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Last weekend for the first time ever, Dan's fusion exploded on to | :00:13. | :00:17. | |
the Strictly stage. -- dance fusion. Kimberley | :00:18. | :00:22. | |
destroyed the opposition with the first perfect score of the series. | :00:22. | :00:26. | |
Full house! There was dress disaster for Denise, | :00:26. | :00:32. | |
landing her in the dance-off. And Nicky lost his battle, blasting out | :00:32. | :00:39. | |
of Strictly for good. This week, five will become four. | :00:39. | :00:45. | |
They'll do anything to win the glitterball trophy. Mine! How much | :00:45. | :00:54. | |
do you want it? Woo oo... The race is on. We'll goat the final. Woo, | :00:54. | :01:04. | |
:01:04. | :01:05. | ||
yeah... BENNY HILL THEM TUNE | :01:05. | :01:15. | |
:01:15. | :01:15. | ||
Apology for the loss of subtitles for 53 seconds | :01:15. | :02:08. | |
Woah. This is mine for one more Live from Television Centre, this | :02:08. | :02:14. | |
is the Strictly Come Dancing semi- final! | :02:14. | :02:24. | |
:02:24. | :02:37. | ||
Please welcome your host, Sir Bruce Shush. Say nothing. It was | :02:37. | :02:43. | |
wonderful. It was perfection. Good evening. Welcome to Strictly | :02:43. | :02:47. | |
Come Dancing, the semi-final. It's nice to see you, to see you... | :02:47. | :02:51. | |
Nice! And it's nice to see you Bruce. | :02:51. | :02:54. | |
Wasn't the dance fusion show great last week. You are a bit flighty | :02:54. | :03:01. | |
tonight aren't you? Sure. The judges gave out seven 10s last week. | :03:01. | :03:07. | |
Didn't they say some lovely things. Bruno said stylistically the | :03:07. | :03:14. | |
dancing was perfection and even Craig said the choreography was | :03:14. | :03:19. | |
brilliant. Darri said it was an extraordinary night -- Darcey. Len | :03:19. | :03:29. | |
:03:29. | :03:32. | ||
said, yum, yum, pig's bum. Len! Len Goodman! In just four | :03:32. | :03:40. | |
words, you lowered the tone. I hope you're satisfied. I'm sorry. But it | :03:40. | :03:45. | |
was funny! Still making me laugh now. He always is. This is it after | :03:45. | :03:50. | |
ten weeks of blood, sweat and sequins, we've reached the semi- | :03:50. | :03:55. | |
finals. Last week's stars came out with the dance fusions but only | :03:55. | :03:58. | |
five remain after Nicky was beat none the dance-off. The famous five | :03:58. | :04:02. | |
will have to perform two dances each. Two each! In the hope to make | :04:02. | :04:06. | |
it through to next week's Grand Final. I can't believe the final's | :04:06. | :04:10. | |
next week, only a week away. Can't believe it, seems like just a month | :04:10. | :04:16. | |
away. We are going to be in for a real treat tonight, Brucie. | :04:16. | :04:22. | |
we?! Yes! I think we are, Tess - that's what it says there! | :04:22. | :04:27. | |
So enough is enough! It is. Whatever that means. Anyway, it's | :04:27. | :04:35. | |
time to - stop giggling - meet the stars of our show. What's the | :04:35. | :04:45. | |
:04:45. | :04:46. | ||
matter with you... Kimberley Walsh and Pasha. Lisa | :04:46. | :04:55. | |
Riley. Lewis Smith and Flavia. Tracey beaker star Dani and her | :04:55. | :05:05. | |
:05:05. | :05:19. | ||
partner. Finally, Denise Van Outen What about them! There they all are | :05:19. | :05:23. | |
and there just nine more shopping days to Christmas. I just thought I | :05:23. | :05:26. | |
would mention that in case you haven't got me anything yet. But | :05:26. | :05:32. | |
did you get your bars of chocolate? Yes, thank you. Thank you. You owe | :05:32. | :05:38. | |
me. You will get yours, all right, don't you worry. If you want expert | :05:38. | :05:43. | |
commentary to guide you through, it's just the press of a red button | :05:43. | :05:48. | |
today. Robbie Savile joins our Karen tonight. Robbie, good to see | :05:48. | :05:55. | |
you back, press your red button. Thank you. Shall we start the semi- | :05:55. | :06:01. | |
final, Brucie? Yes, I think it's time we did and the first couple | :06:01. | :06:10. | |
tonight is Dani Harmer and her partner Vincent Simone. | :06:10. | :06:16. | |
Now, then, Dani has been called the dark horse of this competition. So, | :06:16. | :06:24. | |
with her Italian stallion, Vincent, Woah boy, easy boy - let's hope | :06:24. | :06:32. | |
they can gallop into the finals. Here they are in training. | :06:32. | :06:36. | |
Last Saturday, I was so nervous about this dance fusion, I had no | :06:36. | :06:41. | |
idea how tches going to go down, whether I could actually remember | :06:41. | :06:47. | |
which bit to quick snep, which bit to charleston in, but it went | :06:47. | :06:51. | |
really well and I got two charlestons. I started panicking | :06:51. | :06:55. | |
about getting it right and enjoys myself. The highlight of the night | :06:55. | :06:59. | |
was getting the standing ovation from the audience. Our first | :06:59. | :07:05. | |
standing ovation of the night. Bruno said... It was absolute | :07:05. | :07:09. | |
perfection... That smile was staying on my face all night. To | :07:09. | :07:13. | |
get great comments off all four judges was the best thing ever. I | :07:13. | :07:18. | |
can't believe that I'm now here in the semi-finals. It took such a | :07:18. | :07:24. | |
long time for to it sink in. It was definitely my favourite week so far. | :07:24. | :07:28. | |
This week, we are doing two dances! Our first dance is the American | :07:28. | :07:33. | |
smooth. Our second dance is the Argentine tango. It's hard enough | :07:33. | :07:39. | |
learning one dance in four days, but trying to do two dances... | :07:39. | :07:43. | |
Hopefully we'll make it possible. My lovely dad and my gorgeous | :07:43. | :07:47. | |
sister turned up at training today which was so nice because I haven't | :07:47. | :07:51. | |
got to spend any time with them. Without having my family support me | :07:51. | :07:56. | |
on Strictly, I don't think I would have got this far at all. That was | :07:56. | :08:01. | |
adorable... Watching my dad and sister's reaction to our American | :08:01. | :08:04. | |
smooth foxtrot, I think they liked it. Hopefully the public will think | :08:04. | :08:11. | |
the same on Saturday night. Dancing the American smooth, Dani | :08:11. | :08:21. | |
:08:21. | :08:21. | ||
Apology for the loss of subtitles for 53 seconds | :08:21. | :10:04. | |
CHEERING AND APPLAUSE Absolute will you lovely. - | :10:04. | :10:11. | |
absolutely lovely. You are such a team. One week to go and now what a | :10:11. | :10:18. | |
pair you are! Let's welcome the judges, Craig, Darcey, Len and | :10:18. | :10:25. | |
Bruno! Now, Craig, he's shortly to start | :10:25. | :10:27. | |
rehearsals for pantomime. Apparently he's playing a part | :10:27. | :10:32. | |
where he can be a lot nicer than he is on this show. I said what part | :10:32. | :10:39. | |
are you playing and he said, the wicked Queen. | :10:39. | :10:43. | |
Do you make your own dresses? You must have something to do with the | :10:43. | :10:48. | |
styling of it and all of that? I do. Tell me about it after. Len, | :10:48. | :10:53. | |
what about this? Dani, the more I see you dance, the more I like what | :10:53. | :10:58. | |
I see. Honestly. Thank you. Your technique is improving, I saw the | :10:58. | :11:02. | |
heel turns, very clean and crisp. Maybe a bit stronger in your | :11:02. | :11:06. | |
posture but the lifts were good, I liked the fluidity of movement, I | :11:06. | :11:15. | |
thought you did it fabulous. Well done. Thank you. | :11:15. | :11:20. | |
What did I tell you?! You should listen to me! Darling, Len is | :11:20. | :11:25. | |
definitely right. You carry on like this and your wish may come true! | :11:25. | :11:32. | |
Oh yes, I like the touches of Ginger Rogers. How did you get that, | :11:32. | :11:38. | |
you are so young? Probably from the master. A lot of attention to | :11:38. | :11:42. | |
footwork, good technique, flips side by side, you are going in the | :11:42. | :11:46. | |
right direction. Persist! Right. You have been going up like that | :11:46. | :11:51. | |
for the last four or five weeks. Craig? I really liked the beginning | :11:51. | :11:56. | |
bit, the step touches going into the grapevine, that set the whole | :11:56. | :12:01. | |
scene, the lovely heel turn on the corner was lovely. Hand position | :12:01. | :12:04. | |
above the head however needs attention on that first lift. It | :12:04. | :12:10. | |
was like that, darling, it needs shaping and lifting up slightly, it | :12:10. | :12:19. | |
was a bit clubby. One of the other moves could have been held for a | :12:19. | :12:25. | |
bit longer. But I thought you danced it beautifully. Thank you. | :12:25. | :12:33. | |
He liked it, he liked it, he liked it! Darcey? Dani, there is a lovely | :12:33. | :12:37. | |
quality all the way throughout the dance. You create this beautiful, | :12:37. | :12:41. | |
elegant quality which is very chic and you have sweet, clean footwork. | :12:41. | :12:45. | |
It's right, exactly what Len said, your technique all the way through | :12:45. | :12:49. | |
is improving non-stop. Beautiful heel turn over there, we all saw | :12:50. | :12:56. | |
that. I do just miss a little bit of sparkle. I just miss that being | :12:56. | :13:05. | |
held really well. That's all, but very beautiful. Just a bit safe. | :13:05. | :13:14. | |
It was safe but it was fantastic! You were marvellous, both of you. | :13:14. | :13:24. | |
:13:24. | :13:37. | ||
A little dazzler. The tension in the semi-final. We went first, look. | :13:37. | :13:40. | |
Darcey said it was a little bit safe. What are you going to bring | :13:40. | :13:47. | |
to your next dance which is? Argentine tango. With the King of | :13:47. | :13:52. | |
the? Tango. So excited, I can't wait. We saw rehearsals and it's | :13:52. | :13:56. | |
very hot. Half the time training for each dance this week. Has that | :13:56. | :13:59. | |
been tough? It's been really difficult for everyone but we got | :13:59. | :14:04. | |
through one dance so that's good. One down, one to go. Is the | :14:04. | :14:07. | |
pressure getting to you tonight, the semi-final? It is because I so | :14:07. | :14:17. | |
:14:17. | :14:34. | ||
want to be in the final. I can't All right, then. The semi-final is | :14:35. | :14:39. | |
up and running and what a way to start the show. All our couples are | :14:39. | :14:44. | |
dancing twice tonight. The phone lines won't open until every | :14:44. | :14:48. | |
couple's performed their routines. People are cheering behind me, I | :14:48. | :14:54. | |
don't know whiefplt Brendan is back and misbehaving -- I don't know why. | :14:54. | :15:04. | |
:15:04. | :15:05. | ||
Brendan is back and misbehaving. Don't call until we open the lines. | :15:05. | :15:12. | |
If you do, you might be charged and your vote won't count. Who is the | :15:12. | :15:17. | |
next contender, Brucie? The next couple tonight is Lewis | :15:17. | :15:27. | |
:15:27. | :15:45. | ||
Smith and his partner flaf l, Flavia -- his partner Flavia. | :15:45. | :15:52. | |
To all the teenagers watching tonight, respect! Get your bestys | :15:52. | :15:56. | |
round to watch this. This routine is going to be sick and dope and | :15:56. | :16:06. | |
babes are going to find Lewis so buff. If you don't know what I'm | :16:06. | :16:11. | |
talking about, you are a N OOB. You watch them in training because I'm | :16:11. | :16:18. | |
off to do some planking! Whatever... | :16:18. | :16:27. | |
Whatever it means, here they are in training! | :16:27. | :16:30. | |
Can't believe Saturday. It was unbelievable. The fusion I think | :16:30. | :16:35. | |
worked well. The rumba was very slow, passionate. The tango is | :16:35. | :16:40. | |
snappy and quick. I felt leek I stepped it up to try to perform it. | :16:40. | :16:46. | |
It blew me 'way to get a standing ovation at the end. Unbelievable. I | :16:46. | :16:50. | |
want to take it in and you want to say thank you but you don't get the | :16:50. | :16:55. | |
time. I'll say it now, thank you. Effortless dexterity. One complaint | :16:55. | :17:00. | |
though, your thumb was up in the tango. If all he was going to say | :17:00. | :17:07. | |
about my thumb, we get the greater thumbs up. Tens again! It's | :17:07. | :17:12. | |
incredible that Lewis is the last boy standing. I feel the | :17:12. | :17:18. | |
responsibility to step it up for the guys. Our first dance is a jive. | :17:18. | :17:21. | |
Very stressful being the semi-final. It was nice to have my friend come | :17:21. | :17:27. | |
in. Everyone knows him from JLS - well, not everybody - but a lot of | :17:27. | :17:33. | |
people! I didn't think I would see him this nervous. I don't think he | :17:33. | :17:37. | |
ever would have expected me to be on Strictly in the ballroom doing | :17:37. | :17:47. | |
:17:47. | :17:48. | ||
my thing. Good stuff. He's a performer and it's nice to get tips | :17:48. | :17:54. | |
from him. You are going to show two personalities. Seeing him turn inno | :17:54. | :17:59. | |
this star on Strictly I could not be any more proud of him. He said I | :17:59. | :18:07. | |
was doing a good job so hopefully I can do bring that with me on | :18:07. | :18:17. | |
:18:17. | :18:17. | ||
Apology for the loss of subtitles for 53 seconds | :18:17. | :20:02. | |
You will remember that for the rest of your life. And you, my darling. | :20:02. | :20:10. | |
That was so great. It took me back to my youth. They used to go with | :20:10. | :20:15. | |
Patricia to the Mecca. Shut up! While you catch your breath, it | :20:15. | :20:21. | |
gives me chance to welcome our fabulous singers, Dave Arch and his | :20:21. | :20:26. | |
wonderful, wonderful orchestra! Yes, all of you! | :20:26. | :20:34. | |
Wonderful. Now, then. Bruno, start us off? Well, Lewis, they're | :20:34. | :20:40. | |
definitely all falling in love with you when you turn it on! Chasing | :20:40. | :20:46. | |
the cheerleader in the locker room, you naughty, naughty boy. You've | :20:46. | :20:54. | |
got the performance aspect really worked out. Your performance as an | :20:54. | :20:59. | |
actor is really improving. Jives, kicks and flicks, there is a but | :20:59. | :21:02. | |
there, they were not as clean and sharp as they could have been. | :21:02. | :21:05. | |
Listen, it's the semi-final and those things are obvious, you know. | :21:05. | :21:09. | |
There is some tinyish yous with the timing. You have to be on it on the | :21:09. | :21:16. | |
jive all the way through. If you miss a milisecond you have to be | :21:16. | :21:20. | |
sharp. Performance-wise, I'm telling you, don't be disappointing | :21:20. | :21:30. | |
:21:30. | :21:30. | ||
because you are selling it better than offer. -- better than ever. | :21:30. | :21:36. | |
Right, OK. Craig? A I agree about the performance scenario, but I'm | :21:36. | :21:41. | |
going to be nit-picky, when you do snaps, they should be energetic, | :21:41. | :21:46. | |
they were very soft and laid back. Your feet are sickled slightly when | :21:46. | :21:53. | |
you do the kicks which makes them look ugly. It was made to look a | :21:53. | :21:59. | |
bit laboured throughout. Something seemed to go wrong, I don't know. | :21:59. | :22:07. | |
It went perfectly fine. Don't worry, Craig, it went perfectly fine. | :22:07. | :22:16. | |
I loved the trick you did into the jazz bit. Darcey, my darling? | :22:16. | :22:20. | |
Flavia, it's a fun routine, the style was great and you are | :22:20. | :22:23. | |
performing it so well now. It's true, because you are so supple, | :22:23. | :22:27. | |
you don't have that kind of strength in the kicks, it can get | :22:27. | :22:31. | |
soft. You have to really work at being sharp and crisp in things | :22:31. | :22:37. | |
like that because you are so supple, but very nice trick, I like that. I | :22:37. | :22:42. | |
was just expecting more. Such a shame, but I think you can pull it | :22:42. | :22:51. | |
out the bag in the next dance. I was going to say the same. Well... | :22:51. | :22:59. | |
Hello! In your own time? It was just that Lewis was answering back, | :22:59. | :23:05. | |
that's all. We'll pull it out the bag. That's what I'm hoping because | :23:05. | :23:09. | |
for me if your foxtrot isn't better standard, this didn't cut it for me, | :23:09. | :23:15. | |
to be honest. It was too casual. There were too many two-beat drives | :23:15. | :23:18. | |
soyou didn't get the chassis so it lost speed. I wasn't enamoured with | :23:18. | :23:22. | |
the flicks and kicks, it was OK, a lot of content in there, but the | :23:22. | :23:28. | |
quality of dancing wasn't that good so good luck in your foxtrot. | :23:28. | :23:35. | |
We all loved it, they were on their feet. Somebody's got to be wrong. | :23:35. | :23:45. | |
:23:45. | :23:49. | ||
Off you go. Lovely. Come up for some solace and TLC. | :23:49. | :23:53. | |
Stand ogvaition despite controversial comments from the | :23:53. | :23:58. | |
judges -- standing ovation? Yes, my second routine is always better | :23:58. | :24:03. | |
than the first, it always feels a bit cold so let's go down and have | :24:03. | :24:07. | |
another go! The judges agreed on how much you have improved as a | :24:07. | :24:10. | |
performer, you're the only one that doesn't come from a performance | :24:10. | :24:15. | |
background. You have come so far, has it changed your life? I think | :24:15. | :24:19. | |
so. A lot of people want to talk to you about it now in the street? | :24:19. | :24:24. | |
Strictly all the time, yes, it was like I was never a gymnast. | :24:24. | :24:34. | |
:24:34. | :24:50. | ||
Not the lowest score for you. The audience here absolutely loved it. | :24:50. | :24:54. | |
You are our last male celebrity, we are expecting you to do it for the | :24:54. | :24:59. | |
lads now, Lewis. I'm frying my hardest. High hopes for the foxtrot | :24:59. | :25:05. | |
next. If you want lieu twois be in the final, -- Lewis to be in the | :25:05. | :25:10. | |
final, vote for him later once all the couples have danced twice. | :25:10. | :25:15. | |
Tonight promises to be spectacular chock full of amazing performances. | :25:15. | :25:20. | |
Kimberley and Pasha are taking to the skies and Lisa and Robin bring | :25:20. | :25:30. | |
a bit of Broadway. Who is going to wow us next, Brucie? Deneat Van | :25:30. | :25:36. | |
Outen and her partner James Jordan. Another great couple. | :25:37. | :25:41. | |
Last week, they did a very fast jive combined with a very fast | :25:41. | :25:45. | |
quickstep, one of the fastest dances we've ever seen on Strictly. | :25:45. | :25:53. | |
They did very well, they got 38 points from the judges - no, they | :25:53. | :25:57. | |
didn't, they got 35 points from the judges - and three points for | :25:57. | :26:05. | |
speeding! Hey! I got there in the end! My only defence is, I've had | :26:05. | :26:13. | |
the flu this week, OK! So has Bruno, so has Len, so has Darcey and Craig | :26:13. | :26:17. | |
hasn't because he never gets anything! | :26:17. | :26:27. | |
:26:27. | :26:30. | ||
The fusion of quickstep and jive is tricky because they are both really | :26:30. | :26:34. | |
fast. The jive was incredible. There was a little slip-up. I got | :26:35. | :26:38. | |
my heel caught in this. Unfortunately it happened in the | :26:38. | :26:41. | |
quickstep and you are supposed to be gliding along in Unison. I | :26:41. | :26:45. | |
looked like a bouncing pony. My heel was right through the dress | :26:45. | :26:50. | |
and I kept thinking, I can't get this out. A great recovery, well | :26:50. | :26:54. | |
done you. We knew we were in a vulnerable position. Denise and | :26:54. | :26:59. | |
James... I was devastated. I've loved this | :26:59. | :27:02. | |
experience so much. So close to possibly getting to the Faenol that | :27:02. | :27:09. | |
you don't want to go. Denise and James. You have to forget last | :27:09. | :27:12. | |
weekend, pick yourself up, brush yourself off and start all over | :27:12. | :27:18. | |
again. What else can you do? This week we are dancing two dances, | :27:18. | :27:26. | |
rumba and tango. I ain't got a Scooby-doo who I'm doing. There is | :27:26. | :27:29. | |
a lot of pressure. Because we have been in the Tansoff, we have to | :27:29. | :27:34. | |
dance our socks off. Today I had the best surprise ever because | :27:34. | :27:38. | |
Betsy, my little girl, came to training. That's a nice surprise. | :27:38. | :27:43. | |
I've been so bogged down learning the two dances, it was a nice | :27:43. | :27:47. | |
distraction to see my little girl and play with her. It's exactly | :27:47. | :27:53. | |
what I needed. To be honest, I think Betsy was more interested in | :27:53. | :27:57. | |
playing with her toys. Last week was tough and this was just the | :27:57. | :28:07. | |
:28:07. | :28:08. | ||
boost that I needed. Keep dancing... Dancing the tango, Denise Van Outen | :28:08. | :28:18. | |
:28:18. | :28:18. | ||
Apology for the loss of subtitles for 53 seconds | :28:18. | :30:10. | |
CHEERING AND APPLAUSE Denise and James, a sight to | :30:10. | :30:20. | |
remember! You will remember that for ever. And well deserved. | :30:20. | :30:26. | |
I love that dramatic end. It was beautiful. It was so lovely, so | :30:26. | :30:33. | |
wonderful that, will you tell your daughter not to pinch my catch | :30:33. | :30:37. | |
phrase! We got off to a flying start with that floor spin and I | :30:37. | :30:44. | |
have to say, it did not stop there. Fantastic. I loved the little | :30:44. | :30:50. | |
flamenco moves, posture was absolutely brilliant. Bit of | :30:51. | :31:00. | |
gapping on occasion only. Rubbish. Rubbish. But I loved it. Absolutely | :31:00. | :31:06. | |
loved the routine. You are a fantastic, fantastic dancer. Thank | :31:06. | :31:12. | |
you. Thank you. Took you a long time to get there but you loved it. | :31:12. | :31:16. | |
Darcey? Denise, the attack you have is extraordinary. I mean, you don't | :31:16. | :31:21. | |
fade all the way through. I mean, to keep that at that high level, | :31:21. | :31:24. | |
that is not easy and it was so clean and beautiful. You had many | :31:24. | :31:30. | |
kicks and the only thing I would say in doing so many kicks, flfs a | :31:30. | :31:34. | |
little bit of a bent leg -- there was a little bit of a bent leg, | :31:34. | :31:41. | |
that's all, so maybe not so high next time. Very, very nice. | :31:41. | :31:49. | |
Absolutely. Both of you. Len? hate it when they have trivial | :31:49. | :31:54. | |
objections. Trivial! Listen, this is the semi-final, this is | :31:54. | :31:59. | |
stressful, you come out like the no-stress express. I'm telling you | :31:59. | :32:05. | |
what, the start, I thought, hello, I'm not going to like this, it was | :32:05. | :32:09. | |
a paso doble twist, once you got into hold and got cracking, girl, | :32:09. | :32:19. | |
:32:19. | :32:25. | ||
that was a proper tango! Thank you. I might add - yum yum! | :32:25. | :32:30. | |
Roxanne, the warring Princess, she cannot be conquered. You give it to | :32:30. | :32:37. | |
me and I give it back ten fold! I'll tell you, that tango was | :32:37. | :32:43. | |
fantastic, especially from those links, those sticato links to the | :32:43. | :32:50. | |
build-up to the end was sensational, I'm with Len. You can drag me all | :32:50. | :32:59. | |
the way, it was fabulous, Len is right! | :32:59. | :33:05. | |
The head turns were all lovely. Where you were being dragged to, I | :33:05. | :33:11. | |
don't know. But there you are. Denise and James. A wonderful, | :33:11. | :33:21. | |
:33:21. | :33:23. | ||
wonderful tango! A very noisy standing ovation. You | :33:23. | :33:26. | |
were in the dance-off last week for the first time. Did that give you | :33:26. | :33:30. | |
the motivation that you needed to come out all guns blazing? It did. | :33:30. | :33:35. | |
You have to move on from last week and we wanted to enjoy the dance. I | :33:35. | :33:39. | |
loved it, such a great dance to do. What an audience. Amazing. They | :33:39. | :33:43. | |
loved it. Denise, you train sod hard, put so many hours in. How | :33:43. | :33:50. | |
tough has it been day in day out training for 11 weeks? Really hard, | :33:50. | :33:57. | |
we have so much fun as well. funny aren't I? He tries! Will the | :33:57. | :34:07. | |
:34:07. | :34:26. | ||
Three 10s. Come on! That is great in the semi-final. Craig goes for | :34:27. | :34:32. | |
the nine! I love it. If you agree with the judges, the numbers to | :34:32. | :34:42. | |
:34:42. | :34:46. | ||
This semi-final is hotting up and the atmosphere in the ballroom is | :34:46. | :34:50. | |
properly electric, amazing. Who is next, Bruce? | :34:50. | :34:56. | |
Bruno is coughing. Don't you think my voice sounds sexier and deeper | :34:56. | :35:03. | |
now?! Sorry, our next couple is Kimberley Walsh and her partner | :35:03. | :35:11. | |
Pasha come lef. Last week, Kimberley and Pasha scored the | :35:11. | :35:17. | |
perfect 40! 40! So the pressure is really on this week. Here they are | :35:17. | :35:26. | |
in training. Come on. I loved the dance fusion | :35:26. | :35:31. | |
and Pasha's choreography was amazing. When Len actually stood | :35:31. | :35:37. | |
up... I'm going to join the audience... And gave us a little | :35:37. | :35:42. | |
standing ovation, I couldn't believe what I was seeing. After | :35:42. | :35:47. | |
having a score of 34 for four weeks, we were really hoping to just push | :35:47. | :35:54. | |
it up to maybe 35 this week. We kind of blew that out the water! | :35:54. | :36:01. | |
Ten. We were literally in shock after every single ten. Ten. Full | :36:01. | :36:06. | |
house! Ten. I certainly wasn't expecting it to be me to get the | :36:06. | :36:11. | |
first 40 of the series. That is dancing! It didn't feel real, it | :36:11. | :36:15. | |
actually did feel like a dream. We were so desperate to get into the | :36:15. | :36:21. | |
semi-finals and we pulled it out the bag. Semi-final week has been | :36:21. | :36:25. | |
extremely intense. I'm really missing my family and friends a lot, | :36:25. | :36:29. | |
so the only way I'm going to get to see them is to invite them to the | :36:29. | :36:37. | |
studio. Hi! We gave them a little sneaky peek of the dance routines. | :36:37. | :36:42. | |
They all seemed pleasantly surprised. Their sup important's | :36:42. | :36:46. | |
helped me a huge amount during this experience. We always knew how good | :36:46. | :36:49. | |
she was at dancing and performing, but I don't think any of us | :36:50. | :36:54. | |
realised how hard this was going to be for her. I don't think I could | :36:54. | :37:00. | |
have done it without them. ALL: Good luck Kimberley and Pasha. | :37:00. | :37:05. | |
Having two dances is putting us under pressure but that little | :37:05. | :37:11. | |
visit's made me feel ready for Saturday night. Dancing the | :37:11. | :37:21. | |
:37:21. | :37:21. | ||
Apology for the loss of subtitles for 53 seconds | :37:21. | :39:01. | |
American smooth, Kimberley Walsh CHEERING AND APPLAUSE | :39:01. | :39:10. | |
Yes, Pasha, have a good look! Isn't it lovely? Make you feel good? Of | :39:10. | :39:16. | |
course it does! The fever, that's what it is, you have given us all | :39:16. | :39:20. | |
the fever. I never thought that was a song to dance to, but you have | :39:20. | :39:27. | |
proved me completely wrong. Darcey, darling? I love this, Kimberley, | :39:27. | :39:32. | |
you are like true film star out there, you shine, your timing on | :39:32. | :39:37. | |
every flick. Every time you leave your head behind, it's very special, | :39:37. | :39:43. | |
some lovely details there. What I most loved was that amazing, | :39:43. | :39:48. | |
brilliant turn into a lung right back and you did another double | :39:48. | :39:53. | |
into a drag split, I mean that is difficult and you controlled it | :39:53. | :39:59. | |
really well. I am well impressed. Very, very | :39:59. | :40:04. | |
well done. Absolutely great. Len? Well, I got a bit of fever there, I | :40:04. | :40:09. | |
got a bit hot under the collar, I got to tell you. The first reason | :40:09. | :40:13. | |
was because for me, I would have liked a little bit more of that | :40:13. | :40:23. | |
:40:23. | :40:23. | ||
dance to have been in ballroom hold. I can only say what I see. However, | :40:23. | :40:33. | |
:40:33. | :40:37. | ||
you were like Jessica Rabbit, sometimes, you know, flaunting. | :40:37. | :40:44. | |
Jessica Rabbit! Sorry. You can understand why everything gets on | :40:44. | :40:51. | |
my wick, can't you? They're driving me nutty here. Other than that | :40:51. | :40:59. | |
critique, I thought the rest of it was absolutely fantastic. Well done. | :40:59. | :41:07. | |
Bruno? Now, that fever can cause an epidemic! We can all end up in | :41:07. | :41:16. | |
quarantine, it was an American sex bomb. Forget Rabbit, it was Rita | :41:16. | :41:21. | |
Heyworth. Apart from that, the way you interpret the music is | :41:21. | :41:27. | |
absolutely fantastic to see. It runs tkwhrour body. When you let it | :41:27. | :41:32. | |
go -- it runs through your body. When you let it go, you become one | :41:32. | :41:36. | |
with it. That's great to see, the total abandonment in your dance. | :41:36. | :41:44. | |
Love you for it, keep it going, my darling. So true. This man's taught | :41:44. | :41:49. | |
you a lot, I tell you that. Craig? I would puet that routine straight | :41:49. | :41:53. | |
on stage in one of my shows -- put that routine straight on stage in | :41:53. | :41:59. | |
one of my shows. Absolutely gorgeous, it was creative, | :41:59. | :42:04. | |
contemporary, it was just great, really. | :42:04. | :42:08. | |
There was just one little moment where your chin was a little bit | :42:08. | :42:17. | |
too far down but... Oh. You were looking at my heart. | :42:17. | :42:22. | |
It was beautiful, as you can tell by the reaction. A wonderful first | :42:22. | :42:32. | |
:42:32. | :42:34. | ||
dance. Get the other one ready. We can't wait to see the other one. I | :42:34. | :42:40. | |
can always count on Kim. Red hot Rita. She's smoking! The audience | :42:40. | :42:46. | |
loved it, so did your band makes, Nicola and Cheryl were on their | :42:46. | :42:50. | |
feet. You made the perfect score last week, tough to follow. I've | :42:50. | :42:55. | |
got friends, who're grown men, who cried when you got that score. We | :42:55. | :42:58. | |
all did, it was that huge confidence boost for you? Yes, it | :42:58. | :43:02. | |
really helped me because yes, I have been a little bit low on | :43:02. | :43:05. | |
confidence and last week really gave me a boost. You could really | :43:05. | :43:09. | |
see how much that meant to you. was amazing, such an amazing memory | :43:09. | :43:13. | |
and it gave me the confidence to go out there this week again. You in | :43:13. | :43:17. | |
the dance-off, a long time ago, and to go to the first perfect score of | :43:17. | :43:22. | |
the series, now people see you as a contender. How does that feel? | :43:22. | :43:26. | |
you know what, I would love so much to be in that final so I'm going to | :43:26. | :43:30. | |
try and do a good job of the next dance as well and hope that I'm | :43:30. | :43:36. | |
there. Judges, make 'em good! Ladies and gentlemen, the judges | :43:36. | :43:46. | |
:43:46. | :44:10. | ||
Two 10s. Amazing, thank you. You can vote for Kim and Pasha | :44:10. | :44:19. | |
later when the lines en. If you can hear the pros shouting behind me, | :44:19. | :44:29. | |
:44:29. | :44:34. | ||
they are shouting "Under-marked ". Who's next to dance, Bruce? | :44:34. | :44:38. | |
Our couple now are Lisa Riley and Robin Windsor. | :44:38. | :44:46. | |
Here they come, here they come. Their two dances have a truly | :44:47. | :44:50. | |
international flavour. An American smooth and a Caribbean salsa, | :44:50. | :44:57. | |
judged by an Australian, two Brits and an Italian who speaks double | :44:57. | :45:06. | |
Dutch. Sorry, he's not been well. Here they are in training. | :45:06. | :45:09. | |
Last Saturday, I don't think I've ever been that nervous. It was the | :45:09. | :45:15. | |
thought of doing two concepts of dance. The tango was perfect, the | :45:15. | :45:18. | |
cha-cha which you would have thought would have been my best bit, | :45:18. | :45:24. | |
I made a mistake. You went wrong. did. However, for enthusiasm, you | :45:24. | :45:29. | |
are the kid! Dancing again next week... I don't think I've ever | :45:29. | :45:39. | |
:45:39. | :45:40. | ||
been that frightened. I just didn't want to go home. Lisa... I've made | :45:40. | :45:46. | |
it to the semi-final. Thank you! If we get through Saturday, I'm in the | :45:46. | :45:50. | |
final of Strictly. That's amazing! This week, me and Robin have two | :45:51. | :45:55. | |
dances to learn. An American smooth and a salsa. We have two days for | :45:55. | :46:00. | |
each dance which is half the time we normally have. Oh, no. Within | :46:01. | :46:07. | |
salsa, there are loads of scoops around the neck. Argh... It's going | :46:07. | :46:13. | |
to be really hard, but Robin says, no pain no gain. Blood sweat and | :46:13. | :46:17. | |
tears. Today I had the bestest treat anybody could ever ask for. | :46:17. | :46:21. | |
My brother Liam and my amazing nephew, the love of my life, turned | :46:21. | :46:26. | |
up to rehearsals. I've not seen him for 11 weeks, it's been amazing. To | :46:26. | :46:30. | |
see him in the rehearsal room in the flesh was just what I needed at | :46:31. | :46:35. | |
this stage in the competition. going to make to it the final? | :46:35. | :46:39. | |
pressure is on and I want to prove I'm worthy of a place in the final. | :46:39. | :46:42. | |
Seeing Liam and Jake can I today, they've given me the drive to do | :46:43. | :46:48. | |
the best UK on Saturday night. Dancing the salsa, Lisa Riley and | :46:48. | :46:58. | |
:46:58. | :46:58. | ||
Apology for the loss of subtitles for 53 seconds | :46:58. | :48:44. | |
Lisa, the audience. Look, there they are. And behind you, look. | :48:44. | :48:50. | |
They love you. They absolutely love you. I couldn't see him on the | :48:50. | :48:56. | |
floor. I was like, where's he gone! I couldn't see him. And he was | :48:56. | :49:01. | |
there all the time. I know, I just couldn't see him. | :49:01. | :49:07. | |
Len, Len? Do you know what, you make me into a happy chappie, it | :49:08. | :49:16. | |
was all going on, bilts falling off, -- bits falling off and him over | :49:16. | :49:20. | |
the top. It's so much fun. Honestly, the technique is a bit laboured, | :49:20. | :49:30. | |
:49:30. | :49:32. | ||
but the fun of it all, it just makes me so happy. Well done! | :49:33. | :49:39. | |
good time girl who can bring spice to anybody's life. I do it the way | :49:39. | :49:44. | |
I want it and I want to have fun with it - the crash-landing and the | :49:44. | :49:50. | |
remount! I thought I was going to explode, but it goes with great | :49:50. | :49:55. | |
panache, nobody cares. It's pointless making a technical | :49:55. | :50:01. | |
assessment because it's irrelevant because I was just eye crying of | :50:01. | :50:10. | |
laughter. I've enjoyed it so much. What can we do? I have no idea! | :50:10. | :50:14. | |
Bruno, you hit the nail again. Now, then, I don't know what the devil | :50:14. | :50:23. | |
Craig's going to say about this? Craig's laughing,'s a good sign! | :50:23. | :50:33. | |
:50:33. | :50:34. | ||
The floor spin did it for me, darling. I did try. I tried. | :50:34. | :50:43. | |
wasn't a spin, it was a bump. OK, Craig? We'll come back to you. | :50:43. | :50:50. | |
Darcey first. You don't want to say anything, all right then. Lisa, | :50:50. | :50:54. | |
it's extraordinary, when something's that fast, your energy | :50:54. | :50:59. | |
and you're partying and it's fabulous, I love it. You are | :50:59. | :51:02. | |
missing a couple of isolations there, those hips and everything, | :51:03. | :51:10. | |
but I love you, I love you, I really do. You are the original | :51:10. | :51:16. | |
good time girl. Absolutely, nothing wrong with that. Nothing wrong with | :51:16. | :51:26. | |
:51:26. | :51:31. | ||
The audience are on their feet again. In nine years, I've never | :51:31. | :51:35. | |
seen Craig crying with laughter - crying in a good way! You bring the | :51:35. | :51:39. | |
fun, you bring so much energy every week to the dance floor. How much | :51:39. | :51:44. | |
do you love performing here? It's blatant by my face, I'm having the | :51:44. | :51:50. | |
best time of my life on Strictly with this beautiful man. To two out | :51:50. | :51:54. | |
there every week and perform, it's like a food to me. I'm glad I make | :51:54. | :51:59. | |
everyone smile because it's a good thing. You are Britaining the joy. | :51:59. | :52:03. | |
11 weeks of training. Have you got what it takes, one more push, for | :52:03. | :52:07. | |
the final? I want to be the final so much, it would mean the world to | :52:07. | :52:17. | |
:52:17. | :52:30. | ||
us, it really, really would. 31. That's great. These are the | :52:30. | :52:38. | |
best weeks of Lisa's life, but was that the best dance of your life? | :52:38. | :52:42. | |
Did it make you smile? They are still laughing, these two, look. | :52:42. | :52:46. | |
Don't call to vote until the lines open once all the couples have had | :52:46. | :52:51. | |
one more chance to dance. Can we just see that shoulder roll one | :52:51. | :52:57. | |
more time, that was my favourite bit. Oh, yeah... Like that. That | :52:57. | :53:01. | |
marks the half way point of my semi-finals. Let's have a look | :53:01. | :53:11. | |
:53:11. | :53:15. | ||
where our stars stand on the It is still all to dance floor and | :53:15. | :53:24. | |
could change as they bring out the guns for the dance floor. Bruce? | :53:24. | :53:29. | |
Just cleaning up after Lisa's dress. Lovely, I had a lamp shade like | :53:29. | :53:37. | |
that once! Right now, back to their second | :53:37. | :53:43. | |
dances, Dani Harmer and her partner, Vincent Simone. They are back again | :53:43. | :53:48. | |
and why not, they were so lovely. Dani is shortly to star in | :53:48. | :53:53. | |
Cinderella where she'll play the lead role and she's going to be a | :53:53. | :53:58. | |
very modern day Cinderella. She'll try the glass slipper on and then | :53:58. | :54:02. | |
go and try glass slippers on in every other shop she can find | :54:02. | :54:07. | |
before coming back and getting the one she tried on in the first place | :54:07. | :54:10. | |
and then she spends the rest of the day looking for a matching glass | :54:10. | :54:18. | |
hand bag! How do you do it, I don't know! Here are the judges | :54:18. | :54:25. | |
discussing their Strictly highs and lows. | :54:25. | :54:31. | |
Dani, the little mighty pocket rocket. The gorgeous little smufr. | :54:31. | :54:37. | |
Full on and flat out and I like it. Somehow being small can be a | :54:37. | :54:44. | |
hindrance but it's an asset because it's always neat and precise. | :54:44. | :54:47. | |
not even notice Dani really in competition until she danced the | :54:47. | :54:52. | |
jive and if you look at that, she was spectacular. | :54:52. | :54:57. | |
She's my surprise package. Clean as a whistle, crisp as a Pringle and | :54:57. | :55:03. | |
Absolutely Fabulous. The classic exam Prime Minister was that waltz. | :55:03. | :55:08. | |
How beautifully clever that was. Gave me goose bumps, absolutely | :55:08. | :55:13. | |
enchanting, my darling. That even niece waltz for me showed the pen | :55:13. | :55:18. | |
tharbl girl's got. Little Miss Dynamite, you were fabulous -- | :55:18. | :55:25. | |
potential that girl's got. She loses musicality and fluidity. | :55:25. | :55:29. | |
feel that I want to see something new from her. You want to expect | :55:29. | :55:33. | |
the unexpected and if you don't get that, it become what it's always | :55:33. | :55:40. | |
been. I would have been more happy if I seen the occasional heel leap. | :55:40. | :55:45. | |
Dani's had more nines off me than any other couple. But she's got to | :55:45. | :55:50. | |
take it from that nine that one extra to get the old ten from Len. | :55:50. | :55:54. | |
She's got to pull out all the stops. I think the Argentine tango could | :55:54. | :55:58. | |
suit her because she's an actress. If there's one dance you have to | :55:58. | :56:02. | |
act in, it's the Argentine tango. The judges describe my performances | :56:02. | :56:06. | |
as consistent, but if I'm going to make to it that final, I have to | :56:06. | :56:10. | |
pull out something new. I'm going to pull out the wow factor. We've | :56:10. | :56:18. | |
worked so hard and I would like to complete the series with that, plus | :56:18. | :56:26. | |
I love Vincent and I'm not ready to leave him yet. Dancing the | :56:26. | :56:36. | |
:56:36. | :56:36. | ||
Apology for the loss of subtitles for 53 seconds | :56:36. | :58:15. | |
Argentine tango, Dani Harmer and CHEERING AND APPLAUSE | :58:15. | :58:25. | |
:58:25. | :58:28. | ||
I'm not surprised. Dani, look. Remember that. Look. I love the | :58:28. | :58:35. | |
tango. Authentic tango music which is lovely. It's another way to | :58:35. | :58:40. | |
clean your shoes, I suppose. Now then, Len? Me? I got confused there, | :58:41. | :58:46. | |
I thought I was last and suddenly I'm first. That's what it says | :58:46. | :58:53. | |
here? I love the start, there she was, no music, there she was, up he | :58:53. | :59:01. | |
came, got his leg over, ooh, then up on the lift into the dance. You | :59:01. | :59:06. | |
captured the mood, you mastered the technique and for me, you stole my | :59:06. | :59:12. | |
heart. It was beautiful. Thank you so much. That's the bit they were | :59:12. | :59:18. | |
looking for. You provided it, you gave him that performance. Bruno? | :59:18. | :59:23. | |
You've become the lady of the night with the tango. It was like | :59:23. | :59:30. | |
watching two bodies my honourable friending into one. It was so rich | :59:30. | :59:37. | |
in content -- morphing into one another. Always powerful. A great | :59:37. | :59:43. | |
achievement, you have grown up, my darling, you are a lady, you are a | :59:43. | :59:48. | |
lady. The lines you made were so beautiful together. Craig? Vincent | :59:48. | :59:54. | |
has taught you so well, you are such a great study to learn all | :59:54. | :00:01. | |
about. Incredible. Just the slight downfall for me, one of tf lifts | :00:01. | :00:06. | |
was a little bumpy, but other than that, spectacular. You are the | :00:06. | :00:10. | |
Master of the Tango, we all know that, Vincent. He is. I don't know | :00:10. | :00:15. | |
what that makes you, but... Darcey? Dani, I so enjoyed your | :00:15. | :00:19. | |
intensity and your control. Yes. At the beginning to start in silence | :00:19. | :00:24. | |
is so hard and you sustained that and that's not easy. The | :00:24. | :00:28. | |
choreography of course is beautiful and you had so much in there. You | :00:28. | :00:31. | |
have achieved it all. I would have liked a little straighter crisper | :00:31. | :00:38. | |
leg but generally, a very impressive performance. Thank you. | :00:38. | :00:43. | |
Well done, well done. That bit at the start, I thought the band had | :00:43. | :00:49. | |
gone on strike. It was wonderful. The reaction's been marvellous, a | :00:49. | :00:59. | |
:00:59. | :01:09. | ||
tango, one of my favourite dances. You are a lady! You are a lady now! | :01:09. | :01:17. | |
The Argentine tango is Vincent's dance. Was it daunting? But you | :01:17. | :01:24. | |
felt more pressure than I did. you stopped shaking yet? No you | :01:24. | :01:29. | |
haven't. Hold my hand. Len said you stole his heart. Yes. Do you think | :01:29. | :01:34. | |
it's enough for him to give you one of those elusive tens? We'll have | :01:34. | :01:44. | |
:01:44. | :01:59. | ||
to wait and see. Shall we find out Thank you, Len, for that. We are | :01:59. | :02:07. | |
very happy. No more nines from Len. Brilliant. Audience loved it. What | :02:07. | :02:13. | |
about you? What do you think? Call from your mobile or call from your | :02:13. | :02:18. | |
landline, but not until all the couples have danced. | :02:18. | :02:24. | |
Four more couples left the perform and then the all-important phone | :02:24. | :02:29. | |
calls will be open. I'm so excited, what did you think, produce? I | :02:29. | :02:34. | |
thought that would have been four 10s, myself, but I don't want to | :02:34. | :02:42. | |
cause trouble. Lewis Smith next and his partner Flavia Cacace. Here | :02:42. | :02:49. | |
they come. Lewis is bringing o out a saucy calendar for 2068 -- 2012. | :02:49. | :02:54. | |
How about that, girls?! So gentlemen, now you know what to bay | :02:54. | :03:01. | |
your lady for Christmas, a big electric fan to cool herself down. | :03:01. | :03:10. | |
Here's their journey so far. Lewis Smith our Olympic hero's | :03:10. | :03:14. | |
turned into a dancing demon. You have forced your way into the | :03:14. | :03:19. | |
hearts of the nation. He had strength and suppleness, the whole | :03:19. | :03:27. | |
package. You are using muscles you haven't used before. I saw you. | :03:27. | :03:33. | |
my eyes, I think you are going to go far. What about the charleston? | :03:34. | :03:38. | |
It was great because those tricks worked perfectly in the charleston. | :03:38. | :03:43. | |
That trick where he landed right next to poor Flavia's beautiful | :03:43. | :03:51. | |
place. -- beautiful face. My heart is pounding. Do you do house-calls? | :03:51. | :03:56. | |
You will be booked for the rest of your life. His problem is that he's | :03:56. | :04:02. | |
acting. In the paso, there was absolutely no commitment to the | :04:02. | :04:06. | |
work. You have to learn to act these dances. You can go no further | :04:07. | :04:12. | |
with us unless you give yourself up. To win this, you've got to come out | :04:12. | :04:18. | |
all guns blazing and fully firing on all cylinders and if he | :04:18. | :04:21. | |
doesn't... He's going to lose wants to get to the final, he's | :04:21. | :04:26. | |
going to have to put 100% of acting into his dance. And I'll tell you | :04:26. | :04:34. | |
what, he's in the final. He'll get Gold this time. Our second dance is | :04:34. | :04:38. | |
the foxtrot. I think if I'm going to get to the final, we need a | :04:38. | :04:40. | |
perfect combination of technique and performance. I don't have time | :04:40. | :04:45. | |
to sit down and relarbgs I've really got to try and do it. -- | :04:45. | :04:48. | |
relax. Sometimes our performance hasn't been there. This last dance | :04:48. | :04:52. | |
has to go right, it's our last chance to get ourselves into the | :04:52. | :04:56. | |
final. It would be a shame to fall a hurdle short. It will be a per | :04:56. | :05:01. | |
febgts ending to 2012 if I was able to get me and Flavia into the | :05:01. | :05:05. | |
Faenol of Strictly, I think I owe her that much -- perfect ending to | :05:05. | :05:09. | |
2012. Dancing the fox frot, Lewis Smith | :05:09. | :05:19. | |
:05:19. | :05:20. | ||
Apology for the loss of subtitles for 53 seconds | :05:20. | :06:57. | |
and Flavia ka cack aye -- foxtrot, Their Flying Machines CHEERING AND | :06:57. | :06:59. | |
APPLAUSE Here they go. You should bring a | :06:59. | :07:06. | |
camera with you. That was lovely. | :07:06. | :07:16. | |
:07:16. | :07:22. | ||
I love that music. Sounds like baaBaa Black Sheep. Craig? Oh, no? | :07:22. | :07:28. | |
Are you giving me the thumbs up? really did love it, fantastic rise | :07:28. | :07:32. | |
and fall. Thumb was sticking up a little bit. Moved around the floor | :07:32. | :07:36. | |
with great authority and drive. I loved that ending as well. | :07:36. | :07:45. | |
Brilliant. The ride and fall was really beautiful. So smooth. | :07:45. | :07:53. | |
Darcey? This, thank goodness, you've got it! The travelling, the | :07:53. | :07:58. | |
gliding was seamless, it was superb, your control and rise and fall. You | :07:58. | :08:04. | |
make it look too easy actually, it's beautiful. Grace, quality. You | :08:04. | :08:13. | |
got it. Yes, at last! Darcey has weakened. She loved it. I found the | :08:13. | :08:17. | |
rise and fall not too smooth, I thought it was a little bit bobbing | :08:17. | :08:24. | |
up and down on occasion. However, let me say this, you are the true | :08:24. | :08:29. | |
sportsman, you get knocked down in one dance and you come back | :08:29. | :08:34. | |
stpronger and that's what you did there -- stronger. Nice routine, | :08:34. | :08:44. | |
:08:44. | :08:46. | ||
great performance, well done. you, uncle Len. Bruno? A twinkle in | :08:46. | :08:52. | |
the eye. Smooth, elegant, graceful. You controlled it, you were in the | :08:52. | :08:57. | |
mood, I tell you, you are back on top where you belong. | :08:57. | :09:04. | |
There you are. Thank you. It was beautiful. Lewis and Flavia, be | :09:04. | :09:14. | |
:09:14. | :09:19. | ||
You said you were going to come back stronger in the foxtrot and | :09:19. | :09:24. | |
Lewis, you did. Did that feel good? Really good. I was so nervous, so | :09:24. | :09:31. | |
nervous. Never seen him so nervous. Never seen you so nervous before. | :09:31. | :09:34. | |
The sportsman's focus. How much do you want to be here next week in | :09:34. | :09:38. | |
the final? I would love to be back here. It's a long shot, there are | :09:38. | :09:42. | |
so many good people in this semi- final, we just know we have | :09:42. | :09:46. | |
something great planned if we go there. Less clothing that,'s all | :09:47. | :09:52. | |
I'll say. Are you ready for that in the | :09:52. | :10:01. | |
final?! Promise, promises... Anything goes. Anything goes in the | :10:01. | :10:05. | |
show dance, so we'd expect great things and lots of tricks from you. | :10:05. | :10:10. | |
Got a lot in store. She's had me on a diet for the last week and a half. | :10:10. | :10:20. | |
:10:20. | :10:35. | ||
OK, the scores are in! The judges' Oh it feels good! | :10:35. | :10:43. | |
Your highest score of the series so far. Wow. Oh, great. Is it? Yes. | :10:43. | :10:46. | |
Well done. So I've been told, yes. Lewis has done the double, danced | :10:47. | :10:50. | |
all he can. He now needs your vote if he's going to make it into the | :10:51. | :10:55. | |
final and give you the chance to see that show dance, minus clothes | :10:55. | :11:01. | |
next week. OK, there is the numbers: Don't call until the lines | :11:01. | :11:11. | |
:11:11. | :11:15. | ||
All our couples are desperate to make it through to next week. Who's | :11:15. | :11:22. | |
next, Bruce? Denise Van Outen and her partner, | :11:22. | :11:26. | |
James Jordan. You did that wonderful routine | :11:26. | :11:30. | |
earlier on. This is their second. They've been top of the leaderboard | :11:30. | :11:35. | |
and also in the dance-off, so their highs couldn't be higher and their | :11:35. | :11:44. | |
lows couldn't be lower. Let's have a look. | :11:44. | :11:50. | |
Guys, look. Denise Van Outen, the blonde bombshell. That girl has it | :11:50. | :11:57. | |
all. Beautiful footwork and clean, crisp, precise. For me, it was | :11:57. | :12:01. | |
perfection. Thank you. We cannot not mention Denise's charleston at | :12:01. | :12:04. | |
Wembley Arena. The lifes were extraordinary, there was not one | :12:04. | :12:11. | |
thing that went wrong. I totally agree. That's the dance of the | :12:11. | :12:15. | |
series. Us three are all in agreement. What was wrong with it | :12:15. | :12:19. | |
that you gave it a nine? We are interested in this? It didn't | :12:19. | :12:25. | |
explode enough for me. James, your thumb was up on occasion, your | :12:25. | :12:31. | |
bottom sticking up, you lacked rise and fall, Denise you were perfect! | :12:31. | :12:37. | |
Whoever wins stkpans has got to beat Denise Van Outen. -- wins | :12:37. | :12:43. | |
Strictly Come Dancing, has got to beat Denise Van Outen. In the salsa | :12:43. | :12:47. | |
and Samba, her hips suddenly don't work. If you are going to wear a | :12:47. | :12:51. | |
short skirt, you need fabulous leg action and it wasn't as crisp as I | :12:51. | :12:58. | |
would have liked it. She can't take for granted shaest going in the | :12:58. | :13:02. | |
final -- she's going in the final. We can see how wrong it can go. To | :13:02. | :13:09. | |
get in the final, she needs to be completely and utterly brilliant. | :13:09. | :13:13. | |
The rumba is a smooth cha-cha-cha. That is going to be really | :13:13. | :13:16. | |
dangerous. I know the judges will be watching me with a very close | :13:16. | :13:20. | |
eye during the rumba and I've been criticised for them with my | :13:20. | :13:24. | |
technique in the cha-cha so we have to make sure that our rumba is | :13:24. | :13:28. | |
something that people will remember, remember the rumba! We've had a | :13:28. | :13:32. | |
couple of little mishaps in the last couple of weeks. At this stage | :13:32. | :13:37. | |
in the competition, we can't afford for anything like that to happen. | :13:37. | :13:40. | |
The final's just one week away and it's our dream to be it so we are | :13:40. | :13:48. | |
going to give everything we've got. Dancing the rumba, Denise Van Outen | :13:48. | :13:58. | |
:13:58. | :13:58. | ||
Apology for the loss of subtitles for 53 seconds | :13:58. | :15:38. | |
MUSIC: The First Time Ever I Saw CHEERING AND APPLAUSE | :15:38. | :15:43. | |
Very lovely. You did it again, look. You've done it again. They | :15:43. | :15:46. | |
absolutely loved it. Enjoy it. Enjoy it. | :15:46. | :15:54. | |
See if I got the story right, she was rejected, rejecting your kiss | :15:54. | :15:58. | |
and he begged for more by getting on his knees, then you did a couple | :15:58. | :16:03. | |
of twirls and finished up sitting on the floor watching telly Yes. | :16:03. | :16:08. | |
That was the story, glad I got it right. Darcey? You know, you have | :16:08. | :16:12. | |
the most stunning arms and actually all the way through this show, your | :16:12. | :16:15. | |
arms have been beautiful. You have the feeling right to your finger | :16:15. | :16:19. | |
tips and that's so unusual to see that extension right to the ends of | :16:19. | :16:24. | |
the finger tips, the feeling is beautiful. It's more of a romance | :16:24. | :16:29. | |
instead of maybe a passionate love story here. I thought some moves | :16:29. | :16:33. | |
are a little broken up because I would have loved to have seen them | :16:33. | :16:40. | |
roll into each move from one to the next. But it had really beautiful | :16:40. | :16:49. | |
feeling. Well done. Lovely. So romantic. Len? For one couple, | :16:49. | :16:55. | |
tonight is their last chance to dance and for me, I don't think | :16:55. | :16:59. | |
final would be the proper final if you are not there. Oh, thank you, | :16:59. | :17:05. | |
Len. Thank you. You can't say more than that. That from you is high | :17:05. | :17:11. | |
praise indeed. Bruno? Denise, I was deeply moved by this rumba. It's | :17:11. | :17:15. | |
never happened before. You've taken another angle to it and it was so | :17:15. | :17:20. | |
effective, so beautiful, so well acted, so well executed. The lines | :17:20. | :17:24. | |
were superb, the transitions between shapes were incredible. | :17:24. | :17:32. | |
There wasn't a moment in which you were not on it 100%. That was a | :17:32. | :17:37. | |
stunning dance. Two lovers really totally in tune with each other. | :17:37. | :17:41. | |
Great risk but it paid off. I thought it was fantastic. Love all | :17:41. | :17:48. | |
the way. Love all the way. Now, then, Craig? Absolutely fantastic | :17:48. | :17:52. | |
story-telling. That goes without saying. Fantastic balance, great | :17:53. | :17:57. | |
extension, finishes were really, really clean. I just wanted to lift | :17:57. | :18:01. | |
your dress up to see the hip action though, darling because I was | :18:01. | :18:05. | |
really gazing through it. It seemed to come in and out of hip action, | :18:05. | :18:12. | |
but gorgeous. I thought you would have been watching my hip action! | :18:12. | :18:19. | |
You are terrible. Naughty, naughty James. But you like? I loved it. | :18:19. | :18:29. | |
:18:29. | :18:35. | ||
Thank you very much. It was What did you say to him? He's so | :18:35. | :18:39. | |
cheeky. That's why we love him. The acting skills came in really handy | :18:39. | :18:42. | |
because that was a beautiful rumba. You absolutely sold it. The judges | :18:42. | :18:46. | |
said you are the one to beat. How much do you want to be here next | :18:46. | :18:50. | |
week lifting the glitterball trophy? Do you know what, I want to | :18:50. | :18:55. | |
be in the final for James, it's the biggest thank you I could give to | :18:55. | :19:00. | |
him for all the training. I know our tango was very powerful, but | :19:00. | :19:05. | |
that rumba for me was probably my favourite dance I've ever danced on | :19:05. | :19:15. | |
Strictly so thank you. James, our hard man, is properly moved! The | :19:15. | :19:25. | |
:19:25. | :19:44. | ||
The judges only have half the story and half the score. Denise and | :19:44. | :19:51. | |
James need your votes and you need these numbers for your mobile and | :19:51. | :19:58. | |
also for your landline. Please vote after all the dances. Your votes | :19:58. | :20:04. | |
can make all the difference. Who's next, Bruce? The dancing tonight | :20:04. | :20:13. | |
has been extraordinarily epic. Next up, and -- Kimberley Walsh and her | :20:13. | :20:19. | |
partner Pasha Kovalev. We are back with their second dance and it's | :20:19. | :20:23. | |
going to be a charleston to the magnificent men in their flying | :20:23. | :20:27. | |
machines and they are going to have an actual air plane in the studio. | :20:27. | :20:32. | |
BBC, can you afford it?! I'm sure you will do well, but when you've | :20:32. | :20:37. | |
finished your routine and leave the dance floor, remember, the exits | :20:37. | :20:41. | |
are here, here and here! Let's have a look at their Strictly | :20:41. | :20:48. | |
highs and lows. Here they are. | :20:48. | :20:54. | |
I'll tell you what, nimble Kimble has been a revelation to me. I | :20:54. | :20:59. | |
think north-east been fantastic. I love her. I'm going to call you | :20:59. | :21:03. | |
nimble Kimble. She's got everything going for her. Len liked that bit. | :21:03. | :21:08. | |
Look, she's flaunting it. I loved it when you came up and flaunted | :21:08. | :21:12. | |
yourself at me. They don't realise it, if they flaunt themselves, it's | :21:12. | :21:17. | |
always an extra mark. Last week, she didn't even have to do that. | :21:17. | :21:23. | |
loved it and you made it your own. You would have thought she would | :21:23. | :21:28. | |
have been better on the hip-hoppy stuff but she's good at ballroom. | :21:29. | :21:37. | |
She's a Girls Aloud, darling, a Girl Aloud. I can see so much | :21:37. | :21:43. | |
quality and it doesn't come out. It was limp. You are expectations are | :21:43. | :21:48. | |
huge. You've got to do better than that. She gets a little loose in | :21:48. | :21:52. | |
her sentence. She needs to tighten that up. She looks fantastic, then | :21:52. | :21:56. | |
she finishes a pose and has a slight wobble. That has to stop. | :21:56. | :21:59. | |
think it's the stamina. If her stamina gets better and she gets | :21:59. | :22:04. | |
stronger, this won't be so weak. Kimberley looks the part, now | :22:04. | :22:09. | |
rereally want to see her dance the part. | :22:09. | :22:13. | |
Our second dance is a charleston which I'm extremely excited about. | :22:13. | :22:18. | |
There are a few technical things that the judges would like the see | :22:18. | :22:24. | |
me improve on. We have been working really hard on all those points. | :22:24. | :22:29. | |
There is everything riding on this. Everyone in the competition are | :22:29. | :22:34. | |
amazing dancers, so this dance has to be amazing or we could be going | :22:34. | :22:42. | |
home. The final might feel like a breath away at this moment in time. | :22:42. | :22:46. | |
I can actually smell it from here I think and I want to be there so | :22:46. | :22:56. | |
:22:56. | :23:02. | ||
much. Dancing the charleston, MUSIC: Those Magnificent Men In | :23:02. | :23:12. | |
:23:12. | :23:12. | ||
Apology for the loss of subtitles for 53 seconds | :23:12. | :24:57. | |
No doubt. You've turned this lovely lady into a great dancer, Pasha, | :24:57. | :25:07. | |
you really have. Look at that! Look! What a thing to remember! | :25:07. | :25:12. | |
OK, and Len, I don't think you will mind starting us off? I certainly | :25:12. | :25:16. | |
won't. It was fun, it was frivolous, happy go-lucky, everything you want | :25:16. | :25:23. | |
to see in a charleston. You weren't flying economy, you were flying | :25:24. | :25:30. | |
first class, well done! Oh, yes, Kimberley, flying high! Up | :25:30. | :25:36. | |
side down, legs in the air, legs on the ground. Looking good from every | :25:36. | :25:46. | |
:25:46. | :25:53. | ||
angle. A feast for the eyes. He's so right. Craig? It's the F-word, | :25:54. | :26:03. | |
:26:04. | :26:08. | ||
darling, Fab-u-lous! You have done it. The last hurdle, Darcey? Quirky, | :26:08. | :26:13. | |
naughty, flapper. It was a interpretation, I loved it and the | :26:13. | :26:18. | |
straight legs on the threet cart wheels, that was difficult! Your | :26:18. | :26:22. | |
suppleness on the upside down box splits, great and you came out of | :26:22. | :26:30. | |
it. Brilliant, love it, love it, love it. The double cart wheels. It | :26:30. | :26:40. | |
:26:40. | :26:43. | ||
was fabulous. Away you go. Thank Amazing. Look! I get the Kimberley | :26:43. | :26:46. | |
cuddle twice this week, lucky me. You must be on cloud nine after | :26:47. | :26:51. | |
that? I absolutely loved that. You can probably tell. Yes. Could the | :26:51. | :26:57. | |
smile be any bigger? Yoi I don't think so. Amazing. I loved it. | :26:57. | :27:01. | |
Three cart wheels, not even two? They were a bit scary, but I'm glad | :27:01. | :27:04. | |
we did it now. Have very brave. If you get through to next week, you | :27:04. | :27:09. | |
are doing a show dance? We are. More of those tricks? He's got a | :27:09. | :27:13. | |
few tricks up his sleeve I think if we are here next week. After seeing | :27:13. | :27:17. | |
that, very high hopes, fingers crossed. The scores are in: Time to | :27:17. | :27:27. | |
:27:27. | :27:51. | ||
She's done it again! You've done it again! See. Lightning strikes twice. | :27:51. | :27:57. | |
And that smile does get bigger, look, there's proof. It's so big | :27:57. | :28:01. | |
right now. That's got to feel good? I can't believe it. Are you | :28:01. | :28:06. | |
speechless for the first time? think I might be. More where that | :28:06. | :28:10. | |
came from. Kimberley needs to make it through to the final to come | :28:10. | :28:17. | |
back next week. You can call and vote for them from your mobile or | :28:17. | :28:24. | |
landline. You can vote for nimble Kimble if you want her to fly into | :28:24. | :28:29. | |
the final. Vote when the lines open. The final couple? Craig, I'm so | :28:29. | :28:35. | |
glad you found your 10, I thought you would lost it. Very good. | :28:35. | :28:41. | |
Our final couple is Lisa Riley and her partner, Robin Windsor. | :28:41. | :28:47. | |
Yes. I can honestly say, from day one, when Lisa set foot on this | :28:47. | :28:52. | |
dance floor for the first time, she surprised everybody, including me. | :28:52. | :28:57. | |
Let's see what the judges think about their time on Strictly. Here | :28:57. | :29:07. | |
:29:07. | :29:10. | ||
is their Strictly highs and lows. Lisa, our larger than life ray of | :29:10. | :29:16. | |
sunshine. Our great big bundle of joy. On the very first show in the | :29:16. | :29:20. | |
cha-cha-cha, darling... Fantastic. The floor was smoking. Three words, | :29:20. | :29:30. | |
darling, - you can dance. Sometimes she was so to it, she was actually | :29:30. | :29:35. | |
leading Robin, she was the lead. That is somebody that Juans it. | :29:35. | :29:40. | |
is the prince, she's got to lead. Do you remember Wembley, the | :29:40. | :29:43. | |
splits? That's what's brilliant about her, you never know what's | :29:43. | :29:48. | |
toing to happen. I've never seen anything like it. It was perfect | :29:48. | :29:53. | |
because she saved the splits for Wembley, she knew exactly what to | :29:53. | :29:56. | |
do. When you dropped into the splits, darling, I thought I was | :29:56. | :30:02. | |
going to have a coronary. She got the wow, but not always the how. | :30:02. | :30:07. | |
Her technique lacks a few times. It wasn't exciting, so I can't get | :30:07. | :30:12. | |
excited about it unfortunately. Lisa to get to the final, she needs | :30:12. | :30:16. | |
to incorporate technique. This isn't your dance, sadly. Uplifting, | :30:16. | :30:22. | |
entertaining, 100% out there, embracing everybody. It's what the | :30:22. | :30:28. | |
show's all about. Our second dance is an American smooth foxtrot. Is | :30:28. | :30:31. | |
lot is banking on our final dance because it's the last time the | :30:31. | :30:35. | |
judges and the audience will see us and I just hope that our routine's | :30:35. | :30:39. | |
got what it takes. To get into the final of Strictly would be the | :30:39. | :30:43. | |
icing on the biggest, fattest cake I've ever eat none my life and | :30:43. | :30:47. | |
believe me, I've ate a lot of cake. It's a huge challenge for me | :30:47. | :30:53. | |
because I'm not the best dancer and I have got problems with my frame | :30:53. | :30:56. | |
and intricacy of steps. I'm having the time of my life and now, get | :30:57. | :31:00. | |
two dances out of the way and I could be able to say to everyone, I | :31:00. | :31:07. | |
made to it the final of Strictly Come Dancing and that's amazing. | :31:07. | :31:17. | |
:31:17. | :31:17. | ||
Apology for the loss of subtitles for 53 seconds | :31:17. | :33:01. | |
Dancing the American smooth, Lisa CHEERING AND APPLAUSE | :33:01. | :33:11. | |
:33:11. | :33:16. | ||
You saved the best until last, didn't you? You look stunning. | :33:16. | :33:26. | |
Bruno? It's Lisa with an S that's Fussy with plenty of jazz and | :33:26. | :33:29. | |
pizazz! When it comes to entertainment, you are in a League | :33:29. | :33:33. | |
of Your own. You just come out here and give it plenty. A little bit of | :33:34. | :33:37. | |
a stumble here and there and you have to be careful not to throw | :33:37. | :33:47. | |
:33:47. | :34:03. | ||
your hand, when you do this big kick, pow! There! Loved the bull | :34:03. | :34:07. | |
chains kick. Love all the stylise stuff. You have to watch your free | :34:07. | :34:10. | |
arm when you are doing those things. They have to have some sort of | :34:10. | :34:13. | |
intent and purpose. Occasional gapping when you were in hold and | :34:13. | :34:18. | |
your time was out just ever so slightly, but I have to say, I love, | :34:18. | :34:26. | |
love, love what you do, darling, I really do. All right, sweetheart? | :34:26. | :34:32. | |
Darcey? It does suit you. You are the next musical theatre star. I | :34:32. | :34:36. | |
love it. Your lines are in all the mirroring and your spacing is per | :34:36. | :34:40. | |
ect, so with you and Robin, you match each other so well all the | :34:40. | :34:44. | |
way through up and down -- perfect. Only in hold you raised the | :34:44. | :34:50. | |
shoulders a little. That's your only fault, but very enjoyable. | :34:50. | :34:54. | |
Lovely. And good old Len? When you kicked | :34:54. | :35:04. | |
:35:04. | :35:12. | ||
your leg up, I think I saw your razzle dazzle. Come on, now! Lisa, | :35:12. | :35:18. | |
let me tell you... LAUGHTER Lisa, hold my gaze. Look, | :35:18. | :35:25. | |
you are not always... Shut up, will you, for Christ' sake, it wasn't | :35:25. | :35:33. | |
that funny. It's your fan club. funny club! | :35:33. | :35:36. | |
Lisa I'm being serious, look at my face. | :35:36. | :35:41. | |
You be serious. You are not always the judges' champion, I'll tell you | :35:41. | :35:46. | |
what you are, you are the people's champion. There's nothing else to | :35:46. | :35:51. | |
be. Zip your lip. They all loved it. They all loved it. What a night. | :35:51. | :36:01. | |
:36:01. | :36:10. | ||
Razzle dazzle! Thank you, Len! You are the people's champion. I | :36:10. | :36:13. | |
mean, you have never been in the dance-off, you must have great | :36:13. | :36:17. | |
public support, how does that feel? It blows me away every week. | :36:17. | :36:20. | |
Everyone saw last week I was so upset to think I was going home | :36:20. | :36:25. | |
because I was so low in the score board and I just can't thank | :36:25. | :36:28. | |
everybody enough for voting for me and Robin for keeping us in because | :36:28. | :36:33. | |
we are having the time of your life. You were laughing during that | :36:33. | :36:37. | |
dance? It was musical theatre. have a musical theatre star in the | :36:37. | :36:47. | |
:36:47. | :36:58. | ||
making here. Scores, plea. -- Lisa is saying thank you so much. | :36:58. | :37:04. | |
If anyone was offended by Bruno's language there, we do apologise. | :37:04. | :37:14. | |
Did Lisa's razzle dazzle dazzle you? The lines will soon be open. | :37:14. | :37:19. | |
Jazz hands, love it. Lisa is going to need your votes if she's to make | :37:19. | :37:25. | |
it through to final and the lines will be open in a few minutes' time. | :37:25. | :37:30. | |
All of our couples have danced now. Where does that leave them on the | :37:30. | :37:40. | |
:37:40. | :37:50. | ||
Now, it's up to you. You can change everything. You are voting for your | :37:50. | :37:53. | |
Strictly Come Dancing 2012 finalist. Pick up the phone and vote because | :37:53. | :38:03. | |
:38:03. | :38:11. | ||
yes, Brendan, yes, Anton, the lines are OPEN! So naughty. I do | :38:11. | :38:15. | |
apologise on behalf of this lot, very excited, it's the semi-final! | :38:16. | :38:20. | |
Voting details can be found on the website and remember to get the | :38:20. | :38:25. | |
bill payer's permission. To help you to decide who to vote for, here | :38:25. | :38:35. | |
:38:35. | :38:35. | ||
Apology for the loss of subtitles for 53 seconds | :38:35. | :41:22. | |
is a reminder of all our dances Wow, what about that for a show- | :41:22. | :41:24. | |
stopping semi-final? Just to clarify, in all the excitement | :41:24. | :41:27. | |
there, I may have misread Lisa and Robin's number, I want to give you | :41:27. | :41:37. | |
:41:37. | :41:44. | ||
Right, our fabulous five have lived and loved Strictly for an | :41:44. | :41:48. | |
incredible eleven weeks and none of them want to go home this close to | :41:49. | :41:56. | |
the final. To be part of Strictly and to be | :41:56. | :41:59. | |
invited into this prestigious little group has been unbelievable. | :41:59. | :42:05. | |
I'm so proud that I went out there and I've proven to everybody that, | :42:05. | :42:10. | |
no matter what size you are, you can dance and you have a right to. | :42:10. | :42:13. | |
I can't believe how far I've come in the competition, I thought I was | :42:13. | :42:17. | |
going to go out in the first week, but, you know, I can sort of dance | :42:17. | :42:23. | |
now, it's great. I'm really, really happy to have | :42:23. | :42:29. | |
come this far, it means so, so much. But, to get to the final, that | :42:29. | :42:36. | |
would complete this whole journey. I'd be liing if I said we didn't | :42:36. | :42:42. | |
want to be there, otherwise, what's the hard work for. All I want is to | :42:42. | :42:45. | |
make Robin proud. I can say thank you week after week but the biggest | :42:45. | :42:50. | |
thank you I can give to Robin is getting into the final. Every | :42:50. | :42:56. | |
single one of us wants to get into the final. I would be cheering | :42:56. | :42:59. | |
everyone on if they're there, but it would be nice if it was me. | :42:59. | :43:04. | |
would be nice and an experience and a buzz to stay, we made to it the | :43:04. | :43:09. | |
Strictly final. The final feels so close right now, I can almost touch | :43:09. | :43:16. | |
it and I just wanna grab hold of it. Please let me be in the final! | :43:16. | :43:21. | |
I need is a chance to be able to perform in the final. That would | :43:21. | :43:28. | |
top off a fantastic year. Thank you, thank you, thank you. | :43:28. | :43:32. | |
Thank you, thank you. It's certainly been a semi-final to | :43:32. | :43:36. | |
remember. With only four places in the final, the two couples with the | :43:36. | :43:41. | |
lowest combined scores will have to face each other in the dance-off. | :43:41. | :43:45. | |
Doesn't seem right somehow. It's really all to dance for. Now | :43:45. | :43:50. | |
is the time to pick up the phones because your stars need you to get | :43:50. | :43:56. | |
them to the final. The lines will close at 8.45 tonight. Tess and | :43:56. | :44:01. | |
Claudia will be here tomorrow with one of the couples who'll be | :44:01. | :44:06. |