Browse content similar to Week 2. Check below for episodes and series from the same categories and more!
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Last week 14 stars went supernova and truly showed us what they were | :00:12. | :00:18. | |
made of. Your butt stuck out like a hanging basket. There was romance. | :00:18. | :00:25. | |
I wasn't expecting that! There was bromance. And one broken heart. | :00:25. | :00:30. | |
This week, for the first time, someone is going home. The bottom | :00:30. | :00:35. | |
two will be running scared because... The dance-off is back. | :00:35. | :00:42. | |
It's back! The dance-off is back! Every vote counts. It's time to | :00:42. | :00:52. | |
:00:52. | :00:52. | ||
Apology for the loss of subtitles for 47 seconds | :00:52. | :01:39. | |
decide who do you love? # Do you Live from Television Centre, please | :01:39. | :01:49. | |
:01:49. | :01:50. | ||
welcome your hosts, Sir Bruce Forsyth and Tess Daly. | :01:50. | :02:00. | |
:02:00. | :02:07. | ||
Wonderful. Right on the beat! Good evening, ladies and gentlemen, and | :02:07. | :02:11. | |
children, welcome to Strictly Come Dancing. It's nice to see you, to | :02:11. | :02:17. | |
see you... AUDIENCE: Nice! It's nice to see you. Wasn't last | :02:17. | :02:21. | |
weekend a great start? Absolutely. After the show one of the | :02:21. | :02:24. | |
celebrities gave me a lift home. That was nice. No it wasn't. Never | :02:24. | :02:33. | |
again. 90mph on the motorway. And in and out of the traffic. In the | :02:33. | :02:43. | |
:02:43. | :02:45. | ||
end, I said, Victoria Pendleton... LAUGHTER | :02:45. | :02:50. | |
I didn't expect the laugh there! Victoria Pendleton, if you don't | :02:50. | :02:57. | |
slow down, I am going to follow off these handlebars. APPLAUSE. That's | :02:57. | :03:02. | |
the one. We have two laughs instead of of one. We are about to embark | :03:02. | :03:07. | |
on a dance epic of a show with all 14 of our celebrities battling it | :03:07. | :03:12. | |
out on the dance floor. It's like Ben Hur in the ballroom. Last week | :03:12. | :03:16. | |
our celebrities took their first steps on the dance floor. But this | :03:16. | :03:20. | |
week they're dancing for survival because you at home get the chance | :03:20. | :03:28. | |
to vote for your favourites. I bet they're quacking back there. | :03:28. | :03:38. | |
:03:38. | :03:48. | ||
the quaking stop. It's time to meet Kimberley Walsh and Pasha Kovalev | :03:48. | :03:55. | |
Nicky Byrne and Karen Hauer, Fern Britton and Artem Chigvintsev, | :03:55. | :04:05. | |
:04:05. | :04:07. | ||
Michael Vaughan and Natalie Lowe, Lisa Riley and Robin Windsor, Louis | :04:07. | :04:17. | |
:04:17. | :04:18. | ||
Smith and Flavia Cacace, Dani Harmer and Vincent Simon Simone, | :04:18. | :04:26. | |
Sid Owen and Ola Jordan, Denise van Outen and James Jordan Richard | :04:26. | :04:36. | |
:04:36. | :04:37. | ||
Arnold and Erin Boag, Victoria Pendleton and Brendan Cole, Colin | :04:37. | :04:47. | |
:04:47. | :04:52. | ||
Salmon and Kristina Rhianoff, Jerry Hall and Anton Du Beke and Johnny | :04:52. | :05:00. | |
Ball and Iveta Lukosiute. APPLAUSE AND CHEERING That was all for you. | :05:00. | :05:07. | |
Good audience. You look magnificent. Ladies, you look incredible. And, | :05:07. | :05:10. | |
as there are lots of young people watching, I will rephrase that for | :05:10. | :05:20. | |
:05:20. | :05:24. | ||
them. OMG, you babes, is looking reem. LAUGHTER And you's will be | :05:24. | :05:33. | |
aving it large tonight, innit. Welcome to the show. Tonight for | :05:33. | :05:37. | |
the first time our couples are dancing for your votes. Once | :05:37. | :05:42. | |
everybody's danced the phoneliness will open and you have your chance | :05:42. | :05:46. | |
to have your say. Your votes will be be combined with the judges' | :05:46. | :05:49. | |
scores from last week and this week and the two couples with the lowest | :05:49. | :05:58. | |
number of points will face another dreaded dance-off. Oh Oh! If you | :05:58. | :06:01. | |
like your dancing served with a side order of expert opinion you | :06:01. | :06:09. | |
can press your red button for live commentary throughout the show with | :06:10. | :06:14. | |
ex-Strictly champion Karen Hardy and joining her is Rufus Hound. If | :06:14. | :06:18. | |
you want to hear their words of wisdom press red now and you are | :06:18. | :06:24. | |
ready to go. And so are we. We are. Good! The first couple tonight is | :06:24. | :06:34. | |
:06:34. | :06:35. | ||
Nicky Byrne and his partner, Karen Hauer. APPLAUSE Now we found out | :06:35. | :06:40. | |
last week that Nicky's partner, Karen, she's one of the new | :06:40. | :06:48. | |
professional dancers, is from Veneuzla and she never heard of | :06:48. | :06:52. | |
Westlife and after the show I told her all about them and said, now do | :06:52. | :06:58. | |
you know who they are? She said, yes, but who the devil are you? | :06:58. | :07:04. | |
What about that accent? Here they are - good luck to them - here they | :07:05. | :07:11. | |
are in training. As week one goes, it was a disaster, | :07:11. | :07:15. | |
but I am still here, you know, no one went home. I went over to the | :07:15. | :07:21. | |
judges' desk and got absolutely savaged. I am not particularly | :07:21. | :07:25. | |
happy, actually, Karen. There are certain rules in Strictly Come | :07:25. | :07:33. | |
Dancing. You broke one of them. That, my darling, is a lift. | :07:34. | :07:38. | |
lift probably wasn't the best idea in the world. It was exactly what | :07:38. | :07:41. | |
Craig needed to begin to pull us apart on and probably exactly what | :07:41. | :07:46. | |
I didn't need on my first week. all make mistakes. I probably won't | :07:47. | :07:51. | |
be making the same mistake again. don't want to experience that again. | :07:51. | :07:58. | |
Are we doing a lift? No lift. week I am dancing the cha-cha-cha. | :07:58. | :08:02. | |
I have to go out there and impress the judges and people at home. It's | :08:02. | :08:06. | |
a great routine. Karen's really pulled this one out of the bag. | :08:06. | :08:12. | |
Then I can't get it right. I forgot it! This was the first time that | :08:12. | :08:18. | |
he's ever walked out of the room. It was nice for him to walk back in. | :08:18. | :08:23. | |
Let's do it again. Confidence is dented but the only way to fix that | :08:23. | :08:28. | |
is to get back to the drawing board. I am ready, it's show time, let's | :08:28. | :08:38. | |
:08:38. | :08:38. | ||
Apology for the loss of subtitles for 47 seconds | :08:38. | :10:15. | |
cha-cha. Dancing the cha-cha-cha, APPLAUSE AND CHEERING | :10:15. | :10:20. | |
What a start tonight! Thank you. Oh, that started the show off so well, | :10:20. | :10:25. | |
both of you. Full of energy. Delightful. All right, let's now | :10:25. | :10:35. | |
welcome our judges, Craig, Darcey, Len and Bruno. APPLAUSE | :10:35. | :10:40. | |
Now we had, as you know, we had two shows last weekend. On the Friday | :10:40. | :10:44. | |
Friday Craig was mean, controversial and rude. But on the | :10:44. | :10:47. | |
Saturday, he was lovely. He explained to me afterwards, he said, | :10:48. | :10:54. | |
I just had an off day and promised he will never be lovely again. | :10:54. | :11:00. | |
LAUGHTER Never, ever. Len, what did you | :11:00. | :11:07. | |
think of that first offering? a cup of tea and a world of lattes, | :11:07. | :11:12. | |
if you like. I am a traditionalist, it was too much boyband dancing and | :11:12. | :11:16. | |
not enough cha-cha-cha in there. Listen, I don't like to be cruel. I | :11:16. | :11:22. | |
want to be kind. There was very little about that I could rave | :11:22. | :11:26. | |
about. Tkoeu apologise for that. But there you are. Oh, well. That's | :11:26. | :11:32. | |
not as good a start as we thought. Bruno? Tonight you were more | :11:32. | :11:36. | |
switched on. You were going for it. You had a naughty twinkle in your | :11:36. | :11:44. | |
eyes, which was good. It was a little bit Take That 1995. I love | :11:44. | :11:47. | |
them. But the problem is that you lost timing completely at the end. | :11:47. | :11:52. | |
You really lost it. You were off completely and you have to stretch | :11:52. | :11:56. | |
your legs when you do your basic cha-cha but performance-wise, I | :11:56. | :12:00. | |
thought you went in the right direction. So combine the two. | :12:00. | :12:06. | |
enough. Craig? For me it was all a little bit like a zumba exercise | :12:06. | :12:13. | |
class. It was very flat-footed. I couldn't help but notice you had | :12:13. | :12:21. | |
some rotation in the hip department. It was quite nice to view. That's a | :12:21. | :12:26. | |
plus. Unfortunately, it left your body as you started to move. But | :12:26. | :12:29. | |
the energy was great. I thought your commitment to the piece was | :12:29. | :12:38. | |
good. Yes, lovely. APPLAUSE Now, Darcey? Nicky, there was confidence. | :12:38. | :12:45. | |
There was attitude. It was great. You had some funky isolations there, | :12:45. | :12:48. | |
but sadly, for me, also there wasn't enough cha-cha but a great | :12:49. | :12:53. | |
contrast from last week. Darcey, you would like more isolation? | :12:53. | :13:00. | |
were nice. Very nice. Work on your isolation. Off you go. Well done. | :13:00. | :13:10. | |
:13:10. | :13:14. | ||
APPLAUSE AND CHEERING Come on, Nicky. Now the positive, | :13:14. | :13:16. | |
Bruno said, you are going in the right direction. How was it for | :13:16. | :13:22. | |
you? Terb -- terrible to be honest. I couldn't hear the beats at the | :13:22. | :13:28. | |
start. I was making it up as I was going along. I lost the beat at the | :13:28. | :13:32. | |
start. That considered, you did blooming well! You set many a heart | :13:32. | :13:37. | |
a fluttering with that hip action. Even Craig. That was the intention. | :13:37. | :13:41. | |
Craig savaged you last week, did that give you a different attitude? | :13:41. | :13:45. | |
We worked hard on this tonight and it didn't go well. Don't be like | :13:45. | :13:52. | |
that! Bruno says you are going in the right direction. They loved it, | :13:52. | :14:02. | |
:14:02. | :14:17. | ||
One better than last week. If you want to vote for Nicky and Karen | :14:17. | :14:27. | |
:14:27. | :14:34. | ||
there's two ways to do This Week Well done, Nicky. I thought it was | :14:34. | :14:39. | |
a top start to the show. Loads of energy. Still to come we have | :14:39. | :14:44. | |
Victoria Pendleton, she's back in the saddle with a foxtrot and | :14:44. | :14:52. | |
Richard Arnold is heading for the love shack, baby! Now our next | :14:52. | :15:00. | |
couple, Colin Salmon and his partner Kristina Rhianoff. Colin's | :15:00. | :15:04. | |
cha-cha-cha left the judges shaken and stirred last week. This week he | :15:04. | :15:10. | |
is taking his girl for a spin in the Viennese waltz. Here they are | :15:10. | :15:17. | |
in training. I was feeling quietly confident. | :15:17. | :15:20. | |
And you hit the studio and you have lights in your face and the judges | :15:20. | :15:30. | |
and that threw me, actually. That confidence went to a noisier panic. | :15:30. | :15:35. | |
It was so unbelievable to see people standing and cheering for us. | :15:35. | :15:38. | |
Best cha-cha of the night. I came away absolutely thrilled. I had the | :15:38. | :15:43. | |
best time. It was the first time I ever danced in front of eight | :15:43. | :15:46. | |
million people or eight people. Now we take it to the next level and | :15:46. | :15:52. | |
keep going. I think Colin is finding the Viennese waltz harder | :15:52. | :15:58. | |
than the cha-cha-cha. First challenge is my height. I have to | :15:58. | :16:02. | |
keep the shape of the back. That's perfect. I can't move. You have to | :16:02. | :16:08. | |
keep your butt tucked in. I have been feeling it in the balls of my | :16:08. | :16:12. | |
feet, knees, back, shoulders. heard him today complaining about | :16:12. | :16:18. | |
his knees and back and so on. Well, what can do you? What is wrong with | :16:18. | :16:22. | |
disco? Saturday night, I am going to forget about the knees and back | :16:22. | :16:31. | |
and aches and pains and dance and nail it. Dancing the Viennese waltz, | :16:32. | :16:41. | |
:16:42. | :16:42. | ||
Apology for the loss of subtitles for 47 seconds | :16:42. | :18:08. | |
Colin Salmon and Kristina Rhianoff. APPLAUSE AND CHEERING | :18:08. | :18:15. | |
Very nice. Lovely. What about that? That's such a lovely feel to it. | :18:15. | :18:22. | |
Romantic, lovely. How are the knees? Fine. While you get your | :18:22. | :18:25. | |
breath back, I will take the opportunity to welcome our fabulous | :18:25. | :18:30. | |
singers, Dave Arch and his wonderful, wonderful orchestra! | :18:30. | :18:38. | |
APPLAUSE AND CHEERING All right. Now then, Bruno, we | :18:38. | :18:42. | |
start with you. Colin, nice and extended long lines and I tell you, | :18:42. | :18:46. | |
it's hard because you have plenty of length to work with, you know. | :18:46. | :18:49. | |
It's harder if you are taller because you have much more space to | :18:50. | :18:54. | |
cover. The thing, when you go in hold it needed more drive, more | :18:54. | :18:58. | |
musicality, more sweep. Don't lean forward. I know it's hard again, | :18:58. | :19:03. | |
plenty of length, but it's kind of - I found it a little bit not so | :19:03. | :19:08. | |
involving tonight. A bit careful for me. All right. Craig? I have to | :19:08. | :19:15. | |
agree with Bruno, you did hit nice lines throughout but your double | :19:15. | :19:22. | |
hand flicking is quite vexatious, darling. I don't know why you are | :19:22. | :19:27. | |
doing it, but it's odd. It's like that. It's rather nice if the arm | :19:27. | :19:31. | |
goes out and stays out. Rice and fall, there -- rise and fall, | :19:31. | :19:34. | |
there's too much. In this dance it should remain as smooth as possible. | :19:34. | :19:44. | |
:19:44. | :19:45. | ||
But I think you are dancing more to your height and that's good to see. | :19:45. | :19:55. | |
:19:55. | :19:57. | ||
You didn't see the fly that he was that he was flicking? Darcey? | :19:57. | :20:01. | |
had the perfect frame, so elegant but you have to watch you don't | :20:01. | :20:06. | |
stoop. Lift the chin, not just the eyes. There's a lot of eyes up here. | :20:06. | :20:16. | |
:20:16. | :20:17. | ||
But well done. A man that can ballroom and Latin. I don't know | :20:17. | :20:22. | |
how he manages to keep his eye on Kristina, she's down there, you | :20:22. | :20:29. | |
must be looking for her. LAUGHTER I just thought that to myself! Len? | :20:29. | :20:36. | |
Step out more and it was a tad timid. Having said that, you are an | :20:36. | :20:39. | |
actor, you got into the character as you did last week. It had | :20:39. | :20:43. | |
elegance and sophistication. I like the fact in hold there was no stoop | :20:43. | :20:47. | |
for me. You danced to your height and that's what you must do. Don't | :20:47. | :20:53. | |
dance down. Keep up. And you can move as much as you want, Chris | :20:53. | :21:00. | |
Kristina will keep up. Don't worry. So move more! Good words. Off you | :21:00. | :21:10. | |
:21:10. | :21:11. | ||
go then. Well done. APPLAUSE AND CHEERING | :21:12. | :21:20. | |
Colin, he can ballroom and Latin. Yes he can. Now, being - Anton said | :21:20. | :21:24. | |
he is off already. How did you overcome the height difference? | :21:24. | :21:30. | |
followed the instructions here. listen to your taskmaster. Good | :21:30. | :21:35. | |
pupil. Darcey said a perfect frame and Jerry commented during the | :21:35. | :21:40. | |
dance, he is a long, tall drink! I love the way she said that. Sounds | :21:40. | :21:46. | |
so much better coming from Jerry with that accent. Fabulous. The | :21:46. | :21:56. | |
:21:56. | :22:08. | ||
One up on last week. We are going up in the right direction. OK, here | :22:08. | :22:18. | |
:22:18. | :22:25. | ||
is the numbers you need to keep Without you, they may not be back | :22:25. | :22:31. | |
here next week. They really want to stay, don't you? Yes, we do. Love | :22:31. | :22:38. | |
that voice. Back to you, Bruce. Right, next up is Dani Harmer and | :22:38. | :22:46. | |
her partner, Vincent Simone. APPLAUSE | :22:46. | :22:52. | |
Now, because I don't watch children's television much the it's | :22:52. | :22:56. | |
past my bedtime, but I don't know much about Dani. She said, I know | :22:56. | :23:02. | |
all about you. I did a project on you at school. I said, really, were | :23:02. | :23:10. | |
you doing media studies? She said, no, ancient history. LAUGHTER Shut | :23:10. | :23:20. | |
:23:20. | :23:22. | ||
up! Not funny at all. Here they are Saturday, my nerves did get to me. | :23:22. | :23:27. | |
I have never been that scared in all my life. Smile, because all the | :23:27. | :23:34. | |
tension you create stops the movement to flow. Dani was | :23:34. | :23:37. | |
disappointed because she was nervous and the nerves took over. | :23:37. | :23:42. | |
can't compare it to anything. My hands were doing this. I can't stop | :23:42. | :23:47. | |
shaking. Stop it. I will find someone else to dance with. | :23:47. | :23:52. | |
Saturday was amazing but I am so glad it's over because now I get to | :23:52. | :23:59. | |
salsa. Bring it on! I am so excited. I am going to pretend I am a sexy | :23:59. | :24:03. | |
salsa dancer and see where that gets me. Vincent wants to push me | :24:03. | :24:09. | |
so he put in a tricky lift but at the moment it's arms and legs | :24:09. | :24:13. | |
everywhere and me on the floor. There's different ways of jumping | :24:13. | :24:19. | |
on top of a man. Am I that heavy! We are dancing. How do you jump | :24:19. | :24:23. | |
like a dancer? I have no idea. That's good. But now I am stuck. | :24:23. | :24:29. | |
You will definitely see a lot more Dani in the salsa. You need to let | :24:29. | :24:35. | |
go now. And a less nervous rabbit caught in the headlights look. | :24:35. | :24:45. | |
:24:45. | :24:45. | ||
Apology for the loss of subtitles for 47 seconds | :24:45. | :26:24. | |
Dancing the salsa, Dani Harmer and APPLAUSE AND CHEERING | :26:24. | :26:32. | |
I thought that was wonderful. That was beautiful. Are you happy? | :26:32. | :26:42. | |
:26:42. | :26:43. | ||
loved that. Lovely song and beautiful words. LAUGHTER | :26:43. | :26:49. | |
Sounded like a pig sty. Just my own thoughts! Craig? This dance does | :26:49. | :26:57. | |
suit the smaller type person, I am not being funny, it's true. Lovely | :26:57. | :27:00. | |
clean finishes. The energy was fantastic. I wasn't completely fond | :27:00. | :27:06. | |
of the dismount in the second lift. You sort of went splat. It looked | :27:06. | :27:11. | |
like something went horribly wrong. I don't know what you were aiming | :27:11. | :27:21. | |
for there, Vincent. I loved the forward walkover. Darcey, what did | :27:21. | :27:25. | |
you think? Yeah, it's so great to see you having fun on that dance | :27:25. | :27:30. | |
floor and amazing isolations with the upper body. Just follow it | :27:30. | :27:34. | |
through with the lower body, with the hips. I want to see more hips, | :27:34. | :27:39. | |
it's so important in salsa and you have great hips. Thank you! | :27:39. | :27:49. | |
:27:49. | :27:51. | ||
Beautiful. OK. Now then, Len? you little munchkin, you came out | :27:51. | :27:58. | |
and gave it some welly. You were foul-on and -- full-on and flat out | :27:58. | :28:08. | |
:28:08. | :28:10. | ||
and I liked it. We haven't had Bruno yet. You gorgeous little | :28:10. | :28:14. | |
thing, you didn't splatter, you blossomed tonight. You were happy, | :28:14. | :28:17. | |
having a good time. Great content, all the arm passes were very | :28:17. | :28:22. | |
difficult. You did it well. She is right, you got to get these hips. | :28:22. | :28:28. | |
Look at you. Do it for me. Gorgeous! Use it. Use it to full | :28:28. | :28:36. | |
extent. Don't be shy. Like you! It was wonderful. We all loved you. | :28:36. | :28:46. | |
:28:46. | :28:51. | ||
Off you go and be proud. APPLAUSE Really good comments from the | :28:51. | :28:59. | |
judges. I know. I love this. Teach me, I am desperate - I love that! I | :28:59. | :29:06. | |
got to get to learn the body roll. That's one cool - not here, though. | :29:06. | :29:11. | |
On to you. Len loved it. How are your nerves? I am actually all | :29:11. | :29:16. | |
right this week. I enjoyed that. I wasn't so terrified. That was one | :29:16. | :29:21. | |
speedy salsa. And first lifts, very ambitious. How did they go? It was | :29:21. | :29:26. | |
interesting in rehearsals. Interesting. Hopefully that went | :29:26. | :29:36. | |
:29:36. | :29:53. | ||
better. Well done. Here are your Better than last week. If you want | :29:53. | :30:03. | |
:30:03. | :30:07. | ||
The phonelines open later. You are hope you are settled in for a night | :30:07. | :30:13. | |
of sheer ballroom bliss. Anyone ready for some more? Come on, | :30:13. | :30:19. | |
Bruce! Right, our next couple is Fern Britton and her partner, Artem | :30:19. | :30:29. | |
:30:29. | :30:30. | ||
Chigvintsev. APPLAUSE Lovely Fern. Now Fern has asked me not to make | :30:30. | :30:33. | |
more puns about her name. She said, I get that all the time and I am so | :30:33. | :30:37. | |
sick of it. I said, I understand, and I won't do it any more. I will | :30:37. | :30:42. | |
just focus on your dancing and after last week's performance, it's | :30:42. | :30:50. | |
obvious, Briton's Got Talent. No! Shouldn't have said that. Sorry, | :30:50. | :31:00. | |
:31:00. | :31:06. | ||
You wafted your skirt a lot. didn't mind the wafting, all flirty. | :31:06. | :31:15. | |
I am surprised it caused such a controversy on the panel. I like | :31:15. | :31:19. | |
skirt-ography. What was amazing was that last extension. That leg went | :31:19. | :31:23. | |
so high, the line, the foot. you happy? I am happy. I am happy, | :31:23. | :31:30. | |
too. Are you really? You won't be tomorrow when we rehears again. | :31:30. | :31:37. | |
This week we are dancing the waltz and it's a very romantic dance. | :31:37. | :31:41. | |
Training has not exactly been romantic. Again! I have been doing | :31:41. | :31:45. | |
a lot of repetitions. One more time. From the beginning. Again. Do it | :31:45. | :31:50. | |
again. And again. Go from the top. And again one more time. First step. | :31:50. | :31:54. | |
It's very frustrating. I hate it when he gets frustrated with me. I | :31:54. | :32:00. | |
hate that. That's not your step at all. If I am being harsh it's only | :32:00. | :32:10. | |
:32:10. | :32:10. | ||
because I want her to be the best she can possibly be. Got it. Got it. | :32:10. | :32:20. | |
:32:20. | :32:20. | ||
Apology for the loss of subtitles for 47 seconds | :32:20. | :34:03. | |
Dancing the Viennese waltz, Fern APPLAUSE AND CHEERING | :34:03. | :34:08. | |
You deserve that hug after all that training and everything. | :34:08. | :34:11. | |
deserves it! He's dragged me through the week. You did very well | :34:11. | :34:16. | |
there. Darcey, start us off, darling. You gave us such a | :34:16. | :34:20. | |
beautiful feeling when you dance. Really it's lovely. And so nice to | :34:20. | :34:26. | |
see you travelling, as well. Just make sure you keep it smooth. It | :34:26. | :34:32. | |
gets up and down. But the arms, one other thing, you have got to follow | :34:32. | :34:37. | |
through. When you extend the arm don't finish here. Extend the | :34:37. | :34:41. | |
fingers right to the very ends of the fingers. Please, believe in | :34:41. | :34:48. | |
yourself and the confidence will follow. APPLAUSE Good points there. | :34:48. | :34:54. | |
Len? There was a bit of wafting going on early on. We put it in for | :34:54. | :34:59. | |
you. I like a waft, actually. Your posture needed to be stronger. But | :34:59. | :35:04. | |
let me tell you, it was better than last week. So you are on the way up. | :35:04. | :35:10. | |
Well done. APPLAUSE That's good. Encouraging. Bruno? You have to | :35:10. | :35:15. | |
watch it, they were both right. Sometimes it looked like you are | :35:15. | :35:21. | |
casually dusting. It was lovely, oh, nice and clean clean! You have to | :35:21. | :35:25. | |
follow it through. Keep strong here and follow those lines. Always you | :35:25. | :35:30. | |
come alive once you are in the arms of a strapping young man. You seem | :35:30. | :35:35. | |
to like it. So lovely then. But you have to combine the two. All right, | :35:35. | :35:41. | |
you know, you got to get the posture right and extend the lines. | :35:41. | :35:48. | |
Good tips. Craig? Speaking of hand shaping, you also need to tuck your | :35:48. | :35:51. | |
thumb under, as well. Darcey didn't mention that little bit. You need | :35:51. | :35:54. | |
to extend the line a little bit more by pulling up through your | :35:55. | :35:58. | |
back and your chest and that will help keep your left shoulder down, | :35:58. | :36:04. | |
which was raising up. I thought the flow around the floor was fantastic. | :36:04. | :36:10. | |
You must be happy about that. Away you go and be happy! APPLAUSE AND | :36:10. | :36:20. | |
:36:20. | :36:29. | ||
Come on, the lady in red. Craig said the F-word - fantastic. | :36:29. | :36:36. | |
missed that. Would you say ballroom was more your thing? Probably, I | :36:36. | :36:41. | |
don't know, I am still learning. I don't know where I am. He dragged | :36:41. | :36:44. | |
me through, he is brilliant. seems you don't want to let Artem | :36:44. | :36:49. | |
down. Big-time, of course I don't. I only do it for you, and you. | :36:49. | :36:55. | |
Darcey says you need to believe in yourself. Valid point? Yes, at this | :36:55. | :36:58. | |
stage it's difficult to get your head around anything, actually. But | :36:58. | :37:08. | |
:37:08. | :37:26. | ||
thanks. You're doing great. That's Yes. Improvement on last week. | :37:27. | :37:31. | |
pleased. If you want Fern to avoid the fear of the dance-off tomorrow, | :37:31. | :37:41. | |
:37:41. | :37:44. | ||
Remember all our celebrities are going to need your votes. Back to | :37:44. | :37:50. | |
you, Bruce. Thank you, our 5th couple is Richard Arnold and his | :37:50. | :38:00. | |
:38:00. | :38:00. | ||
partner, Erin Boag. In last week's waltz Richard was criticised for | :38:01. | :38:07. | |
not showing enough personality. We hope to see his fun side in | :38:07. | :38:13. | |
tonight's cha-cha-cha. Here's the fun side, we hope, here they are in | :38:13. | :38:17. | |
training. It was the most extraordinary feeling I have ever | :38:17. | :38:22. | |
had in my life. The moment it was over you just wanted to get back | :38:22. | :38:27. | |
out and do it again. Your footwork was the best of any waltz I have | :38:27. | :38:37. | |
seen. Seven! I am a dancer! It was a bit boring. Are you trying to be | :38:37. | :38:47. | |
butch? I was emotting. I missed the real Richard in that dance. Brace | :38:47. | :38:51. | |
yourselves! The cha-cha gives me a chance, obviously, to throw my arms | :38:51. | :38:57. | |
around a bit and wiggle my hips. It's a fun, bubbly dance. You will | :38:57. | :39:01. | |
see a different side of Richard. am going to need another one. I | :39:01. | :39:07. | |
thought I have been cha-chaing all my life, but according to Erin I | :39:07. | :39:11. | |
have been mincing. You still have to do your step. Step back. What he | :39:11. | :39:15. | |
lacks in technique, he makes up for in performance. You have to get the | :39:15. | :39:19. | |
balance between your feet in the right place and the technique and | :39:19. | :39:24. | |
obviously, giving it this with your personality. I think the feet may | :39:25. | :39:33. | |
fall foul of this. You got to throw in a shimmy, it's Saturday night. | :39:33. | :39:43. | |
:39:43. | :39:43. | ||
Apology for the loss of subtitles for 47 seconds | :39:43. | :41:20. | |
Dancing the cha-cha-cha, Richard APPLAUSE AND CHEERING | :41:20. | :41:27. | |
Well, that was absolutely great. All those flowers! We have seen | :41:27. | :41:37. | |
:41:37. | :41:38. | ||
Richard in full bloom. It's Saturday night, it's my winter box. | :41:38. | :41:42. | |
You were critical last week, what about this? Tonight you have a | :41:42. | :41:48. | |
split personality, I tell you that. That was blissfully barmie. It was | :41:48. | :41:58. | |
something in between a livewire and a cukatoo. It was the weirdest cha- | :41:58. | :42:07. | |
cha-cha but in a sick way I enjoyed A sick cha-cha-cha, after all that | :42:07. | :42:13. | |
effort! Craig, what did you think? I wasn't entirely convinced that | :42:13. | :42:21. | |
you wanted to take Erin to a love shack, darling. LAUGHTER | :42:21. | :42:31. | |
. Both cha-cha-cha walks do belong in a drag show. I used to work in | :42:31. | :42:37. | |
menswear, we used to do it all the time. Suits you, Sir? Did you sell | :42:37. | :42:47. | |
:42:47. | :42:48. | ||
a lot? Not if I am honest. I am not surprised. Craig can be funny. I | :42:48. | :42:54. | |
almost laughed. Darcey, darling? This is the Richard I wanted to see. | :42:54. | :43:04. | |
:43:04. | :43:06. | ||
Relaxed, full of life. Come here, sweetheart! You mustn't touch! | :43:06. | :43:14. | |
but, just for Erin, you have to create some tension in the arms. | :43:14. | :43:24. | |
:43:24. | :43:30. | ||
Please. She needs you to lead her. Darcey, less Bustle. He has been | :43:30. | :43:34. | |
saving that one. Len. Loud and proud and that's just your shirt. I | :43:34. | :43:40. | |
am telling you, Richard... No, your arm most of the time was on your | :43:40. | :43:47. | |
hip or hanging down like a bit of cotton from a knicker leg. You are | :43:47. | :43:52. | |
a better dancer than having to camp it all all up. You can go for it. | :43:52. | :43:58. | |
You are a better dancer. Certain people need to do that stuff. You | :43:58. | :44:03. | |
don't. A little bit over the top for me, but it was fun. There's a | :44:03. | :44:10. | |
dancer in you. You will get it out of him. Go you go. | :44:10. | :44:20. | |
:44:20. | :44:27. | ||
. My winter pansies have withered. Oh dear! That is the Richard we | :44:28. | :44:33. | |
have all been waiting for, us and Darcey. Blissfully barmie, said | :44:33. | :44:38. | |
Bruno. How did you feel it went? How do you feel it went, love. | :44:38. | :44:43. | |
Everybody was doing the mashed potato with us. Len said you were a | :44:43. | :44:46. | |
better dancer than that, what will you bring to the competition next | :44:46. | :44:56. | |
:44:56. | :45:14. | ||
week? Apparently tighter knicker We will take it. 19. Craig's so | :45:14. | :45:20. | |
harsh. You shook your thing. I did. If you would like to see Richard | :45:20. | :45:28. | |
dance another day you can call: Wait for the lines to open. Still | :45:28. | :45:32. | |
to come, Lisa will be showing us what she can do with the sreuen | :45:32. | :45:41. | |
eats waltz -- Viennese waltz waltz. Our next couple is Victoria | :45:41. | :45:50. | |
Pendleton and her partner, Brendan Cole. | :45:50. | :45:53. | |
APPLAUSE AND CHEERING Now, last week we were running out of time so | :45:53. | :45:58. | |
we didn't have time for Craig's comments on Victoria. If we run out | :45:58. | :46:08. | |
:46:08. | :46:09. | ||
of time this week, Craig won't be able to comment again. LAUGHTER See | :46:09. | :46:13. | |
the match? Did you see the match? A bit of a walkover, but never mind... | :46:13. | :46:19. | |
Hello, are you all right. Happy birthday. We might do another song | :46:19. | :46:29. | |
:46:29. | :46:32. | ||
later on, OK. LAUGHTER Ah, I think that's wasted enough time. APPLAUSE | :46:32. | :46:40. | |
Here they are in training. I was really excited to go out and | :46:40. | :46:45. | |
perform the dance. And then to mess it up on the night, I felt really | :46:45. | :46:50. | |
disappointed. You don't know what's going to happen on a live show. | :46:50. | :46:53. | |
Before the show we ran it four times downstairs in the corridor, | :46:53. | :46:58. | |
it was perfect. She was performing, it was great. Then... You messed it | :46:58. | :47:02. | |
up so much. I was so annoyed with myself. I couldn't conceal it. You | :47:02. | :47:08. | |
put so much work into something and it goes wrong. In the bottom spot, | :47:08. | :47:13. | |
Victoria and Brendan. You are a champion, you have fallen off the | :47:13. | :47:19. | |
bike before. Get back on it. Do a twirl. Brendan brought me a lovely | :47:19. | :47:22. | |
dance skirt and it definitely makes you want to spin around the dance | :47:22. | :47:27. | |
floor and be more elegant. I want to swivel around in the skirt a lot. | :47:27. | :47:33. | |
I am seeing a smile on the girl's face. She's come in here firing, | :47:33. | :47:37. | |
exactly what you would expect from our Olympian. This week I am doing | :47:37. | :47:40. | |
the foxtrot. We have already discovered that me spinning on-the- | :47:40. | :47:46. | |
spot or trying to turn is bad news. I can do this. You can do it. We | :47:46. | :47:49. | |
are at the bottom of the leader board now, so it's essential that I | :47:50. | :47:54. | |
can improve on my spins, because I really want to stay in the | :47:54. | :48:00. | |
competition. Dancing the foxtrot, Victoria | :48:00. | :48:10. | |
:48:10. | :48:10. | ||
Apology for the loss of subtitles for 47 seconds | :48:10. | :49:47. | |
APPLAUSE AND CHEERING Well done, very well done. There we | :49:47. | :49:53. | |
are. Lovely. And all your friends up there, everyone. That was | :49:53. | :50:00. | |
beautiful. So proud. Victoria, can I ride on your handlebars again? | :50:00. | :50:06. | |
Any time. Oh, that's good. Len? Clean, classy and confident. A | :50:06. | :50:13. | |
fantastic improvement from last week. The transition from in and | :50:13. | :50:17. | |
out of hold are a little bit unstable. You got to work on that | :50:17. | :50:26. | |
more. But what an improve - Queen Vic is back. OK, Bruno? Victoria is | :50:26. | :50:31. | |
back in the race! Well done, my darling. Very nice indeed in hold. | :50:31. | :50:35. | |
Now you have to work on your turns. That's what happened in the | :50:35. | :50:39. | |
transitions, because you don't spot, you lose balance. So take a point | :50:39. | :50:43. | |
of reference, turn and spot and go to it. Because the improvement, as | :50:43. | :50:50. | |
Len said, is great. Well done. And he knows what he is talking | :50:50. | :50:58. | |
about. He's been on the turn for years. | :50:58. | :51:04. | |
Shocker! Craig? It's true, actually. You remembered it, so that's a good | :51:04. | :51:10. | |
start and that's worth at least one point. The turns are very rigid. | :51:11. | :51:15. | |
You need to get those sorted out and when you turn back into hold | :51:15. | :51:22. | |
you need to get your arm out of the way quicker, well done. Darcey, my | :51:22. | :51:28. | |
love? Yes, the nerves have gone. It's wonderful to see. You look | :51:28. | :51:33. | |
beautiful. That lovely smile. watch your fingers, you get a | :51:33. | :51:38. | |
little bit splayed, maybe tension. But only noticed it a couple of | :51:39. | :51:42. | |
times. Get them together. But now you are going to have fun with the | :51:42. | :51:49. | |
show, I know you are. Thank you. Practise the turns on your bike. | :51:49. | :51:59. | |
:51:59. | :52:05. | ||
Off you go. Well done. Yes. Queen Vic is back. Miles more | :52:05. | :52:08. | |
confidence this week. Is it a happier place for you, in hold? | :52:08. | :52:11. | |
am holding on to Brendan. I know he is going to take care of me. | :52:11. | :52:20. | |
feels safe in Brendan's arms. lovely. The return of the knight in | :52:20. | :52:25. | |
shining armour. I can't tell you how lovely she is. I am loving my | :52:25. | :52:35. | |
:52:35. | :52:48. | ||
work. The judges will agree you Now that's a massive difference to | :52:48. | :52:58. | |
:52:58. | :53:06. | ||
Still to come, Louis is getting to grips with Flavia in the Viennese | :53:06. | :53:10. | |
waltz. Lucky girl. And Jerry is getting ready for her close-up. | :53:10. | :53:16. | |
There it is. What a night it's been already. What can we expect next? | :53:16. | :53:20. | |
Well, anything tonight. Our next couple is Michael Vaughan and his | :53:20. | :53:27. | |
partner, Natalie Lowe. APPLAUSE AND CHEERING | :53:27. | :53:32. | |
In last week's waltz the judges criticised his facial expressions. | :53:32. | :53:38. | |
Will he have a smile on his face after this week's jive? Who knows? | :53:38. | :53:47. | |
Here they are in training. As much as my face probably looked | :53:47. | :53:53. | |
like I was concentrating, it was. I did enjoy it. I think you could | :53:53. | :54:02. | |
sense from the way me and Natalie gave a fist-clenched punch, we knew | :54:02. | :54:07. | |
that's what we could have expected in week one. It's an amazing start. | :54:07. | :54:15. | |
Your butt stuck out like a hanging basket. Hanging basket? A bit harsh. | :54:15. | :54:20. | |
This week I have to catch Natalie. You should know how to do that. | :54:20. | :54:23. | |
Natalie's watched any cricket she will understand that catching was | :54:23. | :54:27. | |
not my strength. There's no room for mistakes in this routine. | :54:27. | :54:32. | |
get this wrong, Natalie ends newspaper the audience. --. Ends up | :54:32. | :54:37. | |
in the audience. I am scared about what could happen. Hello, kids. My | :54:37. | :54:40. | |
daughter decided to bring a few friends. She said she was bringing | :54:40. | :54:47. | |
a couple. It seemed like the whole school. It was so nice to have them | :54:47. | :54:56. | |
come in and watch us. They're just enjoying it. They think dad's | :54:56. | :54:59. | |
bonkers dancing around and having a laugh. Keep dancing! | :54:59. | :55:09. | |
:55:09. | :55:09. | ||
Apology for the loss of subtitles for 47 seconds | :55:09. | :56:42. | |
Dancing the jive, Michael Vaughan APPLAUSE AND CHEERING | :56:42. | :56:52. | |
Well done, Michael. Leave that with me. What a difficult dance to give | :56:52. | :56:58. | |
you, Michael. Of all the dances, that one. My goodness. I tell you | :56:58. | :57:04. | |
what, you can see you were lighter on your feet. Oh, give me the axe! | :57:04. | :57:12. | |
Oh my God, you were like a wild goose chased by a fox! You were - I | :57:12. | :57:18. | |
don't think I have ever seen such bad footwork. But it was so funny. | :57:18. | :57:24. | |
I have to say. I think Richard Attenborough should put new a | :57:24. | :57:30. | |
nature programme. Unbelievable. The timing was so bad, it was good. | :57:30. | :57:36. | |
Exactly, so we all had a good laugh. You couldn't do it worse. He came | :57:36. | :57:44. | |
out, look, he came out and he had a go, didn't he?! APPLAUSE And that's | :57:44. | :57:49. | |
what it's all about. God knows what Craig is going to say. You might | :57:49. | :57:55. | |
use that in the end. That has to be one of the oddest jives I think I | :57:55. | :58:01. | |
have ever witnessed. In the ten series, it was really bizarre. Your | :58:01. | :58:05. | |
hips seem to have a mind of their own, darling. Most of the time it | :58:05. | :58:14. | |
looked like you were busting for a we, -- wee. I am! But he came out | :58:14. | :58:19. | |
and he had a go. APPLAUSE AND CHEERING | :58:19. | :58:25. | |
Finish us off, Len. It had a bit of gusto and enthusiasm and there was | :58:25. | :58:31. | |
a lot going on, but unfortunately it was mostly bad. A great | :58:31. | :58:39. | |
improvement on what? Last week. are going to be my favourite. | :58:39. | :58:47. | |
you. They all loved it. Off you go. Oh, sorry. Go on, get him! | :58:47. | :58:57. | |
APPLAUSE AND CHEERING He is high-fiving up here. Yes, | :58:57. | :59:05. | |
there you go. Well,. I thought it was great. She has low expectations. | :59:05. | :59:10. | |
Very loyal. Bruno said, so bad it was good. How are you going to | :59:10. | :59:17. | |
improve next week? This week's been like a non-stop zumba class. If I | :59:17. | :59:21. | |
am still in I will keep working. have done so many hours this week | :59:21. | :59:28. | |
on that. I spout many hours in -- I put so many hours into it. | :59:28. | :59:38. | |
:59:38. | :59:53. | ||
That's all right. Could be worse. What do you think? If you think | :59:53. | :00:03. | |
:00:03. | :00:04. | ||
Michael tkefrbs another in-- We still have loads more to look | :00:04. | :00:10. | |
forward to. Who is next? But he had a go, didn't he? APPLAUSE Our next | :00:10. | :00:17. | |
couple is Louis Smith and his partner, Flavia Cacace. APPLAUSE | :00:17. | :00:22. | |
AND CHEERING Evidently, Louis fancies Kimberley | :00:22. | :00:31. | |
Walsh, and he asked me if I could could subtly find out if Kimberley | :00:31. | :00:37. | |
was interested. I said, leave it to me, subtle match-making is my | :00:37. | :00:45. | |
speciality. Kimberley? Louis fancies you. Let me know if you are | :00:45. | :00:55. | |
:00:55. | :00:56. | ||
interested, I will keep it quiet! Here they are in training. | :00:56. | :01:04. | |
Oh my God, I wasn't expecting that! You worked hard on that hip action. | :01:04. | :01:09. | |
Well done. In my eyes I think you're going to | :01:09. | :01:15. | |
go far in this show. I love the fact Darcey has a soft spot for | :01:15. | :01:21. | |
Louis. I don't blame her at all. We worked on those hips for hours. | :01:21. | :01:25. | |
think Darcey got embarrassed herself. I hope we can give her | :01:25. | :01:30. | |
more enjoyment over the next few weeks. I am happy with 27, | :01:30. | :01:36. | |
definitely. Happy with the way the routine went, happy with my partner. | :01:36. | :01:40. | |
My Strictly experience is going well so far. This week we are doing | :01:40. | :01:47. | |
the Viennese waltz to Puppy Love. Everyone has a young love, like the | :01:47. | :01:51. | |
best thing in the world, I think that's what the song is about. I | :01:51. | :01:54. | |
have to make it come across like that. You smile when you are having | :01:54. | :02:00. | |
fun. This is fun, yeah! I struggle to smile. Let alone be romantic. So, | :02:00. | :02:05. | |
this is going to be tough. smile. I hope that I can get a | :02:05. | :02:10. | |
little bit of a smile from him on Saturday. Are you smiling? | :02:10. | :02:20. | |
:02:20. | :02:20. | ||
Apology for the loss of subtitles for 47 seconds | :02:20. | :03:50. | |
Dancing the Viennese waltz, Louis APPLAUSE AND CHEERING | :03:50. | :03:57. | |
Very nice. Lovely. What about that? That was beautiful. I love that | :03:57. | :04:00. | |
song and it had so much feeling between the pair of you. We start | :04:00. | :04:04. | |
with you, Darcey. I like it. You are calm, you are confident and you | :04:04. | :04:14. | |
have grace and posture. Just what you need for a ballroom. Sshh! I do | :04:14. | :04:18. | |
need an emotional connection between you and Flavia, that's just | :04:18. | :04:22. | |
as important for the performance and I am missing that. But there's | :04:22. | :04:32. | |
:04:32. | :04:41. | ||
technique and I even saw a fleckerl. Did you, Len? Yeah, I saw a natural. | :04:41. | :04:46. | |
I saw more turns than the Government. I saw great posture. I | :04:46. | :04:55. | |
saw the best dance I have seen tonight or last week. It was great. | :04:55. | :05:05. | |
Well said, Len. Bruno? Well, I felt it. I felt it, Darcey. You make | :05:05. | :05:11. | |
such a lovely pair. It was like a Valentine's Day postcode brought to | :05:11. | :05:17. | |
life. Great musicality. I go with Len, best dance so far. You should | :05:17. | :05:25. | |
be very happy. You two - you want to be watched. Off you go, up the | :05:25. | :05:34. | |
stairs. APPLAUSE AND CHEERING | :05:34. | :05:41. | |
Louis! Get you! Len and Bruno's best dance of the night, so far. | :05:41. | :05:45. | |
High praise. Are you getting used to feeling like a ballroom dancer? | :05:45. | :05:51. | |
I am in this suit. I feel like a gentleman. And give us a smile, | :05:51. | :06:01. | |
:06:01. | :06:19. | ||
Louis. There it is. You see, he has Great score! | :06:20. | :06:29. | |
:06:30. | :06:43. | ||
Please don't call until the lines are open, if you do, your vote | :06:43. | :06:47. | |
won't count and you may be charged. Our next couple is Denise van Outen | :06:47. | :06:54. | |
and her partner, James Jordan. APPLAUSE AND CHEERING | :06:54. | :06:59. | |
Denise got wonderful comments for her waltz last week but this week | :06:59. | :07:03. | |
she's tackling an energetic jive. In the rehearsals things took a | :07:03. | :07:12. | |
turn for the worse. Here they are in training. | :07:12. | :07:16. | |
Dancing the waltz was the best feeling in the world but also the | :07:16. | :07:20. | |
scariest. I had sweaty palms, a dry mouth, my heart was going 100mph. | :07:20. | :07:26. | |
My legs were shaking. So, I was in shock when Craig said... Saved the | :07:26. | :07:33. | |
best until last. I am starting to like this Craig Revel Horwood guy. | :07:33. | :07:37. | |
Your footwork overall is poor. No heel leads. I know, I knew he was | :07:37. | :07:41. | |
going to tell me off. This week we are dancing the jive, the problem | :07:41. | :07:46. | |
is you need so much energy. Where are you going? I don't know. Once | :07:46. | :07:51. | |
you have danced it a couple of times you are exhausted. I have | :07:51. | :07:54. | |
been spinning so much in this routine that I feel a little bit | :07:54. | :07:58. | |
out of control. I can't spin any more, I feel sick! I am dizzy | :07:58. | :08:08. | |
enough as it is, like I need more spins in my life? Denise came in | :08:08. | :08:16. | |
this morning with a pain in her neck. He's insisted I go to physio. | :08:16. | :08:22. | |
Denise has sustained whiplash. can you get that from the jive? | :08:22. | :08:26. | |
Take a can of toughen up and let's get on with it. | :08:26. | :08:36. | |
:08:36. | :08:36. | ||
Apology for the loss of subtitles for 47 seconds | :08:36. | :10:20. | |
Dancing the jive, Denise van Outen What about that?! Look at this. | :10:20. | :10:29. | |
They loved that. Absolutely beautiful. | :10:29. | :10:35. | |
I know you would like to say a few words. No. I can't speak. I have | :10:35. | :10:43. | |
such a dry mouth! They They both can't talk. Darcey? Wow, Denise! | :10:43. | :10:47. | |
You got the style of the jive instantly. There was bounce, you | :10:47. | :10:52. | |
even had retracting kicks. So much energy all the way through. I would | :10:52. | :10:55. | |
only say on the arm movements getting too much effort in the | :10:55. | :11:02. | |
shoulders, but amazing. Amazing! APPLAUSE | :11:02. | :11:12. | |
:11:12. | :11:12. | ||
Len? Tutti frutti! I tell you what, that was my cup of tea. It was | :11:12. | :11:17. | |
fabulous. It was full-on. It had attack, it had energy. I was | :11:17. | :11:24. | |
disappointed last week, this week I am delighted. Well done. You were | :11:24. | :11:34. | |
:11:34. | :11:35. | ||
jumping up and down. It was - Bruno? That's my girl, Denise the | :11:35. | :11:42. | |
go-er. She was going for it. I tell you, the style was brilliant. Kicks | :11:42. | :11:48. | |
and flicks perfect. That's the way we like to see a jive. Well done. | :11:48. | :11:57. | |
great jive. Can't wait for Craig. Now for the truth, darling. Fab-u- | :11:57. | :12:07. | |
:12:07. | :12:13. | ||
Get off! You will get us into trouble! | :12:13. | :12:23. | |
APPLAUSE AND CHEERING Watch the neck. How was the neck, | :12:23. | :12:26. | |
because I was feeling for you all the way through that? I can't feel | :12:26. | :12:30. | |
it because of the adrenalin and nerves. Tomorrow I am going to be | :12:30. | :12:35. | |
in agony. Are you pushing this girl too hard? Yeah. He can't actually | :12:35. | :12:41. | |
speak. He is out of breath. Craig's first fab-u-lous of the series. | :12:41. | :12:51. | |
:12:51. | :13:06. | ||
love it when he says that. All the 8s. Highest score of the | :13:06. | :13:16. | |
:13:16. | :13:19. | ||
night, so far. Well deserved. To They want to stay another week in | :13:19. | :13:22. | |
the ballroom, right? We love it. Where are you going to go from | :13:22. | :13:29. | |
there? Higher. Remember the two couples with the lowest combined | :13:29. | :13:33. | |
scores and votes will be facing the dance-off. Back to you, Bruce. | :13:33. | :13:42. | |
Thank you. Our next couple is Johnny Ball and his partner Iveta | :13:42. | :13:52. | |
:13:52. | :13:54. | ||
Lukosiute. I will do that again and his partner Luka... Lukosiute. How | :13:54. | :13:59. | |
can I describe Johnny? What can you call someone who's been on | :13:59. | :14:08. | |
television nearly 50 years? I know what I call him, a -- a bebeginner. | :14:08. | :14:15. | |
He is just a kid! A little boy. Here they are in training. | :14:15. | :14:19. | |
Saturday was tremendously exciting. I wasn't really very nervous. We | :14:19. | :14:23. | |
loved the routine but the judges didn't like it very much. It was | :14:23. | :14:29. | |
all a bit Last Of The Summer Wine. You failed the MOT, haven't you? | :14:29. | :14:34. | |
have never really been a big fan of miming, darling. Your mouth was | :14:34. | :14:39. | |
moving ten to the dozen throughout and was very distracting. If this | :14:39. | :14:47. | |
is our biggest problem, we can fix that. Craig gave me a three, I | :14:47. | :14:52. | |
looked in the box and he has a minus 2. I am determined to get | :14:52. | :14:58. | |
bigger scores. I have a feeling you will look good Saturday. This week | :14:58. | :15:01. | |
we do foxtrot. I think he will do better because he is a tall, | :15:01. | :15:06. | |
elegant looking man. I don't think his age is a problem. He practises | :15:06. | :15:11. | |
five to six hours a day. He comes to the studio before I arrive and | :15:11. | :15:16. | |
Johnny leaves the last. I sleep like this. He uses his face a | :15:16. | :15:19. | |
little bit too much. We need to calm down a little bit the mouth. | :15:19. | :15:25. | |
You hold that and this goes... must not mess around with my face. | :15:25. | :15:29. | |
Very good. I hope the judges are watching my feet and posture and | :15:29. | :15:37. | |
arms and not my mouth. Dancing the foxtrot, Johnny Ball | :15:37. | :15:47. | |
:15:47. | :15:47. | ||
Apology for the loss of subtitles for 47 seconds | :15:47. | :17:27. | |
APPLAUSE AND CHEERING How about that? Look at that, | :17:27. | :17:34. | |
Johnny. On their feet there. Well done. They stand better than I do! | :17:34. | :17:39. | |
I think Len, you are the one to start us off. I will, if you have | :17:39. | :17:43. | |
asked me nicely. What you do, you do with enthusiasm. Ever since I | :17:43. | :17:48. | |
have seen you years ago you do everything with enthusiasm and this | :17:48. | :17:52. | |
is the same. OK, your posture could be better, your footwork could be | :17:52. | :17:55. | |
cleaner. But it had lots of content and I like the movement around the | :17:55. | :18:05. | |
:18:05. | :18:09. | ||
Actually I have something nice to say. You set off very well. In fact, | :18:09. | :18:14. | |
out of hold you hit some very nice lines. There was really nice | :18:14. | :18:18. | |
movements. Obviously, when you went in hold Len is right, you stiffened | :18:18. | :18:22. | |
up and didn't flow. But I think it was better than last week. Much | :18:22. | :18:30. | |
better. Wonderful. Good praise from Ren -- Len and | :18:30. | :18:36. | |
Bruno. Splayed hands, gapping and that's due to your posture. But I | :18:36. | :18:46. | |
:18:46. | :18:47. | ||
have to say, a decent effort. that's good. APPLAUSE. Darcey, | :18:47. | :18:52. | |
finish us. Wonderfully better than last week. Work on the topline. | :18:52. | :18:56. | |
It's so important, especially for Iveta because she needs your | :18:56. | :19:01. | |
support and strength so she can do those beautiful holds and moves. | :19:01. | :19:07. | |
But you have all the moves, just believe in yourself. You are | :19:07. | :19:11. | |
working hard. Off you go. Keep going. | :19:11. | :19:21. | |
:19:21. | :19:25. | ||
APPLAUSE AND CHEERING Yes! Johnny be good! Look at that. | :19:25. | :19:31. | |
What an improvement. Even Craig was positive. How did you feel it went? | :19:31. | :19:36. | |
The frame was weak. Was it? That was the bit I had to try hard, but | :19:36. | :19:40. | |
it was lovely. I enjoyed it and it was a great routine and she as | :19:40. | :19:45. | |
fabulous. I was trying to bring the gentleman out of him that he is, | :19:45. | :19:55. | |
:19:55. | :19:55. | ||
and it's natural for him. So I just have to be yourself. Kept it zipped | :19:55. | :20:05. | |
:20:05. | :20:20. | ||
Better than last week. If you want to keep Johnny Ballroom | :20:20. | :20:28. | |
on his dancing feet call: Don't have to think of a number, | :20:29. | :20:32. | |
they're the only ones you are going to need. Back to you, Bruce. Our | :20:32. | :20:42. | |
next couple is Sid Owen and his partner, Ola Jordan. There's been a | :20:42. | :20:47. | |
lot of drama and tension between them this week. What's been going | :20:47. | :20:51. | |
on? Has there been a big argument in training? Has there been an | :20:51. | :20:58. | |
injury? Will they even be able to dance? | :20:58. | :21:03. | |
(EastEnders Theme Music) APPLAUSE Actually, they're fine. I | :21:03. | :21:12. | |
was just building up the drama a bit. Here they are in training. | :21:12. | :21:16. | |
Saturday night, first few steps were a little bit dodge, but as I | :21:16. | :21:21. | |
got into it I enjoyed it. I didn't expect it to be that good. You have | :21:21. | :21:24. | |
something special. All these lovely comments from the judges, it was | :21:24. | :21:32. | |
unreal. From Len, I was overjoyed. I couldn't believe it. Yes! A lot | :21:32. | :21:35. | |
of emotions run through your mind. Don't cry. I am not crying. | :21:35. | :21:43. | |
are! He has tears in his eyes. So sweet! I did get a little bit | :21:43. | :21:48. | |
choked up. Monday morning and it's all about the next dance. How many | :21:48. | :21:53. | |
steps? Three. Why are you doing five? I don't know. This week we | :21:53. | :21:59. | |
are attempting the salsa. OK, grab my leg. Sorry, I thought it was the | :21:59. | :22:03. | |
other one. There's a lot going on in the routine. I have three lifts. | :22:04. | :22:13. | |
:22:14. | :22:14. | ||
I will just drop her on her head now. A headstand. I don't know who | :22:14. | :22:21. | |
Ola thinks I am. Louis did it in the first week. She thinks I am | :22:21. | :22:25. | |
about 20. I can't believe I am doing this. Let's pray to God that | :22:25. | :22:33. | |
it all comes off on the night. Dancing the salsa, Sid Owen and Ola | :22:33. | :22:43. | |
:22:43. | :22:43. | ||
Apology for the loss of subtitles for 47 seconds | :22:43. | :24:27. | |
APPLAUSE AND CHEERING Look at this! | :24:27. | :24:34. | |
Look at that. Better than acting! Don't get that with acting. I love | :24:34. | :24:38. | |
that New Zealand bit, the rugby player bit in the middle. Sorry, I | :24:38. | :24:44. | |
forgot some steps. Nobody noticed, you shouldn't have said anything! | :24:45. | :24:53. | |
Bruno? Sid, the good thing is the Sid Vicious attitude! Yeah! But I | :24:53. | :24:58. | |
am telling you, because of the attitude, you disguise incredible | :24:58. | :25:02. | |
amount of mistakes. You were off timing almost all the way through. | :25:02. | :25:06. | |
The timing was completely off. Salsa is all about timing and | :25:06. | :25:09. | |
having the hips going the correct way. You can't force it all the | :25:09. | :25:13. | |
time. You know, it's got to be smooth. Sorry, the performance was | :25:13. | :25:19. | |
very high, but you couldn't disguise the lack of technique. | :25:19. | :25:29. | |
:25:29. | :25:30. | ||
There we are. Craig, did you agree? Yes, I do, it was haphazard, I | :25:30. | :25:34. | |
would like to see more connectivity. On the bright side, I loved the | :25:34. | :25:41. | |
routine. I thought it was fantastic. The knee slide was excellent. I | :25:41. | :25:44. | |
loved the hip rotation that you had. There's a lot of good in there. | :25:44. | :25:50. | |
Thank you. A lot of good. And Darcey? The nerves are gone, you | :25:50. | :25:55. | |
are relaxed. I would just say the energy died a little bit. But | :25:55. | :25:58. | |
generally, you partnered Ola brilliantly. So much confidence | :25:58. | :26:02. | |
there, I was confident watching do you all the lifts with her. Come | :26:02. | :26:09. | |
back and show me some more hips next time. Very good on the lifts. | :26:09. | :26:15. | |
What's she doing? Leave him alone! The salsa is hot and spicy, it's | :26:15. | :26:23. | |
from the Caribbean, Kingston Jamaica, this was more the Thames. | :26:23. | :26:27. | |
More formal. I think - you went a bit wrong and then it all sort of | :26:27. | :26:30. | |
went. You got to get out there and you are as good as you are, just | :26:30. | :26:37. | |
get out there and give it some more. Go on, Sid! You can do that. Go on, | :26:37. | :26:47. | |
:26:47. | :26:48. | ||
well done. Off you go. APPLAUSE AND CHEERING | :26:48. | :26:53. | |
Yes! Sid Vicious in the house! Even Craig loved those hips. What's it | :26:53. | :26:58. | |
like getting to showcase this new side of Sid? It's bizarre, actually. | :26:58. | :27:03. | |
You got a bit excited. I did get really excited. You can't blame me, | :27:03. | :27:07. | |
can you? We could feel it up here. I did lose the steps a bit. It was | :27:07. | :27:17. | |
:27:17. | :27:22. | ||
good. Brilliant. There was a Louis one-hand hapbstand. The scores are | :27:22. | :27:32. | |
:27:32. | :27:46. | ||
Not a bad score. That's all right. Got to keep working harder. What | :27:46. | :27:51. | |
have you got next week if you are here? A tango. I have high hopes | :27:51. | :27:58. | |
for that. What did you think of Sid's hips? Have they hypnotised | :27:58. | :28:05. | |
you? If you want him back here. Remember, | :28:05. | :28:08. | |
don't call until I tell you. Over to you, Bruce. | :28:08. | :28:18. | |
:28:18. | :28:18. | ||
Our next couple is Kimberley Walsh and Pasha Kovalev. APPLAUSE Lovely. | :28:18. | :28:27. | |
Last week Kim pwer lay wowed us -- Kim pwer lay pwer Kim pwer | :28:27. | :28:33. | |
Kimberley wowed us with, how did they get on in training? Saturday | :28:33. | :28:37. | |
night I really thoroughly enjoyed it. And she went alone. Please can | :28:38. | :28:44. | |
you bring back that wow factor next week? I will try! | :28:44. | :28:49. | |
I thought the whole thing was incandescent, darling. What does | :28:49. | :28:53. | |
that mean? I didn't think it was right to ask at the time. I was | :28:53. | :29:01. | |
hoping it was positive. I am going to call you nimble Kimble. I hope | :29:02. | :29:06. | |
that sticks, I thought it was hilarious. Pasha calls the foxtrot | :29:06. | :29:12. | |
the King of the ballroom dances. you can foxtrot, you can dance. | :29:12. | :29:18. | |
really want to make it look elegant and smooth and right now it doesn't | :29:18. | :29:26. | |
look like that. Basically, if I feel in quite a lot of pain and | :29:26. | :29:29. | |
very uncomfortable it usually means I am in the right position. We have | :29:29. | :29:35. | |
to go through the pain to make a beautiful dance. Darcey said I | :29:35. | :29:38. | |
brought the wow factor last week but she also asked me to bring it | :29:38. | :29:42. | |
back again this week. I guess anything less than "wow" is not | :29:42. | :29:49. | |
going to be good enough for her. Dancing the foxtrot, Kimberley | :29:49. | :29:59. | |
:29:59. | :29:59. | ||
Apology for the loss of subtitles for 47 seconds | :29:59. | :31:47. | |
Wonderful. That had saufp move to it. Well done, both of you. Must | :31:47. | :31:51. | |
have been a very good week. I tell you that. OK, Craig, will you start | :31:52. | :31:56. | |
us off? I thought it was absolutely gorgeous, I loved the routine. You | :31:56. | :31:59. | |
danced it beautifully. The only thing that did bother me was your | :31:59. | :32:06. | |
jaw. It was really protruding forward. You need to pull that back | :32:06. | :32:11. | |
a bit, darling. Just try and really hard to look left, aren't you? But | :32:11. | :32:18. | |
it ruins the line a little bit. do you think I feel? LAUGHTER Shut | :32:18. | :32:27. | |
up, get off! Darcey, darling. beautiful mood you created, | :32:27. | :32:31. | |
Kimberley. I would only say in the top line it gets a bit soft in your | :32:31. | :32:36. | |
centre and watch the gapping between the two of you and I am | :32:36. | :32:44. | |
sure he's said that a few times. But a wonderful attitude promenade, | :32:44. | :32:49. | |
where you held that line. Maybe not the wow factor, but still a very, | :32:49. | :32:59. | |
very nice foxtrot. And Len? know, I thought it was limp, I | :32:59. | :33:02. | |
didn't feel there was enough conviction in the dance. You were | :33:02. | :33:08. | |
hanging on. You went wrong. Listen, it's good enough and good enough is | :33:08. | :33:13. | |
better than not enough but for you it's got to be more than enough. | :33:13. | :33:19. | |
Our expectations are huge. You You got to do better than that, girl. | :33:19. | :33:28. | |
Fair enough. I love the set-up, I love the style, I love the | :33:28. | :33:32. | |
performance. Yes, in hold you need more body contact and you don't | :33:32. | :33:36. | |
lift from the chin, you lift from the spine. The whole thing looked | :33:36. | :33:42. | |
very, very pretty. You were doing an impression of me there! It was | :33:42. | :33:48. | |
wonderful. They all loved it. Good things there. Watch the chin, dear. | :33:48. | :33:58. | |
:33:58. | :34:00. | ||
Keep it out of the way. Up the stairs! APPLAUSE AND CHEERING | :34:00. | :34:05. | |
Come here, you. Can I say that's the prettiest jaw I think I have | :34:05. | :34:08. | |
ever seen. You split the judges there. Yeah, you know what, I was | :34:08. | :34:15. | |
really, really nervous. I could feel it really affecting me. A | :34:15. | :34:18. | |
little bit disappointed. It's like we saw a different dance to them. | :34:18. | :34:22. | |
What are you going to do next week? I need to work on it more, more | :34:22. | :34:26. | |
time to get it into my body. The nerves really took over. You are | :34:26. | :34:32. | |
getting more confident with Pasha, I think. Yeah, I don't know. | :34:32. | :34:42. | |
:34:42. | :35:03. | ||
Tonight I felt it was a bit much. Better score than we thought. And | :35:03. | :35:09. | |
you brought your bandmates in. Did that make you more nervous? I was | :35:10. | :35:16. | |
nervous tonight maybe because I was going so late on in the show. | :35:16. | :35:26. | |
:35:26. | :35:26. | ||
We open the phonelines later. One couple must leave which means the | :35:26. | :35:30. | |
pressure to perform is huge. The scores are only half the story. | :35:30. | :35:36. | |
Your votes can save your favourites. Back to you, Bruce. Our next couple | :35:36. | :35:44. | |
is supermodel Jerry Hall and her partner, Anton Anton Du Beke. | :35:44. | :35:49. | |
APPLAUSE And may I say, what a pairing. I said, how are you going | :35:49. | :35:54. | |
to cope with having a partner who spends all day posing in front of | :35:54. | :36:02. | |
the mirror? Jerry said, I will just have to put up with it! LAUGHTER | :36:02. | :36:10. | |
But he is still lovely. Here they are in training. | :36:10. | :36:16. | |
I thought the dancing went OK, but it was a masterclass in how to work | :36:16. | :36:21. | |
a fur shawl. I thought I did that really well. You have taken minimal | :36:21. | :36:27. | |
to a new lovely. I suppose I meant do more cha-cha-cha. But I mean, I | :36:27. | :36:31. | |
did what I was told and I thought it went OK. You have the assets, | :36:31. | :36:39. | |
use them. Dance more! Get her to work harder on those steps. I used | :36:39. | :36:46. | |
all kinds of assets. That needs work. This week we have the foxtrot. | :36:46. | :36:50. | |
The judges can't complain about there not being enough steps | :36:50. | :36:53. | |
because it's all steps. It's difficult because we only have four | :36:53. | :37:01. | |
days to learn very difficult dance. What? Zig-zag. I know Jerry wants | :37:01. | :37:06. | |
to do as well as she can because she's having such fun. The other | :37:06. | :37:10. | |
way. In order to be good at something, you have to enjoy it. | :37:10. | :37:16. | |
There was a few mistakes. I am starting to feel a little | :37:16. | :37:20. | |
competitive. Let's try and do it without messing up. OK. I wish I | :37:20. | :37:26. | |
thought of that! I don't want to be too good in the beginning because I | :37:26. | :37:28. | |
want to give the other ones a chance. | :37:28. | :37:38. | |
:37:38. | :37:38. | ||
Apology for the loss of subtitles for 47 seconds | :37:38. | :39:17. | |
Dancing the foxtrot, Jerry Hall and APPLAUSE AND CHEERING | :39:17. | :39:26. | |
You did it! You got through it! Have you anything to say? I had | :39:26. | :39:31. | |
fun! Good, I am glad about that. I thought we had established that | :39:31. | :39:36. | |
first. Darcey. Thank you, Jerry. You have worked harder, I can see | :39:36. | :39:39. | |
it and you start with this beautiful posture but you lose it | :39:39. | :39:43. | |
early on. In the hold, the shoulders come up and the elbows | :39:44. | :39:47. | |
drop, really watch that. It's so important. I can see you are trying | :39:47. | :39:53. | |
to create this lovely style of Fred and Ginger but you have to follow | :39:53. | :39:55. | |
through. The focus for the finished performsance must be there still. | :39:55. | :40:00. | |
Don't lose it. OK, good advice. Len? You want to give the others a | :40:00. | :40:09. | |
chance, you have accomplished that, for sure! Don't look like that. I | :40:09. | :40:14. | |
liked the content. I appreciated a heel turn was in there. I liked the | :40:14. | :40:21. | |
mix of steps. Your problem is you are too vertical. That is the | :40:21. | :40:27. | |
problem. You have got to stretch up. You have to move away from - that, | :40:27. | :40:34. | |
do it. Go on. Straighten yourself, girl. APPLAUSE. You got to stretch | :40:34. | :40:39. | |
away. You are too vertical, my lovely. We don't like to give you | :40:39. | :40:49. | |
:40:49. | :40:50. | ||
everything in one go. Keep some in reserve. Anton, Jerry's stuck on | :40:50. | :41:00. | |
you! Like velcro! Lift and separate, darling. But you, you know, she | :41:00. | :41:04. | |
doesn't break a sweat, because a girl let's the man do the work. | :41:05. | :41:08. | |
They're right, I love watching you, there was a lot in it. I am waiting | :41:08. | :41:18. | |
for more. Craig, are you waiting for more? I sure am! It looked like | :41:18. | :41:24. | |
Anton was dancing with Mr Burns from The Simpsons. It was all like | :41:24. | :41:29. | |
this. Posture, posture. The last time I saw posture like that was | :41:29. | :41:39. | |
:41:39. | :41:40. | ||
this summer in my tkpard -- garden on a praying mantis. He hasn't got | :41:40. | :41:48. | |
a garden! Right, but that's the finish of it. I think that's enough. | :41:48. | :41:54. | |
Wonderful. A lot of fun to watch you both. Off you go. Well done. | :41:54. | :42:04. | |
:42:04. | :42:16. | ||
So endlessly fabulous. Marvellous. She was marvellous. Some of the | :42:16. | :42:22. | |
worst accents I ever heard. Don't even attempt the accent, I failed. | :42:22. | :42:27. | |
I didn't know Craig was from Wales Wales! Len liked the content. Do | :42:27. | :42:31. | |
you think your modelling skills will help you with the posture. | :42:31. | :42:39. | |
It's hard to get a distance from Anton. Don't look at me, I say. She | :42:39. | :42:46. | |
can't help it! She can't help herself. Don't blame her for that. | :42:46. | :42:51. | |
What are you going to give them next week if you are still here? | :42:51. | :42:57. | |
don't know. We have a quickstep. This is going to and joy. A lot of | :42:57. | :43:06. | |
steps. They're all going to be quick. That's a good sign. I am not | :43:06. | :43:16. | |
:43:16. | :43:30. | ||
sure I will have good posture for What do you think? If you want to | :43:30. | :43:35. | |
see Jerry strike a pose in that quickstep in the ballroom next week | :43:35. | :43:45. | |
:43:45. | :43:53. | ||
Give us a pose, Jerry. Oh, have it. Yes! We will use that. Glamour. | :43:53. | :43:58. | |
Back to you, Bruce. What's going on up there? Our final | :43:58. | :44:05. | |
couple is Lisa Riley and her partner, Robin Windsor. APPLAUSE | :44:05. | :44:14. | |
Well, last week when she finished that routine and skaut Rob -- | :44:14. | :44:17. | |
caught Robin this place went crazy. It stopped the show, because of | :44:17. | :44:22. | |
that famous lift she's been offered lots of different work. I said, | :44:22. | :44:28. | |
film, television or theatre? She said, no, the Fire Brigade. Right, | :44:28. | :44:34. | |
here they are in training. Get ready. | :44:34. | :44:38. | |
I can't believe how well the routine went last week. Everyone | :44:38. | :44:42. | |
was clapping. I thought, we are doing all right here. I think | :44:42. | :44:51. | |
they're enjoying it. That was grand, beautiful, exuberant entertainment! | :44:51. | :44:58. | |
You can dance! We couldn't believe it. No way, this isn't real. Shut | :44:58. | :45:05. | |
up! That's the highest score of the weekend. What more do you want? It | :45:05. | :45:10. | |
was the best night of my life. I am completely on cloud nine. I think I | :45:10. | :45:15. | |
am going to be on cloud nine forever, because - well, I say that | :45:15. | :45:19. | |
until I do the Viennese waltz and it all goes pear-shaped. We are | :45:19. | :45:24. | |
going from a high energy cha-cha- cha, to a fluid, graceful Viennese | :45:25. | :45:31. | |
waltz. I have to be a Princess, try to be. It's all about the way you | :45:31. | :45:38. | |
walk, hold yourself. You have grace. I am definitely more of a fast | :45:38. | :45:42. | |
boppy girl. It's a challenge and I love a challenge. Because we are | :45:42. | :45:46. | |
top of the leader board for the cha-cha week, I don't feel I am out | :45:46. | :45:51. | |
of the danger zone. Obviously, I have to get the grace right or I am | :45:51. | :45:59. | |
going to get the bus home. Dancing the Viennese waltz, Lisa | :45:59. | :46:09. | |
:46:09. | :46:10. | ||
Apology for the loss of subtitles for 47 seconds | :46:10. | :47:53. | |
APPLAUSE AND CHEERING What about it! Lisa, that was so | :47:53. | :48:00. | |
wonderful, darling. So wonderful. Your little feet, they're beautiful. | :48:00. | :48:10. | |
:48:10. | :48:12. | ||
I can't stop them! What a lovely story. I love the | :48:12. | :48:18. | |
story. You didn't invite him in for coffee. No! I had to go in my | :48:18. | :48:28. | |
:48:28. | :48:31. | ||
carriage. Cinderella. I missed that bit! Len? It was a panto. We had | :48:31. | :48:41. | |
:48:41. | :48:41. | ||
Prince Charming and Cinderella the fairy Godmother and ugly sisters. | :48:41. | :48:47. | |
In hold, you have to work on - come and see me after the show. I will | :48:47. | :48:54. | |
explain it. Be careful, dear. Right, Bruno. What I love love about you, | :48:54. | :48:59. | |
we always get full-on entertainment. It's like a mini series. I am shy, | :48:59. | :49:03. | |
I am graceful, I am going, I am coming, I am getting it all. That's | :49:03. | :49:07. | |
a good thing. Len is right, I have to go with him, technically | :49:07. | :49:10. | |
sometimes actually you were so into it, it looked like you were leading | :49:10. | :49:17. | |
him. He is the Prince! He's got to lead. It comes out of your energy. | :49:17. | :49:21. | |
In this kind of dance it has to be much more refined, my darling. Len | :49:21. | :49:27. | |
is right. All right. Good points. Craig? You danced that with great | :49:27. | :49:33. | |
dexterity. It was light. I didn't expect it to be. It was graceful. | :49:33. | :49:43. | |
:49:43. | :49:44. | ||
But it is true, the man should lead, darling. Remember that! Darcey? | :49:44. | :49:49. | |
love the focus in your eyes from the very beginning, it's beautiful. | :49:49. | :49:53. | |
It creates a wonderful mood straightaway. It's true, you do try | :49:53. | :50:00. | |
a bit hard in the transitions and you grab your man. Let him grab you. | :50:00. | :50:04. | |
He's got to be the guy that's going to lead you around. It's true, the | :50:04. | :50:10. | |
guys are right. You give a beautiful energy. Have you always | :50:10. | :50:17. | |
been a grabber! Always! Off you go. It was wonderful. | :50:17. | :50:27. | |
:50:27. | :50:34. | ||
APPLAUSE AND CHEERING Should I say Cinderella? Do you | :50:34. | :50:38. | |
feel like a Princess. I need to get back to my northern roots now. | :50:38. | :50:44. | |
was fabulous. Everybody is talking about your ballroom skills, any | :50:44. | :50:49. | |
more surprises? You have to ask him, he creates it all, I just follow. | :50:49. | :50:59. | |
:50:59. | :51:11. | ||
25! She can do serious, too. Get your phones ready. It's almost time | :51:11. | :51:20. | |
vote. If you don't want hreus so to leave -- Lisa to leave us call: | :51:20. | :51:24. | |
Please don't pick up the phone until we let you know the lines are | :51:24. | :51:27. | |
open. That's it. All our couples have given everything they've got. | :51:27. | :51:30. | |
We have carried over the judges scores from last week and added | :51:30. | :51:40. | |
:51:40. | :51:51. | ||
them to tonight. Let's look at the Remember, you can change all of | :51:51. | :51:54. | |
that by picking up the phone and voting for your favourite and why | :51:54. | :52:02. | |
wait? Because the phone lines are now open! They're excited. If you | :52:02. | :52:09. | |
are calling from a mobile call 62252 followed by the number of | :52:09. | :52:19. | |
:52:19. | :52:26. | ||
your favourite couple. If you are calling from a landline dial | :52:26. | :52:32. | |
090152252. Voting details can be found at bbc.co.uk/Strictly. Here | :52:32. | :52:35. | |
is a reminder of tonight's performances and the numbers that | :52:35. | :52:45. | |
:52:45. | :52:45. | ||
Apology for the loss of subtitles for 47 seconds | :52:45. | :56:47. | |
What a night. Great. Didn't they all do well? They did. Our stars | :56:47. | :56:51. | |
have been living in a ballroom bubble but it's time for that | :56:51. | :56:55. | |
bubble to burst as one of our 14 celebrities must leave the | :56:55. | :56:57. | |
competition. Your votes will make all the difference. Pick up the | :56:57. | :57:04. | |
phone. They need you! I am Welling up. It's our first results show. | :57:04. | :57:08. | |
The two couples with the lowest combined judges' scores and your | :57:08. | :57:14. | |
votes will have to face the dreaded dance-off. Oh! Then after both | :57:14. | :57:19. |