Week 3 - Strictly Does Hollywood Strictly Come Dancing


Week 3 - Strictly Does Hollywood

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$:/STARTFEED. Stars were born. grace and posture. Fabulous. Dreams

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where broken. We bayed their wealth to his small screen legend. --

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farewell. Tonight, strictly Does Hollywood. There will be laughter.

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There will be emotion. There will be drama. Most of all, there will

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be... Action. It is Strictly Des quali Wedd. -- Strictly Does

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Apology for the loss of subtitles for 185 seconds

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Live from Television Centre, please welcome your hosts. Sir Bruce

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Good evening, ladies, gentlemen and children. Welcome to Strictly Come

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Dancing! It's nice to see you, to see you Nice. And it's nice to see

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you, Bruce. What a way to open the show! And what a great show we've

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got this week, Strictly Does Hollywood. Yes. I think we're all

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set. Are the band ready? Yes. Are the audience ready? Yes. Are the

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He loves to make an entrance, doesn't he? A bit of Hollywood

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history. Why? I know you are saying that to yourselves. Why is he the

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# If he only had a heart. It would take a miracle! It would.

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Last week, we said goodbye to our first couple as Johnny Ball took

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his final curtain call on the Strictly dancefloor. So tonight,

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all our celebrities need to peform like Hollywood stars in order to

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stay in the competition. It might only be early days, but the

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standard is already very high, so as well as plenty of Hollywood

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glitz and glamour we can also expect a lot more drama tonight.

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Yes, our couples want their star on the Walk of Fame, but one couple

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will be heading for the walk of So let's say hooray for Hollywood,

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because it's time to meet the stars From Girls Aloud, pop princess

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Kimberely Walsh and her partner Pasha Kovalev. From Westlife, Nicky

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TV Presenter Fern Britton and her partner Artem Chigvinstev. Cricket

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legend Michael Vaughan and his partner Natalie Lowe. Soap star

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Lisa Riley and her partner Robin Windsor. Olympic gymnast Louis

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Smith and his partner Flavia Cacace. Tracy Beaker star, Dani Harmer and

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her partner Vincent Simone. EastEnders star Sid Owen, and his

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partner Ola Jordan. Presenter and performer Denise Van Outen and her

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partner, James Jordan. Showbiz reporter Richard Arnold and his

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partner Erin Boag. Olympic gold medallist Victoria Pendleton and

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her partner, Brendan Cole. Film and TV star Colin Salmon and his

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partner Kristina Rhianoff. And finally supermodel and actress

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Jerry Hall and her partner, Anton They look magnificent. Fabulous!

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There they all are. And congratulations to all of you for

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the way you came down those stairs. So, whatever happens, at least

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Congratulations. If you fancy a little more conversation with your

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action tonight, then press your red button for live commentary

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throughout the show from Karen Hardy. And joining her this week is

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comedienne Katy Brand. Hello! So, if you want to hear what they have

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to say, then digital viewers press red now, and you're all set.

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first couple this evening is Fern They it are dancing to a song from

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Mary Poppins. They are doing the remake of that and with Riyadh. At

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the beginning, she will fly in on her umbrella, ella, ella. Last

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weekend was fantastic. I felt a bit of the Strictly magic got into my

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being and soul. The best thing is that when she performs, she really

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performs. She lives in a moment. Wow! That is all I can say about

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that. To have four sixes is thrilling. I am really happy with

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that. Up this week we are doing the Charleston to a Mary Poppins song.

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New week, new shoes. This week's training got off to raise low-start.

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My shoes are in here somewhere. -- a slow start. There was a slight

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difficulty in Fern Britton getting the Mary Poppins fell. Here they

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are, my shoes. I have a surprise for her. This is my surprise. We

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are here because I want you to connect with Mary Poppins. We are

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on a rooftop with lots of Chinese around and we are about to dance.

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just hope I can get my Mary magic out on the night and our routine is

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Dancing the Charleston, Fern MUSIC: #

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Apology for the loss of subtitles for 185 seconds

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Practically perfect in every way! What a lovely start to the show.

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Thank you for starting the show like that. That was wonderful. That

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was absolutely super. I can't be bothered with the other bit. The

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joke has gone now. Of course we have our judges. Please welcome

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them. Last week, the dance off was back. There will be another one

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this week. It can be very emotional. You are bound to be moved to tears

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so I have got used some tissues. Craig, I have got you and onion, so

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you can join in! You have changed. I wish! I thought you had been sold

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for scrap metal. Anyway, Len, start us off. You made Hollywood into a

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jolly good. You embrace the feeling of Mary Poppins. It was a fan. A

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lively start to the show. It made Bruno? Prim, proper and extremely

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nice, darling. But, you've got to puch it a bit more. - pump it a bit

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more. If you look at the film, especially in the ci chen doe at

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the end, the charleston needs to be punched more to give it more of an

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impression, characterisation good. A bit more punch in the steps.

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Craig? Need add lot more swivel in the charleston proper, you need to

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bring your feet together. Very late with that. Cleaner footwork. Know

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floor is splip pri so that was difficult for you. -- slippery. The

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whole thing I thought was laboured. The back jazz split, darling, was

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excellent. It wasn't laboured, was it? Really? Why bring politics into

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this?! The energy from your last performance was so much better, so

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much better. I don't think Darcey's mic is on. Can you hear me? She's

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saying I'm fabulous! You can be my kids' Mary Poppins

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any day! A wonderful start. Off you He's got me some popcorn. Thank you.

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Fern, that was Supercalifragilisticexpialidocious.

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Louis better look out. He taught me everything. How was it for you?

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That's the cleanest I've ever done it, isn't it? It was so much fun.

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Darcey said you could be her Mary Poppins. Actually, you are a bit of

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our Strictly Mary Poppins, aren't you, because every time someone

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comes off the dance floor, Fern is waiting with a hug for everyone

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else. It's so true. APPLAUSE

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One down from last week. What do you think? There is two ways to

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call and vote for your finalists. If Fern is your ideal leading lady,

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you can call. Don't calm until the end of the show when all couples

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have danced, otherwise your vote won't count and you may be charged.

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We have gone all glamorous and fabulous and sparkly up here.

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you say flab but uluous!? Victoria Pendleton and her partner Brendan

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Cole are next. Victoria has only been here for a couple of weeks and

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she's already causing trouble. Apparently, she's making a fuss

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over which shade of fake tan they put on her. That's the trouble with

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his British Olympic champions, they just want settle for bronze!

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Land of hope and... We haven't got time. Here they are in training!

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Saturday night was really good fun. I was so proud of Victoria,

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couldn't believe what she did. Clean, classy and confident. A

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fantastic improvement. I would never have thought he'd say

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anything like that to me. Victoria is back in the race!

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Woogl.... I'm back in the race. Not quite sure about that yet but we'll

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see. Here, Then... Brendan and I are

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dancing the rumba to Up Where We Belong from Officer and a Gentleman.

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It's supposed to be a sensual dance, a lot of emotion in it, quite

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passionate I guess, but... I need to work on that. Oh, my good, it's

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so romantic. It's so unnatural to me. At the beginning of a race, I'm

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usually so focused. In a dance, I'll be focused on my leading man.

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I'm immensely excited about this dance. I've always thought of

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myself as an officer. I want to audience to really engage with what

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we are doing and when they watch it, I want them to be holding their

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breath. We are almost going to melt together. I have to melt a bit with

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Brendan. I'm not melting so well... I will get the emotion out of her.

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It will be fine. I keep telling myself that.

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Dancing the rumba, from An Officer and Gentleman, Victoria Pendleton

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Apology for the loss of subtitles for 185 seconds

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Lovely. Oh, that was beautiful, the pair of

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you. While you two chillax - it's our chance to welcome our fabulous

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singers, and the wonderful, wonderful orchestra. All of you!

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CHEERING AND APPLAUSE Yes.

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Would you have rather done that with Richard Gere? No, not at all.

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That was lovely. Did you see her face?!

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Now then, Bruno, start us off? Victoria, Victoria, just when you

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were starting to sizzle, you nearly boiled over. I tell you, the first

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impression, no officer or gentleman or general would turn you down, you

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were really going for it. Then you got yourself I think to a mangle

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and lost concentration and you kind of fizzled out. The beginning was

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very, very good, you know that. The beginning was very, very, very good,

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so keep working on that direction and try to keep the composure.

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Don't lose it. If something happens, go back on it. Go into it. You know

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what I mean. You are a toucher! Craig? I'm beginning to see an

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actress emerging which is fantastic. Some really fantastic straight legs

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with the wonderful hip action which was beautiful to see. Back drag I

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didn't like very much because of your leg shaping but I know you had

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a bit of a costume drama. You need to get air underneath that chiffon

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and get your arm out the way sooner, that was my point last week. You

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have to get that happening. But, you are improving and it's

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wonderful to see. Exactly. APPLAUSE

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Marvellous. Not too much soft pedalling! Darcey? You do look like

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you've just come off that set. You do look beautiful. There were no

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nerves and there were some sensual moves happening there. I like that

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and the rumba has to have that. When I mentioned about your splayed

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fingers last time. A tip maybe in rehearsals to help this, because

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they are very visual - can I have your hand please - think of a small

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piece of paper, smaller than that, work with that and you will create

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a better line eventually. Thank you, You are improving every show, you

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are. Len's face while all that was going on. All good. I'm in a good

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mood so I'm not going to be moaning. This is like ride ago bike, got on

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week one, git going so it was a bit wob by -- get going. Last week, you

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get yourself pedalling along and this week you have carry on the

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pumping the tyres and getting yourself going down there. Keep

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your eyes on the road ahead and keep working like this. You are a

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bit unstable here and there, you know that, but you had the frock

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issue and this and that, I thought you did it really well. Well done.

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Keep working hard! Away you go! Fabulous. You beautiful lady.

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Wardrobe malfunction. I nearly strangled myself and Brendan like

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this. I know. That aside, it was fabulous. Whilst we are talking

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about frocks, a big shout out to the costume department. Today's

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show... Couldn't have said it better myself. Craig said that you

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are beginning to look like an actress. You have never acted, you

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are not an entertainer, how did you get into character? It's quite easy

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isn't it when you are working with such a handsome young man here. Pay

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you later, pay you later... A great teacher. And Brendan, do you think

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she's got more to give, our Victoria? I know she has. Without

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the frock malfunctions, that could have been a very, very strong

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contender, but week-by-week we'll grow. She has what it takes, I'm

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loving working with her, it's all good.

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The scores are in. Practising the 22 for Victoria and Brendan.

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Brendan's got a very tight face. Yes. If that's what they think,

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I'll take that, thank you very much. OK. Can we do it again, please?

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you want to see Victoria's name in lights, call from your mobile or

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landline. The lines open after everybody's danced. That was

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fabulous that, back to Bruce. Next up is Michael Vaughan and his

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partner, Natalie Lowe. Right, Michael told me people keep taking

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the Mickey out of him for being a cricketer. I said, how's that, and

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he said don't you start. Even Len is laughing, you are in a good mood

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Len! He's laughing at anything, especially everything I say. Here

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they are in training. Oh, my God, you are like a wild

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goose. I thought I did all right. That's the basic fact. I didn't

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think it was that bad. Eventually, I wouldn't mind a few good comments.

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At the minute, I'm getting battered. This week, it's Strictly does

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Hollywood and I've gone for a Sheffield classic, the Full Monty.

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Welcome to Sheffield, a City on the move. Thanks to modern industry,

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efficient trams and this twinkle toes. It's not all hard work for

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the people of Steel City. Michael here is learning a new hobby. By

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jof, look at that plucky little fellow. -- by jove. A dad trying to

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learn how to dance. Because we were bottom of the leaderboard, we've

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decided that we are going to Dancing the cha-cha-cha, Michael

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Apology for the loss of subtitles for 185 seconds

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You nearly went over. What about that! The overt was over. What did

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you order for breakfast? The full works. Hot it was not,

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unfortunately. Timing issues of throughout. It was awkward all the

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way through. You when landing like a felled tree. I suspect Latin is

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not going to be your dance. Better than last week. I think he is.

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APPLAUSE Michael, I was so much happier with your performance

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because you were happier on the dancefloor. Even though the timing

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was apt, if your top and lower body were now at least connected. -- was

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out, Europe top and lower body were now at least connected. What about

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men? There was an odd moment where you lost a bit of timing. Virtually

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all our celebrities do. On the forward and backward steps, you are

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straightening your leg. I thought you had good hip action. Last week

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was Boreham wet and this week was quali Wedd. Well done! -- Hollywood.

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I was disappointed. What we your hips doing? You have got to listen

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to the music. -- what weren't your hips doing? You'd go completely off.

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Nissan to the music. -- listen to the music. We're all loved it.

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Very nearly bowled over at the end. I nearly went flying on that chair.

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It could have been the best bet. D'Arcy said you always give it your

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all. Are you enjoying it? -- Darcey Bussell said. I am trying to learn

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and putting the hours in. I just have to go for it. They are better

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hips and last week. Can we see them? The scores are in. Craig

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Revel Horwood... Darcey Bussell... Better than last week. What is next

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week? The Quickstep. Will you be here to do that? I would love to be.

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If you want to see more, call from a mobile phone or from the land

:35:44.:35:50.

line when the phone lines open later on in the show. This is

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Saturday night's main feature and it is only just getting started.

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Bring me some sweets! Thank you. Our next couple is Jerry Hall and

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Anton du Beke. When she starred in the stage version of The Graduate'

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Jerry played an older woman who seduced a younger man. This might

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surprise you, but I'd love to be seduced by an older woman. But I

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don't think there's any left. That is not funny her! Here they are in

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training. I was elated about Saturday night. The dance went

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really well but the judges were harsh. You are to vertical. Lift

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and separate. I did agree with them. I have taken that criticism on

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board for the next dance. I do not think that is fair. We did not make

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any mistakes. None at all. We are going to give them off next week.

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Welcome. Action! We will be doing that Quickstep to Mrs Robinson from

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the Graduate. Jerry Hall played her. She is -- corrupted into decadent

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ways by an older, experienced woman. I want to concentrate on my posture.

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I have to give an Oscar winning performance ought it is curtains

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for me, baby! -- or it is curtains. Dancing the quickstep, Jerry Hall

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Apology for the loss of subtitles for 185 seconds

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Come back out here. Would you mind? I have never seen anything like it.

:40:08.:40:17.

For goodness sake! That was your best dance to date. Thank you.

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What are you doing in knows cricket trousers? The Quickstep suits you.

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Maybe because you like telling the story of Mrs Robinson. You must not

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tell us you are coming to the end of the dance. Do not fade. You

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started so well and by the end you faded. In any performance, you must

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not fade. I liked it. I liked it a lot. So much better. I have got to

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say, we have a problem. It was a bit Upstairs Downstairs. Oh, no!

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There are still a few problems Upstairs. Downstairs, you are quite

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I am talking about her of that work. -- footwork. I will move on now.

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The whole thing would have been better behind the screen. Oh, no!

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Pastor, posture, posture. There was an improvement from last week, you

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have got to say that. I am glad you think so. We all thought it was

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better than last week. That is all Come on, jerry! You are Hollywood.

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You must feel at home with all this blitz and glamour. It is one for

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eight a T, so vote for me. -- HRT. Next week we will be dancing to

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Paint It Black. These schools are Craig Revel Horwood... Darcey

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Bussell... Len Goodman... Bruno I do not think that is right. I

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:43:48.:43:51.

think that should have been more. There was a definite improvement.

:43:51.:43:54.

If Jerry's the starlet you want in a starring role - call from your

:43:54.:43:58.

mobile, or landline. But don't you pick up the phone until we let you

:43:58.:44:02.

know that the lines are open. Still loads more to come, including Nicky

:44:02.:44:05.

Byrne looking smoking hot, and Lisa getting a little Hanky Panky.

:44:05.:44:15.

Naughty, the lot of you! I've read at the wrong number of bomb Michael

:44:15.:44:22.

and Natalie. -- I read out the wrong number for Michael and

:44:22.:44:32.
:44:32.:44:45.

Sid, since you started on Strictly, we have seen the fun side of him.

:44:45.:44:52.

Is he going to get on with the mean and moody tango? Here they are in

:44:52.:44:59.

training. Saturday was great. Loved it.

:44:59.:45:04.

Enjoyed every minute of it. went wrong a little bit, but he

:45:04.:45:10.

really went for it. Didn't drop me on my face, which is good. It's

:45:10.:45:15.

supposed to be from Kingston in Jamaica, but it was more like

:45:15.:45:19.

Kingston upon Thames. Lods of hips, baby. All the comments were very

:45:19.:45:25.

fair. We need to work harder. I would love to do it again. Front...

:45:25.:45:30.

This week is Strictly does Hollywood and I'll be dancing to

:45:30.:45:35.

rock of ages, Here I Go Again. I've got to be a rock star this week, so

:45:35.:45:40.

I'm going to have as much fun as I can with it. No. All right, one of

:45:40.:45:47.

those. Get ready to rock! Show me. I think he's embarrassed at doing

:45:47.:45:50.

the steps. I think I'm a good teacher but... What I need him to

:45:50.:45:56.

do is perform in a rehearsal studio so he's used to the performance all

:45:57.:46:03.

the time. Saturday, I can't improve him, it's too late. Dance to a rock

:46:03.:46:09.

star, you can do it. As long as Sid can become a rock star like Freddie

:46:09.:46:19.
:46:19.:46:20.

Mercury, Gene Simmons, we should be fine. What do you think? Yeah. No

:46:20.:46:26.

problem. Dancing the tango from the movie Rock of Ages, Sid Owen and

:46:26.:46:36.
:46:36.:46:36.

Apology for the loss of subtitles for 185 seconds

:46:36.:48:08.

CHEERING AND APPLAUSE What about those two?!

:48:08.:48:15.

The rocker. What have you done to him?-On. Len, start off with you?

:48:15.:48:21.

don't know about Rock of Ages, you took blooming ages to get started.

:48:21.:48:26.

Once you did, it wasn't too bad, but there was no sharpness, no

:48:26.:48:34.

aggression in the dance, too smooth, Sid, too smooth.

:48:34.:48:41.

BOO. Bruno? I don't know if I was watching Les Dawson trying to be

:48:41.:48:47.

van Halen in AC/DC. Len is right, it was a lot of head banging but

:48:47.:48:54.

once you got into the tango it wasn't good. Craig? Stompy, clompy,

:48:55.:49:04.
:49:05.:49:06.

clumpy. Don't take it to heart. Thank you, Bruce. Just get up the

:49:06.:49:16.
:49:16.:49:17.

stairs as quick as you can. Off you APPLAUSE

:49:17.:49:21.

Rock'n'roll, Sid. The judges' comments aside, how did

:49:21.:49:28.

it feel to act like a rock God? Well I enjoyed it. We did, it was

:49:28.:49:36.

brilliant. You always have the Strictly smile in place, it's good.

:49:36.:49:43.

I'm sorry. Emotional again? No. tears here today. Time now to

:49:43.:49:53.
:49:53.:50:03.

17. Your lowest score to date. I actually thought that was the most

:50:03.:50:08.

original tango we have ever seen on Strictly Come Dancing. Rock'n'roll.

:50:08.:50:13.

I don't know what the judges were looking at. Ten out of ten for

:50:13.:50:22.

entertainment. These two want to be back next week, right? Yes. Yes,

:50:22.:50:25.

please. We want them back. Tomorrow night, another couple will be

:50:25.:50:30.

leaving the show whether we like it or not. To vote for your favourites

:50:30.:50:38.

when the lines open, pick up the phone. Back to Bruce.

:50:38.:50:45.

It was me! Right... I thought Bruce, who's that?!

:50:45.:50:51.

Next, it's Kimberley Walsh and her partner... APPLAUSE

:50:51.:50:57.

Very popular lady, yes. And her partner Pasha Kovalev. They are

:50:57.:51:02.

dancing to a song from Summer Stock, a marvellous musical starring the

:51:02.:51:06.

one and only Gene Kelly. What a dancer he was that man. I actually

:51:06.:51:12.

watched the film this afternoon with the judges. Bruno side Gene

:51:12.:51:18.

Kelly was brilliant. Len said he was a dancing dazzling star, Darcey

:51:18.:51:25.

said he was a superb move and Craig gave him a six. Gene Kelly a six, I

:51:25.:51:33.

ask you. Here they are in training. Our dance on Saturday night was

:51:33.:51:39.

probably the worst that we've ever done it. Len's comments were

:51:39.:51:44.

actually fair. I didn't expect him to be quite so angry though.

:51:44.:51:48.

thought it was limp. I didn't feel there was enough conviction. Our

:51:48.:51:52.

expectations are huge for you. You've got to to better than that,

:51:52.:51:56.

girl. We did it so much better earlier on. I was so disappointed

:51:56.:52:01.

in myself really because I knew that I hadn't done the best that I

:52:01.:52:04.

could have. Kimberley got a bit emotional after the dance and I

:52:04.:52:10.

think it's only because she's a perfectionist. It was really good.

:52:10.:52:16.

It wasn't. It was really good. The song we've got this week is very

:52:16.:52:22.

fitting. It's a classic Hollywood Judy Garland song and I absolutely

:52:22.:52:26.

love her. It's forget your troubles, come on get happy and I think

:52:26.:52:31.

that's what I should do, to be honest. The steps are not that

:52:31.:52:34.

difficult actually. I'm still here, I can see what you are saying.

:52:34.:52:40.

hard not to be happy. As soon as the music starts, it's such an

:52:40.:52:47.

uplifting song that you immediately feel like bum bum... Will you make

:52:47.:52:51.

me happy, it will make me happy if she does well with the quickstep. A

:52:51.:52:55.

surprise to make her happy. I know you are feeling low this week but

:52:55.:53:01.

here is something to cheer you up. I'm happy so I hope the judges will

:53:01.:53:07.

be too on Saturday night. Dancing the quickstep from the

:53:07.:53:15.

movie Summer Stock, Kimberley Walsh and Pasha Kovalev.

:53:15.:53:25.
:53:25.:53:25.

Apology for the loss of subtitles for 185 seconds

:53:25.:55:00.

What about this?! Oh, lovely. Kimberley and Pasha.

:55:00.:55:08.

Look at this. Look at them. It's all for you. That was lovely,

:55:08.:55:13.

really lovely. What a great tempo and the way you did that. Bruno?

:55:13.:55:18.

Now we're in business, Kimberley. Beauty, glamour, light, lovely. You

:55:18.:55:23.

really captured the spirit of the song, your frame much better, the

:55:23.:55:30.

body contact much better. You've shown that you can be wonderful.

:55:30.:55:37.

Now, we are going straight to Darcey because we are pushed for

:55:37.:55:44.

time if I go to three. Beautiful light steps. Also in the top hold,

:55:44.:55:48.

you have really work on the that, your core, I can see you've work on

:55:48.:55:56.

the that. Always such a pleasure to watch. You really are.

:55:56.:56:04.

Now then, Len is smiling but... Good news from Goodman. I liked it.

:56:04.:56:10.

Pasha, tell me what's happening, she's getting too far over on the

:56:10.:56:14.

right side and then her arm's too straight. You understand what I'm

:56:14.:56:20.

saying but you've done it well. understand. Tell her again though.

:56:20.:56:30.
:56:30.:56:37.

Liked it a lot, such an improvement. Kimberley. When she smiles that

:56:37.:56:41.

beautiful smile, everybody gets happy. Thank you. Happier than last

:56:41.:56:50.

week? Yeah, yeah. It was fun. you breathe? I really did enjoy it.

:56:50.:56:57.

Not sure what happened out there but I enjoyed it. Out-of-body. Is

:56:57.:57:01.

Pasha like the other girls from Girls Aloud? He should be. He's got

:57:01.:57:11.
:57:11.:57:25.

Wow. Come on! You've got to be happy with that. Your highest score

:57:26.:57:30.

so far. Well deserved. Has Kimberley's quickstep made you

:57:30.:57:34.

happy? If so, show your appreciation by calling from your

:57:34.:57:39.

mobile or landline. In tomorrow's show, two of our Hollywood stars

:57:39.:57:43.

will go head-to-head in the dance- off. Who is it going to be? Back to

:57:43.:57:46.

Bruce. Thank you, Tess. The next couple is

:57:46.:57:54.

Denise Van Outen and her partner James jor doon -- James Jordan. Now

:57:54.:57:59.

then, Denise has been performing since she was 12 years old. She

:57:59.:58:04.

said, Bruce, showbiz is in my blood. I said I know what you mean,

:58:04.:58:11.

showbiz used to be in my blood, nowadays it's Coe and cod liver oil.

:58:11.:58:21.
:58:21.:58:25.

Awww... Here they are in training. -- Coe coacoa and cod liver oil.

:58:25.:58:30.

wanted to dance this well because James tells me he's the King of

:58:30.:58:35.

jive. There is a Lynndie, as you flick your arms and legs. I could

:58:35.:58:40.

see Len singing along to tuty fruity and it made me laugh.

:58:41.:58:49.

were shaking it. That was my cup of tea! Fab-u-lous. I've been doing

:58:49.:58:53.

this show seven years and I've never had a fabulous from Craig!

:58:53.:59:02.

Woo-hoo, come on! This week, we are going to be doing

:59:03.:59:09.

the foxtrot to a Toy Story song, you've got a friend in me. I love

:59:09.:59:14.

Toy Story, so I'm really excited to be dancing to that. We work really,

:59:14.:59:18.

really hard, but we play hard too. I thought, we've got to get in the

:59:18.:59:27.

spirit of the dance and play lots of games. Posture! Compression. I

:59:27.:59:32.

don't understand. Definitely I found a friend in Denise. I think

:59:32.:59:40.

on Saturday night, Denise is going to be amazing... Put a sock in it,

:59:40.:59:50.
:59:50.:59:51.

James. Dancing the foxtrot from the movie Toy Story, Denise Van Outen

:59:51.:00:01.
:00:01.:00:01.

Apology for the loss of subtitles for 185 seconds

:00:01.:01:36.

and James Jordan. Lovely. Absolutely lovely! Great

:01:36.:01:46.
:01:46.:01:51.

posture. Great control. Beautifully Craig is right. You can dance.

:01:51.:01:57.

Beautiful, clean turns. Watched that you do not get too comfortable.

:01:57.:02:05.

You look relaxed when you perform. I am really nervous. It does not

:02:05.:02:12.

show. A very elegant couple you were. This is a complete contrast

:02:12.:02:20.

to last week but never the less good. I am giving you a burble pat

:02:20.:02:30.
:02:30.:02:44.

on the back. -- verbal. Nice You are made for each other. You

:02:44.:02:51.

set off the story so well. Then you got into that Fox trot. It was

:02:51.:03:01.
:03:01.:03:07.

smooth and gliding. -- foxtrot. I thought it was great. You should be

:03:07.:03:17.
:03:17.:03:20.

very happy. Away you go. Up the Did you ever think that Darcey

:03:20.:03:28.

Bussell would call you elegant? in a million years. Nor did I.

:03:28.:03:33.

Outstanding praise from all the judges. Is it adding to the

:03:33.:03:38.

pressure and expectation? Definitely. I was really nervous.

:03:38.:03:48.

So was I. James, your most wooden performance to date. Get it? It

:03:48.:03:52.

looked good on paper. The judges' scores are in, let's have a look.

:03:52.:04:02.
:04:02.:04:17.

Brilliant scores put up same as last week. Really well done. --

:04:17.:04:24.

brilliant scores. I am glad they commented on your foot work. So, if

:04:24.:04:27.

Denise and James are your screen idols, then call from your mobile

:04:27.:04:30.

or your landline. The lines won't open until everyone has danced,

:04:30.:04:39.

though, so move away from those phones. Who will be a Hollywood hit

:04:39.:04:49.
:04:49.:04:49.

and he will be a box office flop? Our next couple is Colin Salmon and

:04:49.:04:56.

Kristina Rihanoff. They're doing the Tango to a James Bond theme.

:04:56.:05:05.

But Colin has told me he's only doing a couple of lifts. I said,

:05:06.:05:15.
:05:16.:05:18.

only a couple of lifts? Why?' He said, it's obvious. If you're

:05:18.:05:26.

dancing to a James Bond theme You Only Lift Twice. Here they are in

:05:26.:05:31.

training. I thought last Saturday went well. We got to the end of the

:05:31.:05:36.

Bols and I did not fall over. I think regenerated the right amount

:05:36.:05:45.

of romance. I was pleased. -- we generated. I felt like A Little

:05:45.:05:54.

Princess next to Colin. Yorke double hand flicking is quite

:05:55.:06:01.

vexatious. -- your double hand. that is the only thing they can

:06:01.:06:10.

point out, I am proud of him. He is doing an outstanding job. This week,

:06:10.:06:15.

we have been dancing to a James Bond theme but I have been shooting

:06:15.:06:22.

for a film in Vancouver. Colin is away filming but that is no excuse.

:06:22.:06:28.

He should be dancing at all times. I am on a mission to find him and

:06:28.:06:37.

make him dance. I think I have found him. This is a good place to

:06:37.:06:43.

do something. I think my mission is accomplished. It was so worthwhile

:06:43.:06:51.

to travel from London to bank uber. I am so glad she tracked me down. -

:06:51.:06:59.

- Bank uber. Dancing the Argentine Tango, Colin Salmon and Kristina

:06:59.:07:09.
:07:09.:07:09.

Apology for the loss of subtitles for 185 seconds

:07:09.:08:53.

Well done. Lovely atmosphere to that. I was so hoping you were

:08:53.:09:00.

going to give us the spy treatment in your dancing. The only thing I

:09:00.:09:06.

would have liked to have seen a much dirtier spy. The Argentine

:09:06.:09:16.

tango is a dirty street dance. have never been there! Your

:09:16.:09:22.

partnering was very impressive. She was throwing herself at you - legs

:09:22.:09:32.
:09:32.:09:35.

going everywhere. Take more risks next time. I was more shaken than

:09:35.:09:41.

stirred. You acted it out but you are an actor. Take away the stuff

:09:41.:09:47.

on the table and the lifts, for me, there was not enough Argentine

:09:47.:09:57.

tango going on. You did OK. You can do character. You do that very well.

:09:57.:10:02.

You can take anything they'd throw at you. She threw everything she

:10:02.:10:12.
:10:12.:10:14.

had. That distracts. It would be nice to see you do a bit more

:10:14.:10:21.

dancing. As an actor, you can sell it. Something to think about.

:10:21.:10:27.

was full of authority and dominance, which I absolutely love. I thought

:10:27.:10:32.

the lifts were spectacular. You really went for it. They were not

:10:32.:10:41.

easy. Fantastic work will start what about that! -- fantastic work.

:10:41.:10:51.
:10:51.:10:56.

That was smoking hot. Was it mission accomplished? Yes. Given

:10:56.:11:02.

the time we had to direct, I am thrilled with that. 10 hours for

:11:02.:11:10.

the whole dance. That is not a lot. Darcey Bussell said you can bring

:11:10.:11:20.
:11:20.:11:40.

more. What more have you got to That was your strongest score to

:11:40.:11:43.

date. If you think Colin and Kristina's Argentine Tango was

:11:43.:11:49.

oscar-worthy, then call from a Please don't pick up the phone

:11:49.:11:59.
:11:59.:12:01.

And if you want loads more exclusive Hollywood gossip from

:12:01.:12:07.

tonight's show, head on over to the website. Back to you, Bruce.

:12:07.:12:17.
:12:17.:12:27.

next couple is Richard and Erin. As you know, Richard is a showbiz

:12:27.:12:32.

correspondent and he's already got loads of gossip about Strictly. He

:12:32.:12:42.

said he gets all the gossip from Test. Here they are in training. -

:12:42.:12:52.
:12:52.:12:54.

us Tess Daly. I turned to the judges and they were like, really?

:12:54.:13:01.

The couple who will compete in the dance of his Richards and Erin Boag.

:13:01.:13:08.

It is brutal. You have to go there and dance a heart out. I would like

:13:08.:13:16.

to say that Richard, Richard. -- your heart out. The only way it is

:13:16.:13:26.
:13:26.:13:34.

up. We are dancing to one of my all-time favourite songs. Working

:13:34.:13:44.
:13:44.:13:58.

for Breakfast television, I am more Millions of you are watching.

:13:58.:14:08.
:14:08.:14:08.

Apology for the loss of subtitles for 185 seconds

:14:08.:15:55.

Dancing the Quickstep, Richard APPLAUSE Well done, you.

:15:55.:16:05.
:16:05.:16:06.

Well done Richard and Erin. You are very generous, thank you.

:16:06.:16:13.

Quite an experience. I do apologise for interrupting you. It won't get

:16:13.:16:16.

a star on the Hollywood Walk of Fame but it was bright and lively.

:16:16.:16:21.

A little mincey occasionally in the footwork. I don't know whether to

:16:21.:16:29.

rinse it or mince it! Flow, my old sausage, flow. I liked it!

:16:29.:16:37.

I thought you were very good. I real - really meant that. Bruno?

:16:37.:16:41.

was expecting the full Dolly Parton wig and everything but it was good.

:16:41.:16:45.

You listened to the boss, you worked very, very hard, a lot of

:16:45.:16:51.

improvement, your frame and footwork was better. Without

:16:51.:16:54.

histrionic and just enough comedy at the beginning to set it up so I

:16:54.:17:04.

thought it was very good. Craig? didn't mind it actually. Was that

:17:04.:17:13.

you?! Nimble footwork, well done. You've only got Darcey to go and I

:17:13.:17:19.

think she's in a kind mood. Darcey? Richard, your best dance so far.

:17:19.:17:26.

Thank you. You were fast. When you get tired, make sure your weight

:17:26.:17:30.

doesn't go back on the heels, but I really like the style that you gave

:17:30.:17:39.

to that quickstep. Very nice. you go. Well done, Erin as well.

:17:39.:17:47.

Erin and Richard. What?!

:17:47.:17:51.

Tricky Dicky's worked hard this week! She kept saying, the

:17:51.:17:57.

quickstep's all about being out in front. And I said Dolly's got a

:17:57.:18:01.

higher centre of gravity there so she has an advantage. That must

:18:01.:18:07.

have boosted your confidence after last week? You always fall on the

:18:07.:18:12.

night and this crowd is phenomenal, you go out there and we have a

:18:12.:18:19.

phrase in Scotland where I grew up "Give it loudy". And then some?

:18:19.:18:23.

and I'm going to have to give Anton his spanks back. I'm wearing

:18:24.:18:30.

Brendan's shoes. They worked. Must be lucky shoes. Twinkle toes.

:18:30.:18:40.
:18:40.:18:48.

25. Highest score so far. It is your highest to date. If you want

:18:48.:18:52.

to stop Richard from ending up on the cutting room floor, call from

:18:52.:19:00.

your mobile or landline. We have been there before!

:19:00.:19:06.

Well done... When the phone lines open, call, and not a moment before.

:19:06.:19:10.

Danny will channel Dorothy and Louis will be Dirty Dancing.

:19:10.:19:14.

Getting hats thrown at me. Thank you so much. Back to you, Bruce.

:19:14.:19:23.

Our next couple is Dani Harmer and her partner Vincent Simone.

:19:23.:19:28.

Now, Dani is such a big fan of mine, she really is. Do you know, she

:19:28.:19:33.

even has a mug at home with my face on it. I said, do you use it much

:19:33.:19:39.

and she said oh, yes, the dog won't drink out of anything else. Sorry,

:19:39.:19:46.

I laughed at that before the end. I thought it was so funny. To

:19:46.:19:54.

myself... Anyway, here they are in training.

:19:54.:19:59.

Saturday night was absolutely awesome. I had so much fun. Finally

:19:59.:20:04.

Dani came out of her shell. little munch kin, you were full on

:20:04.:20:09.

and flat out and I liked it. Well done. I wasn't completely fond of

:20:09.:20:16.

the dismount. You went splat, darling. Yes, yes, yes, yes! I got

:20:16.:20:21.

a seven! That's all I wanted throughout the whole series and I

:20:21.:20:26.

managed to get it on the second week. This week I'm so excited. One

:20:26.:20:31.

of my favourite films of all-time is Wizard of Oz and I get to dance

:20:31.:20:37.

to Somewhere Over The Rainbow. way you walk... I'm in pain. Dani's

:20:37.:20:43.

been struggling with dance shoes. Sorry. I hate my ballroom shoes,

:20:43.:20:48.

they absolutely kill my feet. need a man to do it for you. I'll

:20:48.:20:53.

call him for you. You need dance shoes otherwise you won't be able

:20:53.:21:00.

to move all the musnls the little feet. I'm -- muscles in the little

:21:00.:21:03.

feet. I'm sure Dorothy wore trainers. The only thing that can

:21:03.:21:08.

save me now is if someone turned up with some magic Ruby slippers.

:21:08.:21:13.

Magic slippers for you. I could click my heels together, there's

:21:14.:21:17.

no-one like Vincent. And I would be a brilliant dancer. This is the

:21:17.:21:21.

best you've ever danced. Must be the Ruby slippers. Dancing the fox

:21:21.:21:31.
:21:31.:21:32.

trt from the movie the wizard of as, Dani Harmer and Vincent Simone. --

:21:32.:21:42.
:21:42.:21:42.

Apology for the loss of subtitles for 185 seconds

:21:42.:23:04.

MUSIC: # Somewhere Over The CHEERING AND APPLAUSE

:23:04.:23:10.

Aw look at that. That was so beautiful!

:23:10.:23:14.

Betty been a good girl? Very good. A little treat from uncle Bruce.

:23:14.:23:20.

Yes, just a little treat. Don't have my fingers off, OK. She's

:23:20.:23:25.

beautiful. Gore Gorgeous. The dog stopped the applause from really

:23:25.:23:30.

going up. Never work with dogs. Bruno, start us off. Friends of

:23:30.:23:39.

Dorothy are going to be so pleased. You know that takes me back. It was

:23:39.:23:43.

so pretty. It was. You remember we were saying about linking the lines

:23:43.:23:48.

when you did the moves, you did it so beautifully, flawlessly moving

:23:48.:23:58.
:23:58.:23:59.

romantic, sweet. I really, really loved it. Thank you. Yay. Craig,

:23:59.:24:05.

start us off? I absolutely loved the routine, thought you did a

:24:05.:24:08.

wonderful job, Vincent, choreographing that. Your turns are

:24:08.:24:11.

clean, you have a habit still looking down to the throor when you

:24:11.:24:18.

are spotting, you need to put the eyes up -- floor. When you do a

:24:18.:24:25.

certain move rbgs you need to extend. The unfolding, yes, keep

:24:25.:24:30.

stretching it. I agree. Darcey? do always surprise me, Dani. There

:24:30.:24:36.

was control in your gliding, it was smooth and you didn't forget that

:24:36.:24:42.

beautiful necklace in your hold. So yes, keep working hard because you

:24:42.:24:46.

are doing wonders every week coming out. Well, my little munch kin.

:24:46.:24:50.

Take the red shoes, walk down that yellow brick road, straight into

:24:50.:24:58.

next week, because that was great! Look at the little red shoes. I'll

:24:58.:25:04.

tell you, the dog did spoil the applause. Take her off now. Betty.

:25:04.:25:14.
:25:14.:25:17.

Away you go. Thank you so much. CHEERING AND APPLAUSE

:25:17.:25:22.

What a dog! A little Toto or Betty. Can we keep

:25:22.:25:32.
:25:32.:25:33.

him? Not a friend of yours, Vincent. Just jealous that I'm better

:25:33.:25:37.

looking. He wants the spotlight. Darcey said that you are doing

:25:37.:25:41.

wonders every week. How is that for you? Just the best thing to have

:25:41.:25:47.

that come from Darcey, honestly, but this man is a genius. I think

:25:47.:25:51.

Vincent would be the first to agree with you. How are the Ruby slippers

:25:51.:25:56.

to dance in? They're amazing. I'm hoping to keep them because they to

:25:56.:26:01.

actually feel like slippers compared to my old ones. Beautiful.

:26:01.:26:11.
:26:11.:26:29.

29. That is your highest score so far. Flawless foxtrot. Betty, you

:26:29.:26:32.

are a good luck charm. No place like home, but Dani doesn't want to

:26:32.:26:38.

two there yet, do you? Definitely not. To keep her out of the dance-

:26:38.:26:48.
:26:48.:26:51.

off, call from your mobile or Back to Bruce.

:26:51.:27:01.
:27:01.:27:04.

Dani, don't worry about cleaning up after the dog. I've already done it.

:27:04.:27:14.
:27:14.:27:20.

Urgh... Pass it along. Not in the audience! Right, our next couple is

:27:20.:27:30.

Lisa Riley and her partner, Robin Windsor.

:27:30.:27:32.

LAUGHTER Lisa's had a great start to the

:27:32.:27:37.

series, but can she keep it up? I think she will. Anyway, here they

:27:37.:27:45.

are in training. It really was fairytale when that

:27:45.:27:51.

clock struck 2011 and it went boing, I really felt like Cinderella at

:27:51.:27:55.

the ball. I love the focus in your eyes, creates a wonderful mood.

:27:55.:27:58.

were so into it, you were almost leading him. He's the prince, he's

:27:58.:28:02.

got to lead. At the end of the day, I'm an actress, I want to be a

:28:02.:28:07.

leading lady. Sometimes I need a bit of a forceful hand. I thought

:28:07.:28:10.

you danced with great dexterity, I thought it was light. Never been

:28:10.:28:15.

called light in my life, ever. I thought what they said was

:28:15.:28:17.

absolutely right, I'll take everything on board and we'll work

:28:17.:28:24.

on it won't we? We will. Action. Our movie is Dick Tracy and we are

:28:24.:28:30.

doing the jive to Hanky Panky. and fabulous, just like she is.

:28:30.:28:35.

I've never danced this fast in my life. I love being cheeky, it's my

:28:35.:28:40.

personality, it's what I'm about. Being an actress, she can pull off

:28:40.:28:47.

any character that I give her. Madonna in the movie was the gang

:28:47.:28:51.

str's moll. As Bruno said last week about me leading, I am a bit of a

:28:52.:28:57.

boss. I'll dance with you, but only if you let me lead. -- gangster's

:28:57.:29:00.

moll. This Saturday night I know what I've got to do. I've got to

:29:00.:29:07.

get on that dance floor and bring out my cheeky and my sexy side.

:29:07.:29:14.

Dancing the jive from the movie Dick Tracy, Lisa Riley and Robin

:29:14.:29:24.
:29:24.:29:24.

Apology for the loss of subtitles for 185 seconds

:29:24.:31:10.

You have done it again. Have you had done it again. You are so light

:31:10.:31:20.
:31:20.:31:21.

and are off feet. Well done! -- on your feet. I get very excited

:31:21.:31:26.

watching you. I cannot tell you. You really sell a number. That was

:31:26.:31:36.
:31:36.:31:40.

brilliant. Well done! You never fail to entertain. That was

:31:40.:31:46.

fabulous. I was missing the spring and bounce in the jive. You have it

:31:46.:31:55.

but I just missed it. The arms were fabulous. So much energy will start

:31:55.:32:02.

I led to that performance. -- energy. I love to that performance

:32:02.:32:10.

will start you are a great big bundle of joy. You capture the

:32:10.:32:20.
:32:20.:32:24.

feeling of the jive but I have to say, you are a goer. You give a

:32:24.:32:32.

good time no matter what. That vitality. Light on your feet. I

:32:32.:32:38.

love watching you. You are like a breath of fresh air. You bring the

:32:38.:32:48.

whole room to its feet. Absolutely marvellous! Who would have thought

:32:48.:32:58.
:32:58.:33:08.

Dingle was a dancer? Off you go, Cheeky, cheated -- cheeky girl! How

:33:08.:33:15.

much fun did you have? It was brilliant. Craig it is being so

:33:15.:33:22.

kind. It is search a workout. You are more out of breath. Is this the

:33:22.:33:30.

fittest you have ever be done? never thought my thighs would ever

:33:30.:33:40.
:33:40.:33:59.

be on British television. These That was a nice score. What do you

:33:59.:34:09.
:34:09.:34:16.

think? Do you think that Our next couple is Nicky Byrne and

:34:16.:34:26.
:34:26.:34:29.

Over them last two weeks, he has received for some harsh comments

:34:29.:34:34.

from the judges. Tonight he is doing the Quickstep. Could it be

:34:34.:34:42.

third time lucky? Here they're up in training. It has gone from bad

:34:42.:34:50.

to worse. Others waiting for the applause to stop. -- I was waiting.

:34:50.:34:56.

I should be jumping off the stage. It is like an out-of-body

:34:56.:35:03.

experience. There was a point where I had to grab his face. I sought a

:35:03.:35:12.

wild man. His eyes were going all over the place. It was too much boy

:35:12.:35:16.

band dancing and not enough to cha- cha. I do not blame the judges will

:35:16.:35:26.
:35:26.:35:27.

be giving us low scores. -- Chad cha-cha. I thought, it was horrible.

:35:27.:35:36.

I wanted to do it again. It is my fault. It is Hollywood week and we

:35:36.:35:46.
:35:46.:35:50.

are doing a scene from The Mask. Just as well Karen is a good dancer

:35:50.:35:56.

because she is a terrible make-up artist. Going out is not an option.

:35:56.:36:02.

I feel like I have not given properly yet. It feels like a fight.

:36:02.:36:12.
:36:12.:36:12.

Apology for the loss of subtitles for 185 seconds

:36:12.:37:58.

Dancing the Quickstep, Nicky Byrne How about that? I love that music.

:37:58.:38:07.

I thought that was great. I loved that energy, bat attack, even with

:38:07.:38:14.

that green face. -- that attack will stabbed you were having an

:38:14.:38:24.
:38:24.:38:25.

firm on the dance floor. -- that the attack. So much of an

:38:25.:38:34.

improvement. I am so glad. Well, last week there was no life and

:38:34.:38:41.

this week it is full of life. You never straighten your legs. Unique

:38:41.:38:50.

to straighten up a bit. It is all flat. -- Uniate. I liked it. Of

:38:50.:39:00.
:39:00.:39:03.

nice job! -- nice job! You need that mask every day. Maybe it it

:39:03.:39:13.
:39:13.:39:18.

means you can perform and deliver. You did a very good Quickstep. You

:39:18.:39:28.
:39:28.:39:28.

went for it and that is good to see. Thank you. We will see what Craig

:39:28.:39:38.

has to save. You are starting to win me over. -- has to say. It did

:39:38.:39:48.
:39:48.:39:49.

replicate a tango because of unease that you did an amazing job. -- the

:39:49.:39:59.
:39:59.:40:10.

knees. Straightened them. He will It is about time. UK him out

:40:10.:40:20.
:40:20.:40:20.

fighting. The mask did help. -- you came out fighting. I have the teeth.

:40:20.:40:30.
:40:30.:40:37.

I led to it. I am so proud of you. -- I loved it. You even won Craig

:40:37.:40:47.
:40:47.:41:06.

That is more like it. That is your best score by miles so far.

:41:06.:41:16.
:41:16.:41:22.

goal was to break 28. What do you think? Call when the lines open

:41:22.:41:25.

later. Only one more dance left to go, and voting can commence!

:41:25.:41:27.

Exciting times, but don't decide who gets your vote until you've

:41:27.:41:31.

seen them all. Who's next Bruce? Our final couple tonight is Louis

:41:31.:41:41.
:41:41.:42:02.

They are dancing the salsa. Here I saw great posture. I saw the best

:42:02.:42:09.

dance I have seen tonight. To get that was brilliant. I felt it. It

:42:09.:42:14.

was like a Valentine's Day postcard brought to life. We did what we set

:42:14.:42:20.

out to do. We have got 30 points and a straight at the top of the

:42:20.:42:27.

leaderboard. It is fantastic. have an amazing song to dance to

:42:27.:42:36.

this week. She was saying, why have you not seen us after arm? I have

:42:36.:42:46.
:42:46.:42:48.

been trying to educate Louis Smith. Hence, I brought him a watermelon.

:42:48.:42:55.

I have done my homework. I have looked at the dance. This is my

:42:55.:43:05.
:43:05.:43:05.

space, this is your space. We are recreating the iconic moment of the

:43:05.:43:15.
:43:15.:43:16.

film - the final left - which is This lift can definitely make or

:43:16.:43:21.

break the routine. I am not having the time of my life right now. It

:43:21.:43:31.
:43:31.:43:32.

can definitely make or break me. Dancing the Salsa, Louis Smith and

:43:32.:43:42.
:43:42.:43:42.

Apology for the loss of subtitles for 185 seconds

:43:42.:45:10.

MUSIC: # (I've Had) the Time of My APPLAUSE

:45:10.:45:20.
:45:20.:45:28.

What about it!? What a performance. That was lovely. That was lovely.

:45:28.:45:37.

Stunning. Absolutely stunning. CHEERING AND APPLAUSE

:45:37.:45:43.

Hold on, hold on just a minute. Do you know, when I said it was going

:45:43.:45:48.

to be something from Dirty Dancing, a lady over there said, is she

:45:48.:45:56.

going to do the jump. The jump, I ask you. Len? You did the lifts

:45:56.:46:06.
:46:06.:46:06.

excellently well, very, very good. But it lacked a bit of attack. I'm

:46:07.:46:12.

only telling him the truth about what I feel. Listen, it's only my

:46:12.:46:17.

opinion, you know. It was a little bit timid, I thought it lacked a

:46:17.:46:23.

bit of attack. I would have liked you to come out and given them a

:46:23.:46:29.

really oily dance. What is the matter with these people?! What's

:46:29.:46:37.

the matter with them?! I thought you were smooth. I thought it was

:46:37.:46:41.

very smooth, very well placed, very much the way it was done in the

:46:41.:46:48.

film. You had the iconic lift done wonderfully. And you can stretch

:46:48.:46:56.

those legs. I mean, you were like Concorde taking off! I think you're

:46:56.:47:06.
:47:06.:47:09.

great. I thought you were going to do the jump from there. Nearly.

:47:09.:47:16.

Craig? Constained, -- contained, simmering, rotating, I loved the

:47:16.:47:23.

hip action. Fantastic. Brilliant. What a partnership you are.

:47:23.:47:29.

Darcey, darling? Yes, thank you, Louis, I saw a spark of emotion lit

:47:29.:47:33.

between you and Flavia. I would like you to get out to a nightclub

:47:33.:47:43.
:47:43.:47:46.

and free up. The salsa has to be freer. I'll take you tonight!

:47:46.:47:51.

CHEERING AND APPLAUSE I can see why it's so controlled

:47:51.:47:55.

because to do a lift like that right at the end is so hard, I know

:47:55.:48:03.

that. It was beautifully done. Amazing. Shut up! Stop it, stop it!

:48:03.:48:07.

We'll put you back in your basket. They loved it, I thought it was

:48:07.:48:17.
:48:17.:48:25.

tremendous. Be so proud. Go on, off APPLAUSE

:48:25.:48:30.

Sum evering. Darcey or Bruno? There we are go. Nobody puts baby

:48:30.:48:34.

in the corner. Louis, is your inner performer coming out now? I think

:48:34.:48:39.

so. Definitely. I felt a bit more calmer and in theme, so yes, we had

:48:39.:48:45.

fun. I can't believe you'd never seen Dirty Dancing. Still hasn't.

:48:45.:48:53.

Come on! Come on! He promised he would. You are on Strictly Come

:48:53.:48:57.

Dancing, you've got to get with the programme. I'm going to buy him a

:48:57.:49:03.

copy. How hard was it getting that lift right? Tricky. We practised

:49:03.:49:05.

everywhere possible. We even had some special design worked on on

:49:05.:49:11.

her skirt so she didn't slip. pulled that iconic lift off to

:49:11.:49:21.
:49:21.:49:39.

perfection. That was fabulous. In I don't know where Len's looking!

:49:39.:49:45.

Did the Dirty Dancers do it for you? If so, call from your mobile

:49:46.:49:53.

or landline after the show. If you want to see what tricks nf treats

:49:53.:49:57.

he has in store for Halloween next week, vote for him. I can't wait!

:49:57.:50:01.

All the stars have given award- winning performances, but where did

:50:01.:50:11.
:50:11.:50:15.

the judges score them on the Remember, the fate of your

:50:15.:50:19.

favourite is in your hands and now is the time to vote because the

:50:19.:50:27.

phone lines are finally open! Pick up the phone. The lines close

:50:27.:50:36.

at 8.45. Not long to call. Get permission from the bill payer.

:50:36.:50:40.

Here is a reminder of all of tonight's storming performances.

:50:40.:50:50.
:50:50.:50:50.

Apology for the loss of subtitles for 185 seconds

:50:50.:54:42.

What a show tonight. And the all They all need your votes to stay in.

:54:42.:54:46.

The two kuchles with the lowest scores will face each other in the

:54:46.:54:50.

dance-off and one will leave the Strictly ballroom for ever -- the

:54:50.:54:57.

two couples with the lowest scores. We'll be joined by some old-

:54:57.:55:01.

fashioned Hollywood glamour and the legendary Dionne Warwick will be

:55:01.:55:08.

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