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Live from the BBC, please welcome your hosts. Sir Bruce Forsyth. And | :00:45. | :01:52. | |
Tess Daly. That's your lot. No more stretch! | :01:52. | :02:17. | |
Good evening, ladies and gentlemen. Welcome to Strictly come to think -- | :02:17. | :02:24. | |
Strictly Come Dancing. It's nice to see you, to see you... Nice! There | :02:24. | :02:31. | |
is a great line-up this year, even a world-class golfer. I know, Tony | :02:31. | :02:39. | |
Jacklin. A fantastic golfer. I played with him once. And I beat | :02:39. | :02:46. | |
him. Really? You beat Tony Jacklin? I remember it well. It all came down | :02:46. | :02:53. | |
to the last hole. The sun was setting, and I lined up my part. And | :02:53. | :03:01. | |
then what happened? It went straight through the blades of the windmill. | :03:01. | :03:13. | |
You are so quick! I never finished the line. No wonder they call it | :03:13. | :03:21. | |
crazy golf. He went ballistic. The time has come. This is a bumper | :03:21. | :03:27. | |
weekend of ballroom. It starts right here tonight, and our 15 celebrities | :03:27. | :03:33. | |
spent three weeks training hard. They are ready to take their very | :03:33. | :03:39. | |
first steps on this floor. They will perform tonight and then tomorrow | :03:39. | :03:44. | |
evening the remaining nine couples will have a go. If you listen very | :03:44. | :03:50. | |
carefully, you can probably hear their hearts pounding. That's me! | :03:50. | :04:00. | |
Keep going! It is time to meet the stars of our show. | :04:00. | :04:10. | |
Pop when Seth Sophie and expect to -- Sophie Ellis-Bextor and Brendan | :04:10. | :04:19. | |
Cole. BBC breakfast presenter Susanna Reid and her partner Kevin | :04:19. | :04:24. | |
Clifton. England rugby hero Ben Cohen and his partner Kristina | :04:24. | :04:26. | |
Rihanoff. There they all are. There they all | :04:26. | :05:39. | |
are, our celebrities and their professional partners. They have | :05:39. | :05:43. | |
been paired together for three week. Who said it wouldn't last? | :05:43. | :05:52. | |
Some of them are looking nervous. Some are looking excited. And some | :05:52. | :06:00. | |
of them are looking for the exit! But the good news is that no | :06:00. | :06:04. | |
celebrities are leaving this week. But the judges' score paddles will | :06:04. | :06:12. | |
be making an appearance. And scores will be carried through to next | :06:12. | :06:19. | |
week, and the couples with the lowest combined scores and public | :06:19. | :06:22. | |
votes will have to face the dreaded an soph. So let's kick off this | :06:22. | :06:27. | |
fabulous new series. Our first couple is Ashley Taylor | :06:27. | :06:31. | |
Dawson and his partner Ola Jordan. Ashley's wife was due to give birth | :06:31. | :06:54. | |
to their second child yesterday. This is all for real. Ashley, if | :06:54. | :06:59. | |
there is anything I can do, just let me know. I don't know anything about | :06:59. | :07:04. | |
childbirth, but if you have to leave, I can have a dance with Ola. | :07:04. | :07:11. | |
I think she could keep up with me, couldn't you, dear? We might do a | :07:11. | :07:23. | |
bit of twerking. Here is what they've been up to. | :07:23. | :07:29. | |
Hollyoaks hunk Ashley Taylor Dawson has always enjoyed healthy | :07:29. | :07:37. | |
competition. I put in a lot of tennis when I was young, and I | :07:37. | :07:39. | |
enjoyed it. But then I discovered tennis when I was young, and I | :07:39. | :07:45. | |
acting, and I wanted to try it. And here I am, covered in sequins, and | :07:45. | :07:53. | |
I'm dancing on national television in front of millions. I couldn't be | :07:53. | :07:59. | |
further out of my depth if I tried. My first reaction when I found out | :07:59. | :08:02. | |
my partner was Ola was sheer delight. When I looked into her | :08:02. | :08:08. | |
eyes, she made me feel comfortable, so I couldn't be happier. I think | :08:08. | :08:13. | |
secretly all of the girls wanted to get Ashley. He is very good looking. | :08:13. | :08:21. | |
Here's to a nice dance! I get up at 6.45. I am on set for the whole day, | :08:21. | :08:34. | |
and then I go home for the hour, and then I get to the studio and train | :08:34. | :08:41. | |
until midnight. When you're trying to in all of the step is, and being | :08:41. | :08:46. | |
tired, I worry my head might burn out. He is pushing himself very | :08:46. | :08:53. | |
hard, and I can see he is tired. His fiancee is going to give birth any | :08:53. | :08:58. | |
time soon. So we have to have the phone on all of the time. I thought | :08:58. | :09:02. | |
that was it then! Is the baby coming? I don't know how I will fit | :09:02. | :09:09. | |
it all in, but I feel like the luckiest man in the world doing all | :09:09. | :09:11. | |
it all in, but I feel like the these things. Dancing the cha-cha, | :09:11. | :09:15. | |
Ashley to the Dawson and Ola Jordan. MUSIC: What makes you beautiful by | :09:15. | :09:27. | |
One Direction. APPLAUSE | :09:27. | :10:53. | |
. What an opening of the show! And to | :10:53. | :11:06. | |
think that could have been me. And of course, we have our judges. | :11:06. | :11:18. | |
Let's welcome our judges. Just before I forget, | :11:18. | :11:29. | |
congratulations to Len Goodman, who Just before I forget, | :11:29. | :11:32. | |
recently got married. And we all hope you and your wife | :11:32. | :11:45. | |
spent many happy years together pickling your walnuts. What else is | :11:45. | :11:54. | |
there to do? Len, now you're good lady is a good man. I was up all | :11:54. | :12:02. | |
night thinking of that. Start us off. Your leg action could have been | :12:02. | :12:12. | |
a little straighter. Could have been a little crisper hereunder. Some | :12:12. | :12:19. | |
will be smooth sailing, others will sink without trace. Ashley, sale | :12:19. | :12:33. | |
on! Bruno, what did you think? Ashley, you looked surprisingly at | :12:33. | :12:39. | |
ease on your hands and knees. And your face when you were admiring | :12:39. | :12:47. | |
Ola's behind, that was a picture! And you should be happy, because | :12:47. | :12:51. | |
your timing was very good. You have to work on your foot placement and | :12:51. | :12:52. | |
your hips, but first out, well done. Now, Craig. I thought you had a good | :12:52. | :13:10. | |
amount of rhythm. But your hip is our extremely stiff. There is | :13:11. | :13:17. | |
nothing going on there. The footwork was feral. You missed a catch in the | :13:17. | :13:24. | |
middle of that whole thing, and you need to straighten your legs. When | :13:24. | :13:31. | |
you do that body roll, you need to go through the entire body, darling. | :13:31. | :13:37. | |
The good point is you are easy on the eye. | :13:37. | :13:47. | |
Right. Darcey? It was a very confident first dance. Really | :13:47. | :14:00. | |
impressive. You obviously really enjoy dancing with Ola. The only | :14:00. | :14:07. | |
thing I would say, when you do a turn, don't look to the floor. I was | :14:07. | :14:14. | |
a bit worried, make sure you keep up, keep the eye level up. But if | :14:14. | :14:19. | |
you start like this, you will do very well. | :14:19. | :14:23. | |
A wonderful start to the show! Well done, both of you. | :14:23. | :14:43. | |
Very confident first dans, said Darcey. How did it feel being the | :14:43. | :14:56. | |
first couple? It was very scary. High alert anyway, your wife is | :14:56. | :15:00. | |
about to give birth. Not an easy time. We're waiting for the phone | :15:00. | :15:05. | |
call. If you have to leave, we understand. Ola, how has he been as | :15:05. | :15:14. | |
a partner? Absolutely brilliant. The scores are in. | :15:14. | :15:35. | |
First dans up the series and we get seven from Len. Very happy. They | :15:35. | :15:47. | |
have done the cha-cha-cha into the competition. No one is leaving us | :15:47. | :15:53. | |
tonight but the judge's scores will carry over to next week and then we | :15:53. | :15:59. | |
will find out which couples will face the dance off. | :15:59. | :16:04. | |
The next couple is Tony Jacklin and his partner Aliona Vilani. They are | :16:04. | :16:16. | |
going to do a waltz. It is based on a railway station goodbye. It is the | :16:16. | :16:22. | |
same old story, boy meets girl. The girl gets on the train. Boy waves | :16:23. | :16:27. | |
goodbye from the platform. Girl waits on the train. Girl keeps | :16:28. | :16:33. | |
waiting on the train. And then about an hour and a half later, she is | :16:33. | :16:38. | |
told to leave the train to go outside and catch a replacement bus | :16:38. | :16:42. | |
service! APPLAUSE | :16:42. | :16:47. | |
This is what they have been up to. As the first golfer ever to tee off | :16:47. | :16:55. | |
on Strictly, you would have thought Tony Jacklin would have a fair way | :16:55. | :17:01. | |
to go to fit in. I used to like wearing bright things on the golf | :17:01. | :17:05. | |
course and standing out. I never minded dressing up for the | :17:05. | :17:10. | |
competition. More sparkle the better. Aliona is the consummate | :17:10. | :17:17. | |
professional. I have no doubt her standards are very high. Tony gave | :17:17. | :17:24. | |
me a nice kiss on the cheek. I am sure there is a Fred Astaire in | :17:24. | :17:29. | |
there. I have seen him dance and he has a natural swing in his hip, but | :17:29. | :17:34. | |
his footwork will need a lot of work. I know Aliona won the | :17:34. | :17:40. | |
competition two years ago and I don't want to let her down. Tony is | :17:40. | :17:46. | |
based in Florida, so the first rehearsal takes place at home. The | :17:46. | :17:51. | |
professionals make it look easy. There is much more to it than meets | :17:51. | :17:56. | |
the eye. Squeeze those thighs together. Tony is a fighter. He is | :17:56. | :18:05. | |
struggling but he is not giving up. With her patience and my | :18:05. | :18:09. | |
perseverance, we will get this done. Aliona has been very patient and I | :18:09. | :18:13. | |
will treat her to a trip out to my club and it is a few balls. Nice and | :18:13. | :18:21. | |
wide and smooth. Fantastic! Wonderful stuff. Now what? Now, | :18:21. | :18:33. | |
let's do some dancing. I love the Florida lifestyle, but the United | :18:33. | :18:40. | |
Kingdom -- I am coming home. Dancing the waltz, Tony Jacklin and | :18:40. | :18:42. | |
Aliona Vilani. MUSIC: "Hernando's Hideaway". | :18:42. | :19:11. | |
Aliona Vilani. Come here, Tony. | :19:11. | :20:36. | |
Well done. While you get your breath back, there is a chance to welcome | :20:36. | :20:44. | |
our fabulous singles, David Arce and his wonderful orchestra. -- singles. | :20:44. | :20:53. | |
We can see the wonderful bands, we can see you all. I don't know if it | :20:53. | :20:57. | |
is such a good idea, but anyway. Bruno? The waltz, sentimental, | :20:57. | :21:07. | |
romantic, floating and soft. I didn't see much of that. But there | :21:07. | :21:14. | |
were some moments. You were swinging around, happily. Skipping. But it | :21:14. | :21:21. | |
was a second and venue turned into a collaborative is toy toys. I think | :21:21. | :21:28. | |
it was because of nerves. I could see you accounting and thinking so | :21:28. | :21:32. | |
much about it you stopped moving. Let yourself go. Make a mistake, but | :21:32. | :21:38. | |
follow the flow. She is a great dancer. It is the first time. They | :21:38. | :21:49. | |
are so courageous to come out here in the first place. Now, Craig? You | :21:49. | :22:00. | |
became the hunchback. It was littered with errors and mistakes. | :22:00. | :22:05. | |
It just got worse and worse towards the end. You were not leading, a bit | :22:05. | :22:22. | |
of a disaster, I would say. This boy has got you really just where he | :22:22. | :22:31. | |
wants you. If only you did have a golf ball. Darcey, darling. I know | :22:31. | :22:39. | |
what it is like when nerves get the better of you. It is terrifying. I | :22:39. | :22:43. | |
know how you feel, but you have got it out of the way. You will come | :22:43. | :22:48. | |
back to confident Tony we know. The competitive Tony. Show as many moves | :22:48. | :22:54. | |
I know you have up your sleeve next week. People don't believe how | :22:54. | :23:03. | |
difficult it is to come out and do this. You are the spirit of this | :23:03. | :23:15. | |
show. No dancing experience. Coming out and having a go. This is the | :23:15. | :23:17. | |
show. No dancing experience. Coming first week, you are trying to | :23:17. | :23:21. | |
remember the routine, trying to get through it. I say, well done! Thank | :23:21. | :23:32. | |
you so much. I know Tony joins me and all European golfers in wishing | :23:32. | :23:37. | |
Bernard Gallacher a speedy and full recovery. Thank you, Aliona will | :23:37. | :23:42. | |
stop off you go. We agree with Len Goodman up here. | :23:42. | :24:09. | |
Those judges were being very harsh for the first night. Lots of | :24:09. | :24:14. | |
nervous, you have left the Florida sunshine to be here in Elstree, was | :24:14. | :24:20. | |
it worth it? I feel as hot as I do in Florida. It is fine. It is an | :24:20. | :24:29. | |
adventure. Indeed. Aliona, has he done you proud? Very proud. He has | :24:29. | :24:34. | |
worked so hard, I have never seen done you proud? Very proud. He has | :24:34. | :24:40. | |
anybody sweat so much. He is going to wipe his face on Craig's shirt. | :24:40. | :24:42. | |
Can we have the scores please? Extreme. Tony has teed off, I think | :24:42. | :25:08. | |
he will head to the 19th hole for a well-deserved tipple. Will the | :25:08. | :25:16. | |
others find themselves in the rough? Next is a mark Benton and his | :25:16. | :25:32. | |
partner, and veteran Lucas shooter. Did you get that? Mark Benton has | :25:32. | :25:46. | |
appeared in films. I said my favourite film was The Wizard Of Oz. | :25:46. | :25:58. | |
He asked me why. I said, " because, because, because". Here is what they | :25:58. | :26:09. | |
have been up to. I grew up in Grangetown in the Middle East. My | :26:09. | :26:12. | |
uncle was an actor and I wanted to be like him. Coming from that | :26:12. | :26:18. | |
background, I never thought I would end up dressed like this. I want to | :26:18. | :26:22. | |
get fit and lose a bit of weight. Looking at the training, I don't | :26:22. | :26:24. | |
get fit and lose a bit of weight. think there is any way I cannot it | :26:24. | :26:26. | |
was a complete shock when I found think there is any way I cannot it | :26:26. | :26:33. | |
out my partner. I want our dancers to be memorable. She is funny. I am | :26:33. | :26:42. | |
going to work him so hard, in two weeks he will have a figure like | :26:42. | :26:49. | |
mine. I will be dancing with her, what a shame! Somebody has got to do | :26:49. | :26:55. | |
it. That was good. There is much more to it than you think. When she | :26:55. | :27:00. | |
is doing it, she makes it look so simple. He said, I will try | :27:00. | :27:07. | |
everything. I will get it if it kills me. For the last nine months I | :27:07. | :27:13. | |
am used to dancing around in make up with a wig and heels. I am doing Her | :27:13. | :27:24. | |
Spray. . I do dance on the stage, so I want her to come and see me in | :27:24. | :27:31. | |
that. As I am all dressed up, why don't we have a dance. I knew this | :27:31. | :27:37. | |
would be tough, but it is a killer. I want to do the tango as it should | :27:37. | :27:43. | |
be done. Come on the big man! Dancing the tango, Mark Denton. | :27:43. | :27:54. | |
How about this man? That was lovely, Mark. And the face said it all. | :27:54. | :29:50. | |
Craig? The Tango should be sharp, it should have intent and purpose. The | :29:50. | :29:58. | |
intent and purpose was good. However, the right thumb, darling. | :29:58. | :30:07. | |
That bothers me. You are picking up your feet and jumping about, which | :30:08. | :30:13. | |
is not great. Hand shaping needs a little attention. But I thought you | :30:13. | :30:19. | |
danced it actually rather well. APPLAUSE | :30:19. | :30:26. | |
I'm glad we started with Craig! Darcey? Brilliantly played. You are | :30:26. | :30:33. | |
going to be the most brilliant entertainer for us. I was a little | :30:33. | :30:39. | |
worried at the beginning, when your chin got stuck to your chest. But as | :30:39. | :30:45. | |
soon as you got in to hold, you were strong and masculine. And you were | :30:45. | :30:50. | |
in control of your woman. It was fab. I am well impressed. And I saw | :30:50. | :31:02. | |
a Len Goodman jumping up and down! As he came out, I thought, this is | :31:02. | :31:07. | |
going to be like a sneeze. You know it is coming, but there is nothing | :31:07. | :31:12. | |
you can do. But Mark, you had attitude! Recognisable steps | :31:12. | :31:17. | |
throughout the dance, a lovely story going on. Your frame was OK. And I | :31:17. | :31:25. | |
am shocked how good that was. Well done! APPLAUSE | :31:25. | :31:34. | |
And finishing up with Bruno. I loved the way you set up the | :31:34. | :31:40. | |
scene. It was like a tango with a comedic twist. You had so much | :31:40. | :31:46. | |
content in there, but Craig is right. You cannot step the Tango, | :31:46. | :31:52. | |
you have to drive through the foot and keep this proud Latin attitude | :31:52. | :31:58. | |
through it. Great performance. Well done indeed. Iveta, away you go. | :31:58. | :32:18. | |
What about that? My mouth is so dry. The best Tango face ever, quite | :32:18. | :32:34. | |
properly. Can we have a replay? As an actor, you must have been right | :32:34. | :32:41. | |
at home with the drama of it. It was great fun to do. And Len Goodman was | :32:41. | :32:47. | |
shocked how good it was, and Craig said it was really good, so well | :32:47. | :32:55. | |
done. I knew it about the thumb! If that is all you have to worry about, | :32:55. | :32:59. | |
you are doing really well. The scores. | :32:59. | :33:17. | |
Not bad at all. We will get you danced fit. Three more couples to | :33:17. | :33:29. | |
perform this evening. Anybody want to see some more? | :33:29. | :33:34. | |
CHEERING I know I do. | :33:34. | :33:38. | |
Who's next? Our next couple is Susanna Reid and her partner, Kevin | :33:38. | :33:48. | |
Clifton. In this dance, Susanna is a breakfast presenter, and Kevin is | :33:48. | :33:54. | |
her floor manager. A floor manager's job is to tell the present | :33:54. | :33:58. | |
of where to stand, and tell them when the camera is on them. | :33:58. | :34:04. | |
Basically, his job is to stop the presenter looking like an idiot. I | :34:04. | :34:11. | |
wish we had one on this show. Here's what they've been up to. | :34:11. | :34:18. | |
Now in the spotlight, broadcaster Susanna Reid is feeling Strictly out | :34:18. | :34:28. | |
of this world. I feel like I have landed in a sequinned glitter ball | :34:28. | :34:32. | |
rocket, and the air feels slightly different. It only seems about five | :34:32. | :34:38. | |
minutes ago I was sat at home in Grimsby watching Susanna on the | :34:38. | :34:44. | |
telly. Now I am dancing with her. All the professional dancers have | :34:44. | :34:49. | |
the ability to turn on a bit of sex appeal. I am looking forward to | :34:49. | :34:53. | |
bringing out the other side of her, the sassy, sparky side. That's a bit | :34:53. | :35:03. | |
different! The headline is we're throwing you in at the deep end. | :35:03. | :35:11. | |
Good evening. Breaking news from the training room. I am Susanna Reid, | :35:11. | :35:16. | |
and this is my professional partner, Susanna Clifton -- Kevin Clifton. | :35:16. | :35:21. | |
How a Youga to turn me into a dancer? We are having a lot of fun, | :35:21. | :35:29. | |
and Kevin is the expert, so it is natural for me to interview him. | :35:29. | :35:33. | |
When did you first start dancing? You finding it? | :35:33. | :35:38. | |
Was it because your sister was doing it? Question, answer, question, | :35:38. | :35:44. | |
answer. And finally, what is Craig Revel | :35:44. | :35:46. | |
Horwood going to think of our dance? It was a little less ballroom | :35:46. | :35:53. | |
and a little more newsroom, darling. This is Susanna Reid on the sofa in | :35:54. | :35:56. | |
the training room, frankly terrified. | :35:57. | :36:02. | |
Dancing the jive, Susanna Reid and Kevin Clifton. | :36:02. | :36:15. | |
What are you up to, Susanna? ! You could never do that with Bill | :36:15. | :38:13. | |
Turnbull. Was not a news flash? Gracious, that was wonderful. | :38:13. | :38:17. | |
Darcey, what did you think? Wow, Susanna! You really sold me that | :38:17. | :38:26. | |
drive -- jive. High energy and style all the way through. You didn't lose | :38:26. | :38:32. | |
it. I would just recommend maybe try a low heel, see you get more bounce | :38:32. | :38:38. | |
with those needs. But I can't wait to see what you do next week! | :38:38. | :38:43. | |
APPLAUSE Wonderful. | :38:44. | :38:48. | |
The BBC is proud of you. Len? You got one of the hardest dances to do | :38:48. | :38:53. | |
one week one. That was chicken soup to the eyes. It was tasty, | :38:53. | :38:58. | |
satisfying, did me the world of good. I thought you did it's | :38:58. | :39:07. | |
terrific. Fabulous. Very courageous to do that the first | :39:07. | :39:12. | |
week. Who's idea was it? The king of jive! Read all about it! This girl | :39:12. | :39:24. | |
can shake it! No more sofa for you. You have a fantastic stage presence, | :39:24. | :39:29. | |
and your energy was incredible. You have to be sharper on the kicks and | :39:29. | :39:34. | |
flip is. One from the hip and the other from the knee. But I'm telling | :39:34. | :39:41. | |
you, as the first one out, again, fantastic. | :39:41. | :39:46. | |
Now, Craig? Please don't spoil it. Now for the cold hard truth, | :39:46. | :39:55. | |
darling. Every step was extremely laboured. Don't raise your shoulder | :39:55. | :40:02. | |
when your arm goes up. I thought it was a little bit heavy looking at | :40:02. | :40:07. | |
times. And I would never have attempted that cartwheel, because | :40:07. | :40:11. | |
that went horribly wrong. But on a positive note, the energy and | :40:11. | :40:20. | |
personality were fantastic. Sublime. APPLAUSE | :40:20. | :40:27. | |
If you are going to kiss anybody, Kiss me! | :40:27. | :40:30. | |
You have done the BBC proud. Off you go. | :40:30. | :40:47. | |
You got a standing ovation for your very first dance, I don't think that | :40:47. | :40:54. | |
has ever happened before. Thank you to Kevin who is absolutely | :40:54. | :40:57. | |
brilliant. He just kind of dragged me through it. You looked like you | :40:57. | :41:00. | |
are having the time of your life. It me through it. You looked like you | :41:00. | :41:05. | |
was brilliant, I really enjoyed it. Yes, that was awesome. How do you | :41:05. | :41:10. | |
fit all that training around your schedule. 3am alarm calls, three | :41:10. | :41:15. | |
children. I don't know how you did it. The scores are in. | :41:15. | :41:37. | |
28, congratulations. That is a great first score. Four down, two to go. | :41:37. | :41:48. | |
Will Sophie and Natalie make the front pages, or will they be | :41:48. | :41:53. | |
tomorrow's fish and chips paper. The other couples will make their | :41:53. | :41:59. | |
debuts tomorrow night. Our fifth couple is Sophie | :41:59. | :42:04. | |
Ellis-Bextor and her partner Brendan Cole. | :42:04. | :42:11. | |
For their dance, they are recreating a scene from that brilliant film | :42:11. | :42:22. | |
Breath -- breakfast at Tiffany is. They are going to have a full moon | :42:22. | :42:27. | |
in the background. Their song will be Moon River. I hope that as a | :42:27. | :42:35. | |
special effect and not a wardrobe malfunction. Here is what they've | :42:35. | :42:46. | |
been up to. Pop royalty is Sophie Ellis-Bextor is hoping to become the | :42:46. | :42:52. | |
queen of the ballroom. I dance the whole time on stage, I don't dance | :42:52. | :42:56. | |
particularly well, I just shimmy around. A big part of ballroom | :42:56. | :43:03. | |
dancing is the chemistry between you and your partner. That doesn't come | :43:03. | :43:10. | |
easy to me. The only man I have really danced with is my husband. | :43:10. | :43:16. | |
Brendan has very nice manners, but he's not my husband. So that is a | :43:16. | :43:29. | |
little bit alien. I had a schmaltzy moment when I was being twirled | :43:29. | :43:34. | |
around and there was a glitter ball and I thought, I love this! For this | :43:34. | :43:39. | |
waltz, we want sophisticated, beautiful, elegant. When I have said | :43:40. | :43:46. | |
to be poor I'm doing a Walt is, they say, you will find it quite easy to | :43:46. | :43:54. | |
be elegant, but that isn't me. So what is my character? Who is she? | :43:54. | :44:00. | |
For me, she's just the epitome of feminine. | :44:00. | :44:06. | |
It's kind of hard to know what she's going to be like on the show day. | :44:06. | :44:14. | |
Stop standing on my feet! If we run through it three times, there may be | :44:14. | :44:16. | |
one when I feel I am approaching the through it three times, there may be | :44:16. | :44:20. | |
right shape, and the other two was more like the real me. So I hope I | :44:20. | :44:26. | |
get the right one on the night. APPLAUSE | :44:26. | :44:32. | |
Dancing the Walt, Sophie Ellis-Bextor and Brendan Cole. | :44:32. | :44:40. | |
they liked it very much. It was lovely. You did not want to do that, | :44:40. | :46:31. | |
you wanted to do something a bit livelier? I normally stamp. It was | :46:31. | :46:47. | |
quiet, understatements, I loved the fluidity. You lifted your feet of | :46:47. | :46:53. | |
the floor. You have got a lovely neck. But the actual beauty of the | :46:53. | :46:58. | |
the floor. You have got a lovely dance was gorgeous. You wanted to | :46:58. | :47:09. | |
stamp on the floor. Grunow? We could sense the Laura of sophistication. | :47:09. | :47:16. | |
So Byrne. You have got the mood right. Going right... It was | :47:16. | :47:32. | |
beautiful. You have got to work to extend the top line. I liked it. It | :47:32. | :47:41. | |
was the first dance. Craig? It is the top line letting you down. That | :47:41. | :47:46. | |
would have been beautiful if you did not ruin it with the top half. What | :47:46. | :47:56. | |
are you on about? Your favourite songs should be I Can't Get No | :47:56. | :48:06. | |
Satisfaction. Darcey? It was beautiful. You carried it off. | :48:06. | :48:16. | |
Beautiful. You should be very happy. Brendan, you have got a good one. | :48:16. | :48:26. | |
CHEERING AND APPLAUSE what a first bands. Your mum was in | :48:26. | :48:43. | |
the audience and was crying. You looked so Serena and so graceful, | :48:43. | :48:49. | |
what was going through your head? Trying to enjoy it, remembering the | :48:49. | :48:53. | |
notes. I don't just want to get through it, I want to enjoy it. It | :48:53. | :48:59. | |
is a lovely thing, dancing. What an amazing thing, we are all going | :48:59. | :49:01. | |
is a lovely thing, dancing. What an through an incredible thing. Did you | :49:01. | :49:10. | |
enjoy it? I really, really did. I was petrified, but I did not throw | :49:10. | :49:11. | |
up. Now the scores. I could not the more proud. She is a | :49:11. | :49:46. | |
tremendous partner. Two nights of Strictly, back-to-back. Give him a | :49:46. | :49:51. | |
tissue. If that is not enough sparkle, join us on Facebook and | :49:51. | :50:00. | |
Twitter. Get to our website the backstage gossip. He is moved. Back | :50:00. | :50:07. | |
to Bruce. Now, for final couple this evening, the former Coronation | :50:07. | :50:20. | |
Street star, Natalie Gumede and her partner. I haven't watched | :50:20. | :50:27. | |
Coronation Street for quite a while. I do apologise for that, mightily, | :50:27. | :50:34. | |
how is Ena Sharples? Give her my love. Here is what they have been up | :50:34. | :50:49. | |
to. Actress, Natalie Gumede is no stranger to two an active | :50:49. | :50:54. | |
performance. Live performance is nothing like working in television. | :50:54. | :50:58. | |
If something goes wrong you cannot do it again. I am feeling Compleat | :50:58. | :51:06. | |
terror and nausea, but I cannot wait to be out there. Artem is a | :51:06. | :51:19. | |
self-proclaimed Russian terminator. His introduction to me was, " don't | :51:19. | :51:28. | |
cry on a Saturday night" . This is an exciting process to see how far I | :51:28. | :51:34. | |
can be pushed. She is perfect, she is a bit feisty. She might be the | :51:34. | :51:39. | |
one I am going to be scared of. I am having a cup of tea because Artem is | :51:39. | :51:46. | |
late. It is not Goodenough. When I walked in, Natalie was ready to go. | :51:47. | :51:54. | |
Let's get started. It felt like, she was more ready than I am. Again, | :51:54. | :52:03. | |
gain! The chat chat is very tough. I am working to my absolute limits. | :52:03. | :52:10. | |
You want to work hard, here we go. One more time, Artem. One more time. | :52:10. | :52:16. | |
He is dying inside. I don't think he is used to anybody else taking the | :52:16. | :52:22. | |
lead. I have not made it all the way through the dance yet, I hope it | :52:22. | :52:27. | |
goes OK on the night. Dancing the chat chat is Natalie Gumede and | :52:27. | :52:38. | |
Artem cheap vent serve Natalie, a standing ovation. Artem, | :52:38. | :54:36. | |
my goodness that was fantastic! Bruneau? | :54:36. | :54:43. | |
With that attitude, sexy, sensuous and lyrical arms at the same time, | :54:43. | :54:57. | |
you will go far. But more hip action and be careful of your foot | :54:57. | :55:05. | |
placement with the chat chat. You are a brilliant answer and so far | :55:05. | :55:14. | |
the front runner. He does not say that to everybody. Darcey? I was not | :55:14. | :55:22. | |
expecting that much detail in your first dance. The finish, eye contact | :55:22. | :55:27. | |
with both of you was brilliant. I cannot wait to see what you will | :55:28. | :55:36. | |
bring out next. It was clean, precise and have style and rhythm. | :55:36. | :55:44. | |
Craig is right, you do need to get a bit more hip action going especially | :55:44. | :55:48. | |
when you come to some of the Latin dances. But fabulous, well done. A | :55:48. | :56:00. | |
Russian chat chat. I thought you would do some cobblers. Cossack | :56:00. | :56:15. | |
dancing. Maybe I am talking a load of cobblers. Don't worry about it. | :56:15. | :56:18. | |
The chat chat your from Russia. What are you like in training? You | :56:18. | :56:53. | |
have met your match? I think so, yes. Let's get the scores. | :56:53. | :57:17. | |
You have got to be happy with that? Absolutely, I am shocked. Artem, | :57:17. | :57:30. | |
Russia's greatest love machine. We are back tomorrow and are remaining | :57:30. | :57:36. | |
nine stars brave the dance floors for the very first time. | :57:36. | :57:48. | |
I didn't even look. I am so happy. What is that? It is my new thing for | :57:48. | :58:04. | |
today. I don't know where my head is supposed to be. It sounds as though | :58:04. | :58:15. | |
your shoes are crying. In, out, in, out. That was all over the shop. | :58:15. | :58:26. | |
This is commonly alien to me. Look into my eyes. | :58:26. | :58:37. | |
Did you notice what happened there? You missed it. | :58:37. | :58:46. | |
Well done. Incredible. The gauntlet has been throw-down and still have | :58:46. | :58:59. | |
Well done. Incredible. The gauntlet nine more performances to come. Six | :58:59. | :59:05. | |
of couples have kicked off their dancing shoes, tomorrow we have the | :59:05. | :59:10. | |
owner, Vanessa and then Rachel, Patrick, Abbey, Dave and Debra. They | :59:10. | :59:17. | |
will show us what they have got. It will be a spectacular night. We will | :59:17. | :59:22. | |
be back tomorrow night at 7pm, so have an early dinner, pick your spot | :59:22. | :59:28. | |
on the sofa and brace yourselves for another night of ballroom. Keep | :59:28. | :59:34. | |
dancing! | :59:34. | :59:36. |