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APPLAUSE AND CHEERING This is Strictly Come Dancing: The | :00:49. | :00:59. | |
:00:59. | :00:59. | ||
Apology for the loss of subtitles for 156 seconds | :00:59. | :03:35. | |
Results. Please welcome our From Television Centre please | :03:35. | :03:45. | |
:03:45. | :03:47. | ||
welcome your hosts, Tess Daly and Claudia Winkleman. | :03:47. | :03:51. | |
APPLAUSE AND CHEERING What an amazing start to our first | :03:51. | :03:55. | |
Strictly Results show of 2012. Claudia, you are back! Thank you | :03:55. | :03:59. | |
very much for having me. Pleasure. Yes, we are back and we have an | :03:59. | :04:06. | |
action-packed show tonight with more dancing. Drama and it's also | :04:06. | :04:11. | |
back, please don't panic, the dance-off. AUDIENCE: Oh! That's | :04:12. | :04:16. | |
right it's scary but true our famous 14 will become 13 tonight as | :04:16. | :04:19. | |
sadly one couple will be leaving at the end of the show. Your votes | :04:19. | :04:22. | |
have been combined with the judges' scores and the two couples with the | :04:22. | :04:26. | |
lowest overall points will compete in a ballroom battle to stay in | :04:26. | :04:30. | |
Strictly Come Dancing. So the pressure is on. But not only for | :04:30. | :04:35. | |
our couples. Yes, judges, I am talking to you! Please welcome, | :04:35. | :04:45. | |
:04:45. | :04:47. | ||
Craig, Darcey, Len and Bruno! APPLAUSE | :04:47. | :04:51. | |
Len, Lord of the dance, all the couples have done one Latin and one | :04:51. | :04:57. | |
ballroom. The dance-off is back. Are you personally delirious? | :04:57. | :05:01. | |
because what I like it keeps the integrity of the show. It is a | :05:01. | :05:06. | |
dancing competition. We try to be honest. The viewers can be kind or | :05:06. | :05:11. | |
whatever. But the thing to remember is this, what's been in the past is | :05:11. | :05:17. | |
gone. It's all to do with those two dances. Love it. Also on the show | :05:17. | :05:21. | |
tonight we will all feel like dancing later as the Scissor | :05:21. | :05:26. | |
Sisters will be performing right here. APPLAUSE. Aur fan. I am. The | :05:26. | :05:31. | |
judges will be joining me later for the return of the all-seeing Len's | :05:31. | :05:36. | |
Lens. AUDIENCE: Oh! But first, on Saturday night there were lots of | :05:36. | :05:40. | |
highs and lows both on stage and back stage. Talking of back stage, | :05:40. | :05:50. | |
:05:50. | :06:01. | ||
I think I saw someone else poking It's live! I am so nervous. Pivot, | :06:01. | :06:08. | |
pivot. Your lovely dance partner. No! That's beautiful make-up. Close | :06:08. | :06:17. | |
your eyes. Oh! Have a good show. Oh, you're on | :06:17. | :06:22. | |
fire. This is amazing! How do you feel about your dance | :06:22. | :06:26. | |
tonight? Very, very nervous. I am scared tonight. Are you nervous? | :06:26. | :06:32. | |
Only my right foot is nervous. The left foot is fine. You know we all | :06:32. | :06:38. | |
get nervous. Yeah, petrified. scared enough already. Good luck! | :06:38. | :06:46. | |
Thank you. Four minutes! I can't wait to let rip, darling! | :06:46. | :06:53. | |
Bye, Dani. Bye! You have 20 seconds until you go on live. Good luck. | :06:54. | :07:03. | |
See you, bye. Three, two, one... was too much boy band dancing and | :07:03. | :07:07. | |
not enough cha-cha-cha in there at all. | :07:07. | :07:13. | |
For me it was like a zumba exercise. An absolute disaster, to be honest | :07:13. | :07:19. | |
with you. A man that can ballroom and Latin. | :07:19. | :07:23. | |
I found it a little bit not so involving tonight. A bit careful. | :07:23. | :07:33. | |
:07:33. | :07:33. | ||
You can move as much as you want, You were full-on and flat out and I | :07:33. | :07:37. | |
liked it. I wasn't completely fond of the dismount in the second lift. | :07:37. | :07:47. | |
:07:47. | :07:50. | ||
You sort of went splat. Look at you, It was better than last week, so | :07:50. | :07:57. | |
you're on the way up. Well done. I thought the flow around the floor | :07:57. | :08:03. | |
was fantastic. You gave us such a beautiful feeling when you dance. | :08:03. | :08:10. | |
He is smiling! That was blissfully barmie. Entirely convinced you | :08:10. | :08:15. | |
wanted to take Erin to a love shack. It was the weirdest cha-cha-cha but | :08:15. | :08:25. | |
:08:25. | :08:29. | ||
Queen Vic is back. Victoria is back in the race. Well done, darling! | :08:29. | :08:33. | |
great for Bruno to say I am back in the race. You have never left the | :08:33. | :08:37. | |
race, baby! There was a lot going on but unfortunately it was mostly | :08:37. | :08:41. | |
bad. That has to be one of the oddest | :08:41. | :08:46. | |
jives I think I have ever witnessed. My rehearsal was terrible and I | :08:46. | :08:49. | |
thought that was better than rehearsal. | :08:49. | :08:54. | |
I saw more turns than the Government. I saw great posture. | :08:54. | :08:58. | |
Fabulous! I do need an emotional connection between you and Flavia | :08:58. | :09:08. | |
:09:08. | :09:17. | ||
Fab-u-lous! Top of the leader board. Yeah! You are really sweaty, get | :09:18. | :09:22. | |
off! You love it! It had lots of content and I liked the movement | :09:22. | :09:26. | |
around the floor. You did very well. Well done. I have to say a really, | :09:26. | :09:31. | |
really decent effort. A wonderful day, I hope it will | :09:31. | :09:36. | |
never end. I loved the routine. I thought the | :09:36. | :09:42. | |
routine was fantastic. Come back and show me some more hips. It's | :09:42. | :09:48. | |
from the Caribbean Kingston, Jamaica. This was more Kingston, | :09:48. | :09:55. | |
Beautiful line. You held that so well. Maybe not the wow factor, but | :09:55. | :10:01. | |
still a very, very nice foxtrot. Our expectations are huge. You got | :10:01. | :10:08. | |
to do better than that, girl. all right, you have been through | :10:08. | :10:13. | |
If you want to give the others a chance, you have accomplished that | :10:13. | :10:17. | |
for sure! I just love watching you. There was a lot in it. I am waiting | :10:17. | :10:27. | |
:10:27. | :10:28. | ||
It looked like you were leading him! You know, he is the Prince. | :10:28. | :10:33. | |
He's got to lead. You danced that with great dexterity. I thought it | :10:33. | :10:38. | |
was light and I didn't expect it to be that light. I have to be a girl | :10:38. | :10:48. | |
:10:48. | :10:49. | ||
and not a boy. You were a lady, a These rue tunes were -- routines | :10:49. | :10:54. | |
were like buses, nothing good turns up and suddenly two of them. First | :10:54. | :10:58. | |
Louis and out came Denise. The whole night was two hours long, but | :10:58. | :11:08. | |
:11:08. | :11:08. | ||
it was two hours that, for me, went by like that. Drama back stage and | :11:08. | :11:13. | |
on stage. So, 14 stars all shone on Saturday night but who will be back | :11:13. | :11:17. | |
to illuminate the dance floor next week and whose dream will end | :11:17. | :11:27. | |
:11:27. | :11:36. | ||
In no particular order, the first couple through to next week is... | :11:36. | :11:46. | |
:11:46. | :11:46. | ||
Nicky and Karen! APPLAUSE | :11:46. | :11:56. | |
:11:56. | :12:16. | ||
Surviving another week are... The next couple safe is... | :12:16. | :12:26. | |
:12:26. | :12:59. | ||
Dancing again next Saturday are... Also safe are... | :12:59. | :13:09. | |
:13:09. | :13:10. | ||
Fern and Artem! Place Back on the dance floor next | :13:10. | :13:20. | |
:13:20. | :13:32. | ||
Saturday are... And now the first couple in the | :13:32. | :13:42. | |
:13:42. | :13:44. | ||
dance-off who will be fighting for survival is... | :13:44. | :13:48. | |
Johnny and Iveta. The rest of you can relax for the moment. We will | :13:48. | :13:57. | |
hear who will be joining them later. Bruno, you said that Johnny had | :13:57. | :14:00. | |
really improved this week. Do you think it's a really tough | :14:00. | :14:04. | |
competition this year? It's very, very hard because he really did | :14:04. | :14:09. | |
improve. He produced last night a really good moment, elegant, classy, | :14:09. | :14:18. | |
lovely lines and he got better. Those are the rules. So, you know, | :14:18. | :14:23. | |
Johnny, do your best. Come out and give us a great dance. That's all I | :14:23. | :14:27. | |
can say. We are rooting for you, Johnny, thank you. Over to you, | :14:27. | :14:33. | |
Claudia. I have six overjoyed couples with me right now. Who is | :14:33. | :14:38. | |
the happiest, hands up? Everyone! My favourite thing is how people | :14:38. | :14:42. | |
react when their name is called out. I have to tell you that you win, | :14:42. | :14:46. | |
because you looked so genuinely shocked when Tess said your name. | :14:46. | :14:50. | |
Do you think you might be going? Yes, you don't expect to hear your | :14:50. | :14:54. | |
name in a positive way, that's the trouble. It's like, ah, goodness! | :14:54. | :14:59. | |
You were so happy I believe that you harmed one of our other dancers. | :14:59. | :15:03. | |
Louis said, well done, and I went like that and broke his nose nearly. | :15:03. | :15:10. | |
I am so sorry. I have a big nose anyway. Now it's bigger! You got to | :15:10. | :15:13. | |
the top. Top of the leader board. How happy are you? Really pleased. | :15:13. | :15:20. | |
It It means I have another week with him nagging. Lisa, did you | :15:20. | :15:28. | |
feel like Cinderella? I did, I had to be all lady-like and the second | :15:28. | :15:33. | |
it finished yes, get in! Back to myself. Good girl. Next week our | :15:33. | :15:38. | |
couples will be revelling on the red carpet with glitz and glamour, | :15:38. | :15:47. | |
as Strictly does Hollywood. 14 celebrities all with a chance of | :15:47. | :15:54. | |
being Strictly champion 2012. Together they face the nastiest, | :15:54. | :16:00. | |
meanest villain ever seen on the screen. Craig Revel Horwood. | :16:00. | :16:06. | |
haven't seen anything yet. Strictly does Hollywood, coming to a | :16:06. | :16:10. | |
television near you next week. That's great, but can you give me | :16:10. | :16:14. | |
that last line again. Strictly does Hollywood, coming to a television | :16:14. | :16:24. | |
:16:24. | :16:24. | ||
near you next week. Thanks, Darcey, that's great. No problem! | :16:24. | :16:30. | |
APPLAUSE Brilliant. Now it's time to welcome | :16:30. | :16:36. | |
the judges! APPLAUSE AND CHEERING What a delight. Now, of course you | :16:36. | :16:40. | |
four are brilliant but we can't forget there is a 5th member of the | :16:40. | :16:48. | |
gang and he is called Len's Lens. There he is. This is where we can | :16:49. | :16:55. | |
show you the close-ups. The details, if you like. By the way, how divine | :16:55. | :17:01. | |
is that? Lovely twirling. Brilliant. Len's Lens captures the stuff we | :17:01. | :17:06. | |
don't see on the Saturday night. Are you ready judges? Always. | :17:06. | :17:09. | |
Len, my favourite thing in life I think is when you are a happy | :17:09. | :17:14. | |
rabbit. This is when Denise was dancing with James Jordan. Here you | :17:14. | :17:24. | |
:17:24. | :17:41. | ||
# Tutti frutti... # APPLAUSE. A wopbambo! It was | :17:41. | :17:46. | |
brilliant. First, I love Little Richard. Who doesn't? You probably | :17:46. | :17:50. | |
never heard of him. Denise had speed, control. It had fun. It was | :17:50. | :17:55. | |
exuberant. The kicks were sharp. It was fabulous. OK. Let us remind | :17:55. | :17:59. | |
ourselves, Darcey, of how happy they were. They came over and did | :17:59. | :18:09. | |
:18:09. | :18:10. | ||
kissing! The truth, darling fab-u- lous! | :18:10. | :18:18. | |
Look, one, twice. And here is my absolute favourite thing. There you | :18:18. | :18:23. | |
are, you are judging. Mum to the judges, here she goes. No problem, | :18:23. | :18:27. | |
Craig. Look what I have in my pocket. Here we go. Look how cute | :18:27. | :18:35. | |
you are! You are so sweet! Oh, dear. Tidying | :18:35. | :18:40. | |
up the mess. Darcey, you loved them as well. They did such a good job. | :18:40. | :18:44. | |
They were fabulous. They looked like like professionals, Denise | :18:44. | :18:51. | |
looks like a professional. Quite! Let me talk... Back-handed, darling. | :18:51. | :18:58. | |
Craig, we have a new face. A face- puller of the series. It's not new, | :18:58. | :19:02. | |
because you always look livid. Let's refind our -- remind | :19:02. | :19:05. | |
ourselves of this moment. He is a delight. Look at him. | :19:05. | :19:09. | |
Look at that. I don't even know what he is thinking. Just look at | :19:09. | :19:17. | |
Is the trout pout coming? It's not exactly you want to see in slow | :19:17. | :19:23. | |
motion, is it? Bruno, we have you in pain. You are never in pain. | :19:23. | :19:27. | |
You are always delighted. Here is wonderful Vaughan and Lowe dancing | :19:27. | :19:36. | |
and a shot of you. LAUGHTER | :19:36. | :19:41. | |
It wasn't bad... Wasn't bad?! This is going to go in the Guinness Book | :19:41. | :19:47. | |
of Records in the worst foot footwork in a jive ever! You can't | :19:47. | :19:56. | |
say that. Falling off the sofas. Thank you, darling. That's what | :19:56. | :20:00. | |
everyone is doing at home when they're watching Strictly Come | :20:00. | :20:04. | |
Dancing on Saturday night. Here is my final clip. Artem when he leaves | :20:04. | :20:14. | |
:20:14. | :20:27. | ||
the show, by the way, could be a Thank you, very, very much. Let's | :20:27. | :20:31. | |
hear it for the judges. Six couples are through to next | :20:31. | :20:35. | |
week. Who will be joining them? Over to you, Tess. Thank you, | :20:35. | :20:38. | |
Claudia. Now seven couples are still waiting | :20:38. | :20:45. | |
to learn their fate. One will join Johnny and Iveta in the dance-off. | :20:45. | :20:50. | |
Who will it be? It's time to find out. | :20:50. | :21:00. | |
:21:00. | :21:03. | ||
In no particular order, safely through to next week are... | :21:03. | :21:13. | |
:21:13. | :21:44. | ||
Also back next Saturday are... The next couple safe is... | :21:44. | :21:54. | |
:21:54. | :22:28. | ||
Dancing again next Saturday are... Also safe are... | :22:28. | :22:38. | |
:22:38. | :22:42. | ||
That means Michael and Natalie, and Richard and Erin, one of you is | :22:42. | :22:48. | |
safe and one of su in the dance-off. I can reveal that the couple in the | :22:48. | :22:57. | |
bottom two tonight and who will compete in the dance-off is... | :22:57. | :23:02. | |
Richard and Erin! Michael and Natalie, congratulations, you are | :23:02. | :23:09. | |
through to next Saturday. APPLAUSE Darcey, you had said on Saturday | :23:09. | :23:12. | |
that this was the Richard you wanted to see on the dance floor. | :23:12. | :23:15. | |
He brought all his personality back. Why do you think he is in this | :23:15. | :23:21. | |
position? I don't know actually. I think it's really hard. He | :23:21. | :23:25. | |
definitely improved. He sold it. The technique wasn't brilliant. | :23:25. | :23:29. | |
Maybe that let him down. You can never tell which way the cookie is | :23:29. | :23:35. | |
going to crumble. Over to you, Claudia. Thank you, Tess. I am here | :23:35. | :23:43. | |
with our safe couples. You the relief is palpable. You all came up | :23:43. | :23:47. | |
almost weepy. Do you think you were going? That's one of the worst | :23:47. | :23:51. | |
things I have ever done. Waiting for your name, it's petrifying. | :23:51. | :23:55. | |
were looking down. I had a bad night Saturday night. It was bad. I | :23:55. | :23:58. | |
didn't really perform that well. I was expecting to be going home. | :23:58. | :24:03. | |
were holding an imaginary axe. It was brilliant! Victoria, have you | :24:03. | :24:08. | |
had the biggest improvement, up ten points. Do you think yes, I love | :24:08. | :24:13. | |
dancing? I do love dancing. I am not quite into it yet. I am trying | :24:13. | :24:16. | |
my best. I can't wait for next week now. Hollywood, how brilliant are | :24:17. | :24:22. | |
you going to be in Hollywood? great. You are the living | :24:22. | :24:27. | |
embodiment. You said you were going to do the quickstep. Are you | :24:27. | :24:30. | |
excited? I am very excited and we are going to be dancing to Mrs | :24:30. | :24:38. | |
Robinson. Ring-a-ding-ding. Kristina is possibly the happiest | :24:38. | :24:42. | |
woman on earth. Yes, yes. Well done, you look so happy. Now they're one | :24:42. | :24:47. | |
of the world's biggest pop bands. They've won three Brit Awards and | :24:47. | :24:54. | |
sold over ten million albums. Here performing their new single Let's | :24:54. | :25:04. | |
:25:04. | :25:14. | ||
Have A Kiki. Why wouldn't we? It's # I hope you are up, girl because | :25:14. | :25:19. | |
we are all coming over. # Lock the doors, lower the blinds, | :25:19. | :25:23. | |
fire up the smoke machine and put on your heels | :25:23. | :25:28. | |
# I know exactly what we need. # Let's have a kiki | :25:28. | :25:32. | |
# Lock the doors # Let's have a kiki | :25:32. | :25:36. | |
# I am going to let you have it # Let's have a kiki | :25:36. | :25:38. | |
# I want to have a kiki # Let's have a kiki | :25:38. | :25:48. | |
:25:48. | :25:50. | ||
# Because we're going to serve and work and turn | :25:50. | :25:54. | |
# A kiki is sa party for calming all your nerves | :25:54. | :25:58. | |
# We are spilling tea and dishing just desserts one may deserve | :25:58. | :26:02. | |
# Though the sun is rising # Few may choose to leave | :26:02. | :26:10. | |
# So so shade that lid and we will all bid adieu to your ennui | :26:10. | :26:15. | |
# Let's have a kiki # Lock the doors | :26:15. | :26:18. | |
# I am gone in a let have you it # Let's have a kiki | :26:18. | :26:22. | |
# We are going to serve and work and turn | :26:22. | :26:32. | |
:26:32. | :26:44. | ||
# What a wonderful kiki. # This kiki is marvellous | :26:44. | :26:47. | |
# Hey, baby # What do you say we show this | :26:47. | :26:53. | |
British public how to have a kiki? # Ladies and gentlemen at home, put | :26:53. | :27:03. | |
your finger in the air # Kiki, so-so | :27:03. | :27:10. | |
# No, no # Kiki, so-so | :27:10. | :27:20. | |
:27:20. | :27:20. | ||
# Let's have a kiki # Lock the doors | :27:20. | :27:27. | |
# Let's have a kiki # I am gonna let you have it | :27:27. | :27:30. | |
# I want to have a kiki # Let's have a kiki | :27:30. | :27:33. | |
# If we're going to serve and work and turn | :27:33. | :27:36. | |
# Let's have a kiki # I want to have a kiki | :27:36. | :27:39. | |
# Lock the doors # Let's have a kiki | :27:39. | :27:42. | |
# I am gonna let you have it # Let's have a kiki | :27:43. | :27:46. | |
# I want to have a kiki # Let's have a kiki | :27:46. | :27:52. | |
# Because we're gonna serve and work and turn | :27:52. | :28:02. | |
:28:02. | :28:04. | ||
They were brilliant. I am here with Richard and Erin and Johnny and | :28:04. | :28:08. | |
Iveta. I am so sorry, we loved your cha-cha. How do you feel about | :28:08. | :28:15. | |
being in this position? I feel like I am wearing from a curtain from | :28:15. | :28:19. | |
1976 which isn't to everyone's taste. Are you going to do do | :28:19. | :28:21. | |
everything differently? We are going to put our heart and soul | :28:21. | :28:25. | |
into it which we have been doing the last few weeks and she's been | :28:25. | :28:28. | |
amazing. She's had a lot to work with. I have never danced a step in | :28:28. | :28:32. | |
my life. Go and get into position. Johnny, I have to ask you the same. | :28:32. | :28:37. | |
You two two have got on brilliantly. We have, I think we have been the | :28:37. | :28:41. | |
funniest. It's sad that one of us is going. Are you going to do | :28:41. | :28:44. | |
anything differently? The judges loved it. I am going to enjoy it | :28:45. | :28:49. | |
and do my best. I feel terrible that I am in a stuffed shirt and | :28:49. | :28:54. | |
everybody else is relaxed. Other than that, no, we are going to give | :28:54. | :28:59. | |
it our best. Good luck. We don't want to say goodbye to any of our | :28:59. | :29:03. | |
couples at this early stage. Giving it their all to stay in the | :29:03. | :29:13. | |
:29:13. | :29:13. | ||
Apology for the loss of subtitles for 156 seconds | :29:13. | :30:49. | |
competition, please go nuts for APPLAUSE AND CHEERING | :30:49. | :30:53. | |
It's going to be a tough decision for our judges tonight. Both | :30:53. | :30:56. | |
couples are desperate to be back here next week. They're dancing to | :30:56. | :31:06. | |
:31:06. | :31:06. | ||
Apology for the loss of subtitles for 156 seconds | :31:06. | :32:52. | |
stay in the competition. Please Well done to both our couples. You | :32:52. | :32:56. | |
were brilliant. Best of luck to you both. We will now find out which of | :32:56. | :33:00. | |
you will be back to dance again next week. Judges, it's decision | :33:00. | :33:07. | |
time. We are about to ask each of you the | :33:07. | :33:10. | |
name of the couple you think deserves to be saved. The couple | :33:10. | :33:13. | |
with the most votes from the judges will stay in the competition, | :33:13. | :33:16. | |
meaning the other couple is out of Strictly Come Dancing and in the | :33:16. | :33:22. | |
event of a tie head judge Len will have the casting vote. Richard and | :33:22. | :33:28. | |
Erin, and Johnny and Iveta, this is it. The very best of luck to both | :33:28. | :33:32. | |
of you. So, Craig, who are you going to | :33:32. | :33:37. | |
save? The second time didn't go as well for both couples, actually, in | :33:37. | :33:42. | |
fact. But I would like to save based on content alone, Richard and | :33:42. | :33:50. | |
Erin. Darcey, who do you think deserves | :33:50. | :33:55. | |
to stay in the competition? For me it is about the dance content and | :33:55. | :34:00. | |
between the two dancers and who gave me the most confidence in in | :34:00. | :34:05. | |
themselves and that has to be Richard and Erin. | :34:05. | :34:08. | |
APPLAUSE That's two votes to Richard and | :34:08. | :34:15. | |
Erin. If Bruno now votes to save you that means you are through. | :34:15. | :34:21. | |
Bruno, who do you think deserves to stay? I thought both of them were | :34:21. | :34:26. | |
quite shaky in the dance-off but I understand, it's understandable. I | :34:26. | :34:33. | |
do agree with the others, content alone and for that reason I go with | :34:33. | :34:36. | |
Richard and Erin. There we go. That means we are going to say goodbye | :34:36. | :34:44. | |
to Johnny and Iveta. Please come and join us. Richard and Erin, we | :34:44. | :34:48. | |
will see you next week. Congratulations. Len, it makes no | :34:48. | :34:53. | |
difference, but did you agree? did agree with my colleagues, yes | :34:53. | :35:00. | |
for Richard and Erin. Come on over, Johnny and Iveta. APPLAUSE AND | :35:00. | :35:05. | |
CHEERING. What's going on! Come over, darling. Of course, it's been | :35:05. | :35:11. | |
very short but it's been very sweet. Have you enjoyed your Strictly | :35:11. | :35:15. | |
experience? I haven't done a run as bad as that at any time, as bad as | :35:15. | :35:21. | |
that one there. Under pressure. my age, I think I did quite well | :35:21. | :35:30. | |
really. APPLAUSE AND CHEERING I think so. This girl is absolutely | :35:30. | :35:33. | |
wonderful. It's been a pleasure having you on the show. Thank you | :35:33. | :35:37. | |
for stepping in at the last minute, Iveta. If you would like to go off | :35:37. | :35:47. | |
and prepare for your last dance. Johnny Ball room, take to the floor. | :35:47. | :35:52. | |
It's genuinely so sad having to say goodbye to someone so early on. | :35:52. | :35:58. | |
They will join Zoe on Monday at 6.30 on BBC2. I will definitely be | :35:58. | :36:08. | |
:36:08. | :36:08. | ||
watching. For exclusive news and and gossip go to the | :36:08. | :36:15. |