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$:/STARTFEED. Stars were born. grace and posture. Fabulous. Dreams | :00:26. | :00:36. | |
:00:36. | :00:38. | ||
where broken. We bayed their wealth to his small screen legend. -- | :00:38. | :00:47. | |
farewell. Tonight, strictly Does Hollywood. There will be laughter. | :00:47. | :00:57. | |
:00:57. | :01:00. | ||
There will be emotion. There will be drama. Most of all, there will | :01:00. | :01:10. | |
:01:10. | :01:25. | ||
be... Action. It is Strictly Des quali Wedd. -- Strictly Does | :01:25. | :01:35. | |
:01:35. | :01:35. | ||
Apology for the loss of subtitles for 185 seconds | :01:35. | :04:40. | |
Live from Television Centre, please welcome your hosts. Sir Bruce | :04:40. | :04:50. | |
:04:50. | :05:05. | ||
Good evening, ladies, gentlemen and children. Welcome to Strictly Come | :05:05. | :05:14. | |
Dancing! It's nice to see you, to see you Nice. And it's nice to see | :05:14. | :05:18. | |
you, Bruce. What a way to open the show! And what a great show we've | :05:18. | :05:20. | |
got this week, Strictly Does Hollywood. Yes. I think we're all | :05:21. | :05:30. | |
:05:31. | :05:39. | ||
set. Are the band ready? Yes. Are the audience ready? Yes. Are the | :05:39. | :05:49. | |
:05:49. | :05:57. | ||
He loves to make an entrance, doesn't he? A bit of Hollywood | :05:58. | :06:07. | |
:06:08. | :06:12. | ||
history. Why? I know you are saying that to yourselves. Why is he the | :06:12. | :06:22. | |
:06:22. | :06:47. | ||
# If he only had a heart. It would take a miracle! It would. | :06:47. | :06:50. | |
Last week, we said goodbye to our first couple as Johnny Ball took | :06:50. | :06:52. | |
his final curtain call on the Strictly dancefloor. So tonight, | :06:52. | :06:55. | |
all our celebrities need to peform like Hollywood stars in order to | :06:55. | :06:58. | |
stay in the competition. It might only be early days, but the | :06:58. | :07:01. | |
standard is already very high, so as well as plenty of Hollywood | :07:01. | :07:04. | |
glitz and glamour we can also expect a lot more drama tonight. | :07:04. | :07:08. | |
Yes, our couples want their star on the Walk of Fame, but one couple | :07:08. | :07:18. | |
will be heading for the walk of So let's say hooray for Hollywood, | :07:18. | :07:28. | |
:07:28. | :07:39. | ||
because it's time to meet the stars From Girls Aloud, pop princess | :07:39. | :07:41. | |
Kimberely Walsh and her partner Pasha Kovalev. From Westlife, Nicky | :07:41. | :07:49. | |
TV Presenter Fern Britton and her partner Artem Chigvinstev. Cricket | :07:49. | :07:51. | |
legend Michael Vaughan and his partner Natalie Lowe. Soap star | :07:51. | :07:57. | |
Lisa Riley and her partner Robin Windsor. Olympic gymnast Louis | :07:57. | :08:07. | |
:08:07. | :08:08. | ||
Smith and his partner Flavia Cacace. Tracy Beaker star, Dani Harmer and | :08:08. | :08:11. | |
her partner Vincent Simone. EastEnders star Sid Owen, and his | :08:11. | :08:16. | |
partner Ola Jordan. Presenter and performer Denise Van Outen and her | :08:16. | :08:19. | |
partner, James Jordan. Showbiz reporter Richard Arnold and his | :08:19. | :08:25. | |
partner Erin Boag. Olympic gold medallist Victoria Pendleton and | :08:25. | :08:28. | |
her partner, Brendan Cole. Film and TV star Colin Salmon and his | :08:28. | :08:37. | |
partner Kristina Rhianoff. And finally supermodel and actress | :08:37. | :08:47. | |
:08:47. | :08:55. | ||
Jerry Hall and her partner, Anton They look magnificent. Fabulous! | :08:55. | :08:59. | |
There they all are. And congratulations to all of you for | :08:59. | :09:02. | |
the way you came down those stairs. So, whatever happens, at least | :09:02. | :09:12. | |
:09:12. | :09:14. | ||
Congratulations. If you fancy a little more conversation with your | :09:14. | :09:17. | |
action tonight, then press your red button for live commentary | :09:17. | :09:20. | |
throughout the show from Karen Hardy. And joining her this week is | :09:20. | :09:27. | |
comedienne Katy Brand. Hello! So, if you want to hear what they have | :09:27. | :09:30. | |
to say, then digital viewers press red now, and you're all set. | :09:30. | :09:40. | |
:09:40. | :09:51. | ||
first couple this evening is Fern They it are dancing to a song from | :09:51. | :09:58. | |
Mary Poppins. They are doing the remake of that and with Riyadh. At | :09:58. | :10:08. | |
:10:08. | :10:18. | ||
the beginning, she will fly in on her umbrella, ella, ella. Last | :10:18. | :10:25. | |
weekend was fantastic. I felt a bit of the Strictly magic got into my | :10:25. | :10:31. | |
being and soul. The best thing is that when she performs, she really | :10:32. | :10:40. | |
performs. She lives in a moment. Wow! That is all I can say about | :10:40. | :10:46. | |
that. To have four sixes is thrilling. I am really happy with | :10:46. | :10:53. | |
that. Up this week we are doing the Charleston to a Mary Poppins song. | :10:53. | :11:00. | |
New week, new shoes. This week's training got off to raise low-start. | :11:00. | :11:10. | |
:11:10. | :11:10. | ||
My shoes are in here somewhere. -- a slow start. There was a slight | :11:10. | :11:16. | |
difficulty in Fern Britton getting the Mary Poppins fell. Here they | :11:16. | :11:23. | |
are, my shoes. I have a surprise for her. This is my surprise. We | :11:23. | :11:28. | |
are here because I want you to connect with Mary Poppins. We are | :11:28. | :11:33. | |
on a rooftop with lots of Chinese around and we are about to dance. | :11:34. | :11:39. | |
just hope I can get my Mary magic out on the night and our routine is | :11:39. | :11:49. | |
:11:49. | :12:04. | ||
Dancing the Charleston, Fern MUSIC: # | :12:04. | :12:14. | |
:12:14. | :12:14. | ||
Apology for the loss of subtitles for 185 seconds | :12:14. | :13:40. | |
Practically perfect in every way! What a lovely start to the show. | :13:40. | :13:45. | |
Thank you for starting the show like that. That was wonderful. That | :13:45. | :13:53. | |
was absolutely super. I can't be bothered with the other bit. The | :13:53. | :14:03. | |
:14:03. | :14:05. | ||
joke has gone now. Of course we have our judges. Please welcome | :14:05. | :14:13. | |
them. Last week, the dance off was back. There will be another one | :14:13. | :14:21. | |
this week. It can be very emotional. You are bound to be moved to tears | :14:21. | :14:28. | |
so I have got used some tissues. Craig, I have got you and onion, so | :14:28. | :14:38. | |
you can join in! You have changed. I wish! I thought you had been sold | :14:38. | :14:48. | |
:14:48. | :14:51. | ||
for scrap metal. Anyway, Len, start us off. You made Hollywood into a | :14:51. | :14:59. | |
jolly good. You embrace the feeling of Mary Poppins. It was a fan. A | :14:59. | :15:09. | |
:15:09. | :15:12. | ||
lively start to the show. It made Bruno? Prim, proper and extremely | :15:12. | :15:19. | |
nice, darling. But, you've got to puch it a bit more. - pump it a bit | :15:19. | :15:27. | |
more. If you look at the film, especially in the ci chen doe at | :15:27. | :15:32. | |
the end, the charleston needs to be punched more to give it more of an | :15:32. | :15:42. | |
:15:42. | :15:42. | ||
impression, characterisation good. A bit more punch in the steps. | :15:42. | :15:47. | |
Craig? Need add lot more swivel in the charleston proper, you need to | :15:47. | :15:53. | |
bring your feet together. Very late with that. Cleaner footwork. Know | :15:53. | :15:59. | |
floor is splip pri so that was difficult for you. -- slippery. The | :15:59. | :16:09. | |
:16:09. | :16:13. | ||
whole thing I thought was laboured. The back jazz split, darling, was | :16:13. | :16:23. | |
:16:23. | :16:24. | ||
excellent. It wasn't laboured, was it? Really? Why bring politics into | :16:24. | :16:28. | |
this?! The energy from your last performance was so much better, so | :16:28. | :16:38. | |
:16:38. | :16:38. | ||
much better. I don't think Darcey's mic is on. Can you hear me? She's | :16:38. | :16:47. | |
saying I'm fabulous! You can be my kids' Mary Poppins | :16:47. | :16:57. | |
:16:57. | :17:11. | ||
any day! A wonderful start. Off you He's got me some popcorn. Thank you. | :17:11. | :17:14. | |
Fern, that was Supercalifragilisticexpialidocious. | :17:14. | :17:20. | |
Louis better look out. He taught me everything. How was it for you? | :17:20. | :17:26. | |
That's the cleanest I've ever done it, isn't it? It was so much fun. | :17:26. | :17:31. | |
Darcey said you could be her Mary Poppins. Actually, you are a bit of | :17:31. | :17:35. | |
our Strictly Mary Poppins, aren't you, because every time someone | :17:35. | :17:38. | |
comes off the dance floor, Fern is waiting with a hug for everyone | :17:38. | :17:45. | |
else. It's so true. APPLAUSE | :17:45. | :17:55. | |
:17:55. | :18:09. | ||
One down from last week. What do you think? There is two ways to | :18:09. | :18:17. | |
call and vote for your finalists. If Fern is your ideal leading lady, | :18:17. | :18:23. | |
you can call. Don't calm until the end of the show when all couples | :18:23. | :18:27. | |
have danced, otherwise your vote won't count and you may be charged. | :18:27. | :18:33. | |
We have gone all glamorous and fabulous and sparkly up here. | :18:33. | :18:41. | |
you say flab but uluous!? Victoria Pendleton and her partner Brendan | :18:41. | :18:50. | |
Cole are next. Victoria has only been here for a couple of weeks and | :18:50. | :18:54. | |
she's already causing trouble. Apparently, she's making a fuss | :18:54. | :18:58. | |
over which shade of fake tan they put on her. That's the trouble with | :18:58. | :19:07. | |
his British Olympic champions, they just want settle for bronze! | :19:08. | :19:17. | |
:19:18. | :19:18. | ||
Land of hope and... We haven't got time. Here they are in training! | :19:18. | :19:24. | |
Saturday night was really good fun. I was so proud of Victoria, | :19:24. | :19:29. | |
couldn't believe what she did. Clean, classy and confident. A | :19:29. | :19:31. | |
fantastic improvement. I would never have thought he'd say | :19:31. | :19:38. | |
anything like that to me. Victoria is back in the race! | :19:38. | :19:48. | |
:19:48. | :20:04. | ||
Woogl.... I'm back in the race. Not quite sure about that yet but we'll | :20:04. | :20:06. | |
see. Here, Then... Brendan and I are | :20:06. | :20:08. | |
dancing the rumba to Up Where We Belong from Officer and a Gentleman. | :20:08. | :20:11. | |
It's supposed to be a sensual dance, a lot of emotion in it, quite | :20:11. | :20:14. | |
passionate I guess, but... I need to work on that. Oh, my good, it's | :20:14. | :20:17. | |
so romantic. It's so unnatural to me. At the beginning of a race, I'm | :20:17. | :20:21. | |
usually so focused. In a dance, I'll be focused on my leading man. | :20:21. | :20:25. | |
I'm immensely excited about this dance. I've always thought of | :20:25. | :20:28. | |
myself as an officer. I want to audience to really engage with what | :20:28. | :20:33. | |
we are doing and when they watch it, I want them to be holding their | :20:33. | :20:37. | |
breath. We are almost going to melt together. I have to melt a bit with | :20:37. | :20:42. | |
Brendan. I'm not melting so well... I will get the emotion out of her. | :20:42. | :20:47. | |
It will be fine. I keep telling myself that. | :20:47. | :20:55. | |
Dancing the rumba, from An Officer and Gentleman, Victoria Pendleton | :20:55. | :21:05. | |
:21:05. | :21:05. | ||
Apology for the loss of subtitles for 185 seconds | :21:05. | :22:40. | |
Lovely. Oh, that was beautiful, the pair of | :22:40. | :22:50. | |
:22:50. | :22:53. | ||
you. While you two chillax - it's our chance to welcome our fabulous | :22:53. | :23:01. | |
singers, and the wonderful, wonderful orchestra. All of you! | :23:01. | :23:05. | |
CHEERING AND APPLAUSE Yes. | :23:05. | :23:10. | |
Would you have rather done that with Richard Gere? No, not at all. | :23:10. | :23:15. | |
That was lovely. Did you see her face?! | :23:15. | :23:20. | |
Now then, Bruno, start us off? Victoria, Victoria, just when you | :23:20. | :23:28. | |
were starting to sizzle, you nearly boiled over. I tell you, the first | :23:28. | :23:31. | |
impression, no officer or gentleman or general would turn you down, you | :23:31. | :23:35. | |
were really going for it. Then you got yourself I think to a mangle | :23:35. | :23:38. | |
and lost concentration and you kind of fizzled out. The beginning was | :23:38. | :23:42. | |
very, very good, you know that. The beginning was very, very, very good, | :23:42. | :23:46. | |
so keep working on that direction and try to keep the composure. | :23:46. | :23:56. | |
:23:56. | :23:57. | ||
Don't lose it. If something happens, go back on it. Go into it. You know | :23:57. | :24:05. | |
what I mean. You are a toucher! Craig? I'm beginning to see an | :24:05. | :24:12. | |
actress emerging which is fantastic. Some really fantastic straight legs | :24:12. | :24:17. | |
with the wonderful hip action which was beautiful to see. Back drag I | :24:17. | :24:21. | |
didn't like very much because of your leg shaping but I know you had | :24:21. | :24:26. | |
a bit of a costume drama. You need to get air underneath that chiffon | :24:26. | :24:29. | |
and get your arm out the way sooner, that was my point last week. You | :24:29. | :24:33. | |
have to get that happening. But, you are improving and it's | :24:33. | :24:38. | |
wonderful to see. Exactly. APPLAUSE | :24:38. | :24:48. | |
:24:48. | :24:49. | ||
Marvellous. Not too much soft pedalling! Darcey? You do look like | :24:49. | :24:54. | |
you've just come off that set. You do look beautiful. There were no | :24:54. | :24:57. | |
nerves and there were some sensual moves happening there. I like that | :24:57. | :25:03. | |
and the rumba has to have that. When I mentioned about your splayed | :25:03. | :25:07. | |
fingers last time. A tip maybe in rehearsals to help this, because | :25:07. | :25:12. | |
they are very visual - can I have your hand please - think of a small | :25:13. | :25:17. | |
piece of paper, smaller than that, work with that and you will create | :25:17. | :25:27. | |
:25:27. | :25:31. | ||
a better line eventually. Thank you, You are improving every show, you | :25:31. | :25:35. | |
are. Len's face while all that was going on. All good. I'm in a good | :25:35. | :25:39. | |
mood so I'm not going to be moaning. This is like ride ago bike, got on | :25:39. | :25:46. | |
week one, git going so it was a bit wob by -- get going. Last week, you | :25:46. | :25:49. | |
get yourself pedalling along and this week you have carry on the | :25:49. | :25:52. | |
pumping the tyres and getting yourself going down there. Keep | :25:52. | :25:56. | |
your eyes on the road ahead and keep working like this. You are a | :25:56. | :25:59. | |
bit unstable here and there, you know that, but you had the frock | :26:00. | :26:05. | |
issue and this and that, I thought you did it really well. Well done. | :26:05. | :26:15. | |
:26:15. | :26:26. | ||
Keep working hard! Away you go! Fabulous. You beautiful lady. | :26:26. | :26:30. | |
Wardrobe malfunction. I nearly strangled myself and Brendan like | :26:30. | :26:35. | |
this. I know. That aside, it was fabulous. Whilst we are talking | :26:35. | :26:40. | |
about frocks, a big shout out to the costume department. Today's | :26:40. | :26:44. | |
show... Couldn't have said it better myself. Craig said that you | :26:44. | :26:48. | |
are beginning to look like an actress. You have never acted, you | :26:48. | :26:53. | |
are not an entertainer, how did you get into character? It's quite easy | :26:53. | :26:58. | |
isn't it when you are working with such a handsome young man here. Pay | :26:58. | :27:02. | |
you later, pay you later... A great teacher. And Brendan, do you think | :27:02. | :27:06. | |
she's got more to give, our Victoria? I know she has. Without | :27:06. | :27:11. | |
the frock malfunctions, that could have been a very, very strong | :27:11. | :27:15. | |
contender, but week-by-week we'll grow. She has what it takes, I'm | :27:15. | :27:19. | |
loving working with her, it's all good. | :27:19. | :27:29. | |
:27:29. | :27:43. | ||
The scores are in. Practising the 22 for Victoria and Brendan. | :27:43. | :27:47. | |
Brendan's got a very tight face. Yes. If that's what they think, | :27:47. | :27:52. | |
I'll take that, thank you very much. OK. Can we do it again, please? | :27:52. | :28:02. | |
:28:02. | :28:02. | ||
you want to see Victoria's name in lights, call from your mobile or | :28:02. | :28:08. | |
landline. The lines open after everybody's danced. That was | :28:08. | :28:12. | |
fabulous that, back to Bruce. Next up is Michael Vaughan and his | :28:12. | :28:22. | |
:28:22. | :28:23. | ||
partner, Natalie Lowe. Right, Michael told me people keep taking | :28:23. | :28:28. | |
the Mickey out of him for being a cricketer. I said, how's that, and | :28:28. | :28:38. | |
he said don't you start. Even Len is laughing, you are in a good mood | :28:38. | :28:43. | |
Len! He's laughing at anything, especially everything I say. Here | :28:43. | :28:53. | |
:28:53. | :28:53. | ||
they are in training. Oh, my God, you are like a wild | :28:53. | :29:03. | |
:29:03. | :29:04. | ||
goose. I thought I did all right. That's the basic fact. I didn't | :29:04. | :29:09. | |
think it was that bad. Eventually, I wouldn't mind a few good comments. | :29:09. | :29:15. | |
At the minute, I'm getting battered. This week, it's Strictly does | :29:15. | :29:20. | |
Hollywood and I've gone for a Sheffield classic, the Full Monty. | :29:20. | :29:26. | |
Welcome to Sheffield, a City on the move. Thanks to modern industry, | :29:26. | :29:31. | |
efficient trams and this twinkle toes. It's not all hard work for | :29:31. | :29:34. | |
the people of Steel City. Michael here is learning a new hobby. By | :29:34. | :29:44. | |
:29:44. | :29:44. | ||
jof, look at that plucky little fellow. -- by jove. A dad trying to | :29:44. | :29:49. | |
learn how to dance. Because we were bottom of the leaderboard, we've | :29:49. | :29:59. | |
:29:59. | :30:08. | ||
decided that we are going to Dancing the cha-cha-cha, Michael | :30:08. | :30:18. | |
:30:18. | :30:18. | ||
Apology for the loss of subtitles for 185 seconds | :30:18. | :32:10. | |
You nearly went over. What about that! The overt was over. What did | :32:10. | :32:18. | |
you order for breakfast? The full works. Hot it was not, | :32:18. | :32:23. | |
unfortunately. Timing issues of throughout. It was awkward all the | :32:23. | :32:31. | |
way through. You when landing like a felled tree. I suspect Latin is | :32:31. | :32:41. | |
:32:41. | :32:41. | ||
not going to be your dance. Better than last week. I think he is. | :32:41. | :32:50. | |
APPLAUSE Michael, I was so much happier with your performance | :32:50. | :32:55. | |
because you were happier on the dancefloor. Even though the timing | :32:55. | :33:04. | |
was apt, if your top and lower body were now at least connected. -- was | :33:04. | :33:11. | |
out, Europe top and lower body were now at least connected. What about | :33:11. | :33:20. | |
men? There was an odd moment where you lost a bit of timing. Virtually | :33:20. | :33:26. | |
all our celebrities do. On the forward and backward steps, you are | :33:26. | :33:32. | |
straightening your leg. I thought you had good hip action. Last week | :33:33. | :33:42. | |
:33:43. | :33:47. | ||
was Boreham wet and this week was quali Wedd. Well done! -- Hollywood. | :33:47. | :33:55. | |
I was disappointed. What we your hips doing? You have got to listen | :33:55. | :34:05. | |
:34:05. | :34:06. | ||
to the music. -- what weren't your hips doing? You'd go completely off. | :34:06. | :34:16. | |
:34:16. | :34:16. | ||
Nissan to the music. -- listen to the music. We're all loved it. | :34:16. | :34:26. | |
:34:26. | :34:33. | ||
Very nearly bowled over at the end. I nearly went flying on that chair. | :34:33. | :34:39. | |
It could have been the best bet. D'Arcy said you always give it your | :34:39. | :34:47. | |
all. Are you enjoying it? -- Darcey Bussell said. I am trying to learn | :34:47. | :34:55. | |
and putting the hours in. I just have to go for it. They are better | :34:55. | :35:05. | |
:35:05. | :35:07. | ||
hips and last week. Can we see them? The scores are in. Craig | :35:07. | :35:17. | |
:35:17. | :35:29. | ||
Revel Horwood... Darcey Bussell... Better than last week. What is next | :35:29. | :35:36. | |
week? The Quickstep. Will you be here to do that? I would love to be. | :35:36. | :35:44. | |
If you want to see more, call from a mobile phone or from the land | :35:44. | :35:50. | |
line when the phone lines open later on in the show. This is | :35:50. | :35:57. | |
Saturday night's main feature and it is only just getting started. | :35:57. | :36:07. | |
:36:07. | :36:12. | ||
Bring me some sweets! Thank you. Our next couple is Jerry Hall and | :36:12. | :36:17. | |
Anton du Beke. When she starred in the stage version of The Graduate' | :36:17. | :36:22. | |
Jerry played an older woman who seduced a younger man. This might | :36:22. | :36:27. | |
surprise you, but I'd love to be seduced by an older woman. But I | :36:27. | :36:37. | |
:36:37. | :36:40. | ||
don't think there's any left. That is not funny her! Here they are in | :36:40. | :36:49. | |
training. I was elated about Saturday night. The dance went | :36:49. | :36:58. | |
really well but the judges were harsh. You are to vertical. Lift | :36:58. | :37:06. | |
and separate. I did agree with them. I have taken that criticism on | :37:06. | :37:11. | |
board for the next dance. I do not think that is fair. We did not make | :37:12. | :37:21. | |
any mistakes. None at all. We are going to give them off next week. | :37:21. | :37:31. | |
:37:31. | :37:34. | ||
Welcome. Action! We will be doing that Quickstep to Mrs Robinson from | :37:34. | :37:44. | |
:37:44. | :37:49. | ||
the Graduate. Jerry Hall played her. She is -- corrupted into decadent | :37:49. | :37:56. | |
ways by an older, experienced woman. I want to concentrate on my posture. | :37:56. | :38:03. | |
I have to give an Oscar winning performance ought it is curtains | :38:03. | :38:13. | |
:38:13. | :38:16. | ||
for me, baby! -- or it is curtains. Dancing the quickstep, Jerry Hall | :38:16. | :38:26. | |
:38:26. | :38:26. | ||
Apology for the loss of subtitles for 185 seconds | :38:26. | :40:08. | |
Come back out here. Would you mind? I have never seen anything like it. | :40:08. | :40:17. | |
For goodness sake! That was your best dance to date. Thank you. | :40:17. | :40:27. | |
:40:27. | :40:31. | ||
What are you doing in knows cricket trousers? The Quickstep suits you. | :40:31. | :40:37. | |
Maybe because you like telling the story of Mrs Robinson. You must not | :40:37. | :40:43. | |
tell us you are coming to the end of the dance. Do not fade. You | :40:43. | :40:49. | |
started so well and by the end you faded. In any performance, you must | :40:49. | :40:59. | |
:40:59. | :40:59. | ||
not fade. I liked it. I liked it a lot. So much better. I have got to | :40:59. | :41:09. | |
:41:09. | :41:11. | ||
say, we have a problem. It was a bit Upstairs Downstairs. Oh, no! | :41:11. | :41:18. | |
There are still a few problems Upstairs. Downstairs, you are quite | :41:18. | :41:28. | |
:41:28. | :41:42. | ||
I am talking about her of that work. -- footwork. I will move on now. | :41:42. | :41:50. | |
The whole thing would have been better behind the screen. Oh, no! | :41:50. | :41:57. | |
Pastor, posture, posture. There was an improvement from last week, you | :41:57. | :42:07. | |
have got to say that. I am glad you think so. We all thought it was | :42:07. | :42:17. | |
:42:17. | :42:40. | ||
better than last week. That is all Come on, jerry! You are Hollywood. | :42:40. | :42:50. | |
You must feel at home with all this blitz and glamour. It is one for | :42:50. | :43:00. | |
:43:00. | :43:05. | ||
eight a T, so vote for me. -- HRT. Next week we will be dancing to | :43:05. | :43:15. | |
:43:15. | :43:18. | ||
Paint It Black. These schools are Craig Revel Horwood... Darcey | :43:18. | :43:28. | |
:43:28. | :43:37. | ||
Bussell... Len Goodman... Bruno I do not think that is right. I | :43:38. | :43:47. | |
:43:48. | :43:51. | ||
think that should have been more. There was a definite improvement. | :43:51. | :43:54. | |
If Jerry's the starlet you want in a starring role - call from your | :43:54. | :43:58. | |
mobile, or landline. But don't you pick up the phone until we let you | :43:58. | :44:02. | |
know that the lines are open. Still loads more to come, including Nicky | :44:02. | :44:05. | |
Byrne looking smoking hot, and Lisa getting a little Hanky Panky. | :44:05. | :44:15. | |
Naughty, the lot of you! I've read at the wrong number of bomb Michael | :44:15. | :44:22. | |
and Natalie. -- I read out the wrong number for Michael and | :44:22. | :44:32. | |
:44:32. | :44:45. | ||
Sid, since you started on Strictly, we have seen the fun side of him. | :44:45. | :44:52. | |
Is he going to get on with the mean and moody tango? Here they are in | :44:52. | :44:59. | |
training. Saturday was great. Loved it. | :44:59. | :45:04. | |
Enjoyed every minute of it. went wrong a little bit, but he | :45:04. | :45:10. | |
really went for it. Didn't drop me on my face, which is good. It's | :45:10. | :45:15. | |
supposed to be from Kingston in Jamaica, but it was more like | :45:15. | :45:19. | |
Kingston upon Thames. Lods of hips, baby. All the comments were very | :45:19. | :45:25. | |
fair. We need to work harder. I would love to do it again. Front... | :45:25. | :45:30. | |
This week is Strictly does Hollywood and I'll be dancing to | :45:30. | :45:35. | |
rock of ages, Here I Go Again. I've got to be a rock star this week, so | :45:35. | :45:40. | |
I'm going to have as much fun as I can with it. No. All right, one of | :45:40. | :45:47. | |
those. Get ready to rock! Show me. I think he's embarrassed at doing | :45:47. | :45:50. | |
the steps. I think I'm a good teacher but... What I need him to | :45:50. | :45:56. | |
do is perform in a rehearsal studio so he's used to the performance all | :45:57. | :46:03. | |
the time. Saturday, I can't improve him, it's too late. Dance to a rock | :46:03. | :46:09. | |
star, you can do it. As long as Sid can become a rock star like Freddie | :46:09. | :46:19. | |
:46:19. | :46:20. | ||
Mercury, Gene Simmons, we should be fine. What do you think? Yeah. No | :46:20. | :46:26. | |
problem. Dancing the tango from the movie Rock of Ages, Sid Owen and | :46:26. | :46:36. | |
:46:36. | :46:36. | ||
Apology for the loss of subtitles for 185 seconds | :46:36. | :48:08. | |
CHEERING AND APPLAUSE What about those two?! | :48:08. | :48:15. | |
The rocker. What have you done to him?-On. Len, start off with you? | :48:15. | :48:21. | |
don't know about Rock of Ages, you took blooming ages to get started. | :48:21. | :48:26. | |
Once you did, it wasn't too bad, but there was no sharpness, no | :48:26. | :48:34. | |
aggression in the dance, too smooth, Sid, too smooth. | :48:34. | :48:41. | |
BOO. Bruno? I don't know if I was watching Les Dawson trying to be | :48:41. | :48:47. | |
van Halen in AC/DC. Len is right, it was a lot of head banging but | :48:47. | :48:54. | |
once you got into the tango it wasn't good. Craig? Stompy, clompy, | :48:55. | :49:04. | |
:49:05. | :49:06. | ||
clumpy. Don't take it to heart. Thank you, Bruce. Just get up the | :49:06. | :49:16. | |
:49:16. | :49:17. | ||
stairs as quick as you can. Off you APPLAUSE | :49:17. | :49:21. | |
Rock'n'roll, Sid. The judges' comments aside, how did | :49:21. | :49:28. | |
it feel to act like a rock God? Well I enjoyed it. We did, it was | :49:28. | :49:36. | |
brilliant. You always have the Strictly smile in place, it's good. | :49:36. | :49:43. | |
I'm sorry. Emotional again? No. tears here today. Time now to | :49:43. | :49:53. | |
:49:53. | :50:03. | ||
17. Your lowest score to date. I actually thought that was the most | :50:03. | :50:08. | |
original tango we have ever seen on Strictly Come Dancing. Rock'n'roll. | :50:08. | :50:13. | |
I don't know what the judges were looking at. Ten out of ten for | :50:13. | :50:22. | |
entertainment. These two want to be back next week, right? Yes. Yes, | :50:22. | :50:25. | |
please. We want them back. Tomorrow night, another couple will be | :50:25. | :50:30. | |
leaving the show whether we like it or not. To vote for your favourites | :50:30. | :50:38. | |
when the lines open, pick up the phone. Back to Bruce. | :50:38. | :50:45. | |
It was me! Right... I thought Bruce, who's that?! | :50:45. | :50:51. | |
Next, it's Kimberley Walsh and her partner... APPLAUSE | :50:51. | :50:57. | |
Very popular lady, yes. And her partner Pasha Kovalev. They are | :50:57. | :51:02. | |
dancing to a song from Summer Stock, a marvellous musical starring the | :51:02. | :51:06. | |
one and only Gene Kelly. What a dancer he was that man. I actually | :51:06. | :51:12. | |
watched the film this afternoon with the judges. Bruno side Gene | :51:12. | :51:18. | |
Kelly was brilliant. Len said he was a dancing dazzling star, Darcey | :51:18. | :51:25. | |
said he was a superb move and Craig gave him a six. Gene Kelly a six, I | :51:25. | :51:33. | |
ask you. Here they are in training. Our dance on Saturday night was | :51:33. | :51:39. | |
probably the worst that we've ever done it. Len's comments were | :51:39. | :51:44. | |
actually fair. I didn't expect him to be quite so angry though. | :51:44. | :51:48. | |
thought it was limp. I didn't feel there was enough conviction. Our | :51:48. | :51:52. | |
expectations are huge for you. You've got to to better than that, | :51:52. | :51:56. | |
girl. We did it so much better earlier on. I was so disappointed | :51:56. | :52:01. | |
in myself really because I knew that I hadn't done the best that I | :52:01. | :52:04. | |
could have. Kimberley got a bit emotional after the dance and I | :52:04. | :52:10. | |
think it's only because she's a perfectionist. It was really good. | :52:10. | :52:16. | |
It wasn't. It was really good. The song we've got this week is very | :52:16. | :52:22. | |
fitting. It's a classic Hollywood Judy Garland song and I absolutely | :52:22. | :52:26. | |
love her. It's forget your troubles, come on get happy and I think | :52:26. | :52:31. | |
that's what I should do, to be honest. The steps are not that | :52:31. | :52:34. | |
difficult actually. I'm still here, I can see what you are saying. | :52:34. | :52:40. | |
hard not to be happy. As soon as the music starts, it's such an | :52:40. | :52:47. | |
uplifting song that you immediately feel like bum bum... Will you make | :52:47. | :52:51. | |
me happy, it will make me happy if she does well with the quickstep. A | :52:51. | :52:55. | |
surprise to make her happy. I know you are feeling low this week but | :52:55. | :53:01. | |
here is something to cheer you up. I'm happy so I hope the judges will | :53:01. | :53:07. | |
be too on Saturday night. Dancing the quickstep from the | :53:07. | :53:15. | |
movie Summer Stock, Kimberley Walsh and Pasha Kovalev. | :53:15. | :53:25. | |
:53:25. | :53:25. | ||
Apology for the loss of subtitles for 185 seconds | :53:25. | :55:00. | |
What about this?! Oh, lovely. Kimberley and Pasha. | :55:00. | :55:08. | |
Look at this. Look at them. It's all for you. That was lovely, | :55:08. | :55:13. | |
really lovely. What a great tempo and the way you did that. Bruno? | :55:13. | :55:18. | |
Now we're in business, Kimberley. Beauty, glamour, light, lovely. You | :55:18. | :55:23. | |
really captured the spirit of the song, your frame much better, the | :55:23. | :55:30. | |
body contact much better. You've shown that you can be wonderful. | :55:30. | :55:37. | |
Now, we are going straight to Darcey because we are pushed for | :55:37. | :55:44. | |
time if I go to three. Beautiful light steps. Also in the top hold, | :55:44. | :55:48. | |
you have really work on the that, your core, I can see you've work on | :55:48. | :55:56. | |
the that. Always such a pleasure to watch. You really are. | :55:56. | :56:04. | |
Now then, Len is smiling but... Good news from Goodman. I liked it. | :56:04. | :56:10. | |
Pasha, tell me what's happening, she's getting too far over on the | :56:10. | :56:14. | |
right side and then her arm's too straight. You understand what I'm | :56:14. | :56:20. | |
saying but you've done it well. understand. Tell her again though. | :56:20. | :56:30. | |
:56:30. | :56:37. | ||
Liked it a lot, such an improvement. Kimberley. When she smiles that | :56:37. | :56:41. | |
beautiful smile, everybody gets happy. Thank you. Happier than last | :56:41. | :56:50. | |
week? Yeah, yeah. It was fun. you breathe? I really did enjoy it. | :56:50. | :56:57. | |
Not sure what happened out there but I enjoyed it. Out-of-body. Is | :56:57. | :57:01. | |
Pasha like the other girls from Girls Aloud? He should be. He's got | :57:01. | :57:11. | |
:57:11. | :57:25. | ||
Wow. Come on! You've got to be happy with that. Your highest score | :57:26. | :57:30. | |
so far. Well deserved. Has Kimberley's quickstep made you | :57:30. | :57:34. | |
happy? If so, show your appreciation by calling from your | :57:34. | :57:39. | |
mobile or landline. In tomorrow's show, two of our Hollywood stars | :57:39. | :57:43. | |
will go head-to-head in the dance- off. Who is it going to be? Back to | :57:43. | :57:46. | |
Bruce. Thank you, Tess. The next couple is | :57:46. | :57:54. | |
Denise Van Outen and her partner James jor doon -- James Jordan. Now | :57:54. | :57:59. | |
then, Denise has been performing since she was 12 years old. She | :57:59. | :58:04. | |
said, Bruce, showbiz is in my blood. I said I know what you mean, | :58:04. | :58:11. | |
showbiz used to be in my blood, nowadays it's Coe and cod liver oil. | :58:11. | :58:21. | |
:58:21. | :58:25. | ||
Awww... Here they are in training. -- Coe coacoa and cod liver oil. | :58:25. | :58:30. | |
wanted to dance this well because James tells me he's the King of | :58:30. | :58:35. | |
jive. There is a Lynndie, as you flick your arms and legs. I could | :58:35. | :58:40. | |
see Len singing along to tuty fruity and it made me laugh. | :58:41. | :58:49. | |
were shaking it. That was my cup of tea! Fab-u-lous. I've been doing | :58:49. | :58:53. | |
this show seven years and I've never had a fabulous from Craig! | :58:53. | :59:02. | |
Woo-hoo, come on! This week, we are going to be doing | :59:03. | :59:09. | |
the foxtrot to a Toy Story song, you've got a friend in me. I love | :59:09. | :59:14. | |
Toy Story, so I'm really excited to be dancing to that. We work really, | :59:14. | :59:18. | |
really hard, but we play hard too. I thought, we've got to get in the | :59:18. | :59:27. | |
spirit of the dance and play lots of games. Posture! Compression. I | :59:27. | :59:32. | |
don't understand. Definitely I found a friend in Denise. I think | :59:32. | :59:40. | |
on Saturday night, Denise is going to be amazing... Put a sock in it, | :59:40. | :59:50. | |
:59:50. | :59:51. | ||
James. Dancing the foxtrot from the movie Toy Story, Denise Van Outen | :59:51. | :00:01. | |
:00:01. | :00:01. | ||
Apology for the loss of subtitles for 185 seconds | :00:01. | :01:36. | |
and James Jordan. Lovely. Absolutely lovely! Great | :01:36. | :01:46. | |
:01:46. | :01:51. | ||
posture. Great control. Beautifully Craig is right. You can dance. | :01:51. | :01:57. | |
Beautiful, clean turns. Watched that you do not get too comfortable. | :01:57. | :02:05. | |
You look relaxed when you perform. I am really nervous. It does not | :02:05. | :02:12. | |
show. A very elegant couple you were. This is a complete contrast | :02:12. | :02:20. | |
to last week but never the less good. I am giving you a burble pat | :02:20. | :02:30. | |
:02:30. | :02:44. | ||
on the back. -- verbal. Nice You are made for each other. You | :02:44. | :02:51. | |
set off the story so well. Then you got into that Fox trot. It was | :02:51. | :03:01. | |
:03:01. | :03:07. | ||
smooth and gliding. -- foxtrot. I thought it was great. You should be | :03:07. | :03:17. | |
:03:17. | :03:20. | ||
very happy. Away you go. Up the Did you ever think that Darcey | :03:20. | :03:28. | |
Bussell would call you elegant? in a million years. Nor did I. | :03:28. | :03:33. | |
Outstanding praise from all the judges. Is it adding to the | :03:33. | :03:38. | |
pressure and expectation? Definitely. I was really nervous. | :03:38. | :03:48. | |
So was I. James, your most wooden performance to date. Get it? It | :03:48. | :03:52. | |
looked good on paper. The judges' scores are in, let's have a look. | :03:52. | :04:02. | |
:04:02. | :04:17. | ||
Brilliant scores put up same as last week. Really well done. -- | :04:17. | :04:24. | |
brilliant scores. I am glad they commented on your foot work. So, if | :04:24. | :04:27. | |
Denise and James are your screen idols, then call from your mobile | :04:27. | :04:30. | |
or your landline. The lines won't open until everyone has danced, | :04:30. | :04:39. | |
though, so move away from those phones. Who will be a Hollywood hit | :04:39. | :04:49. | |
:04:49. | :04:49. | ||
and he will be a box office flop? Our next couple is Colin Salmon and | :04:49. | :04:56. | |
Kristina Rihanoff. They're doing the Tango to a James Bond theme. | :04:56. | :05:05. | |
But Colin has told me he's only doing a couple of lifts. I said, | :05:06. | :05:15. | |
:05:16. | :05:18. | ||
only a couple of lifts? Why?' He said, it's obvious. If you're | :05:18. | :05:26. | |
dancing to a James Bond theme You Only Lift Twice. Here they are in | :05:26. | :05:31. | |
training. I thought last Saturday went well. We got to the end of the | :05:31. | :05:36. | |
Bols and I did not fall over. I think regenerated the right amount | :05:36. | :05:45. | |
of romance. I was pleased. -- we generated. I felt like A Little | :05:45. | :05:54. | |
Princess next to Colin. Yorke double hand flicking is quite | :05:55. | :06:01. | |
vexatious. -- your double hand. that is the only thing they can | :06:01. | :06:10. | |
point out, I am proud of him. He is doing an outstanding job. This week, | :06:10. | :06:15. | |
we have been dancing to a James Bond theme but I have been shooting | :06:15. | :06:22. | |
for a film in Vancouver. Colin is away filming but that is no excuse. | :06:22. | :06:28. | |
He should be dancing at all times. I am on a mission to find him and | :06:28. | :06:37. | |
make him dance. I think I have found him. This is a good place to | :06:37. | :06:43. | |
do something. I think my mission is accomplished. It was so worthwhile | :06:43. | :06:51. | |
to travel from London to bank uber. I am so glad she tracked me down. - | :06:51. | :06:59. | |
- Bank uber. Dancing the Argentine Tango, Colin Salmon and Kristina | :06:59. | :07:09. | |
:07:09. | :07:09. | ||
Apology for the loss of subtitles for 185 seconds | :07:09. | :08:53. | |
Well done. Lovely atmosphere to that. I was so hoping you were | :08:53. | :09:00. | |
going to give us the spy treatment in your dancing. The only thing I | :09:00. | :09:06. | |
would have liked to have seen a much dirtier spy. The Argentine | :09:06. | :09:16. | |
tango is a dirty street dance. have never been there! Your | :09:16. | :09:22. | |
partnering was very impressive. She was throwing herself at you - legs | :09:22. | :09:32. | |
:09:32. | :09:35. | ||
going everywhere. Take more risks next time. I was more shaken than | :09:35. | :09:41. | |
stirred. You acted it out but you are an actor. Take away the stuff | :09:41. | :09:47. | |
on the table and the lifts, for me, there was not enough Argentine | :09:47. | :09:57. | |
tango going on. You did OK. You can do character. You do that very well. | :09:57. | :10:02. | |
You can take anything they'd throw at you. She threw everything she | :10:02. | :10:12. | |
:10:12. | :10:14. | ||
had. That distracts. It would be nice to see you do a bit more | :10:14. | :10:21. | |
dancing. As an actor, you can sell it. Something to think about. | :10:21. | :10:27. | |
was full of authority and dominance, which I absolutely love. I thought | :10:27. | :10:32. | |
the lifts were spectacular. You really went for it. They were not | :10:32. | :10:41. | |
easy. Fantastic work will start what about that! -- fantastic work. | :10:41. | :10:51. | |
:10:51. | :10:56. | ||
That was smoking hot. Was it mission accomplished? Yes. Given | :10:56. | :11:02. | |
the time we had to direct, I am thrilled with that. 10 hours for | :11:02. | :11:10. | |
the whole dance. That is not a lot. Darcey Bussell said you can bring | :11:10. | :11:20. | |
:11:20. | :11:40. | ||
more. What more have you got to That was your strongest score to | :11:40. | :11:43. | |
date. If you think Colin and Kristina's Argentine Tango was | :11:43. | :11:49. | |
oscar-worthy, then call from a Please don't pick up the phone | :11:49. | :11:59. | |
:11:59. | :12:01. | ||
And if you want loads more exclusive Hollywood gossip from | :12:01. | :12:07. | |
tonight's show, head on over to the website. Back to you, Bruce. | :12:07. | :12:17. | |
:12:17. | :12:27. | ||
next couple is Richard and Erin. As you know, Richard is a showbiz | :12:27. | :12:32. | |
correspondent and he's already got loads of gossip about Strictly. He | :12:32. | :12:42. | |
said he gets all the gossip from Test. Here they are in training. - | :12:42. | :12:52. | |
:12:52. | :12:54. | ||
us Tess Daly. I turned to the judges and they were like, really? | :12:54. | :13:01. | |
The couple who will compete in the dance of his Richards and Erin Boag. | :13:01. | :13:08. | |
It is brutal. You have to go there and dance a heart out. I would like | :13:08. | :13:16. | |
to say that Richard, Richard. -- your heart out. The only way it is | :13:16. | :13:26. | |
:13:26. | :13:34. | ||
up. We are dancing to one of my all-time favourite songs. Working | :13:34. | :13:44. | |
:13:44. | :13:58. | ||
for Breakfast television, I am more Millions of you are watching. | :13:58. | :14:08. | |
:14:08. | :14:08. | ||
Apology for the loss of subtitles for 185 seconds | :14:08. | :15:55. | |
Dancing the Quickstep, Richard APPLAUSE Well done, you. | :15:55. | :16:05. | |
:16:05. | :16:06. | ||
Well done Richard and Erin. You are very generous, thank you. | :16:06. | :16:13. | |
Quite an experience. I do apologise for interrupting you. It won't get | :16:13. | :16:16. | |
a star on the Hollywood Walk of Fame but it was bright and lively. | :16:16. | :16:21. | |
A little mincey occasionally in the footwork. I don't know whether to | :16:21. | :16:29. | |
rinse it or mince it! Flow, my old sausage, flow. I liked it! | :16:29. | :16:37. | |
I thought you were very good. I real - really meant that. Bruno? | :16:37. | :16:41. | |
was expecting the full Dolly Parton wig and everything but it was good. | :16:41. | :16:45. | |
You listened to the boss, you worked very, very hard, a lot of | :16:45. | :16:51. | |
improvement, your frame and footwork was better. Without | :16:51. | :16:54. | |
histrionic and just enough comedy at the beginning to set it up so I | :16:54. | :17:04. | |
thought it was very good. Craig? didn't mind it actually. Was that | :17:04. | :17:13. | |
you?! Nimble footwork, well done. You've only got Darcey to go and I | :17:13. | :17:19. | |
think she's in a kind mood. Darcey? Richard, your best dance so far. | :17:19. | :17:26. | |
Thank you. You were fast. When you get tired, make sure your weight | :17:26. | :17:30. | |
doesn't go back on the heels, but I really like the style that you gave | :17:30. | :17:39. | |
to that quickstep. Very nice. you go. Well done, Erin as well. | :17:39. | :17:47. | |
Erin and Richard. What?! | :17:47. | :17:51. | |
Tricky Dicky's worked hard this week! She kept saying, the | :17:51. | :17:57. | |
quickstep's all about being out in front. And I said Dolly's got a | :17:57. | :18:01. | |
higher centre of gravity there so she has an advantage. That must | :18:01. | :18:07. | |
have boosted your confidence after last week? You always fall on the | :18:07. | :18:12. | |
night and this crowd is phenomenal, you go out there and we have a | :18:12. | :18:19. | |
phrase in Scotland where I grew up "Give it loudy". And then some? | :18:19. | :18:23. | |
and I'm going to have to give Anton his spanks back. I'm wearing | :18:24. | :18:30. | |
Brendan's shoes. They worked. Must be lucky shoes. Twinkle toes. | :18:30. | :18:40. | |
:18:40. | :18:48. | ||
25. Highest score so far. It is your highest to date. If you want | :18:48. | :18:52. | |
to stop Richard from ending up on the cutting room floor, call from | :18:52. | :19:00. | |
your mobile or landline. We have been there before! | :19:00. | :19:06. | |
Well done... When the phone lines open, call, and not a moment before. | :19:06. | :19:10. | |
Danny will channel Dorothy and Louis will be Dirty Dancing. | :19:10. | :19:14. | |
Getting hats thrown at me. Thank you so much. Back to you, Bruce. | :19:14. | :19:23. | |
Our next couple is Dani Harmer and her partner Vincent Simone. | :19:23. | :19:28. | |
Now, Dani is such a big fan of mine, she really is. Do you know, she | :19:28. | :19:33. | |
even has a mug at home with my face on it. I said, do you use it much | :19:33. | :19:39. | |
and she said oh, yes, the dog won't drink out of anything else. Sorry, | :19:39. | :19:46. | |
I laughed at that before the end. I thought it was so funny. To | :19:46. | :19:54. | |
myself... Anyway, here they are in training. | :19:54. | :19:59. | |
Saturday night was absolutely awesome. I had so much fun. Finally | :19:59. | :20:04. | |
Dani came out of her shell. little munch kin, you were full on | :20:04. | :20:09. | |
and flat out and I liked it. Well done. I wasn't completely fond of | :20:09. | :20:16. | |
the dismount. You went splat, darling. Yes, yes, yes, yes! I got | :20:16. | :20:21. | |
a seven! That's all I wanted throughout the whole series and I | :20:21. | :20:26. | |
managed to get it on the second week. This week I'm so excited. One | :20:26. | :20:31. | |
of my favourite films of all-time is Wizard of Oz and I get to dance | :20:31. | :20:37. | |
to Somewhere Over The Rainbow. way you walk... I'm in pain. Dani's | :20:37. | :20:43. | |
been struggling with dance shoes. Sorry. I hate my ballroom shoes, | :20:43. | :20:48. | |
they absolutely kill my feet. need a man to do it for you. I'll | :20:48. | :20:53. | |
call him for you. You need dance shoes otherwise you won't be able | :20:53. | :21:00. | |
to move all the musnls the little feet. I'm -- muscles in the little | :21:00. | :21:03. | |
feet. I'm sure Dorothy wore trainers. The only thing that can | :21:03. | :21:08. | |
save me now is if someone turned up with some magic Ruby slippers. | :21:08. | :21:13. | |
Magic slippers for you. I could click my heels together, there's | :21:14. | :21:17. | |
no-one like Vincent. And I would be a brilliant dancer. This is the | :21:17. | :21:21. | |
best you've ever danced. Must be the Ruby slippers. Dancing the fox | :21:21. | :21:31. | |
:21:31. | :21:32. | ||
trt from the movie the wizard of as, Dani Harmer and Vincent Simone. -- | :21:32. | :21:42. | |
:21:42. | :21:42. | ||
Apology for the loss of subtitles for 185 seconds | :21:42. | :23:04. | |
MUSIC: # Somewhere Over The CHEERING AND APPLAUSE | :23:04. | :23:10. | |
Aw look at that. That was so beautiful! | :23:10. | :23:14. | |
Betty been a good girl? Very good. A little treat from uncle Bruce. | :23:14. | :23:20. | |
Yes, just a little treat. Don't have my fingers off, OK. She's | :23:20. | :23:25. | |
beautiful. Gore Gorgeous. The dog stopped the applause from really | :23:25. | :23:30. | |
going up. Never work with dogs. Bruno, start us off. Friends of | :23:30. | :23:39. | |
Dorothy are going to be so pleased. You know that takes me back. It was | :23:39. | :23:43. | |
so pretty. It was. You remember we were saying about linking the lines | :23:43. | :23:48. | |
when you did the moves, you did it so beautifully, flawlessly moving | :23:48. | :23:58. | |
:23:58. | :23:59. | ||
romantic, sweet. I really, really loved it. Thank you. Yay. Craig, | :23:59. | :24:05. | |
start us off? I absolutely loved the routine, thought you did a | :24:05. | :24:08. | |
wonderful job, Vincent, choreographing that. Your turns are | :24:08. | :24:11. | |
clean, you have a habit still looking down to the throor when you | :24:11. | :24:18. | |
are spotting, you need to put the eyes up -- floor. When you do a | :24:18. | :24:25. | |
certain move rbgs you need to extend. The unfolding, yes, keep | :24:25. | :24:30. | |
stretching it. I agree. Darcey? do always surprise me, Dani. There | :24:30. | :24:36. | |
was control in your gliding, it was smooth and you didn't forget that | :24:36. | :24:42. | |
beautiful necklace in your hold. So yes, keep working hard because you | :24:42. | :24:46. | |
are doing wonders every week coming out. Well, my little munch kin. | :24:46. | :24:50. | |
Take the red shoes, walk down that yellow brick road, straight into | :24:50. | :24:58. | |
next week, because that was great! Look at the little red shoes. I'll | :24:58. | :25:04. | |
tell you, the dog did spoil the applause. Take her off now. Betty. | :25:04. | :25:14. | |
:25:14. | :25:17. | ||
Away you go. Thank you so much. CHEERING AND APPLAUSE | :25:17. | :25:22. | |
What a dog! A little Toto or Betty. Can we keep | :25:22. | :25:32. | |
:25:32. | :25:33. | ||
him? Not a friend of yours, Vincent. Just jealous that I'm better | :25:33. | :25:37. | |
looking. He wants the spotlight. Darcey said that you are doing | :25:37. | :25:41. | |
wonders every week. How is that for you? Just the best thing to have | :25:41. | :25:47. | |
that come from Darcey, honestly, but this man is a genius. I think | :25:47. | :25:51. | |
Vincent would be the first to agree with you. How are the Ruby slippers | :25:51. | :25:56. | |
to dance in? They're amazing. I'm hoping to keep them because they to | :25:56. | :26:01. | |
actually feel like slippers compared to my old ones. Beautiful. | :26:01. | :26:11. | |
:26:11. | :26:29. | ||
29. That is your highest score so far. Flawless foxtrot. Betty, you | :26:29. | :26:32. | |
are a good luck charm. No place like home, but Dani doesn't want to | :26:32. | :26:38. | |
two there yet, do you? Definitely not. To keep her out of the dance- | :26:38. | :26:48. | |
:26:48. | :26:51. | ||
off, call from your mobile or Back to Bruce. | :26:51. | :27:01. | |
:27:01. | :27:04. | ||
Dani, don't worry about cleaning up after the dog. I've already done it. | :27:04. | :27:14. | |
:27:14. | :27:20. | ||
Urgh... Pass it along. Not in the audience! Right, our next couple is | :27:20. | :27:30. | |
Lisa Riley and her partner, Robin Windsor. | :27:30. | :27:32. | |
LAUGHTER Lisa's had a great start to the | :27:32. | :27:37. | |
series, but can she keep it up? I think she will. Anyway, here they | :27:37. | :27:45. | |
are in training. It really was fairytale when that | :27:45. | :27:51. | |
clock struck 2011 and it went boing, I really felt like Cinderella at | :27:51. | :27:55. | |
the ball. I love the focus in your eyes, creates a wonderful mood. | :27:55. | :27:58. | |
were so into it, you were almost leading him. He's the prince, he's | :27:58. | :28:02. | |
got to lead. At the end of the day, I'm an actress, I want to be a | :28:02. | :28:07. | |
leading lady. Sometimes I need a bit of a forceful hand. I thought | :28:07. | :28:10. | |
you danced with great dexterity, I thought it was light. Never been | :28:10. | :28:15. | |
called light in my life, ever. I thought what they said was | :28:15. | :28:17. | |
absolutely right, I'll take everything on board and we'll work | :28:17. | :28:24. | |
on it won't we? We will. Action. Our movie is Dick Tracy and we are | :28:24. | :28:30. | |
doing the jive to Hanky Panky. and fabulous, just like she is. | :28:30. | :28:35. | |
I've never danced this fast in my life. I love being cheeky, it's my | :28:35. | :28:40. | |
personality, it's what I'm about. Being an actress, she can pull off | :28:40. | :28:47. | |
any character that I give her. Madonna in the movie was the gang | :28:47. | :28:51. | |
str's moll. As Bruno said last week about me leading, I am a bit of a | :28:52. | :28:57. | |
boss. I'll dance with you, but only if you let me lead. -- gangster's | :28:57. | :29:00. | |
moll. This Saturday night I know what I've got to do. I've got to | :29:00. | :29:07. | |
get on that dance floor and bring out my cheeky and my sexy side. | :29:07. | :29:14. | |
Dancing the jive from the movie Dick Tracy, Lisa Riley and Robin | :29:14. | :29:24. | |
:29:24. | :29:24. | ||
Apology for the loss of subtitles for 185 seconds | :29:24. | :31:10. | |
You have done it again. Have you had done it again. You are so light | :31:10. | :31:20. | |
:31:20. | :31:21. | ||
and are off feet. Well done! -- on your feet. I get very excited | :31:21. | :31:26. | |
watching you. I cannot tell you. You really sell a number. That was | :31:26. | :31:36. | |
:31:36. | :31:40. | ||
brilliant. Well done! You never fail to entertain. That was | :31:40. | :31:46. | |
fabulous. I was missing the spring and bounce in the jive. You have it | :31:46. | :31:55. | |
but I just missed it. The arms were fabulous. So much energy will start | :31:55. | :32:02. | |
I led to that performance. -- energy. I love to that performance | :32:02. | :32:10. | |
will start you are a great big bundle of joy. You capture the | :32:10. | :32:20. | |
:32:20. | :32:24. | ||
feeling of the jive but I have to say, you are a goer. You give a | :32:24. | :32:32. | |
good time no matter what. That vitality. Light on your feet. I | :32:32. | :32:38. | |
love watching you. You are like a breath of fresh air. You bring the | :32:38. | :32:48. | |
whole room to its feet. Absolutely marvellous! Who would have thought | :32:48. | :32:58. | |
:32:58. | :33:08. | ||
Dingle was a dancer? Off you go, Cheeky, cheated -- cheeky girl! How | :33:08. | :33:15. | |
much fun did you have? It was brilliant. Craig it is being so | :33:15. | :33:22. | |
kind. It is search a workout. You are more out of breath. Is this the | :33:22. | :33:30. | |
fittest you have ever be done? never thought my thighs would ever | :33:30. | :33:40. | |
:33:40. | :33:59. | ||
be on British television. These That was a nice score. What do you | :33:59. | :34:09. | |
:34:09. | :34:16. | ||
think? Do you think that Our next couple is Nicky Byrne and | :34:16. | :34:26. | |
:34:26. | :34:29. | ||
Over them last two weeks, he has received for some harsh comments | :34:29. | :34:34. | |
from the judges. Tonight he is doing the Quickstep. Could it be | :34:34. | :34:42. | |
third time lucky? Here they're up in training. It has gone from bad | :34:42. | :34:50. | |
to worse. Others waiting for the applause to stop. -- I was waiting. | :34:50. | :34:56. | |
I should be jumping off the stage. It is like an out-of-body | :34:56. | :35:03. | |
experience. There was a point where I had to grab his face. I sought a | :35:03. | :35:12. | |
wild man. His eyes were going all over the place. It was too much boy | :35:12. | :35:16. | |
band dancing and not enough to cha- cha. I do not blame the judges will | :35:16. | :35:26. | |
:35:26. | :35:27. | ||
be giving us low scores. -- Chad cha-cha. I thought, it was horrible. | :35:27. | :35:36. | |
I wanted to do it again. It is my fault. It is Hollywood week and we | :35:36. | :35:46. | |
:35:46. | :35:50. | ||
are doing a scene from The Mask. Just as well Karen is a good dancer | :35:50. | :35:56. | |
because she is a terrible make-up artist. Going out is not an option. | :35:56. | :36:02. | |
I feel like I have not given properly yet. It feels like a fight. | :36:02. | :36:12. | |
:36:12. | :36:12. | ||
Apology for the loss of subtitles for 185 seconds | :36:12. | :37:58. | |
Dancing the Quickstep, Nicky Byrne How about that? I love that music. | :37:58. | :38:07. | |
I thought that was great. I loved that energy, bat attack, even with | :38:07. | :38:14. | |
that green face. -- that attack will stabbed you were having an | :38:14. | :38:24. | |
:38:24. | :38:25. | ||
firm on the dance floor. -- that the attack. So much of an | :38:25. | :38:34. | |
improvement. I am so glad. Well, last week there was no life and | :38:34. | :38:41. | |
this week it is full of life. You never straighten your legs. Unique | :38:41. | :38:50. | |
to straighten up a bit. It is all flat. -- Uniate. I liked it. Of | :38:50. | :39:00. | |
:39:00. | :39:03. | ||
nice job! -- nice job! You need that mask every day. Maybe it it | :39:03. | :39:13. | |
:39:13. | :39:18. | ||
means you can perform and deliver. You did a very good Quickstep. You | :39:18. | :39:28. | |
:39:28. | :39:28. | ||
went for it and that is good to see. Thank you. We will see what Craig | :39:28. | :39:38. | |
has to save. You are starting to win me over. -- has to say. It did | :39:38. | :39:48. | |
:39:48. | :39:49. | ||
replicate a tango because of unease that you did an amazing job. -- the | :39:49. | :39:59. | |
:39:59. | :40:10. | ||
knees. Straightened them. He will It is about time. UK him out | :40:10. | :40:20. | |
:40:20. | :40:20. | ||
fighting. The mask did help. -- you came out fighting. I have the teeth. | :40:20. | :40:30. | |
:40:30. | :40:37. | ||
I led to it. I am so proud of you. -- I loved it. You even won Craig | :40:37. | :40:47. | |
:40:47. | :41:06. | ||
That is more like it. That is your best score by miles so far. | :41:06. | :41:16. | |
:41:16. | :41:22. | ||
goal was to break 28. What do you think? Call when the lines open | :41:22. | :41:25. | |
later. Only one more dance left to go, and voting can commence! | :41:25. | :41:27. | |
Exciting times, but don't decide who gets your vote until you've | :41:27. | :41:31. | |
seen them all. Who's next Bruce? Our final couple tonight is Louis | :41:31. | :41:41. | |
:41:41. | :42:02. | ||
They are dancing the salsa. Here I saw great posture. I saw the best | :42:02. | :42:09. | |
dance I have seen tonight. To get that was brilliant. I felt it. It | :42:09. | :42:14. | |
was like a Valentine's Day postcard brought to life. We did what we set | :42:14. | :42:20. | |
out to do. We have got 30 points and a straight at the top of the | :42:20. | :42:27. | |
leaderboard. It is fantastic. have an amazing song to dance to | :42:27. | :42:36. | |
this week. She was saying, why have you not seen us after arm? I have | :42:36. | :42:46. | |
:42:46. | :42:48. | ||
been trying to educate Louis Smith. Hence, I brought him a watermelon. | :42:48. | :42:55. | |
I have done my homework. I have looked at the dance. This is my | :42:55. | :43:05. | |
:43:05. | :43:05. | ||
space, this is your space. We are recreating the iconic moment of the | :43:05. | :43:15. | |
:43:15. | :43:16. | ||
film - the final left - which is This lift can definitely make or | :43:16. | :43:21. | |
break the routine. I am not having the time of my life right now. It | :43:21. | :43:31. | |
:43:31. | :43:32. | ||
can definitely make or break me. Dancing the Salsa, Louis Smith and | :43:32. | :43:42. | |
:43:42. | :43:42. | ||
Apology for the loss of subtitles for 185 seconds | :43:42. | :45:10. | |
MUSIC: # (I've Had) the Time of My APPLAUSE | :45:10. | :45:20. | |
:45:20. | :45:28. | ||
What about it!? What a performance. That was lovely. That was lovely. | :45:28. | :45:37. | |
Stunning. Absolutely stunning. CHEERING AND APPLAUSE | :45:37. | :45:43. | |
Hold on, hold on just a minute. Do you know, when I said it was going | :45:43. | :45:48. | |
to be something from Dirty Dancing, a lady over there said, is she | :45:48. | :45:56. | |
going to do the jump. The jump, I ask you. Len? You did the lifts | :45:56. | :46:06. | |
:46:06. | :46:06. | ||
excellently well, very, very good. But it lacked a bit of attack. I'm | :46:07. | :46:12. | |
only telling him the truth about what I feel. Listen, it's only my | :46:12. | :46:17. | |
opinion, you know. It was a little bit timid, I thought it lacked a | :46:17. | :46:23. | |
bit of attack. I would have liked you to come out and given them a | :46:23. | :46:29. | |
really oily dance. What is the matter with these people?! What's | :46:29. | :46:37. | |
the matter with them?! I thought you were smooth. I thought it was | :46:37. | :46:41. | |
very smooth, very well placed, very much the way it was done in the | :46:41. | :46:48. | |
film. You had the iconic lift done wonderfully. And you can stretch | :46:48. | :46:56. | |
those legs. I mean, you were like Concorde taking off! I think you're | :46:56. | :47:06. | |
:47:06. | :47:09. | ||
great. I thought you were going to do the jump from there. Nearly. | :47:09. | :47:16. | |
Craig? Constained, -- contained, simmering, rotating, I loved the | :47:16. | :47:23. | |
hip action. Fantastic. Brilliant. What a partnership you are. | :47:23. | :47:29. | |
Darcey, darling? Yes, thank you, Louis, I saw a spark of emotion lit | :47:29. | :47:33. | |
between you and Flavia. I would like you to get out to a nightclub | :47:33. | :47:43. | |
:47:43. | :47:46. | ||
and free up. The salsa has to be freer. I'll take you tonight! | :47:46. | :47:51. | |
CHEERING AND APPLAUSE I can see why it's so controlled | :47:51. | :47:55. | |
because to do a lift like that right at the end is so hard, I know | :47:55. | :48:03. | |
that. It was beautifully done. Amazing. Shut up! Stop it, stop it! | :48:03. | :48:07. | |
We'll put you back in your basket. They loved it, I thought it was | :48:07. | :48:17. | |
:48:17. | :48:25. | ||
tremendous. Be so proud. Go on, off APPLAUSE | :48:25. | :48:30. | |
Sum evering. Darcey or Bruno? There we are go. Nobody puts baby | :48:30. | :48:34. | |
in the corner. Louis, is your inner performer coming out now? I think | :48:34. | :48:39. | |
so. Definitely. I felt a bit more calmer and in theme, so yes, we had | :48:39. | :48:45. | |
fun. I can't believe you'd never seen Dirty Dancing. Still hasn't. | :48:45. | :48:53. | |
Come on! Come on! He promised he would. You are on Strictly Come | :48:53. | :48:57. | |
Dancing, you've got to get with the programme. I'm going to buy him a | :48:57. | :49:03. | |
copy. How hard was it getting that lift right? Tricky. We practised | :49:03. | :49:05. | |
everywhere possible. We even had some special design worked on on | :49:05. | :49:11. | |
her skirt so she didn't slip. pulled that iconic lift off to | :49:11. | :49:21. | |
:49:21. | :49:39. | ||
perfection. That was fabulous. In I don't know where Len's looking! | :49:39. | :49:45. | |
Did the Dirty Dancers do it for you? If so, call from your mobile | :49:46. | :49:53. | |
or landline after the show. If you want to see what tricks nf treats | :49:53. | :49:57. | |
he has in store for Halloween next week, vote for him. I can't wait! | :49:57. | :50:01. | |
All the stars have given award- winning performances, but where did | :50:01. | :50:11. | |
:50:11. | :50:15. | ||
the judges score them on the Remember, the fate of your | :50:15. | :50:19. | |
favourite is in your hands and now is the time to vote because the | :50:19. | :50:27. | |
phone lines are finally open! Pick up the phone. The lines close | :50:27. | :50:36. | |
at 8.45. Not long to call. Get permission from the bill payer. | :50:36. | :50:40. | |
Here is a reminder of all of tonight's storming performances. | :50:40. | :50:50. | |
:50:50. | :50:50. | ||
Apology for the loss of subtitles for 185 seconds | :50:50. | :54:42. | |
What a show tonight. And the all They all need your votes to stay in. | :54:42. | :54:46. | |
The two kuchles with the lowest scores will face each other in the | :54:46. | :54:50. | |
dance-off and one will leave the Strictly ballroom for ever -- the | :54:50. | :54:57. | |
two couples with the lowest scores. We'll be joined by some old- | :54:57. | :55:01. | |
fashioned Hollywood glamour and the legendary Dionne Warwick will be | :55:01. | :55:08. |