Browse content similar to Week 1 - Show 2. Check below for episodes and series from the same categories and more!
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Last night: Six celebrities Strictlified the nation! We saved | :00:21. | :00:25. | |
the best till last! Tonight, as eight more celebrities prepare for | :00:25. | :00:34. | |
battle, the UK is going ballroom crazy. What you doing this weekend? | :00:34. | :00:39. | |
I shall be glued to the telly, Strictly is on. Tonight, yes. | :00:39. | :00:44. | |
is your favourite? Richard Arnold will be amazing. Heavy glitter fall | :00:44. | :00:51. | |
across the North. Strictly is back. So good last night. Rise and fall! | :00:51. | :00:57. | |
Who will win this year? A sports person. Without a doubt. I like the | :00:57. | :01:02. | |
underdog. Johnny Ball. What about Louis? Good to have eye candy. | :01:02. | :01:09. | |
Afternoon, ladies. Strictly cake? Yes, please. Nicky has the moves! | :01:09. | :01:19. | |
:01:19. | :01:19. | ||
Apology for the loss of subtitles for 54 seconds | :01:19. | :02:13. | |
Hi, guys. Woah! Strictly Come Dancing! | :02:13. | :02:22. | |
Judges to the studio. Standby. Dancers to studio floor. Cameras on | :02:22. | :02:32. | |
:02:32. | :02:32. | ||
standby. Ten, nine, eight, seven, six, five... Standby. Two, one... | :02:32. | :02:40. | |
# I bought a new pair of shoes # I got a new attitude when I walk | :02:40. | :02:50. | |
:02:50. | :02:50. | ||
Apology for the loss of subtitles for 54 seconds | :02:50. | :05:00. | |
# I'm so over you Live from Television Centre, please | :05:00. | :05:10. | |
:05:10. | :05:16. | ||
welcome your hosts, Sir Bruce APPLAUSE | :05:16. | :05:23. | |
Oh, we did it! It's never been better. | :05:23. | :05:29. | |
Congratulations. That was lovely. Do sit down. It is embarrassing. | :05:29. | :05:31. | |
Good evening, ladies and gentlemen and children, welcome to Strictly | :05:31. | :05:35. | |
Come Dancing. It is nice to see you, to see you... | :05:35. | :05:40. | |
AUDIENCE: Nice! It is nice to see you, Brucie. Are you OK? You look | :05:40. | :05:45. | |
flustered? I am. My wife has started to read that new book, 50 | :05:45. | :05:53. | |
Shades of Grey. And as soon as she read the first chapter, she was | :05:53. | :05:57. | |
chasing me all round the place! What's wrong with that? We can't go | :05:57. | :06:05. | |
back to the library for a start. LAUGHTER I knew they would like | :06:05. | :06:14. | |
that one. Last night, six of our sequinned celebrities shimmied | :06:14. | :06:18. | |
their way across the dancefloor. Didn't they do well? Well, I | :06:18. | :06:22. | |
couldn't have done it better myself. Thanks. They can relax tonight as | :06:22. | :06:25. | |
we turn the spotlight on the remaining eight couples. That's | :06:25. | :06:31. | |
right. Let's stop talking about it. Let's do it. Because it's time to | :06:31. | :06:41. | |
:06:41. | :06:41. | ||
meet the stars of our show. good! From Girls Aloud, pop | :06:41. | :06:44. | |
princess, Kimberley Walsh and Pasha Kovalev. Nicky Byrne and Karen | :06:44. | :06:53. | |
Hauer. Fern Britton and Artem Chigvintsev. Michael Vaughan and | :06:53. | :07:03. | |
Natalie Lowe. Lisa Riley and Robin Windsor. Louis Smith and Flavia | :07:03. | :07:11. | |
Cacace. Tracy Beaker star Dani Harmer and Vincent Simone. Sid Owen | :07:11. | :07:21. | |
:07:21. | :07:21. | ||
and Ola Jordan. Denise Van Outen and James Jordan. Richard Arnold | :07:21. | :07:31. | |
and Erin Boag. Victoria Pendleton and Brendan Cole. Colin Salmon and | :07:31. | :07:41. | |
:07:41. | :07:41. | ||
Kristina Rihanoff. Jerry Hall and Anton Du Beke. Finally, Johnny Ball | :07:41. | :07:51. | |
:07:51. | :07:57. | ||
APPLAUSE What about it! Look at that. There | :07:57. | :08:04. | |
they are all are. You look wonderful. There they all are. | :08:04. | :08:07. | |
Ladies, you look stunning. Welcome to Strictly. Gentlemen, welcome to | :08:07. | :08:12. | |
the only place where Lycra, fake tan and sequins can turn you into a | :08:12. | :08:18. | |
REAL man! LAUGHTER I must get one of those vests, Robin! I must. | :08:18. | :08:25. | |
Lovely. Lisa, does it tickle when he dances close to you? Definitely. | :08:25. | :08:29. | |
Tickle the fantastic! LAUGHTER All right. Well... Shouldn't have asked. | :08:30. | :08:34. | |
It is all about the dancing this weekend and there is no voting | :08:34. | :08:39. | |
tonight. Our judges will still be scoring their routines. Those | :08:39. | :08:44. | |
scores carry on to next week's show. For you superfans, Karen Hardy will | :08:44. | :08:49. | |
be commenting on the proceedings, along with Jason Donovan. Nice! | :08:49. | :08:55. | |
There they are. APPLAUSE They are floating in mid-air. Modern | :08:56. | :09:00. | |
technology. Great to be here. Very exciting. OK. Good to see you back, | :09:00. | :09:04. | |
Jason. If you want to hear their banter, digital viewers can press | :09:04. | :09:11. | |
the red button. Our first couple - a bit of a hold up - our first | :09:11. | :09:18. | |
couple is Kimberley Walsh and her partner, Pasha Kovalev. APPLAUSE | :09:18. | :09:28. | |
Lovely. Now, to raise money for Comic Relief, Kimberley once | :09:28. | :09:31. | |
climbed Mount Kilimanjaro. This is true. Quite a few celebrities went | :09:31. | :09:36. | |
up there. And they did a programme on it. She asked me if I would | :09:36. | :09:40. | |
consider going up Mount Kilimanjaro. I said, "Have they got a | :09:40. | :09:45. | |
stairlift?" That's not funny! LAUGHTER It's cruel to mock the | :09:45. | :09:49. | |
aged. Right, here they are in training - I hate that. Here you | :09:49. | :09:57. | |
are in training. From the age of five, Kimberley | :09:57. | :10:01. | |
Walsh dreamt of pop stardom, but it wasn't until 2002 that her dream | :10:01. | :10:05. | |
came true. It is crazy to think that ten years ago I auditioned for | :10:05. | :10:13. | |
Pop stars The Rivals. Kimberley! Here we are, still going strong. | :10:13. | :10:17. | |
It's so much fun being in Girls Aloud. There is nothing better than | :10:17. | :10:21. | |
feeling like you have got the other four girls with you. It's that | :10:21. | :10:31. | |
:10:31. | :10:31. | ||
feeling of strength. Last year with Chelsea we came second. This year, | :10:31. | :10:35. | |
I'm hoping to go one place better. I'm very happy with Pasha as a | :10:36. | :10:42. | |
partner. I have been lucky. Knowing I'm going to be dancing with | :10:42. | :10:50. | |
Kimberley, I cannot wait to start. Can I go now?! Too much going on. | :10:50. | :10:55. | |
I'm dancing and then I see something and... That's too big. | :10:55. | :11:01. | |
doesn't look good. Immediately, I'm like oh! Stop. One more time. | :11:01. | :11:11. | |
:11:11. | :11:12. | ||
arms. It is OK. The main concern is she keeps challenging herself. | :11:12. | :11:17. | |
Lending Kimberley support is Nicola Roberts. She came to check that I'm | :11:17. | :11:22. | |
not going to shame the whole group. You can perform for me. I haven't | :11:22. | :11:29. | |
looked up and performed until now. That's crazy. I will be watching | :11:29. | :11:39. | |
:11:39. | :11:40. | ||
Kimberley this weekend. Everyone will love her. Your turn! Dancing | :11:40. | :11:50. | |
:11:50. | :11:50. | ||
Apology for the loss of subtitles for 54 seconds | :11:50. | :13:21. | |
the cha-cha-cha, Kimberley Walsh CHEERING AND APPLAUSE | :13:21. | :13:30. | |
How about that for a first off?! Look, already... Kimberley, look. | :13:30. | :13:36. | |
That's all for you. All for you. You deserve it. That was so full of | :13:36. | :13:42. | |
energy. So lovely. So together. It was wonderful. Before we go there, | :13:42. | :13:47. | |
let's welcome our judges - Craig, Darcey, Len and Bruno. Come on. | :13:47. | :13:56. | |
APPLAUSE That's enough! That's enough! It really is - we do have | :13:57. | :14:01. | |
an international panel. Craig was born in Australia. Don't know why! | :14:01. | :14:08. | |
LAUGHTER Now lives here unfortunately. LAUGHTER Darcey was | :14:08. | :14:13. | |
born here, but moved to Australia. Len of course is from London. We | :14:13. | :14:19. | |
all know where Bruno's from - another planet! LAUGHTER You are | :14:19. | :14:29. | |
happy there. I'm happy there. That's good. Len, what did you | :14:29. | :14:39. | |
:14:39. | :14:39. | ||
think of that first dance? Kimberley. That's her name! Oh... | :14:39. | :14:43. | |
Nimble Kimble... Is that a good thing? It was clean and precise. | :14:43. | :14:46. | |
That is lovely. It will bit more pressure through the floor, | :14:46. | :14:51. | |
especially on the Cuban break. Your legs have to be stronger. You know, | :14:51. | :14:56. | |
you can't win Strictly Come Dancing week one. You can make a fantastic | :14:56. | :15:01. | |
impression. That's what you just did. Exactly. APPLAUSE What did I | :15:01. | :15:08. | |
tell you? Yeah. OK, Bruno? Kimberley, you definitely know how | :15:08. | :15:16. | |
to sell it! You could sell ice to Eskimos. With just the right amount | :15:16. | :15:20. | |
of titillating sexy sheen. You did it beautifully. Len, you are right. | :15:20. | :15:24. | |
You have to push more through the leg. That will stretch it. It will | :15:24. | :15:28. | |
give you better hip action. Top half, you were going for it and I | :15:28. | :15:36. | |
loved it! The smile was there. was radiant. APPLAUSE Now, then, | :15:36. | :15:41. | |
Craig? We all hope you are in a better mood than last night. Well, | :15:41. | :15:51. | |
I am, as a matter-of-fact. Good! Finally, there is some dance | :15:51. | :15:56. | |
talent! Self-assured, confident, great rhythm, I thought the whole | :15:56. | :16:01. | |
thing was incandescent, darling. Absolutely. High praise indeed. | :16:01. | :16:05. | |
Darcey? For a first performance, you gave us the wow factor! Thank | :16:05. | :16:12. | |
you. I would just say a little bit to strengthen up the move, | :16:12. | :16:17. | |
especially the hip action. Think about your core. Then you will get | :16:17. | :16:22. | |
a cleaner hip - pow, pow, pow! Please can you bring back that wow | :16:22. | :16:27. | |
factor next week? I'll try. have got it. You have to use it. | :16:27. | :16:37. | |
:16:37. | :16:46. | ||
And flaunt it! Well done with her. Off you go. APPLAUSE | :16:46. | :16:51. | |
Nimble Kimble. I like that. You got the party started and then some! | :16:51. | :16:55. | |
Standing ovation, which I imagine you are used to in your day job. | :16:55. | :16:59. | |
How does being on the dancefloor compare to being on stage with | :16:59. | :17:03. | |
Girls Aloud? Very kind of exposed, but I did really enjoy it and I | :17:03. | :17:08. | |
tried to kind of be in the moment and it was fun. Pasha, is she | :17:08. | :17:15. | |
everything you dreamt for in a partner? Absolutely. In a nutshell. | :17:15. | :17:25. | |
:17:25. | :17:38. | ||
The judges' scores are in. CHEERING AND APPLAUSE | :17:38. | :17:45. | |
All the sevens! Does that feel good? Yes. Very strong start. | :17:45. | :17:49. | |
Kimberley has kicked us off in style. She has given the other | :17:49. | :17:53. | |
couples a lot to think about. Are you ready for more, ladies and | :17:53. | :17:57. | |
gentlemen? AUDIENCE: Yes! Who is next, Bruce? | :17:57. | :18:05. | |
Next up is Sid Owen and his partner, Ola Jordan. APPLAUSE Now after | :18:05. | :18:09. | |
working so long on EastEnders, Sid is thrilled to be doing Strictly. | :18:09. | :18:14. | |
He said at least on this show there won't be a big punch-up when some | :18:14. | :18:20. | |
bloke thinks I'm after his wife. I said, "Have you met Ola's husband?" | :18:20. | :18:29. | |
Look at the guns on him! LAUGHTER They don't call him Jesse James | :18:29. | :18:35. | |
Jordan for nothing! Here they are in training. Sid Owen has been a | :18:35. | :18:40. | |
familiar face in EastEnders for over 20 years. What was his | :18:40. | :18:47. | |
character's name again? Ricky! Ricky! Shut up! EastEnders in the | :18:47. | :18:53. | |
'80s was a huge programme, 25 million watched it. When I got that, | :18:53. | :18:56. | |
I couldn't believe my luck. I remember my first scene was in the | :18:56. | :19:04. | |
pub playing on the fruit machine with Mike Reid. This is good! | :19:04. | :19:09. | |
name is Ola Jordan. I'm a past Strictly Come Dancing Champion. | :19:09. | :19:18. | |
knew I was doing Strictly and all I wanted was Ola. Wow! Can't believe | :19:18. | :19:24. | |
it. Dreams do come true. I dreamt about this! Did you really? I am | :19:24. | :19:28. | |
looking forward to start training with Sid. I wanted to see how | :19:28. | :19:34. | |
difficult he is going to be to get to that final. Ola is a taskmaster. | :19:34. | :19:39. | |
She is straight to the point. Elbows. No beating around the bush. | :19:39. | :19:46. | |
Elbow up! She is kicking me into gear. Strictly Ola! I have to keep | :19:46. | :19:52. | |
Ricky on his... What's his name? Sid, OK. There's a few issues. | :19:52. | :19:57. | |
Where am I? The timing needs work. You need to move to the side. Your | :19:57. | :20:02. | |
body has turned too much. There are a lot of things that need work. | :20:02. | :20:07. | |
Another thing... Oh! If it is not good, I will tell you it's not good. | :20:07. | :20:12. | |
Dancing with my Dad at a wedding! That's nice. I was over the moon. | :20:12. | :20:20. | |
Now, I'm not doing this any more! Is there any chance we can change? | :20:20. | :20:30. | |
:20:30. | :20:30. | ||
Apology for the loss of subtitles for 54 seconds | :20:30. | :22:22. | |
Dancing the waltz, Sid Owen and Ola CHEERING AND APPLAUSE Look at them | :22:22. | :22:32. | |
:22:32. | :22:37. | ||
again! Sid, look at that. Look at this. Wonderful. Sid, absolutely | :22:37. | :22:41. | |
marvellous. Look, what I loved about it is you acted the dance as | :22:41. | :22:48. | |
well. You put that into it. He was brilliant. It is not hard! She is a | :22:48. | :22:55. | |
darling. As always, let's show your appreciation to our fabulous | :22:55. | :22:59. | |
singers, Dave Arch and his wonderful orchestra. | :22:59. | :23:07. | |
CHEERING AND APPLAUSE Lovely. Now, then, Bruno? Look | :23:07. | :23:13. | |
out... Sid, I cannot believe it! LAUGHTER I was expecting a thug | :23:13. | :23:19. | |
throwing her all over the place. I'm having intensity, correct | :23:19. | :23:27. | |
posture, erection... LAUGHTER it was, you were - shut up! You | :23:27. | :23:31. | |
created the mood so well, your frame, you held it all the way | :23:31. | :23:35. | |
through. Your footwork wasn't bad. I was pleasantly surprised. This | :23:35. | :23:42. | |
was very, very good. APPLAUSE Yes. The posture, that's what you mean! | :23:43. | :23:52. | |
Of course. Craig, did you agree? Yes, on certain points. Your arms | :23:52. | :23:58. | |
when placed, they were a bit plonky - you need to think about that. | :23:58. | :24:05. | |
Speaking of your hands, your thumb needs to be tucked under, not flat. | :24:05. | :24:10. | |
Small thing, but I thought great movement around the floor and | :24:10. | :24:16. | |
fantastic storytelling. Well done. Thank you. APPLAUSE Darcey, have | :24:16. | :24:21. | |
you anything to add to that? Sid, you presented yourself so well. | :24:21. | :24:26. | |
There was this great intensity between you and Ola and you carried | :24:26. | :24:30. | |
that all through the way through. I would only say one thing. Your | :24:30. | :24:36. | |
shoulders, when you change direction, you must not use this. | :24:36. | :24:41. | |
You change direction, so it must come from your core. But I'm going | :24:41. | :24:46. | |
to love watching you every week. You have something very special. | :24:46. | :24:55. | |
Lovely. APPLAUSE Now, then, Len, round that off? You scrub up well! | :24:55. | :25:02. | |
You have gone from Albert Square to Barclays Square! It was a bit | :25:02. | :25:07. | |
dainty, that walk-in. I was shaking! Once you got cracking, it | :25:07. | :25:10. | |
had good movement, your posture was pretty good, your footwork was | :25:10. | :25:15. | |
pretty good. Odd little things, you fell back on the whisk. Your right | :25:15. | :25:23. | |
shoulder keeps leaning. But, Sid, good job! APPLAUSE Be proud, both | :25:23. | :25:29. | |
of you. You have got a wonderful partner. Off go. Sid and Ola! | :25:29. | :25:39. | |
:25:39. | :25:43. | ||
APPLAUSE Wow! What a surprise. Such emotion. The new Ricky and Bianca | :25:43. | :25:51. | |
of Strictly! She's got a trap like Bianca! LAUGHTER How was it for | :25:51. | :25:59. | |
you? I loved it. I'm glad it's over. Is that pure relief? Completely. | :25:59. | :26:04. | |
you see potential? I do. I always did from the first day I did. Yes. | :26:04. | :26:09. | |
There was never a dancer there, she will drag it out of you. The scores | :26:09. | :26:19. | |
:26:19. | :26:34. | ||
are in. It is time for the judges' CHEERING AND APPLAUSE | :26:34. | :26:40. | |
Very exciting seven there from Len. A seven from Len! We will soon be | :26:40. | :26:43. | |
putting on the glitz with Louis Smith. He will be busting some | :26:43. | :26:48. | |
moves and Jerry Hall is going to be stalking the dancefloor! Two words | :26:48. | :26:54. | |
- can't wait! Back to you, Bruce. Now, then, during the premiere | :26:54. | :26:58. | |
three weeks' ago, Johnny Ball was partnered with Aliona Vilani. After | :26:58. | :27:06. | |
two weeks of training, unfortunately this happened. | :27:06. | :27:10. | |
boffin Johnny Ball has presented numerous shows during his career. | :27:10. | :27:16. | |
There is more to pye than meets the eye. Perhaps he is best-known for | :27:16. | :27:23. | |
Think Of A Number. That was some time ago. I have that hair still, | :27:23. | :27:28. | |
it's in a shoebox under the bed! I'm the oldest contestant to do the | :27:28. | :27:36. | |
series. I will get fitter and fitter, hopefully, and better at | :27:36. | :27:41. | |
dancing. Aliona Vilani. When I got Aliona, I thought poor kid, she's | :27:41. | :27:47. | |
got me. You are in safe hands. Johnny has an amazing personality. | :27:47. | :27:55. | |
We will showcase that. He really might surprise people. The progress | :27:55. | :28:03. | |
is from zero to a few bits I can do. In a freak training room accident, | :28:03. | :28:13. | |
it's disaster for Aliona. You OK? Hold on. I twisted my ankle really | :28:13. | :28:23. | |
:28:23. | :28:25. | ||
badly. I just had the x-ray done and my ligaments are pulled. I am | :28:25. | :28:30. | |
really upset and very sad. injury meant a temporary dance | :28:30. | :28:38. | |
partner had to step in. My name is Iveta Lukosiute. We have two days | :28:38. | :28:42. | |
to rehearse. Johnny seems like he knows what he is doing. He will | :28:42. | :28:46. | |
show all those young guys what he can do. I have had two partners now. | :28:46. | :28:54. | |
I want them all to be proud of me. Dancing the cha-cha-cha, Johnny | :28:54. | :29:04. | |
:29:04. | :29:04. | ||
Apology for the loss of subtitles for 54 seconds | :29:04. | :30:48. | |
CHEERING AND APPLAUSE Well done. What a start. Well done. | :30:48. | :30:58. | |
:30:58. | :31:02. | ||
that(!) Thank you for stepping in at the last minute. My pleasure. | :31:02. | :31:09. | |
are very grateful. APPLAUSE Now, Craig? I have never really been a | :31:09. | :31:19. | |
big fan of miming, darling. I would very distracting. Also, it looked | :31:19. | :31:24. | |
like you had some sort of disorder, darling, of the central nervous | :31:24. | :31:29. | |
system. There were jerky spasms all the way through. A little bit more | :31:29. | :31:33. | |
fluidity would be good. More fluidity to look for. Have a few | :31:33. | :31:43. | |
drinks before you come on. Darcey? Great energy. APPLAUSE | :31:43. | :31:49. | |
surprised me. It was beautiful. The energy you kept it up. Sadly, you | :31:49. | :31:56. | |
have been unlucky with your partners. One tip I have - when you, | :31:56. | :32:00. | |
your weight is always on your heels. In Latin you must be on the ball of | :32:00. | :32:06. | |
your foot. Try and remember this for your next Latin dance. OK. | :32:06. | :32:14. | |
Johnny Ball. Good points. Well done. Now, then, Len? It was all a bit | :32:14. | :32:21. | |
Last Of The Summer Wine! LAUGHTER Let me tell you this: You had good | :32:21. | :32:24. | |
timing, there was plenty of content, you got out and performed it. | :32:24. | :32:28. | |
There's a lot of people of a similar age to you would like to be | :32:28. | :32:35. | |
able to get out and move like that. Well done. APPLAUSE A good call. A | :32:35. | :32:43. | |
very good call. I think if you try, Len, you could do that! I couldn't | :32:43. | :32:51. | |
do it! All right, Bruno? You failed the MoT! The engine needs retuning. | :32:51. | :32:57. | |
On the plus side, you completed the lap. And that takes some doing. It | :32:57. | :33:01. | |
is very hard, a fast dance. I am looking forward to your ballroom. | :33:01. | :33:08. | |
That will suit your model a bit more. The ballroom he will ExCel. | :33:08. | :33:18. | |
:33:18. | :33:25. | ||
We can't wait! -- excel. We can't wait! APPLAUSE Here's Johnny! | :33:25. | :33:31. | |
Safe to say it's been an eventful week. Lots of drama. It has. Has it | :33:32. | :33:36. | |
been worthwhile? I didn't turn up for the first step. So, no, a lot | :33:36. | :33:42. | |
of drama, but it is lovely to be here. Len and Darcey were loving | :33:42. | :33:48. | |
your energy. You are a global superstar, how are you finding our | :33:48. | :33:50. | |
Strictly ballroom? Strictly ballroom is such a warm and | :33:50. | :33:55. | |
pleasant atmosphere. Thank you for having me here. You are amazing. | :33:55. | :34:02. | |
APPLAUSE I want to tell all the young boys, start practising and | :34:02. | :34:10. | |
shaping up because this man is a REAL man! He has a lot of energy. | :34:10. | :34:20. | |
:34:20. | :34:38. | ||
17. Will you show them what for next week? We will have to! What | :34:38. | :34:42. | |
else can we expect to see in the Strictly ballroom tonight? There is | :34:42. | :34:47. | |
plenty more in store. Back to you, Bruce. Right. Our next couple is | :34:47. | :34:55. | |
Dani Harmer and her partner, Vincent Simone. APPLAUSE Now, then, | :34:55. | :35:01. | |
when she starred in that very popular children's TV show, Tracy | :35:01. | :35:08. | |
Beaker, Dani's catchphrase was "bog off". Bog off! I might try that | :35:08. | :35:12. | |
next week. Good evening, ladies and gentlemen and children, welcome to | :35:12. | :35:16. | |
Strictly Come Dancing, now you can all bog off! LAUGHTER I think that | :35:16. | :35:25. | |
could catch on. I really do. Anyway, here they are in training. | :35:25. | :35:30. | |
years as one of the BBC's biggest child stars has left Dani Harmer | :35:30. | :35:36. | |
with nothing left to hide. started Tracy Beaker when I was 12. | :35:36. | :35:41. | |
So I pretty much grew up on television. And all the worst years | :35:41. | :35:47. | |
of your life that you don't want documented, spots, braces, frizzy | :35:47. | :35:56. | |
hair. It's all in the archive of the BBC. I might work on kids' TV, | :35:56. | :36:00. | |
so people think I'm sweet and innocent - which I am. I can shake | :36:00. | :36:05. | |
my booty like the rest of them. Dani's boy will be... My heart was | :36:05. | :36:12. | |
going out of my chest. Vincent Simone! I was so excited. Women | :36:12. | :36:17. | |
think I'm a fantasy, but I am real. Dani is definitely a dream partner. | :36:17. | :36:23. | |
She is young, she is fit and she's got the moves. Obviously, we are | :36:23. | :36:28. | |
tiny. We are like a pair of Polly Pockets, but we are not to be | :36:28. | :36:32. | |
messed with. That is really fast. The waltz you would think is quite | :36:32. | :36:39. | |
relaxed and slow, but it's a lot faster than you think. OK. That | :36:39. | :36:43. | |
fast. We are so little, we have to be faster than anyone else. Speed, | :36:43. | :36:48. | |
speed, speed. That's it. We create a resistance, so I can make you go | :36:48. | :36:53. | |
faster. All these dancers with the massive long legs, we don't have | :36:53. | :36:57. | |
that luxury. So we have to be speedy. There are lots of spins. I | :36:57. | :37:00. | |
don't know whether I'm coming or going. Hopefully, I can get up to | :37:00. | :37:08. | |
speed by the time we hit that dancefloor. Dancing the waltz, Dani | :37:08. | :37:18. | |
:37:18. | :37:18. | ||
Apology for the loss of subtitles for 54 seconds | :37:18. | :38:56. | |
CHEERING AND APPLAUSE What about that! | :38:56. | :39:04. | |
Beautiful. Absolutely - look, Dani, look what you've done. Look what | :39:04. | :39:09. | |
you've done. Don't look so worried. You two look so cute together, you | :39:09. | :39:16. | |
should be on a wedding cake! LAUGHTER Don't be like that. The | :39:16. | :39:21. | |
choreography was beautiful. You have a good one there. Darcey? | :39:21. | :39:27. | |
I was impressed with your travelling, so forget about being a | :39:27. | :39:30. | |
Polly Pocket. Dance is about creating an illusion and you did | :39:30. | :39:34. | |
that. To help with your top line, imagine you have the most beautiful | :39:34. | :39:39. | |
necklace on and that will help with your posture. But I know you will | :39:39. | :39:45. | |
have a lot more fun in the Latin next week. You are doing a good job. | :39:45. | :39:52. | |
OK. APPLAUSE Now, then, Len? It's all in the detail. That is what you | :39:52. | :39:58. | |
have to work on. It was close, just needs better posture, slightly | :39:58. | :40:02. | |
better footwork. I love that leg thing when you was on one leg and | :40:02. | :40:07. | |
Vincent was there holding you up and the spins on your own were a | :40:07. | :40:11. | |
bit wobbly. But I thought it was very nice. Lovely movement and well | :40:11. | :40:19. | |
done to you. Exactly. APPLAUSE Have you stopped shaking? OK, Bruno? | :40:19. | :40:25. | |
Dani, smile! Enjoy the occasion. You are a pretty girl. You move | :40:25. | :40:30. | |
very well. But all the tension you create stops the movement to flow. | :40:30. | :40:35. | |
The waltz is a flowing dance. Then you get a bit anxious and you start | :40:35. | :40:39. | |
skipping like a kangaroo! It's not the style of the dance. The talent | :40:39. | :40:44. | |
is there. It is using it correctly as Len said. You need to relax, | :40:44. | :40:50. | |
because you have it all. You have to use it correctly. Yes. Let's all | :40:50. | :40:55. | |
remember it is the first week and well done for the first week. We | :40:55. | :41:05. | |
:41:05. | :41:07. | ||
couldn't go without Craig having his say. When you -- you need to | :41:07. | :41:11. | |
lengthen the line. When you spin, my darling, don't spot the floor. | :41:11. | :41:15. | |
That is where you are going wrong. You have the whole capacity to do | :41:15. | :41:19. | |
them beautifully. Also, I thought you had a beautiful back as well. | :41:19. | :41:25. | |
You have a lovely back. APPLAUSE I think she's got a nice front as | :41:25. | :41:33. | |
well! You have plenty of front. Off you go. Well done the pair of you. | :41:33. | :41:43. | |
:41:43. | :41:44. | ||
APPLAUSE Here they are. Our tiny dancers. What a first dance. You | :41:45. | :41:52. | |
must be happy? I am over the moon. As long as Papa Smurf is happy, I'm | :41:52. | :41:59. | |
happy. You look scared when Craig was saying his bit? Terrified. | :41:59. | :42:05. | |
you think the lack of height is an advantage? Definitely. My life | :42:05. | :42:10. | |
turned out OK! I struggled at the beginning. Lower centre of gravity | :42:10. | :42:17. | |
is always good. You are not the two tiniest dancers on this show, THEY | :42:17. | :42:25. | |
are! A tiny Vincent and a tiny Dani. They can be your mascots. A gift | :42:25. | :42:35. | |
:42:35. | :42:51. | ||
from us. Ladies and gentlemen, the 21 out of 40. That is good. They | :42:51. | :42:57. | |
are shouting "harsh". Good things come in small packages. We are | :42:57. | :42:59. | |
half-way through tonight's performances, with four couples | :42:59. | :43:08. | |
still to come. Who is up next? is our 11th couple, it is Lisa | :43:08. | :43:16. | |
Riley and her partner, Robin Windsor. APPLAUSE Now, then, Lisa | :43:16. | :43:21. | |
has said publicly - it's been in all the newspapers - if Craig is | :43:21. | :43:26. | |
rude to her, she will go up to him after the show and punch him. I | :43:26. | :43:31. | |
said no, no, don't wait till after the show! We don't want to miss a | :43:31. | :43:35. | |
moment like that, do we? AUDIENCE: No! Do we? | :43:35. | :43:41. | |
AUDIENCE: No! We will see what happens. I can't wait. Here they | :43:41. | :43:50. | |
are in training. Lisa Riley spent years dressing down for the camera | :43:50. | :44:00. | |
:44:00. | :44:00. | ||
as Mandy Dingle on Emmerdale. So, how is she going to react to being | :44:00. | :44:06. | |
Strictlified? A bit of mud on me hands because I'm always playing a | :44:06. | :44:12. | |
minger! Can we change the record? Now I get full make-up and | :44:12. | :44:18. | |
everything. I'm glam now. I keep having a look of myself and taking | :44:18. | :44:26. | |
pictures on me phone of myself! Who am I trying to kid?! I think | :44:26. | :44:30. | |
everybody was able to see how excited I was that I had Lisa as my | :44:30. | :44:35. | |
partner. I felt like a Princess. Because of the way he looks, I melt. | :44:35. | :44:43. | |
And I go - I'll do anything you say! You are so gorgeous! In that | :44:43. | :44:49. | |
gorgeous body, I want to kiss him all day long. If he will let me! | :44:49. | :44:59. | |
:44:59. | :44:59. | ||
Two and three and... I am loving the cha-cha. Robin will say turn! | :44:59. | :45:07. | |
That's a swisho or a twizle for me! Then we go into the big waltzes. | :45:07. | :45:17. | |
:45:17. | :45:20. | ||
don't know what any of that means. You do. Twizzle? Bap, bap. It is my | :45:20. | :45:30. | |
:45:30. | :45:36. | ||
own Da Vinci Code. Dancing the cha- cha-cha, Lisa Riley and Robin | :45:36. | :45:46. | |
:45:46. | :45:46. | ||
Apology for the loss of subtitles for 54 seconds | :45:46. | :47:34. | |
What about that?! Can you believe it? Lisa and Robin, that was | :47:34. | :47:44. | |
:47:44. | :47:45. | ||
fantastic! I can't stop them! CHEERING AND APPLAUSE | :47:45. | :47:53. | |
That was fantastic! Wait till you see that! They should give the | :47:53. | :48:00. | |
freedom of the City of London, I really do. It was... Bless you. | :48:01. | :48:10. | |
:48:11. | :48:11. | ||
was marvellous. Len? You are a funky monkey! You are like a fizzy | :48:11. | :48:20. | |
bottle of Cola. All refreshing and bubbly. Robin is like a Brillo pad! | :48:20. | :48:25. | |
I thought it was great. What it lacked in technique, it made up for | :48:25. | :48:33. | |
in energy, enthusiasm and fun! APPLAUSE That was well said, Len. | :48:33. | :48:43. | |
:48:43. | :48:44. | ||
Bruno? Lisa, that was grand, big, beautiful, exuberant, with plenty | :48:44. | :48:48. | |
of cheek, sense of theatre, the room - I never seen people so happy. | :48:48. | :48:58. | |
:48:58. | :49:04. | ||
I love you. I love you. APPLAUSE Ding, Ding, seconds out? Craig? | :49:04. | :49:14. | |
:49:14. | :49:15. | ||
Three words, darling, you can dance! Go give him a kiss. I told | :49:15. | :49:23. | |
her to do it! I won't thump him! You didn't need telling, you were | :49:23. | :49:29. | |
going to kiss him anyway. You can dance. Wonderful. Darcey? I love | :49:29. | :49:33. | |
someone who can take risks. That was a great and an amazing end. | :49:33. | :49:39. | |
Well done. You are cheeky, you are fun. You will be a joy to watch | :49:39. | :49:46. | |
through this show. She is a joy now. APPLAUSE Off you go! Be proud, be | :49:46. | :49:56. | |
:49:56. | :49:57. | ||
proud! CHEERING AND APPLAUSE | :49:57. | :50:02. | |
How much fun was that?! We absolutely loved it. The judges | :50:02. | :50:12. | |
:50:12. | :50:13. | ||
loved it. How were your twizzle serks and bap baps -- twizzles and | :50:13. | :50:20. | |
bap baps? We forgot that. Will you be doing all the lifts? I'm getting | :50:20. | :50:24. | |
bigger. I will get there! She beat me in an arm wrestle. The scores | :50:24. | :50:34. | |
:50:34. | :50:56. | ||
APPLAUSE Madness! You can dance. That's the highest score of the | :50:56. | :51:06. | |
:51:06. | :51:07. | ||
weekend so far. APPLAUSE Have you got a favourite? Don't decide yet | :51:07. | :51:12. | |
because there are still three more left to dance. I'm so excited. Back | :51:12. | :51:18. | |
to you, Bruce. I can't get over it myself. Wonderful. Now, for our | :51:18. | :51:27. | |
next couple Richard Arnold and his partner, Erin Boag. APPLAUSE Yes. | :51:27. | :51:34. | |
Now, Richard is a TV critic which means he watches other people try | :51:34. | :51:43. | |
their hardest then he criticises them. What a disgusting way to earn | :51:43. | :51:48. | |
a living! LAUGHTER You should be ashamed of yourselves. Anyway, here | :51:49. | :51:58. | |
:51:59. | :52:00. | ||
they are in training. Daybreak's Richard Arnold is no stranger to | :52:00. | :52:04. | |
the sequins of showbiz. But he is normally the one asking the | :52:04. | :52:08. | |
questions. Everyone is more interested in what Strictly is | :52:08. | :52:12. | |
like... Is it true you are doing Strictly? Yes. People are so | :52:12. | :52:16. | |
passionate about Strictly. don't know what you have let | :52:16. | :52:20. | |
yourself in for! The dancer you will be sharing all your gossip | :52:20. | :52:30. | |
with is Erin Boag. I love Richard. He is so much fun and he is so | :52:30. | :52:38. | |
bubbly. He is like a big bundle of energy. I think she is such a class | :52:38. | :52:43. | |
act. I'm in awe of her. He thinks he is in heaven. He is like, "I'm a | :52:43. | :52:49. | |
dancer!" He is not much of a dancer, but hopefully we will do something | :52:49. | :52:53. | |
with that. The waltz has been a revelation. Arms, arms. You have an | :52:53. | :53:00. | |
image of couples gliding around the dancefloor, full of grace. I'm like | :53:00. | :53:09. | |
a collapsed pav low va. With plenty of fruit! -- Pavlova. With plenty | :53:09. | :53:15. | |
of fruit! Turn your hips! Erin has put me in a position I haven't been | :53:15. | :53:19. | |
in for many years. He did say he notices he walks differently. That | :53:19. | :53:24. | |
is through the dancing. He will thank me later. For what? I love | :53:24. | :53:28. | |
Erin. Against all odds, she may well have turned me into a ballroom | :53:28. | :53:33. | |
dancer. I'm a dancer! You're a dancer. I hope I don't let her down | :53:33. | :53:43. | |
:53:43. | :53:43. | ||
Apology for the loss of subtitles for 54 seconds | :53:43. | :55:25. | |
on the night. Dancing the waltz, Well done, Richard. Lovely. Well | :55:25. | :55:31. | |
done, indeed. You had a hard act to follow. That was wonderful. | :55:31. | :55:37. | |
girdle! It's gone again. Now, you are a TV critic. How do you feel | :55:37. | :55:42. | |
about facing this lot right now? They've got hearts like swinging | :55:42. | :55:47. | |
bricks, I don't stand a chance! will be all right. We will start | :55:47. | :55:54. | |
with Bruno. Richard, what happened to you? I was expecting a camp-fest. | :55:54. | :55:57. | |
It looked like you were sedated. Nothing was happening. Are you | :55:57. | :56:05. | |
trying to be butch? LAUGHTER There you go! I'm back. Are you trying to | :56:05. | :56:14. | |
be butch? It was a bit boring. It was niceish, wasn't brilliant. I | :56:14. | :56:17. | |
want to see your personality. I want to see something happening. | :56:17. | :56:24. | |
had a lovely half-smile. He had a look like he was on Valium! Heavily | :56:24. | :56:31. | |
medicated. All right, have you finished? Yes. Craig? I can't agree | :56:31. | :56:38. | |
with Bruno. I thought the smile was very, very lovely. APPLAUSE | :56:38. | :56:45. | |
thought it was very romantic. Thank you, darling. LAUGHTER I thought it | :56:45. | :56:52. | |
was a very romantic routine. What a lovely moment. Your transitions are | :56:52. | :56:58. | |
a bit lumpy and your hands are a bit like that. They need sorting | :56:58. | :57:05. | |
out. A good effort. Darcey? missed the real Richard in that | :57:05. | :57:14. | |
waltz. You are usually full of life. I missed it. If you feel the nerves, | :57:14. | :57:18. | |
take that music home with you, yes? Listen to it when you are cooking, | :57:18. | :57:23. | |
in the bath, so you feel really relaxed on that dancefloor again. | :57:23. | :57:29. | |
That is what will happen. Len? cha-cha-cha, you can do what you | :57:29. | :57:36. | |
like, you can wink on one, shake your bum, this is a waltz. It's got | :57:36. | :57:42. | |
very, very strict techniques. Your footwork was the best of any waltz | :57:42. | :57:49. | |
I have seen. APPLAUSE Your posture was OK. OK, there's moments where | :57:49. | :57:54. | |
it could have been better, but that's the same for everyone we | :57:54. | :57:58. | |
have watched. You can't make a waltz into a cha-cha and how anyone | :57:58. | :58:03. | |
can say a waltz is boring. It is one of the most beautiful of all | :58:03. | :58:08. | |
the dances and you came out and gave it a great job. Richard, I'm | :58:08. | :58:18. | |
:58:18. | :58:19. | ||
going to call you Tricky Dickie. I'll take it! I have had so much | :58:19. | :58:24. | |
worse! And sophisticated. Well done with him. Thank you very much. | :58:24. | :58:34. | |
:58:34. | :58:41. | ||
will be a good team. Off you go. Take care. APPLAUSE Tricky Dickie! | :58:41. | :58:49. | |
Tess. That is the first time Craig has got flowers on this show! | :58:49. | :58:54. | |
were thorns! That was Len's favourite footwork. Coming from Len, | :58:54. | :58:57. | |
that is amazing. Erin said the minute you step out on those stairs, | :58:57. | :59:02. | |
you are part of the Strictly family. Here they are. It is the same for | :59:02. | :59:06. | |
everyone. It is just a privilege to be here. This one, you are | :59:06. | :59:14. | |
magnificent. You are a pleasure to be with. It is Erin, isn't it? | :59:14. | :59:18. | |
LAUGHTER Will we see a fun Richard making a return? There is no safe | :59:18. | :59:22. | |
place to rest your eyes when I'm doing the cha-cha-cha! The scores | :59:22. | :59:32. | |
:59:32. | :59:52. | ||
A seven. You're a dancer! I'm a A seven. You're a dancer! I'm a | :59:52. | :59:59. | |
dancer. If you are feeling social, log on the Facebook or you can | :59:59. | :00:03. | |
log on the Facebook or you can Twitter. See you online. Thanks, | :00:03. | :00:13. | |
:00:13. | :00:14. | ||
Tess. Our penultimate - our last couple but one - shut up - is Jerry | :00:14. | :00:24. | |
:00:24. | :00:25. | ||
Hall and her partner Anton Du Beke. APPLAUSE It was penultimate! I can | :00:25. | :00:29. | |
say that! Jerry has fallen head over heels in love with Anton. She | :00:29. | :00:34. | |
asked me if there was a Mrs Du Beke at home. I said, "Oh yes, Anton | :00:34. | :00:43. | |
still lives with his mother!" LAUGHTER Anyway, here they are in | :00:43. | :00:52. | |
training. Supermodel Jerry Hall is used to living the dream. But will | :00:52. | :00:57. | |
she be Strictly's Dancing Queen? do sometimes pinch myself still | :00:57. | :01:03. | |
because I have led such a wonderful life. It was lovely to see your | :01:03. | :01:08. | |
face on all the magazines. The travelling, the Rolling Stones in | :01:08. | :01:16. | |
their private plane. It was a bit of a handful. Jerry Hall is | :01:16. | :01:22. | |
beautiful and glamorous and sophisticated and funny. She is the | :01:22. | :01:27. | |
whole package! The moment I found out that Anton was my partner, I | :01:27. | :01:34. | |
was really pleased. I feel like that penguin in Happy Feet. In the | :01:34. | :01:38. | |
beginning, I thought I just don't want to be voted off the first week. | :01:38. | :01:43. | |
But now that I have got Anton, I think we are going to win this | :01:43. | :01:51. | |
thing! I am the luckiest man in the whole world. I get to dance with | :01:51. | :02:00. | |
Jerry Hall. She has such a natural flair so I always don't want to get | :02:00. | :02:07. | |
in her way. She keeps coming up with bits of gold. This bit here, | :02:07. | :02:13. | |
fantastic. I think, "I've never thought of using that." Yeah! | :02:13. | :02:17. | |
is wonderful the way he's always giving me compliments. That's my | :02:17. | :02:24. | |
favourite step ever(!) He is very charming. Good arm. I can't think | :02:24. | :02:32. | |
of a better way to spend my day. Heaven! | :02:32. | :02:42. | |
:02:42. | :02:42. | ||
Apology for the loss of subtitles for 54 seconds | :02:42. | :04:13. | |
Dancing the cha-cha-cha, Jerry Hall CHEERING AND APPLAUSE | :04:13. | :04:19. | |
Well done, Jerry. Yes! Let's hear it for Jerry and Anton. APPLAUSE | :04:19. | :04:28. | |
That was lovely. What a couple. Now, Craig? You have certainly taken | :04:28. | :04:34. | |
minimal to a whole new level, darling. LAUGHTER Awful lot of | :04:34. | :04:44. | |
wriggling about, I thought. does it so wonderfully, I thought | :04:44. | :04:52. | |
she walks, stands, wiggles... wise. There's not much else! We are | :04:52. | :05:01. | |
starting gently and working our way up, thank you! LAUGHTER Lovely. | :05:01. | :05:11. | |
:05:11. | :05:13. | ||
Have you finished? I have. Darcey? You have the ability, you have the | :05:13. | :05:17. | |
assets, use them, dance more! Anton, get her to work harder on those | :05:17. | :05:24. | |
steps. Not the poses, we know you are stunning when you pose, Jerry. | :05:24. | :05:30. | |
All right, Len? I thought it was pretty good. It was a bit careful. | :05:30. | :05:36. | |
Jerry, I... Careful? I want to be excited. Come on. Next week. Excite | :05:36. | :05:46. | |
:05:46. | :05:49. | ||
me! APPLAUSE Do you think you could excite Len? Definitely. Wait till | :05:49. | :05:57. | |
you see my foxtrot. What was that? Wait till you what? See my foxtrot. | :05:57. | :06:07. | |
:06:07. | :06:12. | ||
Can't wait(!) The paso doble I'm waiting for. You are a glamour zone. | :06:12. | :06:20. | |
I look good and I don't give a damn! Oh yes, give me more! A | :06:20. | :06:28. | |
little bit of cha-cha-cha, that was actually quite good. Surprised! It | :06:28. | :06:33. | |
was wonderful. You are having a lot of fun. Give my love to your Mum. | :06:33. | :06:40. | |
You never rang. I know. I have been busy. OK. Jerry and Anton! Away you | :06:41. | :06:50. | |
:06:51. | :06:59. | ||
go. APPLAUSE Wow. If you look that good wiggling, why wouldn't you? | :06:59. | :07:06. | |
Exactly. You are glamour. Do the catwalk skills lend themselves to | :07:06. | :07:16. | |
:07:16. | :07:18. | ||
the dancefloor? I had a flashback... I wish we were with you! I thought | :07:18. | :07:28. | |
:07:28. | :07:40. | ||
Anton was Rudolf Nuryev! The scores 18 out of 40. It's a start. I knew | :07:40. | :07:45. | |
we should have put the lift in! They would never have allowed him | :07:45. | :07:50. | |
into Studio 54. The end is near. But there is one more dance to go. | :07:50. | :08:00. | |
Have we saved the best until last? Not really. LAUGHTER I can't wait | :08:00. | :08:05. | |
for next week. Anyway, now for our final couple. Olympic silver | :08:05. | :08:15. | |
:08:15. | :08:19. | ||
medallist Louis Smith and his partner, Flavia Cacace. Now, Louis | :08:19. | :08:24. | |
specialises in the pommel horse. It's a wooden horse with handles on | :08:24. | :08:29. | |
it. He did have mixed results at the Olympics. He got a silver for | :08:29. | :08:36. | |
the gymnastics but came last in the dressage! LAUGHTER That is the best | :08:36. | :08:41. | |
joke of the night if you think about it! It's a clever joke. I | :08:41. | :08:48. | |
thought it was the best one. Here they are - the dressage... Here we | :08:48. | :08:56. | |
go - in training. Louis Smith. Check me out. It is proof that | :08:56. | :09:03. | |
there is hope for even the most boy trousers of children. -- boisterous | :09:03. | :09:08. | |
of children. I was always a hyperactive child. When I was four, | :09:08. | :09:12. | |
my Mum decided to make me to gymnastics to get rid of some | :09:12. | :09:19. | |
energy. 19 years down the line... My Olympic pommel horse final was | :09:19. | :09:23. | |
the scariest moment I have ever had in my life. I go into the dismount, | :09:23. | :09:30. | |
I land and 19 years of hard work, the sacrifice my Mum, my coach, my | :09:30. | :09:38. | |
friends have made. You can feel the emotion here! 2012 has been an | :09:38. | :09:43. | |
amazing year for Louis. To be asked to come on Strictly, what an honour. | :09:43. | :09:48. | |
I would be happy to finish it off for him with a nice sparkling | :09:48. | :09:56. | |
Glitterball. I feel like a woman that can't dance at a party. | :09:56. | :10:00. | |
cha-cha is a sexy sort of dance. The thing that worries me - I have | :10:00. | :10:06. | |
never had to be the sexy and flamboyant in my life. You have to | :10:06. | :10:12. | |
sell it. Dancing is a lot about the way you feel. I am still | :10:12. | :10:15. | |
concentrating too much. I have got this face on at the minute. | :10:15. | :10:20. | |
need to smile. The bits I'm not smiling, I'm concentrating. There | :10:20. | :10:24. | |
is a cheeky chap in there. That would be great if we could bring | :10:24. | :10:33. | |
that out in the cha-cha. That is the face. This will be tough. | :10:33. | :10:43. | |
:10:43. | :10:43. | ||
Apology for the loss of subtitles for 54 seconds | :10:43. | :12:25. | |
Dancing the cha-cha-cha, Louis CHEERING AND APPLAUSE What about | :12:25. | :12:30. | |
that?! Look at them. I tell you - Louis, look over there. Look over | :12:30. | :12:38. | |
here. That's what you did to us! That was wonderful. Absolutely | :12:38. | :12:46. | |
fantastic. Everybody enjoyed it. Well, pommel horse, pommel horse or | :12:46. | :12:56. | |
:12:56. | :12:57. | ||
Flavia? No contest! We did really good. You did great. Oh yeah. You | :12:57. | :13:04. | |
are good. Darcey? Oh my God! I wasn't expecting that. That rhythm. | :13:04. | :13:10. | |
I can see you are using muscles you haven't used before. That is saying | :13:10. | :13:14. | |
something from a gymnast. You have worked hard on that hip action. | :13:14. | :13:20. | |
Well done. My eyes, you will go far in this show. -- in my eyes, you | :13:20. | :13:28. | |
will go far in this show. Darcey! Remember who you are. I know. | :13:28. | :13:33. | |
is enough before you go any further. LAUGHTER Len? It wasn't a gold | :13:34. | :13:40. | |
medal performance. It was a tad loose in places. It needs to be | :13:40. | :13:46. | |
crisper. If you get that going, you will go right through. Well done. | :13:46. | :13:52. | |
All right. APPLAUSE Bruno has that glint in his eye? Louis, I like a | :13:52. | :13:59. | |
guy with plenty of tricks up his sleeve. You snake-hiped wonder! | :13:59. | :14:04. | |
That was a first out, it was great. Sometimes what happened you are so | :14:04. | :14:08. | |
bendy, you overextend. Because of that, you go off the rhythm but I | :14:08. | :14:18. | |
am telling you, I can't wait to see more. Yes. I'm with Darcey! I'm | :14:18. | :14:23. | |
there. Craig? Little bit awkward, I thought. And very flat-footed. Once | :14:23. | :14:27. | |
you get on to the balls, darling, you will sort that out. I thought | :14:27. | :14:32. | |
however you could have used your face a bit more. You are very | :14:32. | :14:40. | |
serious. I'm a serious guy! were looking at his face?! | :14:41. | :14:50. | |
:14:51. | :14:52. | ||
course. Darcey wasn't! We have Darcey blushing! She wasn't. It was | :14:52. | :14:56. | |
wonderful. You saw those people standing up. What more can you do? | :14:56. | :15:01. | |
It's been a great night. You finished it off so well. Flavia and | :15:01. | :15:11. | |
:15:11. | :15:13. | ||
Louis, off you go. CHEERING AND APPLAUSE | :15:13. | :15:18. | |
Get you! No-one is going to forget you! Did you enjoy yourself? | :15:18. | :15:25. | |
Brilliant. I was a bit tense. We got through it. Very good. Darcey, | :15:25. | :15:35. | |
:15:35. | :15:48. | ||
she has a crush. Don't tell anyone. 27. A great score. Eight from | :15:48. | :15:52. | |
Darcey and a standing ovation from the audience. You pommelled it! Is | :15:52. | :15:57. | |
it enough to vote you to the top of the leaderboard? That's it. We have | :15:57. | :16:03. | |
had two nights of dancing. We have got a whole week to wait until the | :16:03. | :16:06. | |
next Strictly fix? If only there was another show to keep us up-to- | :16:06. | :16:10. | |
date on all the gossip every night of the week on BBC Two? Wait a | :16:10. | :16:16. | |
minute, there is! Take a look at this. This year, It Takes Two will | :16:17. | :16:21. | |
be getting closer to the action than ever before. I will never miss | :16:21. | :16:30. | |
a trick to bring you more exclusive news and gossip. Believe me, | :16:30. | :16:39. | |
getting too close, it is not close enough! So if you want to be where | :16:39. | :16:43. | |
all the action happens, join me for It Takes Two every weekday night | :16:43. | :16:53. | |
:16:53. | :16:54. | ||
from Monday at 6.30pm on BBC Two. You don't want to miss it. Shush! | :16:54. | :16:58. | |
Zoe will be getting up close and personal with all of our celebs | :16:58. | :17:05. | |
next week. Let's look at the leaderboard. Up there at the top is | :17:05. | :17:14. | |
Lisa and Robin with 30 points. Down there in the bottom spot, Victoria | :17:14. | :17:18. | |
and Brendan. A lot can change in a week. Tonight's scores will be | :17:18. | :17:22. | |
carried over to next week and then you will get the chance to have | :17:22. | :17:26. | |
your say. For the two couples with the lowest combined votes and | :17:26. | :17:30. | |
scores, an extra challenge awaits. You have heard the rumours and they | :17:30. | :17:40. | |
:17:40. | :17:47. | ||
are correct. The dreaded dance-off This series, the dance-off is back. | :17:47. | :17:53. | |
After the judges have scored, and the viewers have voted, the bottom | :17:53. | :17:59. | |
two will be in the dance-off. The two couples have to dance their | :17:59. | :18:03. | |
routines for a second time. Now after they have danced, we are | :18:03. | :18:10. | |
asked who we want to save. And the couple with the least votes is in | :18:10. | :18:17. | |
the boulevard of broken dreams. wouldn't want to be in their shoes. | :18:17. | :18:23. | |
Listen, Craig, Bruno. Who could win in a dance-off between you two? | :18:23. | :18:28. | |
I would! You can't think that. thinner. Shorter! It wouldn't be a | :18:28. | :18:35. | |
dance-off, it would be a write-off! Argh! | :18:35. | :18:41. | |
They are laughing over there. is laughing at himself. Right. That | :18:41. | :18:47. | |
means none of our - shut up - that means none of our couples are safe. | :18:47. | :18:52. | |
So every vote will count. Our couples have seven days to perfect | :18:52. | :18:58. | |
their next routine because one of our celebrities next week will be | :18:58. | :19:02. | |
there next week. That didn't make sense! It is Bruno putting you off! | :19:02. | :19:07. | |
It is you! Our celebs and partners will be hitting the training rooms | :19:07. | :19:14. | |
hard for the next seven days to make sure their dance is ready. So | :19:14. | :19:17. | |
follow their ups and downs on It Takes Two starting this Monday at | :19:17. | :19:22. |