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From BBC Television Centre, this is Strictly Does Hollywood, the | :00:53. | :01:03. | |
:01:03. | :01:03. | ||
Apology for the loss of subtitles for 120 seconds | :01:03. | :03:03. | |
# Puttin' down my top hat. # Mussin' up my white tie. | :03:03. | :03:13. | |
:03:13. | :03:48. | ||
Please welcome your hosts, Tess Yes! I like that, it is growing on | :03:48. | :03:52. | |
me! Welcome to the results show and a big thanks to Anton and Erin and | :03:52. | :03:58. | |
the cast of the West End musical Top Hat. Tom Chambers was also | :03:58. | :04:03. | |
there. He won! He is a delight. We have done all action blockbuster of | :04:03. | :04:10. | |
a show with more music, drama, thank you, audience! And a dance- | :04:10. | :04:16. | |
off cliffhanger. Saturday night saw award winning performances as our | :04:16. | :04:22. | |
13 leading ladies and gentlemen strove for fame and fortune. The | :04:22. | :04:25. | |
two couples with the lowest overall points will have to dance-off for | :04:25. | :04:29. | |
their place and a competition. Deciding who returns next week for | :04:29. | :04:34. | |
a sequel will be in the hands of our very own top critics. Please | :04:34. | :04:43. | |
welcome the judges! Looking good. Also on the show tonight, all the | :04:43. | :04:51. | |
way from the USA, as Dionne Warwick will be here, the singing superstar. | :04:52. | :04:57. | |
Len's Lens has been hard at work catching all the lights, camera and | :04:57. | :05:01. | |
action from Saturday night. First, an exclusive screening of the movie | :05:01. | :05:06. | |
magic from behind the scenes. Did I see you back there again? I am so | :05:06. | :05:16. | |
:05:16. | :05:36. | ||
Hollywood! Glamour? Glamour, glitz and being gorgeous. I am looking | :05:36. | :05:43. | |
forward to seeing them all. You never know what is going to happen. | :05:43. | :05:48. | |
The boys on a cricket team, what do they think of the dressing up? | :05:48. | :05:54. | |
all dress up anyway! I am wearing Brendan Cole's shoes. That cannot | :05:54. | :05:59. | |
be good! Is there something you have always wanted to do? What is | :05:59. | :06:05. | |
that? It is my physio ball. You put it against your back against the | :06:05. | :06:12. | |
wall and you lean on it. Can I just tell you, that is like the Jungle | :06:12. | :06:22. | |
:06:22. | :06:24. | ||
Book! I don't think you will be getting this back! I am ready to go. | :06:24. | :06:34. | |
:06:34. | :06:34. | ||
Good luck. Thank you very much. You are very sweet. Now go away! Good | :06:35. | :06:43. | |
luck, my darling. Good luck. have made Hollywood into jolly good. | :06:43. | :06:50. | |
That Charleston needs to be punched more. You can be my Mary Poppins | :06:50. | :06:58. | |
any day. Practically perfect in any way. I know there was a costume | :06:58. | :07:02. | |
drama but I am beginning to see an actress emerging which is fantastic. | :07:02. | :07:07. | |
Just when you were starting to sizzle, you nearly boiled over. | :07:07. | :07:13. | |
Such a shame. I want to do it again. Last week was ballroom and this | :07:13. | :07:22. | |
week was Hollywood. Hot it was not, I am afraid. Six from Darcey will | :07:22. | :07:31. | |
do for me! I like it a lot. So much better. I enjoyed the story telling. | :07:31. | :07:35. | |
The whole thing would have been better behind the screen. Craig, | :07:35. | :07:42. | |
you know you love me, really. was no staccato. It was not sharp | :07:42. | :07:49. | |
enough. No aggression, to smooth. When you got into the tango, it was | :07:49. | :07:57. | |
not good. I don't know what Bruno's problem is. Good news from Len | :07:57. | :08:05. | |
Goodman, I like it. Yes! Beautiful, light steps. Always such a pleasure | :08:05. | :08:15. | |
:08:15. | :08:16. | ||
to watch. That was excellent. Great pastor, grid Control, | :08:16. | :08:22. | |
beautifully acted and beautifully dance to. -- great posture and | :08:22. | :08:28. | |
great control. For me there was not quite enough Argentine tango, but | :08:28. | :08:34. | |
what you did, you did OK. I adored the lifts. I thought they were | :08:34. | :08:44. | |
:08:44. | :08:44. | ||
spectacular and you really went for it. It was a bit minced. I can do | :08:44. | :08:49. | |
60 words per minute. If I could do 90 seconds of that, we would be | :08:49. | :08:59. | |
:08:59. | :09:00. | ||
sailing through. Romantic, sweet, I really, really loved it. Well, my | :09:01. | :09:08. | |
little munchkin, take those red shoes and walk down that Yellow | :09:08. | :09:13. | |
Brick Road into next week. I am over the rainbow! Great big bundle | :09:13. | :09:18. | |
of joy. It is like a breath of fresh air. You kind of bring the | :09:18. | :09:28. | |
whole room to its feet. It was great. Last week there was no life, | :09:28. | :09:35. | |
this week it is full of life. tell you, you went for it, and that | :09:35. | :09:44. | |
is good to see. Smoking! I loved all the hip rotation. It was | :09:44. | :09:54. | |
:09:54. | :09:55. | ||
fantastic. You can stretch those legs! He went beyond second! You | :09:55. | :10:05. | |
:10:05. | :10:08. | ||
were like Concorde taking off! Fabulous! What a night. We have got | :10:08. | :10:13. | |
Denise Van Outen at the top and we have got Sid Owen at the bottom. It | :10:13. | :10:23. | |
:10:23. | :10:23. | ||
was sparkling, full on, it was effervescent. What a night it was. | :10:23. | :10:28. | |
So all 13 of our stars want to come back next week but his hopes of a | :10:28. | :10:36. | |
Hollywood ending will be dashed tonight? I have the results. In no | :10:36. | :10:46. | |
:10:46. | :11:11. | ||
particular order, the first couple Surviving another week... Lewis | :11:11. | :11:21. | |
:11:21. | :11:22. | ||
Smith and Flavia Cacece. -- Louis Smith. Happy days! The next couple | :11:22. | :11:32. | |
:11:32. | :11:32. | ||
Apology for the loss of subtitles for 120 seconds | :11:32. | :12:16. | |
Dancing again next Saturday... Sid Also save... Cologne and Kristina | :12:16. | :12:26. | |
:12:26. | :12:38. | ||
Rihanoff! -- Colin Salmon. Back on the dance floor next Saturday... | :12:38. | :12:48. | |
:12:48. | :12:50. | ||
Dani Harmer and Vincent! Well done. And now the first couple in the | :12:50. | :13:00. | |
:13:00. | :13:05. | ||
dance-off who will have to dance Jerry Hall and Anton du Beke. The | :13:05. | :13:15. | |
:13:15. | :13:16. | ||
rest of you will have to wait a bit Then Goodman, Jerry Hall brought | :13:16. | :13:20. | |
all of her years of experience on the catwalk to the dance floor, so | :13:20. | :13:25. | |
why did she end up in the bottom two? She has got wonderful presents | :13:25. | :13:31. | |
from her time as a model. She just needed to stretch a little bit more. | :13:31. | :13:35. | |
But you are never sure what is going to come in. She had great | :13:35. | :13:39. | |
chemistry with Anton du Beke, they are fun with a charm. So there you | :13:39. | :13:48. | |
are. Never a dull moment. Thank you. Claudia? Thank you. The atmosphere | :13:48. | :13:53. | |
up here is so excited. They are so happy. I have to ask you first, | :13:53. | :13:57. | |
because you were so emotional on Saturday night and I wanted to | :13:57. | :14:07. | |
:14:07. | :14:13. | ||
climb into the television and give $:/STARTFEED. Over how relieved IUD | :14:13. | :14:23. | |
:14:23. | :14:24. | ||
to be going through? Very relieved. -- how relieved are you? You did | :14:24. | :14:31. | |
absolutely brilliantly last week. You were bottom of the leaderboard | :14:31. | :14:41. | |
:14:41. | :14:42. | ||
and Ben, boom! You work so hard. Everyone wants to do well. It was a | :14:42. | :14:50. | |
real relief last night to get everything done. Darcey Bussell | :14:50. | :14:54. | |
said she wanted you to get more dirty next week for Hallowe'en. | :14:55. | :15:04. | |
:15:05. | :15:08. | ||
That is not a problem. We are going to get dirty! Next week Strictly | :15:08. | :15:18. | |
:15:18. | :15:32. | ||
those supernatural. Will it be a Any body like to join the undead? | :15:32. | :15:41. | |
Trick or treat? You will have to try harder to scare us. Have a | :15:41. | :15:51. | |
sweet. I will get it. I want to bite your neck. That is not scary. | :15:51. | :16:01. | |
:16:01. | :16:11. | ||
I know it is youth two. Who is it Charming! I had just seen Craig | :16:11. | :16:16. | |
outside. Next week, Strictly does Hallowe'en. Please welcome the | :16:16. | :16:26. | |
:16:26. | :16:28. | ||
You are of the judges. We all know that there is an extra member of | :16:29. | :16:38. | |
the judging cast, yes it's Lens Lens. This is where we catch the | :16:38. | :16:48. | |
:16:48. | :16:48. | ||
details. Lick at that! -- look. That is where we get all the | :16:48. | :16:55. | |
details, the stuff you might not have seen on Saturday night. First | :16:55. | :17:04. | |
up, possibly one of the best movers of the night. Look at the leg | :17:04. | :17:14. | |
:17:14. | :17:25. | ||
kicks! Look at but that work! thought Dani Harmer and Vincent | :17:25. | :17:35. | |
:17:35. | :17:43. | ||
Simone were brilliant. We learnt toto. -- loved Toto. A noise is not | :17:43. | :17:51. | |
normally associated with Len Goodman. You've got booed. | :17:51. | :17:59. | |
strange was that? I was standing up shouting, can he see? I am asking | :18:00. | :18:07. | |
you now come up are you unwell? Did he not see Louis Smith? I am | :18:07. | :18:16. | |
telling you, I was 100% right. All the people stood up. They rock all | :18:16. | :18:25. | |
going bananas and the lifts were great. -- they were all. The big | :18:25. | :18:32. | |
jump was fabulous. It is a salsa. It is hot and sizzling. | :18:32. | :18:42. | |
:18:42. | :18:49. | ||
It was a bit to control. You still gave it an eight. Patrick Swayze | :18:49. | :18:55. | |
does the same. We are not allowed to use our phones in the studio. | :18:55. | :19:00. | |
I'm not sure whether this has been pointed out to you. My favourite | :19:00. | :19:10. | |
:19:10. | :19:17. | ||
clip ever. Is Mike Catt here? Look at you! -- my cab. The other | :19:17. | :19:27. | |
:19:27. | :19:27. | ||
brilliant bit on Saturday night was Craig as the Tin Man. Limp, | :19:27. | :19:34. | |
lacklustre, listless and dull. The boot work was absolutely poorer. | :19:34. | :19:44. | |
:19:44. | :19:46. | ||
Absolutely no posture what so ever. -- poor. So, six couples are | :19:46. | :19:49. | |
through to fright night next week but who will be joining them? Over | :19:49. | :19:54. | |
to you, Tess. Thanks, Claudia. Six couples are still waiting to learn | :19:54. | :20:04. | |
:20:04. | :20:31. | ||
In no particular order... Safely Denise and James. Also back next | :20:31. | :20:41. | |
:20:41. | :21:11. | ||
Fern and Artem. The next couple Lisa and Robin. Dancing again next | :21:11. | :21:21. | |
:21:21. | :21:50. | ||
One of you is safe. One of you is in the bottom two. I can reveal | :21:50. | :21:53. | |
that the couple in the bottom two tonight who will compete in the | :21:53. | :22:03. | |
:22:03. | :22:14. | ||
What advice would you give to Michael and Natalie? Listen to the | :22:14. | :22:21. | |
music. That is the most important thing. Be aware of your timing. | :22:21. | :22:31. | |
Dance-like you have never danced before, darling! Good advice. It | :22:31. | :22:41. | |
:22:41. | :22:42. | ||
will be a close call. Over to you, Claudia. Thanks, Tess. I want to | :22:43. | :22:52. | |
:22:53. | :22:54. | ||
just cuddle born nine weeks. -- for nine weeks. Watching numbers go | :22:54. | :23:00. | |
down and down, you think, I just want to get through. It is so much | :23:00. | :23:06. | |
fun and I do not want it to end. I felt like I did not do my best job. | :23:06. | :23:16. | |
:23:16. | :23:20. | ||
I want to do a good dance. You are brilliant. Tell her. We had a | :23:20. | :23:25. | |
stumble with the dress and everything. You were fantastic. | :23:25. | :23:33. | |
were brilliant. Let's all clap Victoria, right now. You were also | :23:34. | :23:40. | |
in tears. I was feeling emotion. Did you assume you would be in the | :23:40. | :23:48. | |
dance of? I did actually. It is like climbing a mountain. You were | :23:48. | :23:54. | |
so relieved as well. You were shaking. Ballroom is not my | :23:54. | :24:04. | |
strength and we have worked so hard. Well done to you all. We are now | :24:04. | :24:08. | |
joined by a Hollywood legend. Please put your hands together for | :24:08. | :24:18. | |
:24:18. | :24:27. | ||
# I walk along the city streets # You used to walk along with me. | :24:27. | :24:37. | |
:24:37. | :24:38. | ||
# And every step I take recalls how much in love we used to be. | :24:38. | :24:41. | |
# How can I forget you? # When there is always something | :24:41. | :24:46. | |
there to remind me. # Always something there to remind | :24:46. | :24:56. | |
:24:56. | :24:57. | ||
# I was born to love you. # And I will never be free. | :24:57. | :25:06. | |
# You'll always be a part of me. # Woah oh. | :25:06. | :25:11. | |
# When shadows fall. # I pass a small cafe. | :25:11. | :25:21. | |
:25:21. | :25:23. | ||
# How it felt to kiss and hold you tight. | :25:23. | :25:26. | |
# How can I forget you? # When there is always something | :25:26. | :25:29. | |
there to remind me. # When there is always something | :25:29. | :25:39. | |
:25:39. | :25:41. | ||
there to remind me. # I was born to love you. | :25:41. | :25:46. | |
# And I will never be free. # You'll always be a part of me. | :25:46. | :25:56. | |
:25:56. | :26:11. | ||
# Woah oh woah. sweet and tender love we used to | :26:11. | :26:15. | |
share. # Just come back to the places | :26:15. | :26:20. | |
where we used to go. # And I'll be there. | :26:20. | :26:26. | |
# How can I forget you? # When there is always something | :26:26. | :26:33. | |
there to remind me. # When there is always something | :26:33. | :26:43. | |
:26:43. | :26:44. | ||
there to remind me. # I was born to love you. | :26:44. | :26:47. | |
# And I will never be free. # When there is, when there is, | :26:47. | :26:55. | |
when there is always something there to remind me. | :26:55. | :27:00. | |
# Always something there to remind # Always something there to remind | :27:00. | :27:09. | |
# Always something there to remind # Always something there to remind | :27:09. | :27:19. | |
:27:19. | :27:40. | ||
That was brilliant. A amazing, amazing. We are here with Jerry and | :27:40. | :27:45. | |
Anton and Michael and Natalie. Are you surprised to be in this | :27:45. | :27:52. | |
position? Well... Everybody understands that noise. It makes | :27:52. | :27:57. | |
terrible sense! Will you dance differently? I am going to try my | :27:57. | :28:03. | |
best. That will be perfect, just perfect. You are both brilliant. | :28:03. | :28:08. | |
Please go and get into position. Good luck to the fantastic Jerry | :28:08. | :28:15. | |
and Anton. How disappointed by you? The judges approved. It is the | :28:15. | :28:19. | |
nature of the show that two couples have to do the dance-off. It is my | :28:19. | :28:24. | |
turn and I am going to give it everything. I will laugh, listen to | :28:24. | :28:30. | |
the music, follow Natalie. I love Jerry, by the way. I know! It is so | :28:30. | :28:34. | |
sad to see anybody leaving Strictly but one couple will be leaving the | :28:34. | :28:40. | |
competition tonight. The first couple to dance tonight, please go | :28:40. | :28:50. | |
:28:50. | :28:50. | ||
Apology for the loss of subtitles for 120 seconds | :28:50. | :30:28. | |
They did not want to be in this position. They are dancing again to | :30:28. | :30:31. | |
impress the judges. Please put your hands together for Michael and | :30:31. | :30:41. | |
:30:41. | :30:41. | ||
Apology for the loss of subtitles for 120 seconds | :30:41. | :32:27. | |
Well done, guys. You have both done brilliantly. The very best of luck | :32:27. | :32:33. | |
to you both. To find out who will be back to dance again next week, | :32:33. | :32:40. | |
judges, decision time. I am about to ask each of you the name of the | :32:40. | :32:44. | |
couple that you think deserves to be saved. The couple were the most | :32:44. | :32:47. | |
votes will stay in Strictly Come Dancing and in the event of a tie, | :32:47. | :32:52. | |
the head judge will have the casting vote. Jerry and Anton and | :32:52. | :32:59. | |
Michael and latterly, this is it. - - Natalie. Craig, who impressed to | :32:59. | :33:04. | |
enough to save them? Well, for me, this couple improved slightly and | :33:04. | :33:08. | |
were a little bit better, which was encouraging. The couple I would | :33:08. | :33:18. | |
:33:18. | :33:22. | ||
like to save his Michael and natter -- Natalie. Darcey? Both couples | :33:22. | :33:27. | |
have improved so much in the last few weeks but it is so hard to take | :33:27. | :33:30. | |
it on this one performance because the nerves got hold of both of them, | :33:30. | :33:40. | |
:33:40. | :33:41. | ||
so very difficult. I have got to save Michael and Natalie. Two votes | :33:41. | :33:46. | |
to Michael and Natalie. If Bruno saves them, they are through. Bruno, | :33:46. | :33:50. | |
who do you want to save? I actually thought both couples were very | :33:50. | :33:54. | |
nervous tonight. I actually thought they did not improve. There were | :33:54. | :34:01. | |
mistakes, lack of rhythm, timing but by a whisker I am going to save | :34:01. | :34:10. | |
Jerry and Anton. Jerry and Anton are now owned with a chance. It is | :34:10. | :34:14. | |
2 -1, but Len Goodman has blocked the casting vote so whichever | :34:14. | :34:20. | |
couple he chooses will stay in Strictly Come Dancing. Who are you | :34:20. | :34:24. | |
going to save? To be honest, neither couple impressed me. The | :34:24. | :34:29. | |
pressure got to both of them. Jerry's routine was full of | :34:29. | :34:34. | |
mistakes. Michael's routine went in and out of time, so it is a really | :34:34. | :34:39. | |
difficult, difficult decision for me. This is so close but I am going | :34:39. | :34:48. | |
to save Michael and Natalie. That means we are going to have to say | :34:49. | :34:52. | |
goodbye to Jerry and Anton. Congratulations to Michael. We will | :34:52. | :34:58. | |
see you next week. Jerry and Anton, please come and join me. We are so | :34:58. | :35:05. | |
sorry to see you go. We really are. What memories are you going to take | :35:05. | :35:10. | |
away with you? I have had a lot of fun. It has been great and I have | :35:10. | :35:13. | |
loved hanging out with Anton du Beke and dancing with him. It has | :35:13. | :35:18. | |
been lovely. Anything you would like to say to her? I love her | :35:18. | :35:22. | |
completely. She is the most wonderful person. I think we all | :35:22. | :35:28. | |
do! She is gorgeous and fabulous and she has got style. She has been | :35:28. | :35:32. | |
a wonderful person to spend time with and teach and hang out with. | :35:32. | :35:39. | |
Just brilliant. Please prepare for your last dance. We will miss you, | :35:39. | :35:48. | |
we will. It is tough to see them go, sadly. Jerry and Anton are out of | :35:48. | :35:52. | |
the competition but they will be back on Monday at 6:30pm 4 It Takes | :35:52. | :35:58. | |
Two. I never miss it because it is brilliant. You can also go to the | :35:58. | :36:03. |