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Hello, and welcome to our chat show. Staying in with us tonight: | 0:00:02 | 0:00:06 | |
The one and only Tinie Tempah. | 0:00:06 | 0:00:09 | |
Glee's Dianna Agron is staying in the spare room! | 0:00:09 | 0:00:13 | |
# That's the way, uh-huh, uh-huh Joe Lycett! # | 0:00:13 | 0:00:16 | |
Joe Lycett is here! | 0:00:16 | 0:00:17 | |
Plus, she's got the extra Xtra Factor, it's Caroline Flack! | 0:00:19 | 0:00:25 | |
This programme contains some strong language. | 0:00:25 | 0:00:33 | |
Hooray! Nice watch. | 0:00:51 | 0:00:54 | |
You are blinging, mate. We've got matching watches. Watch kiss. | 0:00:54 | 0:00:57 | |
Yeah, I've got a Casio! Yay! | 0:00:57 | 0:01:00 | |
I don't wear a watch, do you? We don't wear watches! | 0:01:00 | 0:01:04 | |
Welcome to our pad. What do you reckon? It's big. It's nice. | 0:01:04 | 0:01:07 | |
Tinie, you must live in some swish pad. It's very clean. | 0:01:07 | 0:01:10 | |
But you're a very clean person | 0:01:10 | 0:01:11 | |
I remember when you came to the judges' houses in St Lucia with us, | 0:01:11 | 0:01:16 | |
and you got angry if your trainers got dirty on the beach. | 0:01:16 | 0:01:19 | |
I've seen you before you go on stage when you have brand-new trainers, | 0:01:19 | 0:01:22 | |
and you put bin bags over the trainers and take them off on stage. | 0:01:22 | 0:01:25 | |
Sometimes I will even get on someone's back if it's muddy, | 0:01:25 | 0:01:28 | |
just to take me to the stage. What about you, Joe? | 0:01:28 | 0:01:30 | |
Do you live solo? I actually live in two places. That sounds very posh. | 0:01:30 | 0:01:35 | |
So you're a bi-dweller? I'm a bi-dweller and a bisexual | 0:01:35 | 0:01:38 | |
And I'm middle-class. I'm in the middle of everything | 0:01:38 | 0:01:42 | |
You mentioned judges' houses, Caroline. Yes. | 0:01:42 | 0:01:44 | |
Who's got the best house? Well, sometimes, the houses... | 0:01:44 | 0:01:49 | |
..don't belong to the judges. | 0:01:49 | 0:01:50 | |
This was the biggest anti-climax when I came out to St Lucia, | 0:01:50 | 0:01:58 | |
And I get there, and it's a hotel. | 0:02:00 | 0:02:03 | |
What about Cowell's house? | 0:02:05 | 0:02:06 | |
It's so tidy. It's so tidy. It's kind of all black or white | 0:02:06 | 0:02:11 | |
It's weird, because when I went to his house | 0:02:11 | 0:02:14 | |
to have my first initial meeting for the X Factor, | 0:02:14 | 0:02:18 | |
I went to the wrong house. I went to the house next door. | 0:02:18 | 0:02:21 | |
But they let me in, made me a cup of tea | 0:02:21 | 0:02:23 | |
and gave me some cake for half an hour. | 0:02:23 | 0:02:26 | |
Then she came back in and said | 0:02:26 | 0:02:28 | |
"Excuse me, who are you here to see?" | 0:02:28 | 0:02:29 | |
I said Simon and she said "Oh, no, he lives next door." | 0:02:29 | 0:02:32 | |
Is it true that Simon Cowell has black toilet paper? | 0:02:32 | 0:02:35 | |
I've heard the rumours, but I didn't go to the toilet. What | 0:02:35 | 0:02:39 | |
If I was at Simon Cowell's house, I'd take a shit in every toilet | 0:02:39 | 0:02:42 | |
You have to always go to the toilet in someone's house. | 0:02:42 | 0:02:44 | |
I went to Jennifer Lopez's house in LA. | 0:02:44 | 0:02:46 | |
Was there a really wide toilet for her bootay? | 0:02:46 | 0:02:49 | |
No, but I always make sure I go to the toilet. | 0:02:49 | 0:02:52 | |
I think I do it because I get a bit nervous at first, | 0:02:52 | 0:02:54 | |
so when I walk into somewhere, | 0:02:54 | 0:02:57 | |
more often than not, I'm like, "Can I use the toilet?" | 0:02:57 | 0:02:59 | |
Before hello? | 0:02:59 | 0:03:00 | |
Yeah, before hello. | 0:03:00 | 0:03:01 | |
"Toilet!" | 0:03:01 | 0:03:03 | |
Toilet. I'm always curious to see what people's toilets are like | 0:03:03 | 0:03:07 | |
Black toilet paper, though. | 0:03:07 | 0:03:09 | |
He must have the dirtiest arsehole in show business, mustn't he? | 0:03:09 | 0:03:13 | |
You don't know if you're clean surely? | 0:03:13 | 0:03:15 | |
Thank you. I didn't want to go there, but true. | 0:03:15 | 0:03:18 | |
Well, the new single, we absolutely love. You're performing it later. | 0:03:18 | 0:03:22 | |
CHEERING AND APPLAUSE | 0:03:22 | 0:03:25 | |
Now, the album is Demonstration | 0:03:25 | 0:03:27 | |
I've heard it, and I genuinely I've told you, | 0:03:27 | 0:03:30 | |
I've embarrassed myself in front of you privately. It's so good | 0:03:30 | 0:03:33 | |
Greg sent me a really nice text about it. Made my day. | 0:03:33 | 0:03:36 | |
I had so much fun recording it and all the people that I got on it, | 0:03:36 | 0:03:40 | |
Dizzee Rascal's on there, | 0:03:40 | 0:03:42 | |
Emeli Sande, Laura Mvula, John Martin, 2 Chainz, Big Sean | 0:03:42 | 0:03:47 | |
It's like a real big record. | 0:03:47 | 0:03:49 | |
So I've got everyone on it who I wanted. | 0:03:49 | 0:03:51 | |
I got all the songs I wanted to get as well, so... | 0:03:51 | 0:03:57 | |
I love what you've done there. | 0:03:57 | 0:04:01 | |
Greg was so excited about your album that he wore his all night. | 0:04:01 | 0:04:05 | |
It's probably better if I do it | 0:04:05 | 0:04:07 | |
Look at this. We're going to recreate the album cover live. | 0:04:07 | 0:04:10 | |
They're amazing, aren't they? | 0:04:10 | 0:04:12 | |
Tinie's album's come to life. Look at that. | 0:04:12 | 0:04:14 | |
I feel like I'm in a very low-budget X-Men. | 0:04:15 | 0:04:18 | |
Yeah! | 0:04:20 | 0:04:22 | |
Joe, you're touring as well? Yes, I am, Russell. | 0:04:22 | 0:04:25 | |
It's a bit of a cliche, | 0:04:25 | 0:04:27 | |
but yours really is a meteoric rise into stand-up. | 0:04:27 | 0:04:29 | |
To be touring already is pretty impressive stuff, | 0:04:29 | 0:04:32 | |
don't you think, ladies and gentlemen? | 0:04:32 | 0:04:34 | |
CHEERING AND APPLAUSE | 0:04:34 | 0:04:37 | |
And your touring show is called | 0:04:38 | 0:04:41 | |
If Joe Lycett, You Should Have Put A Ring On It. | 0:04:41 | 0:04:43 | |
Yes, it is. What's it all about | 0:04:43 | 0:04:46 | |
It's got nothing to do with Beyonce. | 0:04:46 | 0:04:47 | |
It's just comedy for an hour, basically. | 0:04:47 | 0:04:52 | |
I love puns. | 0:04:52 | 0:04:54 | |
Got some ones here. | 0:04:54 | 0:04:55 | |
Tinie and Caroline, I've got some real ones and some fake ones | 0:04:55 | 0:04:59 | |
of Joe's ones that he's called his shows. | 0:04:59 | 0:05:01 | |
Tell me if they're real or not | 0:05:01 | 0:05:03 | |
# Do you really Lycett? Is it is it wicked? | 0:05:03 | 0:05:06 | |
# We're lovin' it, lovin' it lovin' it | 0:05:06 | 0:05:08 | |
# We're lovin' it, Lycett! # | 0:05:08 | 0:05:09 | |
Ooh. What do you reckon? I would like it to be one. | 0:05:12 | 0:05:16 | |
You'd Lycett to be one. Shall we say no? Let's say no. | 0:05:16 | 0:05:21 | |
It wasn't a show. | 0:05:21 | 0:05:23 | |
Some Lycett Hot. Real show title or not real show title? | 0:05:23 | 0:05:27 | |
I would say not real. Joe? | 0:05:27 | 0:05:29 | |
It's a real show title. That was your first Edinburgh show. Sorry. | 0:05:29 | 0:05:35 | |
That's all right. | 0:05:35 | 0:05:36 | |
We clearly didn't see that one did we? | 0:05:36 | 0:05:39 | |
When the kids try to get at you | 0:05:39 | 0:05:40 | |
Drop it Lycett hot Drop it Lycett hot Drop it Lycett hot... | 0:05:40 | 0:05:43 | |
When the kids try and get at you? | 0:05:43 | 0:05:46 | |
Is that...? | 0:05:46 | 0:05:47 | |
Just the "Drop it Lycett hot" bit. Yeah. | 0:05:47 | 0:05:52 | |
That's simply not a show title | 0:05:52 | 0:05:54 | |
I'm trying to make the game harder, Joe. | 0:05:54 | 0:06:03 | |
Sofas. Shall we go and hang on the sofas? | 0:06:03 | 0:06:06 | |
I wish that happened in real life. | 0:06:06 | 0:06:09 | |
Come on over, come on over. | 0:06:14 | 0:06:18 | |
Better here, innit? This? | 0:06:20 | 0:06:23 | |
I always feel more relaxed in the lounge. | 0:06:23 | 0:06:24 | |
It's all right in the kitchen, | 0:06:24 | 0:06:26 | |
but I'm more relaxed when we're all sat down here. | 0:06:26 | 0:06:28 | |
This is like my mum's living room. | 0:06:28 | 0:06:30 | |
Oh, bye! | 0:06:30 | 0:06:32 | |
I think I may have broken a chair. | 0:06:35 | 0:06:38 | |
Oh, no. It's like being on a plane. | 0:06:38 | 0:06:42 | |
Would you like it more reclined sir? Tell me when. | 0:06:42 | 0:06:47 | |
You get comfortable. Just tell me when. No, don't... | 0:06:47 | 0:06:51 | |
It'll never be when, Greg. | 0:06:51 | 0:06:53 | |
Filthy, isn't he, Caroline? Lovely, that's perfect. | 0:06:54 | 0:06:58 | |
If you need anything, just press the call bell above your head. | 0:06:58 | 0:07:01 | |
Tinie, I want to talk to you about music. | 0:07:01 | 0:07:05 | |
What was the one thing that made you want to be a rapper? | 0:07:05 | 0:07:09 | |
Well, I've always liked rap and hip-hop music, | 0:07:09 | 0:07:12 | |
but it's always been a bit far away to me | 0:07:12 | 0:07:15 | |
in the sense that it was American. | 0:07:15 | 0:07:16 | |
So when they were talking about things like | 0:07:16 | 0:07:19 | |
"I just did this on 12th Street in 5th Ave...", | 0:07:19 | 0:07:21 | |
I didn't know what the hell they were going on about. | 0:07:21 | 0:07:25 | |
So it wasn't until I saw the So Solid Crew, it was in 200 . | 0:07:25 | 0:07:29 | |
I was 12 years old and they had that big song, 21 Seconds. | 0:07:29 | 0:07:34 | |
So when I heard that, I was like, "Wow, these guys are from London. | 0:07:34 | 0:07:38 | |
"They're talking about things I can relate to. Maybe this could happen." And then that was it. | 0:07:38 | 0:07:42 | |
So we went through the internet trying to find earlier clips. | 0:07:42 | 0:07:46 | |
I had a little ding-a-ling through the tring-a-ling-a-net | 0:07:46 | 0:07:48 | |
to see if I could have a ding-a ling about your early sing-a-lings. OK. | 0:07:48 | 0:07:51 | |
And this is what I found. | 0:07:51 | 0:07:54 | |
I spit for pop stop ding a ling a ling | 0:07:54 | 0:07:56 | |
No ass, no chops, no ring a ling a ling | 0:07:56 | 0:07:57 | |
I'm cool, not sure but if you want war | 0:07:57 | 0:07:59 | |
My boys will draw for the ting a ling a ling | 0:07:59 | 0:08:01 | |
I pack more than I swing a ling a ling | 0:08:01 | 0:08:03 | |
HE MOUTHS ALONG | 0:08:03 | 0:08:05 | |
..My ding a ling's long like string a ling a ling | 0:08:05 | 0:08:06 | |
I got girls on my ting a ling a ling | 0:08:08 | 0:08:10 | |
Not wifeys one night fling a ling a ling | 0:08:10 | 0:08:11 | |
Recite it, try not to bite it | 0:08:11 | 0:08:13 | |
But if you like it then sing a ling a ling | 0:08:13 | 0:08:15 | |
I'm smokin' like ring a ling a ling | 0:08:15 | 0:08:17 | |
And you're nearly hot like spring a ling a ling | 0:08:17 | 0:08:18 | |
Keep on guard or I'll hit you hard with the ting... | 0:08:18 | 0:08:22 | |
CHEERING AND APPLAUSE | 0:08:22 | 0:08:24 | |
How old were you there? | 0:08:24 | 0:08:25 | |
I must have been about 15. | 0:08:25 | 0:08:27 | |
Oh, wow. | 0:08:27 | 0:08:28 | |
I have to say, it's quite Christmassy sounding, isn't it | 0:08:28 | 0:08:32 | |
Those jingle bells go jing a ling a ling. | 0:08:32 | 0:08:37 | |
I don't know how I managed to sneak "ding a ling a ling" into a rap | 0:08:37 | 0:08:41 | |
You were rapping along to that Are you proud of that early stuff? | 0:08:41 | 0:08:45 | |
I guess you have to. Everything is like growth, | 0:08:45 | 0:08:48 | |
but sometimes you do look back | 0:08:48 | 0:08:50 | |
You guys could have picked so much worse, | 0:08:50 | 0:08:52 | |
so I'm just thankful for that. | 0:08:52 | 0:08:53 | |
But yeah, I always look back on these things proud, | 0:08:53 | 0:08:56 | |
because it's about how far you've come since then, you know. | 0:08:56 | 0:08:58 | |
You talked about So Solid Crew Let's talk about Dolly Parton. OK. | 0:08:58 | 0:09:03 | |
You were a big fan? Like I said this is like my mum's living room, so it brings back a lot of memories. | 0:09:03 | 0:09:07 | |
She was heavily into Dolly Parton | 0:09:07 | 0:09:09 | |
and Kenny Rogers. But more so Dolly Parton. | 0:09:09 | 0:09:13 | |
I remember hearing all her songs | 0:09:13 | 0:09:15 | |
coming out of my mum's living room. Jolene, Jolene, | 0:09:15 | 0:09:19 | |
all that jazz. What I liked about it, | 0:09:19 | 0:09:21 | |
which was why I did talk about it so much at the start of my career, | 0:09:21 | 0:09:25 | |
is the art of storytelling. | 0:09:25 | 0:09:27 | |
Country and western songs are always about a weird story. | 0:09:27 | 0:09:30 | |
Dolly Parton had this song called DIVORCE, and she would spell it | 0:09:30 | 0:09:35 | |
She would spell divorce because she didn't want the kids to hear | 0:09:35 | 0:09:38 | |
that her and her partner were breaking up, | 0:09:38 | 0:09:40 | |
and I thought things like that were really cool. | 0:09:40 | 0:09:43 | |
Tinie, if you weren't a rapper what would you have become? | 0:09:43 | 0:09:46 | |
What were your other interests as a kid? | 0:09:46 | 0:09:48 | |
If I look back on it now, I really like magic. | 0:09:48 | 0:09:51 | |
So now that I've seen Dynamo, | 0:09:51 | 0:09:52 | |
I'm like, "I wish I was Dynamo man." | 0:09:52 | 0:09:56 | |
Caroline, you worked in magic as well. You were a magician's assistant. | 0:09:56 | 0:09:59 | |
It was one of my first jobs. | 0:09:59 | 0:10:03 | |
I was a magician's assistant. But not one of those glamorous | 0:10:03 | 0:10:06 | |
kind of wear feathers and do that kind of thing. | 0:10:06 | 0:10:08 | |
I just used to get in boxes. | 0:10:08 | 0:10:09 | |
We have got a picture of back then. Let's have a look. | 0:10:09 | 0:10:11 | |
LAUGHTER | 0:10:11 | 0:10:14 | |
I used to get in really small boxes | 0:10:14 | 0:10:15 | |
and then they would put swords through. | 0:10:15 | 0:10:18 | |
Through the box. And how is that trick done? It's not a trick. | 0:10:18 | 0:10:21 | |
What do you mean? You just get taught. I was quite flexible. | 0:10:21 | 0:10:23 | |
You just get taught how to dodge the sword. | 0:10:23 | 0:10:26 | |
You literally guide the sword through. | 0:10:26 | 0:10:28 | |
That is a shit Saturday job, isn't it? | 0:10:28 | 0:10:30 | |
You get stabbed for a Saturday job. | 0:10:30 | 0:10:31 | |
TINIE: I used to work in a call centre. | 0:10:31 | 0:10:35 | |
I used to do double glazing. | 0:10:35 | 0:10:36 | |
JOE: I did soffits and guttering. | 0:10:36 | 0:10:38 | |
And I don't know what soffits are, still. | 0:10:38 | 0:10:40 | |
A soffit actually underpins guttering. | 0:10:40 | 0:10:43 | |
It's a device you put under an archway or on a corner. | 0:10:43 | 0:10:45 | |
Oh, thank God! Thank you. | 0:10:45 | 0:10:46 | |
I'm genuinely delighted that I've got that knowledge now. | 0:10:46 | 0:10:49 | |
APPLAUSE | 0:10:49 | 0:10:50 | |
Do you have to guess the gender of the person on the other | 0:10:50 | 0:10:55 | |
end of the phone quite early on in the call? | 0:10:55 | 0:10:58 | |
TINIE: Yeah, yeah. Yeah, it's scripted, yeah. | 0:10:58 | 0:11:01 | |
JOE: They'd go, "Hello?" and you'd have to go "Hello, madam"? | 0:11:01 | 0:11:03 | |
TINIE: Sir or madam, yeah. JOE: Cos I would get that wrong every time | 0:11:03 | 0:11:06 | |
I did one where I rang up and you had to go, | 0:11:06 | 0:11:08 | |
"Hello, is that the man of the house or is that the lady of the house " | 0:11:08 | 0:11:11 | |
Cos I'm from the past. | 0:11:11 | 0:11:13 | |
And I rang up once and they said hello and I said | 0:11:15 | 0:11:18 | |
"Is that the lady of the house? | 0:11:18 | 0:11:20 | |
And then clearly a man started | 0:11:20 | 0:11:21 | |
laughing sarcastically for about a minute. | 0:11:21 | 0:11:24 | |
And then just went, "Now, fuck off!" | 0:11:24 | 0:11:26 | |
LAUGHTER | 0:11:26 | 0:11:27 | |
Perfect response to that phone call, I feel. | 0:11:27 | 0:11:29 | |
We should go back to your role as telesalesman. | 0:11:29 | 0:11:31 | |
You should call Russell. What were selling? | 0:11:31 | 0:11:34 | |
Double glazing? So Tinie's selling double glazing. Re-enact that. | 0:11:34 | 0:11:37 | |
Give him the phone. Take the phone. So, you call Russell. Right. | 0:11:37 | 0:11:40 | |
PHONE RINGS | 0:11:42 | 0:11:44 | |
Hello? | 0:11:44 | 0:11:46 | |
Hello, is this the man or the lady? | 0:11:46 | 0:11:49 | |
Man. What can I do? I'm really busy. | 0:11:49 | 0:11:51 | |
I'm selling windows. Do you want some? | 0:11:51 | 0:11:54 | |
LAUGHTER | 0:11:54 | 0:11:55 | |
Talk me through what type of windows. | 0:11:55 | 0:11:57 | |
Have you got windows? | 0:11:57 | 0:11:59 | |
I live in a bungalow where everything's bricked up. | 0:11:59 | 0:12:05 | |
And it's underground. Go on, carry on. | 0:12:05 | 0:12:08 | |
Right. So, basically, these windows, | 0:12:08 | 0:12:11 | |
they're usually on sale for about a grand, | 0:12:11 | 0:12:14 | |
but you sound like a... | 0:12:14 | 0:12:16 | |
A decent bloke. Yeah. | 0:12:16 | 0:12:17 | |
So I'm going to do them for you at a 40% discount. | 0:12:17 | 0:12:20 | |
How does that sound? Sounds good. | 0:12:20 | 0:12:22 | |
We're in the local area, as a matter of fact, between today and tomorrow. | 0:12:22 | 0:12:26 | |
So I'm going to say maybe four till six, you going to be around tomorrow? | 0:12:26 | 0:12:30 | |
That's good, yeah. Yeah? | 0:12:30 | 0:12:32 | |
I'm going to pass my phone onto my colleague, Joe. | 0:12:32 | 0:12:34 | |
Can I... He'll take your details. No, no, it's fine. It's fine. | 0:12:34 | 0:12:38 | |
He'll take your details and we'll see you tomorrow. Cheers, mate | 0:12:38 | 0:12:40 | |
Very kind. That's so good. | 0:12:40 | 0:12:43 | |
Hello, I've bought some windows, even though | 0:12:43 | 0:12:45 | |
I live underground and I've got no windows. | 0:12:45 | 0:12:47 | |
The reason I said yes was it's the same guy who came round before | 0:12:47 | 0:12:50 | |
and he went straight in my toilet and used it. | 0:12:50 | 0:12:53 | |
LAUGHTER | 0:12:53 | 0:12:54 | |
JOE: You sound lovely. | 0:12:54 | 0:12:57 | |
What are you wearing? Bye. | 0:12:57 | 0:12:59 | |
APPLAUSE | 0:13:00 | 0:13:02 | |
You worked at mini-golf? Oh, yeah. What happened there? | 0:13:02 | 0:13:04 | |
Well, that place was a bit mental. | 0:13:04 | 0:13:07 | |
We had a boss there who was very sensitive and he would... | 0:13:07 | 0:13:12 | |
We had this procedure for a bomb threat. | 0:13:12 | 0:13:15 | |
And if somebody... | 0:13:15 | 0:13:17 | |
Cos everyone wants to bomb a mini-golf, don't they? | 0:13:17 | 0:13:21 | |
Al-Qaeda's primary target. "There's too much fun in the West!" | 0:13:21 | 0:13:24 | |
"We've done the Twin Towers, now the mini-golf!" | 0:13:24 | 0:13:28 | |
And we had this script and he would ring up every month or so | 0:13:28 | 0:13:32 | |
pretending to be a bomber. | 0:13:32 | 0:13:34 | |
So you'd have to ring up and go "Hello?" And he'd go, | 0:13:34 | 0:13:37 | |
"There's a bomb in the mini-golf " | 0:13:37 | 0:13:39 | |
And you had to go, "Hello, Steve " | 0:13:39 | 0:13:41 | |
Were you any good at playing mini-golf? No good at all. | 0:13:43 | 0:13:45 | |
I've got bad news for you, then | 0:13:45 | 0:13:46 | |
Because Greg has been up all night making you a mini-golf course. | 0:13:46 | 0:13:49 | |
He's was wearing his Tinie Tempah glasses at the time, | 0:13:49 | 0:13:52 | |
so it's not brilliant. | 0:13:52 | 0:13:53 | |
Do you want to play? Yeah! Let's go. | 0:13:53 | 0:13:55 | |
Excellent. Come on, Joe. | 0:13:55 | 0:13:57 | |
APPLAUSE | 0:13:57 | 0:13:59 | |
What we want you to do, we want you to hit the ball into either | 0:14:00 | 0:14:05 | |
Tinie's mouth, Caroline's mouth or your mouth | 0:14:05 | 0:14:07 | |
Now, it's literally impossible to get into Tinie's mouth from here. | 0:14:07 | 0:14:11 | |
Not the first time that's been said. I mean, I bloody try! | 0:14:11 | 0:14:15 | |
Give it a go. Can I just? | 0:14:15 | 0:14:19 | |
AUDIENCE GASP AND LAUGH | 0:14:20 | 0:14:22 | |
APPLAUSE | 0:14:22 | 0:14:26 | |
Yeah, you could do that. | 0:14:29 | 0:14:31 | |
I didn't realise that was ceramic. I thought... | 0:14:31 | 0:14:34 | |
Good job it wasn't the one with my grandad's ashes in it. Let's try this one. | 0:14:36 | 0:14:40 | |
No. OK. So what you have to do now you've got rid of... | 0:14:40 | 0:14:43 | |
I feel so alive after doing that! | 0:14:43 | 0:14:45 | |
I want to smash everything up! | 0:14:45 | 0:14:47 | |
OK. Watch out, Greg. | 0:14:47 | 0:14:49 | |
Just going to move those out of the way. | 0:14:49 | 0:14:52 | |
Yes! It was badly placed. | 0:14:52 | 0:14:54 | |
Let's try Flack. | 0:14:54 | 0:14:55 | |
Oh, I hit Flack, but it didn't get in her mouth! | 0:14:57 | 0:15:00 | |
LAUGHTER | 0:15:00 | 0:15:02 | |
Go a bit closer, if you like. | 0:15:02 | 0:15:04 | |
You're allowed as many strokes as it takes to complete. | 0:15:04 | 0:15:06 | |
LAUGHTER | 0:15:07 | 0:15:10 | |
I like you. | 0:15:10 | 0:15:12 | |
What I need to do is... | 0:15:13 | 0:15:15 | |
There we go. Is "I need to be treated like a baby." | 0:15:15 | 0:15:20 | |
CHEERING | 0:15:22 | 0:15:24 | |
OK, let's go over here and ask this question to Caroline. | 0:15:24 | 0:15:28 | |
Caroline, your new boyfriend Jack Street | 0:15:28 | 0:15:31 | |
is eight years younger than you | 0:15:31 | 0:15:34 | |
What are the benefits of going out with a younger man? | 0:15:34 | 0:15:37 | |
Umm... aren't really any benefits, really. | 0:15:37 | 0:15:40 | |
Is Jack Street eight years? | 0:15:40 | 0:15:42 | |
Oh, no, eight years younger. Sorry. | 0:15:42 | 0:15:44 | |
LAUGHTER | 0:15:44 | 0:15:45 | |
That would be weird. Yeah. It's good, thanks. | 0:15:45 | 0:15:48 | |
Does he have lovely, smooth skin? | 0:15:48 | 0:15:50 | |
LAUGHTER | 0:15:53 | 0:15:55 | |
And firm buttocks? | 0:15:55 | 0:15:57 | |
LAUGHTER | 0:15:57 | 0:15:59 | |
Some of the relationships you've had | 0:15:59 | 0:16:01 | |
have been quite high profile, haven't they? | 0:16:01 | 0:16:07 | |
Did it just go nuts? | 0:16:07 | 0:16:09 | |
It was strange, because it was. . | 0:16:09 | 0:16:12 | |
The weird thing with unconventional relationships is the only | 0:16:12 | 0:16:15 | |
problem with it is other people | 0:16:15 | 0:16:17 | |
And that's what you find. | 0:16:17 | 0:16:19 | |
Other people were a problem. Nothing else seemed to be a problem. | 0:16:19 | 0:16:22 | |
Did it make the relationship impossible in the end, | 0:16:22 | 0:16:24 | |
because of people's idiotic behaviour around it? | 0:16:24 | 0:16:27 | |
Yeah, completely impossible. It was just... Yeah. | 0:16:27 | 0:16:30 | |
There was the other thing that the papers gave you a hard time about. | 0:16:30 | 0:16:33 | |
Prince Harry. You like your Harrys. | 0:16:33 | 0:16:36 | |
LAUGHTER | 0:16:36 | 0:16:38 | |
Was that just a living hell? | 0:16:38 | 0:16:40 | |
It's very weird when they turn something that's | 0:16:40 | 0:16:42 | |
so personal to you into almost entertainment. | 0:16:42 | 0:16:45 | |
Do you know what I mean? It's not part of your job. | 0:16:45 | 0:16:48 | |
Relationships aren't part of your job. I know. So, yeah. | 0:16:48 | 0:16:50 | |
It becomes a little bit invasive. | 0:16:50 | 0:16:52 | |
All right, Joe, let's go back. Another question. | 0:16:52 | 0:16:55 | |
OK, going to pop this in Tinie Temp-on. | 0:16:55 | 0:16:58 | |
LAUGHTER | 0:16:58 | 0:16:59 | |
There we go, lovely. There we go. | 0:16:59 | 0:17:01 | |
APPLAUSE | 0:17:01 | 0:17:04 | |
So what's the question for Tinie? | 0:17:04 | 0:17:06 | |
Tinie, you wrote this tweet to Rihanna. | 0:17:06 | 0:17:09 | |
"Oooh! I wanna fuck you right now." | 0:17:09 | 0:17:13 | |
Did she go for it? | 0:17:13 | 0:17:15 | |
LAUGHTER | 0:17:15 | 0:17:16 | |
TINIE: No, unfortunately not. It's a lyric from one of her songs. | 0:17:16 | 0:17:20 | |
JOE: Oh. So, you didn't want to | 0:17:20 | 0:17:22 | |
TINIE: No, I do want to! But, no. I do want to. | 0:17:22 | 0:17:26 | |
But, no, it wasn't... | 0:17:26 | 0:17:27 | |
It was just a lyric from her song that I really liked at the time | 0:17:27 | 0:17:30 | |
JOE: Did she reply? Did she retweet, fav? Did she fav it? | 0:17:30 | 0:17:33 | |
TINIE: Yeah, she retweeted it. | 0:17:33 | 0:17:34 | |
JOE: She retweeted it? That's a good start, isn't it? | 0:17:34 | 0:17:37 | |
TINIE: Definitely. | 0:17:37 | 0:17:39 | |
JOE: Why didn't you follow it up at all? | 0:17:39 | 0:17:42 | |
TINIE: I was busy. Whatevs about Rihanna. Whatevs | 0:17:42 | 0:17:45 | |
Didn't you get a bit cosy with Cameron Diaz? | 0:17:45 | 0:17:47 | |
No, just a friendship one. | 0:17:47 | 0:17:49 | |
JOE: I want to know what celebrities everyone's fucked. | 0:17:49 | 0:17:51 | |
That's what I want to know! | 0:17:51 | 0:17:53 | |
Oh, we know Caroline's. | 0:17:53 | 0:17:54 | |
AUDIENCE GASP AND LAUGH | 0:17:54 | 0:17:56 | |
I don't think that deserves a clap. Soz, soz! | 0:17:56 | 0:18:00 | |
Oh, I got it straight in my own mouth! | 0:18:00 | 0:18:05 | |
Oh, OK. | 0:18:05 | 0:18:09 | |
"of the X Factor announcer, Peter Dixon. | 0:18:09 | 0:18:11 | |
"Can we hear it?" | 0:18:11 | 0:18:12 | |
We want to hear it. | 0:18:12 | 0:18:14 | |
CHEERING | 0:18:14 | 0:18:15 | |
Who is a contestant this year? | 0:18:15 | 0:18:17 | |
Oh, who is the really lovely one who is in the overs? What's her name? | 0:18:17 | 0:18:23 | |
Sam Bailey. Sam Bailey. | 0:18:23 | 0:18:25 | |
Live from London...it's Sam Bailey! | 0:18:25 | 0:18:30 | |
CHEERING AND APPLAUSE | 0:18:30 | 0:18:33 | |
They weren't expecting that. | 0:18:33 | 0:18:36 | |
My all-time favourite is Rachel Adedeji. | 0:18:36 | 0:18:39 | |
Rachel Adedeji! | 0:18:39 | 0:18:42 | |
We could literally do it all day. All day. | 0:18:42 | 0:18:45 | |
Greg James! | 0:18:45 | 0:18:47 | |
I tell you what would be brilliant, if you could just... Touch me! | 0:18:48 | 0:18:52 | |
Thank you very much. Thanks. We've got a special guest. | 0:18:54 | 0:18:57 | |
Dianna Agron's in the bloody spare room. Sorry. | 0:18:57 | 0:19:00 | |
Guys, help yourself to drinks. | 0:19:00 | 0:19:02 | |
Fitty in the spare room alert! | 0:19:02 | 0:19:04 | |
Hey. Hi. Hi. Dianne Agron from Glee. How are you doing? | 0:19:08 | 0:19:11 | |
Good, how are you? How are you settling in? | 0:19:11 | 0:19:14 | |
Yeah. It's good. | 0:19:14 | 0:19:15 | |
Seeing as you are here, it would be a bit of a wasted opportunity | 0:19:15 | 0:19:19 | |
if we didn't ask you a few questions. Is that OK? Sure. | 0:19:19 | 0:19:22 | |
First question, Dianna, which one of us do you fancy the most | 0:19:22 | 0:19:26 | |
Did you write these? You don't have to read all of them. | 0:19:26 | 0:19:29 | |
Maybe that was a bit much. | 0:19:29 | 0:19:30 | |
Next one. We all know you from Glee. Your new film is The Family. | 0:19:30 | 0:19:34 | |
Please tell us about your film My film is about a family. | 0:19:34 | 0:19:37 | |
They are a mob family and they are hiding out in Normandy | 0:19:37 | 0:19:40 | |
and trying to assimilate and it doesn't work very well. | 0:19:40 | 0:19:43 | |
Welcome to France. Try to fit in. | 0:19:43 | 0:19:45 | |
I'm getting tired of trying finding you a new place to live every 90 days. | 0:19:45 | 0:19:49 | |
Do we still have the same names We are the Blake family. | 0:19:49 | 0:19:52 | |
Anything to report? | 0:19:52 | 0:19:54 | |
Oops! | 0:19:55 | 0:19:56 | |
They obviously judge better than we do. | 0:19:56 | 0:19:59 | |
You're a maniac. Thank you. | 0:20:00 | 0:20:02 | |
When I watch that scene in the film, I was initially quite turned on | 0:20:02 | 0:20:08 | |
I was actually annoyed. | 0:20:08 | 0:20:13 | |
This is my grandfather's. | 0:20:13 | 0:20:15 | |
Mine was much more destroyed than that. | 0:20:15 | 0:20:18 | |
Got some French for you. | 0:20:18 | 0:20:19 | |
We'll read you a French sentence. | 0:20:19 | 0:20:21 | |
You can see if you can translate it. OK. | 0:20:21 | 0:20:23 | |
HE SPEAKS FRENCH | 0:20:23 | 0:20:25 | |
Back off, dog. No, I don't know what the first part is. | 0:20:25 | 0:20:29 | |
"Bring me something to drink or I'll kill the dog." | 0:20:29 | 0:20:33 | |
HE SPEAKS FRENCH | 0:20:33 | 0:20:37 | |
No. Real sentence. | 0:20:37 | 0:20:39 | |
"If my uncle shaves your uncle your uncle will be shaved." | 0:20:39 | 0:20:42 | |
That's not true. I actually use that when I'm away. Show me that card. | 0:20:42 | 0:20:46 | |
Yeah, no. | 0:20:46 | 0:20:48 | |
There are some notes on there about what I think about you. | 0:20:48 | 0:20:52 | |
"The only real language in the world is a kiss." | 0:20:52 | 0:20:55 | |
OK, the French for that is... | 0:20:57 | 0:20:58 | |
HE SPEAKS FRENCH | 0:20:58 | 0:21:00 | |
Greg, you wouldn't do it aggressive. | 0:21:00 | 0:21:02 | |
You wouldn't go up to somebody going, | 0:21:02 | 0:21:04 | |
"The only real language is a kiss." | 0:21:04 | 0:21:06 | |
Oh, you've wooed me, with your violent request. | 0:21:06 | 0:21:09 | |
So how would you say it then? | 0:21:09 | 0:21:11 | |
I would say it... | 0:21:11 | 0:21:13 | |
HE SPEAKS FRENCH SOFTLY | 0:21:13 | 0:21:14 | |
That's creepy. The pause was good too. | 0:21:14 | 0:21:17 | |
And then a creepy hand kiss, you know, when a bit of time comes out. | 0:21:17 | 0:21:20 | |
When a Frenchman does... "You look so beautiful." | 0:21:21 | 0:21:24 | |
That's the worst thing you've ever done. A tiny hand kiss. | 0:21:24 | 0:21:27 | |
That is gross. Dianna, thanks very much. Thanks for chatting to us | 0:21:27 | 0:21:31 | |
Thank you. Greg fancies you. | 0:21:31 | 0:21:32 | |
APPLAUSE | 0:21:34 | 0:21:36 | |
CHEERING | 0:21:41 | 0:21:44 | |
Good. Sorry about that. How fit was she? I had a full panic attack. | 0:21:45 | 0:21:49 | |
Now, Tinie, you are looking pretty sharp tonight. | 0:21:49 | 0:21:52 | |
You always look sharp. It's quite intimidating to be around you. | 0:21:52 | 0:21:55 | |
Cheers. You've even won awards for looking sharp, haven't you | 0:21:55 | 0:21:58 | |
Thanks, yeah. Are your glasses actually prescription... | 0:21:58 | 0:22:01 | |
Don't need them at all. | 0:22:01 | 0:22:02 | |
No, no. What? Yeah, I've said this many times | 0:22:02 | 0:22:08 | |
I've just realised that me and Joe actually look the same | 0:22:08 | 0:22:12 | |
We are the same human. Yeah, look. | 0:22:12 | 0:22:14 | |
We've got white sneakers... | 0:22:16 | 0:22:19 | |
although mine are dirty, soz. | 0:22:19 | 0:22:21 | |
And we've got our little dress jumpers. | 0:22:21 | 0:22:24 | |
So me and Russell are quite fascinated with your life. | 0:22:28 | 0:22:31 | |
We managed to sneak along with you. | 0:22:31 | 0:22:33 | |
You might not have realised we were there at the time. | 0:22:33 | 0:22:36 | |
If we look at you at the MOBOs Let's look at that. | 0:22:36 | 0:22:40 | |
We shrunk down. That is amazing | 0:22:40 | 0:22:42 | |
I can get these shrinking pills from a mate of mine in Essex. | 0:22:42 | 0:22:45 | |
We wanted a tiny slice of the Tinie life. | 0:22:45 | 0:22:47 | |
So we miniaturised ourselves and have been following you around. OK. | 0:22:47 | 0:22:50 | |
I reckon our favourite experience | 0:22:50 | 0:22:52 | |
was going to Radio 1's Big Weekend in 2010. | 0:22:52 | 0:22:55 | |
Yeah. I played in North Wales. We loved going there. | 0:22:55 | 0:22:58 | |
# Yeah, yeah... | 0:22:58 | 0:23:00 | |
Yeah, boy. Yeah! I'm in Tinie's pocket. | 0:23:05 | 0:23:09 | |
Come on, Greg, you dick. You are missing it. | 0:23:09 | 0:23:12 | |
What is this? Get into it. So hot and loud. | 0:23:14 | 0:23:18 | |
You have been in the pocket, you dick. Take these of. Argh! | 0:23:18 | 0:23:23 | |
Hey! What's going on? Hey, up there! He's going to leave the stage. | 0:23:26 | 0:23:29 | |
Argh! | 0:23:35 | 0:23:36 | |
Actually this is quite nice. | 0:23:38 | 0:23:40 | |
She threw her knickers. Look at the size of them! | 0:23:45 | 0:23:49 | |
Make some noise. | 0:23:55 | 0:23:57 | |
That was a gig! So weird. That was hilarious. | 0:24:00 | 0:24:03 | |
It's so weird cos I wear that same outfit on stage, as well. | 0:24:03 | 0:24:15 | |
Tinie, you have one more job. OK. | 0:24:15 | 0:24:18 | |
We need to hear that single. All right. | 0:24:18 | 0:24:20 | |
We love it. You've got John Martin here, as well. I have. | 0:24:20 | 0:24:23 | |
So to play us out tonight, it's Tinie Tempah with John Martin, | 0:24:23 | 0:24:25 | |
new single is Children Of The Sun. | 0:24:25 | 0:24:27 | |
CHEERING DROWNS SPEECH | 0:24:27 | 0:24:29 | |
# Lookin' for a light that can outshine the sun | 0:24:29 | 0:24:33 | |
# I know one day our time will come | 0:24:33 | 0:24:35 | |
# Bought a camera to capture these cinematic nights | 0:24:35 | 0:24:38 | |
# Still don't satisfy my appetite for this lavish life | 0:24:38 | 0:24:42 | |
# Tell me, Doctor, am I fit for all these flashing lights? | 0:24:42 | 0:24:45 | |
# Like Michael said, it doesn't matter if you're black or white | 0:24:45 | 0:24:48 | |
# Look at the colours that's under the sun above us | 0:24:48 | 0:24:51 | |
# All we have is each other | 0:24:51 | 0:24:52 | |
# In case you happen to wonder Let's go! | 0:24:52 | 0:24:55 | |
# Lay down your head | 0:24:55 | 0:24:56 | |
# You're not alone | 0:24:56 | 0:24:58 | |
# Anywhere you go, I'll follow | 0:24:58 | 0:25:01 | |
# Oh, we are the children of the sun | 0:25:01 | 0:25:04 | |
# That's all you need to know | 0:25:04 | 0:25:08 | |
# Lay down your head # Greg James | 0:25:08 | 0:25:10 | |
# You're not alone # Russell Kane | 0:25:10 | 0:25:11 | |
# Anywhere you go, I'll follow # Staying in! | 0:25:11 | 0:25:14 | |
# We are the children of the sun # John Martin | 0:25:14 | 0:25:18 | |
# That's all you need to know # Yeah | 0:25:18 | 0:25:20 | |
# Moonwalker like Michael | 0:25:20 | 0:25:22 | |
# Skywalk all over my rivals | 0:25:22 | 0:25:23 | |
# Both hands on that Bible | 0:25:23 | 0:25:25 | |
# Man, I'm next in line for that title | 0:25:25 | 0:25:26 | |
# Man, had nothing to do I was idle | 0:25:26 | 0:25:28 | |
# Was in the studio with Taio | 0:25:28 | 0:25:30 | |
# Now we're c-c-c-c-climbing high | 0:25:30 | 0:25:32 | |
# We ain't on no Kilimanjaro | 0:25:32 | 0:25:33 | |
# Now they p-p-p-p-panicking | 0:25:33 | 0:25:35 | |
# They don't really know what's happening | 0:25:35 | 0:25:37 | |
# Now we've got our clothes on a mannequin | 0:25:37 | 0:25:38 | |
# We don't want no comparison | 0:25:38 | 0:25:40 | |
# I overdosed on extravagance | 0:25:40 | 0:25:41 | |
# Went for gold and got platinum | 0:25:41 | 0:25:43 | |
# I told my bro to get an ambulance | 0:25:43 | 0:25:45 | |
# Cos I caught a cold and went spaz on 'em | 0:25:45 | 0:25:46 | |
# Yeah... | 0:25:46 | 0:25:48 | |
# How can home be where the heart is | 0:25:48 | 0:25:49 | |
# When your shadow even leaves you | 0:25:49 | 0:25:51 | |
# When you are in darkness? | 0:25:51 | 0:25:52 | |
# Still get stopped by Sergeant Pepper | 0:25:52 | 0:25:54 | |
# Looking for that Ziggy Stardust | 0:25:54 | 0:25:56 | |
# After a lifetime of regret | 0:25:56 | 0:25:57 | |
# I'm just looking for some answers Yeah | 0:25:57 | 0:26:00 | |
# Lay down your head | 0:26:00 | 0:26:01 | |
# You're not alone | 0:26:01 | 0:26:03 | |
# Anywhere you go, I'll follow | 0:26:03 | 0:26:06 | |
# Oh, we are the children of the sun | 0:26:06 | 0:26:09 | |
# That's all you need to know # That's all you need to know! | 0:26:09 | 0:26:13 | |
# Lay down your head | 0:26:13 | 0:26:14 | |
# You're not alone | 0:26:14 | 0:26:16 | |
# Anywhere you go, I'll follow | 0:26:16 | 0:26:19 | |
# We are the children of the sun # The children of the sun | 0:26:19 | 0:26:22 | |
# That's all you need to know | 0:26:22 | 0:26:25 | |
# I had opportunity at my window | 0:26:25 | 0:26:27 | |
# Wise words on my Kindle | 0:26:27 | 0:26:28 | |
# Disturbing London, we raise the bar | 0:26:28 | 0:26:30 | |
# Your team is stuck in limbo | 0:26:30 | 0:26:31 | |
# Like Freddie, Bruno Ringo | 0:26:31 | 0:26:33 | |
# I saw the signs and symbols | 0:26:33 | 0:26:35 | |
# With that top down on my yellow ride | 0:26:35 | 0:26:36 | |
# Let bitches hate on my bimbo | 0:26:36 | 0:26:38 | |
# I'm yards away from that milestone | 0:26:38 | 0:26:40 | |
# International dial tone | 0:26:40 | 0:26:41 | |
# Put me through Amaro when you Instagram on your iPhone | 0:26:41 | 0:26:44 | |
# From yellow bricks to them brownstones | 0:26:44 | 0:26:46 | |
# I ring bells, I'm household | 0:26:46 | 0:26:48 | |
# Look at all the rappers we out-sold, so shh... | 0:26:48 | 0:26:50 | |
# Keep your mouth closed | 0:26:50 | 0:26:51 | |
# And yeah | 0:26:51 | 0:26:52 | |
# How did I become so jaded? | 0:26:52 | 0:26:54 | |
# Maybe all these insecurities | 0:26:54 | 0:26:56 | |
# Are making me feel naked | 0:26:56 | 0:26:57 | |
# Feel like Harry did in Vegas | 0:26:57 | 0:26:59 | |
# Had my privacy invaded | 0:26:59 | 0:27:00 | |
# That's a liberty, a pity | 0:27:00 | 0:27:02 | |
# The epitome of what fame is | 0:27:02 | 0:27:04 | |
# P-P-Priests up in my parish | 0:27:04 | 0:27:05 | |
# Keep on putting me in their prayers | 0:27:05 | 0:27:07 | |
# Swear I'd never sell my soul | 0:27:07 | 0:27:08 | |
# My pride and dignity is too major | 0:27:08 | 0:27:10 | |
# Yeah | 0:27:10 | 0:27:11 | |
# We rarely ever get those second chances | 0:27:11 | 0:27:13 | |
# After a lifetime of regret | 0:27:13 | 0:27:15 | |
# I'm just looking for some answers Yeah | 0:27:15 | 0:27:17 | |
# Lay down your head | 0:27:17 | 0:27:19 | |
# You're not alone | 0:27:19 | 0:27:21 | |
# Anywhere you go, I'll follow | 0:27:21 | 0:27:24 | |
# Oh, we are the children of the sun I love the way that looks! | 0:27:24 | 0:27:28 | |
# That's all you need to know It's all you need to know | 0:27:28 | 0:27:30 | |
# Lay down your head | 0:27:30 | 0:27:32 | |
# You're not alone Yeah | 0:27:32 | 0:27:34 | |
# Anywhere you go, I'll follow Demonstration | 0:27:34 | 0:27:37 | |
# Out now! We are the children of the sun | 0:27:37 | 0:27:40 | |
# That's all you need to know. # | 0:27:40 | 0:27:44 | |
CHEERING | 0:27:50 | 0:27:53 | |
Subtitles by Red Bee Media Ltd | 0:27:59 | 0:28:03 |