. It's the last time we'll interrupt you. Sorry. | 0:14:34 | 0:14:37 | |
-Just a quick photo. -Sorry, mate. -Sorry. | 0:14:37 | 0:14:39 | |
It's not a problem. It's fine. | 0:14:39 | 0:14:41 | |
I love your beard, as well. | 0:14:43 | 0:14:45 | |
-Just going to do a little trim. -What are you doing? | 0:14:45 | 0:14:48 | |
-Just at the front. -What are you doing? | 0:14:48 | 0:14:50 | |
You've got a little excess just on the side. | 0:14:50 | 0:14:52 | |
-Oh, my word. -Just one. | 0:14:52 | 0:14:53 | |
Just one or two, OK. I'm trained. | 0:14:53 | 0:14:55 | |
I can't believe you're doing this. | 0:14:55 | 0:14:57 | |
-Oh my God. -Do you ever put wax in your beard? -No. | 0:14:57 | 0:15:01 | |
-It's really good. -What are you doing? -It's really good. | 0:15:01 | 0:15:04 | |
Are you actually doing this? | 0:15:05 | 0:15:07 | |
-Serious? -Seriously. -What are you doing? | 0:15:07 | 0:15:09 | |
-Do you like a massage? -Oh, my God. | 0:15:09 | 0:15:11 | |
Do you like a good massage? | 0:15:11 | 0:15:13 | |
Are you actually doing this? | 0:15:13 | 0:15:14 | |
He's going with it. He's going with this. | 0:15:14 | 0:15:16 | |
I'm actually doing this. | 0:15:16 | 0:15:18 | |
-Really, where does it end for this man? -You're so warm. | 0:15:18 | 0:15:21 | |
We set out to prove there's nothing Legzy wouldn't do for | 0:15:21 | 0:15:24 | |
a beautiful woman, and I have to say | 0:15:24 | 0:15:25 | |
it's looking pretty convincing so far. | 0:15:25 | 0:15:27 | |
Thank you so much! | 0:15:27 | 0:15:30 | |
-Oh, my God. -I'm so into beards right now. | 0:15:30 | 0:15:32 | |
-Oh, my God. -So into beards. | 0:15:32 | 0:15:34 | |
Do you work out a lot? | 0:15:34 | 0:15:36 | |
Cos your arms are like ripped | 0:15:36 | 0:15:37 | |
and I can tell that you have nice pecs even through your shirt. | 0:15:37 | 0:15:40 | |
Oh, my God. I love press-ups. | 0:15:43 | 0:15:45 | |
I do them every morning. I do 30. | 0:15:45 | 0:15:47 | |
How many can you do? | 0:15:47 | 0:15:49 | |
Don't, don't. Don't do it. | 0:15:53 | 0:15:55 | |
I won't do them, but I need to see you can do them. | 0:15:55 | 0:15:57 | |
Let's get down and do push-ups. Let's do it. Come on. | 0:15:57 | 0:16:00 | |
Are you going to do with me? | 0:16:00 | 0:16:01 | |
I don't want to be left on my own. | 0:16:01 | 0:16:03 | |
Yeah, we're doing it. | 0:16:03 | 0:16:05 | |
Don't look at them. Let's go. | 0:16:05 | 0:16:07 | |
-Excuse me. -What are you doing? | 0:16:07 | 0:16:08 | |
Would you guys like to see him do ten push-ups. | 0:16:08 | 0:16:11 | |
I think that would be pretty funny. | 0:16:11 | 0:16:13 | |
-I can't believe this. -Let's hit this. Come on, please. Ten. | 0:16:17 | 0:16:20 | |
Come on, everybody! Let's do clap support. | 0:16:20 | 0:16:23 | |
Everybody's getting involved. It's fun! | 0:16:23 | 0:16:27 | |
It's fun. Seize the day! | 0:16:27 | 0:16:29 | |
Ready? And... | 0:16:32 | 0:16:34 | |
ALL: One, two, three, four, | 0:16:34 | 0:16:38 | |
five, six, seven, eight, | 0:16:38 | 0:16:41 | |
nine, ten. | 0:16:41 | 0:16:43 | |
PEOPLE CHEER | 0:16:43 | 0:16:46 | |
I can't believe this! What have you done to me? | 0:16:49 | 0:16:52 | |
Thank you. | 0:16:52 | 0:16:53 | |
Seriously, I love this. | 0:16:53 | 0:16:55 | |
Best dinner date ever, right? | 0:16:55 | 0:16:57 | |
You propose to me, | 0:17:14 | 0:17:15 | |
cos now I'm like, "Aaargh!" | 0:17:15 | 0:17:17 | |
all revved up, cos I want to get this proposal. | 0:17:17 | 0:17:19 | |
-Once you propose, I will calm down and be normal. Seriously. -No, no. | 0:17:19 | 0:17:22 | |
Propose! Just do it. | 0:17:22 | 0:17:24 | |
He's going to propose, everyone! | 0:17:24 | 0:17:26 | |
Do it, do it, do it, do it, do it! | 0:17:27 | 0:17:31 | |
Come on, everyone's waiting! | 0:17:31 | 0:17:33 | |
This is wonderful. I think he is going to do it. | 0:17:33 | 0:17:37 | |
There really is nothing Legzy won't do to keep his girl happy, | 0:17:37 | 0:17:40 | |
or shut her up. | 0:17:40 | 0:17:41 | |
That's OK. | 0:17:46 | 0:17:47 | |
Oh, my God! | 0:17:52 | 0:17:53 | |
Liberty Cooper, will you marry me? | 0:17:53 | 0:17:56 | |
Yes, I will! Oh, my God! | 0:17:56 | 0:17:58 | |
There you go. He did it all the way. | 0:17:58 | 0:18:01 | |
-What a guy. -Oh, my God! I'm engaged! | 0:18:01 | 0:18:04 | |
Oh, my God! Oh, my God! | 0:18:04 | 0:18:08 | |
My husband. | 0:18:08 | 0:18:09 | |
And there's no length, Legzy, | 0:18:16 | 0:18:17 | |
that the Secret Service won't go to to get their man. | 0:18:17 | 0:18:20 | |
Enter best mate Lev to douse the flames of love. | 0:18:20 | 0:18:24 | |
Waiter! | 0:18:24 | 0:18:25 | |
Oh, my God. What are you doing? | 0:18:25 | 0:18:26 | |
You're on Richard Hammond's Secret Service on the BBC! | 0:18:26 | 0:18:29 | |
Oh, my God! | 0:18:29 | 0:18:31 | |
APPLAUSE | 0:18:33 | 0:18:36 | |
Oh, my God! | 0:18:38 | 0:18:40 | |
LIBERTY LAUGHS | 0:18:40 | 0:18:43 | |
Oh, my God! | 0:18:43 | 0:18:45 | |
Liberty, sa c'est bon ca? | 0:18:47 | 0:18:50 | |
Smooth operator Legzy couldn't believe his luck with this | 0:18:50 | 0:18:53 | |
blind date, but it soon turned into something he really wasn't expecting | 0:18:53 | 0:18:58 | |
and he couldn't help falling for Liberty, literally. | 0:18:58 | 0:19:02 | |
Liberty Cooper will you marry me? | 0:19:05 | 0:19:07 | |
Yes, I will! Oh, my God! | 0:19:07 | 0:19:09 | |
Oh, my God! | 0:19:09 | 0:19:11 | |
-What have you got to say, Legzy? -I've got nothing to say. | 0:19:11 | 0:19:14 | |
Look at the camera there, tell them. | 0:19:14 | 0:19:15 | |
I haven't got anything to say. What can I say? | 0:19:15 | 0:19:18 | |
1,001. | 0:19:20 | 0:19:22 | |
1,002. | 0:19:22 | 0:19:23 | |
1,003. You know what, | 0:19:23 | 0:19:25 | |
I think I'll leave it at that. | 0:19:25 | 0:19:26 | |
Not one to show off. | 0:19:26 | 0:19:28 | |
Right, time now to return to Jason. | 0:19:28 | 0:19:30 | |
If you remember, he thought he was | 0:19:30 | 0:19:32 | |
helping out in a modern art gallery, | 0:19:32 | 0:19:34 | |
only to accidentally throw away | 0:19:34 | 0:19:35 | |
a bin full of rubbish worth a lot of money. | 0:19:35 | 0:19:38 | |
Time to see if artist Sammm, | 0:19:38 | 0:19:39 | |
with three M's, has come to terms with what happened. | 0:19:39 | 0:19:43 | |
SAMMM SCREAMS | 0:19:44 | 0:19:47 | |
That's a no, then. | 0:19:47 | 0:19:49 | |
I'm OK. I'm fine. | 0:19:49 | 0:19:51 | |
It's just that was a very important piece to me. | 0:19:51 | 0:19:54 | |
What made you choose this egg box here? Why did you put it there? | 0:19:56 | 0:19:59 | |
Cos that's how it was on the picture. | 0:19:59 | 0:20:02 | |
-Right. -I tried to recreate it, as much as I could, compared to that. | 0:20:03 | 0:20:08 | |
-Oh, you used me as inspiration. -Yeah. | 0:20:08 | 0:20:13 | |
What about this piece here? | 0:20:13 | 0:20:15 | |
-I couldn't find anywhere else to put it. -Interesting. | 0:20:15 | 0:20:19 | |
I don't think he's even realised | 0:20:19 | 0:20:22 | |
the brilliance of what he's created. | 0:20:22 | 0:20:24 | |
It's clear to me that you, John, | 0:20:24 | 0:20:27 | |
are far and away the biggest | 0:20:27 | 0:20:31 | |
and most obvious genius of our time. | 0:20:31 | 0:20:36 | |
That's rubbish. | 0:20:36 | 0:20:38 | |
It is, and it's brilliant! | 0:20:38 | 0:20:40 | |
John, you don't realise. | 0:20:40 | 0:20:43 | |
So, Sammm thinks John, I mean, Jason, | 0:20:43 | 0:20:46 | |
has got real artistic talent. | 0:20:46 | 0:20:48 | |
Let's send in the gallery boss... | 0:20:48 | 0:20:50 | |
..just to mix things up a bit. | 0:20:52 | 0:20:54 | |
Why did you put it in the bin? | 0:20:54 | 0:20:56 | |
Because she asked me to. | 0:20:56 | 0:20:58 | |
If she asked you to jump off a bridge, would you do that? | 0:20:58 | 0:21:01 | |
I don't understand why you put it in the bin. | 0:21:01 | 0:21:04 | |
Can you explain it to me? | 0:21:04 | 0:21:06 | |
Please, imagine that I'm stupid. | 0:21:06 | 0:21:09 | |
I've told you. | 0:21:09 | 0:21:10 | |
I've told you countless times. | 0:21:10 | 0:21:12 | |
She told me to put the trash in the trash, so I did. | 0:21:12 | 0:21:16 | |
So you thought it was trash? | 0:21:16 | 0:21:18 | |
It says please put in the bin. | 0:21:18 | 0:21:20 | |
This is a gallery. We have artworks. | 0:21:20 | 0:21:23 | |
We have the names of artworks. | 0:21:23 | 0:21:25 | |
That is how this works. | 0:21:25 | 0:21:28 | |
-I just can't compete with this. -What do you mean? | 0:21:28 | 0:21:31 | |
He's not aggressive or anything, is he? | 0:21:31 | 0:21:33 | |
I'm finished! Have you seen what he's created? | 0:21:33 | 0:21:36 | |
Have a look. | 0:21:36 | 0:21:37 | |
-It is striking. -Yes. | 0:21:43 | 0:21:44 | |
SAMMM CRIES | 0:21:44 | 0:21:47 | |
In fact, it's brilliant. | 0:21:49 | 0:21:52 | |
I'm over! | 0:21:52 | 0:21:54 | |
Sammm... | 0:21:54 | 0:21:56 | |
I can't compete with this genius! | 0:21:57 | 0:22:00 | |
Let me just touch his genius one last time. | 0:22:00 | 0:22:03 | |
Right! I'm spent, I'm going! | 0:22:06 | 0:22:08 | |
So, thanks to Jason, the gallery has not only lost its artist, | 0:22:08 | 0:22:12 | |
but also the star exhibit, just 30 minutes before the doors open | 0:22:12 | 0:22:15 | |
to a host of VIPs from the art world. | 0:22:15 | 0:22:18 | |
-What do you think we should do? -About this? -About tonight. | 0:22:18 | 0:22:23 | |
-Just leave it how it is. -And say what? | 0:22:25 | 0:22:28 | |
And... | 0:22:29 | 0:22:30 | |
I don't know. Keep it as mine. | 0:22:33 | 0:22:35 | |
Keep it as yours? | 0:22:35 | 0:22:37 | |
If you're saying that I've put my touch on it | 0:22:37 | 0:22:39 | |
and it isn't hers anymore, just say it's mine. | 0:22:39 | 0:22:41 | |
I would love to say that it is your work. | 0:22:41 | 0:22:43 | |
Well, if that's the way you're going to get through it, | 0:22:43 | 0:22:46 | |
then I'm OK with that. | 0:22:46 | 0:22:49 | |
I think there's a little idea brewing, here. | 0:22:50 | 0:22:53 | |
We do tonight as we said we would do it | 0:22:53 | 0:22:55 | |
and then I need to let them know | 0:22:55 | 0:22:58 | |
that in fact tonight is a launch, that we have a new artist. | 0:22:58 | 0:23:02 | |
-Someone they've never heard of. -OK, yeah. | 0:23:02 | 0:23:04 | |
You happy with that? Can you do that? | 0:23:06 | 0:23:08 | |
-Yeah, I can do that. -Yeah? -Yeah. | 0:23:08 | 0:23:11 | |
Come on, talk to me. | 0:23:11 | 0:23:12 | |
-Where are you from? -Norwich. | 0:23:12 | 0:23:15 | |
No, wrong. Start again. | 0:23:15 | 0:23:17 | |
-Where are you from? -Brighton. | 0:23:19 | 0:23:22 | |
-Urban. -London. -London, where? | 0:23:23 | 0:23:25 | |
-Hackney? -Hackney! Your name is... | 0:23:25 | 0:23:28 | |
-Jason. -Can't be Jason, needs to be an artist's name. | 0:23:28 | 0:23:31 | |
-Excel. -Excel. Yeah? | 0:23:31 | 0:23:34 | |
-Excel. -Where are you from? | 0:23:34 | 0:23:37 | |
-Hackney. -We're getting somewhere! What's this piece? | 0:23:37 | 0:23:40 | |
Throwing Away Your Troubles. | 0:23:40 | 0:23:41 | |
Throwing Away Your Troubles. That's what it's called. | 0:23:41 | 0:23:44 | |
So, Jason became John and has now become Excel, | 0:23:44 | 0:23:48 | |
an exciting new modern artist | 0:23:48 | 0:23:50 | |
who just threw some rubbish in a bin. Genius! | 0:23:50 | 0:23:53 | |
He now believes he's about to exhibit | 0:23:53 | 0:23:56 | |
to a gallery full of art critics. | 0:23:56 | 0:23:58 | |
So, without further ado, ladies and gentlemen, | 0:24:00 | 0:24:02 | |
please welcome Excel! | 0:24:02 | 0:24:05 | |
APPLAUSE | 0:24:05 | 0:24:09 | |
Excel will now tell you a little bit about himself, his history | 0:24:14 | 0:24:17 | |
and the history of this fantastic piece. | 0:24:17 | 0:24:19 | |
Let's just remember, Jason started the day with a bit of tidying up | 0:24:19 | 0:24:23 | |
and now he's about to explain the meaning of a bin full of rubbish | 0:24:23 | 0:24:27 | |
to a gallery full of critics. | 0:24:27 | 0:24:29 | |
This piece sort of gives me... | 0:24:29 | 0:24:31 | |
..joy to sort of make this | 0:24:32 | 0:24:34 | |
and throw away everything bad in my life. | 0:24:34 | 0:24:37 | |
So, as you can see, there's eggs, | 0:24:37 | 0:24:40 | |
there's coffees, there's biscuits. | 0:24:40 | 0:24:43 | |
All bad food and it's basically | 0:24:43 | 0:24:46 | |
getting rid of everything bad in my life. | 0:24:46 | 0:24:48 | |
So, that's it. | 0:24:48 | 0:24:50 | |
Thank you very much, Excel. | 0:24:50 | 0:24:53 | |
APPLAUSE | 0:24:53 | 0:24:56 | |
-MAN: -So, what inspires you? | 0:24:58 | 0:25:00 | |
Umm... | 0:25:02 | 0:25:03 | |
Umm... | 0:25:03 | 0:25:06 | |
Nothing... | 0:25:06 | 0:25:07 | |
-..inspires me. -Wow! | 0:25:08 | 0:25:10 | |
Is anyone else thinking they'll look at | 0:25:10 | 0:25:12 | |
the world of modern art differently after this? | 0:25:12 | 0:25:15 | |
We're lucky enough that, in a moment, | 0:25:15 | 0:25:17 | |
Excel is going to perform a piece of art onto a canvas. | 0:25:17 | 0:25:21 | |
MUSIC: "Gangnam Style" by PSY | 0:25:21 | 0:25:24 | |
# Gangnam style | 0:25:26 | 0:25:28 | |
# Gangnam Style... # | 0:25:31 | 0:25:33 | |
APPLAUSE | 0:25:35 | 0:25:37 | |
What a performance! What style. What a mess. | 0:25:37 | 0:25:40 | |
The art world love him, but the show's not over. | 0:25:40 | 0:25:44 | |
Time for Jason to become an art installation in his own right. | 0:25:44 | 0:25:47 | |
There is one person, though, who's not as impressed. | 0:25:47 | 0:25:50 | |
It's his best friend, Jack. | 0:25:50 | 0:25:53 | |
Absolutely rubbish! | 0:25:53 | 0:25:55 | |
LAUGHTER | 0:25:56 | 0:25:59 | |
APPLAUSE | 0:26:03 | 0:26:05 | |
Trendy Jason was told to tidy up and he did. | 0:26:10 | 0:26:14 | |
How was he to know that what he put in bin was in fact art. | 0:26:14 | 0:26:18 | |
-But, he bluffed like a pro. -That's rubbish! | 0:26:19 | 0:26:22 | |
SAMMM SCREAMS | 0:26:22 | 0:26:24 | |
And then discovered that he was the next big rising star | 0:26:24 | 0:26:29 | |
of the modern art world. | 0:26:29 | 0:26:30 | |
APPLAUSE | 0:26:30 | 0:26:33 | |
Now, what I have here is an incredible new device | 0:26:37 | 0:26:41 | |
that allows you to actually hear | 0:26:41 | 0:26:43 | |
the thoughts of anyone who wears it. | 0:26:43 | 0:26:45 | |
The brain scanner. | 0:26:45 | 0:26:47 | |
Might be used for interrogating spies | 0:26:47 | 0:26:50 | |
and draining pasta. | 0:26:50 | 0:26:52 | |
Right, let's see if it works. | 0:26:52 | 0:26:54 | |
MACHINE BEEPS | 0:26:57 | 0:26:58 | |
'Mmm, pasta. Oh, hang on. | 0:26:58 | 0:27:01 | |
'It's me! It works! | 0:27:01 | 0:27:02 | |
'That means everyone can hear what I'm thinking. | 0:27:02 | 0:27:04 | |
'Right, come on, think clever thoughts. | 0:27:04 | 0:27:07 | |
'I like big books. | 0:27:07 | 0:27:09 | |
'Really difficult ones with no pictures.' | 0:27:09 | 0:27:12 | |
LAUGHTER | 0:27:12 | 0:27:14 | |
WIND HOWLS | 0:27:14 | 0:27:17 | |
CHICKENS CLUCK | 0:27:22 | 0:27:25 | |
'Is someone else in here with me? Hello? | 0:27:25 | 0:27:28 | |
'I'm going to take this off now.' | 0:27:28 | 0:27:30 | |
Doesn't work. I think it's broken. | 0:27:30 | 0:27:32 | |
Part of our remit, here, is security. | 0:27:32 | 0:27:34 | |
Really, you have no idea how much safer the nation is | 0:27:34 | 0:27:37 | |
with my agents out there on the street. | 0:27:37 | 0:27:40 | |
You wouldn't believe what some people | 0:27:41 | 0:27:43 | |
carry around with them on the streets of Britain. | 0:27:43 | 0:27:46 | |
In fact, they might not believe it either. | 0:27:46 | 0:27:48 | |
Luckily, we've got a brand-new piece of kit that can detect, well, | 0:27:48 | 0:27:52 | |
whatever we tell it to detect. | 0:27:52 | 0:27:54 | |
MACHINE BEEPS | 0:27:54 | 0:27:57 | |
OK, just stand here. | 0:27:57 | 0:28:00 | |
MACHINE BEEPS | 0:28:00 | 0:28:02 | |
MACHINE BEEPS | 0:28:03 | 0:28:05 | |
Looking good, looking good. | 0:28:05 | 0:28:07 | |
Looking good, looking good. Fantastic. | 0:28:07 | 0:28:09 | |
Were you aware of any metal item? | 0:28:09 | 0:28:11 | |
-Quite a suspicious-looking hat. Nothing to hide under the hat? -No. -No. | 0:28:11 | 0:28:14 | |
Do you mind if my colleague takes a look in your basket. | 0:28:14 | 0:28:17 | |
If you don't mind, sir, that would be great. | 0:28:17 | 0:28:19 | |
I'll tell you what's in there. | 0:28:19 | 0:28:20 | |
There is a steak and kidney pie and some shallots. | 0:28:20 | 0:28:22 | |
HE LAUGHS | 0:28:23 | 0:28:27 | |
-Oh, hello, what's this? -OK. | 0:28:27 | 0:28:30 | |
-It's one of those again, is it? -Any knowledge of that? -No. | 0:28:30 | 0:28:33 | |
-Did you pack your bag today? -Yes. -OK. | 0:28:33 | 0:28:35 | |
HE LAUGHS | 0:28:37 | 0:28:39 | |
-OK, what's your first name? -Paul. -Paul. | 0:28:39 | 0:28:42 | |
Paul, sounds like pool. Is your surname shark? | 0:28:42 | 0:28:44 | |
Yes, that's the one. | 0:28:44 | 0:28:46 | |
-Paul Shark. -Paul Shark. | 0:28:46 | 0:28:48 | |
I don't want to be rude, but that's a give-away. | 0:28:48 | 0:28:50 | |
HE LAUGHS | 0:28:50 | 0:28:51 | |
Did you ever consider being a pool shark? | 0:28:51 | 0:28:54 | |
I'd consider it, but I'd only do it to people I didn't like. | 0:28:54 | 0:28:59 | |
-Is that illegal? -Yes. | 0:28:59 | 0:29:01 | |
You don't mind if I have a look in your back pocket, please, sir? | 0:29:02 | 0:29:05 | |
-I'll take these lottery tickets. -OK, all right. | 0:29:05 | 0:29:08 | |
-So these just came out of your back pocket, have they? -The side. | 0:29:08 | 0:29:12 | |
-Oh, in the side pocket, OK. Is that yours? -I don't recognise that. | 0:29:12 | 0:29:18 | |
Where did you get that from? My back pocket? | 0:29:18 | 0:29:20 | |
That was in your right back pocket. | 0:29:20 | 0:29:22 | |
-We've got a chemical here that we can spray on these. -Thank you. | 0:29:22 | 0:29:26 | |
What the gang do, believe it or not... | 0:29:26 | 0:29:28 | |
-OK, there's quite a bit there. -OK. | 0:29:28 | 0:29:31 | |
-I'll just give it to you, Kev. -OK. | 0:29:34 | 0:29:37 | |
With money-laundering, what we often find is innocent-looking bits of paper can... | 0:29:37 | 0:29:41 | |
Oh, look, there we go. | 0:29:41 | 0:29:43 | |
-Bingo. -You've got no knowledge of that? -I'm not sure what's going on here. | 0:29:43 | 0:29:47 | |
-We'll have to hold on to those. -No, no, no. You're not having that. | 0:29:47 | 0:29:52 | |
-Are you saying this is yours? -It is mine. I gave it to him. | 0:29:52 | 0:29:54 | |
-You gave him the money? -He allegedly took it from my side pocket. | 0:29:54 | 0:29:58 | |
-That's where you keep the money? -No, I keep it in my wallet. | 0:29:58 | 0:30:00 | |
-But you're saying that money is also yours. -Yes. No, it isn't. | 0:30:00 | 0:30:04 | |
-It isn't yours? -No. | 0:30:04 | 0:30:05 | |
COW MOOS | 0:30:05 | 0:30:08 | |
Can we just...excuse me. Have you got any dairy products on you? | 0:30:10 | 0:30:14 | |
APPLAUSE | 0:30:14 | 0:30:17 | |
Right, now we must move on to our next mission. | 0:30:17 | 0:30:20 | |
-BLEEPING -Oh! Sorry. | 0:30:20 | 0:30:23 | |
Now we must move on to our next mission. | 0:30:25 | 0:30:27 | |
-BLEEPING -What?! I haven't got... Oh, all right. | 0:30:27 | 0:30:31 | |
It's a collectors item. | 0:30:34 | 0:30:35 | |
Now, we can move on to... | 0:30:37 | 0:30:39 | |
-BLEEPING -Oh, please! I haven't got... | 0:30:39 | 0:30:42 | |
BLEEPING | 0:30:42 | 0:30:44 | |
BLEEPING | 0:30:45 | 0:30:46 | |
BLEEPING | 0:30:52 | 0:30:53 | |
BLEEPING | 0:31:00 | 0:31:02 | |
BLEEPING | 0:31:03 | 0:31:05 | |
Um...guys, I think we might have to move my desk. | 0:31:05 | 0:31:09 | |
Right, on with the next mission. | 0:31:11 | 0:31:13 | |
The Secret Service fake ad company is in town, | 0:31:13 | 0:31:17 | |
complete with cameras, lights, lovable director. | 0:31:17 | 0:31:20 | |
Get me a decaf skinny latte served in an upside-down wigwam. | 0:31:20 | 0:31:23 | |
Stat. Action! | 0:31:23 | 0:31:25 | |
And very smiley presenter. | 0:31:25 | 0:31:28 | |
They need to find someone who will lie through their teeth | 0:31:29 | 0:31:32 | |
and through some fake teeth to take part in a TV ad | 0:31:32 | 0:31:35 | |
for a revolutionary, fake teeth whitening product, Diamond Grin 3000. | 0:31:35 | 0:31:40 | |
All we need now are some willing guinea pigs, I mean future stars. | 0:31:41 | 0:31:46 | |
Is that sugar-free? Oh, dear! | 0:31:46 | 0:31:49 | |
We don't want to use the treatment in public because it's quite painful. | 0:31:49 | 0:31:53 | |
-Have you done any telly before? -No. | 0:31:54 | 0:31:57 | |
I didn't want to direct commercials, I wanted to do films. | 0:31:57 | 0:31:59 | |
But it didn't work out. | 0:31:59 | 0:32:01 | |
-You've done some films. -Yeah, they've all been rubbish. | 0:32:01 | 0:32:04 | |
It's true, they all came back very badly. | 0:32:04 | 0:32:06 | |
You've got good teeth for this commercial. | 0:32:06 | 0:32:09 | |
They are not that good, I just brushed them, that's why. | 0:32:09 | 0:32:12 | |
-You brushed them? -Yes, in the morning. -That's the best time. | 0:32:12 | 0:32:16 | |
If you just have a seat for me, that would be great. | 0:32:16 | 0:32:18 | |
-Are you sitting comfortably? Good, then we'll begin. -Action. | 0:32:18 | 0:32:22 | |
Diamond Grin uses a patented technique | 0:32:22 | 0:32:24 | |
which bleaches your teeth using bleach. | 0:32:24 | 0:32:27 | |
But don't worry, our independent tests have proved that it is 80% safe, | 0:32:27 | 0:32:32 | |
with fewer and fewer fatalities every month. | 0:32:32 | 0:32:36 | |
Does your smile turn off women and frighten children, | 0:32:36 | 0:32:39 | |
like this man's? | 0:32:39 | 0:32:42 | |
-Well, that's not going to work. -That's not going to work, is it? | 0:32:44 | 0:32:47 | |
-She's got nice teeth. -Got a nice teeth. | 0:32:47 | 0:32:49 | |
If we put a little bit of chocolate sauce, it will make them | 0:32:49 | 0:32:52 | |
-look a bit bad, is that all right? -That's fun. | 0:32:52 | 0:32:54 | |
We'll use prosthetics. We'll have to. | 0:32:54 | 0:32:56 | |
Do you mind, you just slot them in. | 0:32:56 | 0:32:59 | |
-They're clean. -Pop some on your finger. | 0:32:59 | 0:33:02 | |
Then just rub it into your teeth. Don't lick it all down. That's it. | 0:33:02 | 0:33:07 | |
-OK? -Yes. | 0:33:08 | 0:33:10 | |
Yes, like that, perfect. | 0:33:11 | 0:33:13 | |
Oh, my God, they look hideous! Perfect. | 0:33:13 | 0:33:16 | |
With our BAFTA-repelling make-up and prosthetics applied, | 0:33:16 | 0:33:21 | |
our volunteers are ready for their screen test. | 0:33:21 | 0:33:24 | |
If you've got disgusting teeth like me, you could just have them | 0:33:24 | 0:33:27 | |
surgically removed and eat your food through a straw. | 0:33:27 | 0:33:30 | |
Or you could try new Diamond Grin whitening gel. | 0:33:30 | 0:33:33 | |
Women shun me and children fear me - why? Because of these. | 0:33:33 | 0:33:38 | |
-Well, some breathtaking performances. -Cut. | 0:33:38 | 0:33:41 | |
Brilliant, you are natural. | 0:33:41 | 0:33:42 | |
But with only one role up for grabs, | 0:33:42 | 0:33:44 | |
the team have chosen a clear favourite. World, meet Osman. | 0:33:44 | 0:33:48 | |
Osman, meet the world. | 0:33:48 | 0:33:49 | |
At the end, just look as sad as you possibly can with what's happening. | 0:33:49 | 0:33:54 | |
Like a self-conscious smile, like... | 0:33:54 | 0:33:56 | |
And action. | 0:33:58 | 0:33:59 | |
My teeth are so bad I even talk with my mouth closed. | 0:33:59 | 0:34:03 | |
As sad as you can. | 0:34:03 | 0:34:05 | |
Like you are going to cry sort of thing. | 0:34:07 | 0:34:10 | |
You can even put your hands to your face. | 0:34:10 | 0:34:12 | |
How does it make you feel, having teeth like that? | 0:34:14 | 0:34:17 | |
Horrible, I don't want no-one to see my teeth. | 0:34:17 | 0:34:21 | |
They are so horrible, I don't like them. | 0:34:22 | 0:34:25 | |
That's why we are here with Diamond Grin. | 0:34:25 | 0:34:27 | |
You never have to hide your embarrassing, ugly smile again. | 0:34:27 | 0:34:32 | |
Don't look at me. | 0:34:32 | 0:34:34 | |
-I'm horrible. -I'm horrible, I look hideous. | 0:34:34 | 0:34:38 | |
Don't. | 0:34:38 | 0:34:40 | |
Oh, I think I might cry. No, I'm OK, I'm not going to cry. | 0:34:40 | 0:34:43 | |
-Cut. -Brilliant. -Excellent, well done. -Great. | 0:34:43 | 0:34:46 | |
Young Osman there, a clear front runner in this year's Oscar | 0:34:46 | 0:34:50 | |
for best man in a shopping centre pretending to have bad teeth for an advert. | 0:34:50 | 0:34:54 | |
-That was brilliant, have you been to drama school? -No. -That was amazing. | 0:34:55 | 0:34:59 | |
Apparently, the whitening process takes 12 months. | 0:34:59 | 0:35:02 | |
But how are they going to show this length of time in a fake ad? | 0:35:02 | 0:35:06 | |
We'll do that in front of the green screen, like the Star Wars movies. | 0:35:06 | 0:35:09 | |
Just like Star Wars, no expense spared. High-end stuff. | 0:35:09 | 0:35:13 | |
Those creative types, it is inspiring to see them at work - | 0:35:15 | 0:35:18 | |
the long hair and beard to show the passage of time. | 0:35:18 | 0:35:21 | |
Well, extreme hair growth is one of the side effects of the treatment. | 0:35:21 | 0:35:25 | |
-We're going back in time now. -It's backwards actually, sorry. | 0:35:25 | 0:35:29 | |
There, you see, the magic of the movies, without the magic. | 0:35:31 | 0:35:35 | |
And in Uxbridge shopping centre. | 0:35:35 | 0:35:37 | |
# It's beginning to look a lot like Christmas... # | 0:35:37 | 0:35:40 | |
And then stop there, we're on August. Stop on August. | 0:35:40 | 0:35:42 | |
Well done. Brilliant. | 0:35:42 | 0:35:44 | |
OK, we've seen the before and witnessed, I presume, | 0:35:44 | 0:35:47 | |
what's meant to be the during, now it's time for the after | 0:35:47 | 0:35:50 | |
emerge like a toothy butterfly from a chrysalis. | 0:35:50 | 0:35:53 | |
Let's see those pearly whites. | 0:35:53 | 0:35:55 | |
-And action. -Off you go. | 0:35:55 | 0:35:57 | |
And now, an important message from our sponsor. | 0:36:13 | 0:36:16 | |
Wait. If you listen carefully, | 0:36:24 | 0:36:25 | |
you can just about hear a penny dropping. | 0:36:25 | 0:36:28 | |
LAUGHTER AND APPLAUSE | 0:36:28 | 0:36:31 | |
APPLAUSE | 0:36:33 | 0:36:36 | |
I thought it was a bit bad. | 0:36:36 | 0:36:37 | |
Time then for the grand premiere of the finished ad. | 0:36:39 | 0:36:42 | |
Does your smile turn off women and frighten children, | 0:36:44 | 0:36:47 | |
like this man? | 0:36:47 | 0:36:49 | |
And is it harming your career prospects? | 0:36:49 | 0:36:52 | |
I'm afraid I can't give you the job. It's because of your teeth! | 0:36:52 | 0:36:56 | |
As you can see, my teeth are beyond disgusting. | 0:36:59 | 0:37:02 | |
SCREAMING | 0:37:02 | 0:37:03 | |
If only there was some way to fix the hideous disasters in my mouth. | 0:37:03 | 0:37:08 | |
Well, young man, there is - Diamond Grin 3000. | 0:37:08 | 0:37:12 | |
And if you have 12 whole months to waste - that's 365 days to you and me - | 0:37:12 | 0:37:17 | |
then call this fake number now. | 0:37:17 | 0:37:19 | |
Have your teeth treated with Diamond Grin. | 0:37:19 | 0:37:21 | |
You never need to hide your ugly teeth in embarrassment ever again. | 0:37:21 | 0:37:26 | |
I'm delighted to say that you've got the job. It's because of your teeth! | 0:37:34 | 0:37:39 | |
Diamond Grin 3000. Terms and conditions apply. | 0:37:39 | 0:37:42 | |
APPLAUSE AND CHEERING | 0:37:49 | 0:37:51 | |
I think it's safe to say that this agency has, once again, | 0:37:51 | 0:37:54 | |
completed all its top secret missions with aplomb. | 0:37:54 | 0:37:57 | |
But what have we learned? | 0:37:57 | 0:37:59 | |
Well, that sometimes modern art is actually rubbish, on purpose. | 0:37:59 | 0:38:04 | |
That some men will do anything for love. And I do mean anything. | 0:38:04 | 0:38:08 | |
And that there is no such thing as the perfect smile. | 0:38:08 | 0:38:12 | |
Or is there? | 0:38:12 | 0:38:13 | |
No, there isn't, the case is closed. | 0:38:16 | 0:38:18 | |
There is just one last thing though, ladies and gentlemen. | 0:38:18 | 0:38:21 | |
Please, a massive round of applause for the real stars of the show. | 0:38:21 | 0:38:25 | |
APPLAUSE AND CHEERING | 0:38:25 | 0:38:28 | |
Until next time, citizens, goodbye. | 0:38:38 | 0:38:41 | |
Subtitles by Red Bee Media Ltd | 0:38:56 | 0:38:59 |