Browse content similar to Week 1 - Show 1. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Stprictly come dancing is back. I am to -- Strictly Come Dancing is | 0:00:00 | 0:00:06 | |
back. I am to take to the dance floor. We love Strictly. It makes | 0:00:06 | 0:00:14 | |
you want to get up and dance. You know! Shock waves around the | 0:00:14 | 0:00:22 | |
country. The nation has once again become Strictlyfied! | 0:00:22 | 0:00:30 | |
I think she'll surprise people - Fern. From Sheffield to... Strictly | 0:00:30 | 0:00:37 | |
is back. I cannot wait. What are you doing this weekend? | 0:00:37 | 0:00:44 | |
Strictly is back on, isn't it!? love James. I love James. Oh, you | 0:00:44 | 0:00:53 | |
haven't paid me! It can only be Victoria and Brendan. Why? She is | 0:00:53 | 0:00:59 | |
an Olympic champion. Loved Johnny Ball when I was | 0:00:59 | 0:01:09 | |
0:01:09 | 0:01:09 | ||
Apology for the loss of subtitles for 48 seconds | 0:01:09 | 0:01:57 | |
Live from Television Centre... Please welcome your host, Sir Bruce | 0:01:57 | 0:02:07 | |
0:02:07 | 0:02:14 | ||
Forsyth and Tess Daly. I was there! | 0:02:14 | 0:02:21 | |
CHEERING AND APPLAUSE You got carried away! | 0:02:21 | 0:02:26 | |
That's what it was. Thank you. Good evening, ladies, gentlemen and | 0:02:26 | 0:02:31 | |
children, welcome to Strictly Come Dancing. It's nice to see you, to | 0:02:31 | 0:02:35 | |
see you... Nice! It is very nice to see you, Brucie. | 0:02:35 | 0:02:40 | |
Have you been doing anything the last few weeks? I took a little | 0:02:40 | 0:02:43 | |
break in France and everybody treated me like royalty! That must | 0:02:43 | 0:02:48 | |
have been nice. No, it wasn't, they kept on taking photographs of me... | 0:02:48 | 0:02:58 | |
0:02:58 | 0:03:00 | ||
Topless! What are you looking at? Come on, | 0:03:00 | 0:03:07 | |
it's show time.... No, it isn't! is. Our 14 stars have spent the | 0:03:07 | 0:03:11 | |
past weeks preparing for this - their dance debut, live in front of | 0:03:11 | 0:03:15 | |
the nation. I think we're about to witness an explosion of stress and | 0:03:16 | 0:03:19 | |
sequins tonight. I think you are right. Tonight, six couples will | 0:03:19 | 0:03:23 | |
perform for the first time in front of our judges. They will dance | 0:03:23 | 0:03:27 | |
either the waltz or the cha-cha-cha. Tomorrow the remaining eight will | 0:03:27 | 0:03:31 | |
show us what they can do on this dance floor. As it is the first | 0:03:31 | 0:03:36 | |
time, they are bound to be very nervous. Let's put them out of | 0:03:36 | 0:03:46 | |
0:03:46 | 0:03:47 | ||
their misery and meet the stars of From Girls Aloud, Kimberley Walsh | 0:03:47 | 0:03:56 | |
and her partner. Nicky Byrne and her partner. TV presenter Fern | 0:03:56 | 0:03:59 | |
Britton and Artem Chigvintsev. Cricket legend Michael Vaughan and | 0:03:59 | 0:04:04 | |
his partner Natalie Lowe. Soap star Lisa Riley and her | 0:04:04 | 0:04:12 | |
partner Robin Windsor. Olympic gymnast Louis Smith and | 0:04:12 | 0:04:15 | |
Flavia Cacace. Tracy Beaker star, Dani Harmer and her partner Vincent | 0:04:15 | 0:04:21 | |
Simone. East ender's star Sid Owen and his partner Ola Jordan. | 0:04:21 | 0:04:28 | |
Presenter and performer Denise van Outen and her partner James Jordan. | 0:04:28 | 0:04:33 | |
Richard Arnold and his partner, Erin Boag. Victoria Pendleton and | 0:04:33 | 0:04:38 | |
her partner Brendan Cole. Film and TV star Colin Salmon and Kristina | 0:04:38 | 0:04:41 | |
Rihanoff. Supermodel and actress, Jerry Hall | 0:04:41 | 0:04:47 | |
and her partner, Anton du Beke. And finally, TV brainbox Johnny Ball | 0:04:47 | 0:04:57 | |
0:04:57 | 0:05:03 | ||
CHEERING AND APPLAUSE What a line-up! | 0:05:03 | 0:05:11 | |
You all look beautiful! Well done and very good luck to you | 0:05:11 | 0:05:18 | |
all. There they all are. I know everyone is thinking the same thing | 0:05:18 | 0:05:22 | |
- am think year's Russell Grant? The good news is they will not leaf | 0:05:22 | 0:05:26 | |
this weekend as there is no public -- leave this weekend as there is | 0:05:26 | 0:05:31 | |
no public vote. The judges will still score their performance. | 0:05:31 | 0:05:35 | |
will be carried forward to next week when our couples will dance | 0:05:35 | 0:05:39 | |
again. You can then vote for your favourites, as you always do. The | 0:05:39 | 0:05:44 | |
two couples with the lowest combined scores and votes will have | 0:05:44 | 0:05:49 | |
to dance again for their survival. Yes! That is why I am getting so | 0:05:49 | 0:05:56 | |
excited - the dance-off is back. The dreaded dance-off. | 0:05:56 | 0:06:00 | |
Be afraid! It is back and it all adds to the pressure we are piling | 0:06:00 | 0:06:07 | |
on the celebs this year. Don't forget, press your magic red button | 0:06:07 | 0:06:12 | |
for commentary. We have Karen Hardy and joining her tonight is last | 0:06:12 | 0:06:17 | |
year's champion, Harry. They are up there. | 0:06:17 | 0:06:25 | |
Hello, guys. Harry, how could I forget you! Hi, Bruce. Our last | 0:06:25 | 0:06:29 | |
year's champion. If you want to hear what they have to say, digital | 0:06:29 | 0:06:35 | |
viewers can press red now and you are all set. It is time we got | 0:06:35 | 0:06:39 | |
started. Our first couple in Strictly Come Dancing, 2012 is Fern | 0:06:39 | 0:06:48 | |
Britton. CHEERING AND APPLAUSE | 0:06:48 | 0:06:56 | |
And her partner, Artem Chigvintsev. CHEERING AND APPLAUSE | 0:06:56 | 0:07:03 | |
Lovely. Now then, Fern has told me she's looking forward to - so much | 0:07:03 | 0:07:10 | |
to wearing some skimpy outfits and doing some very lively dances. It | 0:07:10 | 0:07:17 | |
looks as if we will see parts of Britain. | 0:07:17 | 0:07:23 | |
-- parts of Britton we have never, ever seen before! Here they are in | 0:07:23 | 0:07:33 | |
0:07:33 | 0:07:34 | ||
training. Good luck to you! Fern Britton got on famously with | 0:07:34 | 0:07:42 | |
Phil Lille on This Morning. I am best known for Ready Steady Cook, | 0:07:42 | 0:07:48 | |
where I met my husband, Phil. I fell in love with him. We are | 0:07:48 | 0:07:55 | |
happily married and have been for 12 years. I do love dancing, but | 0:07:55 | 0:07:59 | |
only that kind of freestyle grove. Of course you dance tremendously | 0:07:59 | 0:08:06 | |
when you are like that, until the children say, "Stop that, you look | 0:08:06 | 0:08:10 | |
ridiculous." Your partner is Artem Chigvintsev. What? | 0:08:10 | 0:08:14 | |
I couldn't believe it when I thought of all the other girls he | 0:08:14 | 0:08:19 | |
could have been partnered with and he got me. Poor boy! | 0:08:19 | 0:08:23 | |
I am a task-master because I do like to achieve things. He did say | 0:08:23 | 0:08:29 | |
to me, "You do what I ask you." promised me she'll work day and | 0:08:29 | 0:08:34 | |
night. It's great. The cha-cha-cha, well it is harder than I thought it | 0:08:34 | 0:08:37 | |
would be. It's difficult. | 0:08:37 | 0:08:45 | |
It's becoming this. It's difficult! I'm furious I cannot do it straight | 0:08:46 | 0:08:51 | |
away. It needs to be faster. I can not be harsh because she's such a | 0:08:51 | 0:08:55 | |
sweet person. Keep the distance with your arms. Better! She wants | 0:08:55 | 0:09:01 | |
to be able to try it. He's treating me very gently. I am hoping that on | 0:09:01 | 0:09:11 | |
0:09:11 | 0:09:11 | ||
Apology for the loss of subtitles for 48 seconds | 0:09:11 | 0:11:02 | |
Fern Britton and Artem Chigvintsev, You have the first one over with. | 0:11:02 | 0:11:07 | |
Oh, the relief on your face. While you get your breath back, as | 0:11:07 | 0:11:13 | |
always it is our chance to welcome our fabulous singers, Dave Arch and | 0:11:13 | 0:11:20 | |
his wonderful, wonderful orchestra. As always! | 0:11:20 | 0:11:25 | |
And of course, where would we be without our wonderful judges? A lot | 0:11:25 | 0:11:32 | |
happier, but nevertheless, please welcome Craig Revel Horwood, Darcey | 0:11:32 | 0:11:33 | |
Bussell, Len Goodman and Bruno Tonioli. | 0:11:34 | 0:11:41 | |
CHEERING AND APPLAUSE That's enough! | 0:11:41 | 0:11:47 | |
That's enough! And a very warm welcome to our new judge, Darcey | 0:11:47 | 0:11:55 | |
Bussell. She was a prima ball ler rin that and has trained at the -- | 0:11:55 | 0:11:59 | |
ballerina and trained at the Royal Ballet. It will be so nice to have | 0:11:59 | 0:12:04 | |
a judge who really knows what they are talking about. About time! Good | 0:12:04 | 0:12:09 | |
luck. Hope you have a lovely night. What did you think? The first one | 0:12:09 | 0:12:12 | |
out sets the standard for the evening. To be honest, there was | 0:12:12 | 0:12:16 | |
more good than there was bad about it. I liked your confidence. You | 0:12:16 | 0:12:20 | |
came out with that and your foot placements were good throughout. | 0:12:20 | 0:12:28 | |
You messed up on one, the Cuban break, first off it went funky. | 0:12:28 | 0:12:33 | |
The other thing, you wafted your skirt a lot. There was a lot of | 0:12:33 | 0:12:38 | |
skirt wafting, which is an advantage for the girls because the | 0:12:38 | 0:12:42 | |
boys cannot waft anything much. A little bit less wafting, but | 0:12:43 | 0:12:51 | |
overall, well done, Fern. APPLAUSE A good start. OK, now | 0:12:51 | 0:12:56 | |
moving along... I like a bit of wafting! I always have done. I am | 0:12:56 | 0:13:01 | |
with you. I didn't mind the wafting. All flirty and you were going for | 0:13:01 | 0:13:06 | |
it. It is a good attitude. The cha- cha-cha is a cheeky dance, but you | 0:13:06 | 0:13:12 | |
need much more impetus... Yes, you have to get the hips going. You'll | 0:13:13 | 0:13:20 | |
be a bit sharper, sharper, sharper, because the cha-cha-cha needs | 0:13:20 | 0:13:25 | |
energy. You messed it up a little bit. First up, not bad. You must | 0:13:25 | 0:13:31 | |
realise that - first up. Now then, Craig? First you need to straighten | 0:13:31 | 0:13:35 | |
your knees and your legs to achieve any sort of hip action in this | 0:13:35 | 0:13:44 | |
dance. IT WAS HIDEOUSLY LABOURED AND | 0:13:44 | 0:13:52 | |
LACKED ANY... YOU HAVE GOOD RHYTHM. THROUGH THE CUBAN BREAK IT WAS A | 0:13:52 | 0:13:56 | |
DISASTER. You did manage to redeem yourself on the second lot of them. | 0:13:56 | 0:14:03 | |
It needs a lot more attack, a lot more power and punch. One nice | 0:14:03 | 0:14:13 | |
0:14:13 | 0:14:17 | ||
thing, darling - beautiful hands. I For a first go, absolutely fine. | 0:14:17 | 0:14:22 | |
Yes, Fern, it was an absolutely confident performance even though | 0:14:22 | 0:14:26 | |
the nerves got you. I could see that. That's why a couple of things | 0:14:26 | 0:14:30 | |
went wrong of what was wonderful is what he said - you were cheeky all | 0:14:30 | 0:14:34 | |
the way through it, and the cha- cha-cha has to be cheeky. He's | 0:14:34 | 0:14:37 | |
absolutely right, and that lovely little grin - I love that. Keep | 0:14:37 | 0:14:41 | |
that up. What was amazing, though, was that last extension - that leg | 0:14:41 | 0:14:47 | |
went so high. Yes. The line, the foot... I borrowed someone else's. | 0:14:47 | 0:14:52 | |
She borrowed someone else's - we all do. I want to see more of those. | 0:14:52 | 0:14:58 | |
It was a lovely extension, all right? Thank you. And not so much | 0:14:58 | 0:15:02 | |
wafting, and you'll be fine. Lovely. Good luck, my darling. Thank you, | 0:15:02 | 0:15:12 | |
0:15:12 | 0:15:19 | ||
Artem. Away they go. friends up here. First of the | 0:15:19 | 0:15:24 | |
series, and you absolutely signed, sealed and delivered. Thank you. | 0:15:24 | 0:15:29 | |
How was it for you, my love? It was a bit fast and furious. I agree | 0:15:29 | 0:15:34 | |
with everything the judges said. I'm sorry I messed up in the middle. | 0:15:34 | 0:15:43 | |
Please. For the 99,000th time. But it was great, and I enjoyed it. | 0:15:43 | 0:15:45 | |
Thanks. Uh-huh! LAUGHTER | 0:15:45 | 0:15:49 | |
How are you getting along with Artem as your teacher? I have never | 0:15:49 | 0:15:53 | |
seen him so yielding. Yielding? Very gently. There was one day he | 0:15:53 | 0:15:59 | |
left the room, and he went, "I am the Terminator"! So true of form. | 0:15:59 | 0:16:09 | |
0:16:09 | 0:16:27 | ||
That's the first dance done. It's out of the way. Now, remember, | 0:16:27 | 0:16:31 | |
nobody else - no-one is leaving tonight, but the judge's scores do | 0:16:31 | 0:16:34 | |
carry over until next week, then you can vote, and we can find out | 0:16:34 | 0:16:37 | |
which of our couples will be dancing for survival. There is a | 0:16:37 | 0:16:45 | |
lot of tension in the air tonight - Still, five more couples to go | 0:16:45 | 0:16:49 | |
tonight, eight tomorrow. You can't beat a weekend in the ballroom. | 0:16:49 | 0:16:53 | |
Right. Not very generous tonight - anyway, next for our next couple | 0:16:53 | 0:16:55 | |
Nicky Byrne and his partner Karen Hauer. Yeah! | 0:16:55 | 0:16:59 | |
Yes. APPLAUSE | 0:16:59 | 0:17:07 | |
Yes. Now, when - now, when Nicky was in Westlife, their manager was | 0:17:07 | 0:17:15 | |
Louis Walsh, and the man who owned their record label was Simon Cowell. | 0:17:15 | 0:17:17 | |
Louis Walsh, Simon Cowell - I wonder what happened to them. | 0:17:17 | 0:17:21 | |
LAUGHTER I must check up on my iPad. I | 0:17:21 | 0:17:26 | |
really must. I mean, you never hear about them, do you? Anyway, here | 0:17:26 | 0:17:36 | |
0:17:36 | 0:17:37 | ||
successful and longest running boy bands in history with 14 number | 0:17:37 | 0:17:43 | |
ones under his belt... We are number one! Westlife's Nicky Byrne | 0:17:43 | 0:17:47 | |
decided it was time to move on... 14 years was a great run, so we | 0:17:47 | 0:17:51 | |
wrapped it all up with a huge farewell tour. It was pretty | 0:17:51 | 0:17:56 | |
special, starting to miss it now. I have twin boys, Rocco and Jay. | 0:17:56 | 0:18:00 | |
It's pretty special having them. They were born a few weeks | 0:18:00 | 0:18:04 | |
premature, but thankfully, they're healthy and happy now. Yeah, | 0:18:04 | 0:18:12 | |
they're the apple of my eye. On a Saturday, I give them a giggle. | 0:18:12 | 0:18:16 | |
name is Karen Hauer. Asked what her favourite Westlife song was. Coming | 0:18:16 | 0:18:23 | |
from Venezuela, then New York, I never heard of them. Then she went, | 0:18:23 | 0:18:29 | |
"I have heard of the Backstreet Boys". Great! When you're alone, | 0:18:30 | 0:18:35 | |
you have a really nice frame. When I am included, it goes to the | 0:18:35 | 0:18:41 | |
garbage. Maybe I'll dance on my own. Did you see the third... The what? | 0:18:41 | 0:18:45 | |
The turd? The third! You're in Ireland now. She's over from | 0:18:45 | 0:18:49 | |
America. She's never been to Ireland. What's wrong with my | 0:18:49 | 0:18:53 | |
fashion? The whole shorts with the ballroom shoes - it's a just not - | 0:18:53 | 0:18:59 | |
shorts and ballroom shoes are a big no-no. I look fantastic! It just | 0:18:59 | 0:19:05 | |
doesn't work. When I looked at him, I was like woo! I have to learn to | 0:19:05 | 0:19:15 | |
dress more like dancing. The problem is the colour of my | 0:19:15 | 0:19:21 | |
milk bottle legs - can we change the lights for tomorrow? Dancing | 0:19:21 | 0:19:31 | |
0:19:31 | 0:19:31 | ||
Apology for the loss of subtitles for 48 seconds | 0:19:31 | 0:21:13 | |
the Walsh, Nicky Byrne and Karen Oh, Nicky, what about it? Nicky, | 0:21:13 | 0:21:17 | |
well done, my son, really, got good presence, hasn't he? He does. | 0:21:17 | 0:21:22 | |
was all lovely, but I couldn't believe shorts - with your ballroom | 0:21:22 | 0:21:29 | |
shoes at rehearsal - a beautiful woman - turn up in shorts! You | 0:21:29 | 0:21:31 | |
what? It was a nice day, sunny. LAUGHTER | 0:21:32 | 0:21:38 | |
What, did you want to dance on the grass did, you, have a picnic? I | 0:21:38 | 0:21:43 | |
have never heard anything like it in my life. Look at the weather | 0:21:43 | 0:21:43 | |
forecast! LAUGHTER | 0:21:43 | 0:21:48 | |
Nicky, you can certainly work your boyish good looks. Where is the | 0:21:48 | 0:21:52 | |
light? You never miss the light once - never. But at times, apart | 0:21:52 | 0:21:55 | |
from your terrible posture, you have to work on your posture, Nicky. | 0:21:55 | 0:21:59 | |
You really have. You were like that all the time. It looks like you're | 0:21:59 | 0:22:03 | |
dancing with a cardboard cut-out. You want intimacy. You want | 0:22:03 | 0:22:09 | |
connection. You want - yes, you do. I have to feel something - | 0:22:09 | 0:22:12 | |
storytelling. Something has to happen with your partner. You have | 0:22:12 | 0:22:15 | |
to express yourself through the dance. I know you're looking good. | 0:22:15 | 0:22:19 | |
But you have to look good together - together! I see. Now, I know you | 0:22:19 | 0:22:23 | |
want intimacy, but I don't think Len did. Right. Now, then - | 0:22:23 | 0:22:26 | |
LAUGHTER Craig, yes? I am not particularly | 0:22:26 | 0:22:30 | |
happy, actually, Karen. I know you're new and everything, but | 0:22:30 | 0:22:34 | |
there are certain rules in Strictly Come Dancing that one must abide by, | 0:22:34 | 0:22:41 | |
and you broke one of them, and that, my darling, is a lift in this waltz. | 0:22:41 | 0:22:45 | |
There are no lifts in the waltz. One foot should remain on the floor | 0:22:45 | 0:22:50 | |
at all times, as you know, so why - you come out, and you just openly - | 0:22:50 | 0:22:57 | |
BOOING The female version of Brendan Cole, | 0:22:57 | 0:23:00 | |
it seems, sadly, and I have to say, you will be marked severely down | 0:23:00 | 0:23:07 | |
for that. Oh, my goodness. You'll have your opportunity, darling, in | 0:23:07 | 0:23:12 | |
American smooth, to do as many lifts as you like, but when it's a | 0:23:12 | 0:23:16 | |
waltz, I really wish you would stick by the rules and at least | 0:23:16 | 0:23:20 | |
give Nicky a chance. Aside from all of that, the rise and fall was | 0:23:20 | 0:23:25 | |
forced and looked really mechanical. You keep dropping your right elbow | 0:23:25 | 0:23:30 | |
and particularly before that back- bend, which was ghastly, flat- | 0:23:30 | 0:23:36 | |
footed on that terrible standing spin which was all paddlistic. | 0:23:36 | 0:23:39 | |
BOOING There was no sway, and I could go | 0:23:39 | 0:23:43 | |
on. I don't want to interrupt. LAUGHTER | 0:23:43 | 0:23:48 | |
But if you've got anything more nasty to say, don't. Right! | 0:23:48 | 0:23:56 | |
APPLAUSE Darcey? Well, Nicky, your strength | 0:23:56 | 0:24:00 | |
is obviously your musicality, so you can use that to your ability, | 0:24:00 | 0:24:05 | |
yeah? Breathe with the moves, yes, so feel the music. Make it help you, | 0:24:05 | 0:24:12 | |
yeah, because that's your strength, and to help with the posture, if I | 0:24:12 | 0:24:20 | |
could use you... Use me. What you need to do is get somebody to get | 0:24:20 | 0:24:24 | |
ahold of your shoulder blades and feel somebody pulling them down and | 0:24:24 | 0:24:29 | |
it will be so much easier because they're up, like this. Do you feel | 0:24:29 | 0:24:32 | |
that? I feel it, yes. APPLAUSE | 0:24:32 | 0:24:37 | |
But I think that - I think you have lots of potential, so just keep | 0:24:37 | 0:24:42 | |
working hard. You've just got to be more intimate with one another. | 0:24:42 | 0:24:46 | |
much closer do you want us to be? Well, I can show you but - | 0:24:46 | 0:24:48 | |
LAUGHTER Anyway, it was a good first start. | 0:24:48 | 0:24:51 | |
Don't listen too much to the fella on the end. I don't know what he's | 0:24:51 | 0:24:56 | |
doing there, but anyway, off you go, and good luck, and a good start. | 0:24:56 | 0:25:06 | |
0:25:06 | 0:25:09 | ||
Off you go. Come up here for a little bit of | 0:25:09 | 0:25:13 | |
TLC. Heaven knows, they need it. You're both new to Strictly. This | 0:25:13 | 0:25:17 | |
is a first experience for both of you. Nicky, you little rule-breaker, | 0:25:17 | 0:25:23 | |
you! How is it feeling - before the onslaught? Yeah, it's strange to | 0:25:23 | 0:25:26 | |
stand there and be criticised like that, but you've got to try to take | 0:25:26 | 0:25:29 | |
the positives from it. There was - I think it was more of a swoosh | 0:25:29 | 0:25:38 | |
than a lift, I think, but... swoosh. Do we agree? Was it a | 0:25:38 | 0:25:42 | |
swoosh? Lift-gate! Are you going to be our female Brendan causing | 0:25:42 | 0:25:46 | |
controversy all over the place? Whatever it takes to win. She's | 0:25:46 | 0:25:56 | |
0:25:56 | 0:26:15 | ||
fierce! The scores are in. I am a Come back next week, and you've got | 0:26:15 | 0:26:20 | |
the cha-cha-cha. You can show them what you've got. Nicky has Nicky's | 0:26:20 | 0:26:25 | |
Byrne'd, but our next couple are ready to strut their stuff. Who is | 0:26:25 | 0:26:28 | |
next, Brucie? Next up is Micheal Vaughan and his partner Natalie | 0:26:28 | 0:26:38 | |
0:26:38 | 0:26:41 | ||
Now, Natalie came up to me today and was very excited. She says, "I | 0:26:41 | 0:26:45 | |
am going to be spending the next three months in the cricketer's | 0:26:45 | 0:26:51 | |
arms." I said, "All right, then, but don't get drunk." Oh, no, no, | 0:26:51 | 0:26:55 | |
no. It started, then it went, so I'm not going to beg - not tonight, | 0:26:56 | 0:27:05 | |
0:27:06 | 0:27:09 | ||
most victorious Test match captain England has ever seen, but can he | 0:27:09 | 0:27:13 | |
be Strictly Come Dancing's man of the match? In 2005 for the first | 0:27:13 | 0:27:18 | |
time in years we won the Ashes, and the country seemed to go cricket | 0:27:18 | 0:27:21 | |
mad. It hit home that we'd done something quite special. The | 0:27:21 | 0:27:26 | |
winning - we loved that, but it was the fact that kids and grannies | 0:27:26 | 0:27:30 | |
were talking about cricket! I am really excited about learning a new | 0:27:30 | 0:27:34 | |
skill. I have never danced in my life. One, two, three, four is not | 0:27:34 | 0:27:37 | |
in cricket. It's just either one forward or one back, so I am going | 0:27:37 | 0:27:47 | |
0:27:47 | 0:27:49 | ||
to get confused. I'm so excited. I've got Michael! | 0:27:50 | 0:27:55 | |
Being from Australia we have to be a team. That's never happened | 0:27:55 | 0:27:58 | |
before. Michael has never seen eye to eye with Aussies. I think this | 0:27:58 | 0:28:01 | |
time I might be able to turn him around. | 0:28:01 | 0:28:05 | |
Have you got insurance? Natalie is doing everything she can to make | 0:28:05 | 0:28:09 | |
sure my postier improves. challenge is to close your eyes and | 0:28:10 | 0:28:13 | |
try to stay balanced. LAUGHTER | 0:28:13 | 0:28:17 | |
Everything's got to be shoulders back, spread your wings - longer | 0:28:17 | 0:28:22 | |
neck, longer arms - I don't know how you got them. She should have | 0:28:22 | 0:28:25 | |
gone with ET. I am moulding constantly. He's not natural. He | 0:28:25 | 0:28:32 | |
doesn't get it straight away. You tired? Yeah. Really? | 0:28:32 | 0:28:37 | |
Let's go again. He made he come in on a Sunday. Week one, I think | 0:28:37 | 0:28:43 | |
we'll all be petrified, but what's the worst thing that could happen? | 0:28:43 | 0:28:52 | |
Has anyone got a 0 to fall into the band? I could spin and wind up in | 0:28:52 | 0:28:56 | |
the trumpets. Dancing the waltz, Micheal Vaughan | 0:28:56 | 0:29:06 | |
0:29:06 | 0:29:06 | ||
Apology for the loss of subtitles for 48 seconds | 0:29:06 | 0:30:48 | |
I think she's pleased with you! Are you pleased with him? Where did | 0:30:48 | 0:30:54 | |
that come from? I've got a right sweat on! I bet all the cricketing | 0:30:54 | 0:31:01 | |
lads will be thrilled with that. Craig, start us off. Some timing | 0:31:01 | 0:31:05 | |
issues. Not many, just some. Posture is your biggest problem. | 0:31:05 | 0:31:11 | |
You need to sort that out. More grace, more style and it might | 0:31:11 | 0:31:16 | |
resemble a bit more of a waltz. That's very good for the mood he's | 0:31:16 | 0:31:26 | |
0:31:26 | 0:31:28 | ||
in tonight! OK, Darcey. You took too much | 0:31:28 | 0:31:33 | |
strain on the fine. The nerves really showed. One thing that might | 0:31:33 | 0:31:39 | |
help you - think about what you do best. When you throw a ball you | 0:31:39 | 0:31:44 | |
lose your whole body to create the speed. It is the same in dance - | 0:31:44 | 0:31:49 | |
you have to use your hole body. Don't get stiff. Use your body, | 0:31:49 | 0:31:59 | |
0:31:59 | 0:32:03 | ||
Very good advice - and Len? It is not cricket, you know! You don't | 0:32:03 | 0:32:09 | |
stroll out from the pavilion, take your time before you take up guard. | 0:32:09 | 0:32:15 | |
You're mincing along. Get on with it! For me, once you got into hold, | 0:32:15 | 0:32:21 | |
it was pretty good. I'm telling you. You had wide elbows. OK - you were | 0:32:21 | 0:32:26 | |
a little bit stiff and starchy, but everyone is nervous. Of course, you | 0:32:26 | 0:32:29 | |
just want to get through the routine and you got through the | 0:32:29 | 0:32:34 | |
routine. Your bum sticks out. So, because of that your top comes over | 0:32:34 | 0:32:37 | |
a bit. But as for your back - flat and nice. Well done! | 0:32:37 | 0:32:44 | |
APPLAUSE Michael, did you feel as though you | 0:32:44 | 0:32:54 | |
were mincing? LAUGHTER I think I was mincing. | 0:32:54 | 0:33:00 | |
least he's admitted it. Michael, a promising beginning, but your | 0:33:00 | 0:33:06 | |
bottom stuck out like a hanging basket and you got so up tight. You | 0:33:06 | 0:33:14 | |
looked like waugwaug with the make- over. | 0:33:14 | 0:33:23 | |
-- Waugh with the makeover. You have to ease yourself into it - | 0:33:23 | 0:33:29 | |
breathe. That is the best one of the night! | 0:33:29 | 0:33:35 | |
It was very good and you worked very hard. You had a good start. | 0:33:35 | 0:33:45 | |
0:33:45 | 0:33:50 | ||
Off you go. I thought that was absolutely | 0:33:50 | 0:33:55 | |
incredible. Thank you for that. just won a massive bet. A lot of my | 0:33:55 | 0:34:01 | |
mates said if I have stayed on two feet I have won. They thought I was | 0:34:01 | 0:34:10 | |
going to be on the deck. Shane Waugh you owe me a few quid. | 0:34:10 | 0:34:15 | |
Hanging basket - I'm not seeing that. The mincing - fabulous. An | 0:34:15 | 0:34:21 | |
all rounder on the cricket pitch, can you be on the ballroom? Until a | 0:34:21 | 0:34:31 | |
0:34:31 | 0:34:57 | ||
few weeks ago the only floors I was It's OK! | 0:34:57 | 0:35:01 | |
Room for improvement. The way things have been going - it's a | 0:35:01 | 0:35:09 | |
great score. Be very happy. That is three down, three to go. Ready for | 0:35:09 | 0:35:16 | |
more? Are you ready for more, ladies and gents? Who is next Bruce. | 0:35:16 | 0:35:21 | |
I think we should give the judges some of my pink pills. Our next | 0:35:21 | 0:35:31 | |
0:35:31 | 0:35:31 | ||
couple is gold medalist cyclist, Victoria Pendleton, with her | 0:35:31 | 0:35:38 | |
partner. What a wonderful thing she did for us all and her partner, | 0:35:38 | 0:35:43 | |
Brendan Cole. Victoria asked me if I could give her any tips. I said, | 0:35:43 | 0:35:48 | |
of course I can, my dear. Look, if the BBC security men ask you to get | 0:35:48 | 0:35:54 | |
off your bike and come in through the side gate, whatever you do, | 0:35:54 | 0:36:04 | |
0:36:04 | 0:36:05 | ||
don't call him a "pleb." APPLAUSE I come here on roller-skates. I'm | 0:36:05 | 0:36:13 | |
so petrified! Here they are in Golden girl cyclist, Victoria | 0:36:13 | 0:36:19 | |
Pendleton, is no stranger to tight Lycra outfits and performing in | 0:36:19 | 0:36:26 | |
front of an enthusiastic audience. It was amazing in front of a home | 0:36:26 | 0:36:31 | |
audience. I feel very blessed. My dad was a keen cyclist. I started | 0:36:31 | 0:36:36 | |
to race at nine years old. I was lucky to be talent-spotted at 16. | 0:36:36 | 0:36:40 | |
After university I joined the team full time. You have said goodbye to | 0:36:40 | 0:36:46 | |
your bicycle, is that right? I have. I have retired from cycling to move | 0:36:46 | 0:36:50 | |
on to new challenges. Four weeks ago I watched her taking the gold | 0:36:50 | 0:36:54 | |
with a tear in my eye and now she's my partner and we'll be working | 0:36:54 | 0:37:00 | |
together. I think I'm the luckiest guy in Great Britain right now. | 0:37:00 | 0:37:06 | |
My brain feels like it can't remember anything! Sorry - what is | 0:37:06 | 0:37:11 | |
this bit? One minute she has it and the next it is gone. What is this | 0:37:11 | 0:37:17 | |
bit? The hip-twist. I don't get it. Sorry, I am useless today, aren't | 0:37:17 | 0:37:22 | |
I? No, you're not. When you have been the best in the world at | 0:37:22 | 0:37:25 | |
something and you start from scratch it can get frustrating | 0:37:25 | 0:37:35 | |
0:37:35 | 0:37:35 | ||
because you expect a lot from For sports people in Strictly | 0:37:35 | 0:37:40 | |
there's a massive expectation. I hate the fact there's such an | 0:37:40 | 0:37:43 | |
expectation, because this is something she's never done before | 0:37:43 | 0:37:48 | |
and will never do again. It is a big ask. | 0:37:48 | 0:37:55 | |
I can't do it any more. Olympian! | 0:37:55 | 0:38:05 | |
0:38:05 | 0:38:05 | ||
Apology for the loss of subtitles for 48 seconds | 0:38:05 | 0:39:40 | |
Dancing the cha-cha-cha, Victoria Come here, Victoria, the first one | 0:39:40 | 0:39:46 | |
is over. It was lovely. Pretty about the trousers - I've got a | 0:39:46 | 0:39:52 | |
suing machine in my room. I'll fix it for you -- a sewing machine in | 0:39:52 | 0:40:00 | |
my room. I'll fix it for you later. Impressive and considering the | 0:40:00 | 0:40:05 | |
nerves took over and everything, I felt for you. I really did. | 0:40:05 | 0:40:08 | |
Impressive. Very impressive. Don't worry. | 0:40:08 | 0:40:13 | |
You did so well. One thing that would really help you, try a lower | 0:40:13 | 0:40:18 | |
heel, because I can see you are having trouble balancing with such | 0:40:18 | 0:40:23 | |
low heals and then you will be able to feel the ground more, yes? There | 0:40:23 | 0:40:28 | |
is so much potential there. You can do it. | 0:40:28 | 0:40:36 | |
APPLAUSE Right - we'll have none of that! | 0:40:36 | 0:40:41 | |
is probably like the first time you rode a bike without stabiliser - a | 0:40:41 | 0:40:45 | |
bit wobbly. You had a little incident, didn't you? Then your | 0:40:45 | 0:40:50 | |
nerves took over. Victoria, you have great potential. Forget this, | 0:40:50 | 0:40:52 | |
move on! You have. | 0:40:52 | 0:41:02 | |
0:41:02 | 0:41:03 | ||
Bless you, you know you messed it up so much. You have - I am sorry. | 0:41:03 | 0:41:06 | |
There's no point beating around the bush. You have a champion. You have | 0:41:06 | 0:41:12 | |
fallen off the bike before. Get back on it because you have, as | 0:41:12 | 0:41:17 | |
they all say, a really exciting package. It's a new experience for | 0:41:17 | 0:41:22 | |
you. Apply the discipline you have in your sport and blow us off the | 0:41:22 | 0:41:29 | |
screen because you can do it. Tonight it went wrong. | 0:41:29 | 0:41:37 | |
That will pull you through and with this man you can't go wrong. Can we | 0:41:37 | 0:41:41 | |
go upstairs... Craig is not talking! He's not in this. We are | 0:41:41 | 0:41:51 | |
0:41:51 | 0:41:59 | ||
Come on, Victoria. Now, don't tell me that Strictly is more emotional | 0:41:59 | 0:42:04 | |
than the Olympics. I know and there was no way I thought I was going to | 0:42:04 | 0:42:09 | |
cry, but I blue it so much. little bit at the end. It doesn't | 0:42:09 | 0:42:14 | |
matter. There was so much expectation tonight. He is not | 0:42:14 | 0:42:22 | |
saying you blue it. I think -- blew it. The studio audience loved it. | 0:42:22 | 0:42:25 | |
You'll get back on that dancing bike and show them all, right? | 0:42:25 | 0:42:35 | |
0:42:35 | 0:42:52 | ||
And we didn't have to hear Craig speak because we were out of time. | 0:42:52 | 0:43:00 | |
Well, Victoria is set to spin. Will Denise show us that The Only Way Is | 0:43:01 | 0:43:08 | |
Essex. Right oh! Our fifth couple is Colin Salmon and his partner, | 0:43:08 | 0:43:15 | |
Kristina Rihanoff. Another pair - what about it! | 0:43:15 | 0:43:25 | |
0:43:25 | 0:43:26 | ||
I was asking Colin about his role in the James Bond films. He said, | 0:43:26 | 0:43:29 | |
"I work alongside M". I said, "Oh?" He said, "No, O works with Q." I | 0:43:29 | 0:43:33 | |
said, "Eh?" He said, "Yes, A works with M as well." I said, "Aaah." He | 0:43:33 | 0:43:37 | |
said, "No, R defected to the Russians." I said, "Why?" He said, | 0:43:37 | 0:43:41 | |
"No, Y stayed here." I said, "I see." He said, "No, I works on his | 0:43:41 | 0:43:51 | |
0:43:51 | 0:43:57 | ||
own, and C is with MI5." I wish I Any way, if they are in training.... | 0:43:57 | 0:44:07 | |
0:44:07 | 0:44:21 | ||
Any way here they are in training! have to say, for a little boy from | 0:44:21 | 0:44:25 | |
Luton, it has been an exciting journey. I always wanted to be a | 0:44:25 | 0:44:31 | |
Bond girl, so I think I got quite close to that role. I wanted to do | 0:44:31 | 0:44:36 | |
Strictly because I love dancing. I am looking forward to changing my | 0:44:36 | 0:44:40 | |
body, getting fit and working with Kristina, who is incredibly intense. | 0:44:40 | 0:44:44 | |
I am determined to do well this year. I have a fantastic partner, | 0:44:44 | 0:44:49 | |
and I hope we're going to go all the way. I am going to be in bits! | 0:44:49 | 0:44:53 | |
LAUGHTER Sorry. It's a little too far. | 0:44:53 | 0:45:00 | |
I am a big old boy, so size makes an impact. I won't do that I won't | 0:45:00 | 0:45:06 | |
kick you in the heel. At this point, everything goes in a different | 0:45:06 | 0:45:13 | |
direction. I feel like a baby - oh, a ball! The first week I was here I | 0:45:13 | 0:45:20 | |
was a bit prenatal. I am just about making it now. I am going to whip | 0:45:20 | 0:45:25 | |
him into shape. When he misbehave, he goes into the corner. That's his | 0:45:25 | 0:45:30 | |
punishment. Back to my corner, yes. I am known for being strict. I | 0:45:31 | 0:45:35 | |
crack my whip just a little bit with him. Will I pass? Let's hope | 0:45:35 | 0:45:41 | |
it's an A, not a fail! Dancing the cha-cha-cha, Colin Salmon and his | 0:45:41 | 0:45:51 | |
0:45:51 | 0:45:51 | ||
Apology for the loss of subtitles for 48 seconds | 0:45:51 | 0:47:33 | |
feet - first week! Well, I don't think that's happened before. Colin, | 0:47:33 | 0:47:39 | |
Colin - oh, look at them. That was for you. And Colin, welcome to | 0:47:39 | 0:47:49 | |
0:47:49 | 0:47:53 | ||
Strictly Come Dancing. Thank you, after 9.00pm. I thought I'd have a | 0:47:53 | 0:47:55 | |
dry martini. APPLAUSE | 0:47:55 | 0:48:02 | |
Cheers. What about me? What about me? Oh. Thank you, dear. Thank you. | 0:48:02 | 0:48:08 | |
And it's gone 9.00pm, so time for my cocoa. Cheers. Cheers, Brucie. | 0:48:08 | 0:48:14 | |
Thank you, my love. Oh, lovely. Nice and thick - thick chocolate. | 0:48:14 | 0:48:19 | |
That was marvellous. Now, you fancy a pint of biters? I'm all right, | 0:48:19 | 0:48:22 | |
thank you. I was going to say, there is a pub across... Let me | 0:48:22 | 0:48:29 | |
just tell you this - the best cha- cha-cha of the night. Well done. | 0:48:29 | 0:48:34 | |
Well done, Kristina - you work well together - well together. Craig? | 0:48:34 | 0:48:39 | |
There were some moments in there we could have done without, quite | 0:48:39 | 0:48:42 | |
frankly, but a good first effort. Well, there are some judges we | 0:48:42 | 0:48:46 | |
could do without as well. APPLAUSE | 0:48:46 | 0:48:51 | |
You know, to be fair, to be fair - anymore to say? No. Oh, good. Good. | 0:48:51 | 0:48:56 | |
Well, it was - we all loved it, and to get a standing ovation on the | 0:48:56 | 0:48:59 | |
first week, that's something to live up to. I appreciate it. | 0:48:59 | 0:49:04 | |
careful. Off you go. Well done. Thank you! Colin and Kristina. Oh, | 0:49:04 | 0:49:14 | |
0:49:14 | 0:49:26 | ||
- best cha-cha of the night - how was it for you? I can't tell you | 0:49:26 | 0:49:31 | |
how much fun that was. It was a dream come true. I have thank | 0:49:31 | 0:49:34 | |
Kristina. Were you in 00 heaven? I think so. | 0:49:34 | 0:49:38 | |
We were too. It was fabulous. The judges loved it. We only heard from | 0:49:38 | 0:49:48 | |
0:49:48 | 0:50:07 | ||
It's two nights of Strictly back to back. If that's not enough for you, | 0:50:07 | 0:50:12 | |
get yourself over to our website for loads of juicy back-stage | 0:50:12 | 0:50:16 | |
gossip you'll not find anywhere else. How good was that? Back to | 0:50:16 | 0:50:18 | |
you, Bruce. Now for our final couple, Denise | 0:50:18 | 0:50:24 | |
Van Outen and her partner James Jordan. Yes. They should be a good | 0:50:24 | 0:50:32 | |
couple. Now, Denise, when Denise was younger, she started a version | 0:50:32 | 0:50:39 | |
of the wonderful French show Les Mis. Translated, that means "the | 0:50:39 | 0:50:43 | |
miserable ones." We have had a similar show here for years. It's | 0:50:43 | 0:50:45 | |
called EastEnders. LAUGHTER | 0:50:45 | 0:50:55 | |
0:50:55 | 0:51:03 | ||
to the original Essex girl, Denise Van Outen. I'm proud of my Essex | 0:51:03 | 0:51:07 | |
roots - not these roots because I have had them done. I am so excited | 0:51:07 | 0:51:12 | |
to be dancing on Strictly. It's proper razzmatazz. I can't wait. I | 0:51:12 | 0:51:17 | |
just want to get on there, and I want to get on there and do it. I | 0:51:17 | 0:51:20 | |
have used to being critiqueed because when I have done theatre | 0:51:20 | 0:51:23 | |
work I have been reviewed. This misconception that I have been | 0:51:23 | 0:51:26 | |
trained professionally - which I never had - I went to theatre | 0:51:26 | 0:51:30 | |
school when I was a kid. I am 38. That was a long time ago - a long | 0:51:30 | 0:51:38 | |
time ago! I find her hilarious. He's really mischievous, and so am | 0:51:38 | 0:51:43 | |
I. We've both got a really naughty streak inside of us, and it's going | 0:51:43 | 0:51:48 | |
to come out. I know it is. It's going to be fun. Watch out, Craig. | 0:51:48 | 0:51:53 | |
That's all I can say. The waltz is about posture, poise and elegance. | 0:51:53 | 0:51:59 | |
Denise does have moments in the waltz where her posture reminds me | 0:51:59 | 0:52:02 | |
of Kasi Moto. Posture. This is where you're going to struggle. | 0:52:02 | 0:52:08 | |
I hear from him is posture, poise, be graceful. Look at your shoulders | 0:52:08 | 0:52:14 | |
already. I'm not sure it's very me. Here we go. She has the attention | 0:52:14 | 0:52:19 | |
span of a fly. When you do the step as well, babe, not this way - stand | 0:52:19 | 0:52:25 | |
up. He's a right nag. He's driving me mad. Why you putting your chin | 0:52:25 | 0:52:29 | |
like that? I turn around and she's doing the funky chicken. | 0:52:29 | 0:52:39 | |
0:52:39 | 0:52:39 | ||
No, Denise, no. As long as I can make this waltz a little bit better | 0:52:39 | 0:52:42 | |
than Essex, I should be all right. Dance degree waltz, Denise Van | 0:52:42 | 0:52:52 | |
0:52:52 | 0:52:52 | ||
Apology for the loss of subtitles for 48 seconds | 0:52:52 | 0:54:46 | |
ovations - that's beautiful. And for the first week, wonderful, | 0:54:46 | 0:54:51 | |
really wonderful, absolutely. And I'd just like to announce, that | 0:54:51 | 0:54:57 | |
wasn't Tess and me singing. Bruno, we're going to start with you. | 0:54:57 | 0:55:06 | |
the need is so expressive. I could feel Every nuance of a blossoming | 0:55:06 | 0:55:09 | |
romance. Your turns were good. Your frame could be better. Sometimes | 0:55:09 | 0:55:14 | |
you really hit it. Sometimes it comes down. Work on that. Work on | 0:55:14 | 0:55:17 | |
your extensions, but I really enjoyed it. Beautiful. Beautiful. | 0:55:17 | 0:55:21 | |
OK. Craig? Saved the best until last, I say. | 0:55:21 | 0:55:31 | |
Oh. Oh. A man of few words - for a change - tonight. OK. And Len? | 0:55:31 | 0:55:36 | |
I must say, you know, you've got style with a smie. My expectations | 0:55:36 | 0:55:41 | |
are really high because I was expecting everything. Your footwork | 0:55:41 | 0:55:46 | |
- I saw you do a double reverse spin - well done. Your footwork | 0:55:46 | 0:55:51 | |
overall is - no heel leads, not one heel lead. Listen! It's just one | 0:55:51 | 0:55:56 | |
little part of the whole thing. The whole package is great. Footwork | 0:55:56 | 0:55:59 | |
needs to be worked on. Work on it, darling, but it was wonderful, and | 0:55:59 | 0:56:04 | |
they loved it. You know that off you go. Thank you. Well done indeed. | 0:56:04 | 0:56:14 | |
0:56:14 | 0:56:15 | ||
Come here, you gorgeous twosome - another standing ovation. Thank you. | 0:56:15 | 0:56:19 | |
Craig's best dance of the night - congratulations. There's a surprise. | 0:56:19 | 0:56:25 | |
Indeed. Do you think you have made that transition from Essex ladette | 0:56:25 | 0:56:29 | |
to lady? I don't know. Have I? Got to work on my heels. We didn't | 0:56:29 | 0:56:35 | |
speak about that much, did we? two are a naughty pair together? | 0:56:35 | 0:56:45 | |
0:56:45 | 0:56:55 | ||
dance nicely together! Scores are APPLAUSE | 0:56:55 | 0:57:00 | |
Seven - well done. All right. Here's the last dance of the night, | 0:57:00 | 0:57:04 | |
and our final scores are in, so let's take a look at the leader | 0:57:04 | 0:57:09 | |
board. Up at the top - we have just seen them dance - Denise and James | 0:57:09 | 0:57:18 | |
Remember, there is no public vote this week, and tomorrow the leader | 0:57:18 | 0:57:23 | |
board is going to change even more when our eight remaining stars | 0:57:23 | 0:57:33 | |
0:57:33 | 0:57:39 | ||
shake their groove thing for the live in front of millions. I don't | 0:57:39 | 0:57:42 | |
think I've ever been more terrified. I have done my fair few hours of | 0:57:42 | 0:57:46 | |
live television over the year, but nothing like this. Saturday night | 0:57:46 | 0:57:51 | |
for me is going to be terrifying. The worst part of it all is the few | 0:57:52 | 0:57:59 | |
minutes coming up to that very moment. The thing I fear most is | 0:57:59 | 0:58:05 | |
that - the unknown. I just want to make sure I go out there and just | 0:58:05 | 0:58:15 | |
smash it. It's quite scary. Not all fillies give a smooth ride the | 0:58:15 | 0:58:21 | |
first time out. You're either going to blossom, or you're going to | 0:58:21 | 0:58:31 | |
0:58:31 | 0:58:36 | ||
wither. I am so nervous. I think I has started in great style, with | 0:58:36 | 0:58:41 | |
six dancers down and eight to go. It's already like a weekend of | 0:58:41 | 0:58:46 | |
Strictly at its best. That's right. Six of our couples have a well- | 0:58:46 | 0:58:52 | |
deserved rest now, but join us next week to see how the other stars | 0:58:52 | 0:58:58 | |
cope under pressure. They're all nervously shaking in the sequence. | 0:58:58 | 0:59:02 | |
They're all there. We're back tomorrow at 6.30pm. Remember, that | 0:59:02 | 0:59:06 |