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Excuse the parachute, I have just finished | 0:00:25 | 0:00:28 | |
a very dangerous basejumping mission in Stevenage. | 0:00:28 | 0:00:31 | |
Hello, and welcome to my Secret Service. | 0:00:31 | 0:00:34 | |
Now, we're going to ask for help with all sorts of problems here, | 0:00:34 | 0:00:36 | |
everything from a cat stuck up a tree to a kidnapped president. | 0:00:36 | 0:00:40 | |
This week has been no different, we have been very busy. | 0:00:40 | 0:00:43 | |
I'd love to tell you more but I can't reach the button. | 0:00:43 | 0:00:45 | |
Can somebody at least push the button I'm not supposed to push? | 0:00:45 | 0:00:48 | |
Displaying secret files. Coming up on tonight's show: | 0:00:48 | 0:00:53 | |
The first day on any job can be tough, | 0:00:54 | 0:00:57 | |
but especially when it's as a wedding planner at a secret service marriage. | 0:00:57 | 0:01:00 | |
-She said I could have one! -I didn't say she could have one. -You did! | 0:01:00 | 0:01:04 | |
What has happened? | 0:01:05 | 0:01:08 | |
Being stuck in a lift has a very strange effect on this young lady. | 0:01:08 | 0:01:11 | |
SHE SPEAKS GIBBERISH | 0:01:11 | 0:01:13 | |
And what happens when a fake history show excavates your entire garden? | 0:01:18 | 0:01:22 | |
Who has let you in here? | 0:01:22 | 0:01:24 | |
I need to know this now, because otherwise you can get off my garden. | 0:01:24 | 0:01:27 | |
Look what they've done to my garden! I'm going to go mental. | 0:01:27 | 0:01:30 | |
HE BELLOWS | 0:01:30 | 0:01:32 | |
APPLAUSE | 0:01:36 | 0:01:39 | |
It is time for today's first mission, | 0:01:39 | 0:01:41 | |
which should be arriving any time now. | 0:01:41 | 0:01:43 | |
Right, thank you. | 0:01:46 | 0:01:47 | |
And that mission is... | 0:01:47 | 0:01:48 | |
"Dear Secret Service," good start, polite. I like it. | 0:01:48 | 0:01:52 | |
"My niece, Chelsea, always expects things to fall into place. | 0:01:52 | 0:01:55 | |
"She has no idea that we plan everything for her. | 0:01:55 | 0:01:59 | |
"Please help her to realise that making things run smoothly | 0:01:59 | 0:02:02 | |
"isn't as easy as it seems. | 0:02:02 | 0:02:04 | |
"Yours, Donna." | 0:02:04 | 0:02:06 | |
Well, Donna, you're in luck. | 0:02:06 | 0:02:08 | |
Because we are the masters of making things go wrong. Oh, not again! | 0:02:08 | 0:02:12 | |
A grand country house, | 0:02:14 | 0:02:16 | |
on a beautiful day. The perfect venue for the perfect occasion. | 0:02:16 | 0:02:20 | |
A wedding...with a difference. It's teeming with Secret Service agents! | 0:02:20 | 0:02:25 | |
They're here because Donna, an event manager from Coventry, | 0:02:25 | 0:02:28 | |
has asked her unsuspecting niece, Chelsea, to be a wedding | 0:02:28 | 0:02:32 | |
planner's assistant, helping ensure the bride has the day of her dreams. | 0:02:32 | 0:02:36 | |
Chelsea! That is my favourite part of town! | 0:02:36 | 0:02:40 | |
That's so great I'll bring you downstairs, | 0:02:40 | 0:02:43 | |
you stay here, we can't leave this room unattended. Now, Donna... | 0:02:43 | 0:02:47 | |
What Chelsea doesn't know is that Aunt Donna has set the whole | 0:02:47 | 0:02:52 | |
thing up to make sure Chelsea has a total nightmare. | 0:02:52 | 0:02:55 | |
The actual ceremony itself will be blissfully quick, because, I don't | 0:02:55 | 0:02:59 | |
know about you, but don't you just hate it | 0:02:59 | 0:03:01 | |
when people are going on and on and on about how much... | 0:03:01 | 0:03:04 | |
Oh, God, "I love you, I love you!" And all that rubbish! | 0:03:04 | 0:03:06 | |
So as Chelsea is used to being the one who gets looked after, | 0:03:06 | 0:03:11 | |
how will she cope when the biggest day in someone else's life | 0:03:11 | 0:03:14 | |
rests in her hands? | 0:03:14 | 0:03:16 | |
She wanted certain flowers, you know, the bride has her requests. | 0:03:16 | 0:03:19 | |
I couldn't get them, because they are not in season. | 0:03:19 | 0:03:22 | |
Like, even God cannot bring these flowers for her now! | 0:03:22 | 0:03:24 | |
So I got these - they look virtually the same, she won't realise. | 0:03:24 | 0:03:28 | |
-Right... -So if she asks, you just show her the flowers and smile. | 0:03:28 | 0:03:31 | |
Remember, everyone at the house is in on the act - | 0:03:31 | 0:03:34 | |
time for Chelsea to meet the blushing bride, the stylist and | 0:03:34 | 0:03:38 | |
the best man who is documenting the big day on a camcorder. | 0:03:38 | 0:03:41 | |
Oh, they look wonderful! | 0:03:41 | 0:03:44 | |
But will the blooming bride notice that her blooming flowers | 0:03:44 | 0:03:47 | |
aren't the right blooming flowers? | 0:03:47 | 0:03:50 | |
I don't remember these ones, though. | 0:03:50 | 0:03:51 | |
-Oh, dear. -Are these the ones I ordered? | 0:03:51 | 0:03:53 | |
He did say they were, yeah, they were the ones you ordered. | 0:03:53 | 0:03:56 | |
OK, it's just sometimes I get... | 0:03:56 | 0:03:58 | |
We chose them quite carefully | 0:03:58 | 0:04:00 | |
because I get allergies sometimes, but they are so nice! | 0:04:00 | 0:04:03 | |
Oh, I'm so excited! | 0:04:03 | 0:04:06 | |
Should we go and carry on? | 0:04:09 | 0:04:11 | |
So far so good, on this special day. The bride is happy | 0:04:11 | 0:04:15 | |
and now Chelsea is giving the coach driver bullet-proof directions | 0:04:15 | 0:04:19 | |
to ensure all the guests arrive on time. | 0:04:19 | 0:04:22 | |
'Sorry, I didn't get that, what road?' | 0:04:22 | 0:04:24 | |
It says take your first left into Catford Road on the A2... | 0:04:24 | 0:04:29 | |
-'This isn't making any sense!' -I'm just reading the instructions, sorry! | 0:04:29 | 0:04:32 | |
-'Hang on. I'm going into a tunnel.' -Hello? | 0:04:32 | 0:04:36 | |
I don't think the guests will be arriving any time soon. | 0:04:36 | 0:04:41 | |
Oh, my God. I think I've had an allergic reaction to the flowers! | 0:04:41 | 0:04:46 | |
-Let's have a look. -Look! Don't with the camera! | 0:04:46 | 0:04:50 | |
-Can you see it? Is it obvious? -Uh, no! | 0:04:50 | 0:04:53 | |
If you have your make-up put on... | 0:04:53 | 0:04:55 | |
-Do you think we could have some more make-up on? -You look beautiful anyway! | 0:04:55 | 0:04:58 | |
I just feel really, I just feel a bit itchy. Oh, my God. | 0:04:58 | 0:05:01 | |
Are they the flowers that you ordered? | 0:05:03 | 0:05:04 | |
I don't remember the long ones, I don't remember them. | 0:05:04 | 0:05:07 | |
Calm down and get yourself... Stress, it might go down if you calm down a little bit. | 0:05:07 | 0:05:13 | |
Oh, it'll be OK, won't it? | 0:05:13 | 0:05:15 | |
Oh dear, looks like those flowers have given the bride a nasty rash. | 0:05:15 | 0:05:18 | |
(She's pretending.) | 0:05:18 | 0:05:19 | |
Time now to meet the bridesmaid, 10-year-old Evelyn, | 0:05:19 | 0:05:22 | |
who happens to be one of our most lethal operatives Agent Cupcake. | 0:05:22 | 0:05:27 | |
-You look beautiful. -Thank you. | 0:05:27 | 0:05:29 | |
Don't fall for it. Don't fall for it, Chelsea. | 0:05:29 | 0:05:31 | |
I'm just going to check on her for a few minutes, can she sit in here? | 0:05:31 | 0:05:35 | |
She can sit down, sit on a chair, that's fine. | 0:05:35 | 0:05:37 | |
-So, can I have a cupcake? -Well, wait until.. Is it your mum? -Yes. | 0:05:37 | 0:05:43 | |
Wait until she comes back and you can ask her. | 0:05:43 | 0:05:46 | |
I won't tell her if you won't, she'll say no. | 0:05:46 | 0:05:48 | |
You can have one when the wedding is over, it won't be long. | 0:05:48 | 0:05:51 | |
How about you let me have one now? | 0:05:51 | 0:05:54 | |
-I can't really let you have one now, I'll get you... -PLEASE?! | 0:05:54 | 0:05:58 | |
Uh-oh. | 0:05:58 | 0:05:59 | |
Please?! | 0:05:59 | 0:06:00 | |
-We'll ask your mum when she comes back. -PLEASE? | 0:06:00 | 0:06:02 | |
-We'll ask your mum. -PLEASE? -We'll ask her. -PLEASE? | 0:06:02 | 0:06:06 | |
I said please, you imbecile! What don't you get about please? | 0:06:07 | 0:06:10 | |
I can't really give out the cakes, they're not mine to give out. | 0:06:13 | 0:06:16 | |
Is everything OK with these? | 0:06:18 | 0:06:20 | |
-Yeah, well, she's had a bit of an allergic reaction from a flower. -OK. | 0:06:20 | 0:06:24 | |
Oh, she's eating a cake! | 0:06:24 | 0:06:27 | |
Oh, no. Cupcake's got her hands on a cupcake - | 0:06:27 | 0:06:30 | |
chocolate and white dresses don't mix. | 0:06:30 | 0:06:32 | |
-Anyway, the courier company has just called... -Oh, she's in a right mess. | 0:06:32 | 0:06:38 | |
-Where's the maid of honour? -I'll get her, it's not a problem. | 0:06:38 | 0:06:41 | |
That was really yummy. | 0:06:42 | 0:06:43 | |
-Oh, you're going to be in trouble. -No, I won't. | 0:06:43 | 0:06:46 | |
-Don't touch any more, then. -Why? | 0:06:46 | 0:06:48 | |
Because you'll be in trouble, look at your dress. | 0:06:48 | 0:06:51 | |
-Oh well. -She's just... | 0:06:51 | 0:06:53 | |
She said I could have one! | 0:06:53 | 0:06:56 | |
I didn't say she could have one. | 0:06:56 | 0:06:59 | |
-Yes, you did! -I can only... -You need to sit on the naughty step | 0:06:59 | 0:07:03 | |
and think about what your actions have done! | 0:07:03 | 0:07:05 | |
She let me have one! She sat on that chair over there and just laughed! | 0:07:07 | 0:07:11 | |
I didn't. I said that she couldn't have one. | 0:07:11 | 0:07:14 | |
-Oh! Did Gareth sort it out with Carrie as well? -So sorry. | 0:07:14 | 0:07:19 | |
Come on, let's go and tidy you up, come on. | 0:07:19 | 0:07:22 | |
According to her auntie, | 0:07:25 | 0:07:27 | |
Chelsea doesn't realise that making things run smoothly | 0:07:27 | 0:07:30 | |
can be a tough ask. One thing's for sure, | 0:07:30 | 0:07:32 | |
she certainly won't want to see another cake for a while. | 0:07:32 | 0:07:36 | |
Which is a shame, as no wedding is complete | 0:07:36 | 0:07:38 | |
without a giant, lavish wedding cake like this. | 0:07:38 | 0:07:41 | |
Dread to think how much a cake that big costs. | 0:07:41 | 0:07:45 | |
-Thank you. It's just going over to this square table. -You got this? | 0:07:46 | 0:07:50 | |
Ooooh... | 0:07:51 | 0:07:53 | |
Oh, my God. | 0:07:57 | 0:07:59 | |
Oh, my God. | 0:08:03 | 0:08:05 | |
Oh, I didn't want to drop that! | 0:08:05 | 0:08:07 | |
Hello. | 0:08:09 | 0:08:10 | |
What happened to the cake? | 0:08:10 | 0:08:13 | |
This is probably not the best time to meet the groom. | 0:08:13 | 0:08:16 | |
She dropped it. | 0:08:16 | 0:08:18 | |
I was doing you a favour, lifting it up there. | 0:08:20 | 0:08:24 | |
I could not possibly carry it on my own. I'm so sorry. | 0:08:24 | 0:08:27 | |
-My future wife cannot ever find out about this. -Yeah. | 0:08:27 | 0:08:30 | |
Please, please, whatever happens, let's just get it cleaned up, | 0:08:30 | 0:08:34 | |
and you'd better go. | 0:08:34 | 0:08:36 | |
It's safe to say Chelsea's first day as a wedding planner | 0:08:36 | 0:08:39 | |
is not quite going to plan. | 0:08:39 | 0:08:41 | |
I just feel a bit itchy. Oh, my God! | 0:08:41 | 0:08:44 | |
The bride is covered in hives, | 0:08:44 | 0:08:45 | |
their cute little bridesmaid is covered in chocolate icing... | 0:08:45 | 0:08:48 | |
You need to sit on the naughty step | 0:08:48 | 0:08:50 | |
and think about what your actions have done! | 0:08:50 | 0:08:52 | |
And the floor is covered with the wedding cake. | 0:08:52 | 0:08:55 | |
Chelsea is used to things just falling into place, | 0:08:55 | 0:08:58 | |
but now everything is just falling apart. | 0:08:58 | 0:09:01 | |
How much worse can things get? | 0:09:01 | 0:09:03 | |
We will find out when we come back later. | 0:09:03 | 0:09:05 | |
APPLAUSE | 0:09:05 | 0:09:07 | |
OK, now, this is very exciting. | 0:09:07 | 0:09:10 | |
On her way down is a tiny agent with a big heart. | 0:09:10 | 0:09:13 | |
She is as adorable as she is deadly. It's the wonderful Agent Cupcake! | 0:09:13 | 0:09:18 | |
LIFT BELL PINGS | 0:09:18 | 0:09:21 | |
Ma'am. | 0:09:23 | 0:09:24 | |
-You may sit. -Erm, here? Thank you. | 0:09:26 | 0:09:29 | |
Don't forget, Hammond, we've got your annual appraisal coming up. | 0:09:29 | 0:09:33 | |
Yeah, I know, I'm looking forward to it. | 0:09:33 | 0:09:35 | |
You're not expecting a pay rise, are you? | 0:09:35 | 0:09:38 | |
No, no, no! Well... | 0:09:38 | 0:09:40 | |
-No, no. -Good! That concludes our meeting. | 0:09:40 | 0:09:43 | |
LAUGHTER | 0:09:47 | 0:09:49 | |
-Are you still here? -No, ma'am, no, I'm gone. Isn't she great? | 0:09:49 | 0:09:54 | |
Still not entirely sure how she got to be my boss. | 0:09:54 | 0:09:57 | |
Her background's in retail! | 0:09:57 | 0:09:59 | |
My sister is a massive extrovert, | 0:10:05 | 0:10:07 | |
she reckons she is a really good problem solver. | 0:10:07 | 0:10:09 | |
She dreams of being on a plane | 0:10:09 | 0:10:10 | |
and being able to put her hand up | 0:10:10 | 0:10:11 | |
when someone asks if there is a doctor on board. | 0:10:11 | 0:10:14 | |
She's not even a doctor. | 0:10:14 | 0:10:15 | |
I do want to give her the chance | 0:10:15 | 0:10:16 | |
of being a hero for the day, | 0:10:16 | 0:10:18 | |
and to embarrass her wouldn't be too bad either. | 0:10:18 | 0:10:20 | |
MUSIC: "Nine To Five" by Dolly Parton | 0:10:22 | 0:10:26 | |
# Tumble out of bed and I stumble to the kitchen | 0:10:26 | 0:10:29 | |
# Pour myself a cup of ambition | 0:10:29 | 0:10:31 | |
# And yawnin', stretchin' Try to come to life | 0:10:31 | 0:10:35 | |
# Workin' nine to five What a way to make a livin' | 0:10:35 | 0:10:40 | |
# Barely gettin' by It's all takin' and no... # | 0:10:40 | 0:10:43 | |
Aaah! | 0:10:43 | 0:10:45 | |
Check it out! It's all in the detail. | 0:10:45 | 0:10:48 | |
Magazine, girly yoghurt, all of this. | 0:10:48 | 0:10:51 | |
You've really got to pay attention, | 0:10:51 | 0:10:53 | |
you've got to bring the character to life | 0:10:53 | 0:10:55 | |
to make it believable for the public. Today, I am Susan Edwards, | 0:10:55 | 0:10:59 | |
I am a call centre lady for the lift engineer company. | 0:10:59 | 0:11:04 | |
HE WHISPERS | 0:11:04 | 0:11:05 | |
Well, no, of course they can't actually... | 0:11:05 | 0:11:09 | |
See, it's on the phone, but that's not the point, you see, | 0:11:09 | 0:11:12 | |
it all helps, you have to become... | 0:11:12 | 0:11:14 | |
So, Rosie has been told to come to this flash London address | 0:11:14 | 0:11:17 | |
where she thinks she's going to meet boyband The Wanted. | 0:11:17 | 0:11:21 | |
I don't think that's going to happen. | 0:11:21 | 0:11:23 | |
But she will get to meet Agent PR Disaster, whose boss, | 0:11:23 | 0:11:27 | |
apparently, believes she is at a meeting in London Zoo with | 0:11:27 | 0:11:29 | |
a number of international VIPs. | 0:11:29 | 0:11:32 | |
Oh, no! The lift's stuck. Huh! | 0:11:32 | 0:11:35 | |
-No, no, no. -Oh, my God. -I am so late right now. | 0:11:35 | 0:11:40 | |
Oh, my God. Good idea. | 0:11:40 | 0:11:41 | |
BUZZER SOUNDS | 0:11:41 | 0:11:43 | |
Hello, this is the lift operator. | 0:11:43 | 0:11:45 | |
We've had a technical fault reported with your lift. | 0:11:45 | 0:11:47 | |
Yeah, it's kind of stuck. | 0:11:47 | 0:11:49 | |
It may well correct itself in time, | 0:11:49 | 0:11:51 | |
but what I'll do is send an engineer out to you ASAP. | 0:11:51 | 0:11:55 | |
OK then. | 0:11:55 | 0:11:56 | |
'Yeah. With the groundwork done, it's time for me | 0:11:59 | 0:12:02 | |
'to hand over the helm to one of my junior agents.' | 0:12:02 | 0:12:05 | |
-I'm going to lose my job! -'I appreciate that, madam, | 0:12:05 | 0:12:08 | |
'we'll get someone out to you as soon as possible. | 0:12:08 | 0:12:11 | |
'Can you confirm your location?' | 0:12:11 | 0:12:12 | |
-Baker Street? -Baker Street. | 0:12:12 | 0:12:15 | |
34 Baker Street. 37? 34? | 0:12:15 | 0:12:19 | |
-I thought it said 80... -37. No, 87. 87. | 0:12:19 | 0:12:22 | |
-83? 83. -83 Baker Street. | 0:12:23 | 0:12:26 | |
Now, Rosie seems pretty switched on. | 0:12:26 | 0:12:29 | |
This may be trickier than we had imagined. | 0:12:29 | 0:12:31 | |
'We are going to get the technician out to you as soon as possible.' | 0:12:31 | 0:12:34 | |
Remember, Agent PR Disaster's boss thinks she is at the zoo with | 0:12:34 | 0:12:38 | |
representatives from all over the world. | 0:12:38 | 0:12:41 | |
Oh, that'll be him now. | 0:12:41 | 0:12:42 | |
It's my work phone. Hello? | 0:12:42 | 0:12:46 | |
-'Hello, Diane?' -Hi, Paul. -Tell him... -'How are you?' | 0:12:46 | 0:12:50 | |
-I'm good, how are you? -'Yeah, I'm OK. Are you at the zoo?' | 0:12:54 | 0:12:58 | |
Yes, yes, I'm at the zoo right now and we, um, | 0:12:58 | 0:13:02 | |
we are just going through the gates, we are just opening the gates. | 0:13:02 | 0:13:06 | |
Oh, great sound effects work. It's almost like being there! | 0:13:06 | 0:13:09 | |
And we are walking through the, er, | 0:13:09 | 0:13:13 | |
through the enclosure. | 0:13:13 | 0:13:14 | |
'OK.' | 0:13:14 | 0:13:16 | |
-Oh, my God, are you OK? You nearly just got hurt right then. -I did. | 0:13:16 | 0:13:20 | |
This lady just bumped into me, Paul. | 0:13:20 | 0:13:22 | |
Rosie immediately mucking in and giving our agent | 0:13:22 | 0:13:25 | |
a helping hand in lying to the boss. | 0:13:25 | 0:13:27 | |
'You need to be meeting the guys any minute now.' | 0:13:27 | 0:13:30 | |
No, Tomas is with me right now. | 0:13:30 | 0:13:32 | |
'Hi, Tomas, how are you?' | 0:13:32 | 0:13:33 | |
Swedish, Swedish. | 0:13:36 | 0:13:37 | |
'Hi, Tomas, how are you?' | 0:13:39 | 0:13:40 | |
BAD SWEDISH ACCENT: Hello? Hello? | 0:13:40 | 0:13:42 | |
Me no speak Ingles... Me no speak... | 0:13:42 | 0:13:45 | |
SHE SPEAKS IN GIBBERISH | 0:13:45 | 0:13:50 | |
OK, Swedish Tomas sounding a little Japanese to me! But, you know... | 0:13:50 | 0:13:54 | |
'Is that Mr Yakamoto?' | 0:13:54 | 0:13:55 | |
That's a piece of luck, | 0:13:55 | 0:13:57 | |
the boss thinks it's another one of the guests, | 0:13:57 | 0:14:00 | |
the renowned Japanese vet, Dr Yakamoto. | 0:14:00 | 0:14:02 | |
Konnichiwa... | 0:14:02 | 0:14:04 | |
SHE SPEAKS IN FAKE JAPANESE | 0:14:04 | 0:14:07 | |
What, is she conning us now? I'm confused! | 0:14:07 | 0:14:10 | |
'Could you get Dr Yakamoto to speak English, please, | 0:14:10 | 0:14:12 | |
-'I'm not picking any of that up.' -Of course, yes. | 0:14:12 | 0:14:15 | |
'Hello, Mr Yakamoto?' | 0:14:15 | 0:14:17 | |
Hi... Hiya. Yes. | 0:14:17 | 0:14:20 | |
'Hello, how are you?' | 0:14:20 | 0:14:21 | |
Good. We'll be there in... five minutes. | 0:14:21 | 0:14:24 | |
'OK. I did hear that...' | 0:14:24 | 0:14:26 | |
-Well done, Rosie, this is going well. -'Is David there, Diane?' | 0:14:26 | 0:14:29 | |
Yes, yes, David is here as well. | 0:14:29 | 0:14:32 | |
COCKNEY ACCENT: 'Ello, guvnor, you all right? | 0:14:33 | 0:14:35 | |
-It's David 'ere. How you doing? -'Yes, I'm very well. | 0:14:35 | 0:14:38 | |
'It's good to finally speak to you.' | 0:14:38 | 0:14:40 | |
That's great, it's so nice to speak to you too. | 0:14:40 | 0:14:42 | |
OK, sounding a bit Australian. Rosie seems to be getting away with it. | 0:14:42 | 0:14:46 | |
'Whereabouts are you?' | 0:14:46 | 0:14:47 | |
We are at the monkey enclosure. | 0:14:47 | 0:14:50 | |
Oo! Oo! | 0:14:50 | 0:14:51 | |
-Oo-oo! Oo-oo-oo! -'OK, I can hear them, that's great.' | 0:14:53 | 0:14:57 | |
Grrr! | 0:14:58 | 0:15:00 | |
-Whooooo! -Do you hear the elephant? -Whooooo! | 0:15:02 | 0:15:06 | |
Ee-ee! Oo-oo! Ooh! Ee-ee! Eeee! | 0:15:08 | 0:15:11 | |
SHE CHIRPS AND SQUEAKS | 0:15:11 | 0:15:17 | |
Wow, she actually is Dr Doolittle! | 0:15:17 | 0:15:20 | |
'Can you take some photos of the gorillas, please?' | 0:15:20 | 0:15:23 | |
Er...yeah, sure, sure. | 0:15:23 | 0:15:25 | |
Ooh, ooh! Ooh, ooh! Ooh, ooh! Ooh, ooh! | 0:15:28 | 0:15:31 | |
-Yes, I'm getting very good shots of the monkeys. -'Nice touch.' | 0:15:31 | 0:15:35 | |
They are fantastic. | 0:15:35 | 0:15:37 | |
Amazing, beautiful. I've got the best shots for you, ever. The best. | 0:15:37 | 0:15:41 | |
So she's being the photographer as well as the animals now?! | 0:15:41 | 0:15:44 | |
This is brilliant. | 0:15:44 | 0:15:46 | |
I just want to check, David, Yakamoto and Tomas, | 0:15:46 | 0:15:49 | |
that you all happy with what you've seen. | 0:15:49 | 0:15:52 | |
Can you guys concur on that? | 0:15:52 | 0:15:54 | |
AS ALL THREE: Concur. Concur. Concur. | 0:15:54 | 0:15:57 | |
-'Hi, this is the lift operator.' -Diane, what is that lift operator? | 0:15:59 | 0:16:02 | |
What...? What is going on? | 0:16:02 | 0:16:03 | |
No, she didn't say it is the lift operator. | 0:16:03 | 0:16:05 | |
-That's Dr Yakamoto doing an accent. -I'm doing an accent. | 0:16:05 | 0:16:08 | |
AS COMPUTERISED VOICE: We are going to approach the next station. | 0:16:08 | 0:16:12 | |
See? Would I lie to you? | 0:16:12 | 0:16:15 | |
She is in the zoo, doing her job, like she's supposed to be doing. | 0:16:15 | 0:16:17 | |
'I've got good news for you, you will shortly be moving.' | 0:16:17 | 0:16:20 | |
-You're in a lift! -No, no, we're not in a lift. Seriously, listen! | 0:16:20 | 0:16:23 | |
Do animals, do animals. | 0:16:23 | 0:16:25 | |
-Ra-ar, ra-ar! -There's cats. | 0:16:25 | 0:16:27 | |
-Ooh-ooh! -There's monkeys. | 0:16:27 | 0:16:29 | |
-There's elephants. -Woo-ooh! | 0:16:29 | 0:16:33 | |
-Llamas. -OK, Diane, I got some bad news for you. -Yeah? | 0:16:33 | 0:16:38 | |
OK. You are totally fired. | 0:16:38 | 0:16:41 | |
Rosie, I've got some good news for you. | 0:16:41 | 0:16:44 | |
You've just been on Richard Hammond's Secret Service on the BBC. | 0:16:44 | 0:16:47 | |
Oh, my God! | 0:16:47 | 0:16:48 | |
Rosie there, realising her dream of saving the day, | 0:16:51 | 0:16:54 | |
rising to every imitation-based challenge we could set her. | 0:16:54 | 0:16:58 | |
A little thank you very much to her sister | 0:16:58 | 0:17:00 | |
and I suspect she's got something very similar to say to yours truly. | 0:17:00 | 0:17:04 | |
SHE SPEAKS GIBBERISH | 0:17:04 | 0:17:06 | |
Ah, but these are all good things she's saying. | 0:17:06 | 0:17:08 | |
I'm not totally fluent in Japanese Swedish, | 0:17:13 | 0:17:16 | |
but if I've grasped it correctly, | 0:17:16 | 0:17:18 | |
I think she said something about me being a magnificent human being. | 0:17:18 | 0:17:21 | |
Something like that. But wait. What's that I hear? | 0:17:21 | 0:17:24 | |
Wedding bells? | 0:17:24 | 0:17:26 | |
Inside this stately home, | 0:17:29 | 0:17:31 | |
a dream wedding is turning into a nightmare... | 0:17:31 | 0:17:34 | |
for Chelsea, whose first day | 0:17:34 | 0:17:35 | |
as a wedding planner is not going as smoothly as she would've liked. | 0:17:35 | 0:17:39 | |
The bride has hives and the cake has been destroyed. | 0:17:39 | 0:17:43 | |
Chelsea, best keep that small detail to yourself. | 0:17:43 | 0:17:46 | |
-Has my cake arrived? -It hasn't yet. | 0:17:46 | 0:17:49 | |
-We're trying to get that at the minute. -OK, can you let me know? | 0:17:49 | 0:17:52 | |
I can't wait to see it. Oh, I'm so excited about the cake. | 0:17:52 | 0:17:55 | |
Carrie, you are looking beautiful. With your hair. | 0:17:58 | 0:18:03 | |
Oh, my goodness, look at you... Oh, ja. | 0:18:03 | 0:18:07 | |
Please, sit, OK... | 0:18:10 | 0:18:13 | |
-Aargh! -Oh my goodness! | 0:18:15 | 0:18:18 | |
-Oh, no! -What has happened? -It's fine. It's fine. | 0:18:18 | 0:18:23 | |
Er, that's far from fine. | 0:18:25 | 0:18:27 | |
Somebody...say something? | 0:18:30 | 0:18:33 | |
-Is there any way that we can sew it back on? -You sew it? -We need to sew. | 0:18:34 | 0:18:39 | |
-Let me see. -I'm going. I can't stay in here. | 0:18:40 | 0:18:43 | |
-It's not too bad. -Oh, my God! | 0:18:43 | 0:18:46 | |
We can just do some sewing! | 0:18:46 | 0:18:48 | |
This has never happened to me. | 0:18:51 | 0:18:52 | |
I couldn't imagine this would happen to me when I'm helping out like this. | 0:18:52 | 0:18:56 | |
Oh, my God, you come on such a special day. | 0:18:56 | 0:18:59 | |
So a few things have gone really badly and a few, even more badly, | 0:19:01 | 0:19:05 | |
but as long as you have friends and family by your side, | 0:19:05 | 0:19:08 | |
you can get through anything. | 0:19:08 | 0:19:10 | |
And thanks to the directions Chelsea gave earlier, I'm sure | 0:19:10 | 0:19:13 | |
the coach-load of friends and family should be arriving any second now. | 0:19:13 | 0:19:17 | |
-Hello, Derek? -It's Derek. I don't think this is right. -Where are you? | 0:19:17 | 0:19:22 | |
-I'm on the Woolwich Ferry. What do I do now? -He's on the Woolwich Ferry. | 0:19:22 | 0:19:28 | |
Dude, you're going in the wrong direction! It's Dulwich. | 0:19:28 | 0:19:32 | |
I spoke to a lady who gave me the directions. | 0:19:32 | 0:19:35 | |
All right, Derek, forget about it. Forget about it. | 0:19:35 | 0:19:38 | |
The guests aren't going to be here. | 0:19:38 | 0:19:39 | |
I don't know who gave directions, but he's well off the mark. | 0:19:39 | 0:19:42 | |
It's just... It's ridiculous. | 0:19:42 | 0:19:45 | |
Right, no guests, no dress, no cake - | 0:19:45 | 0:19:48 | |
and the bride's locked herself in the toilet. | 0:19:48 | 0:19:51 | |
So, no wedding. | 0:19:51 | 0:19:53 | |
And no going to the toilet. | 0:19:53 | 0:19:54 | |
She's not going to go through with it. She's got hives. No guests. | 0:19:54 | 0:20:00 | |
I don't want to marry her after what she just said to me, to be honest. | 0:20:00 | 0:20:03 | |
I think this is just before... This is nerves. | 0:20:03 | 0:20:06 | |
It's just nerves, yeah. Things are going... | 0:20:06 | 0:20:10 | |
-It'll be perfect at the time. -It will. | 0:20:10 | 0:20:13 | |
My grandfather has come all the way from New Zealand for this. | 0:20:13 | 0:20:16 | |
He won't make another trip. | 0:20:16 | 0:20:18 | |
MAN: He's about 150 million years old. | 0:20:18 | 0:20:20 | |
He needs to have a wedding. | 0:20:20 | 0:20:21 | |
It's maybe crazy idea, | 0:20:23 | 0:20:24 | |
but maybe we could get one of your friends to stand in. | 0:20:24 | 0:20:28 | |
And then he has not had a wasted day | 0:20:28 | 0:20:30 | |
because this is as much his day as yours. We just need someone. | 0:20:30 | 0:20:33 | |
I can't help feeling there's a white elephant in the room right now. | 0:20:33 | 0:20:38 | |
-Do you think...? -Would you...? -Would I...? -Would you just stand in? | 0:20:43 | 0:20:46 | |
-Would I stand in what? -Stand in for Carrie? My grandad would die happy. | 0:20:46 | 0:20:53 | |
It would simply just be, we'll just go through the actions. | 0:20:53 | 0:20:55 | |
-He'll hear it, and then we'll take him downstairs. -What about Carrie? | 0:20:55 | 0:20:59 | |
-Is she not going to come round? -She's not coming down today. | 0:20:59 | 0:21:03 | |
-Shall we do this? -Um... -It'll be very quick, we'll just do it now. | 0:21:03 | 0:21:08 | |
Get it over with. | 0:21:08 | 0:21:09 | |
Whatever they need to do to make their family happy, | 0:21:09 | 0:21:12 | |
-I just don't want to cause any more arguments. -She will do it! | 0:21:12 | 0:21:15 | |
# Congratulations! # | 0:21:15 | 0:21:18 | |
So Chelsea was set up by her Aunt Donna to oversee | 0:21:18 | 0:21:22 | |
the wedding from hell. | 0:21:22 | 0:21:24 | |
As Chelsea doesn't want to disappoint the only guest here, | 0:21:24 | 0:21:27 | |
she's now agreed to stand in as the blushing bride. | 0:21:27 | 0:21:30 | |
-Carrie. -Oh, Carrie, you look so beautiful. | 0:21:35 | 0:21:39 | |
We are gathered here today before God... | 0:21:41 | 0:21:45 | |
If we could just move on to the vows, that'd be great. | 0:21:45 | 0:21:47 | |
Yes, certainly. | 0:21:47 | 0:21:49 | |
In which case, I am obliged to ask if any person here | 0:21:49 | 0:21:53 | |
knows of any just cause | 0:21:53 | 0:21:55 | |
why these two people may not be joined in matrimony. | 0:21:55 | 0:21:59 | |
Speak now, or for ever hold their peace. | 0:21:59 | 0:22:01 | |
I have! | 0:22:08 | 0:22:09 | |
I pronounce you having starred on Richard's Hammond Secret Service! | 0:22:10 | 0:22:14 | |
So wicked Auntie Donna put Chelsea through a hidden camera mincer | 0:22:20 | 0:22:24 | |
and she got well and truly minced. | 0:22:24 | 0:22:27 | |
From the blushing bride - literally... | 0:22:28 | 0:22:30 | |
Do you think I'm having an allergic reaction to the flowers? Look! | 0:22:30 | 0:22:34 | |
Don't with the camera! | 0:22:34 | 0:22:36 | |
..to the tantrums and chocolate... | 0:22:36 | 0:22:37 | |
I said please, you imbecile! | 0:22:37 | 0:22:40 | |
She said I could have one. | 0:22:40 | 0:22:42 | |
..and that cake-tastropy, which really tore it. | 0:22:42 | 0:22:45 | |
She started the day as the assistant and ended as the bride. | 0:22:47 | 0:22:51 | |
Her auntie really put the boot in. | 0:22:51 | 0:22:52 | |
Donna one, Chelsea nil. | 0:22:54 | 0:22:56 | |
I was nearly crying, standing there. With the little girl as well! | 0:22:56 | 0:23:00 | |
I nearly cried when she shouted at me! I'm so embarrassed. | 0:23:01 | 0:23:07 | |
Right! This next mission calls for our best agent. | 0:23:10 | 0:23:13 | |
-Not you, Agent Nigel. -Oh. -Sorry. | 0:23:13 | 0:23:17 | |
No, our best agent is a well-known ornithologist, | 0:23:17 | 0:23:20 | |
which means birdwatcher. | 0:23:20 | 0:23:22 | |
I should know, I'm quite the expert myself, | 0:23:22 | 0:23:24 | |
just last night I spotted a small striped one nesting in my garden. | 0:23:24 | 0:23:27 | |
Emu. Or possibly a penguin. This man will know, though. | 0:23:27 | 0:23:31 | |
-Activate Agent Bill Oddie. -Agent Oddie initiated. | 0:23:31 | 0:23:34 | |
Bill, this is so exciting. | 0:23:35 | 0:23:37 | |
Not just the scale of this mission, but also the subject. | 0:23:37 | 0:23:41 | |
Cos I love history. | 0:23:41 | 0:23:43 | |
Really? | 0:23:43 | 0:23:44 | |
And what is it exactly that you love so much about history? | 0:23:45 | 0:23:50 | |
Well, you know, | 0:23:50 | 0:23:52 | |
some of my favourite memories are in the past. | 0:23:52 | 0:23:56 | |
Yeah, history. Makes sense, Agent Oddie. Back to the coalface. | 0:23:57 | 0:24:03 | |
He respects me, that man. He does. | 0:24:03 | 0:24:05 | |
Is this real? | 0:24:05 | 0:24:07 | |
With Agent Oddie raring to go, let's find out more about the mission. | 0:24:07 | 0:24:11 | |
My wife Hayley is extremely protective of her house | 0:24:11 | 0:24:14 | |
and very house-proud. | 0:24:14 | 0:24:16 | |
A couple of lads decided to take a detour through her back garden, | 0:24:16 | 0:24:19 | |
and believe me, they'll never be doing that again. | 0:24:19 | 0:24:21 | |
She assures me that she is not over the top. | 0:24:21 | 0:24:23 | |
But help me prove that she really is. | 0:24:23 | 0:24:25 | |
To put Hayley to the test, we've created our very own history show, | 0:24:27 | 0:24:30 | |
Time Zone Live, which will broadcast from her garden. | 0:24:30 | 0:24:33 | |
We'll use every weapon in our medieval televisual armoury | 0:24:33 | 0:24:37 | |
to find out just how worthy an adversary Hayley is. | 0:24:37 | 0:24:41 | |
My agents descend on Hayley's beautifully manicured garden | 0:24:41 | 0:24:43 | |
and quickly wreak havoc, | 0:24:43 | 0:24:46 | |
transforming it into a Time Zone Live pit of despair. | 0:24:46 | 0:24:49 | |
Everything is coming together for this mission. | 0:24:49 | 0:24:51 | |
We have the actors and the cameras on location. Agent Oddie is ready. | 0:24:51 | 0:24:55 | |
We are good to go... | 0:24:55 | 0:24:56 | |
OK! I think I've found the hole! | 0:24:58 | 0:25:00 | |
The stage is set. Or hole dug, I suppose. | 0:25:00 | 0:25:03 | |
And here comes a slightly serious-looking Hayley... | 0:25:03 | 0:25:06 | |
First in the line of fire is our overworked director. | 0:25:06 | 0:25:09 | |
What are you doing in my garden? | 0:25:09 | 0:25:11 | |
We're filming here today for Time Zone Live. | 0:25:11 | 0:25:13 | |
-Nobody's told me you're filming here today. -Sorry, can I take you away from the filming... | 0:25:13 | 0:25:17 | |
I just want you to tell me what you're doing in my garden... | 0:25:17 | 0:25:19 | |
-Can I just take you over here... -I just want to know what you're doing, in my garden. | 0:25:19 | 0:25:23 | |
-It's a history show, for... -But who's given you permission to dig up my garden? | 0:25:23 | 0:25:27 | |
-My production manager sorted it out. -Are you in the right garden? -Definitely. | 0:25:27 | 0:25:30 | |
-Have you spoken to my husband earlier, when he was here today? -No... | 0:25:30 | 0:25:33 | |
So you've just randomly come into my garden, and dug it up? | 0:25:33 | 0:25:36 | |
Who has let you in here?! | 0:25:36 | 0:25:38 | |
I need to know this now, otherwise you can all get off my garden. | 0:25:38 | 0:25:41 | |
Looks like husband Jon was right, as the team begin to reap the Hayley whirlwind. | 0:25:41 | 0:25:46 | |
This could be a very short show. | 0:25:46 | 0:25:47 | |
Let's add fuel to the fire now, and introduce our lady from the council. | 0:25:47 | 0:25:52 | |
-So it doesn't usually look like this? -No... | 0:25:52 | 0:25:54 | |
Oh, of course, there's always a massive hole and Bill Oddie in Hayley's garden, isn't there(?) | 0:25:54 | 0:25:59 | |
Right. Unfortunately I think what's happened | 0:25:59 | 0:26:02 | |
is this area has been designated as a kind of historical hot spot. | 0:26:02 | 0:26:06 | |
You can't clear it without me, it's private property. | 0:26:06 | 0:26:08 | |
I'm afraid we can, because what they find in there | 0:26:08 | 0:26:11 | |
can end up in a museum or something, we all have responsibility. | 0:26:11 | 0:26:15 | |
We will have to be out before half six, because we'll lose the light by then. | 0:26:15 | 0:26:18 | |
-If I could grab you in... -I'll see what you find. | 0:26:18 | 0:26:21 | |
I don't know anything about this, I've just come home from work, and my garden's dug up. | 0:26:21 | 0:26:26 | |
Hayley seems to have calmed a little. | 0:26:26 | 0:26:28 | |
Maybe we misjudged her passion for history - as she agrees to take part in the show. | 0:26:28 | 0:26:32 | |
-DIRECTOR: -Three, two, one. | 0:26:32 | 0:26:34 | |
The further down you go, the older it gets, | 0:26:34 | 0:26:37 | |
so at the bottom we're looking at sort of pre-Roman, pagan era. | 0:26:37 | 0:26:41 | |
We think some of this at the lower part dates from the 13th century. | 0:26:41 | 0:26:45 | |
-Do you want to give that a taste? -No. | 0:26:45 | 0:26:47 | |
-BILL: -Looks like cocoa. | 0:26:47 | 0:26:49 | |
Just have a little taste, I'll get another one for you. | 0:26:49 | 0:26:51 | |
Mmm. It's got a sort of metallic... | 0:26:51 | 0:26:53 | |
Yeah, it does. That metallic thing is interesting. | 0:26:53 | 0:26:57 | |
That is a classic sign that this area would have been | 0:26:57 | 0:27:00 | |
-used as a latrine in the 13th century. -Thank you, Gemma(!) | 0:27:00 | 0:27:05 | |
What else have you discovered? | 0:27:05 | 0:27:07 | |
MAN: I've got these, a fair few coins. | 0:27:07 | 0:27:10 | |
-Shall I have a look...? -Oh, be careful! | 0:27:10 | 0:27:13 | |
Roman coin. You can tell by the weight. | 0:27:13 | 0:27:16 | |
How much would you guess that something like that is worth? | 0:27:16 | 0:27:19 | |
-A lot of money. -Between £2,000 and £3,000. | 0:27:19 | 0:27:23 | |
-Do I own it if it's on my land? -We've been talking about this earlier today. | 0:27:23 | 0:27:28 | |
It's called regalia minora, which means it's legally the property of the monarch. | 0:27:28 | 0:27:32 | |
Right. So, it's the Queen's. Like she hasn't got enough! | 0:27:32 | 0:27:36 | |
So, the huge hole in her lawn, dirt tasting and even the fact that | 0:27:36 | 0:27:39 | |
she can't make money from this experience, | 0:27:39 | 0:27:41 | |
having little or no effect on Hayley's demeanour. | 0:27:41 | 0:27:43 | |
-DIRECTOR: -In three, two, one. | 0:27:43 | 0:27:45 | |
Hello. We're looking at some of the geothermal scans. | 0:27:45 | 0:27:49 | |
Now, this is what is interesting us, this section here. | 0:27:49 | 0:27:52 | |
We think that is a public right of way, leading from the church | 0:27:52 | 0:27:56 | |
underneath the property, | 0:27:56 | 0:27:58 | |
going across the garden and leading off that way. | 0:27:58 | 0:28:01 | |
So, basically, if you've got one of these ancient sites, | 0:28:01 | 0:28:05 | |
there is an obligation to keep it open. | 0:28:05 | 0:28:07 | |
You can't knock down a house or do anything like that? | 0:28:07 | 0:28:10 | |
Well, if there was a footpath that existed, it would have to go through the house, | 0:28:10 | 0:28:14 | |
-but they have to excavate what they find. -Yeah, but that's... No, you wouldn't. | 0:28:14 | 0:28:18 | |
Finally, it seems, the fake enormity of the situation is sinking in for Hayley. | 0:28:20 | 0:28:25 | |
-Oh, my God, seriously? -Yeah. -Seriously seriously? | 0:28:25 | 0:28:29 | |
Seriously seriously. I know it feels very surreal. | 0:28:29 | 0:28:33 | |
Really? Promise? | 0:28:33 | 0:28:35 | |
-DIRECTOR: -We'll lose our light in about half an hour. | 0:28:35 | 0:28:38 | |
And here come the local medieval re-enactment group | 0:28:38 | 0:28:41 | |
to add their middle-age weight to the programme. | 0:28:41 | 0:28:44 | |
Surely this group of unwashed men in tights | 0:28:44 | 0:28:47 | |
arriving in your garden is enough to rile any homeowner? | 0:28:47 | 0:28:51 | |
No. Apparently not. | 0:28:51 | 0:28:53 | |
-DIRECTOR: -In your own time, go for it. | 0:28:54 | 0:28:57 | |
Hi there. You all look completely fabulous. We all agree, don't we? | 0:28:57 | 0:29:00 | |
They look fabulous, I wonder how they sound, though. | 0:29:00 | 0:29:03 | |
It wouldn't surprise me were you not to have a song or two in you. | 0:29:03 | 0:29:05 | |
-Do you? -Do you? | 0:29:05 | 0:29:07 | |
RUSTY SOUNDING NOTE IS BLOWN ON HORN | 0:29:08 | 0:29:12 | |
NONSENSE "MEDIEVAL" LYRICS: # And find we did a nonkley nob of peddy-wondle doo | 0:29:12 | 0:29:17 | |
# And said we did to lady fair | 0:29:17 | 0:29:21 | |
# Oh braunle-boncle boo. # Chorus! | 0:29:21 | 0:29:24 | |
# Oh braunle-boo, oh braunle-boo, oh braunle-boncle-boo | 0:29:24 | 0:29:30 | |
# And said we to the lady fair... | 0:29:30 | 0:29:40 | |
HE HOLDS NOTE... | 0:29:40 | 0:29:43 | |
NOTE IS STILL BEING HELD... | 0:29:49 | 0:29:54 | |
# ..Oh braunle-boncle boo! # | 0:29:57 | 0:30:01 | |
What does that actually mean? | 0:30:03 | 0:30:07 | |
Sirrah, Master Oddie, the meaning is lost in the history. | 0:30:07 | 0:30:11 | |
This is not the reaction husband Jon predicted. | 0:30:11 | 0:30:14 | |
We are failing miserably at this, so let's send in hubby Jon to see if he can help. | 0:30:14 | 0:30:18 | |
-Glad my husband's back. -After all, this is entirely his fault. | 0:30:18 | 0:30:22 | |
-How long's this been going on for? -I just came back from work. | 0:30:22 | 0:30:25 | |
New recruit agent Hayley's husband immediately on the front line. | 0:30:28 | 0:30:31 | |
Is it, Jonathan? | 0:30:31 | 0:30:32 | |
Don't break, don't smile. Bad thoughts, think bad thoughts. | 0:30:32 | 0:30:36 | |
-No. -Brussels sprouts, traffic jams, mother-in-law, | 0:30:36 | 0:30:39 | |
Garibaldi biscuit factory on fire. | 0:30:39 | 0:30:42 | |
-Bad things, anything, hold it together! -No. -Good man. | 0:30:42 | 0:30:44 | |
You lied to your wife's face impeccably. | 0:30:44 | 0:30:47 | |
Time for my agents to raise the stakes one last time. | 0:30:47 | 0:30:50 | |
Sorry, what should have happened, we're supposed to knock on doors, get permission to come in. | 0:30:50 | 0:30:54 | |
But now we've found stuff there is a legal obligation to allow an excavation to continue. | 0:30:54 | 0:30:59 | |
And that could go on for up to 48 hours. Or maybe longer. | 0:30:59 | 0:31:03 | |
-Not through the night or anything, though? -Yeah. -Really? | 0:31:03 | 0:31:07 | |
-I will go mental with whoever... -Yeah. | 0:31:07 | 0:31:09 | |
We need to get a few links finished, otherwise we don't have a programme. | 0:31:09 | 0:31:12 | |
We are here - would you mind if we just shot a couple more things? | 0:31:12 | 0:31:16 | |
Yes, I think she does mind. But this is history in the making, | 0:31:16 | 0:31:19 | |
and Time Zone waits for no man, or woman. | 0:31:19 | 0:31:22 | |
On with the show - which apparently is going to end in dramatic fashion | 0:31:22 | 0:31:26 | |
with a public phone-in deciding something very, very important. | 0:31:26 | 0:31:30 | |
Right, it's the decision time, and it's up to you at home. | 0:31:31 | 0:31:36 | |
There's Sandi Toksvig and her ancient toilet, or... | 0:31:36 | 0:31:40 | |
there is this place, with its cornucopia of discoveries. | 0:31:40 | 0:31:45 | |
I think it's time for Gemma's special countdown. | 0:31:45 | 0:31:49 | |
I'm very good at this. To build tension I'm going to do a countdown. | 0:31:49 | 0:31:53 | |
I think it's appropriate if we do it in Roman numerals, so everyone... | 0:31:53 | 0:31:56 | |
X, IX... | 0:31:56 | 0:31:58 | |
I'd like to watch this show, it's good! When's it on? | 0:31:58 | 0:32:02 | |
..VI, V, IV, | 0:32:02 | 0:32:06 | |
III, II, I! | 0:32:06 | 0:32:09 | |
ALL CHEER | 0:32:09 | 0:32:11 | |
And right... The results are in! | 0:32:12 | 0:32:15 | |
It's Hayley's highway! | 0:32:15 | 0:32:19 | |
Which means that we're going to be here for several days, | 0:32:21 | 0:32:24 | |
digging up more and seeing what else we can find. | 0:32:24 | 0:32:26 | |
Right, fine. Ooh, what? Ah! Ah! | 0:32:26 | 0:32:28 | |
And another bit of good news, yes. | 0:32:28 | 0:32:31 | |
You, Hayley, have just been taking part | 0:32:31 | 0:32:34 | |
in Richard Hammond's Secret Service! | 0:32:34 | 0:32:37 | |
LAUGHTER AND APPLAUSE | 0:32:37 | 0:32:39 | |
I did say there was something! I just thought... oh, God! So evil! | 0:32:45 | 0:32:50 | |
You're so convincing! I can't believe it! I'm shaking! | 0:32:50 | 0:32:54 | |
Honestly, I was going to be so rude at first. | 0:32:54 | 0:32:56 | |
I was getting really irate. | 0:32:56 | 0:32:57 | |
"How dare they come in my garden! I'm going to go mental!" | 0:32:57 | 0:33:00 | |
I was all ready to...I was seething! | 0:33:00 | 0:33:02 | |
I was shaking! I was like, "They can't possibly do this! | 0:33:02 | 0:33:05 | |
"I need to see something in writing! I'm going to call the police!" | 0:33:05 | 0:33:08 | |
Hayley came home to find fake TV show Time Zone Live | 0:33:08 | 0:33:12 | |
had landed in her garden, destroying it on impact. | 0:33:12 | 0:33:15 | |
You've just randomly come into my garden and dug it up? | 0:33:15 | 0:33:17 | |
Who has let you in here? | 0:33:17 | 0:33:19 | |
I need to know this now, otherwise, you can all get off my garden. | 0:33:19 | 0:33:22 | |
We tempted her with buried treasure. | 0:33:22 | 0:33:24 | |
Do I own it if it's on my land? | 0:33:24 | 0:33:26 | |
We even serenaded her... | 0:33:26 | 0:33:27 | |
HE SINGS LONG NOTE | 0:33:27 | 0:33:30 | |
..before finally crowning her queen of her own back yard. | 0:33:30 | 0:33:33 | |
This is a Roman gnome, or a Gnoman, | 0:33:33 | 0:33:35 | |
and you can have that as a sort of award. | 0:33:35 | 0:33:37 | |
-I think that would be fair. -Oh, I love it! | 0:33:37 | 0:33:39 | |
CHEERING AND APPLAUSE | 0:33:39 | 0:33:42 | |
Now that WAS mission accomplished, and thanks... | 0:33:45 | 0:33:47 | |
Shut up! Some people are trying to work here! | 0:33:47 | 0:33:50 | |
Oops, sorry, ma'am. | 0:33:50 | 0:33:52 | |
I could end you. Like THAT. | 0:33:52 | 0:33:55 | |
Harsh, but actually true. So onto the next mission. | 0:33:57 | 0:34:00 | |
No-one likes being caught out telling a lie, | 0:34:00 | 0:34:02 | |
especially when they're telling the truth. | 0:34:02 | 0:34:05 | |
We're hitting the streets of Oxford with our very own lie detector. | 0:34:08 | 0:34:12 | |
But this is no ordinary lie detector. | 0:34:12 | 0:34:15 | |
The Truthometer 2000, as I like to call it, | 0:34:15 | 0:34:18 | |
uses eye recognition technology with voice pattern analysis | 0:34:18 | 0:34:21 | |
to indicate whether a person is telling the truth or not. | 0:34:21 | 0:34:25 | |
Actually this is a kind of prototype. | 0:34:25 | 0:34:27 | |
Definitely a work in progress. | 0:34:27 | 0:34:29 | |
Basically what I'm saying is, | 0:34:29 | 0:34:31 | |
it's fake, and we decide what's true or false. | 0:34:31 | 0:34:33 | |
Time to unlock some public secrets. | 0:34:35 | 0:34:37 | |
I've never been so on edge about simple questions! | 0:34:40 | 0:34:42 | |
Does it hurt? | 0:34:42 | 0:34:44 | |
-Dennis, do you wear the trousers in the relationship? -Yes. | 0:34:46 | 0:34:50 | |
BELL That's true. | 0:34:50 | 0:34:52 | |
SHE LAUGHS | 0:34:52 | 0:34:53 | |
-Do you ever steal food from the supermarkets? -No, never. | 0:34:53 | 0:34:58 | |
BUZZER | 0:34:58 | 0:35:00 | |
-Not even a grape? -Never! | 0:35:00 | 0:35:02 | |
-BUZZER -Oh...yes. | 0:35:02 | 0:35:05 | |
-Yes, actually. A grape! -BELL | 0:35:05 | 0:35:08 | |
Oh, there you are, look! The test never lies! | 0:35:08 | 0:35:11 | |
Do you fart when people are around? | 0:35:11 | 0:35:13 | |
-Yes. -BELL | 0:35:13 | 0:35:15 | |
-THEY GIGGLE -That's a bit revealing! | 0:35:15 | 0:35:18 | |
-Yes, it is! -Have you farted in the last five minutes? | 0:35:18 | 0:35:20 | |
-No. -BUZZER | 0:35:20 | 0:35:23 | |
-Really? -Yes, absolutely. -BUZZER | 0:35:23 | 0:35:25 | |
-Do you have girlfriends? -Yes. -BUZZER | 0:35:27 | 0:35:31 | |
-THEY LAUGH -No, I do, I do! I honestly do! | 0:35:31 | 0:35:33 | |
BUZZER BUZZES REPEATEDLY THEY LAUGH | 0:35:33 | 0:35:36 | |
-Do you love your wife? -I do. | 0:35:36 | 0:35:38 | |
BELL THEY LAUGH | 0:35:38 | 0:35:41 | |
-I passed! -Don't ask me the same question! | 0:35:41 | 0:35:44 | |
-Do you love your girlfriend? -Yes. | 0:35:44 | 0:35:46 | |
BELL | 0:35:46 | 0:35:48 | |
-Do you ever wear her clothes when she's not home? -No. | 0:35:48 | 0:35:50 | |
BELL Really, Derek? | 0:35:50 | 0:35:52 | |
When she IS home. | 0:35:52 | 0:35:53 | |
-Kinky! -I'm an entertainer. | 0:35:53 | 0:35:55 | |
Sonia, are you happy with how Dennis dresses? | 0:35:57 | 0:35:59 | |
Sometimes. | 0:35:59 | 0:36:01 | |
BUZZER SHE LAUGHS | 0:36:01 | 0:36:03 | |
Dennis, do you like Sonia's outfit today? | 0:36:03 | 0:36:06 | |
-Er, not particularly. -BELL | 0:36:06 | 0:36:08 | |
THEY LAUGH | 0:36:08 | 0:36:10 | |
Have you been checking out the ladies today? | 0:36:12 | 0:36:15 | |
-No. -BELL | 0:36:15 | 0:36:16 | |
-Have you been checking out the boys? -No. | 0:36:16 | 0:36:19 | |
BUZZER HE LAUGHS | 0:36:19 | 0:36:22 | |
Do you ever look at pictures of Mark's wife? | 0:36:22 | 0:36:25 | |
-Yes. -BELL | 0:36:25 | 0:36:27 | |
MARK GASPS THEY LAUGH | 0:36:27 | 0:36:31 | |
-Do you find me attractive? -Absolutely. | 0:36:31 | 0:36:34 | |
-BUZZER -Oh, ooh! -You don't have to lie. | 0:36:34 | 0:36:37 | |
-I didn't lie! -BUZZER | 0:36:37 | 0:36:39 | |
How do you rate your looks, ten being really hot? | 0:36:39 | 0:36:42 | |
-Six. -BUZZER | 0:36:42 | 0:36:44 | |
THEY LAUGH | 0:36:44 | 0:36:48 | |
Where do you really rate yourself? | 0:36:48 | 0:36:51 | |
Try seven. | 0:36:51 | 0:36:52 | |
BUZZER THEY LAUGH | 0:36:52 | 0:36:54 | |
-Would you put him up as a nine? -Yes. | 0:36:54 | 0:36:57 | |
BUZZER SHE LAUGHS | 0:36:57 | 0:37:00 | |
-Where do you rate yourself? -Ten. | 0:37:00 | 0:37:01 | |
BELL THEY LAUGH | 0:37:01 | 0:37:03 | |
I'm sorry! I'm really sorry! | 0:37:05 | 0:37:08 | |
I don't think ten at all! | 0:37:08 | 0:37:10 | |
-Do you think you're really hot? -No! | 0:37:10 | 0:37:12 | |
BUZZER THEY LAUGH | 0:37:12 | 0:37:15 | |
Have you ever been on a hidden camera show? | 0:37:15 | 0:37:17 | |
-THEY LAUGH -No, don't tell me! | 0:37:17 | 0:37:20 | |
Oh, no, no, no, no! | 0:37:20 | 0:37:21 | |
We caught you! | 0:37:21 | 0:37:23 | |
You guys are brilliant! | 0:37:23 | 0:37:27 | |
We're filming for BBC1. You've just been... | 0:37:27 | 0:37:29 | |
THEY LAUGH HYSTERICALLY | 0:37:29 | 0:37:31 | |
Well, that's all the top secret missions we have time for. | 0:37:35 | 0:37:38 | |
So, what have we learned? | 0:37:38 | 0:37:39 | |
Well, we've learned that weddings are not necessarily | 0:37:39 | 0:37:43 | |
the best day of EVERYONE'S lives, | 0:37:43 | 0:37:45 | |
and it's no lie that lying lie detectors can lie, | 0:37:45 | 0:37:48 | |
and that's the truth. Or is it? No, I'm lying. | 0:37:48 | 0:37:51 | |
And we've also learned that if Bill Oddie is in your garden, | 0:37:51 | 0:37:54 | |
you have every reason to be suspicious. Case closed. | 0:37:54 | 0:37:57 | |
But let's not forget, ladies and gentlemen, please, | 0:37:57 | 0:38:00 | |
to give a massive round of applause to the real stars of this show. | 0:38:00 | 0:38:04 | |
LIFT PINGS APPLAUSE | 0:38:04 | 0:38:07 | |
Thank you! So sorry! | 0:38:09 | 0:38:11 | |
CHEERING AND APPLAUSE | 0:38:16 | 0:38:19 | |
Till next time, citizens...sorry! | 0:38:21 | 0:38:23 | |
Subtitles by Red Bee Media Ltd | 0:38:43 | 0:38:47 |