Week 2 Strictly Come Dancing


Week 2

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Last week 14 stars went supernova and truly showed us what they were

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made of. Your butt stuck out like a hanging basket. There was romance.

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I wasn't expecting that! There was bromance. And one broken heart.

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This week, for the first time, someone is going home. The bottom

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two will be running scared because... The dance-off is back.

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It's back! The dance-off is back! Every vote counts. It's time to

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Apology for the loss of subtitles for 47 seconds

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decide who do you love? # Do you Live from Television Centre, please

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welcome your hosts, Sir Bruce Forsyth and Tess Daly.

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Wonderful. Right on the beat! Good evening, ladies and gentlemen, and

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children, welcome to Strictly Come Dancing. It's nice to see you, to

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see you... AUDIENCE: Nice! It's nice to see you. Wasn't last

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weekend a great start? Absolutely. After the show one of the

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celebrities gave me a lift home. That was nice. No it wasn't. Never

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again. 90mph on the motorway. And in and out of the traffic. In the

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end, I said, Victoria Pendleton... LAUGHTER

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I didn't expect the laugh there! Victoria Pendleton, if you don't

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slow down, I am going to follow off these handlebars. APPLAUSE. That's

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the one. We have two laughs instead of of one. We are about to embark

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on a dance epic of a show with all 14 of our celebrities battling it

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out on the dance floor. It's like Ben Hur in the ballroom. Last week

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our celebrities took their first steps on the dance floor. But this

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week they're dancing for survival because you at home get the chance

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to vote for your favourites. I bet they're quacking back there.

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the quaking stop. It's time to meet Kimberley Walsh and Pasha Kovalev

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Nicky Byrne and Karen Hauer, Fern Britton and Artem Chigvintsev,

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Michael Vaughan and Natalie Lowe, Lisa Riley and Robin Windsor, Louis

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Smith and Flavia Cacace, Dani Harmer and Vincent Simon Simone,

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Sid Owen and Ola Jordan, Denise van Outen and James Jordan Richard

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Arnold and Erin Boag, Victoria Pendleton and Brendan Cole, Colin

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Salmon and Kristina Rhianoff, Jerry Hall and Anton Du Beke and Johnny

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Ball and Iveta Lukosiute. APPLAUSE AND CHEERING That was all for you.

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Good audience. You look magnificent. Ladies, you look incredible. And,

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as there are lots of young people watching, I will rephrase that for

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them. OMG, you babes, is looking reem. LAUGHTER And you's will be

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aving it large tonight, innit. Welcome to the show. Tonight for

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the first time our couples are dancing for your votes. Once

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everybody's danced the phoneliness will open and you have your chance

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to have your say. Your votes will be be combined with the judges'

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scores from last week and this week and the two couples with the lowest

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number of points will face another dreaded dance-off. Oh Oh! If you

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like your dancing served with a side order of expert opinion you

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can press your red button for live commentary throughout the show with

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ex-Strictly champion Karen Hardy and joining her is Rufus Hound. If

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you want to hear their words of wisdom press red now and you are

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ready to go. And so are we. We are. Good! The first couple tonight is

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Nicky Byrne and his partner, Karen Hauer. APPLAUSE Now we found out

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last week that Nicky's partner, Karen, she's one of the new

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professional dancers, is from Veneuzla and she never heard of

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Westlife and after the show I told her all about them and said, now do

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you know who they are? She said, yes, but who the devil are you?

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What about that accent? Here they are - good luck to them - here they

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are in training. As week one goes, it was a disaster,

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but I am still here, you know, no one went home. I went over to the

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judges' desk and got absolutely savaged. I am not particularly

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happy, actually, Karen. There are certain rules in Strictly Come

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Dancing. You broke one of them. That, my darling, is a lift.

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lift probably wasn't the best idea in the world. It was exactly what

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Craig needed to begin to pull us apart on and probably exactly what

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I didn't need on my first week. all make mistakes. I probably won't

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be making the same mistake again. don't want to experience that again.

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Are we doing a lift? No lift. week I am dancing the cha-cha-cha.

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I have to go out there and impress the judges and people at home. It's

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a great routine. Karen's really pulled this one out of the bag.

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Then I can't get it right. I forgot it! This was the first time that

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he's ever walked out of the room. It was nice for him to walk back in.

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Let's do it again. Confidence is dented but the only way to fix that

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is to get back to the drawing board. I am ready, it's show time, let's

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Apology for the loss of subtitles for 47 seconds

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cha-cha. Dancing the cha-cha-cha, APPLAUSE AND CHEERING

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What a start tonight! Thank you. Oh, that started the show off so well,

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both of you. Full of energy. Delightful. All right, let's now

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welcome our judges, Craig, Darcey, Len and Bruno. APPLAUSE

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Now we had, as you know, we had two shows last weekend. On the Friday

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Friday Craig was mean, controversial and rude. But on the

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Saturday, he was lovely. He explained to me afterwards, he said,

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I just had an off day and promised he will never be lovely again.

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LAUGHTER Never, ever. Len, what did you

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think of that first offering? a cup of tea and a world of lattes,

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if you like. I am a traditionalist, it was too much boyband dancing and

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not enough cha-cha-cha in there. Listen, I don't like to be cruel. I

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want to be kind. There was very little about that I could rave

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about. Tkoeu apologise for that. But there you are. Oh, well. That's

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not as good a start as we thought. Bruno? Tonight you were more

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switched on. You were going for it. You had a naughty twinkle in your

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eyes, which was good. It was a little bit Take That 1995. I love

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them. But the problem is that you lost timing completely at the end.

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You really lost it. You were off completely and you have to stretch

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your legs when you do your basic cha-cha but performance-wise, I

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thought you went in the right direction. So combine the two.

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enough. Craig? For me it was all a little bit like a zumba exercise

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class. It was very flat-footed. I couldn't help but notice you had

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some rotation in the hip department. It was quite nice to view. That's a

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plus. Unfortunately, it left your body as you started to move. But

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the energy was great. I thought your commitment to the piece was

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good. Yes, lovely. APPLAUSE Now, Darcey? Nicky, there was confidence.

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There was attitude. It was great. You had some funky isolations there,

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but sadly, for me, also there wasn't enough cha-cha but a great

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contrast from last week. Darcey, you would like more isolation?

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were nice. Very nice. Work on your isolation. Off you go. Well done.

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APPLAUSE AND CHEERING Come on, Nicky. Now the positive,

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Bruno said, you are going in the right direction. How was it for

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you? Terb -- terrible to be honest. I couldn't hear the beats at the

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start. I was making it up as I was going along. I lost the beat at the

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start. That considered, you did blooming well! You set many a heart

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a fluttering with that hip action. Even Craig. That was the intention.

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Craig savaged you last week, did that give you a different attitude?

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We worked hard on this tonight and it didn't go well. Don't be like

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that! Bruno says you are going in the right direction. They loved it,

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One better than last week. If you want to vote for Nicky and Karen

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there's two ways to do This Week Well done, Nicky. I thought it was

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a top start to the show. Loads of energy. Still to come we have

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Victoria Pendleton, she's back in the saddle with a foxtrot and

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Richard Arnold is heading for the love shack, baby! Now our next

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couple, Colin Salmon and his partner Kristina Rhianoff. Colin's

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cha-cha-cha left the judges shaken and stirred last week. This week he

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is taking his girl for a spin in the Viennese waltz. Here they are

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in training. I was feeling quietly confident.

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And you hit the studio and you have lights in your face and the judges

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and that threw me, actually. That confidence went to a noisier panic.

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It was so unbelievable to see people standing and cheering for us.

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Best cha-cha of the night. I came away absolutely thrilled. I had the

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best time. It was the first time I ever danced in front of eight

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million people or eight people. Now we take it to the next level and

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keep going. I think Colin is finding the Viennese waltz harder

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than the cha-cha-cha. First challenge is my height. I have to

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keep the shape of the back. That's perfect. I can't move. You have to

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keep your butt tucked in. I have been feeling it in the balls of my

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feet, knees, back, shoulders. heard him today complaining about

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his knees and back and so on. Well, what can do you? What is wrong with

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disco? Saturday night, I am going to forget about the knees and back

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and aches and pains and dance and nail it. Dancing the Viennese waltz,

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Apology for the loss of subtitles for 47 seconds

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Colin Salmon and Kristina Rhianoff. APPLAUSE AND CHEERING

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Very nice. Lovely. What about that? That's such a lovely feel to it.

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Romantic, lovely. How are the knees? Fine. While you get your

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breath back, I will take the opportunity to welcome our fabulous

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singers, Dave Arch and his wonderful, wonderful orchestra!

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APPLAUSE AND CHEERING All right. Now then, Bruno, we

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start with you. Colin, nice and extended long lines and I tell you,

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it's hard because you have plenty of length to work with, you know.

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It's harder if you are taller because you have much more space to

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cover. The thing, when you go in hold it needed more drive, more

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musicality, more sweep. Don't lean forward. I know it's hard again,

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plenty of length, but it's kind of - I found it a little bit not so

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involving tonight. A bit careful for me. All right. Craig? I have to

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agree with Bruno, you did hit nice lines throughout but your double

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hand flicking is quite vexatious, darling. I don't know why you are

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doing it, but it's odd. It's like that. It's rather nice if the arm

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goes out and stays out. Rice and fall, there -- rise and fall,

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there's too much. In this dance it should remain as smooth as possible.

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But I think you are dancing more to your height and that's good to see.

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You didn't see the fly that he was that he was flicking? Darcey?

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had the perfect frame, so elegant but you have to watch you don't

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stoop. Lift the chin, not just the eyes. There's a lot of eyes up here.

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But well done. A man that can ballroom and Latin. I don't know

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how he manages to keep his eye on Kristina, she's down there, you

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must be looking for her. LAUGHTER I just thought that to myself! Len?

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Step out more and it was a tad timid. Having said that, you are an

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actor, you got into the character as you did last week. It had

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elegance and sophistication. I like the fact in hold there was no stoop

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for me. You danced to your height and that's what you must do. Don't

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dance down. Keep up. And you can move as much as you want, Chris

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Kristina will keep up. Don't worry. So move more! Good words. Off you

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go then. Well done. APPLAUSE AND CHEERING

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Colin, he can ballroom and Latin. Yes he can. Now, being - Anton said

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he is off already. How did you overcome the height difference?

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followed the instructions here. listen to your taskmaster. Good

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pupil. Darcey said a perfect frame and Jerry commented during the

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dance, he is a long, tall drink! I love the way she said that. Sounds

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so much better coming from Jerry with that accent. Fabulous. The

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One up on last week. We are going up in the right direction. OK, here

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is the numbers you need to keep Without you, they may not be back

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here next week. They really want to stay, don't you? Yes, we do. Love

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that voice. Back to you, Bruce. Right, next up is Dani Harmer and

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her partner, Vincent Simone. APPLAUSE

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Now, because I don't watch children's television much the it's

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past my bedtime, but I don't know much about Dani. She said, I know

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all about you. I did a project on you at school. I said, really, were

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you doing media studies? She said, no, ancient history. LAUGHTER Shut

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up! Not funny at all. Here they are Saturday, my nerves did get to me.

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I have never been that scared in all my life. Smile, because all the

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tension you create stops the movement to flow. Dani was

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disappointed because she was nervous and the nerves took over.

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can't compare it to anything. My hands were doing this. I can't stop

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shaking. Stop it. I will find someone else to dance with.

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Saturday was amazing but I am so glad it's over because now I get to

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salsa. Bring it on! I am so excited. I am going to pretend I am a sexy

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salsa dancer and see where that gets me. Vincent wants to push me

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so he put in a tricky lift but at the moment it's arms and legs

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everywhere and me on the floor. There's different ways of jumping

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on top of a man. Am I that heavy! We are dancing. How do you jump

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like a dancer? I have no idea. That's good. But now I am stuck.

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You will definitely see a lot more Dani in the salsa. You need to let

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go now. And a less nervous rabbit caught in the headlights look.

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Apology for the loss of subtitles for 47 seconds

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Dancing the salsa, Dani Harmer and APPLAUSE AND CHEERING

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I thought that was wonderful. That was beautiful. Are you happy?

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loved that. Lovely song and beautiful words. LAUGHTER

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Sounded like a pig sty. Just my own thoughts! Craig? This dance does

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suit the smaller type person, I am not being funny, it's true. Lovely

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clean finishes. The energy was fantastic. I wasn't completely fond

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of the dismount in the second lift. You sort of went splat. It looked

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like something went horribly wrong. I don't know what you were aiming

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for there, Vincent. I loved the forward walkover. Darcey, what did

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you think? Yeah, it's so great to see you having fun on that dance

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floor and amazing isolations with the upper body. Just follow it

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through with the lower body, with the hips. I want to see more hips,

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it's so important in salsa and you have great hips. Thank you!

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Beautiful. OK. Now then, Len? you little munchkin, you came out

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and gave it some welly. You were foul-on and -- full-on and flat out

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and I liked it. We haven't had Bruno yet. You gorgeous little

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thing, you didn't splatter, you blossomed tonight. You were happy,

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having a good time. Great content, all the arm passes were very

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difficult. You did it well. She is right, you got to get these hips.

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Look at you. Do it for me. Gorgeous! Use it. Use it to full

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extent. Don't be shy. Like you! It was wonderful. We all loved you.

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Off you go and be proud. APPLAUSE Really good comments from the

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judges. I know. I love this. Teach me, I am desperate - I love that! I

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got to get to learn the body roll. That's one cool - not here, though.

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On to you. Len loved it. How are your nerves? I am actually all

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right this week. I enjoyed that. I wasn't so terrified. That was one

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speedy salsa. And first lifts, very ambitious. How did they go? It was

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interesting in rehearsals. Interesting. Hopefully that went

:29:26.:29:36.
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better. Well done. Here are your Better than last week. If you want

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The phonelines open later. You are hope you are settled in for a night

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of sheer ballroom bliss. Anyone ready for some more? Come on,

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Bruce! Right, our next couple is Fern Britton and her partner, Artem

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Chigvintsev. APPLAUSE Lovely Fern. Now Fern has asked me not to make

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more puns about her name. She said, I get that all the time and I am so

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sick of it. I said, I understand, and I won't do it any more. I will

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just focus on your dancing and after last week's performance, it's

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obvious, Briton's Got Talent. No! Shouldn't have said that. Sorry,

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You wafted your skirt a lot. didn't mind the wafting, all flirty.

:31:06.:31:15.

I am surprised it caused such a controversy on the panel. I like

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skirt-ography. What was amazing was that last extension. That leg went

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so high, the line, the foot. you happy? I am happy. I am happy,

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too. Are you really? You won't be tomorrow when we rehears again.

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This week we are dancing the waltz and it's a very romantic dance.

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Training has not exactly been romantic. Again! I have been doing

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a lot of repetitions. One more time. From the beginning. Again. Do it

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again. And again. Go from the top. And again one more time. First step.

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It's very frustrating. I hate it when he gets frustrated with me. I

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hate that. That's not your step at all. If I am being harsh it's only

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because I want her to be the best she can possibly be. Got it. Got it.

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Apology for the loss of subtitles for 47 seconds

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Dancing the Viennese waltz, Fern APPLAUSE AND CHEERING

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You deserve that hug after all that training and everything.

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deserves it! He's dragged me through the week. You did very well

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there. Darcey, start us off, darling. You gave us such a

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beautiful feeling when you dance. Really it's lovely. And so nice to

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see you travelling, as well. Just make sure you keep it smooth. It

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gets up and down. But the arms, one other thing, you have got to follow

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through. When you extend the arm don't finish here. Extend the

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fingers right to the very ends of the fingers. Please, believe in

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yourself and the confidence will follow. APPLAUSE Good points there.

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Len? There was a bit of wafting going on early on. We put it in for

:34:54.:34:59.

you. I like a waft, actually. Your posture needed to be stronger. But

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let me tell you, it was better than last week. So you are on the way up.

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Well done. APPLAUSE That's good. Encouraging. Bruno? You have to

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watch it, they were both right. Sometimes it looked like you are

:35:15.:35:21.

casually dusting. It was lovely, oh, nice and clean clean! You have to

:35:21.:35:25.

follow it through. Keep strong here and follow those lines. Always you

:35:25.:35:30.

come alive once you are in the arms of a strapping young man. You seem

:35:30.:35:35.

to like it. So lovely then. But you have to combine the two. All right,

:35:35.:35:41.

you know, you got to get the posture right and extend the lines.

:35:41.:35:48.

Good tips. Craig? Speaking of hand shaping, you also need to tuck your

:35:48.:35:51.

thumb under, as well. Darcey didn't mention that little bit. You need

:35:51.:35:54.

to extend the line a little bit more by pulling up through your

:35:55.:35:58.

back and your chest and that will help keep your left shoulder down,

:35:58.:36:04.

which was raising up. I thought the flow around the floor was fantastic.

:36:04.:36:10.

You must be happy about that. Away you go and be happy! APPLAUSE AND

:36:10.:36:20.
:36:20.:36:29.

Come on, the lady in red. Craig said the F-word - fantastic.

:36:29.:36:36.

missed that. Would you say ballroom was more your thing? Probably, I

:36:36.:36:41.

don't know, I am still learning. I don't know where I am. He dragged

:36:41.:36:44.

me through, he is brilliant. seems you don't want to let Artem

:36:44.:36:49.

down. Big-time, of course I don't. I only do it for you, and you.

:36:49.:36:55.

Darcey says you need to believe in yourself. Valid point? Yes, at this

:36:55.:36:58.

stage it's difficult to get your head around anything, actually. But

:36:58.:37:08.
:37:08.:37:26.

thanks. You're doing great. That's Yes. Improvement on last week.

:37:27.:37:31.

pleased. If you want Fern to avoid the fear of the dance-off tomorrow,

:37:31.:37:41.
:37:41.:37:44.

Remember all our celebrities are going to need your votes. Back to

:37:44.:37:50.

you, Bruce. Thank you, our 5th couple is Richard Arnold and his

:37:50.:38:00.
:38:00.:38:00.

partner, Erin Boag. In last week's waltz Richard was criticised for

:38:01.:38:07.

not showing enough personality. We hope to see his fun side in

:38:07.:38:13.

tonight's cha-cha-cha. Here's the fun side, we hope, here they are in

:38:13.:38:17.

training. It was the most extraordinary feeling I have ever

:38:17.:38:22.

had in my life. The moment it was over you just wanted to get back

:38:22.:38:27.

out and do it again. Your footwork was the best of any waltz I have

:38:27.:38:37.

seen. Seven! I am a dancer! It was a bit boring. Are you trying to be

:38:37.:38:47.

butch? I was emotting. I missed the real Richard in that dance. Brace

:38:47.:38:51.

yourselves! The cha-cha gives me a chance, obviously, to throw my arms

:38:51.:38:57.

around a bit and wiggle my hips. It's a fun, bubbly dance. You will

:38:57.:39:01.

see a different side of Richard. am going to need another one. I

:39:01.:39:07.

thought I have been cha-chaing all my life, but according to Erin I

:39:07.:39:11.

have been mincing. You still have to do your step. Step back. What he

:39:11.:39:15.

lacks in technique, he makes up for in performance. You have to get the

:39:15.:39:19.

balance between your feet in the right place and the technique and

:39:19.:39:24.

obviously, giving it this with your personality. I think the feet may

:39:25.:39:33.

fall foul of this. You got to throw in a shimmy, it's Saturday night.

:39:33.:39:43.
:39:43.:39:43.

Apology for the loss of subtitles for 47 seconds

:39:43.:41:20.

Dancing the cha-cha-cha, Richard APPLAUSE AND CHEERING

:41:20.:41:27.

Well, that was absolutely great. All those flowers! We have seen

:41:27.:41:37.
:41:37.:41:38.

Richard in full bloom. It's Saturday night, it's my winter box.

:41:38.:41:42.

You were critical last week, what about this? Tonight you have a

:41:42.:41:48.

split personality, I tell you that. That was blissfully barmie. It was

:41:48.:41:58.

something in between a livewire and a cukatoo. It was the weirdest cha-

:41:58.:42:07.

cha-cha but in a sick way I enjoyed A sick cha-cha-cha, after all that

:42:07.:42:13.

effort! Craig, what did you think? I wasn't entirely convinced that

:42:13.:42:21.

you wanted to take Erin to a love shack, darling. LAUGHTER

:42:21.:42:31.

. Both cha-cha-cha walks do belong in a drag show. I used to work in

:42:31.:42:37.

menswear, we used to do it all the time. Suits you, Sir? Did you sell

:42:37.:42:47.
:42:47.:42:48.

a lot? Not if I am honest. I am not surprised. Craig can be funny. I

:42:48.:42:54.

almost laughed. Darcey, darling? This is the Richard I wanted to see.

:42:54.:43:04.
:43:04.:43:06.

Relaxed, full of life. Come here, sweetheart! You mustn't touch!

:43:06.:43:14.

but, just for Erin, you have to create some tension in the arms.

:43:14.:43:24.
:43:24.:43:30.

Please. She needs you to lead her. Darcey, less Bustle. He has been

:43:30.:43:34.

saving that one. Len. Loud and proud and that's just your shirt. I

:43:34.:43:40.

am telling you, Richard... No, your arm most of the time was on your

:43:40.:43:47.

hip or hanging down like a bit of cotton from a knicker leg. You are

:43:47.:43:52.

a better dancer than having to camp it all all up. You can go for it.

:43:52.:43:58.

You are a better dancer. Certain people need to do that stuff. You

:43:58.:44:03.

don't. A little bit over the top for me, but it was fun. There's a

:44:03.:44:10.

dancer in you. You will get it out of him. Go you go.

:44:10.:44:20.
:44:20.:44:27.

. My winter pansies have withered. Oh dear! That is the Richard we

:44:28.:44:33.

have all been waiting for, us and Darcey. Blissfully barmie, said

:44:33.:44:38.

Bruno. How did you feel it went? How do you feel it went, love.

:44:38.:44:43.

Everybody was doing the mashed potato with us. Len said you were a

:44:43.:44:46.

better dancer than that, what will you bring to the competition next

:44:46.:44:56.
:44:56.:45:14.

week? Apparently tighter knicker We will take it. 19. Craig's so

:45:14.:45:20.

harsh. You shook your thing. I did. If you would like to see Richard

:45:20.:45:28.

dance another day you can call: Wait for the lines to open. Still

:45:28.:45:32.

to come, Lisa will be showing us what she can do with the sreuen

:45:32.:45:41.

eats waltz -- Viennese waltz waltz. Our next couple is Victoria

:45:41.:45:50.

Pendleton and her partner, Brendan Cole.

:45:50.:45:53.

APPLAUSE AND CHEERING Now, last week we were running out of time so

:45:53.:45:58.

we didn't have time for Craig's comments on Victoria. If we run out

:45:58.:46:08.
:46:08.:46:09.

of time this week, Craig won't be able to comment again. LAUGHTER See

:46:09.:46:13.

the match? Did you see the match? A bit of a walkover, but never mind...

:46:13.:46:19.

Hello, are you all right. Happy birthday. We might do another song

:46:19.:46:29.
:46:29.:46:32.

later on, OK. LAUGHTER Ah, I think that's wasted enough time. APPLAUSE

:46:32.:46:40.

Here they are in training. I was really excited to go out and

:46:40.:46:45.

perform the dance. And then to mess it up on the night, I felt really

:46:45.:46:50.

disappointed. You don't know what's going to happen on a live show.

:46:50.:46:53.

Before the show we ran it four times downstairs in the corridor,

:46:53.:46:58.

it was perfect. She was performing, it was great. Then... You messed it

:46:58.:47:02.

up so much. I was so annoyed with myself. I couldn't conceal it. You

:47:02.:47:08.

put so much work into something and it goes wrong. In the bottom spot,

:47:08.:47:13.

Victoria and Brendan. You are a champion, you have fallen off the

:47:13.:47:19.

bike before. Get back on it. Do a twirl. Brendan brought me a lovely

:47:19.:47:22.

dance skirt and it definitely makes you want to spin around the dance

:47:22.:47:27.

floor and be more elegant. I want to swivel around in the skirt a lot.

:47:27.:47:33.

I am seeing a smile on the girl's face. She's come in here firing,

:47:33.:47:37.

exactly what you would expect from our Olympian. This week I am doing

:47:37.:47:40.

the foxtrot. We have already discovered that me spinning on-the-

:47:40.:47:46.

spot or trying to turn is bad news. I can do this. You can do it. We

:47:46.:47:49.

are at the bottom of the leader board now, so it's essential that I

:47:50.:47:54.

can improve on my spins, because I really want to stay in the

:47:54.:48:00.

competition. Dancing the foxtrot, Victoria

:48:00.:48:10.
:48:10.:48:10.

Apology for the loss of subtitles for 47 seconds

:48:10.:49:47.

APPLAUSE AND CHEERING Well done, very well done. There we

:49:47.:49:53.

are. Lovely. And all your friends up there, everyone. That was

:49:53.:50:00.

beautiful. So proud. Victoria, can I ride on your handlebars again?

:50:00.:50:06.

Any time. Oh, that's good. Len? Clean, classy and confident. A

:50:06.:50:13.

fantastic improvement from last week. The transition from in and

:50:13.:50:17.

out of hold are a little bit unstable. You got to work on that

:50:17.:50:26.

more. But what an improve - Queen Vic is back. OK, Bruno? Victoria is

:50:26.:50:31.

back in the race! Well done, my darling. Very nice indeed in hold.

:50:31.:50:35.

Now you have to work on your turns. That's what happened in the

:50:35.:50:39.

transitions, because you don't spot, you lose balance. So take a point

:50:39.:50:43.

of reference, turn and spot and go to it. Because the improvement, as

:50:43.:50:50.

Len said, is great. Well done. And he knows what he is talking

:50:50.:50:58.

about. He's been on the turn for years.

:50:58.:51:04.

Shocker! Craig? It's true, actually. You remembered it, so that's a good

:51:04.:51:10.

start and that's worth at least one point. The turns are very rigid.

:51:11.:51:15.

You need to get those sorted out and when you turn back into hold

:51:15.:51:22.

you need to get your arm out of the way quicker, well done. Darcey, my

:51:22.:51:28.

love? Yes, the nerves have gone. It's wonderful to see. You look

:51:28.:51:33.

beautiful. That lovely smile. watch your fingers, you get a

:51:33.:51:38.

little bit splayed, maybe tension. But only noticed it a couple of

:51:39.:51:42.

times. Get them together. But now you are going to have fun with the

:51:42.:51:49.

show, I know you are. Thank you. Practise the turns on your bike.

:51:49.:51:59.
:51:59.:52:05.

Off you go. Well done. Yes. Queen Vic is back. Miles more

:52:05.:52:08.

confidence this week. Is it a happier place for you, in hold?

:52:08.:52:11.

am holding on to Brendan. I know he is going to take care of me.

:52:11.:52:20.

feels safe in Brendan's arms. lovely. The return of the knight in

:52:20.:52:25.

shining armour. I can't tell you how lovely she is. I am loving my

:52:25.:52:35.
:52:35.:52:48.

work. The judges will agree you Now that's a massive difference to

:52:48.:52:58.
:52:58.:53:06.

Still to come, Louis is getting to grips with Flavia in the Viennese

:53:06.:53:10.

waltz. Lucky girl. And Jerry is getting ready for her close-up.

:53:10.:53:16.

There it is. What a night it's been already. What can we expect next?

:53:16.:53:20.

Well, anything tonight. Our next couple is Michael Vaughan and his

:53:20.:53:27.

partner, Natalie Lowe. APPLAUSE AND CHEERING

:53:27.:53:32.

In last week's waltz the judges criticised his facial expressions.

:53:32.:53:38.

Will he have a smile on his face after this week's jive? Who knows?

:53:38.:53:47.

Here they are in training. As much as my face probably looked

:53:47.:53:53.

like I was concentrating, it was. I did enjoy it. I think you could

:53:53.:54:02.

sense from the way me and Natalie gave a fist-clenched punch, we knew

:54:02.:54:07.

that's what we could have expected in week one. It's an amazing start.

:54:07.:54:15.

Your butt stuck out like a hanging basket. Hanging basket? A bit harsh.

:54:15.:54:20.

This week I have to catch Natalie. You should know how to do that.

:54:20.:54:23.

Natalie's watched any cricket she will understand that catching was

:54:23.:54:27.

not my strength. There's no room for mistakes in this routine.

:54:27.:54:32.

get this wrong, Natalie ends newspaper the audience. --. Ends up

:54:32.:54:37.

in the audience. I am scared about what could happen. Hello, kids. My

:54:37.:54:40.

daughter decided to bring a few friends. She said she was bringing

:54:40.:54:47.

a couple. It seemed like the whole school. It was so nice to have them

:54:47.:54:56.

come in and watch us. They're just enjoying it. They think dad's

:54:56.:54:59.

bonkers dancing around and having a laugh. Keep dancing!

:54:59.:55:09.
:55:09.:55:09.

Apology for the loss of subtitles for 47 seconds

:55:09.:56:42.

Dancing the jive, Michael Vaughan APPLAUSE AND CHEERING

:56:42.:56:52.

Well done, Michael. Leave that with me. What a difficult dance to give

:56:52.:56:58.

you, Michael. Of all the dances, that one. My goodness. I tell you

:56:58.:57:04.

what, you can see you were lighter on your feet. Oh, give me the axe!

:57:04.:57:12.

Oh my God, you were like a wild goose chased by a fox! You were - I

:57:12.:57:18.

don't think I have ever seen such bad footwork. But it was so funny.

:57:18.:57:24.

I have to say. I think Richard Attenborough should put new a

:57:24.:57:30.

nature programme. Unbelievable. The timing was so bad, it was good.

:57:30.:57:36.

Exactly, so we all had a good laugh. You couldn't do it worse. He came

:57:36.:57:44.

out, look, he came out and he had a go, didn't he?! APPLAUSE And that's

:57:44.:57:49.

what it's all about. God knows what Craig is going to say. You might

:57:49.:57:55.

use that in the end. That has to be one of the oddest jives I think I

:57:55.:58:01.

have ever witnessed. In the ten series, it was really bizarre. Your

:58:01.:58:05.

hips seem to have a mind of their own, darling. Most of the time it

:58:05.:58:14.

looked like you were busting for a we, -- wee. I am! But he came out

:58:14.:58:19.

and he had a go. APPLAUSE AND CHEERING

:58:19.:58:25.

Finish us off, Len. It had a bit of gusto and enthusiasm and there was

:58:25.:58:31.

a lot going on, but unfortunately it was mostly bad. A great

:58:31.:58:39.

improvement on what? Last week. are going to be my favourite.

:58:39.:58:47.

you. They all loved it. Off you go. Oh, sorry. Go on, get him!

:58:47.:58:57.

APPLAUSE AND CHEERING He is high-fiving up here. Yes,

:58:57.:59:05.

there you go. Well,. I thought it was great. She has low expectations.

:59:05.:59:10.

Very loyal. Bruno said, so bad it was good. How are you going to

:59:10.:59:17.

improve next week? This week's been like a non-stop zumba class. If I

:59:17.:59:21.

am still in I will keep working. have done so many hours this week

:59:21.:59:28.

on that. I spout many hours in -- I put so many hours into it.

:59:28.:59:38.
:59:38.:59:53.

That's all right. Could be worse. What do you think? If you think

:59:53.:00:03.
:00:03.:00:04.

Michael tkefrbs another in-- We still have loads more to look

:00:04.:00:10.

forward to. Who is next? But he had a go, didn't he? APPLAUSE Our next

:00:10.:00:17.

couple is Louis Smith and his partner, Flavia Cacace. APPLAUSE

:00:17.:00:22.

AND CHEERING Evidently, Louis fancies Kimberley

:00:22.:00:31.

Walsh, and he asked me if I could could subtly find out if Kimberley

:00:31.:00:37.

was interested. I said, leave it to me, subtle match-making is my

:00:37.:00:45.

speciality. Kimberley? Louis fancies you. Let me know if you are

:00:45.:00:55.
:00:55.:00:56.

interested, I will keep it quiet! Here they are in training.

:00:56.:01:04.

Oh my God, I wasn't expecting that! You worked hard on that hip action.

:01:04.:01:09.

Well done. In my eyes I think you're going to

:01:09.:01:15.

go far in this show. I love the fact Darcey has a soft spot for

:01:15.:01:21.

Louis. I don't blame her at all. We worked on those hips for hours.

:01:21.:01:25.

think Darcey got embarrassed herself. I hope we can give her

:01:25.:01:30.

more enjoyment over the next few weeks. I am happy with 27,

:01:30.:01:36.

definitely. Happy with the way the routine went, happy with my partner.

:01:36.:01:40.

My Strictly experience is going well so far. This week we are doing

:01:40.:01:47.

the Viennese waltz to Puppy Love. Everyone has a young love, like the

:01:47.:01:51.

best thing in the world, I think that's what the song is about. I

:01:51.:01:54.

have to make it come across like that. You smile when you are having

:01:54.:02:00.

fun. This is fun, yeah! I struggle to smile. Let alone be romantic. So,

:02:00.:02:05.

this is going to be tough. smile. I hope that I can get a

:02:05.:02:10.

little bit of a smile from him on Saturday. Are you smiling?

:02:10.:02:20.
:02:20.:02:20.

Apology for the loss of subtitles for 47 seconds

:02:20.:03:50.

Dancing the Viennese waltz, Louis APPLAUSE AND CHEERING

:03:50.:03:57.

Very nice. Lovely. What about that? That was beautiful. I love that

:03:57.:04:00.

song and it had so much feeling between the pair of you. We start

:04:00.:04:04.

with you, Darcey. I like it. You are calm, you are confident and you

:04:04.:04:14.

have grace and posture. Just what you need for a ballroom. Sshh! I do

:04:14.:04:18.

need an emotional connection between you and Flavia, that's just

:04:18.:04:22.

as important for the performance and I am missing that. But there's

:04:22.:04:32.
:04:32.:04:41.

technique and I even saw a fleckerl. Did you, Len? Yeah, I saw a natural.

:04:41.:04:46.

I saw more turns than the Government. I saw great posture. I

:04:46.:04:55.

saw the best dance I have seen tonight or last week. It was great.

:04:55.:05:05.

Well said, Len. Bruno? Well, I felt it. I felt it, Darcey. You make

:05:05.:05:11.

such a lovely pair. It was like a Valentine's Day postcode brought to

:05:11.:05:17.

life. Great musicality. I go with Len, best dance so far. You should

:05:17.:05:25.

be very happy. You two - you want to be watched. Off you go, up the

:05:25.:05:34.

stairs. APPLAUSE AND CHEERING

:05:34.:05:41.

Louis! Get you! Len and Bruno's best dance of the night, so far.

:05:41.:05:45.

High praise. Are you getting used to feeling like a ballroom dancer?

:05:45.:05:51.

I am in this suit. I feel like a gentleman. And give us a smile,

:05:51.:06:01.
:06:01.:06:19.

Louis. There it is. You see, he has Great score!

:06:20.:06:29.
:06:30.:06:43.

Please don't call until the lines are open, if you do, your vote

:06:43.:06:47.

won't count and you may be charged. Our next couple is Denise van Outen

:06:47.:06:54.

and her partner, James Jordan. APPLAUSE AND CHEERING

:06:54.:06:59.

Denise got wonderful comments for her waltz last week but this week

:06:59.:07:03.

she's tackling an energetic jive. In the rehearsals things took a

:07:03.:07:12.

turn for the worse. Here they are in training.

:07:12.:07:16.

Dancing the waltz was the best feeling in the world but also the

:07:16.:07:20.

scariest. I had sweaty palms, a dry mouth, my heart was going 100mph.

:07:20.:07:26.

My legs were shaking. So, I was in shock when Craig said... Saved the

:07:26.:07:33.

best until last. I am starting to like this Craig Revel Horwood guy.

:07:33.:07:37.

Your footwork overall is poor. No heel leads. I know, I knew he was

:07:37.:07:41.

going to tell me off. This week we are dancing the jive, the problem

:07:41.:07:46.

is you need so much energy. Where are you going? I don't know. Once

:07:46.:07:51.

you have danced it a couple of times you are exhausted. I have

:07:51.:07:54.

been spinning so much in this routine that I feel a little bit

:07:54.:07:58.

out of control. I can't spin any more, I feel sick! I am dizzy

:07:58.:08:08.

enough as it is, like I need more spins in my life? Denise came in

:08:08.:08:16.

this morning with a pain in her neck. He's insisted I go to physio.

:08:16.:08:22.

Denise has sustained whiplash. can you get that from the jive?

:08:22.:08:26.

Take a can of toughen up and let's get on with it.

:08:26.:08:36.
:08:36.:08:36.

Apology for the loss of subtitles for 47 seconds

:08:36.:10:20.

Dancing the jive, Denise van Outen What about that?! Look at this.

:10:20.:10:29.

They loved that. Absolutely beautiful.

:10:29.:10:35.

I know you would like to say a few words. No. I can't speak. I have

:10:35.:10:43.

such a dry mouth! They They both can't talk. Darcey? Wow, Denise!

:10:43.:10:47.

You got the style of the jive instantly. There was bounce, you

:10:47.:10:52.

even had retracting kicks. So much energy all the way through. I would

:10:52.:10:55.

only say on the arm movements getting too much effort in the

:10:55.:11:02.

shoulders, but amazing. Amazing! APPLAUSE

:11:02.:11:12.
:11:12.:11:12.

Len? Tutti frutti! I tell you what, that was my cup of tea. It was

:11:12.:11:17.

fabulous. It was full-on. It had attack, it had energy. I was

:11:17.:11:24.

disappointed last week, this week I am delighted. Well done. You were

:11:24.:11:34.
:11:34.:11:35.

jumping up and down. It was - Bruno? That's my girl, Denise the

:11:35.:11:42.

go-er. She was going for it. I tell you, the style was brilliant. Kicks

:11:42.:11:48.

and flicks perfect. That's the way we like to see a jive. Well done.

:11:48.:11:57.

great jive. Can't wait for Craig. Now for the truth, darling. Fab-u-

:11:57.:12:07.
:12:07.:12:13.

Get off! You will get us into trouble!

:12:13.:12:23.

APPLAUSE AND CHEERING Watch the neck. How was the neck,

:12:23.:12:26.

because I was feeling for you all the way through that? I can't feel

:12:26.:12:30.

it because of the adrenalin and nerves. Tomorrow I am going to be

:12:30.:12:35.

in agony. Are you pushing this girl too hard? Yeah. He can't actually

:12:35.:12:41.

speak. He is out of breath. Craig's first fab-u-lous of the series.

:12:41.:12:51.
:12:51.:13:06.

love it when he says that. All the 8s. Highest score of the

:13:06.:13:16.
:13:16.:13:19.

night, so far. Well deserved. To They want to stay another week in

:13:19.:13:22.

the ballroom, right? We love it. Where are you going to go from

:13:22.:13:29.

there? Higher. Remember the two couples with the lowest combined

:13:29.:13:33.

scores and votes will be facing the dance-off. Back to you, Bruce.

:13:33.:13:42.

Thank you. Our next couple is Johnny Ball and his partner Iveta

:13:42.:13:52.
:13:52.:13:54.

Lukosiute. I will do that again and his partner Luka... Lukosiute. How

:13:54.:13:59.

can I describe Johnny? What can you call someone who's been on

:13:59.:14:08.

television nearly 50 years? I know what I call him, a -- a bebeginner.

:14:08.:14:15.

He is just a kid! A little boy. Here they are in training.

:14:15.:14:19.

Saturday was tremendously exciting. I wasn't really very nervous. We

:14:19.:14:23.

loved the routine but the judges didn't like it very much. It was

:14:23.:14:29.

all a bit Last Of The Summer Wine. You failed the MOT, haven't you?

:14:29.:14:34.

have never really been a big fan of miming, darling. Your mouth was

:14:34.:14:39.

moving ten to the dozen throughout and was very distracting. If this

:14:39.:14:47.

is our biggest problem, we can fix that. Craig gave me a three, I

:14:47.:14:52.

looked in the box and he has a minus 2. I am determined to get

:14:52.:14:58.

bigger scores. I have a feeling you will look good Saturday. This week

:14:58.:15:01.

we do foxtrot. I think he will do better because he is a tall,

:15:01.:15:06.

elegant looking man. I don't think his age is a problem. He practises

:15:06.:15:11.

five to six hours a day. He comes to the studio before I arrive and

:15:11.:15:16.

Johnny leaves the last. I sleep like this. He uses his face a

:15:16.:15:19.

little bit too much. We need to calm down a little bit the mouth.

:15:19.:15:25.

You hold that and this goes... must not mess around with my face.

:15:25.:15:29.

Very good. I hope the judges are watching my feet and posture and

:15:29.:15:37.

arms and not my mouth. Dancing the foxtrot, Johnny Ball

:15:37.:15:47.
:15:47.:15:47.

Apology for the loss of subtitles for 47 seconds

:15:47.:17:27.

APPLAUSE AND CHEERING How about that? Look at that,

:17:27.:17:34.

Johnny. On their feet there. Well done. They stand better than I do!

:17:34.:17:39.

I think Len, you are the one to start us off. I will, if you have

:17:39.:17:43.

asked me nicely. What you do, you do with enthusiasm. Ever since I

:17:43.:17:48.

have seen you years ago you do everything with enthusiasm and this

:17:48.:17:52.

is the same. OK, your posture could be better, your footwork could be

:17:52.:17:55.

cleaner. But it had lots of content and I like the movement around the

:17:55.:18:05.
:18:05.:18:09.

Actually I have something nice to say. You set off very well. In fact,

:18:09.:18:14.

out of hold you hit some very nice lines. There was really nice

:18:14.:18:18.

movements. Obviously, when you went in hold Len is right, you stiffened

:18:18.:18:22.

up and didn't flow. But I think it was better than last week. Much

:18:22.:18:30.

better. Wonderful. Good praise from Ren -- Len and

:18:30.:18:36.

Bruno. Splayed hands, gapping and that's due to your posture. But I

:18:36.:18:46.
:18:46.:18:47.

have to say, a decent effort. that's good. APPLAUSE. Darcey,

:18:47.:18:52.

finish us. Wonderfully better than last week. Work on the topline.

:18:52.:18:56.

It's so important, especially for Iveta because she needs your

:18:56.:19:01.

support and strength so she can do those beautiful holds and moves.

:19:01.:19:07.

But you have all the moves, just believe in yourself. You are

:19:07.:19:11.

working hard. Off you go. Keep going.

:19:11.:19:21.
:19:21.:19:25.

APPLAUSE AND CHEERING Yes! Johnny be good! Look at that.

:19:25.:19:31.

What an improvement. Even Craig was positive. How did you feel it went?

:19:31.:19:36.

The frame was weak. Was it? That was the bit I had to try hard, but

:19:36.:19:40.

it was lovely. I enjoyed it and it was a great routine and she as

:19:40.:19:45.

fabulous. I was trying to bring the gentleman out of him that he is,

:19:45.:19:55.
:19:55.:19:55.

and it's natural for him. So I just have to be yourself. Kept it zipped

:19:55.:20:05.
:20:05.:20:20.

Better than last week. If you want to keep Johnny Ballroom

:20:20.:20:28.

on his dancing feet call: Don't have to think of a number,

:20:29.:20:32.

they're the only ones you are going to need. Back to you, Bruce. Our

:20:32.:20:42.

next couple is Sid Owen and his partner, Ola Jordan. There's been a

:20:42.:20:47.

lot of drama and tension between them this week. What's been going

:20:47.:20:51.

on? Has there been a big argument in training? Has there been an

:20:51.:20:58.

injury? Will they even be able to dance?

:20:58.:21:03.

(EastEnders Theme Music) APPLAUSE Actually, they're fine. I

:21:03.:21:12.

was just building up the drama a bit. Here they are in training.

:21:12.:21:16.

Saturday night, first few steps were a little bit dodge, but as I

:21:16.:21:21.

got into it I enjoyed it. I didn't expect it to be that good. You have

:21:21.:21:24.

something special. All these lovely comments from the judges, it was

:21:24.:21:32.

unreal. From Len, I was overjoyed. I couldn't believe it. Yes! A lot

:21:32.:21:35.

of emotions run through your mind. Don't cry. I am not crying.

:21:35.:21:43.

are! He has tears in his eyes. So sweet! I did get a little bit

:21:43.:21:48.

choked up. Monday morning and it's all about the next dance. How many

:21:48.:21:53.

steps? Three. Why are you doing five? I don't know. This week we

:21:53.:21:59.

are attempting the salsa. OK, grab my leg. Sorry, I thought it was the

:21:59.:22:03.

other one. There's a lot going on in the routine. I have three lifts.

:22:04.:22:13.
:22:14.:22:14.

I will just drop her on her head now. A headstand. I don't know who

:22:14.:22:21.

Ola thinks I am. Louis did it in the first week. She thinks I am

:22:21.:22:25.

about 20. I can't believe I am doing this. Let's pray to God that

:22:25.:22:33.

it all comes off on the night. Dancing the salsa, Sid Owen and Ola

:22:33.:22:43.
:22:43.:22:43.

Apology for the loss of subtitles for 47 seconds

:22:43.:24:27.

APPLAUSE AND CHEERING Look at this!

:24:27.:24:34.

Look at that. Better than acting! Don't get that with acting. I love

:24:34.:24:38.

that New Zealand bit, the rugby player bit in the middle. Sorry, I

:24:38.:24:44.

forgot some steps. Nobody noticed, you shouldn't have said anything!

:24:45.:24:53.

Bruno? Sid, the good thing is the Sid Vicious attitude! Yeah! But I

:24:53.:24:58.

am telling you, because of the attitude, you disguise incredible

:24:58.:25:02.

amount of mistakes. You were off timing almost all the way through.

:25:02.:25:06.

The timing was completely off. Salsa is all about timing and

:25:06.:25:09.

having the hips going the correct way. You can't force it all the

:25:09.:25:13.

time. You know, it's got to be smooth. Sorry, the performance was

:25:13.:25:19.

very high, but you couldn't disguise the lack of technique.

:25:19.:25:29.
:25:29.:25:30.

There we are. Craig, did you agree? Yes, I do, it was haphazard, I

:25:30.:25:34.

would like to see more connectivity. On the bright side, I loved the

:25:34.:25:41.

routine. I thought it was fantastic. The knee slide was excellent. I

:25:41.:25:44.

loved the hip rotation that you had. There's a lot of good in there.

:25:44.:25:50.

Thank you. A lot of good. And Darcey? The nerves are gone, you

:25:50.:25:55.

are relaxed. I would just say the energy died a little bit. But

:25:55.:25:58.

generally, you partnered Ola brilliantly. So much confidence

:25:58.:26:02.

there, I was confident watching do you all the lifts with her. Come

:26:02.:26:09.

back and show me some more hips next time. Very good on the lifts.

:26:09.:26:15.

What's she doing? Leave him alone! The salsa is hot and spicy, it's

:26:15.:26:23.

from the Caribbean, Kingston Jamaica, this was more the Thames.

:26:23.:26:27.

More formal. I think - you went a bit wrong and then it all sort of

:26:27.:26:30.

went. You got to get out there and you are as good as you are, just

:26:30.:26:37.

get out there and give it some more. Go on, Sid! You can do that. Go on,

:26:37.:26:47.
:26:47.:26:48.

well done. Off you go. APPLAUSE AND CHEERING

:26:48.:26:53.

Yes! Sid Vicious in the house! Even Craig loved those hips. What's it

:26:53.:26:58.

like getting to showcase this new side of Sid? It's bizarre, actually.

:26:58.:27:03.

You got a bit excited. I did get really excited. You can't blame me,

:27:03.:27:07.

can you? We could feel it up here. I did lose the steps a bit. It was

:27:07.:27:17.
:27:17.:27:22.

good. Brilliant. There was a Louis one-hand hapbstand. The scores are

:27:22.:27:32.
:27:32.:27:46.

Not a bad score. That's all right. Got to keep working harder. What

:27:46.:27:51.

have you got next week if you are here? A tango. I have high hopes

:27:51.:27:58.

for that. What did you think of Sid's hips? Have they hypnotised

:27:58.:28:05.

you? If you want him back here. Remember,

:28:05.:28:08.

don't call until I tell you. Over to you, Bruce.

:28:08.:28:18.
:28:18.:28:18.

Our next couple is Kimberley Walsh and Pasha Kovalev. APPLAUSE Lovely.

:28:18.:28:27.

Last week Kim pwer lay wowed us -- Kim pwer lay pwer Kim pwer

:28:27.:28:33.

Kimberley wowed us with, how did they get on in training? Saturday

:28:33.:28:37.

night I really thoroughly enjoyed it. And she went alone. Please can

:28:38.:28:44.

you bring back that wow factor next week? I will try!

:28:44.:28:49.

I thought the whole thing was incandescent, darling. What does

:28:49.:28:53.

that mean? I didn't think it was right to ask at the time. I was

:28:53.:29:01.

hoping it was positive. I am going to call you nimble Kimble. I hope

:29:02.:29:06.

that sticks, I thought it was hilarious. Pasha calls the foxtrot

:29:06.:29:12.

the King of the ballroom dances. you can foxtrot, you can dance.

:29:12.:29:18.

really want to make it look elegant and smooth and right now it doesn't

:29:18.:29:26.

look like that. Basically, if I feel in quite a lot of pain and

:29:26.:29:29.

very uncomfortable it usually means I am in the right position. We have

:29:29.:29:35.

to go through the pain to make a beautiful dance. Darcey said I

:29:35.:29:38.

brought the wow factor last week but she also asked me to bring it

:29:38.:29:42.

back again this week. I guess anything less than "wow" is not

:29:42.:29:49.

going to be good enough for her. Dancing the foxtrot, Kimberley

:29:49.:29:59.
:29:59.:29:59.

Apology for the loss of subtitles for 47 seconds

:29:59.:31:47.

Wonderful. That had saufp move to it. Well done, both of you. Must

:31:47.:31:51.

have been a very good week. I tell you that. OK, Craig, will you start

:31:52.:31:56.

us off? I thought it was absolutely gorgeous, I loved the routine. You

:31:56.:31:59.

danced it beautifully. The only thing that did bother me was your

:31:59.:32:06.

jaw. It was really protruding forward. You need to pull that back

:32:06.:32:11.

a bit, darling. Just try and really hard to look left, aren't you? But

:32:11.:32:18.

it ruins the line a little bit. do you think I feel? LAUGHTER Shut

:32:18.:32:27.

up, get off! Darcey, darling. beautiful mood you created,

:32:27.:32:31.

Kimberley. I would only say in the top line it gets a bit soft in your

:32:31.:32:36.

centre and watch the gapping between the two of you and I am

:32:36.:32:44.

sure he's said that a few times. But a wonderful attitude promenade,

:32:44.:32:49.

where you held that line. Maybe not the wow factor, but still a very,

:32:49.:32:59.

very nice foxtrot. And Len? know, I thought it was limp, I

:32:59.:33:02.

didn't feel there was enough conviction in the dance. You were

:33:02.:33:08.

hanging on. You went wrong. Listen, it's good enough and good enough is

:33:08.:33:13.

better than not enough but for you it's got to be more than enough.

:33:13.:33:19.

Our expectations are huge. You You got to do better than that, girl.

:33:19.:33:28.

Fair enough. I love the set-up, I love the style, I love the

:33:28.:33:32.

performance. Yes, in hold you need more body contact and you don't

:33:32.:33:36.

lift from the chin, you lift from the spine. The whole thing looked

:33:36.:33:42.

very, very pretty. You were doing an impression of me there! It was

:33:42.:33:48.

wonderful. They all loved it. Good things there. Watch the chin, dear.

:33:48.:33:58.
:33:58.:34:00.

Keep it out of the way. Up the stairs! APPLAUSE AND CHEERING

:34:00.:34:05.

Come here, you. Can I say that's the prettiest jaw I think I have

:34:05.:34:08.

ever seen. You split the judges there. Yeah, you know what, I was

:34:08.:34:15.

really, really nervous. I could feel it really affecting me. A

:34:15.:34:18.

little bit disappointed. It's like we saw a different dance to them.

:34:18.:34:22.

What are you going to do next week? I need to work on it more, more

:34:22.:34:26.

time to get it into my body. The nerves really took over. You are

:34:26.:34:32.

getting more confident with Pasha, I think. Yeah, I don't know.

:34:32.:34:42.
:34:42.:35:03.

Tonight I felt it was a bit much. Better score than we thought. And

:35:03.:35:09.

you brought your bandmates in. Did that make you more nervous? I was

:35:10.:35:16.

nervous tonight maybe because I was going so late on in the show.

:35:16.:35:26.
:35:26.:35:26.

We open the phonelines later. One couple must leave which means the

:35:26.:35:30.

pressure to perform is huge. The scores are only half the story.

:35:30.:35:36.

Your votes can save your favourites. Back to you, Bruce. Our next couple

:35:36.:35:44.

is supermodel Jerry Hall and her partner, Anton Anton Du Beke.

:35:44.:35:49.

APPLAUSE And may I say, what a pairing. I said, how are you going

:35:49.:35:54.

to cope with having a partner who spends all day posing in front of

:35:54.:36:02.

the mirror? Jerry said, I will just have to put up with it! LAUGHTER

:36:02.:36:10.

But he is still lovely. Here they are in training.

:36:10.:36:16.

I thought the dancing went OK, but it was a masterclass in how to work

:36:16.:36:21.

a fur shawl. I thought I did that really well. You have taken minimal

:36:21.:36:27.

to a new lovely. I suppose I meant do more cha-cha-cha. But I mean, I

:36:27.:36:31.

did what I was told and I thought it went OK. You have the assets,

:36:31.:36:39.

use them. Dance more! Get her to work harder on those steps. I used

:36:39.:36:46.

all kinds of assets. That needs work. This week we have the foxtrot.

:36:46.:36:50.

The judges can't complain about there not being enough steps

:36:50.:36:53.

because it's all steps. It's difficult because we only have four

:36:53.:37:01.

days to learn very difficult dance. What? Zig-zag. I know Jerry wants

:37:01.:37:06.

to do as well as she can because she's having such fun. The other

:37:06.:37:10.

way. In order to be good at something, you have to enjoy it.

:37:10.:37:16.

There was a few mistakes. I am starting to feel a little

:37:16.:37:20.

competitive. Let's try and do it without messing up. OK. I wish I

:37:20.:37:26.

thought of that! I don't want to be too good in the beginning because I

:37:26.:37:28.

want to give the other ones a chance.

:37:28.:37:38.
:37:38.:37:38.

Apology for the loss of subtitles for 47 seconds

:37:38.:39:17.

Dancing the foxtrot, Jerry Hall and APPLAUSE AND CHEERING

:39:17.:39:26.

You did it! You got through it! Have you anything to say? I had

:39:26.:39:31.

fun! Good, I am glad about that. I thought we had established that

:39:31.:39:36.

first. Darcey. Thank you, Jerry. You have worked harder, I can see

:39:36.:39:39.

it and you start with this beautiful posture but you lose it

:39:39.:39:43.

early on. In the hold, the shoulders come up and the elbows

:39:44.:39:47.

drop, really watch that. It's so important. I can see you are trying

:39:47.:39:53.

to create this lovely style of Fred and Ginger but you have to follow

:39:53.:39:55.

through. The focus for the finished performsance must be there still.

:39:55.:40:00.

Don't lose it. OK, good advice. Len? You want to give the others a

:40:00.:40:09.

chance, you have accomplished that, for sure! Don't look like that. I

:40:09.:40:14.

liked the content. I appreciated a heel turn was in there. I liked the

:40:14.:40:21.

mix of steps. Your problem is you are too vertical. That is the

:40:21.:40:27.

problem. You have got to stretch up. You have to move away from - that,

:40:27.:40:34.

do it. Go on. Straighten yourself, girl. APPLAUSE. You got to stretch

:40:34.:40:39.

away. You are too vertical, my lovely. We don't like to give you

:40:39.:40:49.
:40:49.:40:50.

everything in one go. Keep some in reserve. Anton, Jerry's stuck on

:40:50.:41:00.

you! Like velcro! Lift and separate, darling. But you, you know, she

:41:00.:41:04.

doesn't break a sweat, because a girl let's the man do the work.

:41:05.:41:08.

They're right, I love watching you, there was a lot in it. I am waiting

:41:08.:41:18.

for more. Craig, are you waiting for more? I sure am! It looked like

:41:18.:41:24.

Anton was dancing with Mr Burns from The Simpsons. It was all like

:41:24.:41:29.

this. Posture, posture. The last time I saw posture like that was

:41:29.:41:39.
:41:39.:41:40.

this summer in my tkpard -- garden on a praying mantis. He hasn't got

:41:40.:41:48.

a garden! Right, but that's the finish of it. I think that's enough.

:41:48.:41:54.

Wonderful. A lot of fun to watch you both. Off you go. Well done.

:41:54.:42:04.
:42:04.:42:16.

So endlessly fabulous. Marvellous. She was marvellous. Some of the

:42:16.:42:22.

worst accents I ever heard. Don't even attempt the accent, I failed.

:42:22.:42:27.

I didn't know Craig was from Wales Wales! Len liked the content. Do

:42:27.:42:31.

you think your modelling skills will help you with the posture.

:42:31.:42:39.

It's hard to get a distance from Anton. Don't look at me, I say. She

:42:39.:42:46.

can't help it! She can't help herself. Don't blame her for that.

:42:46.:42:51.

What are you going to give them next week if you are still here?

:42:51.:42:57.

don't know. We have a quickstep. This is going to and joy. A lot of

:42:57.:43:06.

steps. They're all going to be quick. That's a good sign. I am not

:43:06.:43:16.
:43:16.:43:30.

sure I will have good posture for What do you think? If you want to

:43:30.:43:35.

see Jerry strike a pose in that quickstep in the ballroom next week

:43:35.:43:45.
:43:45.:43:53.

Give us a pose, Jerry. Oh, have it. Yes! We will use that. Glamour.

:43:53.:43:58.

Back to you, Bruce. What's going on up there? Our final

:43:58.:44:05.

couple is Lisa Riley and her partner, Robin Windsor. APPLAUSE

:44:05.:44:14.

Well, last week when she finished that routine and skaut Rob --

:44:14.:44:17.

caught Robin this place went crazy. It stopped the show, because of

:44:17.:44:22.

that famous lift she's been offered lots of different work. I said,

:44:22.:44:28.

film, television or theatre? She said, no, the Fire Brigade. Right,

:44:28.:44:34.

here they are in training. Get ready.

:44:34.:44:38.

I can't believe how well the routine went last week. Everyone

:44:38.:44:42.

was clapping. I thought, we are doing all right here. I think

:44:42.:44:51.

they're enjoying it. That was grand, beautiful, exuberant entertainment!

:44:51.:44:58.

You can dance! We couldn't believe it. No way, this isn't real. Shut

:44:58.:45:05.

up! That's the highest score of the weekend. What more do you want? It

:45:05.:45:10.

was the best night of my life. I am completely on cloud nine. I think I

:45:10.:45:15.

am going to be on cloud nine forever, because - well, I say that

:45:15.:45:19.

until I do the Viennese waltz and it all goes pear-shaped. We are

:45:19.:45:24.

going from a high energy cha-cha- cha, to a fluid, graceful Viennese

:45:25.:45:31.

waltz. I have to be a Princess, try to be. It's all about the way you

:45:31.:45:38.

walk, hold yourself. You have grace. I am definitely more of a fast

:45:38.:45:42.

boppy girl. It's a challenge and I love a challenge. Because we are

:45:42.:45:46.

top of the leader board for the cha-cha week, I don't feel I am out

:45:46.:45:51.

of the danger zone. Obviously, I have to get the grace right or I am

:45:51.:45:59.

going to get the bus home. Dancing the Viennese waltz, Lisa

:45:59.:46:09.
:46:09.:46:10.

Apology for the loss of subtitles for 47 seconds

:46:10.:47:53.

APPLAUSE AND CHEERING What about it! Lisa, that was so

:47:53.:48:00.

wonderful, darling. So wonderful. Your little feet, they're beautiful.

:48:00.:48:10.
:48:10.:48:12.

I can't stop them! What a lovely story. I love the

:48:12.:48:18.

story. You didn't invite him in for coffee. No! I had to go in my

:48:18.:48:28.
:48:28.:48:31.

carriage. Cinderella. I missed that bit! Len? It was a panto. We had

:48:31.:48:41.
:48:41.:48:41.

Prince Charming and Cinderella the fairy Godmother and ugly sisters.

:48:41.:48:47.

In hold, you have to work on - come and see me after the show. I will

:48:47.:48:54.

explain it. Be careful, dear. Right, Bruno. What I love love about you,

:48:54.:48:59.

we always get full-on entertainment. It's like a mini series. I am shy,

:48:59.:49:03.

I am graceful, I am going, I am coming, I am getting it all. That's

:49:03.:49:07.

a good thing. Len is right, I have to go with him, technically

:49:07.:49:10.

sometimes actually you were so into it, it looked like you were leading

:49:10.:49:17.

him. He is the Prince! He's got to lead. It comes out of your energy.

:49:17.:49:21.

In this kind of dance it has to be much more refined, my darling. Len

:49:21.:49:27.

is right. All right. Good points. Craig? You danced that with great

:49:27.:49:33.

dexterity. It was light. I didn't expect it to be. It was graceful.

:49:33.:49:43.
:49:43.:49:44.

But it is true, the man should lead, darling. Remember that! Darcey?

:49:44.:49:49.

love the focus in your eyes from the very beginning, it's beautiful.

:49:49.:49:53.

It creates a wonderful mood straightaway. It's true, you do try

:49:53.:50:00.

a bit hard in the transitions and you grab your man. Let him grab you.

:50:00.:50:04.

He's got to be the guy that's going to lead you around. It's true, the

:50:04.:50:10.

guys are right. You give a beautiful energy. Have you always

:50:10.:50:17.

been a grabber! Always! Off you go. It was wonderful.

:50:17.:50:27.
:50:27.:50:34.

APPLAUSE AND CHEERING Should I say Cinderella? Do you

:50:34.:50:38.

feel like a Princess. I need to get back to my northern roots now.

:50:38.:50:44.

was fabulous. Everybody is talking about your ballroom skills, any

:50:44.:50:49.

more surprises? You have to ask him, he creates it all, I just follow.

:50:49.:50:59.
:50:59.:51:11.

25! She can do serious, too. Get your phones ready. It's almost time

:51:11.:51:20.

vote. If you don't want hreus so to leave -- Lisa to leave us call:

:51:20.:51:24.

Please don't pick up the phone until we let you know the lines are

:51:24.:51:27.

open. That's it. All our couples have given everything they've got.

:51:27.:51:30.

We have carried over the judges scores from last week and added

:51:30.:51:40.
:51:40.:51:51.

them to tonight. Let's look at the Remember, you can change all of

:51:51.:51:54.

that by picking up the phone and voting for your favourite and why

:51:54.:52:02.

wait? Because the phone lines are now open! They're excited. If you

:52:02.:52:09.

are calling from a mobile call 62252 followed by the number of

:52:09.:52:19.
:52:19.:52:26.

your favourite couple. If you are calling from a landline dial

:52:26.:52:32.

090152252. Voting details can be found at bbc.co.uk/Strictly. Here

:52:32.:52:35.

is a reminder of tonight's performances and the numbers that

:52:35.:52:45.
:52:45.:52:45.

Apology for the loss of subtitles for 47 seconds

:52:45.:56:47.

What a night. Great. Didn't they all do well? They did. Our stars

:56:47.:56:51.

have been living in a ballroom bubble but it's time for that

:56:51.:56:55.

bubble to burst as one of our 14 celebrities must leave the

:56:55.:56:57.

competition. Your votes will make all the difference. Pick up the

:56:57.:57:04.

phone. They need you! I am Welling up. It's our first results show.

:57:04.:57:08.

The two couples with the lowest combined judges' scores and your

:57:08.:57:14.

votes will have to face the dreaded dance-off. Oh! Then after both

:57:14.:57:19.

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