Week 4 Strictly Come Dancing


Week 4

Similar Content

Browse content similar to Week 4. Check below for episodes and series from the same categories and more!

Transcript


LineFromTo

$:STARTFEED THIS PROGRAMME CONTAINS SCENES OF REPETITIVE FLASHING

:00:08.:00:14.

IMAGES (eg strobe lighting) Last weekend our 13 stars saw their

:00:14.:00:21.

names up in lights in a Hollywood extravaganza.

:00:21.:00:28.

There was high octane action. There was feel-good family fun.

:00:28.:00:36.

Brilliant! That was excellent. There were costume dramas. But for

:00:36.:00:41.

one screen Goddess there would be no sequel. The thing would have

:00:41.:00:49.

been better behind the screen. Tonight, boys and ghouls, we have a

:00:49.:00:53.

fright-tastic show for you and our celebs are running scared. No-one

:00:53.:00:58.

can hide. No-one is safe. Because on Strictly's Hallowe'en Special,

:00:58.:01:03.

anything can happen. For one of our celebrities, it will

:01:03.:01:13.

be the final nail in the coffin. Get ready for a spooktacular show.

:01:13.:01:23.
:01:23.:01:53.

It's Strictly Come Dancing CHEERING AND APPLAUSE

:01:53.:02:00.

This is the Strictly Come Dancing Hallowe'en Special.

:02:00.:02:10.
:02:10.:02:10.

Apology for the loss of subtitles for 163 seconds

:02:10.:04:54.

APPLAUSE Live from Television Centre, please

:04:54.:05:04.
:05:04.:05:15.

welcome your hosts Sir Bruce How about that! Aren't they a

:05:15.:05:21.

lovely crowd. What an opener. Really wonderful start. Good

:05:21.:05:25.

evening ladies and gentlemen and children welcome to Strictly Come

:05:25.:05:32.

Dancing. It's nice to see you to see you NICE. It is Hallowe'en.

:05:32.:05:36.

That explains it. Don't get over- excited. I have been haunted all

:05:36.:05:45.

the week. What happened? Well, it was a dark and stormy night. I was

:05:45.:05:51.

awoken by a distant howling coming from the garden.

:05:51.:06:01.
:06:01.:06:05.

I opened the bedroom door. I went down the stairs. I couldn't see

:06:05.:06:12.

where I was going. I put on the lights. (Striking a match)

:06:12.:06:18.

I don't need a match to put on the lights, for goodness sake. We do

:06:18.:06:26.

have electricity in Surrey. What happened then? I went to the back

:06:26.:06:33.

door and there peering through the window was a terrifying sight. A

:06:33.:06:40.

poor tortured soul screaming "I left this world before my time, I

:06:40.:06:46.

left this world before my time!" What did you say. I said the judges

:06:46.:06:56.
:06:56.:07:05.

That got a bigger laugh than I thought.

:07:05.:07:10.

We are all in for a Hallowe'en treat tonight as our 12 girls and

:07:10.:07:15.

ghouls bring their scariest thrills and chills to this haunted ballroom.

:07:16.:07:19.

Tonight is not for those with a nervous disposition as our couples

:07:19.:07:27.

will face their greatest fear of leaving Strictly forever.

:07:27.:07:33.

SCREAMING. I can hear our celebs wailing in terror back stage. The

:07:33.:07:38.

nightmare has only just begun. Because, are you shaking or is it

:07:38.:07:48.
:07:48.:07:57.

me? I'm terrified. Because it's From Girls Aloud, Kimberly Walsh

:07:57.:08:03.

and her partner Pasha Kovalev. Westlife's Nicky Byrne and Karen

:08:03.:08:09.

Hauer. Fern Britton and Artem Chigvinstev. Cricket legend Michael

:08:09.:08:14.

Vaughan and Natalie Lowe. Soap star Lisa Riley and her

:08:14.:08:20.

partner Robin Windsor. Olympic gymnast Louis Smith and his

:08:21.:08:29.

partner Flavia Cacace. Dani Harmer and Vincent Simone. Sid

:08:29.:08:38.

Owen and and Ola Jordan. Dennis Van Outen and James Jordan. Richard

:08:38.:08:44.

Arnold and Erin Boag. Cyclist Victoria Pendleton and her partner

:08:44.:08:49.

Brendan Cole. Film and TV star Colin Salmon and his partner

:08:49.:08:59.
:08:59.:09:14.

There they all are. Yes, tonight you will be seeing many different

:09:14.:09:24.
:09:24.:09:32.

styles of dance, xept Gangnam Style. MUSIC: Gangnam Style.

:09:32.:09:39.

Stop it! I don't get much chance to dance on

:09:39.:09:48.

this show. That was my solo. That got the blood pumping. You did it

:09:48.:09:54.

very well. Tonight these 12 couples face a night of blood-curdling

:09:54.:09:58.

ballroom with our cut-throat judges scoring their every move. Those

:09:58.:10:03.

scores will be combined with your votes and two of our couples will

:10:03.:10:10.

face the fate worse than death, the deadly disgusting dance-off.

:10:10.:10:15.

If you want to hear voices from above during the performances press

:10:15.:10:21.

your red button from commentary from Karen hardier and Larry --

:10:21.:10:28.

Karen Hardy and Larry lamb. If you want to hear their words of

:10:28.:10:37.

wisdom press your red button now. The first fearless couple tonight

:10:37.:10:45.

is Dani Harmer and her partner Vincent spooky Simone.

:10:45.:10:50.

Here they are in training. Last Saturday I was a bit nervous

:10:50.:10:53.

whether my feet would do the right thing. I seemed to pull it off

:10:53.:11:02.

somehow. Take those red shoes and walk down the yellow brick road

:11:02.:11:09.

into next week, that was great. Having Betty was brilliant until

:11:09.:11:15.

she bit Vincent. Time finding myself dancing with another dog,

:11:15.:11:22.

which could be Scooby Doo. This week is Strictly does heel wean and

:11:22.:11:25.

there is a -- Hallowe'en and there is a spooky feeling in the dance

:11:25.:11:33.

room. It feels like there's someone else, someone watching. With all

:11:33.:11:40.

the spooky stuff going on in the training room, me and Vincent have

:11:40.:11:50.
:11:50.:12:20.

That was close. Let's get out of Dancing the cha-cha-cha, Dani

:12:20.:12:30.
:12:30.:12:30.

Apology for the loss of subtitles for 163 seconds

:12:30.:14:05.

APPLAUSE I would have got away with it if it

:14:05.:14:15.
:14:15.:14:25.

Thank you Anton! An extra. Of course we have our judges, Craig,

:14:25.:14:31.

Darcey, Len and Bruno. Remember last week we made Craig dress up as

:14:31.:14:34.

the Tin Man and implied he doesn't have a heart. I would like to

:14:34.:14:39.

apologise for that. Of course Craig has a a heart. At least I hope he

:14:39.:14:49.
:14:49.:14:52.

has, otherwise where do we put the If that dance was some food, it

:14:52.:15:00.

would be a sausage sandwich. Tasty, satisfying and sets you up for the

:15:00.:15:02.

day ahead. I thought it was terrific.

:15:02.:15:11.

APPLAUSE You like a sausage sandwich. Bruno

:15:11.:15:19.

what did you think? I can't look at Vincent. I thought I was watching

:15:19.:15:26.

Loose Women. He looks like Denise Welch!

:15:26.:15:31.

Anyway, it was really spirited fun, nice and tight foot work, very well

:15:31.:15:34.

placed. What you have to do in Latin, you have to do what you did

:15:34.:15:38.

last week in ballroom. Remember when you started to extend the line

:15:38.:15:41.

and make it smoother and bigger, because sometimes you tend to

:15:41.:15:45.

tighten it up a bit. Your timing is good, your placement is good. Now

:15:45.:15:53.

it needs to be expanded a bit more. Craig, what did you think? It was

:15:53.:15:58.

clean, fantastic spins as always and fast foot work, I have to agree

:15:58.:16:02.

with Bruno, you must extend through your lines. You have got to

:16:02.:16:07.

accentuate the finishes, otherwise it doesn't look right. You were

:16:07.:16:15.

also very late with your arms in the first New York thing. BOOING

:16:15.:16:19.

No, if you can do something that fast and achieve that many moves,

:16:19.:16:29.

that was amazing. You even created the moves all the

:16:29.:16:39.
:16:39.:16:40.

time. You are wrong. You are wrong. Only one thing, over exaggerate

:16:40.:16:44.

those hips but with that speed, you got so much in there, amazing.

:16:44.:16:54.
:16:54.:17:05.

bit more definite. Off you go, it You should have heard the giggling

:17:05.:17:14.

going on up here, you two. You look great with a bob, Dani. What about

:17:14.:17:18.

me. The monster on stage was on Anton, no, I looked like the

:17:19.:17:26.

monster. It's different, it's a whole new you. Why do you still

:17:26.:17:31.

look so scared when you are getting the judges' comments? It is a

:17:31.:17:34.

terrifying thing. I don't know, I dread what they are going to say.

:17:34.:17:39.

It is Hallowe'en, they might be worse. Be ware, they're going to be

:17:39.:17:45.

evil tonight. Despite Anton's best efforts, that went well, is that

:17:45.:17:49.

the most fun you have had? Definitely. But trying to keep a

:17:49.:17:53.

straight face dancing with this is very difficult. Scores are in.

:17:53.:18:02.

Time to get the scores from the judges. Craig Revel Horwood...

:18:02.:18:12.
:18:12.:18:12.

Darcey Bussell... Len Goodman...

:18:12.:18:22.
:18:22.:18:27.

Stls' two ways to call and vote for your favourites. It will cost you

:18:27.:18:37.
:18:37.:18:49.

Who's that? Back to you Bruce.

:18:49.:18:59.
:18:59.:18:59.

Our next couple is Richard Arnold and his partner Erin.

:18:59.:19:05.

Erin "Bogey Man" Boag. Richard just loves Hallowe'en. He likes nothing

:19:05.:19:10.

better than telling scary stories beside the camp fire. I said how do

:19:10.:19:15.

you make a camp fire. He said "You make an ordinary fire and then I

:19:15.:19:23.

sit buy it ". APPLAUSE

:19:23.:19:32.

Here they are in training. The Quickstep was great. I didn't

:19:32.:19:38.

mind it actually. Is that you? I didn't mind it, I am going to have

:19:38.:19:44.

that up in lights. A lot of improvement, foot work was better.

:19:44.:19:51.

Your best dance so far. I feel good this week. I have no idea what

:19:51.:20:01.
:20:01.:20:01.

fresh hell awaits me, but I feel good. Hallowe'en week, dancing the

:20:01.:20:08.

Paso Doble to O Fortuna, not exactly a floor-filler. This music

:20:08.:20:15.

is driving me mad. It's completely warped my view of reality. I hear

:20:15.:20:22.

it when I am getting ready for training. I hear it on the way to

:20:22.:20:32.

the dance studio. I only wanted an autograph. Wherever I am, whatever

:20:32.:20:39.

I am doing, I hear it. I am late for training, is Erin in? He is in

:20:39.:20:44.

a funny mood today. Erin my nerves are shredded. I have been trying to

:20:44.:20:54.
:20:54.:20:54.

Apology for the loss of subtitles for 163 seconds

:20:54.:22:52.

Dancing the Paso Doble, Richard APPLAUSE

:22:52.:23:02.
:23:02.:23:10.

What about that. Wasn't that great. Look at this. That was marvellous.

:23:10.:23:15.

The fire was terrific. But only half cooked my sausage and I love a

:23:15.:23:20.

well done sausage. If you are in the dance-off you can finish it off

:23:20.:23:30.
:23:30.:23:32.

for me. Oh, the drama, you were like Gary Newman in a bad temper.

:23:32.:23:38.

But it's the lines, the lines, the artists with the posture and timing.

:23:38.:23:42.

Those were not quite there. Actually, you went for all the

:23:42.:23:46.

content which is good, the execution was not really refined as

:23:46.:23:49.

it should have been, because those shoulders have to be down. The

:23:49.:23:55.

lines have to be out. The timing has to be good. You went for drama.

:23:55.:24:04.

The acting was there. Yes, Gary Newman in a coma.

:24:04.:24:09.

That was unkind. I thought the cape work at the top

:24:09.:24:14.

was very good and the turn out of it was good.

:24:14.:24:18.

However, darling, it needs to be a lot more earthed and by that you

:24:18.:24:28.

need to dance into and through the floor a lot more. It needs a strong

:24:28.:24:34.

preparation and then height and also a finish, a nice lunge finish

:24:34.:24:41.

and nice skiesor action. There needs to be a lot more arch to this

:24:41.:24:45.

dance. You need to spot on your turns, otherwise they look terrible.

:24:45.:24:55.
:24:55.:25:00.

The character you definitely were spooky, the most spooky matador I

:25:00.:25:07.

have ever seen. I can see you have worked very hard. But the tilt in

:25:07.:25:17.
:25:17.:25:17.

the hips, I need more of that. If you clench your your glut muscles.

:25:18.:25:22.

That will create a better tilt when you strut your stuff around the

:25:22.:25:25.

dance floor. I like the character, you held on to that all the way

:25:25.:25:33.

through. Len. I didn't know what Craig was

:25:33.:25:43.
:25:43.:25:44.

saying, I was yawning at the time. You great big butch bull fighter.

:25:44.:25:49.

That was difficult music. You got right into character with it. But

:25:49.:25:57.

they are right, you have got to get those tight buttocks. I used to put

:25:57.:26:01.

a coin up my bum. They could have done with a bit more shaping, but

:26:01.:26:08.

what I loved, you come out and you give it some. That's a Paso Doble.

:26:08.:26:14.

Good on you. You haven't got any change on you,

:26:14.:26:24.
:26:24.:26:41.

You mighty matador, stand there. have to get back back into

:26:41.:26:48.

character. There was no mincing out there in the Paso Doble, no mincing.

:26:48.:26:52.

Pure macho, never mind the mincing. Len said you butch bull fighter.

:26:52.:27:00.

know. How do you embrace your dominant side. I called Sinita.

:27:00.:27:06.

macho! Some of the judges may not have liked it but the crowd were on

:27:06.:27:12.

their feet, they loved it. Were they getting up to leave? It was an

:27:12.:27:18.

ovation. Do you think you have done enough this week to avoid the

:27:18.:27:28.
:27:28.:27:28.

dance-off? Yeah! If we have to go again, we have to go again. Thank

:27:28.:27:32.

you for supporting us. The scores are in.

:27:32.:27:39.

The judges scores: Craig Revel Horwood.

:27:39.:27:49.
:27:49.:27:50.

Darcey Bussell... Len Goodman...

:27:50.:27:55.

Bruno Tonioli... Len is loving the butch bull

:27:55.:28:02.

fighter. He can have some more of If you don't think Richard deserves

:28:02.:28:07.

to be sent to the strictly graveyard, keep him in the land of

:28:07.:28:17.
:28:17.:28:25.

Happy with the choice of music now. Bruce, who's next?

:28:25.:28:35.
:28:35.:28:40.

Next up is Lisa Riley and her I bumped into Lisa earlier on today

:28:40.:28:45.

and she said I love your Hallowe'en face, those blood shot eyes, the

:28:45.:28:50.

could be webs under the nose, that spooky pointy chin. Have you just

:28:50.:28:56.

come out of make-up. I said no, I was just going in!

:28:56.:29:06.
:29:06.:29:09.

Shut up. Anyway, here they are in On Saturday night we got another

:29:09.:29:19.
:29:19.:29:21.

standing ovation and we just can't believe it. That was brilliant. I

:29:21.:29:29.

was Missing the spring and bounce. I will work on that, I promise

:29:29.:29:36.

Darcey. You can do a fun routine but if the feet aren't right Len

:29:36.:29:41.

won't be happy and I promised him I will get my feet right.

:29:41.:29:47.

We are doing the Charleston to the song Witch Doctor. Robin is my

:29:47.:29:51.

pupil and I am the witch. She is meant to be teaching me witch craft

:29:51.:30:01.
:30:01.:30:09.

so I am going to take her on a trip Wow. Where are we? I have brought

:30:09.:30:13.

Lisa to the Warner Brothers studio tour in London. We have come to the

:30:13.:30:23.
:30:23.:30:28.

making of Harry Potter. Let's drink What happens' happening? Look, you

:30:28.:30:38.
:30:38.:30:39.

can dance. Whatever was in that potion was working. Dancing the

:30:39.:30:49.
:30:49.:30:49.

Apology for the loss of subtitles for 163 seconds

:30:49.:32:45.

Charleston, Lisa Lisa rilely and You are amazing, you really are.

:32:46.:32:51.

What a couple you are. While you catch your your breath, it's about

:32:51.:32:55.

time to welcome our fabulous singers, Dave Arch and his

:32:55.:33:03.

wonderful, wonderful orchestra. Are you all right? Have you got

:33:03.:33:07.

over the flu? I can't believe he got dressed up

:33:07.:33:11.

for that. Craig, start with you. thought it was acted well but

:33:12.:33:16.

danced poorly. BOOING

:33:16.:33:21.

There was no cross whatsoever and your left foot was not happening at

:33:21.:33:25.

all, you were doing step touch step back and there should be a cross

:33:25.:33:30.

and swivel on each one of those steps. Otherwise it's not a

:33:30.:33:40.
:33:40.:33:40.

Charleston. Mixed reaction there. No, that was the fastest Charleston

:33:40.:33:46.

I have ever seen, amazing. It could have become very messy but you

:33:46.:33:50.

pulled it off. He's right on some of the swivels they were missing a

:33:50.:33:55.

bit, but it wasn't that messy. You did give me back your spring and

:33:55.:34:05.

energy, thank you very much. You do a beautiful job. Quite a tempo.

:34:05.:34:13.

thought it had plenty of ting tang, it was just what you want. It is a

:34:14.:34:18.

Charleston but it is a parody of a Charleston and I thought it was

:34:18.:34:27.

great, well done. What about you Bruno? Yes, my darling. You were

:34:27.:34:33.

going at it like a spinning Banshee, God that was quick. The face, it

:34:33.:34:43.
:34:43.:34:44.

was facial aerobics. Oh, something happened. I am telling you, nobody

:34:44.:34:50.

would ever be scared of you. I have broken the set. Because you are so

:34:50.:34:55.

much fun. Your timing is very, very good. You sell it beautifully. The

:34:55.:35:00.

foot work because of the speed could have been sharper but God,

:35:00.:35:09.

it's enjoyable to watch. Put it on your hair, it would look

:35:09.:35:19.
:35:19.:35:29.

nicer on your hair. Joan Collins in Save to say, another fast and

:35:30.:35:33.

furious routine. Is there no stopping you two? I don't think it

:35:33.:35:39.

could get any faster. Split the judges a bit there. Have they got a

:35:39.:35:44.

point on the technical side of things? The swivels are hard, I am

:35:44.:35:48.

going to take responsibility for that because I put rubber soles on

:35:48.:35:54.

Lisa's shoes because she was slipping before, so she couldn't

:35:54.:35:59.

get her crosses. It is a built my fault. What a man taking

:36:00.:36:04.

responsibility there. Next week, if you are still here, you have the

:36:04.:36:09.

Tango. You are getting serious with the Tango. Can you two do serious?

:36:09.:36:14.

Yeah. Do we want them to do serious? We need Tango tans,

:36:14.:36:20.

definitely. The scores are in. Will the judges please reveal their

:36:20.:36:29.

scores. Craig Revel Horwood. Darcey Bussell...

:36:29.:36:36.

Len Goodman... Bruno Tonioli...

:36:36.:36:44.

26, a decent score, but not your best. If you like Lisa's cheeky

:36:44.:36:54.
:36:54.:36:56.

Still loads more to come tonight. Nicky has gone mad scientist and

:36:56.:37:02.

Denise is getting freaky. Now we find out who is next.

:37:02.:37:12.
:37:12.:37:13.

Our next couple is Sid Owen and his partner Oooola Jordan.

:37:13.:37:18.

It's a good job Sid spent so much time in a soap opera because

:37:18.:37:28.
:37:28.:37:31.

there's been a bit of drama this week. Ola had to fly to Poland so

:37:32.:37:40.

Iveta Lukosiute stood in for her for training, but it was -- here is

:37:40.:37:44.

how they got on. I enjoyed it and I was shocked when the judges give me

:37:45.:37:49.

a grilling. It wasn't good. work hard all week and you want to

:37:49.:37:55.

give a good performance. Stompy, clumpy. Just knock you down in a

:37:55.:38:02.

flash and it's like, that hurt. your lowest score to date. I picked

:38:02.:38:06.

myself up and forget about last week and hopefully I can pull a

:38:06.:38:12.

good performance out of the bag next Saturday. Ola can't train this

:38:12.:38:18.

week, so Iveta stepped in. Did you feel that, I can feel there's

:38:19.:38:24.

something weird. Let's get back to training. She's nice but she gets

:38:24.:38:34.
:38:34.:38:40.

easily distracted. OK, you got to We're locked in. Don't worry, I

:38:40.:38:46.

always come prepared. Looks like we are here for the night. Did you

:38:46.:38:56.
:38:56.:39:02.

hear that? Yes, I did that time. SCREAMING. Let's go and investigate.

:39:02.:39:12.
:39:12.:39:14.

What are you doing, you are Dancing the cha-cha-cha, Sid Owen

:39:14.:39:24.
:39:24.:39:24.

Apology for the loss of subtitles for 163 seconds

:39:24.:41:00.

APPLAUSE Well done, Sid and Ola.

:41:00.:41:06.

Darcey, start us off. Fabulous to see more dance content. You can do

:41:06.:41:12.

it! You had moves there. Don't worry about going wrong. I can see

:41:12.:41:16.

your concentration on your face, I don't want to see that worry.

:41:16.:41:21.

Because I want to see that cheeky Sid that we love. Especially with

:41:21.:41:28.

Ola. She loves you. Sell it with her, come back next week with

:41:28.:41:36.

attitude in the Latin, please. about the break dancing! You have

:41:36.:41:46.

the perfect partner Olaween! Listen, I want you to do well. It's all too

:41:46.:41:51.

safe. You are coming out and playing it safe. Go for it more,

:41:51.:41:54.

take risks. I know you have had a tough week with dancing with one

:41:54.:41:58.

and another. You have got to come out, if you are going to go down,

:41:58.:42:02.

go down fighting. Because you are so careful and frightened of going

:42:02.:42:08.

wrong, you don't do it right. Get out there and give it some!

:42:08.:42:17.

Whatever happens, happens. Len is right. It still looks like you are

:42:17.:42:26.

smothered in ectoplasm. It lax detail, power and accuracy. Get

:42:26.:42:32.

back there, because you can see the thought process and that has to go.

:42:32.:42:37.

You can do it, come back and do it right. You can do it, do it right.

:42:37.:42:47.
:42:47.:42:51.

She'll make you do it. Hallowe'en nightmare. It's very apt. Is that

:42:51.:43:01.
:43:01.:43:09.

the end? Thanks Craig. Sorry you Come on Sid, my lovely. Ignore

:43:09.:43:15.

Craig. It's what the people at home think now. It's been a tough week.

:43:15.:43:21.

Iveta, has she been treating me well. Thank you so much. It's been

:43:21.:43:27.

like an Oladay without Ola. If you are back next week, will you come

:43:27.:43:31.

back with attitude. Definitely, I don't want to leave. We don't want

:43:31.:43:39.

to leave. I would like to say what the nation is thinking, those are

:43:39.:43:45.

some hot, hotpants. The judges have their scores. Craig

:43:45.:43:52.

Revel Horwood... Darcey Bussell...

:43:52.:44:01.

Len Goodman... Bruno Tonioli...

:44:01.:44:11.
:44:11.:44:22.

What are you going to call? If you want loads of gossip get

:44:22.:44:32.
:44:32.:44:39.

Next up, I nearly swallowed my tongue. What said good! Next up is

:44:39.:44:48.

Nicky Byrne and his partner Karen "Howling" Hauer. Last week I said

:44:48.:44:54.

the word chillax and Nicky tweeted that I shouldn't use young people's

:44:54.:45:04.
:45:04.:45:06.

language. I do apologise, my behaviour was was tote inprops. I

:45:06.:45:16.
:45:16.:45:26.

hope I don't end up trending. Last week went very well. Now I

:45:26.:45:30.

have proved I can entertain and do a bit of dancing. I am not a

:45:30.:45:34.

ballroom dancer, but it was entertaining. It was my first week

:45:34.:45:37.

where I was able to stand in front of the judges and smile. You are

:45:37.:45:41.

starting to win me over actually. So far with Craig my scores have

:45:41.:45:48.

been two and then a four and then a six. I am on the right path. I feel

:45:48.:45:58.

like my competition has just This week Strictly does Hallowe'en.

:45:58.:46:02.

We have been working together for a couple of weeks so I thought it was

:46:02.:46:12.

the right time for her to see my house. Nicky, I have to warn you I

:46:12.:46:17.

am terrified of the dark. People say it's haunted but you those old

:46:17.:46:21.

ghost stories, it's not true. This is where I like to chill. I don't

:46:21.:46:28.

know what you are so scared of. Seriously, you live here? It really

:46:28.:46:36.

is a nice room. That's a scream, I think somebody died here a few

:46:36.:46:40.

years ago, I have heard that. we get out of here, I am really

:46:40.:46:50.

scared, please, please, ploos. Thanks for coming. See you Saturday.

:46:50.:47:00.
:47:00.:47:00.

Apology for the loss of subtitles for 163 seconds

:47:00.:48:42.

J Dancing the Tango, Nicky Byrne Well done both of you. I was

:48:42.:48:49.

supposed to take those off. forgot to take them off! The old

:48:49.:48:55.

bent knees helped this week. Len, what did you think? I thought there

:48:55.:49:01.

was far more good than bad. You could have had tighter hold and you

:49:01.:49:09.

stomped a bit with your foot work, but it was sharp and crisp. On the

:49:09.:49:18.

beat. Yes the whacky professor found his secret formula. The thing

:49:18.:49:23.

now you are finding focus and power and Len is right, because of that

:49:23.:49:27.

sometimes you are stomping about. Don't forget, it is still a Tango,

:49:27.:49:31.

we like to see you giving everything you have, but don't go

:49:31.:49:35.

off the style of it. You have to keep that going as well. We both

:49:35.:49:45.
:49:45.:49:46.

liked it. You need to sort... They want a close up, they both liked it.

:49:46.:49:56.
:49:56.:49:58.

Do it again. Oh, dear. Craig's face. Sickening. Look at yourself!

:49:58.:50:03.

need to sort your posture out, that is the main priority concern at

:50:03.:50:07.

this point in the competition. Also, you are picking your feet up way

:50:07.:50:11.

too much and that is why it is looking stompy but I really liked

:50:11.:50:18.

the routine. Craig likes something, that is beautiful. Darcey, did you

:50:18.:50:23.

like anything? Entertaining all round, kept in character, I liked

:50:23.:50:27.

you kept the glasses on. Len is right, you lift the knees so it

:50:27.:50:32.

looks like you are marching in the Tango, but I liked it very much.

:50:32.:50:42.
:50:42.:50:48.

Narrative, fabulous. Well done. Off It's getting better from the judges

:50:48.:50:53.

every week. More positive by the week. You seem to dance better when

:50:53.:50:57.

you are in character? Yes, I suppose putting a suit like this on

:50:58.:51:01.

and the glasses it makes you feel like somebody else. I put Michael

:51:01.:51:07.

Vaughan's cricket suit on. He let you borrow it. What can we expect

:51:07.:51:11.

next week if you are still here? God knows, I will have to look for

:51:11.:51:16.

somebody else's costume. You are doing the rhumba, some Latin love

:51:16.:51:26.
:51:26.:51:27.

God perhaps? We'll see. Naked to the waist, that will do it. Craig

:51:27.:51:37.
:51:37.:51:37.

Revel Horwood... Darcey Bussell... Len Goodman...

:51:37.:51:47.

Bruno Tonioli... Not your highest score but close.

:51:47.:51:52.

We are out of the teens, so we are happy with that, we are on the way

:51:52.:52:02.
:52:02.:52:12.

We have Michael's magic hands and Victoria and Brenda are getting

:52:12.:52:21.

married. Really? Len, you didn't do your seven.

:52:21.:52:25.

thought I would give it a rest. missed it! Our next couple is Fern

:52:26.:52:35.
:52:36.:52:40.

Britton and her partner Artem Fern used to present that show

:52:40.:52:43.

Ready Steady Cook, where the contestants had to make a meal in

:52:43.:52:48.

less than 20 minutes. I said what if they ran out of time. She said

:52:48.:52:54.

they used rosemary and sage. Which would go well in our sausage

:52:54.:53:02.

sandwich. Forget that one. How you remember all this rubbish! Here

:53:02.:53:12.
:53:12.:53:13.

they are in training. It was pretty good last week. The

:53:13.:53:16.

audience started clapping along with the music and I felt a really

:53:16.:53:22.

swell of warmth from them and I thought yes, I've got to do this.

:53:22.:53:26.

You made Hollywood into jolly good. I felt very imaginically

:53:26.:53:35.

transported. I did feel like Mary Poppins. It's good to do it

:53:35.:53:41.

properly and then on with the next. This week is American Smooth to

:53:41.:53:45.

Killer Queen, our Hallowe'en Special. This week you need to be

:53:45.:53:55.
:53:55.:53:56.

Killer Queen. I have potion for you. Oh. Bottoms up. It's perfect.

:53:56.:54:06.
:54:06.:54:07.

I am the Killer Queen. An elf, I love Christmas. It's not Christmas,

:54:07.:54:17.
:54:17.:54:38.

Perfect. Finally. Let's dance. Oh! Dancing the American Smooth,

:54:38.:54:48.
:54:48.:54:48.

Apology for the loss of subtitles for 163 seconds

:54:48.:56:35.

Well done Fern. That was lovely, darling. I love

:56:35.:56:45.

the finish as well. Fern, my darling, you were a bit too nicy

:56:45.:56:53.

nicy, too beige for me. It's Killer Queen, think about Craig in Panto.

:56:53.:56:57.

It's true. The song defines the character, that defines the dance,

:56:57.:57:02.

that defines the movement and defines what you do with it. That

:57:02.:57:07.

was a bit plain. It didn't have the impact that it should have had.

:57:07.:57:13.

well there we are. Darcey, what did you think? For me, it was smooth

:57:13.:57:17.

and I liked the bad Queen in you. I think you should play with that

:57:17.:57:23.

character more. Have a couple more bad roles, I think it suits you.

:57:23.:57:28.

Just watch it, when you are picked up, don't lift the shoulders, you

:57:28.:57:33.

have the most amazing partner and shouldn't be worried. Be brave, go

:57:33.:57:40.

for it more next time, please. neat and precise. You've got the

:57:40.:57:48.

how, but it it hasn't got the wow. You have to push fern a bit more,

:57:48.:57:54.

tar tem. -- Artem. I want more out of you. There was something special

:57:54.:57:59.

for you, did you see that, a heel turn. I saw the heel turn, I would

:57:59.:58:04.

have loved your feet to have been together. But I saw the heel turn

:58:04.:58:10.

and you you went into a check and weave. That is why I said you have

:58:10.:58:14.

got the how but it needs more of the wow factor. Good criticism

:58:14.:58:24.
:58:24.:58:42.

Len Len wants Artem to push you more. You looked a bit afraid, a

:58:42.:58:47.

lot afraid by that Fern. I was abit afraid by that because I was trying

:58:47.:58:51.

to channel Artem, he is the terminator. He is indeed. While you

:58:51.:58:57.

are simply the loveliest woman I know. Hardly. Yes, you are, she is

:58:57.:59:01.

lovely. Was it a bit of a challenge for you to get into the mind set of

:59:01.:59:06.

evil Queen. It was a tough week actually, it took a lot to get that

:59:06.:59:11.

into my head. I love the costume and make-up, I love Artem looking

:59:11.:59:17.

like this. He did have a shirt on, but that was all cut off. Artem is

:59:17.:59:24.

doing it for the ladies. Good work. The judges have their scores. Craig

:59:24.:59:34.
:59:34.:59:36.

Revel Horwood... Darcey Bussell... Len Goodman...

:59:36.:59:43.

Bruno Tonioli... 21, I think you cut yourself

:59:43.:59:53.
:59:53.:00:01.

The lines won't open until everybody has danced. If you call

:00:01.:00:04.

too early something terrible might happen.

:00:04.:00:09.

Look at this cauldron. Before we carry on, I have a public

:00:09.:00:19.
:00:19.:00:21.

announcement for the audience. Has anyone lost a watch? Hands up if

:00:21.:00:25.

it's yours! Just a little joke, I have been

:00:25.:00:33.

keeping up my sleeve! Look at the time. I better get on.

:00:33.:00:43.
:00:43.:00:45.

Our next couple is Denise Van Outen and James "Jinxed" Jordan.

:00:45.:00:50.

Hollywood show was a spectacular show. That was excellent. Great

:00:50.:00:55.

posture, great control. If Craig has something to say he's not

:00:56.:01:04.

afraid to say it, so to get good comments from him is great. We got

:01:04.:01:09.

four 8s which took us to the top of the leaderboard. Obviously this is

:01:09.:01:12.

Strictly and everything could change next Saturday. This week is

:01:12.:01:17.

Hallowe'en week, so we are dancing the Cha Cha and we are going to be

:01:17.:01:22.

circus Superfreaks. I have told her less cheek and more freak and I

:01:22.:01:26.

know just the place to take her. Where are you taking me? Don't

:01:26.:01:36.
:01:36.:01:37.

worry, stop asking questions. scared. You should be. Wow. Have

:01:37.:01:43.

you got any tips for me We will show you a few things. You moan

:01:43.:01:53.
:01:53.:01:57.

about your spins. Can you do that, James? Yeah, easy. That was easy.

:01:57.:02:02.

I'm getting my own back. How do I get down. Leave him there, I have

:02:02.:02:06.

had a really nice afternoon, see you at the live show. That will

:02:06.:02:14.

teach him for being bossy. Hello! Dancing the cha-cha-cha, Denise Van

:02:14.:02:24.
:02:24.:02:24.

Apology for the loss of subtitles for 163 seconds

:02:24.:04:10.

CHEERING AND APPLAUSE What about that! Couldn't believe

:04:10.:04:15.

it was you two. Craig, start us off. I'm quite

:04:15.:04:22.

partial to a little whip action, darling. But leg to hip action was

:04:22.:04:28.

a bit jolty and wooden, you need to work on that, but the timing as

:04:28.:04:36.

always superb, energy, spins, brilliant.

:04:36.:04:39.

You never disappoint, you always dance to a high standard, but if

:04:39.:04:44.

you are going to wear a short skirt you have got to have really

:04:44.:04:48.

fabulous leg action and it wasn't quite as crisp as I would have

:04:48.:04:54.

liked it. Short skirt and poor legs is not a good combination. I liked

:04:54.:05:03.

it. They looked all right to me. kinky and slinky and all in the

:05:03.:05:11.

best possible taste. The fact is s the most theatrical parts looked

:05:11.:05:14.

very, very well, but it is the basics, the backwards and forwards

:05:14.:05:19.

when you sneed to ignite the leg and get those illustrious hips

:05:20.:05:25.

working, you need to work on that, it is actually the simplest most

:05:25.:05:28.

basic thing you have to get it right. Zur not use today criticism,

:05:28.:05:38.
:05:38.:05:46.

are you? It's good, I have a lot to I tell you what, we disagree up

:05:46.:05:51.

here, nothing wrong with those legs, fabulous legs. Did you have fun

:05:51.:05:57.

getting your freak on. It was good fun tonight. I was so nervous, it's

:05:57.:06:01.

terrifying. You have been top of the leaderboard for two weeks, do

:06:01.:06:09.

you think you will make it a hat- trick? I don't know. You were good.

:06:09.:06:13.

Still tripped out of the box though. Scores are in. It is time for the

:06:13.:06:21.

judges scores. Craig Revel Horwood... Darcey Bussell... Len

:06:21.:06:31.
:06:31.:06:34.

Goodman... A great score 28. The highest of

:06:34.:06:44.
:06:44.:06:56.

I tripped. Let it go, she was brilliant. Three times in a row.

:06:56.:07:04.

Nobody else noticed. Who is next? Next is Michael Vaughan and his

:07:04.:07:14.

partner Natalie "Living Dead" Lowe. Michael told me he took his wife to

:07:14.:07:24.

see the West End -- West Indies play at their home ground. I said

:07:24.:07:28.

to Jamaica? Even for you Bruce, he said, that's a very, very old joke.

:07:28.:07:32.

I said there's always somebody who hasn't heard it, I am going to try

:07:32.:07:42.
:07:42.:07:46.

and find him. Here they are in I never thought I would be on

:07:46.:07:50.

television in front of 10 million people whipping my trousers off.

:07:50.:07:55.

Hot it was not. Timing issues throughout, it was awkward all the

:07:55.:08:02.

way through. Although I didn't do a great performance in the live, I

:08:02.:08:06.

knew I had a good performance in me if I could calm down with the foot

:08:06.:08:13.

steps. One mistake, you are out of the competition. I am going to save

:08:13.:08:20.

Michael and Natalie. We live to fight another week. When I am

:08:20.:08:29.

training, I can just feel Craig's presence. His comments stay with

:08:29.:08:39.
:08:39.:08:40.

you all the time. Hello. "Most of the time you look like you are

:08:40.:08:45.

busting for a wee ". There's no-one there. I think I am I am being

:08:45.:08:52.

haunted by Craig's comments. Hot it was not. I need to get home and

:08:52.:09:01.

have a good night's sleep, I will feel better in the morning. Wake up,

:09:01.:09:06.

love, I have had a terrible nightmare. Was it a disaster,

:09:06.:09:12.

darling? Dancing the Quickstep, Michael

:09:12.:09:22.
:09:22.:09:22.

Apology for the loss of subtitles for 163 seconds

:09:22.:11:17.

CHEERING AND APPLAUSE Look at that, that's worth 100 runs.

:11:17.:11:25.

Beautiful! They loved it. You surprised everybody and

:11:25.:11:30.

yourself. You must have had a wonderful week. I hear you have

:11:30.:11:34.

learnt a few magic tricks, would you like to show us. I have been

:11:34.:11:44.
:11:44.:11:49.

working on one all week, ab ra ka APPLAUSE Do we need to say

:11:49.:11:56.

anything? Do you still want to comment? Ballroom is your thing,

:11:56.:12:04.

Michael. Well done, well done both of you. Your hold, all the way

:12:04.:12:08.

through, top line was beautiful, you didn't let go, you got tired a

:12:08.:12:14.

little at the end, but it didn't faze you at all. Even at that speed,

:12:14.:12:18.

the Quickstep, your feet were light, precise, there was no messy

:12:18.:12:28.

transitions. The best thing is that cheeky grin, that sold it to me. By

:12:28.:12:36.

the end you were a a Cheshire cat. The posture great. What I think is

:12:36.:12:41.

this, last week you were this close to going out of the competition. I

:12:41.:12:45.

am so glad you didn't, because we woonlt have got -- wouldn't have

:12:45.:12:49.

got an opportunity to see this fabulous performance. One more

:12:49.:12:53.

thing, I know week one you said you want to get a 7 from Len, this

:12:53.:13:02.

could be the night. Promises. was more than magical, it was a

:13:02.:13:11.

miracle. It was like Darren Gough all of a sudden. On hold, you were

:13:11.:13:14.

just incredible, I cannot believe what we have seen, what a

:13:14.:13:24.
:13:24.:13:48.

transformation. Craig. You have worked your magic this

:13:48.:13:52.

week. It's a miracle, the judges said it was a miracle. You have

:13:52.:13:59.

gone from dance-off to standing ovation in a week. Bravo. This girl.

:13:59.:14:03.

Was the dance-off the push you needed? I have worked really hard

:14:03.:14:07.

for all the weeks but this week we lived on the dance floor. I wanted

:14:07.:14:11.

to improve and I think I have done that this week. It is down to this

:14:11.:14:15.

girl. She trains me hard and knows exactly the way I like to be taught,

:14:15.:14:24.

so cheers. That sounded dodgy, that! You magicked up some tens, do

:14:24.:14:28.

you think we might get some from real real? I think that is jumping

:14:28.:14:32.

a bit at this stage. They were happy though.

:14:33.:14:39.

The judges scores are in. Craig Revel Horwood...

:14:39.:14:48.

Darcey Bussell... Len Goodman...

:14:48.:14:58.
:14:58.:15:12.

Highest score by a mile so far for you. Excuse me. This is a dream.

:15:12.:15:22.
:15:22.:15:33.

What about that for a turn around. Our next couple is Victoria

:15:33.:15:42.

Pendleton and her partner Brendan "Kooky" Cole. Very popular couple.

:15:42.:15:47.

Last week Victoria had a wardrobe malfunction when she caught the hem

:15:47.:15:50.

of her dress. I hope it doesn't happen again, I know it is

:15:50.:15:58.

Hallowe'en, but we don't want to see a full moon.

:15:58.:16:07.

Len does. Here they are in training. I was really looking forward to the

:16:07.:16:12.

rhumba last Saturday. But on the night it started off quite romantic

:16:12.:16:18.

and intense and ended up a bit comical at the end. She got her

:16:18.:16:24.

foot stuck in the dress. It threw us both, not just Victoria and we

:16:24.:16:29.

had a malfunction with the scarf around the neck. Just when you were

:16:29.:16:34.

starting to sizzle, you nearly boiled over. Rome wasn't built in a

:16:34.:16:40.

day. I have a competitive girl on my hand, she is world and Olympic

:16:40.:16:43.

champion, so I have come up with something to get her in the

:16:43.:16:48.

Hallowe'en mood. Welcome to the Hallowe'en games with your host

:16:48.:16:53.

Colin Jackson. Our creepy competitors are Brendan Cole from

:16:53.:17:03.

the all Black Cats and Victoria Pendleton from teem heebie-jeebies.

:17:03.:17:06.

They're off, they have made a strong start. It is vital to keep

:17:06.:17:13.

the eye ball on the spoon. Brendan has dropped it. So close. But

:17:13.:17:19.

Brendan Cole has just edged it. Next up, it is apple bobbing,

:17:19.:17:29.

Brendan up first. Great technique on display there. She dunks him.

:17:29.:17:35.

Completely monsterous move by Pendleton. Disqualification. Look

:17:35.:17:42.

how he humbly he accepts his award. Dancing the Tango, Victoria

:17:42.:17:52.
:17:52.:17:52.

Apology for the loss of subtitles for 163 seconds

:17:52.:19:33.

MUSIC: CHEERING AND APPLAUSE That was

:19:33.:19:40.

lovely, loved the eyes. I have faith in you, you have to

:19:40.:19:46.

faith in yourself, this was a proper Tango, no larking about at

:19:46.:19:50.

the start, sharp and crisp, I know there was a moment over there but I

:19:50.:19:55.

don't care because the whole feeling of it was good, well done.

:19:55.:20:03.

Big smile. Even with those eyes. loved the haunting beauty with a

:20:03.:20:10.

hint of madness, gothic melodrama, great choreography, I loved it. And

:20:10.:20:18.

your spins, you got it right. lost a little bit of posture, your

:20:18.:20:24.

hand needs to be a bit flatter to the floor but I thought the routine

:20:24.:20:32.

was brilliant, excellent. Darcey. Victoria, it was wonderful to see

:20:32.:20:39.

that fight in you, the musicality was brilliant, you were the true

:20:39.:20:49.
:20:49.:21:03.

She deserves that Brendan. You look hauntingly beautiful, properly sold

:21:03.:21:07.

that. Craig actually said brilliant. Amazing comments from the judges.

:21:07.:21:12.

Are you starting to have fun now on the Strictly dance floor. I am

:21:12.:21:16.

enjoying it so much, it is really nerve-racking but I don't want it

:21:16.:21:23.

to end, I want to stay in. After that you might. Ladies and

:21:23.:21:30.

gentlemen, the judges have their scores. Craig Revel Horwood...

:21:30.:21:40.
:21:40.:21:47.

Darcey Bussell... Len Goodman... That deserves a hug. Get you, 31,

:21:47.:21:54.

joint highest on the leaderboard. Victoria has been having nightmares

:21:54.:22:04.
:22:04.:22:17.

about leaving the ballroom. She Not long to wait, only three

:22:17.:22:25.

couples left. Next is the couple, Colin Salmon and his partner

:22:25.:22:35.
:22:35.:22:36.

Kristina Rhianoff. Znchtss one of the many Hollywood films Colin has

:22:36.:22:40.

starred in was called Resident Evil. Resident Evil, Craig, did you know

:22:40.:22:48.

they had made a film about you?! They didn't release it, did they?

:22:48.:22:58.
:22:58.:22:59.

No, darling, they didn't release it. They were my first lifts,

:22:59.:23:04.

thankfully the gods of dance smiled down on us. Everything worked out.

:23:04.:23:10.

Amazing. I thought the lifts were spectacular and you really went for

:23:10.:23:14.

it and they weren't easy so fantastic. Good to be in the top

:23:14.:23:21.

half. It is important we keep upping the game. This week

:23:21.:23:27.

Hallowe'en, I am dancing the salsa to Superstition. I will be playing

:23:27.:23:37.
:23:37.:23:37.

a wizard and Kristina my cat, purrrfect. A few problems with

:23:37.:23:42.

lifts. I slipped off his hands and ended up on the floor banging my

:23:43.:23:48.

step. One wrong step and it all goes...

:23:48.:23:53.

I am doing everything I can to make sure luck is on my side. I have

:23:53.:23:57.

been skipping over cracks in the pavement. I have been dodging

:23:57.:24:05.

ladders. I have even been avoiding Black Cats crossing my path. Hello

:24:05.:24:14.

partner. My journey to work was weird, all these bad luck. We can't

:24:14.:24:24.
:24:24.:24:24.

Apology for the loss of subtitles for 163 seconds

:24:24.:26:17.

Dancing the salsa, Colin Salmon and You are quite a team, you two. You

:26:17.:26:24.

are developing so well, both of you. You need to concentrate more on

:26:24.:26:29.

your foot work, the foot work for me was a bit haphazard, wasn't

:26:29.:26:33.

landing either one way or the other and I was nervous when you were

:26:33.:26:38.

going into lifts. Looked a bit messy, very flat-footed all the way

:26:38.:26:43.

through, but the positive side is you do have that disco groove going

:26:43.:26:53.
:26:53.:26:54.

on, which is really lovely to watch. For me, I liked the long arms and I

:26:54.:26:59.

liked the added hand movements, you get these clicks in occasionally.

:26:59.:27:03.

Maybe it wasn't a dirty salsa but it was definitely a saucy salsa

:27:03.:27:12.

this time. Colin you are getting there. It had a lovely rhythm going

:27:12.:27:17.

throughout and I was very encouraged, but it wasn't just a

:27:18.:27:26.

little mistake, there was a major incident, it was still up there, it

:27:26.:27:32.

was just, if it was one thing, but this was a serious... I liked it

:27:33.:27:42.
:27:43.:27:50.

though Colin. They all loved it as Did we miss something that Len was

:27:51.:27:54.

talking about? You missed nothing at all. We did miss it, let's

:27:54.:27:59.

forget about it. You promised us last week you were going to get

:27:59.:28:05.

dirty, you delivered is saucy salsa s that your thing? I like clubbing.

:28:05.:28:11.

We were clubbing with you Colin. Those lifts were very technical,

:28:11.:28:15.

very ambitious. Kristina is pushing you hard. She works as hard as

:28:15.:28:20.

anybody I have ever met in my life. I feel right to aspire to her.

:28:20.:28:25.

are the master of the lift. It is time to get the scores from the

:28:25.:28:34.

judges. Craig Revel Horwood... Darcey Bussell...

:28:34.:28:42.

Len Goodman... Bruno Tonioli...

:28:42.:28:52.
:28:52.:29:01.

24. What do you think, did Colin Who is the next couple?

:29:01.:29:11.

Our next couple is Louis Smith and his partner Flavia Cacace. A very

:29:11.:29:15.

popular couple here. There was a bit of a crisis back stage earlier.

:29:15.:29:20.

The celebs were organising some apple bobbing. I love all that.

:29:20.:29:24.

Louis Smith asked me what sort of apple I would like. I said I really

:29:24.:29:34.
:29:34.:29:36.

fancy a Granny Smith. Louis Smith Granny Smith. He punched me on the

:29:36.:29:42.

nose and missed and hit me on the chin. That will teach him. Here

:29:42.:29:52.
:29:52.:29:55.

The comments from Bruno are priceless. You can stretch those

:29:55.:30:03.

legs! Taking off. I think you are great. We got to the end of the

:30:03.:30:10.

routine and I was thinking please don't mess it up. It was scary.

:30:10.:30:20.
:30:20.:30:20.

When I was up there it was pure relief. It was fantastic.

:30:20.:30:25.

Strictly does Hallowe'en, I am going to be dancing to Disturbia. I

:30:25.:30:35.

need a break. You can have a break in 28 hours when this dance is over.

:30:35.:30:45.
:30:45.:30:56.

Flavia, hello? Where is everybody? Flavia? Flavia? Is that you Flavia?

:30:56.:31:00.

I had a horrible dream, 28 hours had passed, I missed the live show

:31:00.:31:05.

and you were a zombie. You poor thing, let's do some dancing to

:31:05.:31:13.

make you feel better. Dancing the Tango, Louis Smith and

:31:13.:31:23.
:31:23.:31:23.

Apology for the loss of subtitles for 163 seconds

:31:23.:33:12.

CHEERING AND APPLAUSE A bit of acting there. Those eyes.

:33:12.:33:22.
:33:22.:33:24.

Those are scary eyes. Craig, start us off. I loved it!

:33:24.:33:32.

However, one thing bothered me and that's your thumb, darling. At

:33:32.:33:37.

Flavia's back it is sticking up like that, get it down. He was

:33:37.:33:46.

looking at you and saying is it all right? Darcey. Lewis, spookily good,

:33:46.:33:52.

a wonderful beginning, a great end, but even a more fabulous middle.

:33:52.:33:56.

It's like two different people you were playing there. Just watch it

:33:56.:34:03.

in the kicks, you mustn't have a higher leg than your girl. No, no,

:34:03.:34:12.

no but the best Tango of the night. A good point. Len. I know the

:34:12.:34:17.

clocks go back tonight but I wish they could go back right now and I

:34:17.:34:21.

could have another look at that, because it was fabulous. What a

:34:21.:34:28.

lovely thing to say. I always say lovely things. That really was a

:34:28.:34:34.

Tango with a bite. I'm telling you, seemless transitions from character

:34:34.:34:40.

into dance. We had an amazing execution, really, the first killer

:34:40.:34:46.

tango of the season. Flavia, I know you are a lot to do with that, you

:34:46.:34:50.

have a wonderful partner there, it was marvellous, come on, we all

:34:50.:35:00.
:35:00.:35:11.

That was properly spooky, just the eyes alone. Sorry. It worked, do

:35:11.:35:16.

not apologise. He is a friendly zombie. You smashed it last week

:35:16.:35:21.

and again tonight. How did that feel? It felt really good. Very

:35:21.:35:25.

nervous, the spookiness of Hallowe'en. But we did well. Joined

:35:25.:35:30.

us a few weeks ago, you are not an actor, are you finding that inner

:35:30.:35:35.

actor now? I think so, I think with the romantic side I struggle, but

:35:35.:35:41.

this is an act I can let go with. Are you worried his high kick is

:35:41.:35:49.

higher than yours? We worked on matching it. Worp working on her

:35:49.:35:59.
:35:59.:36:23.

CHEERING AND APPLAUSE Our first nines. Highest score of

:36:23.:36:33.
:36:33.:36:45.

the night. Three nines ladies and Not long to wait now, only one more

:36:45.:36:53.

petrifying performance to go. Amazing.

:36:53.:36:58.

Now the final couple tonight is Kimberly Walsh and her partner

:36:59.:37:06.

Pasha Kovalev. I wonder what spooky shenanigans they have in store for

:37:06.:37:15.

us. Here they are in training. Saturday night was amazing. I loved

:37:15.:37:19.

the whole Hollywood theme and threw myself into it. We were determined

:37:19.:37:27.

to make a better performance for Len to be happy. Good news from

:37:27.:37:33.

goodman. It meant a lot we had shown him we had improved, stepped

:37:33.:37:39.

up a bit and were making progress, mission accome accomplished. It was

:37:39.:37:44.

my favourite week so far and we got our best score. Last week we had to

:37:44.:37:48.

get happy, but this week is Hallowe'en week, so I have to get

:37:48.:37:55.

scared. We are dancing a Paso Doble to Hungry Like The Wolf. I am

:37:55.:38:02.

supposed to be a very, very scary wolf. I think Pasha is more like a

:38:02.:38:07.

puppy dog than a wolf. You really need to get scared. It's time to

:38:07.:38:17.
:38:17.:38:28.

Kimberly, rats. They're cute. Just like you. That is so lame. There's

:38:28.:38:38.
:38:38.:38:42.

nothing you can do to scare me. Dancing the Paso Doble, Kimberly

:38:42.:38:52.
:38:52.:38:52.

Apology for the loss of subtitles for 163 seconds

:38:52.:40:43.

Well done, both of you. It was great. Red Riding Hood and you

:40:43.:40:48.

nasty wolf. Darcey. I think the first thing that hit me

:40:48.:40:54.

straightaway is the eyes, the intensity, the scared beautiful Red

:40:54.:41:00.

Riding Hood, sold it for me all the way through. But I enjoyed the kick

:41:00.:41:10.
:41:10.:41:12.

with your leg, great attack. But generally, very, very nice. It was

:41:12.:41:18.

a very, very competent performance as far as I was concerned. I would

:41:18.:41:22.

have liked just a taed more aggression here and there. At the

:41:22.:41:26.

beginning, it was as though you were popping off to Sainsbury's, I

:41:26.:41:33.

wanted more scary early on, but once you got into the dance, lovely,

:41:33.:41:43.
:41:43.:41:44.

lovely shaping. Well done. Who is not afraid of the big bad wolf. Not

:41:44.:41:49.

her. It was a bit like twilight at times. There was a bit of red

:41:49.:41:54.

hiding hood and twilight, love and hate, attraction, beauty and the

:41:54.:42:00.

beast, your lines were excellent. The extension was beautiful. Very,

:42:01.:42:09.

very well done. Lovely lines. Craig. I have got to agree, it was fiery,

:42:09.:42:17.

punchy, fantastic shaping, I really, really loved it. Looks good. Do I

:42:17.:42:27.
:42:27.:42:41.

Sexy Red Riding Hood. I am quite afraid of the big bad wolf that is

:42:41.:42:47.

Pasha. I'm not, look at him. I am scary. She is not afraid. I have

:42:47.:42:53.

been scared all day, stay behind the sofa please. Good couple of

:42:53.:42:58.

weeks, do you feel you have found your Strictly stride. I am working

:42:58.:43:02.

really hard, putting as many hours in as possible and things are

:43:02.:43:07.

starting to sink in. I am really enjoying it. That was a sexy Paso

:43:07.:43:15.

Doble. With Girls Aloud, so does it come easy to you, something you do

:43:15.:43:19.

in your day job? I wasn't really thinking about being sexy, I was

:43:19.:43:26.

trying to go with the whole theme of the song. Being scared. Scores

:43:26.:43:36.
:43:36.:43:57.

31. His claws are falling off. It's in the cauldron. That is your

:43:58.:44:07.
:44:08.:44:17.

O Get your witches fingers ready toe dial because the lines are open

:44:17.:44:21.

in a few moments. All our dancers have done their work. Let's look at

:44:22.:44:31.
:44:32.:44:40.

Of course, that is only half the story. You can save your favourites

:44:40.:44:50.
:44:50.:44:52.

from the terror of the dance-off. The lines will close at 8.45

:44:52.:45:02.
:45:02.:45:07.

Here is reminder of tonight's performances and the all-important

:45:07.:45:17.
:45:17.:45:17.

Apology for the loss of subtitles for 163 seconds

:45:17.:48:42.

Thank you all for a great show. What a night. It was very

:48:42.:48:45.

frightening, but fang-tastic. our stars need your votes if they

:48:45.:48:48.

are going to stay in the competition. Lines close at the

:48:48.:48:52.

stroke of 8.45 tonight. Get dialling. Those votes will be

:48:52.:48:55.

combined with the judges scores to find out who will be in the bottom

:48:55.:49:00.

two. Tomorrow night the two creepy crumbs with the lowest scores will

:49:00.:49:05.

face each other in the dance-off. Then one couple will vannish

:49:05.:49:13.

Download Subtitles

SRT

ASS