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Last weekend on Strictly the performances were bigger and | :00:10. | :00:13. | |
brighter than ever as our seven remaining celebrities fought for a | :00:13. | :00:18. | |
place in the quarter-finals. Louis finally came out of his shell and | :00:18. | :00:21. | |
delivered the performance everyone's been waiting for. | :00:21. | :00:28. | |
making of a true contender. Denise struggled when James forgot the way. | :00:28. | :00:32. | |
We really do have to blame you now, darling. In the end, two friends | :00:32. | :00:40. | |
battled it out to stay. And after a good innings, Michael salsaed out | :00:40. | :00:49. | |
of the competition. For good. This week, Strictly's toughest challenge | :00:49. | :00:59. | |
:00:59. | :00:59. | ||
ever! It's dance fusion. Two dance styles. This should be perfect. | :00:59. | :01:05. | |
routine. A bit of tango coming up. Get the formula right, for a place | :01:05. | :01:13. | |
in the semifinal. Be careful. it wrong... Not that much! Cow be | :01:13. | :01:16. | |
out of the competition -- you could be out of the competition. That's | :01:16. | :01:26. | |
:01:26. | :01:59. | ||
too much sparkle! There's never too APPLAUSE AND CHEERING | :01:59. | :02:05. | |
. Live from Television Centre, please welcome your hosts, Bruce | :02:05. | :02:15. | |
:02:15. | :02:24. | ||
APPLAUSE AND CHEERING You nearly got away! There we are. | :02:24. | :02:30. | |
Thank you so much. A lovely crowd. Aren't they good? Good evening, | :02:30. | :02:32. | |
ladies and gentlemen and children and welcome to Strictly Come | :02:32. | :02:38. | |
Dancing. It's nice to see you, to see you... AUDIENCE: Nice! It's | :02:38. | :02:41. | |
nice see you. Good. Tonight it's a Strictly first. Our stars are | :02:41. | :02:45. | |
taking two styles and fusing them together into one routine. That's | :02:45. | :02:49. | |
right. I heard about all of this. The couples have to either merge | :02:49. | :02:53. | |
two styles together or split the dance half and half. It sounds | :02:53. | :02:57. | |
great. But you have to be careful what you are doing. This afternoon, | :02:57. | :03:02. | |
I saw our professionals trying out different combinations. What | :03:02. | :03:08. | |
happened? They were combining the flashdance with a quickstep and all | :03:08. | :03:18. | |
:03:18. | :03:21. | ||
I got was a quick flash. APPLAUSE Followed by a hot flush. I | :03:21. | :03:26. | |
thought I had passed all of that years ago. I really did. It's a | :03:26. | :03:32. | |
worry, isn't it, dear? Last week, we lost another star. And Maureen! | :03:32. | :03:37. | |
Sorry. Michael Vaughan - leave the audience alone. Michael was bowled | :03:37. | :03:41. | |
out of the competition in a dance- off against his best pal, Nicky | :03:41. | :03:45. | |
Byrne. That was sad. The competition is tougher than ever as | :03:45. | :03:49. | |
our six of the best fight for a place in next week's semifinals. | :03:49. | :03:55. | |
That's right. Can you believe it? It's going to be an explosive night | :03:56. | :04:04. | |
tonight. Saoeupl excited. It means it's time to meet our own | :04:04. | :04:10. | |
choreography! LAUGHTER. It went well. It won't go again. It's time | :04:11. | :04:20. | |
:04:21. | :04:21. | ||
meet the stars of our show. From girlband Girls Aloud, pop | :04:21. | :04:25. | |
princess Kimberely Walsh and her partner Pasha Kovalev. From | :04:25. | :04:27. | |
Westlife, Nicky Byrne and his partner Karen Hauer. Soap star Lisa | :04:28. | :04:32. | |
Riley and her partner Robin Windsor. Olympic gymnast Louis Smith and his | :04:32. | :04:34. | |
partner Flavia Cacace. Star of CBBC's Tracy Beaker, Dani Harmer | :04:34. | :04:37. | |
and her partner Vincent Simone. And finally, presenter and performer | :04:37. | :04:47. | |
:04:47. | :04:57. | ||
Denise Van Outen and her partner APPLAUSE AND CHEERING | :04:57. | :05:04. | |
Wonderful. There they all are. Yes, there they are. This is the first | :05:04. | :05:08. | |
for Strictly. They'll start doing one dance and and end up doing | :05:08. | :05:13. | |
something completely different. That's not really a first. Ann | :05:13. | :05:18. | |
Widdecombe did that all the time and Nancy Dell'Olio. The list goes | :05:18. | :05:23. | |
on and on. Believe me. If you want live commentary you can press your | :05:23. | :05:30. | |
red button and Karen Hardy is away this week and an - Anton is | :05:30. | :05:36. | |
standing in. He is there somewhere. We will see him in a minute. Good | :05:36. | :05:40. | |
news is, we don't have to see him! We saw him for a second there. He | :05:40. | :05:50. | |
:05:50. | :05:50. | ||
is actually joined by Nancy tonight. Oh, no! LAUGHTER Tell me this! | :05:50. | :05:57. | |
Nancy, hello, dear! Sorry what I said before, dear. You were better | :05:57. | :06:01. | |
than Fiona Phillips. That's not saying much. Who knows what's going | :06:01. | :06:05. | |
to happen. Press your red button now and you are all set if you want | :06:05. | :06:09. | |
to join in. The first couple tonight is Denise van Outen and her | :06:09. | :06:19. | |
:06:19. | :06:22. | ||
partner, James Jordan. APPLAUSE Now then, for their dance fusion | :06:22. | :06:26. | |
they're doing a jive and a quickstep. Wait a minute, we did | :06:26. | :06:31. | |
all this years ago for goodness sake! Don't you remember, Len, it | :06:31. | :06:37. | |
went on for years. I once combined a Riverdance with a tap dance and | :06:37. | :06:47. | |
:06:47. | :06:48. | ||
flooded the place. APPLAUSE There's another line. Wait for this one. I | :06:48. | :06:57. | |
should have walked -- I should have worn my dancing pumps! Here they | :06:57. | :07:03. | |
are in training. Last week I was absolutely loving | :07:03. | :07:07. | |
it. There was one moment when we were spinning around and I just | :07:07. | :07:11. | |
thought, this is the most amazing feeling in the world. Then, | :07:11. | :07:18. | |
suddenly, there was a look in his eyes, he had gone blank. Literally | :07:18. | :07:23. | |
nothing. I remember saying to Denise, don't worry! I didn't know | :07:23. | :07:29. | |
what to do. I just launched Mitch at him -- launch myself at him into | :07:29. | :07:33. | |
the routine. It was nothing like it should have been but you can't | :07:33. | :07:36. | |
necessarily tell where we went wrong. It's how you recover, I | :07:36. | :07:39. | |
thought you recovered very well. Well done. He feels bad and I don't | :07:39. | :07:43. | |
want him to feel bad. It feels like a setback but in a way it's good | :07:43. | :07:46. | |
because it's given us a drive to prove ourselves this week. We are | :07:46. | :07:54. | |
going to come back fighting. This week is dance fusion week. I am | :07:54. | :07:58. | |
hoping it's not going to be dance confusion. You look like you | :07:58. | :08:01. | |
remembered that time. Our fusion is a quickstep and the jive. | :08:01. | :08:05. | |
routine is so fast. Denise literally has to move like | :08:05. | :08:11. | |
lightning to keep up. Get up! There's two different ways you can | :08:11. | :08:15. | |
do a dance fusion. The first way you can do half of one dance and | :08:15. | :08:20. | |
half of another dance. The way I want to do it is starting with jive, | :08:20. | :08:24. | |
into quickstep, back into jive, back into quickstep. Finish with | :08:24. | :08:29. | |
jive. Can we slow it down a little bit? No. I am glad we have two | :08:29. | :08:35. | |
difficult dances because we need to impress tphouf get through to the | :08:35. | :08:43. | |
semi-- impress enough to get through to the semifinal. Dancing a | :08:43. | :08:53. | |
:08:53. | :08:53. | ||
Apology for the loss of subtitles for 93 seconds | :08:53. | :10:26. | |
jive-quickstep fusion, Denise Van APPLAUSE AND CHEERING | :10:26. | :10:32. | |
What about that! That was wonderful. And the pace of it! I tell you, | :10:32. | :10:42. | |
:10:42. | :10:44. | ||
look at him. Yes, it was wonderful. APPLAUSE AND CHEERING They can't | :10:44. | :10:53. | |
stop. Dance fusion. If I did that, I would need a transfusion. Let's | :10:53. | :11:03. | |
:11:03. | :11:03. | ||
welcome our judges, Craig, Darcey and Len and Bruno. APPLAUSE Bruno, | :11:03. | :11:08. | |
I hope we don't get a repeat performance from you like last week, | :11:08. | :11:14. | |
where you fell off the chair. I mean, off his trolley, yes. But not | :11:14. | :11:21. | |
off his chair. Len, in dance fusion week are there different rules for | :11:21. | :11:26. | |
our dancers? You know, the fusion is a real challenge, not only for | :11:26. | :11:30. | |
the pros because they have to come up with two routines to one piece | :11:30. | :11:33. | |
of music but also for our celebrities, because there's | :11:33. | :11:36. | |
different techniques and characterisations. They're allowed | :11:36. | :11:40. | |
one lift throughout the routine. Unless it's a dance where you are | :11:40. | :11:45. | |
allowed more, in which case you can do the stipulated amount. I have to | :11:45. | :11:50. | |
say this, I thought the quickstep had go and the jive had show. It | :11:50. | :11:55. | |
was a proper fusion. It wasn't just a bit of this. You mixed it up | :11:55. | :12:00. | |
beautifully. The technique in the kicks and flicks in the jive were | :12:00. | :12:03. | |
different to the quickstep. You didn't quite manage that all the | :12:03. | :12:08. | |
way through, sometimes the quickstep flicks were jive-ified | :12:08. | :12:15. | |
and there was a slip-up. I got my heel caught in this. I had to kick | :12:15. | :12:22. | |
my skirt off. You can see where it went. What am I going to do? Could | :12:22. | :12:28. | |
you sew it back together for me? You were probably cocking your leg | :12:28. | :12:38. | |
:12:38. | :12:38. | ||
up too high at the time. I enjoyed it very much. Bruno. Yes, that was | :12:38. | :12:45. | |
a high popping explosive jive. Morphing beautifully into a lively | :12:45. | :12:50. | |
quickstep. The momentum - you were going at the speed of light! That | :12:50. | :12:53. | |
moment when you caught yourself, you know, these things happen. It | :12:53. | :12:58. | |
was superb. Len is right, the the kicks and flicks were different. | :12:58. | :13:04. | |
The jive was incredible. The precision and accuracy was | :13:04. | :13:12. | |
outstanding. Craig? Yes, I agree. The jive part | :13:12. | :13:16. | |
was incredible actually. Your kicks and flicks are absolutely fantastic. | :13:17. | :13:21. | |
Really brilliant. Also, in the quickstep that could sometimes just | :13:21. | :13:27. | |
be a little bit smoother. It was a little bit bouncy for me. Again, | :13:27. | :13:32. | |
incredible spins. You are so proficient at that. All the | :13:32. | :13:38. | |
elements fused beautifully. It is a terrible shame. James remembered | :13:38. | :13:42. | |
the routine. James, thank you for remembering the routine. It was a | :13:42. | :13:50. | |
terrible shame you went wrong and you did finish late at the end. | :13:50. | :13:58. | |
choreographied it that way. Nice try! Darcey? The guys are right, | :13:58. | :14:02. | |
your strength is the jive and the action and the attack is fabulous. | :14:02. | :14:07. | |
Wye say the same as Craig, too much bounce in the quickstep but I love | :14:07. | :14:10. | |
your determination. You go out there and you want to perfect every | :14:10. | :14:18. | |
move. It's fabulous to watch. you. You really do. Quite a team. | :14:18. | :14:28. | |
:14:28. | :14:28. | ||
Off you go. APPLAUSE AND CHEERING Now that is how you kick off a show. | :14:28. | :14:34. | |
It was fun, I loved it. Apart from this, my heel was right through the | :14:34. | :14:40. | |
dress. It was a great recovery. Well done you. We might have to bin | :14:40. | :14:44. | |
the dress. Never mind. Have you been - do you feel the competition | :14:44. | :14:47. | |
is getting tougher now we are getting closer to the final? It's | :14:47. | :14:52. | |
so much you have toer. The standard is -- tougher. The standard is so | :14:52. | :14:56. | |
high. They've lifted their game. Have you enjoying combining the | :14:56. | :14:59. | |
ballroom and Latin? It's been exhausting, though. This week has | :14:59. | :15:03. | |
been tiring because it's the two fastest dances, quickstep and jive | :15:03. | :15:06. | |
but she worked so hard. Puts in so many hours and I am very proud. | :15:06. | :15:11. | |
Whatever happens tonight, I think you are brilliant. Thanks, James. | :15:11. | :15:15. | |
She's fitter than you now, James. He is the one out of breath! The | :15:15. | :15:25. | |
:15:25. | :15:38. | ||
Great score. That's brilliant. Better than last week. Yes. Great | :15:38. | :15:42. | |
score. Of course it is, I am not arguing. Pleased with that. | :15:42. | :15:47. | |
judges have told us what they think. Now it's your turn. If you want to | :15:47. | :15:53. | |
make sure your favourites tphr the semifinals there's two ways to vote. | :15:53. | :16:03. | |
To keep Denise in the kpe Lines are going to open once all | :16:03. | :16:08. | |
the couples have danced. The journey to the semifinal has begun. | :16:08. | :16:13. | |
We are up and running. Who's next, Bruce? The next couple tonight is | :16:13. | :16:22. | |
Lisa Riley and her partner, Robin Windsor. APPLAUSE AND CHEERING Now | :16:22. | :16:29. | |
then, very popular lady. Right. I was talking to Lisa and I said, | :16:29. | :16:34. | |
your surname is very difficult to pronounce. She said, is it really? | :16:34. | :16:42. | |
I said, no, it's Riley. APPLAUSE You see what I mean. She even gets | :16:42. | :16:47. | |
it wrong herself. Here they are - I wish you would love more! Here they | :16:47. | :16:56. | |
are in -- I would I -- I wish you would laugh more. Here they are in | :16:56. | :17:01. | |
training. Last Saturday we danced to Sunshine, it was a dream come | :17:01. | :17:11. | |
:17:11. | :17:12. | ||
true. I thought nothing would top Wembley. But Len said... Eric and | :17:12. | :17:18. | |
Ernie are looking down. They're my idols, it's made my year. | :17:18. | :17:25. | |
energy is incredible. You bring it alive. It's the furtherest I have | :17:25. | :17:33. | |
ever got in the competition. Let's hope it just continues. Me and | :17:33. | :17:42. | |
Robin are dancing the tango and cha-cha to Abba's Voulez Vous. | :17:42. | :17:46. | |
Strictly has never done dance fusion before and it's tough. | :17:46. | :17:51. | |
difficulties from going to tango and cha-cha is the legs. And back! | :17:51. | :17:57. | |
Sorry, sorry! It's tough to get one dance style, so to get two we have | :17:57. | :18:02. | |
a big challenge. It's the cha-cha first to make sure it's right. | :18:02. | :18:06. | |
have seen a difference with him this week. You don't like me. | :18:06. | :18:13. | |
love you, but I don't like you. He has a dose of the Artems. He is | :18:13. | :18:16. | |
really stern. Higher, higher! I want to get this right. I am going | :18:16. | :18:21. | |
to work so hard. I don't care what it takes but I am going to make | :18:21. | :18:25. | |
sure she does a fantastic job. I am going to get a slap before the end | :18:25. | :18:29. | |
of the week. I need to up my game because I would love a place in the | :18:29. | :18:39. | |
:18:39. | :18:40. | ||
final five. Dancing a tango-cha-cha fusion Lisa Riley and her partner | :18:40. | :18:50. | |
:18:50. | :18:50. | ||
Apology for the loss of subtitles for 93 seconds | :18:50. | :20:34. | |
Lisa, look at them over there. There we are. That was lovely. That | :20:34. | :20:39. | |
was so lovely. Not only did you do a beautiful dance, you did air | :20:39. | :20:44. | |
conditioning for the whole place. It was wonderful. While you two | :20:44. | :20:48. | |
catch your breath it gives us a chance to welcome our fabulous | :20:48. | :20:53. | |
singers, Dave Arch and his wonderful, wonderful orchestra. | :20:53. | :20:56. | |
APPLAUSE AND CHEERING There you go. Thank you. You do | :20:57. | :21:04. | |
such a wonderful job for us every week. Pwraoupb? -- Bruno. Lisa, I | :21:04. | :21:09. | |
love the way you expose yourself, all that reveal. You were like a | :21:09. | :21:12. | |
glitterball under a searchlight. You were dazzling. The cha-cha-cha | :21:12. | :21:17. | |
suits you down to a tee. Cheeky, naughty, it allows you to express | :21:17. | :21:20. | |
yourself in fantastic ways. The tango was better than the usual | :21:20. | :21:24. | |
ballroom. The top line was better, you tried much harder to make it | :21:25. | :21:29. | |
work. Obviously, the cha-cha-cha was much stronger because it is you. | :21:29. | :21:39. | |
:21:39. | :21:41. | ||
It is really suits you down to a tee. Now then, Craig? Yes, the cha- | :21:41. | :21:45. | |
cha-cha was better than your tango. Your top line is failing new the | :21:45. | :21:52. | |
tango and in all the ballroom stuff. Sadly, we do have to get really | :21:52. | :21:57. | |
specific now and look for these sort of faults. Also a little ahead, | :21:57. | :22:00. | |
you were anticipating some of the steps particularly up here. The | :22:00. | :22:07. | |
dance really took off when your clothes came off, of course. | :22:07. | :22:12. | |
dear! True. I loved the two characters, actually. It was really | :22:12. | :22:21. | |
good. Thank you, thaeug, for -- Craig, for your first cha-cha-cha | :22:21. | :22:26. | |
of the series. Darcey? Actually for me I thought your tango was the | :22:26. | :22:30. | |
stronger one, surprisingly with a partying beat you attacked it | :22:30. | :22:33. | |
really well and I thought your top line had improved and you held and | :22:33. | :22:39. | |
the shaping was better. I thought the cha-cha got loose and the | :22:39. | :22:43. | |
cleanness lost it and it was sharp and you needed sharper, stronger | :22:43. | :22:48. | |
legs and snappier moves. But always a fabulous performance. You always | :22:48. | :22:58. | |
:22:58. | :22:59. | ||
give your all. Never let's us down. OK, Len? Your enthusiasm is | :22:59. | :23:04. | |
infectious. It's always fun. It's always joyous to watch. You come | :23:04. | :23:09. | |
out with such verve. You went wrong in the cha-cha-cha. I did. There | :23:09. | :23:13. | |
was an incident. It was one of those things. For me it was all too | :23:13. | :23:16. | |
predictable. I like the fusions to be a little bit, what's coming | :23:16. | :23:25. | |
next? Oh, what's coming next! However, as I said at the beginning, | :23:25. | :23:30. | |
for enthusiasm you are the kid. Well done. Thank you so much. | :23:30. | :23:38. | |
are the Queen. Off you go, darling. Lovely, lovely. APPLAUSE AND | :23:38. | :23:47. | |
CHEERING Are you glad it's over? I just want | :23:47. | :23:56. | |
to say I am sorry. It's all right. A slip-up? A little faux pas. | :23:56. | :24:01. | |
week one you wowed us with the cha- cha. Did you enjoy revisiting it? | :24:01. | :24:05. | |
did love it. Obviously, doing the catch at the end, you know, it was | :24:05. | :24:12. | |
famous from week one and thank you, Robin, for picking me up. | :24:12. | :24:16. | |
reversed it. Did you ever think you would make it this far in the | :24:16. | :24:21. | |
competition. Honestly, I said I thought I might get one ballroom | :24:21. | :24:25. | |
and one Latin. The final is so close and I am having the time of | :24:25. | :24:28. | |
my life, it's amazing. We are having the time of our life with | :24:28. | :24:33. | |
you. We are loving it. I see your face in the results show, you are | :24:33. | :24:36. | |
so relieved to not be in the dance- off. That scares you. I am a | :24:37. | :24:41. | |
nightmare when it comes to the Sunday and I become like a rabbit, | :24:41. | :24:49. | |
I bury myself deeper into Robin's beautiful chest. You had a touch of | :24:49. | :24:53. | |
the Artems, getting tough in training? A little. It's time, you | :24:53. | :25:03. | |
:25:03. | :25:20. | ||
know. It's rubbing off, Artem. The 30. Lisa's kicked, flicked, jumped | :25:20. | :25:24. | |
her heart out and she needs your calls to make it through to the | :25:24. | :25:34. | |
Only call after all our couples have danced. We have lots more | :25:34. | :25:39. | |
fusion fun to be had. Louis will be aiming to hit the top spot again | :25:39. | :25:45. | |
with a very sexy tango and rumba. Can't wait. Who is next? | :25:45. | :25:53. | |
Right our third couple is Nicky Byrne and his partner, Karen Hauer. | :25:53. | :25:57. | |
APPLAUSE Very popular. They're going to be dancing to a song by | :25:57. | :26:03. | |
Olly Murs and Flo Rida. Nicky asked me if I ever heard of Flo Rida? I | :26:03. | :26:12. | |
said, of course I have, I am not stupid, I went to Flo Rida once on | :26:12. | :26:20. | |
my holidays. APPLAUSE Allan Carr gave me that joke. Was he glad to | :26:20. | :26:26. | |
get rid of it! Here they are in training. | :26:26. | :26:30. | |
I was really, really up for Saturday night. I knew I had to | :26:30. | :26:37. | |
deliver a good performance. You got to be uber cool. A little bit too | :26:37. | :26:41. | |
sharp. It's because you put so much power into it. Everyone on the | :26:41. | :26:45. | |
panel is right, it was too aggressive and stompy. When I got | :26:45. | :26:48. | |
the score I knew that wasn't good enough at this stage of the | :26:48. | :26:51. | |
competition. The couple in the bottom two tonight is... Nicky and | :26:51. | :26:56. | |
Karen. Going up against my mate Vaughany was extra hard. Nobody | :26:56. | :27:00. | |
wants to go home, you don't want to knock your buddy out on the show | :27:00. | :27:05. | |
either. This couple were sensational. Nicky and Karen. | :27:05. | :27:09. | |
the second time in the dance-off. I don't want to be there again. But | :27:09. | :27:14. | |
it's next, you move on. This week we are dancing a fusion of the | :27:14. | :27:20. | |
samba and the American smooth foxtrot to Troublemaker by Olly | :27:20. | :27:25. | |
Murs. Does that make sense? Good! Mixing two dances is very | :27:25. | :27:29. | |
complicated especially since you have to teach two different | :27:29. | :27:34. | |
techniques, two different timings to one track. Is that foxtrot or | :27:34. | :27:38. | |
samba? I am not even asking. It's a challenge. The reason I did this | :27:38. | :27:43. | |
show was for a challenge. One step away from the semifinals and two | :27:43. | :27:49. | |
steps from the final. Up and down every mountain that Strictly has to | :27:49. | :27:54. | |
offer. Dance fusion equals injury dance. I am still here. I am | :27:54. | :27:57. | |
literally going to give this absolutely everything because I | :27:57. | :28:04. | |
have no intention of going home. Dancing an American smooth-samba | :28:04. | :28:14. | |
:28:14. | :28:14. | ||
Apology for the loss of subtitles for 93 seconds | :28:14. | :29:51. | |
fusion, Nicky Byrne and his partner APPLAUSE AND CHEERING | :29:51. | :29:57. | |
Oh, well done you two. Some lovely little moves. The moves were | :29:57. | :30:05. | |
beautiful. Craig? You need a lot more bounce in the samba. There | :30:05. | :30:11. | |
wasn't any at all. BOOING. posture in the American smooth part | :30:11. | :30:19. | |
was truly dreadful, I have to be honest. Bent knees. It was very | :30:19. | :30:22. | |
haphazard. I suspect we are going to be seeing that dance again. | :30:22. | :30:30. | |
no. How cruel. Darcey? Nicky, you started really well. You present it | :30:30. | :30:35. | |
very well. It was very well staged. I loved the choreography and the | :30:35. | :30:41. | |
changes were very neat. Very clean. It is true, your shoulders let you | :30:41. | :30:46. | |
down. You do excellent lifts but they do, you know, get in the way, | :30:46. | :30:50. | |
sadly especially in the quickstep. You overexten the arms a lot in the | :30:50. | :30:55. | |
samba. A lot of that. In front. But your performance value was very | :30:55. | :31:04. | |
good. You sell it. APPLAUSE Now then, Len? To fuse these two dances | :31:04. | :31:08. | |
together, samba and the American smooth foxtrot was the greatest | :31:08. | :31:14. | |
challenge we have seen so far. That was a tough call. I think the samba | :31:14. | :31:17. | |
was terrific, you did get the bounce action. I told you before | :31:17. | :31:21. | |
about the ballroom dancing, you never straighten your knees, you | :31:21. | :31:25. | |
are always flexed too much. But I thought the mix was good. The lifts | :31:25. | :31:31. | |
were good. I thought you came out and did a good job. Very nice. Good | :31:31. | :31:39. | |
old Len. Good for you, Len. Bruno? Oh, you little troublemaker! Listen, | :31:39. | :31:44. | |
I have to say that was really a heroic effort. There couldn't be | :31:44. | :31:49. | |
two dances more different than the samba and American smooth-based | :31:49. | :31:54. | |
foxtrot. It's like, you know, the night and day and it's incredibly | :31:54. | :32:00. | |
difficult. There was a lot of technical shortcomings but you give | :32:00. | :32:07. | |
always 110 perbs and -- 110% and I commend you for it. Don't worry | :32:07. | :32:11. | |
because of the first two comments, I am going to make you my favourite. | :32:11. | :32:15. | |
I haven't said that - you are my favourite. Go on. APPLAUSE AND | :32:16. | :32:25. | |
:32:26. | :32:27. | ||
CHEERING The most challenging fusion of the | :32:27. | :32:33. | |
night so far. Very challenging. would have to be me to pick that | :32:33. | :32:39. | |
one! Heroic, said Bruno. Credit where it's true. Michael went out | :32:39. | :32:44. | |
last week, are you doing it for the lads this week? He has been texting | :32:44. | :32:49. | |
me. And my mum's in tonight. Your mum's in the audience. Craig, look | :32:49. | :32:54. | |
out. His mum's coming to get you. enjoyed it. That's what it's all | :32:54. | :32:57. | |
about. It's about giving it everything you have on the dance | :32:57. | :33:05. | |
floor. Before Strictly you never really danced. Westlife, famously, | :33:05. | :33:10. | |
you barely left the stool. Sang beautifully, though! How would you | :33:10. | :33:15. | |
feel if it was to end before the semis? Devastated. Absolutely, the | :33:15. | :33:18. | |
work you put in and for me and Karen, you know, it's been a long | :33:18. | :33:23. | |
journey. We wobbled a bit at the start with the judges and we are | :33:23. | :33:26. | |
still wobbling! I would love to stay in, it's about giving it | :33:26. | :33:29. | |
everything you have and if everyone can vote, maybe I can go next week, | :33:29. | :33:39. | |
:33:39. | :33:55. | ||
Not your best score. No. Judging tpwhaeu reaction to Craig's 5, | :33:55. | :34:01. | |
hopefully viewers aren't going to agree with him. Nicky's come to far. | :34:01. | :34:05. | |
He doesn't want to say goodbye. You can do something about it. Call | :34:05. | :34:09. | |
from your mobile or from a land line. Don't call yet, I will let | :34:09. | :34:14. | |
you know when the lines open later. Back to you, Bruce. Thank you, Tess. | :34:14. | :34:24. | |
:34:24. | :34:25. | ||
Our next couple, Dani Harmer and her partner, Vincent Simone. | :34:25. | :34:31. | |
APPLAUSE AND CHEERING This week, Dani told everyone she's given up | :34:31. | :34:35. | |
drink while still in the competition. Len should do that. At | :34:35. | :34:39. | |
this time of the year he gets through two bottles of alcohol a | :34:39. | :34:46. | |
week. He is not a big drinker, he just uses it to pickle his walnuts. | :34:46. | :34:54. | |
There you are, Len. Keep pickling! It's like a commercial on BBC, | :34:54. | :35:00. | |
would you believe. By the way, have a close-up here, that is not a | :35:00. | :35:10. | |
:35:10. | :35:20. | ||
walnut. That's Len's face. APPLAUSE Why you?! Here they are in training. | :35:20. | :35:26. | |
Our dance last week was definitely Italian-based and Vincent grew a | :35:26. | :35:31. | |
mouse moustache especially for the occasion. Pwraoupb was just saying | :35:31. | :35:36. | |
-- Bruno was just saying beautiful, gorgeous, but he kept looking at me. | :35:36. | :35:42. | |
It was enchanting, my darling. was so nervous during the | :35:42. | :35:47. | |
eliminations so when our name was finally read out I was screaming. | :35:47. | :35:55. | |
was so proud of my little Dani. This week it's dance fusion. We are | :35:55. | :36:03. | |
dancing a quickstep and the Charleston. Oh! It's the same spot! | :36:03. | :36:11. | |
We are going to call it the quick- ston. Very clever. I think we have | :36:11. | :36:16. | |
been the perfect fusion of dance partners. No, bella, the perfect | :36:16. | :36:26. | |
:36:26. | :36:33. | ||
fusion would be me and me. Bella! High-five. I am not sure about that, | :36:33. | :36:41. | |
Vincent. Go faster! It's the first time on Strictly that dance fusion | :36:41. | :36:45. | |
has ever been done. I am really, really terrified because it could | :36:45. | :36:50. | |
either work beautifully or it could be a dance disaster. I don't like | :36:50. | :36:53. | |
that bit. I want to be in the semifinal more than I have wanted | :36:53. | :36:57. | |
anything in my whole life, because honestly this has been the best | :36:57. | :37:05. | |
experience ever and I don't want it to end yet. | :37:05. | :37:07. | |
Dancing a Charleston-quickstep fusion, Dani Harmer and her partner | :37:07. | :37:17. | |
:37:17. | :37:17. | ||
Apology for the loss of subtitles for 93 seconds | :37:17. | :39:06. | |
Dani, look, that's all for you, my love. Our first standing ovation of | :39:06. | :39:16. | |
:39:16. | :39:17. | ||
the night. You got them on their feet. Come on, where's that smile? | :39:17. | :39:23. | |
That was wonderful. Well, Darcey, what did you think? That was | :39:23. | :39:28. | |
extraordinary. I mean, got it made with the two dances because they're | :39:28. | :39:32. | |
both from the 1920s so they mould perfectly together but you also | :39:32. | :39:37. | |
upped the technical ability. I mean, the most beautiful wave arched the | :39:37. | :39:41. | |
-- around the dance floor and that was stunning that in and out, that | :39:41. | :39:48. | |
was really beautiful. It was seamless. The transitions from the | :39:48. | :39:56. | |
cheeky, fun - I loved it. Sweet Charleston. Well done. Len? I would | :39:56. | :40:00. | |
have been more happy with your feet if I had seen the occasional heel | :40:00. | :40:10. | |
lead but having said that... Yum- yum, pig's bum, that was fun. I | :40:10. | :40:20. | |
:40:20. | :40:22. | ||
loved it, well done! Well, Bruno? That really was an exuberant fusion | :40:22. | :40:27. | |
frenzy. It was like watching a flapper's greatest hits! The | :40:27. | :40:33. | |
Charleston and quickstep, are like two sides of the same coin and you | :40:33. | :40:41. | |
paid it full-time! It was brilliant. Styleistically it was absolute | :40:41. | :40:47. | |
perfection. The sequence, the runs, the whole sequence was a delight. | :40:47. | :40:51. | |
After last week with the Viennese, which was charming and a different | :40:51. | :40:54. | |
style and now to come out and do that, it was something. Craig, do | :40:54. | :41:03. | |
you agree? Yes, so far, I think the chory has been brilliant and -- | :41:03. | :41:08. | |
choreography has been brilliant and you did a great job on that routine. | :41:09. | :41:14. | |
Come on! Away you go. You are a wonderful pair. APPLAUSE AND | :41:14. | :41:24. | |
CHEERING Yeah! You little flapper, you. | :41:24. | :41:27. | |
First standing ovation of the night. Bruno said perfection. You can't | :41:28. | :41:31. | |
get better than that, can you? really can't. How much would it | :41:31. | :41:34. | |
mean to reach the semifinals? Everything. I am having the best | :41:34. | :41:38. | |
time ever and I want to do it for this man here. First Charleston, | :41:38. | :41:44. | |
well done, Vincent. A first for you. It might be the last as well. | :41:44. | :41:54. | |
:41:54. | :42:17. | ||
Two 10s. Yes! Your first of the series. Really well done. If the | :42:17. | :42:23. | |
Charleston and quickstep mash-up wowed you, you will need these | :42:23. | :42:31. | |
numbers: Don't call until lines open later. | :42:31. | :42:37. | |
Heavy breathing next to me! Take some oxygen! Still two more couples. | :42:37. | :42:45. | |
Who is next? Next is Louis Smith and his partner, | :42:45. | :42:48. | |
Flavia Cacace. APPLAUSE AND CHEERING Another wonderful couple. | :42:48. | :42:54. | |
Remember, in their routine last week Louis was a doctor and after | :42:54. | :42:57. | |
the performance a woman from the audience rushed on and said, can | :42:57. | :43:02. | |
you examine me? I feel faint. He said, but I am not really a doctor. | :43:02. | :43:11. | |
She said, that's all right, I don't really feel faint. APPLAUSE Where | :43:11. | :43:15. | |
do these women come from? They never bother me. Here they are in | :43:15. | :43:22. | |
training. I really felt under pressure, so I | :43:22. | :43:26. | |
really had to go out and perform and luckily I did that. The | :43:27. | :43:32. | |
Olympics was obviously a different level, but last Saturday, wow. It | :43:32. | :43:34. | |
was unbelievable. Never experienced anything like that before in my | :43:34. | :43:37. | |
life. The reception from the audience, I couldn't believe it. | :43:37. | :43:42. | |
They got louder and louder and started stamping their feet. I was | :43:42. | :43:48. | |
thinking OK, maybe it will go up to a nine and Darcey's ten and I | :43:48. | :43:53. | |
couldn't believe it. I actually couldn't believe it. Oh my! I was | :43:53. | :44:01. | |
so used to getting those scores and Bruno gave me ten, it was | :44:01. | :44:04. | |
unbelievable. I managed to find a little bit of character in this | :44:04. | :44:07. | |
Charleston. I am on a roll and I need to keep this performance side | :44:07. | :44:13. | |
going. It was the best feeling. This week dance fusion, we are | :44:13. | :44:17. | |
combining tango and the rumba. rumba is a dance of love and Louis | :44:17. | :44:22. | |
really needs to act the part. have to act like a ladies' man and | :44:22. | :44:30. | |
I am not sexy, girls do not look at me that way. Louis has it in his | :44:30. | :44:36. | |
head girls don't fancy him. I am not exactly Brad Pitt. Hello, he is | :44:36. | :44:40. | |
hot! Am I wrong, ladies? Come on. To get to the semifinal I need to | :44:40. | :44:46. | |
come across as some kind of Romeo. I need a miracle. Hi. All right? | :44:46. | :44:51. | |
Girls don't even notice me. I don't know how I am supposed to get into | :44:51. | :45:01. | |
:45:01. | :45:03. | ||
character. Louis. What? Oh! Dancing a tango-rumba fusion, Louis Smith | :45:03. | :45:11. | |
a tango-rumba fusion, Louis Smith and his partner Flavia Cacace. | :45:11. | :45:21. | |
:45:21. | :45:21. | ||
Apology for the loss of subtitles for 93 seconds | :45:21. | :46:53. | |
APPLAUSE AND CHEERING Here we go again! They're all up. | :46:53. | :47:01. | |
Louis, have a look at them. And around here. Look. You did it. You | :47:01. | :47:07. | |
two did it. I have always admired you so much as a tango dancer. You | :47:07. | :47:12. | |
are the best and always have been and you passed it over to dear | :47:12. | :47:17. | |
Louis. Len? Rumba and tango, two dances each end of the dance | :47:17. | :47:27. | |
:47:27. | :47:29. | ||
spectrum and you pulled it off great. Well done. Bruno. I am with | :47:29. | :47:38. | |
you, the build-up from soft and sense annual -- sense annual to hot. | :47:38. | :47:43. | |
Yes, you are masterful! Keep it up, it's going the right way. Craig | :47:43. | :47:49. | |
looks pensive. Well, I have to say you danced that with effortless | :47:49. | :47:53. | |
dexterity. You really did. I have one complaint, however, your thumb | :47:53. | :47:59. | |
was newspaper the tango. -- your thumb was up in the tango. It will | :47:59. | :48:05. | |
probably finish up in your eye, but never mind! Darcey? The emotion was | :48:05. | :48:10. | |
perfect. It was expressive. Those arms were delicious. I loved it. | :48:10. | :48:16. | |
The tango, crisp. One of your best. It was. Be proud about that. It was | :48:16. | :48:26. | |
:48:26. | :48:28. | ||
great. Off you go. APPLAUSE AND CHEERING | :48:28. | :48:35. | |
Yes! Delicious arms indeed. Go on. Thumbs up, Craig. Show us the rumba | :48:35. | :48:43. | |
arm again. They're fabulous. all right. Good arms. Yes, Darcey, | :48:44. | :48:48. | |
fabulous! You are used to winning medals as an Olympian. Now you are | :48:48. | :48:51. | |
a contender in Strictly. How much do you want to be in the final? | :48:51. | :48:57. | |
would love to thereby. I am used -- to be there. I am used to winning | :48:58. | :49:02. | |
silver and bronze. You want the real thing. A chance to fight for | :49:02. | :49:12. | |
:49:12. | :49:26. | ||
first place, I would love to get to Come on! A ten in there. Well | :49:26. | :49:31. | |
deserved, Louis. The audience are going wild in here, again. It | :49:32. | :49:37. | |
started last week when you let the real Louis out. He is here to stay. | :49:37. | :49:40. | |
Did it get you hot under the collar? Don't just sit there | :49:40. | :49:50. | |
:49:50. | :49:52. | ||
feeling flustered make a note of If you are loving the dance action | :49:52. | :49:56. | |
tonight check out the back stage gossip at: | :49:56. | :50:00. | |
And you can see us on Facebook and Twitter. Who is last, Bruce? Our | :50:00. | :50:09. | |
final couple tonight is Kimberley Walsh and her partier, Pasha -- | :50:09. | :50:13. | |
partner Pasha Kovalev. Another wonderful couple. This week | :50:13. | :50:18. | |
Kimberley has revealed the secret of her success in Strictly, | :50:18. | :50:23. | |
chocolate. She loves chocolate, as I do. She's been getting through | :50:23. | :50:27. | |
loads of the stuff, that's apart from still having her five pieces | :50:27. | :50:34. | |
of fruit every day, three chocolate oranges, a bag of chocolate raisins | :50:34. | :50:44. | |
:50:44. | :50:47. | ||
and a bar of Fruit and Nut. Here Our jive on Saturday night went | :50:47. | :50:51. | |
pretty well. We really went from it from the start of our routine. When | :50:51. | :50:55. | |
Darcey said that I kept up the energy levels with Pasha, I was | :50:56. | :51:01. | |
like, yes! I think I actually did celebrate on camera. Bruno's | :51:01. | :51:05. | |
comments were great. Great energy and timing. Side to side kicks and | :51:05. | :51:10. | |
flicks were excellent. We had a difficult trick which unfortunately | :51:10. | :51:17. | |
didn't go to plan. There was a couple of moments, something I | :51:17. | :51:22. | |
thought was -- spoiled something that was almost perfect. | :51:22. | :51:26. | |
highest score from Craig. Overall, we really enjoyed the dance and we | :51:26. | :51:30. | |
are not going to stop fighting now. The semifinals are a week away. | :51:30. | :51:37. | |
This is dance fusion and we are dancing to The Weather Girls and | :51:37. | :51:42. | |
It's Raining Men. We are do a cha- cha and tango fusion. It's really | :51:42. | :51:49. | |
hard. You are switching between kind of going... Tango and cha-cha | :51:49. | :51:54. | |
this week has had an effect on Kimberley. It's like two dances are | :51:54. | :52:00. | |
controlling her personality. Woah! Doing the cha-cha Kimberley is all | :52:00. | :52:06. | |
sweetness and smiles. Hey, cha-cha- cha! As soon as we go to tango... | :52:06. | :52:11. | |
Let's work on tango now. OK. can turn so quickly and I never | :52:11. | :52:15. | |
know what's coming next. I don't think it's having much impact on me. | :52:16. | :52:25. | |
:52:26. | :52:26. | ||
Ready for tango? Argh! Dancing a tango-cha-cha fusion, | :52:26. | :52:36. | |
:52:36. | :52:36. | ||
Apology for the loss of subtitles for 93 seconds | :52:36. | :54:16. | |
Kimberley Walsh and her partner APPLAUSE AND CHEERING | :54:16. | :54:22. | |
Kimberley, look, it's all for you. Pasha, as well. They loved it. They | :54:22. | :54:28. | |
loved it! They won't stop. Three standing | :54:28. | :54:36. | |
ovations to finish with. What a night. Bruno? You started a nuclear | :54:36. | :54:42. | |
fusion! That was incredible. There was a surprise at the end, from the | :54:42. | :54:52. | |
:54:52. | :54:52. | ||
cha-cha sexy kitten, to tango's mischiefous mistress. Imaginative. | :54:53. | :55:00. | |
Seamless. The dance of the season so far. It was outstanding. It was | :55:00. | :55:10. | |
incredible. Well, Craig? That is dancing! What about that, what a | :55:10. | :55:16. | |
night this is. Darcey? Wow, Kimberley, your pouting, fabulous | :55:16. | :55:21. | |
pout into a sparkling smile. This suited you perfectly. I loved it. | :55:21. | :55:30. | |
You made it your own. I loved it. Fabulous. And Len? I am going to | :55:30. | :55:40. | |
:55:40. | :55:42. | ||
join the audience, well done. happy for you. What a finish. You | :55:42. | :55:52. | |
:55:52. | :55:53. | ||
made it. Go on, off you go. APPLAUSE AND CHEERING | :55:53. | :55:59. | |
Wow, wow! That's worth a cuddle, thank you. I will take it where I | :55:59. | :56:05. | |
can get them. You were so nervous. You were pacing. She was so nervous | :56:05. | :56:09. | |
and you would never know. You tphaeuld it. -- nailed it. Bless | :56:09. | :56:12. | |
you, thank you for your encouragement. Everyone is on their | :56:12. | :56:19. | |
feet. Amazing. And the faces. it so much. Tango face and cha-cha | :56:19. | :56:27. | |
face. Brilliant. Split personality. You nailed that, as well. How much | :56:27. | :56:31. | |
do you want to be in the semifinal? I cannot even explain how amazing | :56:31. | :56:36. | |
it would be to be there next week. You have had 34 four times. Do you | :56:36. | :56:46. | |
:56:46. | :57:09. | ||
think we can beat that tonight? APPLAUSE AND CHEERING I have tears | :57:09. | :57:19. | |
:57:19. | :57:21. | ||
in my eyes! Thank you. Amazing. Yes! The highest score. It's a full | :57:21. | :57:26. | |
house. Kimberley, what does it feel like? Speechless. It feels amazing. | :57:26. | :57:32. | |
Thank you. Really well deserved. I know how much you have trained and | :57:32. | :57:36. | |
how much it means. Did Kimberley's split personality fusion leave you | :57:36. | :57:46. | |
:57:46. | :57:52. | ||
wanting more? She's done all she Lines are going to open in moments. | :57:52. | :57:55. | |
That's it. Phenomenal. Our sensational six have danced, | :57:55. | :57:58. | |
they've been scored by the judges and let's look at the leader board. | :57:58. | :58:07. | |
We know who is top! The judges' favourite, a full house. Kimberley | :58:07. | :58:12. | |
and Pasha. What a dance. Nicky and Karen are at the bottom spot there | :58:12. | :58:16. | |
with one point. Now you can change all of that simply by picking up | :58:16. | :58:20. | |
the phone and voting for your favourite couple and tkoubg it -- | :58:20. | :58:24. | |
and you can do it right now because the phone lines are open! Lines | :58:24. | :58:34. | |
:58:34. | :58:36. | ||
close at 8.20pm tonight. So you I am excited, they're excited. | :58:36. | :58:41. | |
Wasn't that amazing? Here is a reminder of all tonight's fusion | :58:41. | :58:51. | |
:58:51. | :58:51. | ||
Apology for the loss of subtitles for 93 seconds | :58:51. | :00:32. | |
footwork and the numbers you need Well, we have never had a quarter- | :00:32. | :00:36. | |
final like this one. No, we have not. What a show. Thank you | :00:36. | :00:43. | |
everyone. Didn't they all do well? Didn't they just. They can do no | :00:43. | :00:47. | |
more. It's up to you, if you want to see your favourites next week | :00:47. | :00:52. | |
you have to vote. Lines are going to close at 8.20pm tonight. | :00:52. | :00:56. | |
Tomorrow night the two couples with the lowest scores combined with | :00:56. | :01:00. | |
viewers' votes will face each other in the dance-off. In order to win a | :01:00. | :01:04. | |
place in next week's semifinal. will also be getting Christmas | :01:04. | :01:08. |