Week 8 Strictly Come Dancing


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Last week our time travelling stars danced through the decades. And

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Wembley Arena erupted like never before. The dancers were trickier.

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The lifts were bigger. And with the competition so fierce,

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the scores were higher than ever. But, sadly, Richard discovered he

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only had a one-way ticket, leaving him stranded on his desert island.

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Now, just eight remain and surviving Wembley has made them the

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Give me some space! What do you want space for you might not be

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here next week. It doesn't matter. Easy for her to say when she is top

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Apology for the loss of subtitles for 44 seconds

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Live from Television Centre, please welcome your hosts, Sir Bruce

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She's never missed yet! I was going for that. We got there in the end.

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That's the main thing. What's all this? What is this? It's the lights,

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they're fabulous. Is that necessary?! Right, good evening,

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ladies and gentlemen, and children and welcome to Strictly Come

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Dancing. Is it necessary?! It's nice to see you, to see you...

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AUDIENCE: Nice! Yes, it's nice to see you, Bruce. Now this week we

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have two birthdays. Kimberley's birthday was on Tuesday and

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tomorrow it's Bruno's birthday. I thought I would buy both of them a

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birthday cake. I got Kimberley an angel cake because she is an angel.

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What did you get Bruno? A fruitcake. APPLAUSE

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. Better than nothing! A nutty fruitcake. Happy birthday to you...

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That's enough! Right. Is that necessary? It is! Last week we saw

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nine couples dancing through the decades at Wembley Arena. Behave!

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Despite performing their biggest routines we had to say goodbye to

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one couple and Richard and Erin left the competition. Our stars

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might be back on home ground here, but the pressure is still on. They

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get closer to the glitterball trophy. That's right. The

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competition's hotting up and tonight promises to be another

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night of sizzling ballroom. before... Now, that was necessary.

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Before they boil over, it's time to From girlband Girls Aloud, pop

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princess Kimberely Walsh and her partner Pasha Kovalev. From

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Westlife, Nicky Byrne and his partner Karen Hauer. Cricket legend

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Michael Vaughan and his partner Natalie Lowe. Soap star Lisa Riley

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and her partner Robin Windsor. Olympic gymnast Louis Smith and his

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partner Flavia Cacace. Star of CBBC's Tracy Beaker, Dani Harmer

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and her partner Vincent Simone. Presenter and performer Denise Van

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Outen and her partner James Jordan. And finally, Olympic gold medallist

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Victoria Pendleton and her partner APPLAUSE AND CHEERING

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They look so great. Yes. There they all are, and desise, what a start -

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- Denise what a start to your routine last week, carried in

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shoulder high with four hunky men in loincloths, we are pleased for

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you, Denise, but it's been a week now. Can we have them back? I

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thought that would go better than that, never mind! What a waste of

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five lines! Tonight our couples are hoping to score highly with the

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judges but now they're going to need your votes more than ever to

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stay in the competition. Those votes will then be combined with

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the judges' scores and the bottom two couples will be in the dreaded

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dance-off and one of them will leave the ballroom. AUDIENCE: Ah!

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Remember to prez -- press your red button for live commentary and

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joining her is Sara Cox. There they are F you fancy -- if you fancy

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hearing what they have to say, phres red now -- press red now.

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first couple is Dani Harmer and her partner, Vincent Simone. APPLAUSE

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AND CHEERING There they are. Well done. Dani is looking forward to

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when the series finishes so she can have a break. She's planning to go

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on one of them 18-30 holidays. I said, I once went on an 18-30

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holiday. She said, when was that? I just told you, 1830. Shut up! That

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wasn't funny! It was 1830. That's when the plane took off. 6.30 at

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night. They didn't know any of my sing-song numbers. I felt so alone.

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I am rambling. Here they are. Good, that's gone. Here they are in

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training. Performing at Wembley last Saturday

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was definitely the biggest thing I have ever done in my life. It was

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just absolutely amazing. You were fabulous. I didn't just get two 9s,

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I got four. I just performed at Wembley. We did. I forgot about

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you! I felt like one of the Spice Girls. This week we are going to be

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doing the samba. We are doing it to All The Single Ladies by Beyonce.

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So many things to remember. As a single lady I can connect with the

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song. I don't have time for the dating scene. Vincent is the only

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man in my life. The samba is all about performance and the energy.

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Welcome to Strictly speed dating. Let's start dating. Do I know you

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from somewhere? Hi, sweet cheeks. Time is up. Do you come here often?

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Innit. Hello, Bella, what is the matter?

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It looks like you have seen a ghost. Bella, Bella! You just fall asleep.

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I had the weirdest dream. I went speed dating and all my dates were

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you. That's not a weird dream. Dancing the samba, Dani Harmer and

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Apology for the loss of subtitles for 44 seconds

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APPLAUSE AND CHEERING Wonderful. Wasn't that wonderful?

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Dani, you have done it. And you are smiling. I am. That's wonderful.

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Great routine. To start the show off, that was wonderful. Now let's

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welcome our judges. Craig, Darcey and Len and Bruno. APPLAUSE AND

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CHEERING I don't know how to tell you but

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shock news, ladies and gentlemen, Craig said in the newspapers that

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he is thinking of taking a year off Strictly Come Dancing. CHEERING

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Please, is there anything I or anyone else can do to persuade to

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you change your mind? Make it longer! No need for any more of

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that, Brendan! I don't like hecklers, I deal with them in a

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nasty way. Len, what did you think? This was a party dance and I have

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to say, you got this party started. You came out and it was bubbly. I

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thought you were brave the way you started up there on your own. I

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loved the routine. Lots of basic stuff going on. Yet you kept that

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going. It was fabulous. Well done. It was lovely. I agree. Bruno?

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oh-! You won't be single for long. I will put a ring on it. It's

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charming and bubbly like babiesham. I was watching your feet, your heel

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so well placed. Amazing placement. The hip action, the bounce, I loved

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it. You could see the feet in the shadows then? I could. Nice to know.

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Craig? You are one hot little dancer, loved the bounce action.

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Fantastic arm placement. All those body ripples were done to

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perfection. I love all the quotations of Beyonce in there. A

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very, very tidy samba, darling. APPLAUSE I love the quotations. I

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didn't hear them say a thick! -- a thing! Darcey? The boys are right,

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Dani, extraordinary. Such a clean samba. Saw every move, the detail

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and everything, so clean. Loved it. Your attitude and confidence at

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this point in the competition is brilliant. I would only say in your

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running promenades, all these, I would finish off the Armstronger

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and cleaner -- armstronger and cleaner but I loved it. Thank you

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for a wonderful start and keep smiling!

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Come on! Our tiny, tidy dancers. What a way to kick off the show.

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Len said you got the party started. The samba is one of the more

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testing dances but you made it look easy. It's really hard. I thought

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it would be easy to begin with but there's a lot of technique.

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made it look easy. Can we have a bit of that again. Oh-oh! Look at

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that. She made it look really good. Brilliant. Full house of nines last

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week, are you pulling out the stops for a ten this week? We would love

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to. We wouldn't complain. Come on There we go. All the nines again.

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Great score. So happy. Great start. And you getting sexy on the dance

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floor. Trying. There's two ways to call and vote for your favourite

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couple. If you like them, you Don't call until lines open f you

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do your vote won't count and you might be charged. That's one down

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and seven to go. Oh-oh! I like it. Plenty more glitz in store,

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including Lisa and Robin and Michael is getting serious in the

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Argentina tango. Who is next, Bruce? Sorry! Next up - I am in a

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funny mood tonight. I hope it lasts. Right. Next up is Kimberley Walsh

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and her partner, Pasha Kovalev. APPLAUSE

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Now Kimberley, I hope you are watching, as it was your birthday

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on Tuesday, all the dancers in the show have clubbed together to buy

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That's enough! No, that's all I am doing. They only gave me a fiver.

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Here they are - that was hard work! Saturday night at Wembley was

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absolutely incredible. I was so, so nervous before our performance. But

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as soon as I started I just thoroughly enjoyed every second of

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it. You can certainly shake that tush. I hope there are people out

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there voting for you. When we heard we made it through... Kimberley and

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Pasha, you are through. I was very relieved as you could probably see.

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It was a good feeling. You are going, who are you to call me?

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really love the tango. It's a very passionate dance and quite fiery.

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It's about jealousy. It's about anger. You cannot just be nice and

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sweet. You really need to bring that part of the dance out in order

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for tango to be a tango. It was so good, why you start laughing? In

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real life she's very, very sweet girl. Here I am asking her to be

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that angry, jealous woman. It's quite hard to be angry at Pasha. If

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I can't get that character right on Saturday night, it could all fall

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apart and I can't let that happen. Dancing the tango, Kimberley Walsh

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Apology for the loss of subtitles for 44 seconds

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Kimberley and Pasha, look, look at that. I always like our dancers to

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look when they have a standing ovation. It's a wonderful moment.

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Some people take it the other way. A couple of weeks ago Tess

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introduced the singers by name which I thought was a very nice

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thing to do. So, let's welcome Hayley, Tommy, Andrea and Chris,

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there they are. Thank you. APPLAUSE Always your singing is so lovely.

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Not forgetting Dave Arch and Neal, Frank, Trevor, John, Paul, Simon

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and Andy. I can't do that every week! And his wonderful, wonderful

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orchestra! Come on! APPLAUSE AND CHEERING Bruno, you

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start us. Kim we arely -- Kimberley, the ultra vixen with a killer

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attitude. I haven't seen a mean pout since Joan Collins in Dynasty!

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Don't touch what you can't afford! Apart from the at - the attitude

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was great but the dance was brilliant as well. You were going

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for it. You are getting better and better. It was a fabulous standard.

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Did I see a slight wobble in the middle? Maybe I haven't. But I am

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telling you, it was great. Thank you. It was absolutely great.

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Well done both of you. Lovely. OK, Craig? Yes, you did see a slight

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wobble. Your feet sort of crashed into one another it seems,

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something happened. But I absolutely loved the drama at the

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top. You set the story of the dance up brilliantly. You told that story

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all the way through, which was fantastic. I love your hand shaping

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on Pasha's back there, the thumb was nicely placed into the crack of

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his... Armpit. It was lovely. think you better stop. You are

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getting yourself into a... Fabulous. Well done. APPLAUSE Darcey, bring

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us back to earth. It's true, the story-telling was wonderful. I

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loved your moody, pouting lady. Brilliant. You kept it all the way

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through. You didn't die there and the top line. The attack, brilliant.

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I loved it. Well done. What does Len think? I have to agree partly,

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because I loved the mood of it, Kimberley and Pasha and passion.

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Your hold goes in and out. It's a little bit loose sometimes.

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Sometimes it's very good. Then it all goes loose and comes back. That

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wasn't so good. You never did one heel lead so your feet were a

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little bit flat throughout. But the feel of the dance, the mood of the

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dance and the intensity of the dance was spot on. Absolutely

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marvellous. APPLAUSE Good criticism there. Thank you Kimberley Walsh

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and Pasha Bolangese! Well done, Kimberley. A standing

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ovation. I get a little hug every week. She's such a darling. It's

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lovely when they do that because they enjoyed it. They were on their

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feet. Such character and a real feisty tango from you and they're

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loving that moody pout. How did you get into character. I kept laughing

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all the time. We know, we are used to the smile. It's back! You look

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very good with the moody pout. Now a busy week for you with Girls

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Aloud. So busy, yeah. Have hu time for your usual training? I have

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been bringing Pasha wherever we go. Poor Pasha with all the girls in

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girls allowed! -- in Girls Allowed! He will be in the next video. The

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Joint highest score, is that right? It's our favourite, yeah. Good, if

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Kimberley's tango ticked the boxes for you, don't just sit back and

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think that's nice, pick up the phone and vote.

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All I ask is that you wait until everyone as danced before you call.

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Who is ready to wow us, Bruce? Our next couple is Victoria

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Pendleton and her partner, Brendan Cole. APPLAUSE Popular couple.

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Now, Victoria is struggling to cope with the fame she's been getting

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since she's been on this show. She was in a hurry and she cycled home

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last week and did the paparazzi didn't stop. On every street

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paparazzi photo after photo. I said, I don't think they were paparazzi,

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they were speed cameras. APPLAUSE Skap p -- she doesn't half belt

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along. Here they are in training. Wembley was a fantastic experience,

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flying in is a first for me, think for Wembley, as well. It's Wembley,

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it's time to do things differently. I wouldn't normally throw a bicycle

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into a paso doble. It was incredible. Your shoulders start

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creeping up, you have to keep those down. It was lovely of that person

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to stand up at that moment. I was very flattered by that. All right?

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This week we are dancing the salsa to Candy by Robbie Williams. My

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track record for Latin dances is pretty atrocious. But I have really

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enjoyed learning the salsa so far. Oh! Doesn't necessarily translate

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to what the judges see. What do we have to do to get you pumped and

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excited, what do you want? A puppy. The salsa is nothing without a

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little bit of of confidence. It's a show-boating dance. Overall, you

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have to sell it. I am not a sexy Latino dancer?! How does one answer

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this? I haven't had the best results in my Latin dances and I

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know my performances have been weak. However, I am going to put that

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behind me and see what happens and hope it's enough on the night.

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Apology for the loss of subtitles for 44 seconds

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Dancing the salsa, Victoria . APPLAUSE AND CHEERING

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Well, I tell you, that was reallying so! -- really something!

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The salsa Queen, Victoria. Will you hold that just a moment. You were

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dancing to a song called Candy, so before we meet the judges and hear

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their comments I thought we would try to sweeten them up a bit. Bruno,

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we have got you a lollipop. Thank you. Len, a humbug. LAUGHTER

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Nothing personal. I understand. Darcey, we have got you some

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lovehearts. You got the lovehearts! Get out! Craig, we got you a

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gobstoper. Thank you. APPLAUSE It's the thought behind it. You liked

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that. Craig, we start with you. Speaking of sweets, the prop Candy

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sticks had more fluidity. Is that it? Oh, that's it. It's working,

:31:26.:31:36.
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the gobstoper. Darcey. I was amazed you achieved all that armography. I

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like that word. What was brilliant is how you got together for all

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those lifts. You have the most amazing core. APPLAUSE

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. That might be because your core is so strong and you can see those

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muscles. That might distract from the hip action. That's the only

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thing that will make it difficult. But it was good. Very strong lady.

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APPLAUSE Len? It was a bit light. I am going

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to call you a light Victoria sponge. It needed more go in it, that was

:32:20.:32:24.

the main thing. I have to agree, the lifts were very good, very

:32:24.:32:33.

clean. You came out and worked it. A bit more oomph, that's all.

:32:33.:32:43.
:32:43.:32:48.

about Bruno? You look very fetching in pink Bren... Sorry! And you look

:32:48.:32:56.

gorgeous when you stand still, you are fabulous. The thing is you have

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so much to offer and you still don't deliver. It's all in the hips,

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the rhythm. It wasn't there. You have got to get - listen to this

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music. Get into it. Let yourself go. Feel it. It just doesn't happen. I

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don't understand why. I mean, look at you. You look amazing. Use it.

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Use all of those - all this that you have in the dance floor. I

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don't know, I am lost for words because it really defies belief.

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all loved it. The faces of people out there. Off you go, Victoria and

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Brendan. That's it, go, there you APPLAUSE Come here. Ready for a hug

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with me. Oh, dear dear. Amazing lifts, brave lifts. Did you enjoy

:33:51.:33:55.

yourself a little bit before they started. It was good. I don't know

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whether to laugh or cry. Tissue at the ready, just in case. No more

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tears, come on. It's tragic. I know it's tragic. And Craig says that,

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let's forget that. The judges were not bowled over. But you have got

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100% public support behind stphaou we have had it so far, it's been

:34:15.:34:18.

very nice. We are at the stage where everybody is really, really

:34:18.:34:24.

good. So good. We try our best. We had a nice week in training. We

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will keep going with a little bit of Candy, am I doing the wrong

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dance? You were having a blast until the judges started. It's been

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fun, I have enjoyed trying to shuffle around to the salsa. That's

:34:36.:34:46.
:34:46.:35:11.

all I can do. Try my best. She's All-time low? No, that cha-cha was

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rubbish, what are you talking about! Let's not go back to that,

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Brendan. You are going to need the public support. If you thought the

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salsa was sweet like Candy call: Lines open once all our couples

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have danced. If you call too soon the vote won't count and you may

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still be charged. Who is up next? Our next couple is Louis Smith and

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his partner Flavia Cacace. APPLAUSE AND CHEERING

:35:42.:35:46.

Yes, I knew you were looking forward to them. I am sure I don't

:35:46.:35:52.

need to remind you that Louis was a silver medallist in the Olympics

:35:52.:35:57.

and he is so good... APPLAUSE He is so good on the pommel horse. Mind

:35:57.:36:01.

you, I did see him make a mistake once. He slipped when he went to

:36:01.:36:10.

straddle it and he damaged his personal best. LAUGHTER That's an

:36:10.:36:14.

athletic term. Your personal best. I bet you haven't got one. Right,

:36:14.:36:22.

how dare you! Here they are in training.

:36:22.:36:26.

Last Saturday before I went on to dance I actually felt physically

:36:26.:36:33.

sick. I was so nervous about not being able to get to the end. We

:36:33.:36:39.

had a bad rehearsal, so on the live show it was as scary as the Olympic

:36:39.:36:43.

Games. I was disappointed because I know you can do it so well. It

:36:43.:36:49.

wasn't bad, but you can do better. The main thing is that the public

:36:49.:36:53.

kept us in and we have another chance this week. So let's make the

:36:53.:37:00.

most of it. This week we are dancing the paso

:37:00.:37:05.

doble. It's a very masculine dance. You mess around with a cape. We are

:37:05.:37:10.

dancing to Dirty Diana, Michael Jackson. Louis really likes this

:37:10.:37:15.

song and he is a big fan of Michael Jackson. And he can do a lot of the

:37:15.:37:21.

moves. Unfortunately, we can't really use those for the paso doble.

:37:21.:37:28.

It doesn't exist in any dance! is a heel lead back. We are not

:37:28.:37:36.

doing the moonwalk. Louis, we are doing the paso doble. Not the

:37:37.:37:41.

Michael Michael -- Jackson dance. Saturday night when that song comes

:37:41.:37:44.

on, I am really going to enjoy myself.

:37:44.:37:54.
:37:54.:37:54.

Apology for the loss of subtitles for 44 seconds

:37:54.:39:43.

Dancing the paso doble, Louis Smith . APPLAUSE AND CHEERING

:39:43.:39:48.

Come on, that is for you. I am not doing that for the audience. I am

:39:48.:39:52.

doing it for those dancers. You deserve to look at that when you

:39:52.:39:58.

have worked so hard. It's a wonderful moment. Darcey, start us

:39:59.:40:03.

off. Louis, you have it all to give but I lost the story-telling in

:40:03.:40:12.

that. It's true. The man has to be arrogant, forceful, passionate.

:40:12.:40:16.

the attitude wasn't there for me. And that was disappointing. I mean,

:40:16.:40:22.

you are clean and it's exact and precise, so overall, your shaping

:40:22.:40:27.

is good, I just missed the story. I wanted you to perform. I thought

:40:27.:40:30.

you were going to have fun with this. I really wanted you to have

:40:30.:40:35.

fun. Well, there we are. Len, what did you think? Well, it's not

:40:35.:40:38.

cupcakes and ice-cream. It's thunder and lightning, you have to

:40:38.:40:42.

come out and attack and perform. You got great lines, you have

:40:42.:40:47.

presence. You come out and you have great presence. This was - there

:40:47.:40:57.

was nothing going on. There was no fire in the blooming thing! Len is

:40:57.:41:01.

right. I agree. Of course, you have the lines, you can produce

:41:01.:41:05.

beautiful shapes. But it's what's behind it, we should be left

:41:05.:41:11.

breathless. It's all about blood, it's about killing, revenge. All

:41:11.:41:20.

strong passions and you have to - it's a paso doble, it's based on

:41:20.:41:24.

the Matador, it's a fight to the death. That's what you have to

:41:24.:41:31.

produce. Please, come back and do it. What were you going to say?

:41:31.:41:35.

much talk about blood, I wondered what time the show was going out.

:41:35.:41:41.

With kids watching. I was wondering the same thing. When is it going

:41:41.:41:47.

out?! Craig, you finish. We might be live, darling. In order for to

:41:47.:41:52.

you actually move up the judges' leaderboard, you have to learn to

:41:52.:41:58.

act these dances. You can go no further with us unless you give

:41:58.:42:02.

yourself up. Well, the audience are taking it for the lovely dance that

:42:02.:42:08.

it was, but you have something to work on. Take it all in. Off you go.

:42:08.:42:18.
:42:18.:42:22.

APPLAUSE Come on, Louis, we got a standing

:42:22.:42:29.

ovation. They all absolutely loved it. APPLAUSE AND CHEERING

:42:29.:42:33.

I mean, the judges, blood aside, they say you have got it, can you

:42:33.:42:37.

give yourself up to it? They want to you give yourself up to it.

:42:37.:42:42.

That's the most vicious you have seen you all week. I am a nice

:42:42.:42:47.

person, you know. I thought I at least got into it a little bit.

:42:47.:42:52.

is not vicious at all. You are also not a a performer by trade. This is

:42:52.:42:58.

all new to you. Can you give the judges what for, Louis? I will try!

:42:58.:43:08.
:43:08.:43:27.

27. Interesting. Yeah, interesting. Was it well deserved? Do you agree

:43:27.:43:37.
:43:37.:43:39.

with the judges? If the paso set Let's see how much he has got to

:43:39.:43:43.

give us next week. I reckon he has a lot more. Don't call until lines

:43:43.:43:46.

open. It's been a night of incredible performances tonight and

:43:47.:43:51.

it's not over yet. Back to you, Bruce.

:43:51.:43:57.

Now our next couple, Lisa Riley and her partner, Robin Windsor.

:43:57.:44:03.

APPLAUSE I don't know about you, but I love

:44:03.:44:07.

their disco routine last week. After the show, I told Lisa there

:44:07.:44:13.

was only one disco song that summed up my last ten years. She said,

:44:13.:44:22.

Saturday Night Fever? I said, no, Staying Alive. Shut up! Don't be

:44:22.:44:32.
:44:32.:44:32.

like that! APPLAUSE Here they are in training. The performance level

:44:32.:44:39.

is great. You make everyone feel fabulous. It was big, it was bold.

:44:39.:44:45.

It was beautiful. If it was possible I could bottle the emotion

:44:46.:44:52.

that I felt on Saturday, I would sell it to everybody. Enjoy this,

:44:52.:44:59.

look at this! It's the best feeling I have ever had in my life. This is

:44:59.:45:04.

all for you and Robin. To say I was overcome is such an understatement.

:45:04.:45:11.

The tears came. That was pure, pure emotion. This week we are dancing

:45:11.:45:19.

the rumba, to the song As If We Never Said Goodbye. I love working

:45:19.:45:28.

with Lisa because she works so hard. She would work 24-7 if she could.

:45:28.:45:36.

Do you not think we should work... You have got it. See you. Now, what

:45:36.:45:46.
:45:46.:45:54.

about my hip twists? I will see you Robin, one more thing... All right,

:45:54.:46:04.
:46:04.:46:04.

if you are going to be like that. Dancing the rumba, Lisa Riley and

:46:04.:46:14.
:46:14.:46:14.

Apology for the loss of subtitles for 44 seconds

:46:14.:48:02.

Lovely, lovely. That was beautiful. I love the pointed toe at the end.

:48:02.:48:06.

I could have watched that for hours. Len? I liked some of the detail,

:48:06.:48:10.

the forward walks that you did at the start. I liked the - the

:48:10.:48:14.

feeling of the dance for me wasn't there. It wasn't exciting so I

:48:14.:48:18.

can't get excited about it, unfortunately. That's a shame.

:48:18.:48:25.

Bruno? Yeah, I mean, it was nice. It was stylised and surprisingly

:48:25.:48:32.

understated from you. I think we were expecting something more fiery,

:48:32.:48:40.

Norman -- Norma Desmond. Nice, but not overwhelming. You just played

:48:40.:48:50.
:48:50.:48:51.

it down a bit. Craig? It was tempestuous and it lost its

:48:51.:48:54.

sensuality. That's what I really thought. I don't think it's a dance

:48:54.:48:59.

that suits you. But what you did do was, I thought, you danced it well.

:48:59.:49:06.

But it doesn't suit you. And coming from him, that was good. Darcey?

:49:06.:49:12.

is so true, it's so hard to sustain those slow moves, the stroking of

:49:12.:49:16.

the floor, the caressing and that's hard for you because sour brilliant

:49:16.:49:21.

in the hrat -- because you are so brilliant in the Latin. This isn't

:49:21.:49:31.
:49:31.:49:35.

your dance, sadly. Every dance doesn't suit every person. No.

:49:35.:49:39.

will be back with all that. Thank you.

:49:39.:49:47.

APPLAUSE Why are you shaking your head?

:49:47.:49:53.

Because they said it was beautiful. Seriously, they were all cheering

:49:53.:49:57.

up here. I really enjoyed it and I did try and find my inner actress

:49:57.:50:01.

and everything and they didn't see that. But not to worry. You really

:50:01.:50:06.

are like best mates. That's your relationship. Did you struggle to

:50:06.:50:11.

find the romance? No, who wouldn't love that every day? But we have a

:50:11.:50:15.

laugh and we love the giddy side of stuff. But I wanted to bring that

:50:15.:50:19.

emotion tonight and it's a shame they didn't see it. But we tried.

:50:19.:50:27.

We tried. Eight weeks in now, Lisa. What is the reaction like from

:50:28.:50:32.

people on the street? It's crazy. We go for a coffee and it's like,

:50:32.:50:41.

we love you, Lisa and Robin. It's lovely. We are so grateful for

:50:41.:50:51.
:50:51.:51:06.

everyone supporting us. The scores Could be worse. The judges have

:51:06.:51:11.

been harsh with their scores. If Lisa's dance has pushed your

:51:11.:51:19.

buttons and you want to show your appreciation call:

:51:19.:51:26.

Don't do anything until I tell you. If you want exclusive gossip, we

:51:26.:51:29.

have photos and you can check us out on Facebook and Twitter. Who is

:51:29.:51:32.

next, Bruce? Our next couple is Michael Vaughan

:51:32.:51:40.

and his partner, Natalie Lowe. APPLAUSE AND CHEERING

:51:40.:51:45.

Yes, Michael has been teaching Natalie some cricketing terms. She

:51:45.:51:49.

wanted to show me what she learned. She said, on my left, that's the

:51:49.:51:54.

leg-side. On my right, that's the off-side. I said what's behind you?

:51:54.:52:01.

She said, my backside. I didn't explain the fine leg, I wasn't

:52:01.:52:09.

going there. Here they are in training.

:52:09.:52:13.

Saturday night at Wembley was the most unbelievable night. When I

:52:13.:52:18.

finished New York New York, I could see everyone was starting to stand

:52:18.:52:22.

up. I never thought in a million years that I would get a standing

:52:22.:52:28.

ovation at Wembley for dancing. was the most incredible feeling.

:52:28.:52:33.

It's one of my highlights in my life. Who would believe that six

:52:33.:52:43.
:52:43.:52:44.

weeks ago you nearly left this competition? Look at you now!

:52:44.:52:49.

A fitting finale for a fantastic night. This week we are doing the

:52:49.:52:57.

Argentine tango. This is all about you being really intimate. It's so

:52:57.:53:01.

much sensuality. I want to you be more Latin lover. What about that?

:53:01.:53:08.

No. Not sexy? Dreadful. It's there, I just have to bring it out in him.

:53:08.:53:15.

The Sheffield lad has to produce sexiness this week. Ole, Natalie!

:53:15.:53:22.

That's more like it. I am going to take you to Buenos Aires. Lovely

:53:22.:53:28.

dish. A chip? Saturday night I have to forget Sheffield. I have to get

:53:28.:53:35.

into Argentina. Come on. Hello! It's got to be hot.

:53:35.:53:45.
:53:45.:53:45.

Apology for the loss of subtitles for 44 seconds

:53:45.:55:27.

Dancing the Argentine tango, . APPLAUSE AND CHEERING

:55:27.:55:34.

Right. OK, Bruno, straight in with you? Michael, the look of painful

:55:34.:55:38.

concentration on your face. That wasn't sexy, looked like you were

:55:38.:55:42.

passing a kidney stone. It wasn't sexy. It wasn't sensual. It was

:55:42.:55:48.

like a series of steps. It was sexy if you watch a broomstick. There

:55:48.:55:51.

was no relationship at all. You were concentrating so much in

:55:51.:55:58.

trying to get through the routine that it lost any sense of sexuality

:55:58.:56:02.

and fluidity. It was a series of steps. You tried hard but it didn't

:56:02.:56:09.

come to an Argentina tango, for me. There you go. OK. Craig? For me

:56:09.:56:13.

basically I think it lacked any sort of resistance and lead. It's

:56:13.:56:18.

the man's job to lead the dance and indicate to the woman how to

:56:18.:56:24.

respond to it. I didn't feel that was happening and that happens in

:56:24.:56:34.
:56:34.:56:43.

It didn't look like an Argentine tango. Darcey, can you add to that?

:56:43.:56:48.

Michael, you are such an attentive partner. You concentrate on Nat,

:56:48.:56:50.

it's brilliant. The concentration and then obviously how hard you

:56:50.:56:57.

have worked, but again I also missed that domineering man that

:56:57.:57:01.

the - you have to be hungry and passionate for her. You were

:57:01.:57:06.

concentrating so much on the move. Beautiful ease into the lifts.

:57:06.:57:12.

Marvellous. And you create some lovely lines and everything. I

:57:12.:57:17.

think the concentration on her, but you have to be more arrogant.

:57:18.:57:27.
:57:28.:57:29.

ar tkpwabt -- or tkpwapbt. Work on the -- more or tkpwapbt. Work on

:57:29.:57:34.

the arrogant. There's two parts to every routine. Part one you learn

:57:34.:57:39.

the dance. Part two, you come out and perform it. OK. Maybe the

:57:39.:57:43.

performance was lacking a little bit. But it was a full routine. The

:57:43.:57:49.

lifts were good. That drag across. The spin on the tphror. There was

:57:49.:57:53.

so -- on the floor. There was so much good going on. Sometimes these

:57:54.:57:57.

people - maybe I am the same as well, you get overwhelmed by one

:57:57.:58:01.

thing. Craig talks about you have to lead the dance. The man leads

:58:01.:58:08.

every dance. Why don't you talk about everyone leading the dance?

:58:08.:58:11.

It's actually not about that, I was talking about this particular dance.

:58:11.:58:17.

The woman reacts... Virtually none of the men lead any of the pro

:58:17.:58:24.

girls because they don't know how to. For your information...

:58:24.:58:30.

APPLAUSE Hold on. I think it's the car park afterwards. Every man for

:58:30.:58:37.

himself. We finished on Len, that was good. Thank you, Len. That gave

:58:37.:58:45.

you heart. Off you go. APPLAUSE

:58:45.:58:51.

Here he is, the Latin love God. The judges have been tough tonight.

:58:51.:58:56.

They're expecting so much. amazing, we did come out of a turn

:58:56.:58:59.

early so we were trying to hold the rest of the routine back. You are

:58:59.:59:04.

amazing. I can't believe we have created an argument between Len and

:59:04.:59:07.

Craig. That's an achievement. you were in the dance-off in week

:59:07.:59:13.

three you have come so far. How does it feel when you go out there

:59:13.:59:17.

and dance? It's great. I did make a couple of mistakes tonight but the

:59:17.:59:20.

competition is that good now that you know if you make mistakes it

:59:20.:59:26.

could be your last week. I will try my best each week. Spending a week

:59:26.:59:31.

dancing like that, it's not the hardest thing to do. And those

:59:31.:59:41.
:59:41.:59:51.

lifts spectacular. Signature lifts. It's not the highest score but it

:59:51.:00:01.
:00:01.:00:11.

isn't your lowest. Don't let this Lines open later. I will tell you

:00:11.:00:17.

when. What is in store next, Bruce? Next is couple number seven, I

:00:17.:00:24.

think. If you are counting. Nicky Byrne and his partner, Karen Hauer.

:00:24.:00:34.

APPLAUSE Now last week before Nicky's

:00:34.:00:38.

Jailhouse Rock number, he said I don't want you doing any stupid

:00:38.:00:41.

catchphrases before I dance. I am taking on a very serious role. I

:00:41.:00:46.

said, don't worry, I won't. What role are you taking on? He said I

:00:46.:00:50.

am a prisoner and I am serving hraoeufp. I said, oh, life, is the

:00:50.:00:57.

name of the game and I wanna play the game with you! APPLAUSE I don't

:00:57.:01:03.

know why I did that. I know, Len, you didn't have to make a face.

:01:03.:01:09.

Here they are in training. To be a part of Strictly Come

:01:10.:01:13.

Dancing at Wembley was up there with the highlights of my career so

:01:13.:01:17.

far. I genuinely loved going back. It was one of the best nights of my

:01:17.:01:26.

life. Everybody loves a rebel! danced as best I could and all of a

:01:26.:01:30.

sudden I found myself in the bottom two. It was like absolutely gutting.

:01:30.:01:33.

But I dug as deep as I could and went for it. I had never seen this

:01:33.:01:37.

side of Nicky, the side that is really fighting to be part of

:01:37.:01:41.

Strictly. I am going to save Nicky and Karen. It just switched

:01:41.:01:46.

something in me right now because I was that close to going home. I

:01:46.:01:52.

need to nail this this week. The charl London seems like a --

:01:52.:01:56.

Charleston seems like a fun dance. Might be the dance I need. This

:01:56.:02:00.

week is going to be never-ending because we are going to live in the

:02:00.:02:06.

dance studio. Today I brought in the harshest critics of all, I have

:02:06.:02:11.

my kids and nieces and nephews, they're playing the role of Len,

:02:11.:02:16.

Craig, Darcey and Bruno. What did you think? I thought it was

:02:16.:02:25.

brilliant. What did you think? He seemed to morph into Craig.

:02:25.:02:32.

was a disaster, darling! It's amazing to get the kids' feedback.

:02:32.:02:36.

It makes me feel even more up for the challenge. I have done the hard

:02:36.:02:42.

work and I am going to give it some now on Saturday night.

:02:42.:02:52.
:02:52.:02:52.

Apology for the loss of subtitles for 44 seconds

:02:52.:04:40.

Dancing the Charleston, Nicky Byrne You have done it! They are standing

:04:40.:04:48.

for you two. Look at them. So you can see what the audience are doing.

:04:48.:04:53.

I don't know what the judges think, but that was the quickest

:04:53.:04:57.

Charleston I ever hard, the quickest. Craig, start us off.

:04:58.:05:01.

wasn't a disaster, darling, you will be pleased to know. That

:05:01.:05:08.

suited you down to the ground. That is your best yet.

:05:08.:05:14.

APPLAUSE Well done, Nicky. With a little help. Darcey? It was magic!

:05:14.:05:21.

I loved it. You look like you just come off that movie, The Artist.

:05:21.:05:29.

Fabulous. It was quirky, fun. Loved it. It was. Len? I like the set-up,

:05:29.:05:37.

the damsel in distress. There was no distress, you were the no-stress

:05:37.:05:40.

distress. Bottom two last week. You are going to be top two this week.

:05:40.:05:48.

How about that! Keep it going, Bruno. It was character-driven,

:05:48.:05:54.

funny, energising and some of the steps were brilliant. Some you went

:05:54.:05:59.

a bit hip hop. But never lost the Charleston. Imaginative, fresh,

:05:59.:06:04.

brilliant. Be pleased with yourself. Lovely choreography. Go on, off you

:06:04.:06:14.
:06:14.:06:20.

APPLAUSE AND CHEERING Yes, Nicky! A standing ovation.

:06:20.:06:25.

never knew what that was like before. It's good, isn't it?!

:06:25.:06:30.

judges said they loved it. You wanted to nail it this week. He has

:06:30.:06:34.

been practising all night. He hasn't stopped practising up here

:06:34.:06:39.

with Karen. You wanted to come back strong. I needed to. It's not nice

:06:39.:06:42.

being down there. This week was tough, it was busy. To have the

:06:42.:06:49.

kids in was great and I think, Jay was Bruno. They got me going.

:06:49.:06:53.

They're gorgeous! Craig said your best dance yet. Let's hope he gives

:06:53.:07:03.
:07:03.:07:23.

you more than a six. The scores are APPLAUSE AND CHEERING Yes! Get in,

:07:23.:07:27.

says Nicky. Your highest score by a mile. Joint top of the leaderboard,

:07:27.:07:33.

how does that feel? Is this rehearsals? This is real! Nicky was

:07:33.:07:39.

in the dance-off next week, he does not want to be back there. If his

:07:39.:07:45.

footwork impressed you u call -- impressed you, call and give him

:07:45.:07:50.

your vote. There's only one more couple to go.

:07:50.:07:53.

How exciting was that Charleston? It was brilliant. Who is next,

:07:53.:07:57.

Bruce. Well done, Nicky. Our next couple

:07:57.:08:01.

is Denise van Outen and her partner, James Jordan.

:08:01.:08:06.

APPLAUSE AND CHEERING What about last week with those

:08:06.:08:11.

two? A great dance last week. Last week they scored an almost perfect

:08:11.:08:15.

39. I thought I would ask Craig some questions. I said to him, what

:08:15.:08:24.

do you play at a bowling alley? He said, nine pin bowling. I said,

:08:24.:08:28.

what did Moses bring down from the mountain? He said, the nine

:08:28.:08:32.

commandments. I said, where does the Prime Minister live? He said,

:08:32.:08:39.

number nine Downing Street. I knew it. He doesn't know what a ten is!

:08:39.:08:48.

APPLAUSE Here they are in training. To be at Wembley and it was such a

:08:48.:08:54.

brilliant buzz in the arena and the crowd were going crazy. That's the

:08:54.:08:57.

dance of the series. The best Charleston I have ever seen on

:08:57.:09:02.

Strictly. It was just like living in auto dream. It was amazing --

:09:02.:09:07.

living in a dream. It was amazing. The highest score on the series.

:09:07.:09:10.

The danger is when you get high scores you do feel there is a lot

:09:10.:09:13.

more pressure on you and as the weeks go on I do find myself

:09:13.:09:19.

getting more nervous. Our next dance is the American

:09:19.:09:28.

smooth. It's a more showy dance. You are allowed to do three lifts.

:09:28.:09:33.

Ouch! My arm was about to hit James' face, so he ducked to get

:09:33.:09:39.

out of the way. I did panic and thought I I really hurt myself but

:09:39.:09:41.

actually I am all right and hopefully it's knocked some sense

:09:41.:09:47.

into me. The scary thing is that lift isn't actually that dangerous,

:09:47.:09:53.

it's the one at the end that's dangerous. You haven't got me!

:09:53.:09:59.

your arms forward. He has had this lift go wrong before where he got a

:09:59.:10:04.

broken nose. Keep turning. It's a really difficult lift. Bearing in

:10:04.:10:08.

mind I have been doing it with Ola for years, I am asking and

:10:08.:10:12.

expecting Denise to do that lift in four days. It could go really

:10:13.:10:19.

horribly wrong. Dancing the American smooth, Denise

:10:19.:10:29.
:10:29.:10:29.

Apology for the loss of subtitles for 44 seconds

:10:29.:12:15.

APPLAUSE AND CHEERING Beautiful. Come on. What about it?

:12:15.:12:22.

There you are, Denise and James, look. Look at the audience. You

:12:22.:12:29.

have won them over beautifully. Two weeks running. I saw that bump on

:12:29.:12:34.

the head. I know. I had never seen that before. That was terrifying.

:12:34.:12:40.

You are very gutsy, I must say. Darcey? Denise, that was graceful,

:12:40.:12:49.

musical. You are a pleasure to watch. In those difficult lifts

:12:49.:12:52.

it's extraordinary how effortless you make them, I know James is part

:12:52.:12:58.

of that, but you make it seamless and you could create beautiful

:12:58.:13:03.

lines in all those lifts and sailed around that floor. Beautiful.

:13:03.:13:08.

are so right. Len, did you agree? did. It was like the sea, there was

:13:08.:13:12.

wave after wave of effortless motion. I thought it was wonderful.

:13:12.:13:15.

A couple of foot things happened during the course of it, but the

:13:16.:13:25.

look of it was class. You are really so good. Bruno? The smooth

:13:25.:13:32.

and weightless quality of the finest silk, seamless flow of

:13:32.:13:42.

movement. Emotional connection. For me, it was perfection. Thank you!

:13:42.:13:48.

So glad that's your last one! Craig? James, your thumb was up on

:13:48.:13:53.

occasion, your bottom was sticking out. You lacked any rise and fall.

:13:53.:14:03.
:14:03.:14:05.

Denise, you were perfect. You got him there! Another triumph. He was

:14:05.:14:10.

expecting a taxi. My mum told me to be nice this year, so I am going to

:14:10.:14:17.

stay quiet. Yes, that is better that you stay quiet. Such praise

:14:17.:14:26.

was wonderful and you really are a great couple of dancers. Off you go.

:14:26.:14:34.

APPLAUSE AND CHEERING Beautiful routine. Another standing

:14:34.:14:40.

ovation. Bruno said it was perfection. I know, that's amazing.

:14:40.:14:44.

I am just glad I didn't fall on my head. The lifts were so brave, I

:14:44.:14:48.

was nervous watching you. I was nervous, as well. Four days to do a

:14:48.:14:52.

lift that you have been doing for years, that takes skill. It does, I

:14:52.:14:58.

am very good! Just kidding. Amazing score last week, three tens. Does

:14:58.:15:01.

that add to the pressure to maintain that? Yeah, it does. I

:15:01.:15:04.

don't know if we can top that. I don't think we will this week.

:15:04.:15:14.
:15:14.:15:28.

Shall we have a look? The scores Got one at the end there! Well done.

:15:28.:15:32.

Incredible score. So happy. Len was right, you know, when we were doing

:15:32.:15:35.

one of the turns our feet got caught. So the judges know what

:15:35.:15:41.

they're looking at. We did make a couple of mistakes. A little wobble.

:15:41.:15:44.

We didn't notice up here. You know, we are happy with that score. It's

:15:45.:15:48.

fantastic. Really pleased. Imagine Denise getting through next week

:15:48.:15:58.
:15:58.:16:02.

because the only way to make sure Get your fingers flexed up ready to

:16:02.:16:08.

dial because lines are going to be opened in mere moments. What a way

:16:08.:16:13.

to finish. All our couples have danced, how does the leaderboard

:16:13.:16:23.
:16:23.:16:27.

All our stars are going to need your votes. Nobody is safe without

:16:27.:16:34.

you. What are you waiting for? The phone lines are now open! CHEERING

:16:34.:16:44.
:16:44.:16:51.

They're excited about that. The I am giggling because I can hear

:16:51.:16:55.

Brendan behind me! Here is a reminder of tonight's performances

:16:55.:17:05.
:17:05.:17:05.

Apology for the loss of subtitles for 44 seconds

:17:05.:19:22.

Thank you all so much. You have given us such a fantastic show.

:19:22.:19:26.

Wasn't it great? Our eight remaining stars have done all they

:19:26.:19:29.

can. Now they need your votes if they're going to stay. Remember,

:19:29.:19:34.

lines close at 8.30pm tonight -- 8.20pm tonight. Get dialling.

:19:35.:19:38.

two couples with the lowest scores will face each other in the dreaded

:19:38.:19:44.

dance-off and then the judges will decide which one of them will leave

:19:44.:19:48.

the Strictly ballroom. We will also be joined by the hottest band to

:19:49.:19:53.

come out of Ireland since Westlife, obviously, Nicky, The Script will

:19:53.:19:59.

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