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$:STARTFEED THIS PROGRAMME CONTAINS SCENES OF REPETITIVE FLASHING | :00:08. | :00:14. | |
IMAGES (eg strobe lighting) Last weekend our 13 stars saw their | :00:14. | :00:21. | |
names up in lights in a Hollywood extravaganza. | :00:21. | :00:28. | |
There was high octane action. There was feel-good family fun. | :00:28. | :00:36. | |
Brilliant! That was excellent. There were costume dramas. But for | :00:36. | :00:41. | |
one screen Goddess there would be no sequel. The thing would have | :00:41. | :00:49. | |
been better behind the screen. Tonight, boys and ghouls, we have a | :00:49. | :00:53. | |
fright-tastic show for you and our celebs are running scared. No-one | :00:53. | :00:58. | |
can hide. No-one is safe. Because on Strictly's Hallowe'en Special, | :00:58. | :01:03. | |
anything can happen. For one of our celebrities, it will | :01:03. | :01:13. | |
be the final nail in the coffin. Get ready for a spooktacular show. | :01:13. | :01:23. | |
:01:23. | :01:53. | ||
It's Strictly Come Dancing CHEERING AND APPLAUSE | :01:53. | :02:00. | |
This is the Strictly Come Dancing Hallowe'en Special. | :02:00. | :02:10. | |
:02:10. | :02:10. | ||
Apology for the loss of subtitles for 163 seconds | :02:10. | :04:54. | |
APPLAUSE Live from Television Centre, please | :04:54. | :05:04. | |
:05:04. | :05:15. | ||
welcome your hosts Sir Bruce How about that! Aren't they a | :05:15. | :05:21. | |
lovely crowd. What an opener. Really wonderful start. Good | :05:21. | :05:25. | |
evening ladies and gentlemen and children welcome to Strictly Come | :05:25. | :05:32. | |
Dancing. It's nice to see you to see you NICE. It is Hallowe'en. | :05:32. | :05:36. | |
That explains it. Don't get over- excited. I have been haunted all | :05:36. | :05:45. | |
the week. What happened? Well, it was a dark and stormy night. I was | :05:45. | :05:51. | |
awoken by a distant howling coming from the garden. | :05:51. | :06:01. | |
:06:01. | :06:05. | ||
I opened the bedroom door. I went down the stairs. I couldn't see | :06:05. | :06:12. | |
where I was going. I put on the lights. (Striking a match) | :06:12. | :06:18. | |
I don't need a match to put on the lights, for goodness sake. We do | :06:18. | :06:26. | |
have electricity in Surrey. What happened then? I went to the back | :06:26. | :06:33. | |
door and there peering through the window was a terrifying sight. A | :06:33. | :06:40. | |
poor tortured soul screaming "I left this world before my time, I | :06:40. | :06:46. | |
left this world before my time!" What did you say. I said the judges | :06:46. | :06:56. | |
:06:56. | :07:05. | ||
That got a bigger laugh than I thought. | :07:05. | :07:10. | |
We are all in for a Hallowe'en treat tonight as our 12 girls and | :07:10. | :07:15. | |
ghouls bring their scariest thrills and chills to this haunted ballroom. | :07:16. | :07:19. | |
Tonight is not for those with a nervous disposition as our couples | :07:19. | :07:27. | |
will face their greatest fear of leaving Strictly forever. | :07:27. | :07:33. | |
SCREAMING. I can hear our celebs wailing in terror back stage. The | :07:33. | :07:38. | |
nightmare has only just begun. Because, are you shaking or is it | :07:38. | :07:48. | |
:07:48. | :07:57. | ||
me? I'm terrified. Because it's From Girls Aloud, Kimberly Walsh | :07:57. | :08:03. | |
and her partner Pasha Kovalev. Westlife's Nicky Byrne and Karen | :08:03. | :08:09. | |
Hauer. Fern Britton and Artem Chigvinstev. Cricket legend Michael | :08:09. | :08:14. | |
Vaughan and Natalie Lowe. Soap star Lisa Riley and her | :08:14. | :08:20. | |
partner Robin Windsor. Olympic gymnast Louis Smith and his | :08:21. | :08:29. | |
partner Flavia Cacace. Dani Harmer and Vincent Simone. Sid | :08:29. | :08:38. | |
Owen and and Ola Jordan. Dennis Van Outen and James Jordan. Richard | :08:38. | :08:44. | |
Arnold and Erin Boag. Cyclist Victoria Pendleton and her partner | :08:44. | :08:49. | |
Brendan Cole. Film and TV star Colin Salmon and his partner | :08:49. | :08:59. | |
:08:59. | :09:14. | ||
There they all are. Yes, tonight you will be seeing many different | :09:14. | :09:24. | |
:09:24. | :09:32. | ||
styles of dance, xept Gangnam Style. MUSIC: Gangnam Style. | :09:32. | :09:39. | |
Stop it! I don't get much chance to dance on | :09:39. | :09:48. | |
this show. That was my solo. That got the blood pumping. You did it | :09:48. | :09:54. | |
very well. Tonight these 12 couples face a night of blood-curdling | :09:54. | :09:58. | |
ballroom with our cut-throat judges scoring their every move. Those | :09:58. | :10:03. | |
scores will be combined with your votes and two of our couples will | :10:03. | :10:10. | |
face the fate worse than death, the deadly disgusting dance-off. | :10:10. | :10:15. | |
If you want to hear voices from above during the performances press | :10:15. | :10:21. | |
your red button from commentary from Karen hardier and Larry -- | :10:21. | :10:28. | |
Karen Hardy and Larry lamb. If you want to hear their words of | :10:28. | :10:37. | |
wisdom press your red button now. The first fearless couple tonight | :10:37. | :10:45. | |
is Dani Harmer and her partner Vincent spooky Simone. | :10:45. | :10:50. | |
Here they are in training. Last Saturday I was a bit nervous | :10:50. | :10:53. | |
whether my feet would do the right thing. I seemed to pull it off | :10:53. | :11:02. | |
somehow. Take those red shoes and walk down the yellow brick road | :11:02. | :11:09. | |
into next week, that was great. Having Betty was brilliant until | :11:09. | :11:15. | |
she bit Vincent. Time finding myself dancing with another dog, | :11:15. | :11:22. | |
which could be Scooby Doo. This week is Strictly does heel wean and | :11:22. | :11:25. | |
there is a -- Hallowe'en and there is a spooky feeling in the dance | :11:25. | :11:33. | |
room. It feels like there's someone else, someone watching. With all | :11:33. | :11:40. | |
the spooky stuff going on in the training room, me and Vincent have | :11:40. | :11:50. | |
:11:50. | :12:20. | ||
That was close. Let's get out of Dancing the cha-cha-cha, Dani | :12:20. | :12:30. | |
:12:30. | :12:30. | ||
Apology for the loss of subtitles for 163 seconds | :12:30. | :14:05. | |
APPLAUSE I would have got away with it if it | :14:05. | :14:15. | |
:14:15. | :14:25. | ||
Thank you Anton! An extra. Of course we have our judges, Craig, | :14:25. | :14:31. | |
Darcey, Len and Bruno. Remember last week we made Craig dress up as | :14:31. | :14:34. | |
the Tin Man and implied he doesn't have a heart. I would like to | :14:34. | :14:39. | |
apologise for that. Of course Craig has a a heart. At least I hope he | :14:39. | :14:49. | |
:14:49. | :14:52. | ||
has, otherwise where do we put the If that dance was some food, it | :14:52. | :15:00. | |
would be a sausage sandwich. Tasty, satisfying and sets you up for the | :15:00. | :15:02. | |
day ahead. I thought it was terrific. | :15:02. | :15:11. | |
APPLAUSE You like a sausage sandwich. Bruno | :15:11. | :15:19. | |
what did you think? I can't look at Vincent. I thought I was watching | :15:19. | :15:26. | |
Loose Women. He looks like Denise Welch! | :15:26. | :15:31. | |
Anyway, it was really spirited fun, nice and tight foot work, very well | :15:31. | :15:34. | |
placed. What you have to do in Latin, you have to do what you did | :15:34. | :15:38. | |
last week in ballroom. Remember when you started to extend the line | :15:38. | :15:41. | |
and make it smoother and bigger, because sometimes you tend to | :15:41. | :15:45. | |
tighten it up a bit. Your timing is good, your placement is good. Now | :15:45. | :15:53. | |
it needs to be expanded a bit more. Craig, what did you think? It was | :15:53. | :15:58. | |
clean, fantastic spins as always and fast foot work, I have to agree | :15:58. | :16:02. | |
with Bruno, you must extend through your lines. You have got to | :16:02. | :16:07. | |
accentuate the finishes, otherwise it doesn't look right. You were | :16:07. | :16:15. | |
also very late with your arms in the first New York thing. BOOING | :16:15. | :16:19. | |
No, if you can do something that fast and achieve that many moves, | :16:19. | :16:29. | |
that was amazing. You even created the moves all the | :16:29. | :16:39. | |
:16:39. | :16:40. | ||
time. You are wrong. You are wrong. Only one thing, over exaggerate | :16:40. | :16:44. | |
those hips but with that speed, you got so much in there, amazing. | :16:44. | :16:54. | |
:16:54. | :17:05. | ||
bit more definite. Off you go, it You should have heard the giggling | :17:05. | :17:14. | |
going on up here, you two. You look great with a bob, Dani. What about | :17:14. | :17:18. | |
me. The monster on stage was on Anton, no, I looked like the | :17:19. | :17:26. | |
monster. It's different, it's a whole new you. Why do you still | :17:26. | :17:31. | |
look so scared when you are getting the judges' comments? It is a | :17:31. | :17:34. | |
terrifying thing. I don't know, I dread what they are going to say. | :17:34. | :17:39. | |
It is Hallowe'en, they might be worse. Be ware, they're going to be | :17:39. | :17:45. | |
evil tonight. Despite Anton's best efforts, that went well, is that | :17:45. | :17:49. | |
the most fun you have had? Definitely. But trying to keep a | :17:49. | :17:53. | |
straight face dancing with this is very difficult. Scores are in. | :17:53. | :18:02. | |
Time to get the scores from the judges. Craig Revel Horwood... | :18:02. | :18:12. | |
:18:12. | :18:12. | ||
Darcey Bussell... Len Goodman... | :18:12. | :18:22. | |
:18:22. | :18:27. | ||
Stls' two ways to call and vote for your favourites. It will cost you | :18:27. | :18:37. | |
:18:37. | :18:49. | ||
Who's that? Back to you Bruce. | :18:49. | :18:59. | |
:18:59. | :18:59. | ||
Our next couple is Richard Arnold and his partner Erin. | :18:59. | :19:05. | |
Erin "Bogey Man" Boag. Richard just loves Hallowe'en. He likes nothing | :19:05. | :19:10. | |
better than telling scary stories beside the camp fire. I said how do | :19:10. | :19:15. | |
you make a camp fire. He said "You make an ordinary fire and then I | :19:15. | :19:23. | |
sit buy it ". APPLAUSE | :19:23. | :19:32. | |
Here they are in training. The Quickstep was great. I didn't | :19:32. | :19:38. | |
mind it actually. Is that you? I didn't mind it, I am going to have | :19:38. | :19:44. | |
that up in lights. A lot of improvement, foot work was better. | :19:44. | :19:51. | |
Your best dance so far. I feel good this week. I have no idea what | :19:51. | :20:01. | |
:20:01. | :20:01. | ||
fresh hell awaits me, but I feel good. Hallowe'en week, dancing the | :20:01. | :20:08. | |
Paso Doble to O Fortuna, not exactly a floor-filler. This music | :20:08. | :20:15. | |
is driving me mad. It's completely warped my view of reality. I hear | :20:15. | :20:22. | |
it when I am getting ready for training. I hear it on the way to | :20:22. | :20:32. | |
the dance studio. I only wanted an autograph. Wherever I am, whatever | :20:32. | :20:39. | |
I am doing, I hear it. I am late for training, is Erin in? He is in | :20:39. | :20:44. | |
a funny mood today. Erin my nerves are shredded. I have been trying to | :20:44. | :20:54. | |
:20:54. | :20:54. | ||
Apology for the loss of subtitles for 163 seconds | :20:54. | :22:52. | |
Dancing the Paso Doble, Richard APPLAUSE | :22:52. | :23:02. | |
:23:02. | :23:10. | ||
What about that. Wasn't that great. Look at this. That was marvellous. | :23:10. | :23:15. | |
The fire was terrific. But only half cooked my sausage and I love a | :23:15. | :23:20. | |
well done sausage. If you are in the dance-off you can finish it off | :23:20. | :23:30. | |
:23:30. | :23:32. | ||
for me. Oh, the drama, you were like Gary Newman in a bad temper. | :23:32. | :23:38. | |
But it's the lines, the lines, the artists with the posture and timing. | :23:38. | :23:42. | |
Those were not quite there. Actually, you went for all the | :23:42. | :23:46. | |
content which is good, the execution was not really refined as | :23:46. | :23:49. | |
it should have been, because those shoulders have to be down. The | :23:49. | :23:55. | |
lines have to be out. The timing has to be good. You went for drama. | :23:55. | :24:04. | |
The acting was there. Yes, Gary Newman in a coma. | :24:04. | :24:09. | |
That was unkind. I thought the cape work at the top | :24:09. | :24:14. | |
was very good and the turn out of it was good. | :24:14. | :24:18. | |
However, darling, it needs to be a lot more earthed and by that you | :24:18. | :24:28. | |
need to dance into and through the floor a lot more. It needs a strong | :24:28. | :24:34. | |
preparation and then height and also a finish, a nice lunge finish | :24:34. | :24:41. | |
and nice skiesor action. There needs to be a lot more arch to this | :24:41. | :24:45. | |
dance. You need to spot on your turns, otherwise they look terrible. | :24:45. | :24:55. | |
:24:55. | :25:00. | ||
The character you definitely were spooky, the most spooky matador I | :25:00. | :25:07. | |
have ever seen. I can see you have worked very hard. But the tilt in | :25:07. | :25:17. | |
:25:17. | :25:17. | ||
the hips, I need more of that. If you clench your your glut muscles. | :25:18. | :25:22. | |
That will create a better tilt when you strut your stuff around the | :25:22. | :25:25. | |
dance floor. I like the character, you held on to that all the way | :25:25. | :25:33. | |
through. Len. I didn't know what Craig was | :25:33. | :25:43. | |
:25:43. | :25:44. | ||
saying, I was yawning at the time. You great big butch bull fighter. | :25:44. | :25:49. | |
That was difficult music. You got right into character with it. But | :25:49. | :25:57. | |
they are right, you have got to get those tight buttocks. I used to put | :25:57. | :26:01. | |
a coin up my bum. They could have done with a bit more shaping, but | :26:01. | :26:08. | |
what I loved, you come out and you give it some. That's a Paso Doble. | :26:08. | :26:14. | |
Good on you. You haven't got any change on you, | :26:14. | :26:24. | |
:26:24. | :26:41. | ||
You mighty matador, stand there. have to get back back into | :26:41. | :26:48. | |
character. There was no mincing out there in the Paso Doble, no mincing. | :26:48. | :26:52. | |
Pure macho, never mind the mincing. Len said you butch bull fighter. | :26:52. | :27:00. | |
know. How do you embrace your dominant side. I called Sinita. | :27:00. | :27:06. | |
macho! Some of the judges may not have liked it but the crowd were on | :27:06. | :27:12. | |
their feet, they loved it. Were they getting up to leave? It was an | :27:12. | :27:18. | |
ovation. Do you think you have done enough this week to avoid the | :27:18. | :27:28. | |
:27:28. | :27:28. | ||
dance-off? Yeah! If we have to go again, we have to go again. Thank | :27:28. | :27:32. | |
you for supporting us. The scores are in. | :27:32. | :27:39. | |
The judges scores: Craig Revel Horwood. | :27:39. | :27:49. | |
:27:49. | :27:50. | ||
Darcey Bussell... Len Goodman... | :27:50. | :27:55. | |
Bruno Tonioli... Len is loving the butch bull | :27:55. | :28:02. | |
fighter. He can have some more of If you don't think Richard deserves | :28:02. | :28:07. | |
to be sent to the strictly graveyard, keep him in the land of | :28:07. | :28:17. | |
:28:17. | :28:25. | ||
Happy with the choice of music now. Bruce, who's next? | :28:25. | :28:35. | |
:28:35. | :28:40. | ||
Next up is Lisa Riley and her I bumped into Lisa earlier on today | :28:40. | :28:45. | |
and she said I love your Hallowe'en face, those blood shot eyes, the | :28:45. | :28:50. | |
could be webs under the nose, that spooky pointy chin. Have you just | :28:50. | :28:56. | |
come out of make-up. I said no, I was just going in! | :28:56. | :29:06. | |
:29:06. | :29:09. | ||
Shut up. Anyway, here they are in On Saturday night we got another | :29:09. | :29:19. | |
:29:19. | :29:21. | ||
standing ovation and we just can't believe it. That was brilliant. I | :29:21. | :29:29. | |
was Missing the spring and bounce. I will work on that, I promise | :29:29. | :29:36. | |
Darcey. You can do a fun routine but if the feet aren't right Len | :29:36. | :29:41. | |
won't be happy and I promised him I will get my feet right. | :29:41. | :29:47. | |
We are doing the Charleston to the song Witch Doctor. Robin is my | :29:47. | :29:51. | |
pupil and I am the witch. She is meant to be teaching me witch craft | :29:51. | :30:01. | |
:30:01. | :30:09. | ||
so I am going to take her on a trip Wow. Where are we? I have brought | :30:09. | :30:13. | |
Lisa to the Warner Brothers studio tour in London. We have come to the | :30:13. | :30:23. | |
:30:23. | :30:28. | ||
making of Harry Potter. Let's drink What happens' happening? Look, you | :30:28. | :30:38. | |
:30:38. | :30:39. | ||
can dance. Whatever was in that potion was working. Dancing the | :30:39. | :30:49. | |
:30:49. | :30:49. | ||
Apology for the loss of subtitles for 163 seconds | :30:49. | :32:45. | |
Charleston, Lisa Lisa rilely and You are amazing, you really are. | :32:46. | :32:51. | |
What a couple you are. While you catch your your breath, it's about | :32:51. | :32:55. | |
time to welcome our fabulous singers, Dave Arch and his | :32:55. | :33:03. | |
wonderful, wonderful orchestra. Are you all right? Have you got | :33:03. | :33:07. | |
over the flu? I can't believe he got dressed up | :33:07. | :33:11. | |
for that. Craig, start with you. thought it was acted well but | :33:12. | :33:16. | |
danced poorly. BOOING | :33:16. | :33:21. | |
There was no cross whatsoever and your left foot was not happening at | :33:21. | :33:25. | |
all, you were doing step touch step back and there should be a cross | :33:25. | :33:30. | |
and swivel on each one of those steps. Otherwise it's not a | :33:30. | :33:40. | |
:33:40. | :33:40. | ||
Charleston. Mixed reaction there. No, that was the fastest Charleston | :33:40. | :33:46. | |
I have ever seen, amazing. It could have become very messy but you | :33:46. | :33:50. | |
pulled it off. He's right on some of the swivels they were missing a | :33:50. | :33:55. | |
bit, but it wasn't that messy. You did give me back your spring and | :33:55. | :34:05. | |
energy, thank you very much. You do a beautiful job. Quite a tempo. | :34:05. | :34:13. | |
thought it had plenty of ting tang, it was just what you want. It is a | :34:14. | :34:18. | |
Charleston but it is a parody of a Charleston and I thought it was | :34:18. | :34:27. | |
great, well done. What about you Bruno? Yes, my darling. You were | :34:27. | :34:33. | |
going at it like a spinning Banshee, God that was quick. The face, it | :34:33. | :34:43. | |
:34:43. | :34:44. | ||
was facial aerobics. Oh, something happened. I am telling you, nobody | :34:44. | :34:50. | |
would ever be scared of you. I have broken the set. Because you are so | :34:50. | :34:55. | |
much fun. Your timing is very, very good. You sell it beautifully. The | :34:55. | :35:00. | |
foot work because of the speed could have been sharper but God, | :35:00. | :35:09. | |
it's enjoyable to watch. Put it on your hair, it would look | :35:09. | :35:19. | |
:35:19. | :35:29. | ||
nicer on your hair. Joan Collins in Save to say, another fast and | :35:30. | :35:33. | |
furious routine. Is there no stopping you two? I don't think it | :35:33. | :35:39. | |
could get any faster. Split the judges a bit there. Have they got a | :35:39. | :35:44. | |
point on the technical side of things? The swivels are hard, I am | :35:44. | :35:48. | |
going to take responsibility for that because I put rubber soles on | :35:48. | :35:54. | |
Lisa's shoes because she was slipping before, so she couldn't | :35:54. | :35:59. | |
get her crosses. It is a built my fault. What a man taking | :36:00. | :36:04. | |
responsibility there. Next week, if you are still here, you have the | :36:04. | :36:09. | |
Tango. You are getting serious with the Tango. Can you two do serious? | :36:09. | :36:14. | |
Yeah. Do we want them to do serious? We need Tango tans, | :36:14. | :36:20. | |
definitely. The scores are in. Will the judges please reveal their | :36:20. | :36:29. | |
scores. Craig Revel Horwood. Darcey Bussell... | :36:29. | :36:36. | |
Len Goodman... Bruno Tonioli... | :36:36. | :36:44. | |
26, a decent score, but not your best. If you like Lisa's cheeky | :36:44. | :36:54. | |
:36:54. | :36:56. | ||
Still loads more to come tonight. Nicky has gone mad scientist and | :36:56. | :37:02. | |
Denise is getting freaky. Now we find out who is next. | :37:02. | :37:12. | |
:37:12. | :37:13. | ||
Our next couple is Sid Owen and his partner Oooola Jordan. | :37:13. | :37:18. | |
It's a good job Sid spent so much time in a soap opera because | :37:18. | :37:28. | |
:37:28. | :37:31. | ||
there's been a bit of drama this week. Ola had to fly to Poland so | :37:32. | :37:40. | |
Iveta Lukosiute stood in for her for training, but it was -- here is | :37:40. | :37:44. | |
how they got on. I enjoyed it and I was shocked when the judges give me | :37:45. | :37:49. | |
a grilling. It wasn't good. work hard all week and you want to | :37:49. | :37:55. | |
give a good performance. Stompy, clumpy. Just knock you down in a | :37:55. | :38:02. | |
flash and it's like, that hurt. your lowest score to date. I picked | :38:02. | :38:06. | |
myself up and forget about last week and hopefully I can pull a | :38:06. | :38:12. | |
good performance out of the bag next Saturday. Ola can't train this | :38:12. | :38:18. | |
week, so Iveta stepped in. Did you feel that, I can feel there's | :38:19. | :38:24. | |
something weird. Let's get back to training. She's nice but she gets | :38:24. | :38:34. | |
:38:34. | :38:40. | ||
easily distracted. OK, you got to We're locked in. Don't worry, I | :38:40. | :38:46. | |
always come prepared. Looks like we are here for the night. Did you | :38:46. | :38:56. | |
:38:56. | :39:02. | ||
hear that? Yes, I did that time. SCREAMING. Let's go and investigate. | :39:02. | :39:12. | |
:39:12. | :39:14. | ||
What are you doing, you are Dancing the cha-cha-cha, Sid Owen | :39:14. | :39:24. | |
:39:24. | :39:24. | ||
Apology for the loss of subtitles for 163 seconds | :39:24. | :41:00. | |
APPLAUSE Well done, Sid and Ola. | :41:00. | :41:06. | |
Darcey, start us off. Fabulous to see more dance content. You can do | :41:06. | :41:12. | |
it! You had moves there. Don't worry about going wrong. I can see | :41:12. | :41:16. | |
your concentration on your face, I don't want to see that worry. | :41:16. | :41:21. | |
Because I want to see that cheeky Sid that we love. Especially with | :41:21. | :41:28. | |
Ola. She loves you. Sell it with her, come back next week with | :41:28. | :41:36. | |
attitude in the Latin, please. about the break dancing! You have | :41:36. | :41:46. | |
the perfect partner Olaween! Listen, I want you to do well. It's all too | :41:46. | :41:51. | |
safe. You are coming out and playing it safe. Go for it more, | :41:51. | :41:54. | |
take risks. I know you have had a tough week with dancing with one | :41:54. | :41:58. | |
and another. You have got to come out, if you are going to go down, | :41:58. | :42:02. | |
go down fighting. Because you are so careful and frightened of going | :42:02. | :42:08. | |
wrong, you don't do it right. Get out there and give it some! | :42:08. | :42:17. | |
Whatever happens, happens. Len is right. It still looks like you are | :42:17. | :42:26. | |
smothered in ectoplasm. It lax detail, power and accuracy. Get | :42:26. | :42:32. | |
back there, because you can see the thought process and that has to go. | :42:32. | :42:37. | |
You can do it, come back and do it right. You can do it, do it right. | :42:37. | :42:47. | |
:42:47. | :42:51. | ||
She'll make you do it. Hallowe'en nightmare. It's very apt. Is that | :42:51. | :43:01. | |
:43:01. | :43:09. | ||
the end? Thanks Craig. Sorry you Come on Sid, my lovely. Ignore | :43:09. | :43:15. | |
Craig. It's what the people at home think now. It's been a tough week. | :43:15. | :43:21. | |
Iveta, has she been treating me well. Thank you so much. It's been | :43:21. | :43:27. | |
like an Oladay without Ola. If you are back next week, will you come | :43:27. | :43:31. | |
back with attitude. Definitely, I don't want to leave. We don't want | :43:31. | :43:39. | |
to leave. I would like to say what the nation is thinking, those are | :43:39. | :43:45. | |
some hot, hotpants. The judges have their scores. Craig | :43:45. | :43:52. | |
Revel Horwood... Darcey Bussell... | :43:52. | :44:01. | |
Len Goodman... Bruno Tonioli... | :44:01. | :44:11. | |
:44:11. | :44:22. | ||
What are you going to call? If you want loads of gossip get | :44:22. | :44:32. | |
:44:32. | :44:39. | ||
Next up, I nearly swallowed my tongue. What said good! Next up is | :44:39. | :44:48. | |
Nicky Byrne and his partner Karen "Howling" Hauer. Last week I said | :44:48. | :44:54. | |
the word chillax and Nicky tweeted that I shouldn't use young people's | :44:54. | :45:04. | |
:45:04. | :45:06. | ||
language. I do apologise, my behaviour was was tote inprops. I | :45:06. | :45:16. | |
:45:16. | :45:26. | ||
hope I don't end up trending. Last week went very well. Now I | :45:26. | :45:30. | |
have proved I can entertain and do a bit of dancing. I am not a | :45:30. | :45:34. | |
ballroom dancer, but it was entertaining. It was my first week | :45:34. | :45:37. | |
where I was able to stand in front of the judges and smile. You are | :45:37. | :45:41. | |
starting to win me over actually. So far with Craig my scores have | :45:41. | :45:48. | |
been two and then a four and then a six. I am on the right path. I feel | :45:48. | :45:58. | |
like my competition has just This week Strictly does Hallowe'en. | :45:58. | :46:02. | |
We have been working together for a couple of weeks so I thought it was | :46:02. | :46:12. | |
the right time for her to see my house. Nicky, I have to warn you I | :46:12. | :46:17. | |
am terrified of the dark. People say it's haunted but you those old | :46:17. | :46:21. | |
ghost stories, it's not true. This is where I like to chill. I don't | :46:21. | :46:28. | |
know what you are so scared of. Seriously, you live here? It really | :46:28. | :46:36. | |
is a nice room. That's a scream, I think somebody died here a few | :46:36. | :46:40. | |
years ago, I have heard that. we get out of here, I am really | :46:40. | :46:50. | |
scared, please, please, ploos. Thanks for coming. See you Saturday. | :46:50. | :47:00. | |
:47:00. | :47:00. | ||
Apology for the loss of subtitles for 163 seconds | :47:00. | :48:42. | |
J Dancing the Tango, Nicky Byrne Well done both of you. I was | :48:42. | :48:49. | |
supposed to take those off. forgot to take them off! The old | :48:49. | :48:55. | |
bent knees helped this week. Len, what did you think? I thought there | :48:55. | :49:01. | |
was far more good than bad. You could have had tighter hold and you | :49:01. | :49:09. | |
stomped a bit with your foot work, but it was sharp and crisp. On the | :49:09. | :49:18. | |
beat. Yes the whacky professor found his secret formula. The thing | :49:18. | :49:23. | |
now you are finding focus and power and Len is right, because of that | :49:23. | :49:27. | |
sometimes you are stomping about. Don't forget, it is still a Tango, | :49:27. | :49:31. | |
we like to see you giving everything you have, but don't go | :49:31. | :49:35. | |
off the style of it. You have to keep that going as well. We both | :49:35. | :49:45. | |
:49:45. | :49:46. | ||
liked it. You need to sort... They want a close up, they both liked it. | :49:46. | :49:56. | |
:49:56. | :49:58. | ||
Do it again. Oh, dear. Craig's face. Sickening. Look at yourself! | :49:58. | :50:03. | |
need to sort your posture out, that is the main priority concern at | :50:03. | :50:07. | |
this point in the competition. Also, you are picking your feet up way | :50:07. | :50:11. | |
too much and that is why it is looking stompy but I really liked | :50:11. | :50:18. | |
the routine. Craig likes something, that is beautiful. Darcey, did you | :50:18. | :50:23. | |
like anything? Entertaining all round, kept in character, I liked | :50:23. | :50:27. | |
you kept the glasses on. Len is right, you lift the knees so it | :50:27. | :50:32. | |
looks like you are marching in the Tango, but I liked it very much. | :50:32. | :50:42. | |
:50:42. | :50:48. | ||
Narrative, fabulous. Well done. Off It's getting better from the judges | :50:48. | :50:53. | |
every week. More positive by the week. You seem to dance better when | :50:53. | :50:57. | |
you are in character? Yes, I suppose putting a suit like this on | :50:58. | :51:01. | |
and the glasses it makes you feel like somebody else. I put Michael | :51:01. | :51:07. | |
Vaughan's cricket suit on. He let you borrow it. What can we expect | :51:07. | :51:11. | |
next week if you are still here? God knows, I will have to look for | :51:11. | :51:16. | |
somebody else's costume. You are doing the rhumba, some Latin love | :51:16. | :51:26. | |
:51:26. | :51:27. | ||
God perhaps? We'll see. Naked to the waist, that will do it. Craig | :51:27. | :51:37. | |
:51:37. | :51:37. | ||
Revel Horwood... Darcey Bussell... Len Goodman... | :51:37. | :51:47. | |
Bruno Tonioli... Not your highest score but close. | :51:47. | :51:52. | |
We are out of the teens, so we are happy with that, we are on the way | :51:52. | :52:02. | |
:52:02. | :52:12. | ||
We have Michael's magic hands and Victoria and Brenda are getting | :52:12. | :52:21. | |
married. Really? Len, you didn't do your seven. | :52:21. | :52:25. | |
thought I would give it a rest. missed it! Our next couple is Fern | :52:26. | :52:35. | |
:52:36. | :52:40. | ||
Britton and her partner Artem Fern used to present that show | :52:40. | :52:43. | |
Ready Steady Cook, where the contestants had to make a meal in | :52:43. | :52:48. | |
less than 20 minutes. I said what if they ran out of time. She said | :52:48. | :52:54. | |
they used rosemary and sage. Which would go well in our sausage | :52:54. | :53:02. | |
sandwich. Forget that one. How you remember all this rubbish! Here | :53:02. | :53:12. | |
:53:12. | :53:13. | ||
they are in training. It was pretty good last week. The | :53:13. | :53:16. | |
audience started clapping along with the music and I felt a really | :53:16. | :53:22. | |
swell of warmth from them and I thought yes, I've got to do this. | :53:22. | :53:26. | |
You made Hollywood into jolly good. I felt very imaginically | :53:26. | :53:35. | |
transported. I did feel like Mary Poppins. It's good to do it | :53:35. | :53:41. | |
properly and then on with the next. This week is American Smooth to | :53:41. | :53:45. | |
Killer Queen, our Hallowe'en Special. This week you need to be | :53:45. | :53:55. | |
:53:55. | :53:56. | ||
Killer Queen. I have potion for you. Oh. Bottoms up. It's perfect. | :53:56. | :54:06. | |
:54:06. | :54:07. | ||
I am the Killer Queen. An elf, I love Christmas. It's not Christmas, | :54:07. | :54:17. | |
:54:17. | :54:38. | ||
Perfect. Finally. Let's dance. Oh! Dancing the American Smooth, | :54:38. | :54:48. | |
:54:48. | :54:48. | ||
Apology for the loss of subtitles for 163 seconds | :54:48. | :56:35. | |
Well done Fern. That was lovely, darling. I love | :56:35. | :56:45. | |
the finish as well. Fern, my darling, you were a bit too nicy | :56:45. | :56:53. | |
nicy, too beige for me. It's Killer Queen, think about Craig in Panto. | :56:53. | :56:57. | |
It's true. The song defines the character, that defines the dance, | :56:57. | :57:02. | |
that defines the movement and defines what you do with it. That | :57:02. | :57:07. | |
was a bit plain. It didn't have the impact that it should have had. | :57:07. | :57:13. | |
well there we are. Darcey, what did you think? For me, it was smooth | :57:13. | :57:17. | |
and I liked the bad Queen in you. I think you should play with that | :57:17. | :57:23. | |
character more. Have a couple more bad roles, I think it suits you. | :57:23. | :57:28. | |
Just watch it, when you are picked up, don't lift the shoulders, you | :57:28. | :57:33. | |
have the most amazing partner and shouldn't be worried. Be brave, go | :57:33. | :57:40. | |
for it more next time, please. neat and precise. You've got the | :57:40. | :57:48. | |
how, but it it hasn't got the wow. You have to push fern a bit more, | :57:48. | :57:54. | |
tar tem. -- Artem. I want more out of you. There was something special | :57:54. | :57:59. | |
for you, did you see that, a heel turn. I saw the heel turn, I would | :57:59. | :58:04. | |
have loved your feet to have been together. But I saw the heel turn | :58:04. | :58:10. | |
and you you went into a check and weave. That is why I said you have | :58:10. | :58:14. | |
got the how but it needs more of the wow factor. Good criticism | :58:14. | :58:24. | |
:58:24. | :58:42. | ||
Len Len wants Artem to push you more. You looked a bit afraid, a | :58:42. | :58:47. | |
lot afraid by that Fern. I was abit afraid by that because I was trying | :58:47. | :58:51. | |
to channel Artem, he is the terminator. He is indeed. While you | :58:51. | :58:57. | |
are simply the loveliest woman I know. Hardly. Yes, you are, she is | :58:57. | :59:01. | |
lovely. Was it a bit of a challenge for you to get into the mind set of | :59:01. | :59:06. | |
evil Queen. It was a tough week actually, it took a lot to get that | :59:06. | :59:11. | |
into my head. I love the costume and make-up, I love Artem looking | :59:11. | :59:17. | |
like this. He did have a shirt on, but that was all cut off. Artem is | :59:17. | :59:24. | |
doing it for the ladies. Good work. The judges have their scores. Craig | :59:24. | :59:34. | |
:59:34. | :59:36. | ||
Revel Horwood... Darcey Bussell... Len Goodman... | :59:36. | :59:43. | |
Bruno Tonioli... 21, I think you cut yourself | :59:43. | :59:53. | |
:59:53. | :00:01. | ||
The lines won't open until everybody has danced. If you call | :00:01. | :00:04. | |
too early something terrible might happen. | :00:04. | :00:09. | |
Look at this cauldron. Before we carry on, I have a public | :00:09. | :00:19. | |
:00:19. | :00:21. | ||
announcement for the audience. Has anyone lost a watch? Hands up if | :00:21. | :00:25. | |
it's yours! Just a little joke, I have been | :00:25. | :00:33. | |
keeping up my sleeve! Look at the time. I better get on. | :00:33. | :00:43. | |
:00:43. | :00:45. | ||
Our next couple is Denise Van Outen and James "Jinxed" Jordan. | :00:45. | :00:50. | |
Hollywood show was a spectacular show. That was excellent. Great | :00:50. | :00:55. | |
posture, great control. If Craig has something to say he's not | :00:56. | :01:04. | |
afraid to say it, so to get good comments from him is great. We got | :01:04. | :01:09. | |
four 8s which took us to the top of the leaderboard. Obviously this is | :01:09. | :01:12. | |
Strictly and everything could change next Saturday. This week is | :01:12. | :01:17. | |
Hallowe'en week, so we are dancing the Cha Cha and we are going to be | :01:17. | :01:22. | |
circus Superfreaks. I have told her less cheek and more freak and I | :01:22. | :01:26. | |
know just the place to take her. Where are you taking me? Don't | :01:26. | :01:36. | |
:01:36. | :01:37. | ||
worry, stop asking questions. scared. You should be. Wow. Have | :01:37. | :01:43. | |
you got any tips for me We will show you a few things. You moan | :01:43. | :01:53. | |
:01:53. | :01:57. | ||
about your spins. Can you do that, James? Yeah, easy. That was easy. | :01:57. | :02:02. | |
I'm getting my own back. How do I get down. Leave him there, I have | :02:02. | :02:06. | |
had a really nice afternoon, see you at the live show. That will | :02:06. | :02:14. | |
teach him for being bossy. Hello! Dancing the cha-cha-cha, Denise Van | :02:14. | :02:24. | |
:02:24. | :02:24. | ||
Apology for the loss of subtitles for 163 seconds | :02:24. | :04:10. | |
CHEERING AND APPLAUSE What about that! Couldn't believe | :04:10. | :04:15. | |
it was you two. Craig, start us off. I'm quite | :04:15. | :04:22. | |
partial to a little whip action, darling. But leg to hip action was | :04:22. | :04:28. | |
a bit jolty and wooden, you need to work on that, but the timing as | :04:28. | :04:36. | |
always superb, energy, spins, brilliant. | :04:36. | :04:39. | |
You never disappoint, you always dance to a high standard, but if | :04:39. | :04:44. | |
you are going to wear a short skirt you have got to have really | :04:44. | :04:48. | |
fabulous leg action and it wasn't quite as crisp as I would have | :04:48. | :04:54. | |
liked it. Short skirt and poor legs is not a good combination. I liked | :04:54. | :05:03. | |
it. They looked all right to me. kinky and slinky and all in the | :05:03. | :05:11. | |
best possible taste. The fact is s the most theatrical parts looked | :05:11. | :05:14. | |
very, very well, but it is the basics, the backwards and forwards | :05:14. | :05:19. | |
when you sneed to ignite the leg and get those illustrious hips | :05:20. | :05:25. | |
working, you need to work on that, it is actually the simplest most | :05:25. | :05:28. | |
basic thing you have to get it right. Zur not use today criticism, | :05:28. | :05:38. | |
:05:38. | :05:46. | ||
are you? It's good, I have a lot to I tell you what, we disagree up | :05:46. | :05:51. | |
here, nothing wrong with those legs, fabulous legs. Did you have fun | :05:51. | :05:57. | |
getting your freak on. It was good fun tonight. I was so nervous, it's | :05:57. | :06:01. | |
terrifying. You have been top of the leaderboard for two weeks, do | :06:01. | :06:09. | |
you think you will make it a hat- trick? I don't know. You were good. | :06:09. | :06:13. | |
Still tripped out of the box though. Scores are in. It is time for the | :06:13. | :06:21. | |
judges scores. Craig Revel Horwood... Darcey Bussell... Len | :06:21. | :06:31. | |
:06:31. | :06:34. | ||
Goodman... A great score 28. The highest of | :06:34. | :06:44. | |
:06:44. | :06:56. | ||
I tripped. Let it go, she was brilliant. Three times in a row. | :06:56. | :07:04. | |
Nobody else noticed. Who is next? Next is Michael Vaughan and his | :07:04. | :07:14. | |
partner Natalie "Living Dead" Lowe. Michael told me he took his wife to | :07:14. | :07:24. | |
see the West End -- West Indies play at their home ground. I said | :07:24. | :07:28. | |
to Jamaica? Even for you Bruce, he said, that's a very, very old joke. | :07:28. | :07:32. | |
I said there's always somebody who hasn't heard it, I am going to try | :07:32. | :07:42. | |
:07:42. | :07:46. | ||
and find him. Here they are in I never thought I would be on | :07:46. | :07:50. | |
television in front of 10 million people whipping my trousers off. | :07:50. | :07:55. | |
Hot it was not. Timing issues throughout, it was awkward all the | :07:55. | :08:02. | |
way through. Although I didn't do a great performance in the live, I | :08:02. | :08:06. | |
knew I had a good performance in me if I could calm down with the foot | :08:06. | :08:13. | |
steps. One mistake, you are out of the competition. I am going to save | :08:13. | :08:20. | |
Michael and Natalie. We live to fight another week. When I am | :08:20. | :08:29. | |
training, I can just feel Craig's presence. His comments stay with | :08:29. | :08:39. | |
:08:39. | :08:40. | ||
you all the time. Hello. "Most of the time you look like you are | :08:40. | :08:45. | |
busting for a wee ". There's no-one there. I think I am I am being | :08:45. | :08:52. | |
haunted by Craig's comments. Hot it was not. I need to get home and | :08:52. | :09:01. | |
have a good night's sleep, I will feel better in the morning. Wake up, | :09:01. | :09:06. | |
love, I have had a terrible nightmare. Was it a disaster, | :09:06. | :09:12. | |
darling? Dancing the Quickstep, Michael | :09:12. | :09:22. | |
:09:22. | :09:22. | ||
Apology for the loss of subtitles for 163 seconds | :09:22. | :11:17. | |
CHEERING AND APPLAUSE Look at that, that's worth 100 runs. | :11:17. | :11:25. | |
Beautiful! They loved it. You surprised everybody and | :11:25. | :11:30. | |
yourself. You must have had a wonderful week. I hear you have | :11:30. | :11:34. | |
learnt a few magic tricks, would you like to show us. I have been | :11:34. | :11:44. | |
:11:44. | :11:49. | ||
working on one all week, ab ra ka APPLAUSE Do we need to say | :11:49. | :11:56. | |
anything? Do you still want to comment? Ballroom is your thing, | :11:56. | :12:04. | |
Michael. Well done, well done both of you. Your hold, all the way | :12:04. | :12:08. | |
through, top line was beautiful, you didn't let go, you got tired a | :12:08. | :12:14. | |
little at the end, but it didn't faze you at all. Even at that speed, | :12:14. | :12:18. | |
the Quickstep, your feet were light, precise, there was no messy | :12:18. | :12:28. | |
transitions. The best thing is that cheeky grin, that sold it to me. By | :12:28. | :12:36. | |
the end you were a a Cheshire cat. The posture great. What I think is | :12:36. | :12:41. | |
this, last week you were this close to going out of the competition. I | :12:41. | :12:45. | |
am so glad you didn't, because we woonlt have got -- wouldn't have | :12:45. | :12:49. | |
got an opportunity to see this fabulous performance. One more | :12:49. | :12:53. | |
thing, I know week one you said you want to get a 7 from Len, this | :12:53. | :13:02. | |
could be the night. Promises. was more than magical, it was a | :13:02. | :13:11. | |
miracle. It was like Darren Gough all of a sudden. On hold, you were | :13:11. | :13:14. | |
just incredible, I cannot believe what we have seen, what a | :13:14. | :13:24. | |
:13:24. | :13:48. | ||
transformation. Craig. You have worked your magic this | :13:48. | :13:52. | |
week. It's a miracle, the judges said it was a miracle. You have | :13:52. | :13:59. | |
gone from dance-off to standing ovation in a week. Bravo. This girl. | :13:59. | :14:03. | |
Was the dance-off the push you needed? I have worked really hard | :14:03. | :14:07. | |
for all the weeks but this week we lived on the dance floor. I wanted | :14:07. | :14:11. | |
to improve and I think I have done that this week. It is down to this | :14:11. | :14:15. | |
girl. She trains me hard and knows exactly the way I like to be taught, | :14:15. | :14:24. | |
so cheers. That sounded dodgy, that! You magicked up some tens, do | :14:24. | :14:28. | |
you think we might get some from real real? I think that is jumping | :14:28. | :14:32. | |
a bit at this stage. They were happy though. | :14:33. | :14:39. | |
The judges scores are in. Craig Revel Horwood... | :14:39. | :14:48. | |
Darcey Bussell... Len Goodman... | :14:48. | :14:58. | |
:14:58. | :15:12. | ||
Highest score by a mile so far for you. Excuse me. This is a dream. | :15:12. | :15:22. | |
:15:22. | :15:33. | ||
What about that for a turn around. Our next couple is Victoria | :15:33. | :15:42. | |
Pendleton and her partner Brendan "Kooky" Cole. Very popular couple. | :15:42. | :15:47. | |
Last week Victoria had a wardrobe malfunction when she caught the hem | :15:47. | :15:50. | |
of her dress. I hope it doesn't happen again, I know it is | :15:50. | :15:58. | |
Hallowe'en, but we don't want to see a full moon. | :15:58. | :16:07. | |
Len does. Here they are in training. I was really looking forward to the | :16:07. | :16:12. | |
rhumba last Saturday. But on the night it started off quite romantic | :16:12. | :16:18. | |
and intense and ended up a bit comical at the end. She got her | :16:18. | :16:24. | |
foot stuck in the dress. It threw us both, not just Victoria and we | :16:24. | :16:29. | |
had a malfunction with the scarf around the neck. Just when you were | :16:29. | :16:34. | |
starting to sizzle, you nearly boiled over. Rome wasn't built in a | :16:34. | :16:40. | |
day. I have a competitive girl on my hand, she is world and Olympic | :16:40. | :16:43. | |
champion, so I have come up with something to get her in the | :16:43. | :16:48. | |
Hallowe'en mood. Welcome to the Hallowe'en games with your host | :16:48. | :16:53. | |
Colin Jackson. Our creepy competitors are Brendan Cole from | :16:53. | :17:03. | |
the all Black Cats and Victoria Pendleton from teem heebie-jeebies. | :17:03. | :17:06. | |
They're off, they have made a strong start. It is vital to keep | :17:06. | :17:13. | |
the eye ball on the spoon. Brendan has dropped it. So close. But | :17:13. | :17:19. | |
Brendan Cole has just edged it. Next up, it is apple bobbing, | :17:19. | :17:29. | |
Brendan up first. Great technique on display there. She dunks him. | :17:29. | :17:35. | |
Completely monsterous move by Pendleton. Disqualification. Look | :17:35. | :17:42. | |
how he humbly he accepts his award. Dancing the Tango, Victoria | :17:42. | :17:52. | |
:17:52. | :17:52. | ||
Apology for the loss of subtitles for 163 seconds | :17:52. | :19:33. | |
MUSIC: CHEERING AND APPLAUSE That was | :19:33. | :19:40. | |
lovely, loved the eyes. I have faith in you, you have to | :19:40. | :19:46. | |
faith in yourself, this was a proper Tango, no larking about at | :19:46. | :19:50. | |
the start, sharp and crisp, I know there was a moment over there but I | :19:50. | :19:55. | |
don't care because the whole feeling of it was good, well done. | :19:55. | :20:03. | |
Big smile. Even with those eyes. loved the haunting beauty with a | :20:03. | :20:10. | |
hint of madness, gothic melodrama, great choreography, I loved it. And | :20:10. | :20:18. | |
your spins, you got it right. lost a little bit of posture, your | :20:18. | :20:24. | |
hand needs to be a bit flatter to the floor but I thought the routine | :20:24. | :20:32. | |
was brilliant, excellent. Darcey. Victoria, it was wonderful to see | :20:32. | :20:39. | |
that fight in you, the musicality was brilliant, you were the true | :20:39. | :20:49. | |
:20:49. | :21:03. | ||
She deserves that Brendan. You look hauntingly beautiful, properly sold | :21:03. | :21:07. | |
that. Craig actually said brilliant. Amazing comments from the judges. | :21:07. | :21:12. | |
Are you starting to have fun now on the Strictly dance floor. I am | :21:12. | :21:16. | |
enjoying it so much, it is really nerve-racking but I don't want it | :21:16. | :21:23. | |
to end, I want to stay in. After that you might. Ladies and | :21:23. | :21:30. | |
gentlemen, the judges have their scores. Craig Revel Horwood... | :21:30. | :21:40. | |
:21:40. | :21:47. | ||
Darcey Bussell... Len Goodman... That deserves a hug. Get you, 31, | :21:47. | :21:54. | |
joint highest on the leaderboard. Victoria has been having nightmares | :21:54. | :22:04. | |
:22:04. | :22:17. | ||
about leaving the ballroom. She Not long to wait, only three | :22:17. | :22:25. | |
couples left. Next is the couple, Colin Salmon and his partner | :22:25. | :22:35. | |
:22:35. | :22:36. | ||
Kristina Rhianoff. Znchtss one of the many Hollywood films Colin has | :22:36. | :22:40. | |
starred in was called Resident Evil. Resident Evil, Craig, did you know | :22:40. | :22:48. | |
they had made a film about you?! They didn't release it, did they? | :22:48. | :22:58. | |
:22:58. | :22:59. | ||
No, darling, they didn't release it. They were my first lifts, | :22:59. | :23:04. | |
thankfully the gods of dance smiled down on us. Everything worked out. | :23:04. | :23:10. | |
Amazing. I thought the lifts were spectacular and you really went for | :23:10. | :23:14. | |
it and they weren't easy so fantastic. Good to be in the top | :23:14. | :23:21. | |
half. It is important we keep upping the game. This week | :23:21. | :23:27. | |
Hallowe'en, I am dancing the salsa to Superstition. I will be playing | :23:27. | :23:37. | |
:23:37. | :23:37. | ||
a wizard and Kristina my cat, purrrfect. A few problems with | :23:37. | :23:42. | |
lifts. I slipped off his hands and ended up on the floor banging my | :23:43. | :23:48. | |
step. One wrong step and it all goes... | :23:48. | :23:53. | |
I am doing everything I can to make sure luck is on my side. I have | :23:53. | :23:57. | |
been skipping over cracks in the pavement. I have been dodging | :23:57. | :24:05. | |
ladders. I have even been avoiding Black Cats crossing my path. Hello | :24:05. | :24:14. | |
partner. My journey to work was weird, all these bad luck. We can't | :24:14. | :24:24. | |
:24:24. | :24:24. | ||
Apology for the loss of subtitles for 163 seconds | :24:24. | :26:17. | |
Dancing the salsa, Colin Salmon and You are quite a team, you two. You | :26:17. | :26:24. | |
are developing so well, both of you. You need to concentrate more on | :26:24. | :26:29. | |
your foot work, the foot work for me was a bit haphazard, wasn't | :26:29. | :26:33. | |
landing either one way or the other and I was nervous when you were | :26:33. | :26:38. | |
going into lifts. Looked a bit messy, very flat-footed all the way | :26:38. | :26:43. | |
through, but the positive side is you do have that disco groove going | :26:43. | :26:53. | |
:26:53. | :26:54. | ||
on, which is really lovely to watch. For me, I liked the long arms and I | :26:54. | :26:59. | |
liked the added hand movements, you get these clicks in occasionally. | :26:59. | :27:03. | |
Maybe it wasn't a dirty salsa but it was definitely a saucy salsa | :27:03. | :27:12. | |
this time. Colin you are getting there. It had a lovely rhythm going | :27:12. | :27:17. | |
throughout and I was very encouraged, but it wasn't just a | :27:18. | :27:26. | |
little mistake, there was a major incident, it was still up there, it | :27:26. | :27:32. | |
was just, if it was one thing, but this was a serious... I liked it | :27:33. | :27:42. | |
:27:43. | :27:50. | ||
though Colin. They all loved it as Did we miss something that Len was | :27:51. | :27:54. | |
talking about? You missed nothing at all. We did miss it, let's | :27:54. | :27:59. | |
forget about it. You promised us last week you were going to get | :27:59. | :28:05. | |
dirty, you delivered is saucy salsa s that your thing? I like clubbing. | :28:05. | :28:11. | |
We were clubbing with you Colin. Those lifts were very technical, | :28:11. | :28:15. | |
very ambitious. Kristina is pushing you hard. She works as hard as | :28:15. | :28:20. | |
anybody I have ever met in my life. I feel right to aspire to her. | :28:20. | :28:25. | |
are the master of the lift. It is time to get the scores from the | :28:25. | :28:34. | |
judges. Craig Revel Horwood... Darcey Bussell... | :28:34. | :28:42. | |
Len Goodman... Bruno Tonioli... | :28:42. | :28:52. | |
:28:52. | :29:01. | ||
24. What do you think, did Colin Who is the next couple? | :29:01. | :29:11. | |
Our next couple is Louis Smith and his partner Flavia Cacace. A very | :29:11. | :29:15. | |
popular couple here. There was a bit of a crisis back stage earlier. | :29:15. | :29:20. | |
The celebs were organising some apple bobbing. I love all that. | :29:20. | :29:24. | |
Louis Smith asked me what sort of apple I would like. I said I really | :29:24. | :29:34. | |
:29:34. | :29:36. | ||
fancy a Granny Smith. Louis Smith Granny Smith. He punched me on the | :29:36. | :29:42. | |
nose and missed and hit me on the chin. That will teach him. Here | :29:42. | :29:52. | |
:29:52. | :29:55. | ||
The comments from Bruno are priceless. You can stretch those | :29:55. | :30:03. | |
legs! Taking off. I think you are great. We got to the end of the | :30:03. | :30:10. | |
routine and I was thinking please don't mess it up. It was scary. | :30:10. | :30:20. | |
:30:20. | :30:20. | ||
When I was up there it was pure relief. It was fantastic. | :30:20. | :30:25. | |
Strictly does Hallowe'en, I am going to be dancing to Disturbia. I | :30:25. | :30:35. | |
need a break. You can have a break in 28 hours when this dance is over. | :30:35. | :30:45. | |
:30:45. | :30:56. | ||
Flavia, hello? Where is everybody? Flavia? Flavia? Is that you Flavia? | :30:56. | :31:00. | |
I had a horrible dream, 28 hours had passed, I missed the live show | :31:00. | :31:05. | |
and you were a zombie. You poor thing, let's do some dancing to | :31:05. | :31:13. | |
make you feel better. Dancing the Tango, Louis Smith and | :31:13. | :31:23. | |
:31:23. | :31:23. | ||
Apology for the loss of subtitles for 163 seconds | :31:23. | :33:12. | |
CHEERING AND APPLAUSE A bit of acting there. Those eyes. | :33:12. | :33:22. | |
:33:22. | :33:24. | ||
Those are scary eyes. Craig, start us off. I loved it! | :33:24. | :33:32. | |
However, one thing bothered me and that's your thumb, darling. At | :33:32. | :33:37. | |
Flavia's back it is sticking up like that, get it down. He was | :33:37. | :33:46. | |
looking at you and saying is it all right? Darcey. Lewis, spookily good, | :33:46. | :33:52. | |
a wonderful beginning, a great end, but even a more fabulous middle. | :33:52. | :33:56. | |
It's like two different people you were playing there. Just watch it | :33:56. | :34:03. | |
in the kicks, you mustn't have a higher leg than your girl. No, no, | :34:03. | :34:12. | |
no but the best Tango of the night. A good point. Len. I know the | :34:12. | :34:17. | |
clocks go back tonight but I wish they could go back right now and I | :34:17. | :34:21. | |
could have another look at that, because it was fabulous. What a | :34:21. | :34:28. | |
lovely thing to say. I always say lovely things. That really was a | :34:28. | :34:34. | |
Tango with a bite. I'm telling you, seemless transitions from character | :34:34. | :34:40. | |
into dance. We had an amazing execution, really, the first killer | :34:40. | :34:46. | |
tango of the season. Flavia, I know you are a lot to do with that, you | :34:46. | :34:50. | |
have a wonderful partner there, it was marvellous, come on, we all | :34:50. | :35:00. | |
:35:00. | :35:11. | ||
That was properly spooky, just the eyes alone. Sorry. It worked, do | :35:11. | :35:16. | |
not apologise. He is a friendly zombie. You smashed it last week | :35:16. | :35:21. | |
and again tonight. How did that feel? It felt really good. Very | :35:21. | :35:25. | |
nervous, the spookiness of Hallowe'en. But we did well. Joined | :35:25. | :35:30. | |
us a few weeks ago, you are not an actor, are you finding that inner | :35:30. | :35:35. | |
actor now? I think so, I think with the romantic side I struggle, but | :35:35. | :35:41. | |
this is an act I can let go with. Are you worried his high kick is | :35:41. | :35:49. | |
higher than yours? We worked on matching it. Worp working on her | :35:49. | :35:59. | |
:35:59. | :36:23. | ||
CHEERING AND APPLAUSE Our first nines. Highest score of | :36:23. | :36:33. | |
:36:33. | :36:45. | ||
the night. Three nines ladies and Not long to wait now, only one more | :36:45. | :36:53. | |
petrifying performance to go. Amazing. | :36:53. | :36:58. | |
Now the final couple tonight is Kimberly Walsh and her partner | :36:59. | :37:06. | |
Pasha Kovalev. I wonder what spooky shenanigans they have in store for | :37:06. | :37:15. | |
us. Here they are in training. Saturday night was amazing. I loved | :37:15. | :37:19. | |
the whole Hollywood theme and threw myself into it. We were determined | :37:19. | :37:27. | |
to make a better performance for Len to be happy. Good news from | :37:27. | :37:33. | |
goodman. It meant a lot we had shown him we had improved, stepped | :37:33. | :37:39. | |
up a bit and were making progress, mission accome accomplished. It was | :37:39. | :37:44. | |
my favourite week so far and we got our best score. Last week we had to | :37:44. | :37:48. | |
get happy, but this week is Hallowe'en week, so I have to get | :37:48. | :37:55. | |
scared. We are dancing a Paso Doble to Hungry Like The Wolf. I am | :37:55. | :38:02. | |
supposed to be a very, very scary wolf. I think Pasha is more like a | :38:02. | :38:07. | |
puppy dog than a wolf. You really need to get scared. It's time to | :38:07. | :38:17. | |
:38:17. | :38:28. | ||
Kimberly, rats. They're cute. Just like you. That is so lame. There's | :38:28. | :38:38. | |
:38:38. | :38:42. | ||
nothing you can do to scare me. Dancing the Paso Doble, Kimberly | :38:42. | :38:52. | |
:38:52. | :38:52. | ||
Apology for the loss of subtitles for 163 seconds | :38:52. | :40:43. | |
Well done, both of you. It was great. Red Riding Hood and you | :40:43. | :40:48. | |
nasty wolf. Darcey. I think the first thing that hit me | :40:48. | :40:54. | |
straightaway is the eyes, the intensity, the scared beautiful Red | :40:54. | :41:00. | |
Riding Hood, sold it for me all the way through. But I enjoyed the kick | :41:00. | :41:10. | |
:41:10. | :41:12. | ||
with your leg, great attack. But generally, very, very nice. It was | :41:12. | :41:18. | |
a very, very competent performance as far as I was concerned. I would | :41:18. | :41:22. | |
have liked just a taed more aggression here and there. At the | :41:22. | :41:26. | |
beginning, it was as though you were popping off to Sainsbury's, I | :41:26. | :41:33. | |
wanted more scary early on, but once you got into the dance, lovely, | :41:33. | :41:43. | |
:41:43. | :41:44. | ||
lovely shaping. Well done. Who is not afraid of the big bad wolf. Not | :41:44. | :41:49. | |
her. It was a bit like twilight at times. There was a bit of red | :41:49. | :41:54. | |
hiding hood and twilight, love and hate, attraction, beauty and the | :41:54. | :42:00. | |
beast, your lines were excellent. The extension was beautiful. Very, | :42:01. | :42:09. | |
very well done. Lovely lines. Craig. I have got to agree, it was fiery, | :42:09. | :42:17. | |
punchy, fantastic shaping, I really, really loved it. Looks good. Do I | :42:17. | :42:27. | |
:42:27. | :42:41. | ||
Sexy Red Riding Hood. I am quite afraid of the big bad wolf that is | :42:41. | :42:47. | |
Pasha. I'm not, look at him. I am scary. She is not afraid. I have | :42:47. | :42:53. | |
been scared all day, stay behind the sofa please. Good couple of | :42:53. | :42:58. | |
weeks, do you feel you have found your Strictly stride. I am working | :42:58. | :43:02. | |
really hard, putting as many hours in as possible and things are | :43:02. | :43:07. | |
starting to sink in. I am really enjoying it. That was a sexy Paso | :43:07. | :43:15. | |
Doble. With Girls Aloud, so does it come easy to you, something you do | :43:15. | :43:19. | |
in your day job? I wasn't really thinking about being sexy, I was | :43:19. | :43:26. | |
trying to go with the whole theme of the song. Being scared. Scores | :43:26. | :43:36. | |
:43:36. | :43:57. | ||
31. His claws are falling off. It's in the cauldron. That is your | :43:58. | :44:07. | |
:44:08. | :44:17. | ||
O Get your witches fingers ready toe dial because the lines are open | :44:17. | :44:21. | |
in a few moments. All our dancers have done their work. Let's look at | :44:22. | :44:31. | |
:44:32. | :44:40. | ||
Of course, that is only half the story. You can save your favourites | :44:40. | :44:50. | |
:44:50. | :44:52. | ||
from the terror of the dance-off. The lines will close at 8.45 | :44:52. | :45:02. | |
:45:02. | :45:07. | ||
Here is reminder of tonight's performances and the all-important | :45:07. | :45:17. | |
:45:17. | :45:17. | ||
Apology for the loss of subtitles for 163 seconds | :45:17. | :48:42. | |
Thank you all for a great show. What a night. It was very | :48:42. | :48:45. | |
frightening, but fang-tastic. our stars need your votes if they | :48:45. | :48:48. | |
are going to stay in the competition. Lines close at the | :48:48. | :48:52. | |
stroke of 8.45 tonight. Get dialling. Those votes will be | :48:52. | :48:55. | |
combined with the judges scores to find out who will be in the bottom | :48:55. | :49:00. | |
two. Tomorrow night the two creepy crumbs with the lowest scores will | :49:00. | :49:05. | |
face each other in the dance-off. Then one couple will vannish | :49:05. | :49:13. |