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APPLAUSE | 0:00:20 | 0:00:23 | |
Now, team. | 0:00:23 | 0:00:25 | |
One of the most critical things about being the boss | 0:00:25 | 0:00:29 | |
in an organisation like this is having absolute trust | 0:00:29 | 0:00:32 | |
in those beneath you. And that is, well, that is all of you. | 0:00:32 | 0:00:35 | |
So, I shall prove that point now with this trust exercise. | 0:00:35 | 0:00:38 | |
Are you ready? Good. I will count you in. | 0:00:38 | 0:00:41 | |
Three. Two. One. | 0:00:41 | 0:00:44 | |
I'm OK! I'm OK! | 0:00:45 | 0:00:48 | |
I'm OK! You're dismissed. You can go. You can go. | 0:00:48 | 0:00:51 | |
Don't worry. Nobody's fault. Nobody's fault. | 0:00:53 | 0:00:56 | |
It was their fault. | 0:00:56 | 0:00:58 | |
Hello and welcome to My Secret Service. | 0:00:58 | 0:00:59 | |
I am in quite a lot of pain and I shall now press this button. | 0:00:59 | 0:01:03 | |
Displaying secret files. | 0:01:03 | 0:01:05 | |
Coming up on tonight's show... | 0:01:05 | 0:01:07 | |
They are not coming on my property. | 0:01:07 | 0:01:09 | |
..a piece of urban art attracts all the wrong sort of attention | 0:01:09 | 0:01:13 | |
to this woman's home... | 0:01:13 | 0:01:15 | |
-Your house is now an art gallery. -No. No. | 0:01:15 | 0:01:17 | |
You'd better just go cos you're not coming on. | 0:01:17 | 0:01:19 | |
..a roofer from Kent becomes a German pop star | 0:01:19 | 0:01:22 | |
and then performs live on TV... | 0:01:22 | 0:01:24 | |
Ain't no stopping, let's get rocking. | 0:01:24 | 0:01:26 | |
Live in London, Jonny X! | 0:01:26 | 0:01:30 | |
# Hey, hey, pop, pop. # | 0:01:30 | 0:01:33 | |
..and what happens when children make friends with a talking dog? | 0:01:33 | 0:01:36 | |
-Would you like a worm sandwich? -Eurgh. -No. | 0:01:36 | 0:01:40 | |
Where do you guys hide your tails? | 0:01:40 | 0:01:43 | |
-We don't have tails! -We have bottoms. | 0:01:43 | 0:01:47 | |
Look. | 0:01:47 | 0:01:48 | |
CHEERING AND APPLAUSE | 0:01:51 | 0:01:53 | |
Now, technically, I shouldn't have shown you that. | 0:01:53 | 0:01:55 | |
It is all very top-secret. | 0:01:55 | 0:01:57 | |
So, now, I'm afraid, I shall have to wipe your memory of it. | 0:01:57 | 0:01:59 | |
Look at the pen, please. Look at the pen. | 0:01:59 | 0:02:02 | |
Oh. Hang on. That is just a pen, isn't it? | 0:02:02 | 0:02:05 | |
Where's my memory wiper gone? | 0:02:05 | 0:02:07 | |
BUZZER | 0:02:08 | 0:02:09 | |
First up tonight, we have Becki. | 0:02:14 | 0:02:17 | |
My feisty and gullible mum Gillian prides herself | 0:02:17 | 0:02:19 | |
on the home in the lovely street that we live on. | 0:02:19 | 0:02:21 | |
She is a proper nosy neighbour. Can you give her neighbours | 0:02:21 | 0:02:24 | |
something to twitch their curtains about? | 0:02:24 | 0:02:26 | |
An unassuming house sits unassumingly | 0:02:29 | 0:02:31 | |
in peaceful Unassumia. | 0:02:31 | 0:02:33 | |
It's...in Essex. | 0:02:33 | 0:02:35 | |
But Gillian's suburban semi is about to get a serious urban makeover. | 0:02:36 | 0:02:41 | |
Enter the scourge of urban city life, the infamous Dixie, | 0:02:44 | 0:02:48 | |
a world-renowned and never-before-heard-of graffiti artist. | 0:02:48 | 0:02:52 | |
Actually, it's Gillian's daughter, Becki. | 0:02:52 | 0:02:54 | |
So, whilst Gillian is out, Mervin and Humphrey | 0:02:55 | 0:02:58 | |
from the Secret Service decorating department | 0:02:58 | 0:03:00 | |
put up some instant, urban graffiti, | 0:03:00 | 0:03:03 | |
a bold and unflinching statement for the lost generation. | 0:03:03 | 0:03:06 | |
Bum. | 0:03:07 | 0:03:09 | |
So, feisty Gillian returns from a shopping trip with daughter Becki | 0:03:09 | 0:03:13 | |
only to discover a huge bum on her house... | 0:03:13 | 0:03:16 | |
which is quite unusual. | 0:03:16 | 0:03:18 | |
Mum, what the hell?! Oh, my God. | 0:03:18 | 0:03:21 | |
-No-one else has had it done, have they? -I don't know. | 0:03:21 | 0:03:23 | |
I think she's checking to see if the culprit is still at large. | 0:03:23 | 0:03:27 | |
Ah, no. Nobody there, so now she can step back | 0:03:27 | 0:03:29 | |
and enjoy the cheeky addition to her house. | 0:03:29 | 0:03:33 | |
And here comes our fake, local news team | 0:03:33 | 0:03:35 | |
who somehow have got wind of the big bum. | 0:03:35 | 0:03:37 | |
Mum, it's the news. | 0:03:37 | 0:03:39 | |
-This is it. -This is it? -Yeah. | 0:03:39 | 0:03:41 | |
-What is going on? -I don't know. | 0:03:42 | 0:03:46 | |
-Hi. Is this your house? -I just got in. I don't know what the hell is going on here. | 0:03:46 | 0:03:51 | |
My name's Alex. I'm a reporter from Live TV. | 0:03:51 | 0:03:53 | |
We've just had a tip-off from the police that you've had | 0:03:53 | 0:03:55 | |
this piece of graffiti done on your house. | 0:03:55 | 0:03:57 | |
I've just come home and I'm like, what the hell? What is going on? | 0:03:57 | 0:04:01 | |
The report we've had is that this is actually by an international | 0:04:01 | 0:04:04 | |
graffiti artist called Dixie. | 0:04:04 | 0:04:05 | |
-Do you mind doing an interview with me? -No. -That's amazing. Thank you. | 0:04:05 | 0:04:09 | |
-Sorry, what was your name again? -I'm Gill. -Gill. Hi. I'm Alex. Nice to meet you. | 0:04:09 | 0:04:12 | |
I know a little bit about Dixie | 0:04:12 | 0:04:14 | |
so I'll tell you a bit about it as we go. | 0:04:14 | 0:04:16 | |
But it could be really exciting for you. It could... | 0:04:16 | 0:04:18 | |
I don't know. Are you feeling excited at the moment? | 0:04:18 | 0:04:20 | |
I don't know. No. I'm a little bit... Erm... | 0:04:20 | 0:04:23 | |
Especially with the wording, bum. It doesn't really... | 0:04:23 | 0:04:25 | |
-It is actually German, so you pronounce it "boom". -Oh, really?! | 0:04:25 | 0:04:30 | |
Boom? Oh. There go the bum jokes. | 0:04:30 | 0:04:33 | |
Hi. This is Alex. I'm here for Live TV. | 0:04:33 | 0:04:35 | |
I'm in Hornchurch in Essex and I'm joined by the lovely Gillian | 0:04:35 | 0:04:38 | |
who has been surprised by the international graffiti artist Dixie. | 0:04:38 | 0:04:43 | |
Gillian, are you feeling excited about having | 0:04:43 | 0:04:46 | |
-this piece of art on your house? -Erm... Not... Well... | 0:04:46 | 0:04:49 | |
Not really. I mean, I just don't know. I don't know what to say. | 0:04:49 | 0:04:54 | |
Dixie is actually regarded as the third international | 0:04:54 | 0:04:57 | |
-graffiti artist in the world. -Oh, my goodness. | 0:04:57 | 0:04:59 | |
So there's Banksy and then you've got Rolf Harris | 0:04:59 | 0:05:02 | |
and then you've got Dixie. So he is really, really huge. | 0:05:02 | 0:05:05 | |
If this turns out to be genuine, of course, how would you feel | 0:05:05 | 0:05:09 | |
about living in what could be a work of art? | 0:05:09 | 0:05:12 | |
Brilliant. Absolutely brilliant. If he comes with Rolf Harris then, | 0:05:12 | 0:05:15 | |
yeah, it's brilliant, isn't it? It is good. | 0:05:15 | 0:05:17 | |
Well, so far Gillian seems to be taking it all in her stride. | 0:05:17 | 0:05:21 | |
Not what we'd expected. | 0:05:21 | 0:05:23 | |
I mean, how can you tell if it's genuine? | 0:05:23 | 0:05:25 | |
Enter Agent Bureaucrat playing a council official, | 0:05:25 | 0:05:28 | |
highly skilled in the art of nit-pickery. | 0:05:28 | 0:05:30 | |
-Hi. I'm with the local council. -Hello, there. Hi. | 0:05:30 | 0:05:34 | |
-We heard that you'd had an incident with some graffiti. -I thought it was... | 0:05:34 | 0:05:38 | |
-I thought it was a practical joke at first, to be honest. -No joke, I'm afraid. | 0:05:38 | 0:05:41 | |
-I wouldn't spend my afternoon doing this if it was a joke. -No. No. | 0:05:41 | 0:05:44 | |
Now we're sending in more agents in hi-vis jackets and hard hats, | 0:05:44 | 0:05:48 | |
to verify Dixie's bum. Sorry, "boom". | 0:05:48 | 0:05:50 | |
Can we... Do you think we could get an interview with you? | 0:05:50 | 0:05:53 | |
Not while I'm working. No, I'm afraid not. Sorry. | 0:05:53 | 0:05:56 | |
-Yeah, I've just got confirmation that this is genuine, actually. -Wow. | 0:05:56 | 0:06:00 | |
How exciting. | 0:06:02 | 0:06:03 | |
Gillian actually seems quite pleased with that. | 0:06:03 | 0:06:06 | |
But will she be pleased with this? | 0:06:06 | 0:06:08 | |
Now it's up and it's been confirmed as genuine, | 0:06:08 | 0:06:10 | |
it's actually a criminal offence to remove it. We need to protect this. | 0:06:10 | 0:06:14 | |
-You're liable to a £100,000 fine... -Really?! | 0:06:14 | 0:06:18 | |
-..or a criminal sentence, actually, as well. -Oh, my goodness. -OK. | 0:06:18 | 0:06:21 | |
I think we should start protecting this. Have you got the barriers? | 0:06:21 | 0:06:24 | |
-Yeah. -I just can't believe this is happening. | 0:06:24 | 0:06:26 | |
So, it's official. This is a Dixie and that means Gillian's house | 0:06:26 | 0:06:30 | |
has just become an art gallery. | 0:06:30 | 0:06:32 | |
I hereby annexe this property and as such its subject to the laws | 0:06:32 | 0:06:37 | |
and bylaws and bybylaws governing the administration | 0:06:37 | 0:06:41 | |
and curation of an official council support art viewing installation. | 0:06:41 | 0:06:45 | |
You mean they're actually going to be allowed to come into my home? | 0:06:45 | 0:06:48 | |
-Well, essentially, your house is now an art gallery. -No. No. | 0:06:48 | 0:06:52 | |
Well, the outside can be. They can stand on the outside, | 0:06:52 | 0:06:54 | |
but this is my property | 0:06:54 | 0:06:55 | |
and I'm not having anybody coming on and infringing my property. | 0:06:55 | 0:06:58 | |
I pay my council taxes and I'm not having that. | 0:06:58 | 0:07:02 | |
Yeah, I think the novelty might be wearing off somewhat | 0:07:02 | 0:07:05 | |
for house-proud, feisty Gillian. Not surprising, really. | 0:07:05 | 0:07:08 | |
So, obviously, as the story develops now, | 0:07:08 | 0:07:11 | |
we've just heard from the council | 0:07:11 | 0:07:13 | |
that actually the work of art needs to be protected. | 0:07:13 | 0:07:16 | |
How are you feeling about that? | 0:07:16 | 0:07:18 | |
I mean, I my private property has now become public property, | 0:07:18 | 0:07:21 | |
which, in anybody's right is an infringement, as I said before, | 0:07:21 | 0:07:24 | |
infringement of your own privacy. | 0:07:24 | 0:07:26 | |
Yeah, so Gillian finds our infringement infringing, | 0:07:26 | 0:07:30 | |
which is...kind of the point. | 0:07:30 | 0:07:31 | |
So far she's had to deal with | 0:07:31 | 0:07:33 | |
the unwelcome redecoration of the front of her house | 0:07:33 | 0:07:37 | |
and more than a little unwanted attention. | 0:07:37 | 0:07:40 | |
-And this is only the beginning of the end. -What's all this? | 0:07:40 | 0:07:44 | |
We'll come back later to discover how much worse. | 0:07:44 | 0:07:47 | |
-Do I get my home back? -Yeah, in a manner of speaking. | 0:07:47 | 0:07:49 | |
-It'll just be missing that area. -Oh! No. Leave this. Leave it. | 0:07:49 | 0:07:53 | |
And how much weirder things can get | 0:07:53 | 0:07:56 | |
for someone with a "bum" on their wall. | 0:07:56 | 0:07:58 | |
-Let me hear you say, "bum". -HE BEATBOXES | 0:07:58 | 0:08:00 | |
APPLAUSE AND CHEERING | 0:08:03 | 0:08:05 | |
Come here. You've got to see this, it's amazing. | 0:08:05 | 0:08:08 | |
My agents have been working really hard on this. | 0:08:08 | 0:08:10 | |
It's smash-proof glass, like, really smash-proof. | 0:08:10 | 0:08:13 | |
Very expensive stuff, but completely unbreakable. | 0:08:13 | 0:08:16 | |
You could hit this with a train. | 0:08:16 | 0:08:18 | |
So if I was a villain | 0:08:18 | 0:08:20 | |
trying to break in here with, say, a hammer, | 0:08:20 | 0:08:22 | |
I'd be in for a big surprise. Smash-proof. | 0:08:22 | 0:08:25 | |
No! Soundproof! Soundproof. | 0:08:25 | 0:08:28 | |
Oh! I couldn't hear you. Which does mean, I suppose, it works. | 0:08:28 | 0:08:32 | |
Well done. Carry on. | 0:08:32 | 0:08:34 | |
We all know that keeping kids entertained in the classroom | 0:08:36 | 0:08:40 | |
can be a tough task. | 0:08:40 | 0:08:41 | |
We think we can help. | 0:08:41 | 0:08:42 | |
Meet Agent Sammy. He's a dog, in case you were wondering, | 0:08:42 | 0:08:47 | |
and that is a dog vocaliser. | 0:08:47 | 0:08:50 | |
Pretty complicated stuff, | 0:08:50 | 0:08:51 | |
but basically it can read Agent Sammy's thoughts | 0:08:51 | 0:08:54 | |
and broadcast them to the world. Amazing. | 0:08:54 | 0:08:57 | |
Fluffy. | 0:08:57 | 0:08:58 | |
What, really? So it's not... | 0:08:58 | 0:09:00 | |
Oh, right, it's actually a speaker with another human agent | 0:09:00 | 0:09:04 | |
talking through it pretending to be a dog. Is that right? | 0:09:04 | 0:09:06 | |
Yeah, that's it. OK. Back to the mission. Talking dog - check. | 0:09:06 | 0:09:10 | |
All we need now are some children. Children? | 0:09:10 | 0:09:15 | |
Ah, that's handy. | 0:09:17 | 0:09:19 | |
Sammy is our helper today, | 0:09:20 | 0:09:23 | |
a very, very special dog. | 0:09:23 | 0:09:26 | |
Just going to turn this on. Would you like to say hello to Sammy? | 0:09:26 | 0:09:30 | |
Hello, Sammy. | 0:09:30 | 0:09:31 | |
Hello, Marvin. | 0:09:31 | 0:09:32 | |
Hello, Leila. Hello, Maisie. | 0:09:35 | 0:09:37 | |
Oh! | 0:09:37 | 0:09:39 | |
-That's clever, isn't it? -Yeah! | 0:09:39 | 0:09:42 | |
-Hello, Sammy. -Have you ever met a talking dog before? | 0:09:42 | 0:09:48 | |
Think about it. | 0:09:48 | 0:09:50 | |
-Woof! -SHE GIGGLES | 0:09:52 | 0:09:54 | |
He talked! | 0:09:57 | 0:09:58 | |
-Your teeth are so big. -That's because I'm a dog. | 0:09:58 | 0:10:01 | |
Ha! | 0:10:01 | 0:10:03 | |
-Who wants to do some reading? -Me. -Yay! | 0:10:03 | 0:10:08 | |
-"A mouse took a stroll..." -"Through the deep, dark wood." | 0:10:08 | 0:10:12 | |
I love woods. You get to chase squirrels in them. | 0:10:12 | 0:10:15 | |
-Have you seen a squirrel? -BOTH: Yeah! | 0:10:15 | 0:10:18 | |
What do they look like? | 0:10:18 | 0:10:19 | |
They look like they've got a bushy tail like a fox. | 0:10:19 | 0:10:23 | |
And they are brown and they're furry. | 0:10:23 | 0:10:25 | |
-Very, very furry, but not really. -And they've got a tiny head. | 0:10:25 | 0:10:30 | |
I've got one in a box at home. | 0:10:30 | 0:10:32 | |
-Shall we do some more reading? -We'll do a little bit more reading. | 0:10:35 | 0:10:38 | |
-We'll turn the book around so you two can see it. -Yay! -Yeah? | 0:10:38 | 0:10:41 | |
Little bit more reading? All right. | 0:10:41 | 0:10:43 | |
"Where are you going to, little brown mouse? | 0:10:43 | 0:10:46 | |
"Come and have lunch in my underground house." | 0:10:46 | 0:10:50 | |
Lunch is my favourite thing. Would you like a worm sandwich? | 0:10:50 | 0:10:54 | |
-Ooh! -No! | 0:10:54 | 0:10:56 | |
Why? | 0:10:56 | 0:10:57 | |
Human beings don't like eating worms. | 0:10:57 | 0:11:00 | |
-Erm, I ate a clam once. -What did it taste of? -Crocodiles. | 0:11:00 | 0:11:06 | |
-What do you like eating? -Lemon drizzle cake. | 0:11:06 | 0:11:09 | |
Soft-shell crab. | 0:11:10 | 0:11:12 | |
-Huh? -Why do you keep sticking your tongue out, Sammy? | 0:11:12 | 0:11:16 | |
That's what we do when we're a bit hot. | 0:11:16 | 0:11:18 | |
-HE PANTS -Like that. | 0:11:18 | 0:11:20 | |
SHE PANTS | 0:11:20 | 0:11:21 | |
Woof! | 0:11:21 | 0:11:23 | |
-Whoo! -THEY PANT | 0:11:23 | 0:11:25 | |
-So where do you guys hide your tails? -We don't have tails! | 0:11:25 | 0:11:30 | |
We have bottoms. | 0:11:30 | 0:11:31 | |
-Look! -Really? | 0:11:31 | 0:11:34 | |
-Cos we're not dogs. -Ah. | 0:11:34 | 0:11:37 | |
-Woof! -I love you, Sammy. I wish I could live with you. | 0:11:37 | 0:11:41 | |
BOTH: We love reading with Sammy. | 0:11:41 | 0:11:44 | |
I like your nose. | 0:11:44 | 0:11:45 | |
BOTH: I love reading with Sammy. | 0:11:45 | 0:11:49 | |
'I would say that's a pretty successful sprinkling of magic dust | 0:11:49 | 0:11:52 | |
'on an otherwise average classroom. | 0:11:52 | 0:11:55 | |
'Got to get myself one of those vocalisers. That would be great.' | 0:11:55 | 0:11:57 | |
Do we still have to be here? | 0:11:57 | 0:11:59 | |
APPLAUSE AND CHEERING | 0:12:01 | 0:12:03 | |
-So this is the actual Wolfchat 3000, and this doesn't work. -No. | 0:12:03 | 0:12:10 | |
-Well, can you fix it? -It never did work, Richard. | 0:12:10 | 0:12:14 | |
-Well, how did you know what the dog was thinking? -It was an actor. | 0:12:14 | 0:12:19 | |
Right, got it. How did the actor know what the dog was thinking? | 0:12:19 | 0:12:22 | |
LAUGHTER | 0:12:22 | 0:12:25 | |
Later! Catch up on that. | 0:12:25 | 0:12:27 | |
Anyway, time now to complete our incomplete mission in Essex. | 0:12:27 | 0:12:31 | |
If you weren't watching earlier, a quick recap. | 0:12:31 | 0:12:34 | |
Dixie put his bum on Gillian's wall and she's not happy about it. | 0:12:34 | 0:12:36 | |
That should make perfect sense to anyone who's just joined us. | 0:12:36 | 0:12:39 | |
So, house-proud Gillian came home | 0:12:39 | 0:12:42 | |
to discover this rather cheeky artwork on her house. | 0:12:42 | 0:12:46 | |
Oh, my God, Mum, it's the news. | 0:12:46 | 0:12:48 | |
And the local news. | 0:12:48 | 0:12:49 | |
This is actually by an international graffiti artist called Dixie. | 0:12:49 | 0:12:53 | |
And the council are on the scene. | 0:12:53 | 0:12:56 | |
-Well, essentially, your house is now an art gallery. -No. | 0:12:56 | 0:12:59 | |
Can I just run through a checklist of issues with your property? | 0:12:59 | 0:13:02 | |
What sort of toilet facilities do you have? | 0:13:02 | 0:13:04 | |
-They're not coming into my home. -What... | 0:13:04 | 0:13:06 | |
If you want them to come on here you can put a Portakabin | 0:13:06 | 0:13:08 | |
and they can go on the pavements and whatever. They're not coming into my property. | 0:13:08 | 0:13:12 | |
-What parking facilities do you have on offer? -I don't have any. | 0:13:12 | 0:13:15 | |
I mean, this is prime parking space. | 0:13:15 | 0:13:19 | |
Yeah, this is my parking space for my vehicles and my home. | 0:13:19 | 0:13:22 | |
We will need disabled access and disabled parking, as well. | 0:13:22 | 0:13:26 | |
That's something... You'll have to deal with as the council. | 0:13:26 | 0:13:29 | |
Is this an official drop curb here, or is this...? | 0:13:29 | 0:13:32 | |
-Yeah, of course it is. -That's disabled here. -No, I don't... | 0:13:32 | 0:13:36 | |
No, I don't think so. | 0:13:36 | 0:13:39 | |
I'm not going down that road. | 0:13:39 | 0:13:40 | |
Well, you live on that road, Gillian, | 0:13:40 | 0:13:43 | |
and news of your Dixie masterpiece has gone viral, | 0:13:43 | 0:13:46 | |
which means youths, and with them, Beatfox, | 0:13:46 | 0:13:50 | |
a street MC - whatever that is. | 0:13:50 | 0:13:53 | |
I've been following Dixie around for quite a while | 0:13:53 | 0:13:55 | |
and I do performances and try and get nice big crowds. | 0:13:55 | 0:13:58 | |
-How did you know this was here? -It's a bit secretive at the moment? | 0:13:58 | 0:14:01 | |
-Did he tip you off? -He tipped me off, yeah. -Right, OK. | 0:14:01 | 0:14:04 | |
If you talk to him, can you just ask him why he picked my house. | 0:14:04 | 0:14:07 | |
Because now I'm, like, invaded with... | 0:14:07 | 0:14:09 | |
I'd be pretty happy if it was my house, I'd be honoured. | 0:14:09 | 0:14:13 | |
I'd be pretty amazed. | 0:14:13 | 0:14:14 | |
I'd probably wake up and faint, to be honest with you. | 0:14:14 | 0:14:16 | |
We're here in Hornchurch in Essex, | 0:14:16 | 0:14:18 | |
where Beatfox has actually shown up at Dixie's piece of art | 0:14:18 | 0:14:23 | |
to give a little performance and Gillian is joining in. | 0:14:23 | 0:14:26 | |
She's loving it. | 0:14:26 | 0:14:27 | |
-So let's all join in with Beatfox. -Let me hear you say "bum". -Bum. | 0:14:27 | 0:14:32 | |
-HE BEATBOXES -Bum, bum, bum. Let me hear you say "bum". | 0:14:32 | 0:14:36 | |
'Huge respect to Gillian. Not only is she refusing to get in a flap, | 0:14:36 | 0:14:39 | |
'she's actually joining in with Beatfox. | 0:14:39 | 0:14:42 | |
'We kind of need her to remember | 0:14:42 | 0:14:43 | |
'she's got a giant "bum" painted on her house | 0:14:43 | 0:14:46 | |
'and a load of people on her driveway.' | 0:14:46 | 0:14:47 | |
-What's all this? -That's red tape, Gillian. | 0:14:47 | 0:14:49 | |
'It means you can't get into your own house | 0:14:49 | 0:14:51 | |
'without showing photographic ID.' | 0:14:51 | 0:14:53 | |
I bet the Queen didn't even get this, did she, | 0:14:53 | 0:14:55 | |
at the bloody Jubilee or something? | 0:14:55 | 0:14:57 | |
No, you bloody can't, no. There's a thing up the road. No way. | 0:14:59 | 0:15:02 | |
-I'll be out in 30 seconds. -I don't care. No. | 0:15:02 | 0:15:04 | |
-It's my home, you're not coming in my home. -Can I just check your ID? | 0:15:04 | 0:15:07 | |
Here you are, check that. | 0:15:07 | 0:15:08 | |
'Strange place to keep your ID, Gillian(!) | 0:15:08 | 0:15:11 | |
'Anyway, finally some good news.' | 0:15:11 | 0:15:13 | |
-We are actually going to move this artwork. -Oh! | 0:15:13 | 0:15:17 | |
-I'm sure you're very happy about that. -So how can you... | 0:15:17 | 0:15:20 | |
You just threatened me with a £100,000 fine if I touched it, | 0:15:20 | 0:15:22 | |
so what... | 0:15:22 | 0:15:23 | |
We're going to remove it, and we have to keep it intact, | 0:15:23 | 0:15:26 | |
unfortunately, so we'll be... We'll just be taking a section. | 0:15:26 | 0:15:29 | |
How can you do that? Do I get my home back? | 0:15:29 | 0:15:32 | |
Yeah, in a manner of speaking. Yeah. | 0:15:32 | 0:15:34 | |
It'll just be missing that area, for the time being, just around there. | 0:15:34 | 0:15:37 | |
-Taking out the wall?! -Exactly. | 0:15:37 | 0:15:41 | |
Oh! No, leave it where it is. You're not taking my wall. | 0:15:41 | 0:15:44 | |
-We'll have some polythene over it for a couple of days. -No, no. No! | 0:15:44 | 0:15:49 | |
So, the news on Gillian's street | 0:15:49 | 0:15:51 | |
is that the council have agreed to move the artwork. Great! | 0:15:51 | 0:15:54 | |
Unfortunately they intend to take the wall of her home, as well. | 0:15:54 | 0:15:58 | |
Bit draughty. | 0:15:58 | 0:16:00 | |
-Oh, my God. -Can I just check your ID? Please, madam? | 0:16:00 | 0:16:04 | |
-I need to get in there to get my ID. -Hang on a second. | 0:16:04 | 0:16:08 | |
-Don't be stupid. -Hang on. | 0:16:08 | 0:16:09 | |
What's this? Uh-oh. Demolition truck. | 0:16:09 | 0:16:12 | |
You'll have to go through me first. | 0:16:15 | 0:16:17 | |
You are not going through my property. No. Go away. | 0:16:17 | 0:16:20 | |
-They are not coming on my property. -Let me hear you say "bum". | 0:16:20 | 0:16:26 | |
You better just go, because you're not coming on. | 0:16:26 | 0:16:29 | |
Go. You're not coming on. | 0:16:29 | 0:16:31 | |
'Just when things can't get any worse, enter Dixie...' | 0:16:31 | 0:16:35 | |
This is Dixie! This is actually him. Come and see. | 0:16:35 | 0:16:41 | |
You responsible for this? You're not putting any more up on my bloody wall, thank you very much. | 0:16:41 | 0:16:45 | |
'..which of course is daughter Becki, who set the whole thing up.' | 0:16:45 | 0:16:48 | |
You've just been the star of Richard Hammond's Secret Service on BBC! | 0:16:48 | 0:16:52 | |
Oh, sweetheart. You were so good. | 0:16:54 | 0:16:58 | |
How could you do that to me? | 0:17:02 | 0:17:04 | |
Gillian returned home to the unusual sight of a giant "bum" on her wall. | 0:17:04 | 0:17:10 | |
She happily dealt with the world's press, | 0:17:10 | 0:17:12 | |
but was less than happy with the men from the council. | 0:17:12 | 0:17:14 | |
-Your house is now an art gallery. -No. -She only had one word for them. | 0:17:14 | 0:17:19 | |
No. No. No. | 0:17:19 | 0:17:22 | |
And as the crowds gathered, Gillian hit boiling point. | 0:17:22 | 0:17:25 | |
Just go, because you're not coming on. | 0:17:25 | 0:17:28 | |
They are not coming on my property. | 0:17:28 | 0:17:29 | |
Before finally coming face to face with the artist himself - | 0:17:29 | 0:17:33 | |
or actually, herself - Gillian's daughter, Becki. | 0:17:33 | 0:17:36 | |
How could you do that to me? | 0:17:36 | 0:17:38 | |
HE BEATBOXES | 0:17:38 | 0:17:41 | |
-Everybody say "bum". -ALL: Bum! | 0:17:41 | 0:17:45 | |
APPLAUSE | 0:17:45 | 0:17:49 | |
Now, in this next mission, a member of the public | 0:17:52 | 0:17:55 | |
learns the important lesson | 0:17:55 | 0:17:57 | |
that if something sounds too good to be true, it probably is. | 0:17:57 | 0:18:01 | |
Like wax fruit. Don't eat it. | 0:18:01 | 0:18:03 | |
X-ray specs - they just don't work. | 0:18:03 | 0:18:06 | |
Or estate agents who sell you Big Ben for £500. They're lying! | 0:18:06 | 0:18:11 | |
Hello, everybody, and welcome to 3 Car Giveaway, | 0:18:21 | 0:18:24 | |
the only game show in the UK | 0:18:24 | 0:18:25 | |
where our contestants could be popping out for a pint of milk | 0:18:25 | 0:18:28 | |
and then the next minute, driving away in a very nice motor. | 0:18:28 | 0:18:32 | |
Today, hopefully, we'll be giving away these three motors. | 0:18:32 | 0:18:36 | |
So, we've stopped these unsuspecting shoppers, | 0:18:39 | 0:18:42 | |
who've all agreed to take part | 0:18:42 | 0:18:44 | |
in what they think is a win-a-car quiz. | 0:18:44 | 0:18:46 | |
When, in fact, it's the Secret Service, | 0:18:46 | 0:18:48 | |
providing a very important public service. | 0:18:48 | 0:18:50 | |
Showing the people of Britain, | 0:18:50 | 0:18:52 | |
well, the people in this shopping centre anyway, | 0:18:52 | 0:18:54 | |
that if it looks too good to be true, it probably is. | 0:18:54 | 0:18:58 | |
Of course, what our contestants don't know | 0:18:58 | 0:19:00 | |
is that Agent Clueless is in on the act. | 0:19:00 | 0:19:03 | |
If you get every single question right, you win a car each. | 0:19:03 | 0:19:08 | |
If you get one question wrong, | 0:19:08 | 0:19:11 | |
that's it, we end of. | 0:19:11 | 0:19:12 | |
No looking, winking, or Who Wants To Be A Millionaire... | 0:19:12 | 0:19:16 | |
HE COUGHS Brazil '86. OK? | 0:19:16 | 0:19:17 | |
The golden rules of this is you're on telly. Smile, look pretty, it could be worse, | 0:19:17 | 0:19:21 | |
you could be wearing the sparkly jacket. | 0:19:21 | 0:19:23 | |
We all wish them the best of luck, don't we? Don't we? | 0:19:23 | 0:19:26 | |
OK, so let's play 3 Car Giveaway. | 0:19:26 | 0:19:29 | |
We are now just three correct answers from your dream cars. | 0:19:32 | 0:19:38 | |
-How are you feeling? -Slightly nervous. | 0:19:38 | 0:19:40 | |
Slightly nervous? How you feeling? | 0:19:40 | 0:19:42 | |
My heart is in my hands. | 0:19:42 | 0:19:44 | |
Complete the names of these million-selling song titles. | 0:19:44 | 0:19:49 | |
Take That. Relight My... | 0:19:49 | 0:19:53 | |
Fire. | 0:19:54 | 0:19:55 | |
That's the one! | 0:19:57 | 0:20:00 | |
Fire? | 0:20:02 | 0:20:04 | |
Is the right answer. Well done. | 0:20:04 | 0:20:06 | |
Well done, well done, well done. Here we go. | 0:20:06 | 0:20:09 | |
Queen. Bohemian... | 0:20:09 | 0:20:11 | |
-Rhapsody. -Oh, hoo-hoo! | 0:20:11 | 0:20:14 | |
Is the right answer, well done, well done. | 0:20:14 | 0:20:16 | |
Rhapsody. | 0:20:16 | 0:20:18 | |
Is the right answer. Well done, well done. | 0:20:18 | 0:20:21 | |
So far, everyone's got their questions correct. | 0:20:21 | 0:20:24 | |
If Agent Clueless makes it there correct answer in a row, | 0:20:24 | 0:20:28 | |
they all win the cars - one each. | 0:20:28 | 0:20:30 | |
The tension is incredible. Here we go. | 0:20:30 | 0:20:32 | |
One question away from the cars. | 0:20:32 | 0:20:34 | |
Elton John. | 0:20:34 | 0:20:35 | |
Candle In The... | 0:20:35 | 0:20:37 | |
-Window. -Oh, my God. | 0:20:45 | 0:20:48 | |
Candle In The... | 0:20:48 | 0:20:49 | |
Window. | 0:20:49 | 0:20:51 | |
Window. | 0:20:56 | 0:20:57 | |
Candle In The... | 0:21:04 | 0:21:07 | |
Window. | 0:21:09 | 0:21:11 | |
Is the wrong answer. Is the wrong answer, Kevin. | 0:21:11 | 0:21:15 | |
Is the wrong answer. | 0:21:15 | 0:21:17 | |
-Candle In The Window. -It's wind. -That means you do NOT win the cars. | 0:21:18 | 0:21:24 | |
Aw, that is a shame. | 0:21:24 | 0:21:27 | |
It was just too good to be true. | 0:21:27 | 0:21:29 | |
Anyway, hopefully the next contestants, Chris, | 0:21:31 | 0:21:34 | |
and rapper Cain, will have better luck. | 0:21:34 | 0:21:38 | |
Can you give us a little bit of rap now? | 0:21:38 | 0:21:40 | |
No. | 0:21:40 | 0:21:41 | |
Mate, listen, if we win and you walk away with a car, | 0:21:44 | 0:21:47 | |
I definitely want you to do a bit of rapping. Good luck. I really mean it. Good luck. | 0:21:47 | 0:21:51 | |
Complete the names of these three best-selling novels. | 0:21:51 | 0:21:54 | |
Roald Dahl. Charlie And The Chocolate... | 0:21:54 | 0:21:59 | |
-Factory. -Sorry? -Factory. | 0:21:59 | 0:22:02 | |
Is the right answer, Chris. Well done, well done. | 0:22:02 | 0:22:05 | |
Cain, your one. | 0:22:05 | 0:22:07 | |
JRR Tolkien. | 0:22:07 | 0:22:10 | |
The Lord Of The... | 0:22:10 | 0:22:12 | |
Rings. | 0:22:12 | 0:22:13 | |
Is the right answer. Well done. | 0:22:13 | 0:22:17 | |
One more to go. Here we go. | 0:22:17 | 0:22:19 | |
One question remains. Nice and quiet, please. No help from anybody. | 0:22:19 | 0:22:23 | |
CS Lewis. The Lion, The Witch And The... | 0:22:24 | 0:22:29 | |
Cupboard. | 0:22:30 | 0:22:31 | |
I'm going to ask you again. C S Lewis, The Lion, The Witch And The... | 0:22:35 | 0:22:42 | |
Take your time. | 0:22:45 | 0:22:46 | |
Think of what you saw your clothes in. | 0:22:48 | 0:22:50 | |
-Take your time. -Cupboard. | 0:22:55 | 0:22:56 | |
It's the wrong answer, Kevin. It's wardrobe. It's wardrobe. | 0:23:03 | 0:23:08 | |
That was close, man. That was so close. | 0:23:08 | 0:23:11 | |
Next up, two sisters out to do a spot of shopping, | 0:23:13 | 0:23:16 | |
now hoping to go home with more than a new frock. | 0:23:16 | 0:23:19 | |
Will they spot that this is too good to be true? | 0:23:19 | 0:23:23 | |
Complete the names of these three movies. | 0:23:23 | 0:23:27 | |
Four Weddings And A... | 0:23:27 | 0:23:29 | |
Funeral. | 0:23:29 | 0:23:31 | |
Is the right answer. Well done. OK. | 0:23:33 | 0:23:36 | |
Silence Of The... | 0:23:36 | 0:23:39 | |
Lambs. | 0:23:39 | 0:23:40 | |
Correct answer. Here we go. | 0:23:42 | 0:23:46 | |
Raging... | 0:23:46 | 0:23:49 | |
Hangover. | 0:23:49 | 0:23:50 | |
Is the wrong answer, Kevin, is the wrong answer. It's Raging Bull. | 0:23:55 | 0:23:59 | |
Raging Bull. | 0:23:59 | 0:24:02 | |
They can't even look at him! | 0:24:02 | 0:24:03 | |
So far, four couples have tried and failed to win a car each, | 0:24:05 | 0:24:09 | |
because Agent Clueless is an idiot and, more importantly, | 0:24:09 | 0:24:12 | |
it's too good to be true. | 0:24:12 | 0:24:15 | |
So, will our final unsuspecting shopping centre duo, | 0:24:15 | 0:24:17 | |
Darren and Crystal, get their hands on those elusive car keys? | 0:24:17 | 0:24:20 | |
-Complete the names of these famous pop groups. -I'm thinking not. | 0:24:20 | 0:24:25 | |
Take... | 0:24:25 | 0:24:27 | |
That. Take That. | 0:24:27 | 0:24:28 | |
You'll go with Take That? | 0:24:28 | 0:24:30 | |
It's the right answer, mate. Well done. Your question. | 0:24:33 | 0:24:37 | |
-The Spice... -Girls. | 0:24:37 | 0:24:39 | |
Is the right answer. | 0:24:39 | 0:24:42 | |
Well done. | 0:24:42 | 0:24:44 | |
Well done, well done. | 0:24:44 | 0:24:46 | |
One question away. | 0:24:46 | 0:24:50 | |
Kevin, here we go. | 0:24:50 | 0:24:52 | |
The Black Eyed... | 0:24:55 | 0:24:57 | |
Pandas. | 0:25:04 | 0:25:06 | |
I'm sorry? | 0:25:06 | 0:25:09 | |
The Black Eyed.... | 0:25:09 | 0:25:10 | |
Pandas? | 0:25:15 | 0:25:17 | |
Black Eyed Pandas. | 0:25:18 | 0:25:20 | |
Is the wrong answer. | 0:25:23 | 0:25:24 | |
-Have you got anything you'd like to say to Kevin before we move on? -No. | 0:25:24 | 0:25:29 | |
What started out as a day's shopping | 0:25:39 | 0:25:41 | |
turned into a nerve-jangling win-a-car quiz for our unlucky couples. | 0:25:41 | 0:25:45 | |
Time then to reveal that if it seems too good to be true - | 0:25:45 | 0:25:48 | |
it probably is. | 0:25:48 | 0:25:50 | |
He is not any idiot, right? He is actually an actor. | 0:25:50 | 0:25:53 | |
You have been on Richard Hammond's Secret Service for the BBC. | 0:25:53 | 0:25:58 | |
Would you like to give them a little wave? | 0:25:58 | 0:26:00 | |
Say hello. | 0:26:02 | 0:26:04 | |
LAUGHTER | 0:26:04 | 0:26:08 | |
That is...that is awful! That is quite bad. | 0:26:09 | 0:26:13 | |
You've got one already. | 0:26:13 | 0:26:15 | |
I ain't got a car, what are you trying to nick my keys for? | 0:26:15 | 0:26:18 | |
What's wrong with him? | 0:26:18 | 0:26:20 | |
APPLAUSE | 0:26:25 | 0:26:27 | |
Now... | 0:26:30 | 0:26:31 | |
there are people who love being the centre of attention, they need it - | 0:26:31 | 0:26:36 | |
not me, of course, I'm very modest and really quite shy. | 0:26:36 | 0:26:39 | |
# It's Richard Hammond's Secret Service! # | 0:26:39 | 0:26:44 | |
Yes, yes, thanks for that(!) Yeah. | 0:26:44 | 0:26:47 | |
In this next mission, we meet a young man, though, | 0:26:47 | 0:26:50 | |
who truly craves the limelight, unlike me... | 0:26:50 | 0:26:54 | |
..really. | 0:26:55 | 0:26:57 | |
LAUGHTER | 0:26:57 | 0:26:59 | |
That man over there is Scott - he's a roofer from Kent | 0:27:00 | 0:27:03 | |
on what he thinks is a normal call-out to quote on fixing | 0:27:03 | 0:27:07 | |
a leaky roof at a small TV studio. It's not a normal call out... | 0:27:07 | 0:27:11 | |
-Yeah, yeah, sure. Sorry, mate, what was it? -Scott. -Hello, I'm Sy... | 0:27:11 | 0:27:15 | |
..because we were contacted by Scott's best friend Warren | 0:27:15 | 0:27:18 | |
asking for our help. | 0:27:18 | 0:27:19 | |
He says that Scott loves being the centre of attention and is | 0:27:19 | 0:27:23 | |
impossible to embarrass - he's wants us to find a way to "show him up". | 0:27:23 | 0:27:28 | |
It shouldn't be a problem, as Scott is on a call-out with a difference. | 0:27:28 | 0:27:31 | |
The studio he's walked into is full of agents pretending to film | 0:27:31 | 0:27:35 | |
a German music show called Popmusik. | 0:27:35 | 0:27:38 | |
Scott waits patiently for the owner, | 0:27:38 | 0:27:40 | |
but he's not the only one running late... | 0:27:40 | 0:27:42 | |
The show is missing their star guest, | 0:27:42 | 0:27:45 | |
German's number one pop sensation Jonny X, who doesn't really exist. | 0:27:45 | 0:27:49 | |
You know we're short of bodies today. We need someone to stand in and do this. | 0:27:50 | 0:27:54 | |
Hmm! Where could we find a stand-in at short notice? | 0:27:54 | 0:27:57 | |
-Want me to get Scott in? -Yeah. | 0:27:57 | 0:27:59 | |
Scott... | 0:27:59 | 0:28:00 | |
we're just doing a little walk-through, | 0:28:00 | 0:28:02 | |
we're a bit short of bodies in here, | 0:28:02 | 0:28:04 | |
-would you mind sitting over there for us? -Where do you want me to sit? | 0:28:04 | 0:28:07 | |
It's just for cameras and lights and stuff, thanks. | 0:28:07 | 0:28:10 | |
-Sorry, these are our presenters - Heidi and Rudy. -Hello. | 0:28:10 | 0:28:14 | |
This is Scott. Scott's just going to sit in for us. | 0:28:14 | 0:28:17 | |
I'll give you a bit of an overview. This is a pop music show. | 0:28:17 | 0:28:21 | |
Oh, so Scott is not part of the crew? | 0:28:21 | 0:28:23 | |
-No, no, Scott's just in here for us, he's going to help us out. -Oh, OK. | 0:28:23 | 0:28:27 | |
So, Scott, what are you here to fix? | 0:28:27 | 0:28:29 | |
-The roof. -Just the roof? -Just the roof. -What is wrong with the roof? | 0:28:29 | 0:28:32 | |
I don't know yet. | 0:28:32 | 0:28:34 | |
Well, Scott is settling in nicely, just shooting the breeze. | 0:28:34 | 0:28:38 | |
Time to find out more about this Jonny X character he's sitting in for. | 0:28:38 | 0:28:42 | |
-Oh, my God, he's everywhere in Germany. -He's so popular... -Is he a singer? | 0:28:42 | 0:28:46 | |
He's a singer, but he's like... How would you say? Like personality? | 0:28:46 | 0:28:50 | |
He's so funny. He's so crazy funny. | 0:28:50 | 0:28:53 | |
OK, once he calls the Chancellor Angela Schmerkel! | 0:28:53 | 0:28:56 | |
That's not her name, you know - | 0:28:56 | 0:28:58 | |
it's Merkel! You take the M off and put it with an S, you know? | 0:28:58 | 0:29:02 | |
-Do you think that's funny? -Mmm, yeah. | 0:29:02 | 0:29:06 | |
So we can't wait to interview him because, for us, it's our careers. | 0:29:06 | 0:29:10 | |
It would rally help make us, like, um... | 0:29:10 | 0:29:12 | |
Could you say "a name in the house" or the "household name"? | 0:29:12 | 0:29:15 | |
Yes, a name in the household. | 0:29:15 | 0:29:18 | |
-Like your Dec and Ant. -Oh, yeah, Ant and Dec. -No. -Dec and Ant. | 0:29:18 | 0:29:22 | |
Dec Ant. | 0:29:22 | 0:29:24 | |
-Dec Ant? -Ant and Dec, innit? -What is it? | 0:29:24 | 0:29:27 | |
-Ant and Dec. -No, it's... -Ant and Dec. -No, but it's one person. | 0:29:27 | 0:29:31 | |
-No, it's two people. -No?! | 0:29:31 | 0:29:35 | |
-We thought it was... -No, it's two people. | 0:29:35 | 0:29:38 | |
-You're having a joke with me! -No. -They look the same. | 0:29:38 | 0:29:41 | |
What did you say? | 0:29:41 | 0:29:42 | |
-They, what, look the same? -Yeah. | 0:29:42 | 0:29:44 | |
-No, one's little, one's big, aren't they? -Jonny X. -Oh, my God. | 0:29:44 | 0:29:47 | |
He looks like him. Do you think so, Rudy? | 0:29:47 | 0:29:49 | |
Let me see. Yes, a little bit in the nose and the eyes and also in the mouth. | 0:29:49 | 0:29:53 | |
It's a compliment because he is so hot. | 0:29:53 | 0:29:55 | |
So, Scott is a dead ringer for Jonny X, who doesn't exist, | 0:29:57 | 0:30:00 | |
but I wonder if he sounds like him? | 0:30:00 | 0:30:02 | |
Don't suppose you do a German accent, do you? | 0:30:02 | 0:30:05 | |
Jonny X is going to be doing it with a German accent. | 0:30:05 | 0:30:07 | |
Give me a German accent. | 0:30:07 | 0:30:09 | |
TOGETHER: Ain't no stopping, let's get rocking! | 0:30:09 | 0:30:13 | |
-GERMAN ACCENT: -Ain't no stopping, let's get rocking! | 0:30:13 | 0:30:17 | |
Is that all right, Sound? | 0:30:17 | 0:30:18 | |
He's not scared of anything! | 0:30:18 | 0:30:20 | |
When you're ready, take it away. | 0:30:20 | 0:30:22 | |
Cue! | 0:30:22 | 0:30:23 | |
I'm here with Jonny X in the studio. What do you say, Jonny? | 0:30:23 | 0:30:27 | |
-GERMAN ACCENT: -Ain't no stopping, let's get rocking! | 0:30:27 | 0:30:29 | |
Yeah, boy, that's right! Check out Jonny X on Popmusik, | 0:30:29 | 0:30:33 | |
Saturday nights at Smash Bang TV Now, but better! | 0:30:33 | 0:30:38 | |
Good, great stuff, guys, thank you very much there for Sound. | 0:30:38 | 0:30:40 | |
You're so good, you know, you really are a natural. | 0:30:40 | 0:30:43 | |
-Have you ever thought of a change in career? -Not really, no. | 0:30:43 | 0:30:46 | |
Jonny's running late as usual, so we're going to keep going through | 0:30:46 | 0:30:50 | |
and doing some more links if that's all right? | 0:30:50 | 0:30:52 | |
RUDY: This is typical Jonny X. | 0:30:52 | 0:30:54 | |
I told you if you're going to do anything live with him he'll be a nightmare. | 0:30:54 | 0:30:58 | |
Well, Scott is here - maybe if you just ask him some questions | 0:30:58 | 0:31:01 | |
-and you give him any old responses, that'll be really useful. -Just make something up? | 0:31:01 | 0:31:05 | |
Yeah, thanks for bearing with us, guys.... | 0:31:05 | 0:31:06 | |
Yeah, it's all perfectly normal Scott, this kind of thing happens to a roofer a lot(!) | 0:31:06 | 0:31:10 | |
Ain't no stopping, let's get rocking! | 0:31:10 | 0:31:12 | |
Hey, Rudy, ain't no stopping, let's get rocking! | 0:31:12 | 0:31:15 | |
Yeah, so, guys, we have been keeping a little shhh-shhh secret from you. | 0:31:15 | 0:31:20 | |
Shhh! It's a super secret, this guest - it's only blinking Jonny X! | 0:31:20 | 0:31:26 | |
THEY CHEER | 0:31:26 | 0:31:29 | |
Jonny X, you are live to eight million German fans, | 0:31:29 | 0:31:33 | |
not forgetting all those fans watching in Norway, Holland and Luxembourg. | 0:31:33 | 0:31:37 | |
So what have you got to say to them? | 0:31:37 | 0:31:39 | |
Hi! | 0:31:40 | 0:31:42 | |
Hi to Luxembourg especially - you are particularly honoured. | 0:31:42 | 0:31:46 | |
-We have been told you are going to be starring in the German remake of Batman! -Ja! | 0:31:46 | 0:31:51 | |
Ja, with none other than Arnold Schwarzenegger's cousin! | 0:31:51 | 0:31:56 | |
What do you play in the movie and could you tell us a little bit about the plot? | 0:31:56 | 0:32:01 | |
-Yes, I play the Penguin. -Oh, the Penguin. -The Penguin, yeah. | 0:32:01 | 0:32:04 | |
-Oh, my God. -I can't say much about the plot until it's shown so... | 0:32:04 | 0:32:08 | |
Do you have a super-cool costume? | 0:32:08 | 0:32:10 | |
-Yes, super-cool, I have to waddle around and stuff. -Oh, that's so great. | 0:32:10 | 0:32:15 | |
Wow! How did you manage to embody the character of a penguin? | 0:32:15 | 0:32:19 | |
I spent a bit of time in London Zoo with the penguins. | 0:32:19 | 0:32:23 | |
-So you are totally method? -Method. -Method, yeah. | 0:32:23 | 0:32:25 | |
Scott immediately settles into the role of international superstar - | 0:32:25 | 0:32:30 | |
completely unfazed. | 0:32:30 | 0:32:31 | |
-There's another thing that Jonny X is very good at. -Oh, ja! | 0:32:31 | 0:32:34 | |
We've been having demands from all our viewers to see the famous Jonny X bum wiggle. | 0:32:34 | 0:32:39 | |
TOGETHER! Ja! | 0:32:39 | 0:32:40 | |
Heidi and ich have been practising this all day - | 0:32:40 | 0:32:43 | |
you can judge this for us, so if we bend down... | 0:32:43 | 0:32:46 | |
-Tell us what was the best one. -Drei, zwei, eins! | 0:32:46 | 0:32:49 | |
Jonny X! | 0:32:49 | 0:32:51 | |
Perhaps you can show us how it is really done? | 0:32:51 | 0:32:54 | |
Go on, now. | 0:32:54 | 0:32:55 | |
Three, two, one! | 0:32:55 | 0:32:57 | |
Jonny X! | 0:32:57 | 0:33:00 | |
OK, I'll admit, he doesn't look even remotely embarrassed right now, | 0:33:00 | 0:33:04 | |
so let's try something else. | 0:33:04 | 0:33:05 | |
Oh, it's the famous moon-walking that you do with the military style. | 0:33:05 | 0:33:09 | |
-Would you like to show us, Jonny X? We are dying to see. -Yeah. | 0:33:09 | 0:33:13 | |
Yeah, show us your moon-walk. | 0:33:13 | 0:33:15 | |
He's moon-walking! Now this man might just be impossible to crack! | 0:33:17 | 0:33:21 | |
He's bum-wiggled and moon-walked without even a hint of embarrassment. | 0:33:21 | 0:33:24 | |
We're set now for the big performance piece, so I want all hands on deck here, please. | 0:33:24 | 0:33:29 | |
It's crucial we do this rapidly. | 0:33:29 | 0:33:30 | |
Now preparations are under way for the real Jonny X's live performance. | 0:33:30 | 0:33:34 | |
We've got to hustle like this, because when we're doing this live... | 0:33:34 | 0:33:37 | |
Scott, can we just put a couple of bits and bobs on you for the cameras? | 0:33:37 | 0:33:41 | |
Just come over this way with me. | 0:33:41 | 0:33:43 | |
This is Jonny X's actual outfit. | 0:33:43 | 0:33:46 | |
Ah, Scott seems, once again, to have no problem at all stepping | 0:33:46 | 0:33:49 | |
into his shoes, and his entire outfit, for the final camera checks. | 0:33:49 | 0:33:53 | |
Jonny is still not here, OK? | 0:33:53 | 0:33:55 | |
- What time do we go on? - Can I get checks out here, please? | 0:33:55 | 0:33:58 | |
Can people be busy? Come on! Right, so how long have we got? | 0:33:58 | 0:34:02 | |
He's here to mend a leaky roof, remember? | 0:34:02 | 0:34:04 | |
The atmosphere in the studio seems to have gone downhill - | 0:34:04 | 0:34:07 | |
they need Scott to step in and actually perform live as Jonny, | 0:34:07 | 0:34:12 | |
and, yep, it looks like Scott is finally feeling the pressure, is he? | 0:34:12 | 0:34:16 | |
Yeah, yeah, just... | 0:34:16 | 0:34:17 | |
No, he's not. | 0:34:17 | 0:34:19 | |
OK, guys, we're coming in in ten seconds, please. | 0:34:19 | 0:34:22 | |
Everyone on this. Ten seconds. | 0:34:22 | 0:34:24 | |
I would be running by now...away. | 0:34:24 | 0:34:27 | |
Seven, six... | 0:34:27 | 0:34:28 | |
He's going to do it. | 0:34:28 | 0:34:29 | |
Quiet on the floor! Four, three... | 0:34:29 | 0:34:32 | |
TOGETHER: Willkommen! | 0:34:34 | 0:34:36 | |
Willkommen to Popmusik! | 0:34:36 | 0:34:38 | |
We are so excited, | 0:34:38 | 0:34:40 | |
so please welcome live in London, Jonny X! | 0:34:40 | 0:34:47 | |
MUSIC STARTS | 0:34:50 | 0:34:53 | |
Energy, guys. | 0:34:57 | 0:34:59 | |
What's this guy's nerves made of? He is actually smiling for the cameras, he is. | 0:34:59 | 0:35:05 | |
# Hey, hey, Papa, give me your loving! | 0:35:05 | 0:35:08 | |
# Cos I'm gonna give you something | 0:35:08 | 0:35:12 | |
# Hey, hey, Papa, gonna give you something. # | 0:35:12 | 0:35:17 | |
He's actually enjoying himself. | 0:35:19 | 0:35:21 | |
As far as he's concerned, on live TV, | 0:35:21 | 0:35:25 | |
singing a song he's never heard from a pop star who doesn't exist. | 0:35:25 | 0:35:28 | |
# Hey, hey, Papa! # | 0:35:28 | 0:35:29 | |
Louder, please, louder. | 0:35:29 | 0:35:31 | |
BAD SONG CONTINUES | 0:35:35 | 0:35:38 | |
HE MUMBLES | 0:35:39 | 0:35:41 | |
# Schnell, schnell It's gonna drive you crazy | 0:35:55 | 0:35:58 | |
# I think I'm in love, I think I'm in love | 0:36:00 | 0:36:03 | |
# With you... # | 0:36:03 | 0:36:06 | |
I can't believe we got that. | 0:36:08 | 0:36:09 | |
We threw everything at him that we could and he didn't even break a sweat, | 0:36:12 | 0:36:16 | |
and here's his mate Warren to tell him it's all been a big set-up. | 0:36:16 | 0:36:20 | |
You've been on BBC1's Richard Hammond's Secret Service. | 0:36:28 | 0:36:31 | |
I think he deserves a massive round of applause. | 0:36:31 | 0:36:34 | |
Guys, let's all do the bum wiggle! | 0:36:34 | 0:36:36 | |
Scott came to the studio today to fix a leaky roof, | 0:36:36 | 0:36:39 | |
but ended up passing himself off as Germany's number one fake pop star in style. | 0:36:39 | 0:36:45 | |
-GERMAN ACCENT: -Ain't no stopping, let's get rocking! | 0:36:45 | 0:36:48 | |
And rock he did... | 0:36:48 | 0:36:49 | |
Jonny X! | 0:36:51 | 0:36:53 | |
..rounding the day off by performing live on TV across Europe. | 0:36:53 | 0:36:58 | |
We set out to embarrass him... | 0:36:58 | 0:37:00 | |
and we failed miserably. | 0:37:00 | 0:37:02 | |
It's a £65 call-out charge. | 0:37:02 | 0:37:04 | |
That is... | 0:37:11 | 0:37:13 | |
That is Secret Service's missions complete for another week. | 0:37:14 | 0:37:18 | |
What have we learnt? | 0:37:18 | 0:37:19 | |
Well, we've learnt that putting a big bum on someone's house isn't all it's CRACKED up to be... | 0:37:19 | 0:37:24 | |
Yeah. | 0:37:24 | 0:37:25 | |
..and a talking dog is nothing to worry about, | 0:37:25 | 0:37:27 | |
although barking people should still be avoided, | 0:37:27 | 0:37:29 | |
and that pretty much anyone can get a No.1 in Germany. | 0:37:29 | 0:37:32 | |
Case closed. | 0:37:32 | 0:37:36 | |
But let's not forget, ladies and gentlemen, | 0:37:36 | 0:37:38 | |
one last thing to do and it's the most important - | 0:37:38 | 0:37:40 | |
a massive round of applause, please, for the real stars of the show. | 0:37:40 | 0:37:43 | |
APPLAUSE | 0:37:43 | 0:37:46 | |
Come on out. Come on out. | 0:37:46 | 0:37:47 | |
Until next time, citizens, take care. | 0:38:02 | 0:38:05 | |
If you have a mission for the Secret Service and would like to apply, | 0:38:13 | 0:38:16 | |
then visit... | 0:38:16 | 0:38:17 | |
Subtitles by Red Bee Media Ltd | 0:38:39 | 0:38:43 |