Browse content similar to Week 8. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Last week our time travelling stars danced through the decades. And | :00:13. | :00:21. | |
Wembley Arena erupted like never before. The dancers were trickier. | :00:21. | :00:26. | |
The lifts were bigger. And with the competition so fierce, | :00:26. | :00:33. | |
the scores were higher than ever. But, sadly, Richard discovered he | :00:33. | :00:38. | |
only had a one-way ticket, leaving him stranded on his desert island. | :00:39. | :00:44. | |
Now, just eight remain and surviving Wembley has made them the | :00:44. | :00:54. | |
:00:54. | :01:26. | ||
Give me some space! What do you want space for you might not be | :01:26. | :01:31. | |
here next week. It doesn't matter. Easy for her to say when she is top | :01:31. | :01:41. | |
:01:41. | :01:41. | ||
Apology for the loss of subtitles for 44 seconds | :01:41. | :02:26. | |
Live from Television Centre, please welcome your hosts, Sir Bruce | :02:26. | :02:36. | |
:02:36. | :02:47. | ||
She's never missed yet! I was going for that. We got there in the end. | :02:47. | :02:52. | |
That's the main thing. What's all this? What is this? It's the lights, | :02:52. | :02:58. | |
they're fabulous. Is that necessary?! Right, good evening, | :02:58. | :03:01. | |
ladies and gentlemen, and children and welcome to Strictly Come | :03:01. | :03:05. | |
Dancing. Is it necessary?! It's nice to see you, to see you... | :03:05. | :03:12. | |
AUDIENCE: Nice! Yes, it's nice to see you, Bruce. Now this week we | :03:12. | :03:16. | |
have two birthdays. Kimberley's birthday was on Tuesday and | :03:16. | :03:24. | |
tomorrow it's Bruno's birthday. I thought I would buy both of them a | :03:24. | :03:31. | |
birthday cake. I got Kimberley an angel cake because she is an angel. | :03:31. | :03:36. | |
What did you get Bruno? A fruitcake. APPLAUSE | :03:36. | :03:46. | |
:03:46. | :03:46. | ||
. Better than nothing! A nutty fruitcake. Happy birthday to you... | :03:47. | :03:55. | |
That's enough! Right. Is that necessary? It is! Last week we saw | :03:55. | :04:00. | |
nine couples dancing through the decades at Wembley Arena. Behave! | :04:00. | :04:03. | |
Despite performing their biggest routines we had to say goodbye to | :04:03. | :04:08. | |
one couple and Richard and Erin left the competition. Our stars | :04:08. | :04:15. | |
might be back on home ground here, but the pressure is still on. They | :04:15. | :04:19. | |
get closer to the glitterball trophy. That's right. The | :04:19. | :04:23. | |
competition's hotting up and tonight promises to be another | :04:23. | :04:32. | |
night of sizzling ballroom. before... Now, that was necessary. | :04:32. | :04:42. | |
:04:42. | :04:47. | ||
Before they boil over, it's time to From girlband Girls Aloud, pop | :04:47. | :04:49. | |
princess Kimberely Walsh and her partner Pasha Kovalev. From | :04:49. | :04:53. | |
Westlife, Nicky Byrne and his partner Karen Hauer. Cricket legend | :04:53. | :04:58. | |
Michael Vaughan and his partner Natalie Lowe. Soap star Lisa Riley | :04:58. | :05:02. | |
and her partner Robin Windsor. Olympic gymnast Louis Smith and his | :05:02. | :05:07. | |
partner Flavia Cacace. Star of CBBC's Tracy Beaker, Dani Harmer | :05:07. | :05:11. | |
and her partner Vincent Simone. Presenter and performer Denise Van | :05:11. | :05:16. | |
Outen and her partner James Jordan. And finally, Olympic gold medallist | :05:16. | :05:26. | |
:05:26. | :05:33. | ||
Victoria Pendleton and her partner APPLAUSE AND CHEERING | :05:33. | :05:41. | |
They look so great. Yes. There they all are, and desise, what a start - | :05:42. | :05:46. | |
- Denise what a start to your routine last week, carried in | :05:46. | :05:50. | |
shoulder high with four hunky men in loincloths, we are pleased for | :05:50. | :05:54. | |
you, Denise, but it's been a week now. Can we have them back? I | :05:54. | :05:59. | |
thought that would go better than that, never mind! What a waste of | :05:59. | :06:02. | |
five lines! Tonight our couples are hoping to score highly with the | :06:02. | :06:05. | |
judges but now they're going to need your votes more than ever to | :06:05. | :06:09. | |
stay in the competition. Those votes will then be combined with | :06:09. | :06:13. | |
the judges' scores and the bottom two couples will be in the dreaded | :06:13. | :06:20. | |
dance-off and one of them will leave the ballroom. AUDIENCE: Ah! | :06:20. | :06:26. | |
Remember to prez -- press your red button for live commentary and | :06:26. | :06:32. | |
joining her is Sara Cox. There they are F you fancy -- if you fancy | :06:32. | :06:38. | |
hearing what they have to say, phres red now -- press red now. | :06:38. | :06:48. | |
:06:48. | :06:48. | ||
first couple is Dani Harmer and her partner, Vincent Simone. APPLAUSE | :06:48. | :06:52. | |
AND CHEERING There they are. Well done. Dani is looking forward to | :06:52. | :06:57. | |
when the series finishes so she can have a break. She's planning to go | :06:57. | :07:02. | |
on one of them 18-30 holidays. I said, I once went on an 18-30 | :07:02. | :07:11. | |
holiday. She said, when was that? I just told you, 1830. Shut up! That | :07:11. | :07:20. | |
wasn't funny! It was 1830. That's when the plane took off. 6.30 at | :07:20. | :07:26. | |
night. They didn't know any of my sing-song numbers. I felt so alone. | :07:26. | :07:32. | |
I am rambling. Here they are. Good, that's gone. Here they are in | :07:32. | :07:37. | |
training. Performing at Wembley last Saturday | :07:37. | :07:40. | |
was definitely the biggest thing I have ever done in my life. It was | :07:41. | :07:50. | |
:07:51. | :07:52. | ||
just absolutely amazing. You were fabulous. I didn't just get two 9s, | :07:52. | :07:56. | |
I got four. I just performed at Wembley. We did. I forgot about | :07:56. | :08:03. | |
you! I felt like one of the Spice Girls. This week we are going to be | :08:03. | :08:10. | |
doing the samba. We are doing it to All The Single Ladies by Beyonce. | :08:10. | :08:13. | |
So many things to remember. As a single lady I can connect with the | :08:13. | :08:17. | |
song. I don't have time for the dating scene. Vincent is the only | :08:17. | :08:23. | |
man in my life. The samba is all about performance and the energy. | :08:23. | :08:31. | |
Welcome to Strictly speed dating. Let's start dating. Do I know you | :08:31. | :08:40. | |
from somewhere? Hi, sweet cheeks. Time is up. Do you come here often? | :08:40. | :08:48. | |
Innit. Hello, Bella, what is the matter? | :08:48. | :08:53. | |
It looks like you have seen a ghost. Bella, Bella! You just fall asleep. | :08:53. | :08:59. | |
I had the weirdest dream. I went speed dating and all my dates were | :08:59. | :09:09. | |
:09:09. | :09:10. | ||
you. That's not a weird dream. Dancing the samba, Dani Harmer and | :09:11. | :09:20. | |
:09:21. | :09:21. | ||
Apology for the loss of subtitles for 44 seconds | :09:21. | :11:00. | |
APPLAUSE AND CHEERING Wonderful. Wasn't that wonderful? | :11:00. | :11:05. | |
Dani, you have done it. And you are smiling. I am. That's wonderful. | :11:05. | :11:09. | |
Great routine. To start the show off, that was wonderful. Now let's | :11:09. | :11:14. | |
welcome our judges. Craig, Darcey and Len and Bruno. APPLAUSE AND | :11:14. | :11:21. | |
CHEERING I don't know how to tell you but | :11:21. | :11:24. | |
shock news, ladies and gentlemen, Craig said in the newspapers that | :11:24. | :11:34. | |
:11:34. | :11:40. | ||
he is thinking of taking a year off Strictly Come Dancing. CHEERING | :11:40. | :11:45. | |
Please, is there anything I or anyone else can do to persuade to | :11:45. | :11:52. | |
you change your mind? Make it longer! No need for any more of | :11:52. | :11:56. | |
that, Brendan! I don't like hecklers, I deal with them in a | :11:56. | :12:00. | |
nasty way. Len, what did you think? This was a party dance and I have | :12:00. | :12:06. | |
to say, you got this party started. You came out and it was bubbly. I | :12:06. | :12:09. | |
thought you were brave the way you started up there on your own. I | :12:09. | :12:14. | |
loved the routine. Lots of basic stuff going on. Yet you kept that | :12:14. | :12:24. | |
:12:24. | :12:29. | ||
going. It was fabulous. Well done. It was lovely. I agree. Bruno? | :12:29. | :12:35. | |
oh-! You won't be single for long. I will put a ring on it. It's | :12:35. | :12:45. | |
charming and bubbly like babiesham. I was watching your feet, your heel | :12:45. | :12:50. | |
so well placed. Amazing placement. The hip action, the bounce, I loved | :12:50. | :12:57. | |
it. You could see the feet in the shadows then? I could. Nice to know. | :12:57. | :13:02. | |
Craig? You are one hot little dancer, loved the bounce action. | :13:02. | :13:07. | |
Fantastic arm placement. All those body ripples were done to | :13:07. | :13:11. | |
perfection. I love all the quotations of Beyonce in there. A | :13:11. | :13:21. | |
very, very tidy samba, darling. APPLAUSE I love the quotations. I | :13:21. | :13:28. | |
didn't hear them say a thick! -- a thing! Darcey? The boys are right, | :13:28. | :13:33. | |
Dani, extraordinary. Such a clean samba. Saw every move, the detail | :13:33. | :13:36. | |
and everything, so clean. Loved it. Your attitude and confidence at | :13:36. | :13:40. | |
this point in the competition is brilliant. I would only say in your | :13:40. | :13:44. | |
running promenades, all these, I would finish off the Armstronger | :13:44. | :13:50. | |
and cleaner -- armstronger and cleaner but I loved it. Thank you | :13:50. | :13:55. | |
for a wonderful start and keep smiling! | :13:55. | :14:05. | |
:14:05. | :14:08. | ||
Come on! Our tiny, tidy dancers. What a way to kick off the show. | :14:08. | :14:12. | |
Len said you got the party started. The samba is one of the more | :14:12. | :14:15. | |
testing dances but you made it look easy. It's really hard. I thought | :14:16. | :14:22. | |
it would be easy to begin with but there's a lot of technique. | :14:22. | :14:27. | |
made it look easy. Can we have a bit of that again. Oh-oh! Look at | :14:27. | :14:32. | |
that. She made it look really good. Brilliant. Full house of nines last | :14:32. | :14:36. | |
week, are you pulling out the stops for a ten this week? We would love | :14:36. | :14:46. | |
:14:46. | :15:03. | ||
to. We wouldn't complain. Come on There we go. All the nines again. | :15:03. | :15:08. | |
Great score. So happy. Great start. And you getting sexy on the dance | :15:08. | :15:18. | |
:15:18. | :15:22. | ||
floor. Trying. There's two ways to call and vote for your favourite | :15:22. | :15:32. | |
:15:32. | :15:36. | ||
couple. If you like them, you Don't call until lines open f you | :15:36. | :15:39. | |
do your vote won't count and you might be charged. That's one down | :15:39. | :15:47. | |
and seven to go. Oh-oh! I like it. Plenty more glitz in store, | :15:47. | :15:51. | |
including Lisa and Robin and Michael is getting serious in the | :15:51. | :15:58. | |
Argentina tango. Who is next, Bruce? Sorry! Next up - I am in a | :15:58. | :16:04. | |
funny mood tonight. I hope it lasts. Right. Next up is Kimberley Walsh | :16:04. | :16:14. | |
:16:14. | :16:15. | ||
and her partner, Pasha Kovalev. APPLAUSE | :16:15. | :16:18. | |
Now Kimberley, I hope you are watching, as it was your birthday | :16:18. | :16:23. | |
on Tuesday, all the dancers in the show have clubbed together to buy | :16:23. | :16:33. | |
:16:33. | :17:03. | ||
That's enough! No, that's all I am doing. They only gave me a fiver. | :17:03. | :17:13. | |
:17:13. | :17:16. | ||
Here they are - that was hard work! Saturday night at Wembley was | :17:16. | :17:22. | |
absolutely incredible. I was so, so nervous before our performance. But | :17:22. | :17:27. | |
as soon as I started I just thoroughly enjoyed every second of | :17:27. | :17:33. | |
it. You can certainly shake that tush. I hope there are people out | :17:34. | :17:39. | |
there voting for you. When we heard we made it through... Kimberley and | :17:39. | :17:43. | |
Pasha, you are through. I was very relieved as you could probably see. | :17:43. | :17:52. | |
It was a good feeling. You are going, who are you to call me? | :17:52. | :17:56. | |
really love the tango. It's a very passionate dance and quite fiery. | :17:56. | :18:00. | |
It's about jealousy. It's about anger. You cannot just be nice and | :18:00. | :18:04. | |
sweet. You really need to bring that part of the dance out in order | :18:04. | :18:12. | |
for tango to be a tango. It was so good, why you start laughing? In | :18:12. | :18:17. | |
real life she's very, very sweet girl. Here I am asking her to be | :18:17. | :18:27. | |
:18:27. | :18:30. | ||
that angry, jealous woman. It's quite hard to be angry at Pasha. If | :18:30. | :18:34. | |
I can't get that character right on Saturday night, it could all fall | :18:34. | :18:43. | |
apart and I can't let that happen. Dancing the tango, Kimberley Walsh | :18:43. | :18:53. | |
:18:53. | :18:54. | ||
Apology for the loss of subtitles for 44 seconds | :18:54. | :20:47. | |
Kimberley and Pasha, look, look at that. I always like our dancers to | :20:47. | :20:50. | |
look when they have a standing ovation. It's a wonderful moment. | :20:50. | :20:55. | |
Some people take it the other way. A couple of weeks ago Tess | :20:55. | :20:57. | |
introduced the singers by name which I thought was a very nice | :20:57. | :21:05. | |
thing to do. So, let's welcome Hayley, Tommy, Andrea and Chris, | :21:05. | :21:11. | |
there they are. Thank you. APPLAUSE Always your singing is so lovely. | :21:11. | :21:20. | |
Not forgetting Dave Arch and Neal, Frank, Trevor, John, Paul, Simon | :21:20. | :21:25. | |
and Andy. I can't do that every week! And his wonderful, wonderful | :21:25. | :21:32. | |
orchestra! Come on! APPLAUSE AND CHEERING Bruno, you | :21:32. | :21:39. | |
start us. Kim we arely -- Kimberley, the ultra vixen with a killer | :21:39. | :21:44. | |
attitude. I haven't seen a mean pout since Joan Collins in Dynasty! | :21:44. | :21:50. | |
Don't touch what you can't afford! Apart from the at - the attitude | :21:50. | :21:58. | |
was great but the dance was brilliant as well. You were going | :21:58. | :22:02. | |
for it. You are getting better and better. It was a fabulous standard. | :22:02. | :22:08. | |
Did I see a slight wobble in the middle? Maybe I haven't. But I am | :22:08. | :22:14. | |
telling you, it was great. Thank you. It was absolutely great. | :22:14. | :22:20. | |
Well done both of you. Lovely. OK, Craig? Yes, you did see a slight | :22:20. | :22:25. | |
wobble. Your feet sort of crashed into one another it seems, | :22:25. | :22:28. | |
something happened. But I absolutely loved the drama at the | :22:28. | :22:33. | |
top. You set the story of the dance up brilliantly. You told that story | :22:33. | :22:37. | |
all the way through, which was fantastic. I love your hand shaping | :22:37. | :22:46. | |
on Pasha's back there, the thumb was nicely placed into the crack of | :22:46. | :22:56. | |
:22:56. | :23:00. | ||
his... Armpit. It was lovely. think you better stop. You are | :23:00. | :23:09. | |
getting yourself into a... Fabulous. Well done. APPLAUSE Darcey, bring | :23:09. | :23:13. | |
us back to earth. It's true, the story-telling was wonderful. I | :23:13. | :23:18. | |
loved your moody, pouting lady. Brilliant. You kept it all the way | :23:18. | :23:24. | |
through. You didn't die there and the top line. The attack, brilliant. | :23:24. | :23:31. | |
I loved it. Well done. What does Len think? I have to agree partly, | :23:31. | :23:40. | |
because I loved the mood of it, Kimberley and Pasha and passion. | :23:40. | :23:44. | |
Your hold goes in and out. It's a little bit loose sometimes. | :23:44. | :23:49. | |
Sometimes it's very good. Then it all goes loose and comes back. That | :23:49. | :23:53. | |
wasn't so good. You never did one heel lead so your feet were a | :23:53. | :23:56. | |
little bit flat throughout. But the feel of the dance, the mood of the | :23:56. | :24:02. | |
dance and the intensity of the dance was spot on. Absolutely | :24:02. | :24:12. | |
:24:12. | :24:12. | ||
marvellous. APPLAUSE Good criticism there. Thank you Kimberley Walsh | :24:12. | :24:22. | |
:24:22. | :24:26. | ||
and Pasha Bolangese! Well done, Kimberley. A standing | :24:26. | :24:31. | |
ovation. I get a little hug every week. She's such a darling. It's | :24:32. | :24:36. | |
lovely when they do that because they enjoyed it. They were on their | :24:36. | :24:41. | |
feet. Such character and a real feisty tango from you and they're | :24:41. | :24:45. | |
loving that moody pout. How did you get into character. I kept laughing | :24:45. | :24:50. | |
all the time. We know, we are used to the smile. It's back! You look | :24:50. | :24:54. | |
very good with the moody pout. Now a busy week for you with Girls | :24:54. | :25:00. | |
Aloud. So busy, yeah. Have hu time for your usual training? I have | :25:00. | :25:07. | |
been bringing Pasha wherever we go. Poor Pasha with all the girls in | :25:07. | :25:15. | |
girls allowed! -- in Girls Allowed! He will be in the next video. The | :25:15. | :25:25. | |
:25:25. | :25:44. | ||
Joint highest score, is that right? It's our favourite, yeah. Good, if | :25:44. | :25:50. | |
Kimberley's tango ticked the boxes for you, don't just sit back and | :25:50. | :25:55. | |
think that's nice, pick up the phone and vote. | :25:55. | :25:59. | |
All I ask is that you wait until everyone as danced before you call. | :25:59. | :26:06. | |
Who is ready to wow us, Bruce? Our next couple is Victoria | :26:06. | :26:13. | |
Pendleton and her partner, Brendan Cole. APPLAUSE Popular couple. | :26:13. | :26:17. | |
Now, Victoria is struggling to cope with the fame she's been getting | :26:17. | :26:23. | |
since she's been on this show. She was in a hurry and she cycled home | :26:23. | :26:29. | |
last week and did the paparazzi didn't stop. On every street | :26:29. | :26:32. | |
paparazzi photo after photo. I said, I don't think they were paparazzi, | :26:32. | :26:42. | |
:26:42. | :26:44. | ||
they were speed cameras. APPLAUSE Skap p -- she doesn't half belt | :26:44. | :26:51. | |
along. Here they are in training. Wembley was a fantastic experience, | :26:51. | :26:56. | |
flying in is a first for me, think for Wembley, as well. It's Wembley, | :26:56. | :27:01. | |
it's time to do things differently. I wouldn't normally throw a bicycle | :27:01. | :27:07. | |
into a paso doble. It was incredible. Your shoulders start | :27:07. | :27:12. | |
creeping up, you have to keep those down. It was lovely of that person | :27:12. | :27:19. | |
to stand up at that moment. I was very flattered by that. All right? | :27:19. | :27:24. | |
This week we are dancing the salsa to Candy by Robbie Williams. My | :27:24. | :27:31. | |
track record for Latin dances is pretty atrocious. But I have really | :27:31. | :27:37. | |
enjoyed learning the salsa so far. Oh! Doesn't necessarily translate | :27:37. | :27:44. | |
to what the judges see. What do we have to do to get you pumped and | :27:44. | :27:48. | |
excited, what do you want? A puppy. The salsa is nothing without a | :27:48. | :27:53. | |
little bit of of confidence. It's a show-boating dance. Overall, you | :27:53. | :28:01. | |
have to sell it. I am not a sexy Latino dancer?! How does one answer | :28:01. | :28:06. | |
this? I haven't had the best results in my Latin dances and I | :28:06. | :28:09. | |
know my performances have been weak. However, I am going to put that | :28:09. | :28:14. | |
behind me and see what happens and hope it's enough on the night. | :28:14. | :28:24. | |
:28:24. | :28:24. | ||
Apology for the loss of subtitles for 44 seconds | :28:24. | :30:05. | |
Dancing the salsa, Victoria . APPLAUSE AND CHEERING | :30:05. | :30:12. | |
Well, I tell you, that was reallying so! -- really something! | :30:12. | :30:15. | |
The salsa Queen, Victoria. Will you hold that just a moment. You were | :30:15. | :30:21. | |
dancing to a song called Candy, so before we meet the judges and hear | :30:21. | :30:26. | |
their comments I thought we would try to sweeten them up a bit. Bruno, | :30:26. | :30:35. | |
we have got you a lollipop. Thank you. Len, a humbug. LAUGHTER | :30:35. | :30:43. | |
Nothing personal. I understand. Darcey, we have got you some | :30:43. | :30:53. | |
:30:53. | :30:58. | ||
lovehearts. You got the lovehearts! Get out! Craig, we got you a | :30:59. | :31:07. | |
gobstoper. Thank you. APPLAUSE It's the thought behind it. You liked | :31:07. | :31:16. | |
that. Craig, we start with you. Speaking of sweets, the prop Candy | :31:16. | :31:26. | |
:31:26. | :31:26. | ||
sticks had more fluidity. Is that it? Oh, that's it. It's working, | :31:26. | :31:36. | |
:31:36. | :31:38. | ||
the gobstoper. Darcey. I was amazed you achieved all that armography. I | :31:38. | :31:44. | |
like that word. What was brilliant is how you got together for all | :31:44. | :31:52. | |
those lifts. You have the most amazing core. APPLAUSE | :31:52. | :31:59. | |
. That might be because your core is so strong and you can see those | :31:59. | :32:03. | |
muscles. That might distract from the hip action. That's the only | :32:03. | :32:10. | |
thing that will make it difficult. But it was good. Very strong lady. | :32:10. | :32:16. | |
APPLAUSE Len? It was a bit light. I am going | :32:16. | :32:20. | |
to call you a light Victoria sponge. It needed more go in it, that was | :32:20. | :32:24. | |
the main thing. I have to agree, the lifts were very good, very | :32:24. | :32:33. | |
clean. You came out and worked it. A bit more oomph, that's all. | :32:33. | :32:43. | |
:32:43. | :32:48. | ||
about Bruno? You look very fetching in pink Bren... Sorry! And you look | :32:48. | :32:56. | |
gorgeous when you stand still, you are fabulous. The thing is you have | :32:56. | :33:01. | |
so much to offer and you still don't deliver. It's all in the hips, | :33:01. | :33:04. | |
the rhythm. It wasn't there. You have got to get - listen to this | :33:04. | :33:10. | |
music. Get into it. Let yourself go. Feel it. It just doesn't happen. I | :33:10. | :33:15. | |
don't understand why. I mean, look at you. You look amazing. Use it. | :33:15. | :33:20. | |
Use all of those - all this that you have in the dance floor. I | :33:20. | :33:27. | |
don't know, I am lost for words because it really defies belief. | :33:27. | :33:35. | |
all loved it. The faces of people out there. Off you go, Victoria and | :33:35. | :33:44. | |
Brendan. That's it, go, there you APPLAUSE Come here. Ready for a hug | :33:44. | :33:51. | |
with me. Oh, dear dear. Amazing lifts, brave lifts. Did you enjoy | :33:51. | :33:55. | |
yourself a little bit before they started. It was good. I don't know | :33:55. | :34:00. | |
whether to laugh or cry. Tissue at the ready, just in case. No more | :34:00. | :34:07. | |
tears, come on. It's tragic. I know it's tragic. And Craig says that, | :34:07. | :34:11. | |
let's forget that. The judges were not bowled over. But you have got | :34:11. | :34:15. | |
100% public support behind stphaou we have had it so far, it's been | :34:15. | :34:18. | |
very nice. We are at the stage where everybody is really, really | :34:18. | :34:24. | |
good. So good. We try our best. We had a nice week in training. We | :34:24. | :34:28. | |
will keep going with a little bit of Candy, am I doing the wrong | :34:28. | :34:33. | |
dance? You were having a blast until the judges started. It's been | :34:33. | :34:36. | |
fun, I have enjoyed trying to shuffle around to the salsa. That's | :34:36. | :34:46. | |
:34:46. | :35:11. | ||
all I can do. Try my best. She's All-time low? No, that cha-cha was | :35:11. | :35:15. | |
rubbish, what are you talking about! Let's not go back to that, | :35:15. | :35:20. | |
Brendan. You are going to need the public support. If you thought the | :35:20. | :35:26. | |
salsa was sweet like Candy call: Lines open once all our couples | :35:26. | :35:29. | |
have danced. If you call too soon the vote won't count and you may | :35:30. | :35:37. | |
still be charged. Who is up next? Our next couple is Louis Smith and | :35:37. | :35:42. | |
his partner Flavia Cacace. APPLAUSE AND CHEERING | :35:42. | :35:46. | |
Yes, I knew you were looking forward to them. I am sure I don't | :35:46. | :35:52. | |
need to remind you that Louis was a silver medallist in the Olympics | :35:52. | :35:57. | |
and he is so good... APPLAUSE He is so good on the pommel horse. Mind | :35:57. | :36:01. | |
you, I did see him make a mistake once. He slipped when he went to | :36:01. | :36:10. | |
straddle it and he damaged his personal best. LAUGHTER That's an | :36:10. | :36:14. | |
athletic term. Your personal best. I bet you haven't got one. Right, | :36:14. | :36:22. | |
how dare you! Here they are in training. | :36:22. | :36:26. | |
Last Saturday before I went on to dance I actually felt physically | :36:26. | :36:33. | |
sick. I was so nervous about not being able to get to the end. We | :36:33. | :36:39. | |
had a bad rehearsal, so on the live show it was as scary as the Olympic | :36:39. | :36:43. | |
Games. I was disappointed because I know you can do it so well. It | :36:43. | :36:49. | |
wasn't bad, but you can do better. The main thing is that the public | :36:49. | :36:53. | |
kept us in and we have another chance this week. So let's make the | :36:53. | :37:00. | |
most of it. This week we are dancing the paso | :37:00. | :37:05. | |
doble. It's a very masculine dance. You mess around with a cape. We are | :37:05. | :37:10. | |
dancing to Dirty Diana, Michael Jackson. Louis really likes this | :37:10. | :37:15. | |
song and he is a big fan of Michael Jackson. And he can do a lot of the | :37:15. | :37:21. | |
moves. Unfortunately, we can't really use those for the paso doble. | :37:21. | :37:28. | |
It doesn't exist in any dance! is a heel lead back. We are not | :37:28. | :37:36. | |
doing the moonwalk. Louis, we are doing the paso doble. Not the | :37:37. | :37:41. | |
Michael Michael -- Jackson dance. Saturday night when that song comes | :37:41. | :37:44. | |
on, I am really going to enjoy myself. | :37:44. | :37:54. | |
:37:54. | :37:54. | ||
Apology for the loss of subtitles for 44 seconds | :37:54. | :39:43. | |
Dancing the paso doble, Louis Smith . APPLAUSE AND CHEERING | :39:43. | :39:48. | |
Come on, that is for you. I am not doing that for the audience. I am | :39:48. | :39:52. | |
doing it for those dancers. You deserve to look at that when you | :39:52. | :39:58. | |
have worked so hard. It's a wonderful moment. Darcey, start us | :39:59. | :40:03. | |
off. Louis, you have it all to give but I lost the story-telling in | :40:03. | :40:12. | |
that. It's true. The man has to be arrogant, forceful, passionate. | :40:12. | :40:16. | |
the attitude wasn't there for me. And that was disappointing. I mean, | :40:16. | :40:22. | |
you are clean and it's exact and precise, so overall, your shaping | :40:22. | :40:27. | |
is good, I just missed the story. I wanted you to perform. I thought | :40:27. | :40:30. | |
you were going to have fun with this. I really wanted you to have | :40:30. | :40:35. | |
fun. Well, there we are. Len, what did you think? Well, it's not | :40:35. | :40:38. | |
cupcakes and ice-cream. It's thunder and lightning, you have to | :40:38. | :40:42. | |
come out and attack and perform. You got great lines, you have | :40:42. | :40:47. | |
presence. You come out and you have great presence. This was - there | :40:47. | :40:57. | |
was nothing going on. There was no fire in the blooming thing! Len is | :40:57. | :41:01. | |
right. I agree. Of course, you have the lines, you can produce | :41:01. | :41:05. | |
beautiful shapes. But it's what's behind it, we should be left | :41:05. | :41:11. | |
breathless. It's all about blood, it's about killing, revenge. All | :41:11. | :41:20. | |
strong passions and you have to - it's a paso doble, it's based on | :41:20. | :41:24. | |
the Matador, it's a fight to the death. That's what you have to | :41:24. | :41:31. | |
produce. Please, come back and do it. What were you going to say? | :41:31. | :41:35. | |
much talk about blood, I wondered what time the show was going out. | :41:35. | :41:41. | |
With kids watching. I was wondering the same thing. When is it going | :41:41. | :41:47. | |
out?! Craig, you finish. We might be live, darling. In order for to | :41:47. | :41:52. | |
you actually move up the judges' leaderboard, you have to learn to | :41:52. | :41:58. | |
act these dances. You can go no further with us unless you give | :41:58. | :42:02. | |
yourself up. Well, the audience are taking it for the lovely dance that | :42:02. | :42:08. | |
it was, but you have something to work on. Take it all in. Off you go. | :42:08. | :42:18. | |
:42:18. | :42:22. | ||
APPLAUSE Come on, Louis, we got a standing | :42:22. | :42:29. | |
ovation. They all absolutely loved it. APPLAUSE AND CHEERING | :42:29. | :42:33. | |
I mean, the judges, blood aside, they say you have got it, can you | :42:33. | :42:37. | |
give yourself up to it? They want to you give yourself up to it. | :42:37. | :42:42. | |
That's the most vicious you have seen you all week. I am a nice | :42:42. | :42:47. | |
person, you know. I thought I at least got into it a little bit. | :42:47. | :42:52. | |
is not vicious at all. You are also not a a performer by trade. This is | :42:52. | :42:58. | |
all new to you. Can you give the judges what for, Louis? I will try! | :42:58. | :43:08. | |
:43:08. | :43:27. | ||
27. Interesting. Yeah, interesting. Was it well deserved? Do you agree | :43:27. | :43:37. | |
:43:37. | :43:39. | ||
with the judges? If the paso set Let's see how much he has got to | :43:39. | :43:43. | |
give us next week. I reckon he has a lot more. Don't call until lines | :43:43. | :43:46. | |
open. It's been a night of incredible performances tonight and | :43:47. | :43:51. | |
it's not over yet. Back to you, Bruce. | :43:51. | :43:57. | |
Now our next couple, Lisa Riley and her partner, Robin Windsor. | :43:57. | :44:03. | |
APPLAUSE I don't know about you, but I love | :44:03. | :44:07. | |
their disco routine last week. After the show, I told Lisa there | :44:07. | :44:13. | |
was only one disco song that summed up my last ten years. She said, | :44:13. | :44:22. | |
Saturday Night Fever? I said, no, Staying Alive. Shut up! Don't be | :44:22. | :44:32. | |
:44:32. | :44:32. | ||
like that! APPLAUSE Here they are in training. The performance level | :44:32. | :44:39. | |
is great. You make everyone feel fabulous. It was big, it was bold. | :44:39. | :44:45. | |
It was beautiful. If it was possible I could bottle the emotion | :44:46. | :44:52. | |
that I felt on Saturday, I would sell it to everybody. Enjoy this, | :44:52. | :44:59. | |
look at this! It's the best feeling I have ever had in my life. This is | :44:59. | :45:04. | |
all for you and Robin. To say I was overcome is such an understatement. | :45:04. | :45:11. | |
The tears came. That was pure, pure emotion. This week we are dancing | :45:11. | :45:19. | |
the rumba, to the song As If We Never Said Goodbye. I love working | :45:19. | :45:28. | |
with Lisa because she works so hard. She would work 24-7 if she could. | :45:28. | :45:36. | |
Do you not think we should work... You have got it. See you. Now, what | :45:36. | :45:46. | |
:45:46. | :45:54. | ||
about my hip twists? I will see you Robin, one more thing... All right, | :45:54. | :46:04. | |
:46:04. | :46:04. | ||
if you are going to be like that. Dancing the rumba, Lisa Riley and | :46:04. | :46:14. | |
:46:14. | :46:14. | ||
Apology for the loss of subtitles for 44 seconds | :46:14. | :48:02. | |
Lovely, lovely. That was beautiful. I love the pointed toe at the end. | :48:02. | :48:06. | |
I could have watched that for hours. Len? I liked some of the detail, | :48:06. | :48:10. | |
the forward walks that you did at the start. I liked the - the | :48:10. | :48:14. | |
feeling of the dance for me wasn't there. It wasn't exciting so I | :48:14. | :48:18. | |
can't get excited about it, unfortunately. That's a shame. | :48:18. | :48:25. | |
Bruno? Yeah, I mean, it was nice. It was stylised and surprisingly | :48:25. | :48:32. | |
understated from you. I think we were expecting something more fiery, | :48:32. | :48:40. | |
Norman -- Norma Desmond. Nice, but not overwhelming. You just played | :48:40. | :48:50. | |
:48:50. | :48:51. | ||
it down a bit. Craig? It was tempestuous and it lost its | :48:51. | :48:54. | |
sensuality. That's what I really thought. I don't think it's a dance | :48:54. | :48:59. | |
that suits you. But what you did do was, I thought, you danced it well. | :48:59. | :49:06. | |
But it doesn't suit you. And coming from him, that was good. Darcey? | :49:06. | :49:12. | |
is so true, it's so hard to sustain those slow moves, the stroking of | :49:12. | :49:16. | |
the floor, the caressing and that's hard for you because sour brilliant | :49:16. | :49:21. | |
in the hrat -- because you are so brilliant in the Latin. This isn't | :49:21. | :49:31. | |
:49:31. | :49:35. | ||
your dance, sadly. Every dance doesn't suit every person. No. | :49:35. | :49:39. | |
will be back with all that. Thank you. | :49:39. | :49:47. | |
APPLAUSE Why are you shaking your head? | :49:47. | :49:53. | |
Because they said it was beautiful. Seriously, they were all cheering | :49:53. | :49:57. | |
up here. I really enjoyed it and I did try and find my inner actress | :49:57. | :50:01. | |
and everything and they didn't see that. But not to worry. You really | :50:01. | :50:06. | |
are like best mates. That's your relationship. Did you struggle to | :50:06. | :50:11. | |
find the romance? No, who wouldn't love that every day? But we have a | :50:11. | :50:15. | |
laugh and we love the giddy side of stuff. But I wanted to bring that | :50:15. | :50:19. | |
emotion tonight and it's a shame they didn't see it. But we tried. | :50:19. | :50:27. | |
We tried. Eight weeks in now, Lisa. What is the reaction like from | :50:28. | :50:32. | |
people on the street? It's crazy. We go for a coffee and it's like, | :50:32. | :50:41. | |
we love you, Lisa and Robin. It's lovely. We are so grateful for | :50:41. | :50:51. | |
:50:51. | :51:06. | ||
everyone supporting us. The scores Could be worse. The judges have | :51:06. | :51:11. | |
been harsh with their scores. If Lisa's dance has pushed your | :51:11. | :51:19. | |
buttons and you want to show your appreciation call: | :51:19. | :51:26. | |
Don't do anything until I tell you. If you want exclusive gossip, we | :51:26. | :51:29. | |
have photos and you can check us out on Facebook and Twitter. Who is | :51:29. | :51:32. | |
next, Bruce? Our next couple is Michael Vaughan | :51:32. | :51:40. | |
and his partner, Natalie Lowe. APPLAUSE AND CHEERING | :51:40. | :51:45. | |
Yes, Michael has been teaching Natalie some cricketing terms. She | :51:45. | :51:49. | |
wanted to show me what she learned. She said, on my left, that's the | :51:49. | :51:54. | |
leg-side. On my right, that's the off-side. I said what's behind you? | :51:54. | :52:01. | |
She said, my backside. I didn't explain the fine leg, I wasn't | :52:01. | :52:09. | |
going there. Here they are in training. | :52:09. | :52:13. | |
Saturday night at Wembley was the most unbelievable night. When I | :52:13. | :52:18. | |
finished New York New York, I could see everyone was starting to stand | :52:18. | :52:22. | |
up. I never thought in a million years that I would get a standing | :52:22. | :52:28. | |
ovation at Wembley for dancing. was the most incredible feeling. | :52:28. | :52:33. | |
It's one of my highlights in my life. Who would believe that six | :52:33. | :52:43. | |
:52:43. | :52:44. | ||
weeks ago you nearly left this competition? Look at you now! | :52:44. | :52:49. | |
A fitting finale for a fantastic night. This week we are doing the | :52:49. | :52:57. | |
Argentine tango. This is all about you being really intimate. It's so | :52:57. | :53:01. | |
much sensuality. I want to you be more Latin lover. What about that? | :53:01. | :53:08. | |
No. Not sexy? Dreadful. It's there, I just have to bring it out in him. | :53:08. | :53:15. | |
The Sheffield lad has to produce sexiness this week. Ole, Natalie! | :53:15. | :53:22. | |
That's more like it. I am going to take you to Buenos Aires. Lovely | :53:22. | :53:28. | |
dish. A chip? Saturday night I have to forget Sheffield. I have to get | :53:28. | :53:35. | |
into Argentina. Come on. Hello! It's got to be hot. | :53:35. | :53:45. | |
:53:45. | :53:45. | ||
Apology for the loss of subtitles for 44 seconds | :53:45. | :55:27. | |
Dancing the Argentine tango, . APPLAUSE AND CHEERING | :55:27. | :55:34. | |
Right. OK, Bruno, straight in with you? Michael, the look of painful | :55:34. | :55:38. | |
concentration on your face. That wasn't sexy, looked like you were | :55:38. | :55:42. | |
passing a kidney stone. It wasn't sexy. It wasn't sensual. It was | :55:42. | :55:48. | |
like a series of steps. It was sexy if you watch a broomstick. There | :55:48. | :55:51. | |
was no relationship at all. You were concentrating so much in | :55:51. | :55:58. | |
trying to get through the routine that it lost any sense of sexuality | :55:58. | :56:02. | |
and fluidity. It was a series of steps. You tried hard but it didn't | :56:02. | :56:09. | |
come to an Argentina tango, for me. There you go. OK. Craig? For me | :56:09. | :56:13. | |
basically I think it lacked any sort of resistance and lead. It's | :56:13. | :56:18. | |
the man's job to lead the dance and indicate to the woman how to | :56:18. | :56:24. | |
respond to it. I didn't feel that was happening and that happens in | :56:24. | :56:34. | |
:56:34. | :56:43. | ||
It didn't look like an Argentine tango. Darcey, can you add to that? | :56:43. | :56:48. | |
Michael, you are such an attentive partner. You concentrate on Nat, | :56:48. | :56:50. | |
it's brilliant. The concentration and then obviously how hard you | :56:50. | :56:57. | |
have worked, but again I also missed that domineering man that | :56:57. | :57:01. | |
the - you have to be hungry and passionate for her. You were | :57:01. | :57:06. | |
concentrating so much on the move. Beautiful ease into the lifts. | :57:06. | :57:12. | |
Marvellous. And you create some lovely lines and everything. I | :57:12. | :57:17. | |
think the concentration on her, but you have to be more arrogant. | :57:18. | :57:27. | |
:57:28. | :57:29. | ||
ar tkpwabt -- or tkpwapbt. Work on the -- more or tkpwapbt. Work on | :57:29. | :57:34. | |
the arrogant. There's two parts to every routine. Part one you learn | :57:34. | :57:39. | |
the dance. Part two, you come out and perform it. OK. Maybe the | :57:39. | :57:43. | |
performance was lacking a little bit. But it was a full routine. The | :57:43. | :57:49. | |
lifts were good. That drag across. The spin on the tphror. There was | :57:49. | :57:53. | |
so -- on the floor. There was so much good going on. Sometimes these | :57:54. | :57:57. | |
people - maybe I am the same as well, you get overwhelmed by one | :57:57. | :58:01. | |
thing. Craig talks about you have to lead the dance. The man leads | :58:01. | :58:08. | |
every dance. Why don't you talk about everyone leading the dance? | :58:08. | :58:11. | |
It's actually not about that, I was talking about this particular dance. | :58:11. | :58:17. | |
The woman reacts... Virtually none of the men lead any of the pro | :58:17. | :58:24. | |
girls because they don't know how to. For your information... | :58:24. | :58:30. | |
APPLAUSE Hold on. I think it's the car park afterwards. Every man for | :58:30. | :58:37. | |
himself. We finished on Len, that was good. Thank you, Len. That gave | :58:37. | :58:45. | |
you heart. Off you go. APPLAUSE | :58:45. | :58:51. | |
Here he is, the Latin love God. The judges have been tough tonight. | :58:51. | :58:56. | |
They're expecting so much. amazing, we did come out of a turn | :58:56. | :58:59. | |
early so we were trying to hold the rest of the routine back. You are | :58:59. | :59:04. | |
amazing. I can't believe we have created an argument between Len and | :59:04. | :59:07. | |
Craig. That's an achievement. you were in the dance-off in week | :59:07. | :59:13. | |
three you have come so far. How does it feel when you go out there | :59:13. | :59:17. | |
and dance? It's great. I did make a couple of mistakes tonight but the | :59:17. | :59:20. | |
competition is that good now that you know if you make mistakes it | :59:20. | :59:26. | |
could be your last week. I will try my best each week. Spending a week | :59:26. | :59:31. | |
dancing like that, it's not the hardest thing to do. And those | :59:31. | :59:41. | |
:59:41. | :59:51. | ||
lifts spectacular. Signature lifts. It's not the highest score but it | :59:51. | :00:01. | |
:00:01. | :00:11. | ||
isn't your lowest. Don't let this Lines open later. I will tell you | :00:11. | :00:17. | |
when. What is in store next, Bruce? Next is couple number seven, I | :00:17. | :00:24. | |
think. If you are counting. Nicky Byrne and his partner, Karen Hauer. | :00:24. | :00:34. | |
APPLAUSE Now last week before Nicky's | :00:34. | :00:38. | |
Jailhouse Rock number, he said I don't want you doing any stupid | :00:38. | :00:41. | |
catchphrases before I dance. I am taking on a very serious role. I | :00:41. | :00:46. | |
said, don't worry, I won't. What role are you taking on? He said I | :00:46. | :00:50. | |
am a prisoner and I am serving hraoeufp. I said, oh, life, is the | :00:50. | :00:57. | |
name of the game and I wanna play the game with you! APPLAUSE I don't | :00:57. | :01:03. | |
know why I did that. I know, Len, you didn't have to make a face. | :01:03. | :01:09. | |
Here they are in training. To be a part of Strictly Come | :01:10. | :01:13. | |
Dancing at Wembley was up there with the highlights of my career so | :01:13. | :01:17. | |
far. I genuinely loved going back. It was one of the best nights of my | :01:17. | :01:26. | |
life. Everybody loves a rebel! danced as best I could and all of a | :01:26. | :01:30. | |
sudden I found myself in the bottom two. It was like absolutely gutting. | :01:30. | :01:33. | |
But I dug as deep as I could and went for it. I had never seen this | :01:33. | :01:37. | |
side of Nicky, the side that is really fighting to be part of | :01:37. | :01:41. | |
Strictly. I am going to save Nicky and Karen. It just switched | :01:41. | :01:46. | |
something in me right now because I was that close to going home. I | :01:46. | :01:52. | |
need to nail this this week. The charl London seems like a -- | :01:52. | :01:56. | |
Charleston seems like a fun dance. Might be the dance I need. This | :01:56. | :02:00. | |
week is going to be never-ending because we are going to live in the | :02:00. | :02:06. | |
dance studio. Today I brought in the harshest critics of all, I have | :02:06. | :02:11. | |
my kids and nieces and nephews, they're playing the role of Len, | :02:11. | :02:16. | |
Craig, Darcey and Bruno. What did you think? I thought it was | :02:16. | :02:25. | |
brilliant. What did you think? He seemed to morph into Craig. | :02:25. | :02:32. | |
was a disaster, darling! It's amazing to get the kids' feedback. | :02:32. | :02:36. | |
It makes me feel even more up for the challenge. I have done the hard | :02:36. | :02:42. | |
work and I am going to give it some now on Saturday night. | :02:42. | :02:52. | |
:02:52. | :02:52. | ||
Apology for the loss of subtitles for 44 seconds | :02:52. | :04:40. | |
Dancing the Charleston, Nicky Byrne You have done it! They are standing | :04:40. | :04:48. | |
for you two. Look at them. So you can see what the audience are doing. | :04:48. | :04:53. | |
I don't know what the judges think, but that was the quickest | :04:53. | :04:57. | |
Charleston I ever hard, the quickest. Craig, start us off. | :04:58. | :05:01. | |
wasn't a disaster, darling, you will be pleased to know. That | :05:01. | :05:08. | |
suited you down to the ground. That is your best yet. | :05:08. | :05:14. | |
APPLAUSE Well done, Nicky. With a little help. Darcey? It was magic! | :05:14. | :05:21. | |
I loved it. You look like you just come off that movie, The Artist. | :05:21. | :05:29. | |
Fabulous. It was quirky, fun. Loved it. It was. Len? I like the set-up, | :05:29. | :05:37. | |
the damsel in distress. There was no distress, you were the no-stress | :05:37. | :05:40. | |
distress. Bottom two last week. You are going to be top two this week. | :05:40. | :05:48. | |
How about that! Keep it going, Bruno. It was character-driven, | :05:48. | :05:54. | |
funny, energising and some of the steps were brilliant. Some you went | :05:54. | :05:59. | |
a bit hip hop. But never lost the Charleston. Imaginative, fresh, | :05:59. | :06:04. | |
brilliant. Be pleased with yourself. Lovely choreography. Go on, off you | :06:04. | :06:14. | |
:06:14. | :06:20. | ||
APPLAUSE AND CHEERING Yes, Nicky! A standing ovation. | :06:20. | :06:25. | |
never knew what that was like before. It's good, isn't it?! | :06:25. | :06:30. | |
judges said they loved it. You wanted to nail it this week. He has | :06:30. | :06:34. | |
been practising all night. He hasn't stopped practising up here | :06:34. | :06:39. | |
with Karen. You wanted to come back strong. I needed to. It's not nice | :06:39. | :06:42. | |
being down there. This week was tough, it was busy. To have the | :06:42. | :06:49. | |
kids in was great and I think, Jay was Bruno. They got me going. | :06:49. | :06:53. | |
They're gorgeous! Craig said your best dance yet. Let's hope he gives | :06:53. | :07:03. | |
:07:03. | :07:23. | ||
you more than a six. The scores are APPLAUSE AND CHEERING Yes! Get in, | :07:23. | :07:27. | |
says Nicky. Your highest score by a mile. Joint top of the leaderboard, | :07:27. | :07:33. | |
how does that feel? Is this rehearsals? This is real! Nicky was | :07:33. | :07:39. | |
in the dance-off next week, he does not want to be back there. If his | :07:39. | :07:45. | |
footwork impressed you u call -- impressed you, call and give him | :07:45. | :07:50. | |
your vote. There's only one more couple to go. | :07:50. | :07:53. | |
How exciting was that Charleston? It was brilliant. Who is next, | :07:53. | :07:57. | |
Bruce. Well done, Nicky. Our next couple | :07:57. | :08:01. | |
is Denise van Outen and her partner, James Jordan. | :08:01. | :08:06. | |
APPLAUSE AND CHEERING What about last week with those | :08:06. | :08:11. | |
two? A great dance last week. Last week they scored an almost perfect | :08:11. | :08:15. | |
39. I thought I would ask Craig some questions. I said to him, what | :08:15. | :08:24. | |
do you play at a bowling alley? He said, nine pin bowling. I said, | :08:24. | :08:28. | |
what did Moses bring down from the mountain? He said, the nine | :08:28. | :08:32. | |
commandments. I said, where does the Prime Minister live? He said, | :08:32. | :08:39. | |
number nine Downing Street. I knew it. He doesn't know what a ten is! | :08:39. | :08:48. | |
APPLAUSE Here they are in training. To be at Wembley and it was such a | :08:48. | :08:54. | |
brilliant buzz in the arena and the crowd were going crazy. That's the | :08:54. | :08:57. | |
dance of the series. The best Charleston I have ever seen on | :08:57. | :09:02. | |
Strictly. It was just like living in auto dream. It was amazing -- | :09:02. | :09:07. | |
living in a dream. It was amazing. The highest score on the series. | :09:07. | :09:10. | |
The danger is when you get high scores you do feel there is a lot | :09:10. | :09:13. | |
more pressure on you and as the weeks go on I do find myself | :09:13. | :09:19. | |
getting more nervous. Our next dance is the American | :09:19. | :09:28. | |
smooth. It's a more showy dance. You are allowed to do three lifts. | :09:28. | :09:33. | |
Ouch! My arm was about to hit James' face, so he ducked to get | :09:33. | :09:39. | |
out of the way. I did panic and thought I I really hurt myself but | :09:39. | :09:41. | |
actually I am all right and hopefully it's knocked some sense | :09:41. | :09:47. | |
into me. The scary thing is that lift isn't actually that dangerous, | :09:47. | :09:53. | |
it's the one at the end that's dangerous. You haven't got me! | :09:53. | :09:59. | |
your arms forward. He has had this lift go wrong before where he got a | :09:59. | :10:04. | |
broken nose. Keep turning. It's a really difficult lift. Bearing in | :10:04. | :10:08. | |
mind I have been doing it with Ola for years, I am asking and | :10:08. | :10:12. | |
expecting Denise to do that lift in four days. It could go really | :10:13. | :10:19. | |
horribly wrong. Dancing the American smooth, Denise | :10:19. | :10:29. | |
:10:29. | :10:29. | ||
Apology for the loss of subtitles for 44 seconds | :10:29. | :12:15. | |
APPLAUSE AND CHEERING Beautiful. Come on. What about it? | :12:15. | :12:22. | |
There you are, Denise and James, look. Look at the audience. You | :12:22. | :12:29. | |
have won them over beautifully. Two weeks running. I saw that bump on | :12:29. | :12:34. | |
the head. I know. I had never seen that before. That was terrifying. | :12:34. | :12:40. | |
You are very gutsy, I must say. Darcey? Denise, that was graceful, | :12:40. | :12:49. | |
musical. You are a pleasure to watch. In those difficult lifts | :12:49. | :12:52. | |
it's extraordinary how effortless you make them, I know James is part | :12:52. | :12:58. | |
of that, but you make it seamless and you could create beautiful | :12:58. | :13:03. | |
lines in all those lifts and sailed around that floor. Beautiful. | :13:03. | :13:08. | |
are so right. Len, did you agree? did. It was like the sea, there was | :13:08. | :13:12. | |
wave after wave of effortless motion. I thought it was wonderful. | :13:12. | :13:15. | |
A couple of foot things happened during the course of it, but the | :13:16. | :13:25. | |
look of it was class. You are really so good. Bruno? The smooth | :13:25. | :13:32. | |
and weightless quality of the finest silk, seamless flow of | :13:32. | :13:42. | |
movement. Emotional connection. For me, it was perfection. Thank you! | :13:42. | :13:48. | |
So glad that's your last one! Craig? James, your thumb was up on | :13:48. | :13:53. | |
occasion, your bottom was sticking out. You lacked any rise and fall. | :13:53. | :14:03. | |
:14:03. | :14:05. | ||
Denise, you were perfect. You got him there! Another triumph. He was | :14:05. | :14:10. | |
expecting a taxi. My mum told me to be nice this year, so I am going to | :14:10. | :14:17. | |
stay quiet. Yes, that is better that you stay quiet. Such praise | :14:17. | :14:26. | |
was wonderful and you really are a great couple of dancers. Off you go. | :14:26. | :14:34. | |
APPLAUSE AND CHEERING Beautiful routine. Another standing | :14:34. | :14:40. | |
ovation. Bruno said it was perfection. I know, that's amazing. | :14:40. | :14:44. | |
I am just glad I didn't fall on my head. The lifts were so brave, I | :14:44. | :14:48. | |
was nervous watching you. I was nervous, as well. Four days to do a | :14:48. | :14:52. | |
lift that you have been doing for years, that takes skill. It does, I | :14:52. | :14:58. | |
am very good! Just kidding. Amazing score last week, three tens. Does | :14:58. | :15:01. | |
that add to the pressure to maintain that? Yeah, it does. I | :15:01. | :15:04. | |
don't know if we can top that. I don't think we will this week. | :15:04. | :15:14. | |
:15:14. | :15:28. | ||
Shall we have a look? The scores Got one at the end there! Well done. | :15:28. | :15:32. | |
Incredible score. So happy. Len was right, you know, when we were doing | :15:32. | :15:35. | |
one of the turns our feet got caught. So the judges know what | :15:35. | :15:41. | |
they're looking at. We did make a couple of mistakes. A little wobble. | :15:41. | :15:44. | |
We didn't notice up here. You know, we are happy with that score. It's | :15:45. | :15:48. | |
fantastic. Really pleased. Imagine Denise getting through next week | :15:48. | :15:58. | |
:15:58. | :16:02. | ||
because the only way to make sure Get your fingers flexed up ready to | :16:02. | :16:08. | |
dial because lines are going to be opened in mere moments. What a way | :16:08. | :16:13. | |
to finish. All our couples have danced, how does the leaderboard | :16:13. | :16:23. | |
:16:23. | :16:27. | ||
All our stars are going to need your votes. Nobody is safe without | :16:27. | :16:34. | |
you. What are you waiting for? The phone lines are now open! CHEERING | :16:34. | :16:44. | |
:16:44. | :16:51. | ||
They're excited about that. The I am giggling because I can hear | :16:51. | :16:55. | |
Brendan behind me! Here is a reminder of tonight's performances | :16:55. | :17:05. | |
:17:05. | :17:05. | ||
Apology for the loss of subtitles for 44 seconds | :17:05. | :19:22. | |
Thank you all so much. You have given us such a fantastic show. | :19:22. | :19:26. | |
Wasn't it great? Our eight remaining stars have done all they | :19:26. | :19:29. | |
can. Now they need your votes if they're going to stay. Remember, | :19:29. | :19:34. | |
lines close at 8.30pm tonight -- 8.20pm tonight. Get dialling. | :19:35. | :19:38. | |
two couples with the lowest scores will face each other in the dreaded | :19:38. | :19:44. | |
dance-off and then the judges will decide which one of them will leave | :19:44. | :19:48. | |
the Strictly ballroom. We will also be joined by the hottest band to | :19:49. | :19:53. | |
come out of Ireland since Westlife, obviously, Nicky, The Script will | :19:53. | :19:59. |