Browse content similar to Week 1 - Show 2. Check below for episodes and series from the same categories and more!
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Last night our first six superstar dancers exploded on to the Strictly | :00:05. | :00:13. | |
dancefloor. There were triumphs. Read all about it - this girl can | :00:13. | :00:20. | |
shake it! And tragedies. A bit of a di-sa-a-ster! It's a stellar start. | :00:20. | :00:26. | |
I am shocked how good that was. Well done to you! Tonight, nine more | :00:26. | :00:32. | |
celebrities are poised to blitz the ballroom for the very first time. | :00:32. | :00:37. | |
Expect temperatures to rise. Boiling points to be reached. It is too | :00:37. | :00:42. | |
hard. Who will fire up the dancefloor? Dance together. To | :00:42. | :00:48. | |
music! And who will crash and burn? What are you doing? I don't know. | :00:48. | :00:51. | |
This is Strictly Come Dancing 2013. Live from the BBC, please welcome | :00:51. | :04:53. | |
your hosts, Sir Bruce Forsyth and Tess Daly. | :04:53. | :04:57. | |
LAUGHTER It is in there somewhere! I know. | :04:57. | :05:14. | |
Good evening, ladies and gentlemen and children. Welcome to Strictly | :05:14. | :05:17. | |
Come Dancing. It is nice to see you, to see you... Nice! It is nice to | :05:17. | :05:24. | |
see you. Wasn't that brilliant? Great night. Are you looking forward | :05:24. | :05:29. | |
to the new series? I am. I have had my medical check-up. | :05:29. | :05:32. | |
LAUGHTER What is funny about that? Although | :05:32. | :05:38. | |
I've got a few aches and pains, the doctor said, I am as sharp as a | :05:38. | :05:45. | |
tack. He said, "As long as you don't forget things, you will be fine!" | :05:46. | :05:52. | |
When was this? When was what? LAUGHTER | :05:52. | :05:56. | |
Where am I? What are all this lot doing in my front room? By the way, | :05:56. | :06:04. | |
I was only acting. Just in case. OK. Last night, six dancing debutantes | :06:04. | :06:08. | |
showed us how good they looked on the dancefloor. We saw some | :06:08. | :06:12. | |
impressive dancing. We certainly did. But tonight there's still nine | :06:12. | :06:22. | |
celebrities ready to strut their stuff, stuff their shirts - I mean - | :06:22. | :06:30. | |
it is strut their stuff. Yes. It is time to meet the stars - put your | :06:30. | :06:42. | |
finger down! The stars of our show! Pop princess, Sophie Ellis-Bextor | :06:42. | :06:46. | |
and her partner, Brendan Cole. Star of stage and screen, Mark Benton and | :06:46. | :06:51. | |
his partner, Iveta Lukosiute. BBC Breakfast presenter, Susanna Reid | :06:51. | :06:56. | |
and her partner, Kevin Clifton. England rugby hero Ben Cohen and his | :06:56. | :07:00. | |
partner Kristina Rihanoff. Coronation Street star Natalie | :07:00. | :07:04. | |
Gumede and her partner Artem Chigvintsev. Fashion designer Julien | :07:04. | :07:09. | |
Macdonald and his partner Janette Manrara. Broadcaster and journalist | :07:09. | :07:14. | |
Vanessa Feltz and her partner James Jordan. Golf legend Tony Jacklin and | :07:14. | :07:19. | |
his partner Aliona Vilani. Model and TV presenter Abbey Clancy and her | :07:19. | :07:26. | |
partner Aljaz Skornajec. Hollyoaks' Ashley Taylor Dawson and his partner | :07:26. | :07:30. | |
Ola Jordan. Star of Dragons' Den Deborah Meaden and her partner Robin | :07:30. | :07:35. | |
Windsor. Casualty star Patrick Robinson and his partner Anya | :07:35. | :07:39. | |
Garnis. Countdown presenter Rachel Riley and her partner Pasha Kovalev. | :07:39. | :07:45. | |
TV chef and Hairy Biker Dave Myers and his partner Karen Hauer. And, | :07:45. | :07:49. | |
finally, Bond girl and author, Fiona Fullerton, and her partner Anton Du | :07:49. | :07:52. | |
Beke. What about that? Don't they look | :07:52. | :08:10. | |
wonderful? Oh, yes! There they all are. There they all are. Wonderful. | :08:10. | :08:17. | |
Wonderful. Now, then, Ben Cohen, we've had rugby players on the show | :08:17. | :08:22. | |
before. Matt Dawson and Kenny Logan, so you have something to live up to. | :08:22. | :08:28. | |
Natalie Gumede, we have had soap stars before like Letitia Dean and | :08:28. | :08:32. | |
Kara Tointon. She actually won. You have something to live up to as | :08:32. | :08:37. | |
well. Susanna Reid, we have had breakfast presenters before. | :08:37. | :08:42. | |
LAUGHTER Fiona Phillips, Kate Garraway, so | :08:42. | :08:48. | |
you have got no problem! LAUGHTER | :08:48. | :08:53. | |
Just relax. Good. You have a point. Tonight is all about the dancing, | :08:53. | :08:57. | |
there is no voting and nobody is going home. Our judges will still be | :08:57. | :09:00. | |
scoring and those scores will carry over to next week. That is when you | :09:00. | :09:04. | |
get to cast your vote. Shall we get started? The first couple to dance | :09:04. | :09:11. | |
tonight is Ben Cohen and his partner Kristina Rihanoff. | :09:11. | :09:25. | |
APPLAUSE Would you believe Ben has never ever | :09:25. | :09:30. | |
seen Strictly Come Dancing? It is true. He doesn't know anything about | :09:30. | :09:36. | |
it at all. Anyway, I said, "It doesn't matter that you've never | :09:36. | :09:39. | |
seen the show before. I'm here for you if you need me. Have you any | :09:39. | :09:44. | |
questions?" He said, "Yes, who are you?" I felt that big! I could have | :09:44. | :09:51. | |
hit im! He is that big. Here's what they have been up to. | :09:51. | :09:59. | |
Ben Cohen conquered the world as a rugby player. His proudest | :09:59. | :10:04. | |
achievements in life lie closer to home. I'm a family man. My wife and | :10:04. | :10:09. | |
children are very important to me. It is great being on a show like | :10:09. | :10:14. | |
this because they can see me learn to dance. My kids go to dancing | :10:14. | :10:18. | |
lessons and it would be great to join in. I'm happy with Kristina. | :10:18. | :10:26. | |
Fingers crossed she can move this lorry around the dancefloor! I was | :10:26. | :10:32. | |
so excited when I was told I had Ben. Everybody saw my glowing face | :10:32. | :10:36. | |
on the night. I want to deliver like I would on a Saturday afternoon so, | :10:36. | :10:42. | |
fingers crossed, I will be OK. Come on. Come on! There. Here you go. The | :10:42. | :10:50. | |
hips. They are welded shut! I have to get them moving. I have been | :10:50. | :11:00. | |
doing all types of things. Hopefully, I am loosening them up. I | :11:00. | :11:05. | |
have been doing lots of work on my hips. That is the least of my | :11:05. | :11:10. | |
problems.: My main concern is your hearing. I have bad hearing. I have | :11:10. | :11:15. | |
50% hearing. Can you turn it up a bit? I have to speak really LOUD! I | :11:15. | :11:23. | |
feel really bad because I'm like yelling almost. My hearing didn't | :11:23. | :11:29. | |
affect me playing rugby. Hopefully, fingers crossed, I can hear the beat | :11:29. | :11:32. | |
on the night. Dancing the cha cha, Ben Cohen and | :11:32. | :11:35. | |
Kristina Rihanoff. Wonderful. Absolutely wonderful. | :11:35. | :13:34. | |
Ben, Kristina. Well done. What a start to the show. Of course, we | :13:34. | :13:42. | |
have our judges. Yes. They are all expecting different things from this | :13:42. | :13:47. | |
weekend. Bruno is expecting lots of terrific tangos. Len is expecting | :13:47. | :13:55. | |
lots of wonderful waltzes. Darcey is expecting lots of jaunty jives and | :13:55. | :14:02. | |
Craig is expecting lots of dancing di-sa-a-steres! -- di-sa-a-sters! I | :14:02. | :14:14. | |
sounded more like Kenneth Williams! OK. Len, straight in. What did you | :14:14. | :14:22. | |
think of that first effort? Big Ben, ding-dong! This competition is like | :14:22. | :14:26. | |
a rugby match. Last night, we had the first half, a few thrills, a few | :14:26. | :14:30. | |
spills. Then out comes the second half and on to the pitch you come. I | :14:30. | :14:34. | |
thought your footwork was terrific. I liked your attitude that you came | :14:34. | :14:38. | |
out and had a go. What happened I can tell you now, when you get | :14:38. | :14:42. | |
nervous you speed up. You want to get it over with, like pulling off a | :14:42. | :14:47. | |
plaster. Bah us you wanted to get through it, you lost your timing. | :14:47. | :14:52. | |
But you are the first out, your heart is pumping, your buttons are | :14:52. | :14:59. | |
clenching. Well done. Lovely. What a good start. Thank you, Len. Apart | :14:59. | :15:09. | |
from that, he didn't know what the show was about. Bruno? Ben, you are | :15:09. | :15:15. | |
a beefy beast. Kristina, if you need any help with those rippling | :15:15. | :15:22. | |
muscles, I give my time! I'm kind. You need a bit of help, my darling. | :15:22. | :15:27. | |
You started very, very well. You have a lot of bulk to move. You got | :15:27. | :15:31. | |
a bit stiff at times. You did lose your timing and I know it is | :15:31. | :15:34. | |
difficult because if you have a problem with hearing, you have to | :15:34. | :15:38. | |
try to feel it in your body and losen up. As a first go, full of | :15:38. | :15:48. | |
promises. Now, then, Craig, did it affect you at all? It did, | :15:48. | :15:54. | |
unfortunately. I have seen breeze blocks with more movement! It was | :15:54. | :16:03. | |
laboured, out of time. You were dancing on the one... He is killing | :16:03. | :16:08. | |
me. I'm not going to come next week! He is killing you? Well, kill him | :16:08. | :16:13. | |
back! I will do. Anything else, Craig? A whole host of things, | :16:13. | :16:18. | |
darling. One thing at a time. Darcey, any good words to say? What | :16:18. | :16:26. | |
you do have is a very broad frame. Your upper body is very impressive | :16:26. | :16:31. | |
so use it. Use the waist. There's a couple of mistakes. But use it, be | :16:31. | :16:37. | |
proud of it. Don't go, "Oh God, I've got all this bulk, what do I do with | :16:37. | :16:41. | |
it?" Use it. Move it. You are strong. You can do it. That's all I | :16:41. | :16:48. | |
can say. Don't lose it, Ben, use it! I like that. You have a lovely | :16:48. | :16:53. | |
partner. Thank you for that lovely opening to the show. Off you go. Ben | :16:53. | :16:56. | |
and Kristina. Yes, yes, yes. No problems hearing | :16:56. | :17:10. | |
that crowd cheering for you. That is nerve-wracking. First out tonight. | :17:10. | :17:14. | |
Two weeks' ago, I couldn't put one foot in front of another. It's been | :17:14. | :17:19. | |
an incredible two weeks. Kristina has been great. Were you nervous? | :17:19. | :17:25. | |
Yes. Of course, it must be hard shedding that macho rugby persona | :17:25. | :17:33. | |
and becoming a performer? Calm down! You know, it's a transition. It is. | :17:33. | :17:38. | |
You are wearing Lycra and lots of pistols! The scores are in. Will the | :17:38. | :17:41. | |
judges reveal their scores? 19. I'm happy. I'm good. His smile | :17:41. | :18:08. | |
is worth more than a three! Let's remind ourselves of last night's | :18:08. | :18:12. | |
scores and see where that places you on the leaderboard. We can see | :18:12. | :18:16. | |
Natalie and Artem are in top position. Tony and Aliona are at | :18:16. | :18:21. | |
bottom. Remember, you can't vote tonight. For the first time this | :18:21. | :18:25. | |
year, you will be able to vote for free online. So head off to | :18:25. | :18:29. | |
bbc.co.uk/strictly to register. We have eight more couples still to | :18:29. | :18:36. | |
dance. Who is up next? Right, our next couple is Fiona Fullerton and | :18:36. | :18:41. | |
her partner, Anton Du Beke. What a popular couple they are. Very | :18:41. | :18:47. | |
popular. Now, for their dance, Fiona will be a Bond girl, which she was | :18:47. | :18:54. | |
of course, and Anton will be 007. LAUGHTER I feel so pleased for | :18:54. | :18:59. | |
Anton. This year, he's James Bond. Look at all those other years. It | :18:59. | :19:05. | |
was Mission Impossible! LAUGHTER | :19:05. | :19:14. | |
Here's what they have been up to. Bond girl Fiona Fullerton danced toe | :19:14. | :19:19. | |
to toe with 007 and has a licence to thrill. This is taking me back to an | :19:19. | :19:25. | |
era when I was an actress, but it's been 17 years. I have changed | :19:25. | :19:30. | |
careers. In 1995, when my daughter was born, I wanted to spend more | :19:30. | :19:34. | |
time at home. I think she thinks it's rather surprising that mummy, | :19:34. | :19:38. | |
who she has never seen performing before, ever, is out of there in | :19:38. | :19:41. | |
front of ten million people strutting her stuff. My dreams came | :19:41. | :19:45. | |
true when I was partnered with Anton. I'm such a lucky girl. I have | :19:45. | :19:53. | |
myself a Bond girl! # I wish I was James Bond. # I might | :19:53. | :20:00. | |
dance in December. I thought the show only lasted four weeks. P a | :20:00. | :20:04. | |
parentally, it goes to Christmas! Nerves could be an issue for me. | :20:04. | :20:08. | |
Somehow, I will have to overcome that. Step, ba-ba. What's that? I'm | :20:08. | :20:17. | |
very hard on myself. If I don't get something right... Play your | :20:17. | :20:23. | |
character. Play a Bond girl, be that person. It is that self-doubt that | :20:23. | :20:28. | |
I've got to try and eradicate. I'm thinking I can't do it. Anton says I | :20:28. | :20:34. | |
can. I find it hilarious. I'm 56 and you think I could be a Bond girl? | :20:34. | :20:38. | |
Why Why the hell not! Ooh, Mr Du Bond! Fancy a hot-tub? I | :20:38. | :20:49. | |
have been expecting you. Dancing the tango, Fiona Fullerton | :20:49. | :21:00. | |
and Anton Du Beke. That was so lovely. Are you pleased | :21:00. | :22:52. | |
that is over? Yes. I bet you are. It was lovely. While you get your | :22:52. | :22:57. | |
breath back, it is a good time to welcome our fabulous singers, Dave | :22:57. | :23:04. | |
Arch and his wonderful orchestra. APPLAUSE | :23:04. | :23:04. | |
We can see them. They can wave! Bruno, we will start with you. I | :23:04. | :23:17. | |
like the role-play, the vampish beauty. Not an easy catch, not on | :23:17. | :23:22. | |
the first date. I tell you, you played it very well. You started | :23:22. | :23:26. | |
well. You got your feet into a muddle. I could see Anton placing | :23:26. | :23:31. | |
you because you lost it. You covered it well because you can act, but the | :23:31. | :23:36. | |
feet went into a very messy state of timing. Be careful with your top | :23:36. | :23:42. | |
line. It started very, very well. It was good. Alright. Craig? It is | :23:42. | :23:53. | |
lovely to see Anton dancing this series. Thank you very much. It was | :23:53. | :24:03. | |
a little rough around the edges. I have been working on my form! Make | :24:03. | :24:11. | |
sure your left palm is facing the floor and not touching his back. I | :24:11. | :24:17. | |
did feel as if you are fighting him a bit. It is great that he has a | :24:17. | :24:19. | |
did feel as if you are fighting him partner that can put one foot in | :24:19. | :24:26. | |
front of the other. You have such a way with you! You really do. Darcey? | :24:26. | :24:32. | |
I was impressed. There was so much content. There was so much you were | :24:32. | :24:38. | |
doing, as Craig was saying. You were dancing. You really composed | :24:38. | :24:42. | |
yourself. You got back into it. I would say that the only thing that | :24:42. | :24:45. | |
is letting you down is your top line. If you could slide those | :24:45. | :24:49. | |
shoulder blades down your back and use that, that will create a much | :24:49. | :24:52. | |
better form and you will be in control of it all. Very impressive. | :24:52. | :24:58. | |
Very constructive. OK. Now, then, Len? I have to say, the content in | :24:59. | :25:07. | |
that was amazing. There was so much going on. I have to say, early on, | :25:07. | :25:14. | |
you were as sharp as a lemon tart! LAUGHTER Lovely. What are you | :25:14. | :25:22. | |
thinking of? I don't know. They are right, on occasions you lost it a | :25:22. | :25:25. | |
bit and Anton was having to pull you through it. I must say, I thought | :25:25. | :25:28. | |
the character of the dance was there and it was full-on and plenty going | :25:28. | :25:35. | |
on. Well done. Very encouraging. Be proud, darling. Take her up the | :25:35. | :25:43. | |
stairs. Away you go. Well done. Fiona and Anton. | :25:43. | :25:47. | |
You look as sharp as a lemon tart! Is that a compliment? I think so. A | :25:47. | :26:02. | |
Strictly superfan for ten years. You are here. How did it feel to dance? | :26:02. | :26:08. | |
Tess, it is surreal. It is like I have walked inside a television set. | :26:08. | :26:11. | |
It is the weirdest feeling in the world. Does Anton make a good Bond? | :26:11. | :26:18. | |
No, he is rubbish! My tie is a bit wo in, ky! How happy are you with | :26:18. | :26:23. | |
your partner? Wasn't she outstanding? Hot-tub on standby. May | :26:23. | :26:32. | |
we have the scores? The judges have their scores: | :26:32. | :26:50. | |
24 - not bad. And a seven from your favourite! Fiona has taken her first | :26:50. | :26:58. | |
dance steps, but there is still plenty more in store with Julien. He | :26:58. | :27:04. | |
will be shaking his toosh on the catwalk and Vanessa and James - | :27:04. | :27:08. | |
well, you will have to wait and see. Next up is Hairy Dave - sorry, next | :27:08. | :27:16. | |
up is Hairy Biker Dave Myers and his partner Karen Hauer. I said to Dave, | :27:16. | :27:26. | |
"You know when you are riding your bike and it goes up at the front. I | :27:26. | :27:30. | |
would love to know what that is called." He said, "Wheelie." I said, | :27:30. | :27:41. | |
"Yes, I really would!" We could have been there all night. This is what | :27:41. | :27:43. | |
"Yes, I really would!" We could have they have been up to. That was | :27:43. | :27:45. | |
hairy! LAUGHTER they have been up to. That was | :27:45. | :27:52. | |
Dave Myers is best-known for his on-screen culinary skills. Since | :27:52. | :27:55. | |
joining Strictly, could the Hairy Biker become a fashionista? I am | :27:55. | :28:01. | |
loving this Strictly makeover. The process. I have that picture, the | :28:01. | :28:05. | |
one in the dinner suit, I have a print of that on the wall. It is | :28:05. | :28:15. | |
going to be odd swapping Simon King for my new partner. It is Karen. She | :28:15. | :28:19. | |
is fantastic! # You are sexy and I know it. # I | :28:19. | :28:23. | |
cannot wait to get on that dancefloor with Dave. Karen wants to | :28:23. | :28:28. | |
work hard and I want to learn. When it comes to the crunch, I will get | :28:28. | :28:33. | |
tough. My dancing style - there is an element of dad dancing, but | :28:33. | :28:39. | |
crossed with a gyrating troll. # Moves like Jagger. # Somebody has | :28:39. | :28:44. | |
got a sense of humour. I'm dancing to Moves Like Jagger. It was more | :28:44. | :28:50. | |
Keith Richards! I need you to personify Mick Jagger. When does | :28:50. | :28:56. | |
Mick stop and Dave take over? Do I do the cha cha as Mick Jagger or a | :28:56. | :29:01. | |
ballroom dancer? The ballroom dancer. I want Jagger to be envious | :29:01. | :29:04. | |
of your moves. I don't think that dancer. I want Jagger to be envious | :29:04. | :29:08. | |
will happen. We need to work on the posture, which is horrific. She took | :29:08. | :29:13. | |
a lovely scarf of hers - I have been a bit sweaty, so I thought I would | :29:13. | :29:15. | |
use my belt. So I strutted around a bit sweaty, so I thought I would | :29:15. | :29:21. | |
that dancefloor like a peacock with constipation. There is always that | :29:21. | :29:25. | |
chance that during the first show he might just go blank. I have to | :29:25. | :29:31. | |
admit, I'm terrified. Let's hope Craig has some sympathy for the | :29:31. | :29:35. | |
devil and that I give the judges some satisfaction and they don't | :29:35. | :29:40. | |
think I'm taking the mick! Dancing the cha cha, Dave Myers and Karen | :29:40. | :29:42. | |
Hauer. Oh dear oh dear. What about that? | :29:42. | :31:44. | |
What about that? Listen to that. Dave, Dave, look - even your... | :31:44. | :31:56. | |
Thank you, Sir Bruce. If Jagger moved like that, he wouldn't need | :31:56. | :32:02. | |
talc! God! Who are we going to start with? Crikey. Look at his face. | :32:02. | :32:11. | |
Craig, will you start us off? Wasn't my fault! I didn't arrange this. | :32:11. | :32:20. | |
Craig. Have you got anything to say? LAUGHTER | :32:20. | :32:24. | |
Terrifying. What? I recoiled in horror when you were coming over to | :32:24. | :32:32. | |
the judges' desk. I had an overwhelming feeling of revulsion | :32:32. | :32:37. | |
when you started that gyration and booty shake, darling. You do recoil | :32:37. | :32:43. | |
very well. You also need to stop counting and saying, "Two, three, | :32:43. | :32:49. | |
cha cha." LAUGHTER I got it on the point, | :32:49. | :32:55. | |
though. Is that right? OK. We will go to Darcey. She is holding her | :32:55. | :33:05. | |
head. I want to cry with happiness. CHEERING | :33:05. | :33:15. | |
I wouldn't normally say this. Watch the enthusiasm. You were slightly | :33:15. | :33:22. | |
out of control. I'm strangely in love, really, I am. Thank you. Thank | :33:22. | :33:33. | |
you. Uncle Len? Dave, you dance like I cook, just chuck it all in and | :33:33. | :33:40. | |
hope for the best! I'm a bit more staggered than Jagger. I liked your | :33:40. | :33:45. | |
commitment. I liked the fun. I like the fact that you are on this show. | :33:45. | :33:55. | |
You are entertaining. Thank you. Lovely. Bruno? It's the most | :33:55. | :34:03. | |
insanely hilarious mess ever! I feel a bit billious, like I need a drink. | :34:04. | :34:09. | |
I don't think I can carry on doing this show if you do it again. Next | :34:09. | :34:13. | |
week, I can't wait to see what you will do next. I cannot wait. Thank | :34:13. | :34:23. | |
you. Well done. I don't care, Dave, you are my favourite! Thanks, Sir | :34:23. | :34:27. | |
Bruce. Dave... That was busting shapes! | :34:27. | :34:55. | |
Wasn't it? Darcey is in love and so am I. Tess! We think you were | :34:55. | :35:00. | |
cooking on gas. How was it for you? am I. Tess! We think you were | :35:00. | :35:05. | |
I thoroughly enjoyed myself. I think all the steps were there, not | :35:05. | :35:09. | |
necessarily in the right order and the right place. I did the count and | :35:09. | :35:15. | |
they were all there. We are aware of the count. Were you chuffed as nuts? | :35:15. | :35:20. | |
I was chuffed as nuts, BIG nuts! Thank you. The scores? Ladies and | :35:20. | :35:25. | |
gentlemen, the judges' scores are in: | :35:25. | :35:42. | |
16. Thele only way is up. -- the only way is up. Remember, there is | :35:42. | :35:53. | |
nobody leaving this weekend. Relieved? Not half! Those scores | :35:53. | :35:58. | |
will get carried over to next week's show when you get to vote. Who is | :35:58. | :36:03. | |
next, Bruce? I need to sit down. Oh dear. I am still laughing. Our next | :36:03. | :36:08. | |
couple is Rachel Riley and Pasha Kovalev. They are doing a waltz in a | :36:08. | :36:18. | |
traditional English garden. Rachel was in a panic earlier. She wanted | :36:18. | :36:22. | |
some help designing her garden. She said, "Bruce, do you know anyone | :36:22. | :36:25. | |
some help designing her garden. She with green fingers?" I said, "Yes, | :36:25. | :36:31. | |
Kermit the Frog!" I'm still thinking about Hairy! Anyway, here is what | :36:31. | :36:40. | |
they have been up to. Countdown's glamorous numbers girl, Rachel | :36:40. | :36:43. | |
Riley, has never been afraid to get her hands dirty. Behind all this | :36:43. | :36:48. | |
glamour, I'm a regular girl from Essex, growing up I was a Tomboy, I | :36:48. | :36:54. | |
played all the sports where you didn't have to worry about what you | :36:54. | :36:58. | |
looked like. Being used to counting with numbers isn't helping at all | :36:58. | :37:03. | |
with dancing. You have to feel the beat and the rhythm. I can't wait to | :37:03. | :37:09. | |
start training with Pasha. He is the most gentlemanly man I have ever let | :37:09. | :37:15. | |
in my life. Rachel has never danced before. That is what makes it more | :37:15. | :37:20. | |
exciting. This is the opportunity of a lifetime. It is every little | :37:20. | :37:25. | |
girl's dream. I will do everything I can to help Pasha turn me into a | :37:25. | :37:29. | |
dancer. I thought the waltz was going to be a gentle way to start | :37:29. | :37:35. | |
off. It looks effortless. We need to get you to be ladylike. That was... | :37:35. | :37:43. | |
Too aggressive? I'm more used to be being on the football field than | :37:43. | :37:51. | |
going for it! How do you say "boshing"? There is so much to worry | :37:51. | :37:56. | |
about. I feel like we are losing the connection. I have a thing for you. | :37:56. | :38:07. | |
Pasha brought some age five plus maths books. We don't want to drop | :38:07. | :38:13. | |
the maths book. I think if I look elegant, if the steps aren't | :38:13. | :38:16. | |
perfect, I will get through the first week. I hope. | :38:16. | :38:23. | |
Dancing the waltz, Rachel Riley and Pasha Kovalev. | :38:24. | :38:31. | |
Rachel, Rachel. What about that? Listen to them. | :38:32. | :40:15. | |
CHEERING AND APPLAUSE That was so lovely. The way you | :40:15. | :40:20. | |
danced to the music, you could feel - it was lovely. Great partnership. | :40:20. | :40:27. | |
Darcey? What you need from a waltz is to glide. And to be fluid and to | :40:27. | :40:33. | |
be graceful. And you did have all of that. There is only one thing - on | :40:33. | :40:38. | |
the transitions and the change directions you lose your core. You | :40:38. | :40:43. | |
know that. Especially when you speed up. Just work on that strength. Very | :40:43. | :40:48. | |
beautiful. And for your first dance, very beautiful. Wonderful. You | :40:48. | :40:55. | |
should be very happy. Len? You are pretty and I thought the dance was | :40:55. | :40:59. | |
should be very happy. Len? You are very pretty. It was a tad on the | :40:59. | :41:03. | |
careful side. Careful will get you through three or four weeks. You | :41:03. | :41:08. | |
won't win Strictly being careful. So when you come out to do those Latin | :41:08. | :41:14. | |
numbers, Pasha knows, come out and give it plenty of welly. Well done. | :41:14. | :41:21. | |
Good advice. The first week, the first dance - Bruno? You had a kind | :41:21. | :41:27. | |
of a graceful and fragrant quality and the fragility of a spring | :41:27. | :41:33. | |
blossom. I sound like an air freshener commercial! The fragility | :41:33. | :41:37. | |
came from nerves so they are right. You have nothing to worry about. All | :41:37. | :41:43. | |
the elements are there. Go with the flow. You are gorgeous, love. She | :41:43. | :41:52. | |
is. Alright. Craig? Finish us off. Your head at times didn't look as | :41:52. | :41:57. | |
though it belonged on your body. I think that is largely due to - it is | :41:57. | :42:03. | |
due to a transition thing. And a connection thing. And an eye line | :42:03. | :42:07. | |
issue. What happens is you start focussing on things in the room and | :42:07. | :42:10. | |
your eyes are looking around. You have to let your vision blur a | :42:10. | :42:17. | |
little bit. You need to work on your hands. Hold on, there is a but. It | :42:18. | :42:25. | |
had beautiful rise and fall and was full of elegance. That was pretty | :42:25. | :42:33. | |
good. Well done. Pasha, off you go, up the stairs. | :42:33. | :42:45. | |
Yes. What did Craig say - elegant? You are a tomboy at heart. How did | :42:45. | :42:53. | |
you cope with the ladylike spins? I know. It doesn't work with football | :42:53. | :42:59. | |
boots. Did you enjoy yourself? I was terrified. I have been so calm. As | :42:59. | :43:04. | |
soon as you get out there... It is a whole new set of nerves. The judges' | :43:04. | :43:10. | |
scores are in. Time for the judges' scores: | :43:10. | :43:26. | |
27. A very strong score. Are you going to give some welly for Len? Oh | :43:26. | :43:36. | |
yes. You don't need to be a maths whizz to work out there are still | :43:36. | :43:41. | |
five couples left to dance. Deborah from Dragons' Den will be showing | :43:41. | :43:53. | |
her wild side and Abbey and Aljaz are getting up close and personal. | :43:53. | :43:59. | |
Bruce? Next up is Julien Macdonald and his partner, Janette Manrara. I | :43:59. | :44:04. | |
must admit I don't know anything about Julien Macdonald. I did know | :44:04. | :44:11. | |
his old man,ethly he had a farm! LAUGHTER -- evidently he had a farm! | :44:11. | :44:17. | |
LAUGHTER Alright, don't join in! Here is what they have been up to. | :44:17. | :44:21. | |
Fashion designer Julien Macdonald was destined for catwalk greatness | :44:21. | :44:25. | |
from an early age. I have always been surrounded by fashion. My | :44:25. | :44:29. | |
mother loves dressing up and so do my sisters. My father thought I | :44:29. | :44:33. | |
would be a footballer. How mistaken was he that I ended up the King of | :44:33. | :44:40. | |
Glitz and Glamour? It was so nerve-wracking waiting to find out | :44:40. | :44:41. | |
who my dance partner would be. Which nerve-wracking waiting to find out | :44:41. | :44:47. | |
one will I get? Janette. Julien is one of the most energetic people I | :44:47. | :44:53. | |
have ever met. I was completely over the moon. When we were in training, | :44:53. | :44:58. | |
I'm the boss. Let's hope she can teach me to dance just as good as | :44:58. | :45:03. | |
her. One, two and three. It is my fashion show in a if Udays and my | :45:03. | :45:09. | |
mind is focussed on that. Julien, leave the studio. I should be | :45:09. | :45:13. | |
designing dresses and not doing cha cha cha to Vogue. It was hard to get | :45:13. | :45:17. | |
him to concentrate. His brain is on his dresses. Did you have a dilemma? | :45:17. | :45:23. | |
I have had a lot of dramas. I had no other choice but to take the | :45:24. | :45:27. | |
training to his job! Not you again! If you want me back in the training | :45:27. | :45:32. | |
room, you better start sewing now. OK. Come on. Your show was | :45:32. | :45:39. | |
beautiful. Congratulations. Now, it is time to start the training. You | :45:39. | :45:44. | |
are mine! Today has been a tough day. I realised that it is a lot | :45:44. | :45:48. | |
harder than what I actually thought it was. It is like a jigsaw puzzle | :45:48. | :45:52. | |
being thrown up in the air and you looking for the pieces. I can't | :45:52. | :45:57. | |
dance! You have really lazy feet. I better wear a lot of sparkles so | :45:57. | :46:02. | |
they can't see my feet and they can just see my teeth! Dancing the cha | :46:02. | :46:08. | |
cha, Julien Macdonald and Janette Manrara. | :46:08. | :46:13. | |
Are you pleased? down. Calm down. Just calm | :46:13. | :48:11. | |
Are you pleased? little bit. That's fine. | :48:12. | :48:16. | |
Are you pleased? it! LAUGHTER Len? | :48:16. | :48:20. | |
Are you pleased? Woman's Weekly! | :48:20. | :48:27. | |
Are you pleased? proper. You have | :48:27. | :48:40. | |
Are you pleased? those Latin dances and give it | :48:40. | :48:58. | |
Are you pleased? back to do the | :48:58. | :49:12. | |
Are you pleased? Naomi there as well! The posing and | :49:12. | :49:31. | |
Are you pleased? time, my darling. | :49:32. | :49:53. | |
Are you pleased? one bit of hip action. Look at my | :49:53. | :50:01. | |
fabulous top - 20,000 crystals on this top, that is fabulous! | :50:01. | :50:12. | |
Craig is quite taken by that. Darcey? I love the joy in your face. | :50:12. | :50:21. | |
You were not overwhelmed by that Strictly catwalk. You better come | :50:21. | :50:28. | |
back with the same joy. I will try my best. I will be back next week! | :50:28. | :50:35. | |
Yes. You will be back next week. What happens after that, who knows! | :50:35. | :50:39. | |
There we are. Thank you so much. You must have had a lot of thing getting | :50:39. | :50:45. | |
this together. I enjoyed it. We can see that. That is what this show is | :50:45. | :50:49. | |
all about. You enjoy it and the public love it and that's it. Thank | :50:49. | :50:51. | |
you. Off you go. Strike a pose! You have walked | :50:51. | :51:14. | |
the odd catwalk in your time. How did our ballroom compare? It was | :51:14. | :51:18. | |
very stressful. I'm here to have fun, enjoy myself, but do it with a | :51:18. | :51:25. | |
big smile and I want to have F UN! 20,000 crystals on that shirt and | :51:25. | :51:29. | |
still can't outdazzle that smile. 25,000 - I lost 5,000 on the floor | :51:29. | :51:34. | |
downstairs. We will pick them up later. The scores? Ladies and | :51:34. | :51:38. | |
gentlemen, the judges' scores are in: | :51:38. | :51:54. | |
20. It's been a night of glitter and glamour. If you want more razzle and | :51:54. | :52:05. | |
dazzle, you will get loads of exclusive gossip online at | :52:06. | :52:09. | |
bbc.co.uk/strictly. Four more couples are still waiting to take to | :52:09. | :52:16. | |
the floor. Who is next? Right. Our next couple is Deborah Meaden and | :52:16. | :52:23. | |
her partner Robin Windsor. From Dragons' Den. APPLAUSE I can't | :52:23. | :52:28. | |
believe how rich Deborah Meaden is. When I saw her today all dressed up, | :52:28. | :52:34. | |
I said, "You look a million dollars!" She slapped me around the | :52:34. | :52:39. | |
face and said, "How dare you call me cheap!" I'm out! This is what they | :52:39. | :52:51. | |
have been up to. Dragons' Den star Deborah Meaden is investing heavily | :52:51. | :52:57. | |
in her glamorous side. I'm out. Being in the whole Strictly world, | :52:57. | :53:01. | |
it is like stepping through some magical looking glass. My make-up | :53:01. | :53:06. | |
was done, my dress came on and my hair was done and I stepped in front | :53:06. | :53:10. | |
of the mirror and it was like, "Who is that girl?" I have never felt | :53:10. | :53:14. | |
like this. When they announced it was Robin, there was a genuine yes! | :53:15. | :53:22. | |
I have my very own Dragon. She might be my very own pussy cat. She will | :53:22. | :53:28. | |
be very competitive. So it is up to me to make sure she gets the job | :53:28. | :53:34. | |
done. My world changes the minute I walk through that door. Business | :53:34. | :53:37. | |
person here, dancer through there. Your first dance is going to be the | :53:37. | :53:44. | |
tango. There is so much to remember. It is not just feet and head, it is | :53:44. | :53:48. | |
arms, posture, back. As soon as I get one right, the other goes. | :53:48. | :53:54. | |
That's new. Robin has written everything down for me so I can | :53:54. | :54:00. | |
rehearse my dance in my head. That piece of paper, that is the homework | :54:00. | :54:02. | |
rehearse my dance in my head. That that Robin gave me. Drop your | :54:02. | :54:08. | |
shoulders. I so nearly got it! You have to leave your head there. I | :54:08. | :54:12. | |
have been banished to one of the guest rooms. My feet were twitching | :54:12. | :54:16. | |
and I was keeping my husband away. We have worked so hard. I hope when | :54:16. | :54:21. | |
she gets on to the floor, my Dragon will roar! I am still struggling to | :54:21. | :54:26. | |
realise that I'm doing this. I feel like any minute somebody will go, | :54:26. | :54:34. | |
"Wake up!" Dancing the tango, Deborah Meaden and Robin Windsor. | :54:34. | :54:41. | |
APPLAUSE Come back here. That was wonderful. | :54:41. | :56:31. | |
That was wonderful. Absolutely wonderful. You must be out of | :56:31. | :56:36. | |
breath. It is the first time I have seen a Dragon out of puff! LAUGHTER | :56:36. | :56:44. | |
I said puff! Now, Bruno? I thought it was a very good pitch from the | :56:44. | :56:55. | |
Dragon, don't you? Steaming ahead, you just messed it up in the middle. | :56:55. | :57:01. | |
You have to carry out a pitch to the conclusion. The beginning was good, | :57:01. | :57:05. | |
but you got yourself into a mess. The first part was good. Alright. | :57:05. | :57:13. | |
Craig, will you continue? I thought you were lagging behind Robin mostly | :57:14. | :57:18. | |
through the dance. You need to create more of a V shape and get | :57:18. | :57:22. | |
your thumb in his armpit a bit more as well and facing the floor. I was | :57:22. | :57:30. | |
surprised. Pretty good. There we are. Darcey? You had great attack, | :57:30. | :57:37. | |
great attitude right from the beginning. It was true, you got lost | :57:37. | :57:41. | |
a bit in the middle. You do in your frame have to pull out of your waist | :57:41. | :57:46. | |
so you don't sink into Robin. Hard not to sink into Robin! I know. Very | :57:46. | :57:55. | |
impressed. Well done. Now, then, Len? I like your attitude, you came | :57:55. | :57:59. | |
out and give it plenty of snap, crackle and pop. You did mess up a | :57:59. | :58:05. | |
couple of times and you have to lift your diaphragm a bit more. But, | :58:05. | :58:10. | |
nice. I enjoyed it. Well done. You attacked the thing. You have done | :58:10. | :58:14. | |
very well. Off you go, Robin and Deborah. Away you go. | :58:14. | :58:19. | |
Yes. Come up here. You are safe here. Great pitch. Is this a whole | :58:19. | :58:35. | |
new you? I don't know. It has a bit of work to do. I wanted to have a | :58:35. | :58:38. | |
good time and I wanted to not let this man down. You are being led! | :58:38. | :58:46. | |
Look at me. She is a pussy cat. The scores are in. Will the judges | :58:46. | :58:48. | |
please reveal their scores? We will take that! Are you happy | :58:48. | :59:08. | |
with that? A six from Craig. Our Dragon has danced but who has been | :59:08. | :59:12. | |
your favourite so far? Remember, the fate of this dancing merger will be | :59:12. | :59:15. | |
in your hands next week. Right now, the wait is almost over for our | :59:15. | :59:19. | |
final three stars. Who is going first? Our next couple to perform is | :59:19. | :59:26. | |
Patrick Robinson and his partner, Anya Garnis. APPLAUSE Patrick | :59:26. | :59:35. | |
Robinson was in Casualty for almost eight years. Those waiting times are | :59:35. | :59:40. | |
getting worse! LAUGHTER They really are. He's gone back in again. | :59:40. | :59:44. | |
Anyway, here is what they have been up to. | :59:44. | :59:49. | |
How will Casualty star Patrick Robinson cope with swapping the | :59:49. | :59:58. | |
scrubs for sequins? Being myself on national TV is very difficult. | :59:58. | :00:02. | |
That's probably one of the things why actors become actors. They find | :00:02. | :00:06. | |
being themselves quite tricky and I'm quite shy so it is very tricky | :00:06. | :00:12. | |
to be me in front of the camera. My 50th birthday is coming up in | :00:12. | :00:16. | |
November. It would be great if I could be the oldest winner of | :00:16. | :00:24. | |
Strictly. When I heard that I was dancing with Patrick, I couldn't | :00:24. | :00:27. | |
believe it. I felt the connection right away. The spirit between us is | :00:27. | :00:33. | |
the key to it all. You think about Fred Astaire and Ginger Rogers, they | :00:33. | :00:38. | |
had a spirit that they knew how they were going to move. That is the key, | :00:38. | :00:46. | |
the link. Anya has it. Heel. Put that energy in. The jive is a very, | :00:46. | :00:50. | |
very demanding dance and there's a lot of twists, a lot of kicks. That | :00:50. | :00:56. | |
direction - one, two. Immediately changes. Fitness is always a slight | :00:56. | :01:04. | |
worry with me. I have had a knee injury. What do you think is | :01:04. | :01:11. | |
aggravating your knee? That little twist. That continues throughout the | :01:11. | :01:18. | |
whole jive? Yes. How is it doing? You feeling it? It is OK. In the | :01:18. | :01:23. | |
end, my 50-year-old knees aren't as young as they used to be. What is | :01:23. | :01:27. | |
the worst thing that can happen? We shall find out. | :01:27. | :01:32. | |
Dancing the jive, Patrick Robinson and Anya Garnis. | :01:32. | :01:41. | |
Patrick, look, they feet for you. You can't stop that. | :01:41. | :03:47. | |
Well done, indeed. Both of you. Lovely. | :03:47. | :03:57. | |
Well done, indeed. Both of you. your toe | :03:57. | :04:07. | |
great. That is the only thing I was looking | :04:07. | :04:20. | |
great. That is the only thing I was Absolutely. The balls of the | :04:20. | :04:39. | |
great. That is the only thing I was to worry, your energy levels | :04:39. | :04:59. | |
Just work on the refinement in the detail. Great debut. There we are, | :04:59. | :05:04. | |
Patrick. That's very good. Away you go. Congratulations. Off you go. | :05:04. | :05:12. | |
Patrick, see, a first standing ovation of the night. How did that | :05:12. | :05:28. | |
feel? I can't speak. That's fantastic. 50-what? Great energy. | :05:28. | :05:35. | |
You are being yourself. You have no acting role to hide behind. How was | :05:35. | :05:41. | |
that? Scary. It worked. The scores are in. The judges' scores are in: | :05:41. | :06:00. | |
Come on! All the sevens. Seven from Craig for the first dance is good. | :06:00. | :06:08. | |
And the jive. A tricky first dance. Patrick is not ready to runaway | :06:08. | :06:15. | |
baby, not yet! We have seen some incredible first night performances. | :06:15. | :06:20. | |
Who is next to wow the crowd, Bruce? Our next couple is Vanessa Feltz and | :06:20. | :06:30. | |
her partner James Jordan. APPLAUSE | :06:30. | :06:32. | |
Now, Vanessa told me she's a bit scared of facing the judges. I said, | :06:32. | :06:35. | |
"You are scared? How do you think scared of facing the judges. I said, | :06:35. | :06:40. | |
they feel?" Here is what they have been up to. TV and radio broadcaster | :06:40. | :06:49. | |
Vanessa Feltz has her own special reason for stepping out on the | :06:49. | :06:53. | |
dancefloor. I'm going to be a grandma and therefore it seemed to | :06:53. | :06:57. | |
me to make sense to do Strictly Come Dancing for all the grandmas and | :06:57. | :07:02. | |
everybody of a certain age who thinks, "Don't write us off yet." | :07:02. | :07:07. | |
When I heard James Jordan was going to be my partner, I felt | :07:07. | :07:12. | |
magnificent. I had wanted somebody oozing testosterone and I thought | :07:12. | :07:16. | |
just what the doctor ordered. The only thing I expect from Vanessa is | :07:16. | :07:22. | |
I'm in charge at all times. Do I think that that is going to be the | :07:22. | :07:26. | |
way it goes? No, I don't. I think I'm going to get put in my place | :07:26. | :07:37. | |
quite a lot. No, no, no. Three and... That is so good. I am trying | :07:37. | :07:43. | |
my best. I know you are. I'm trying to be a good student. Sorry, yes. | :07:43. | :07:49. | |
Don't ever be sorry. Vanessa is giving me 100%. I feel now it is too | :07:49. | :07:54. | |
much because I'm losing who Vanessa is. Up till now, it's been vital | :07:54. | :07:58. | |
that I've had full control. Because of the story we are trying to tell, | :07:58. | :08:02. | |
you have to now take some of that control back. James said would I | :08:02. | :08:07. | |
please try to be more like the Vanessa that the public thinks it | :08:07. | :08:11. | |
knows. You have to touch my chest and push me away. Don't make me do | :08:11. | :08:15. | |
that. I have to sell this routine. I have to make people think that I'm | :08:15. | :08:21. | |
not remotely impressed by James Jordan. That requires the Thespian | :08:21. | :08:32. | |
talent of Dame Judi Dench, but I will try! Dancing the cha cha, | :08:32. | :08:35. | |
talent of Dame Judi Dench, but I Vanessa Feltz and James Jordan. | :08:35. | :08:41. | |
Well done, Vanessa. Well done, my love. You really did well there. Oh. | :08:41. | :10:27. | |
How many shirts did you get rid of there? That was wonderful. Darcey? | :10:27. | :10:32. | |
How many shirts did you get rid of The cha cha is a bright, lively and | :10:32. | :10:38. | |
cheeky dance. I did miss this from you. I think sadly there will always | :10:38. | :10:44. | |
be one dance - everyone will experience this that won't suit them | :10:44. | :10:49. | |
- and this was the one. Our first one as well. I believe, when you | :10:49. | :10:53. | |
come back next week, the ballroom, you will love it. You will enjoy it. | :10:53. | :10:58. | |
Especially in the arms and in hold with your man, James. Very true. | :10:58. | :11:04. | |
Come back with no worries at all. Len? It was a bit cool, calm and | :11:04. | :11:10. | |
collective. It could have had more flash, bang, wallop. You never lost | :11:10. | :11:17. | |
your timing. You got through it with no glaring mistakes. You are right | :11:17. | :11:21. | |
outside your comfort zone, so well done to you. Yes. Good. Bruno? My | :11:21. | :11:29. | |
darling, you were trying so hard to do it right, which you did, that you | :11:29. | :11:38. | |
lost the Va-va-nessa! It is like when you do your radio show, the | :11:38. | :11:42. | |
body has to express the same way as your voice does. I know it is there. | :11:42. | :11:49. | |
We want that impact. We want to see that. Things to work on. Craig? It | :11:49. | :11:57. | |
is a shame you don't dance as well as you speak! There was too much | :11:57. | :12:04. | |
acting and not enough dancing. Let me tell you what it is like from | :12:04. | :12:08. | |
this side. I'm squeezed into a girdle I can hardly breathe - I'm | :12:08. | :12:13. | |
having a hot flush like you wouldn't believe. Ladies of a certain age | :12:13. | :12:17. | |
will know what that is like. I have to pretend not to be impressed when | :12:17. | :12:21. | |
James Jordan taking his chest out? It is not easy. It is not easy. | :12:21. | :12:26. | |
CHEERING AND APPLAUSE Thank you. Well said. Well said. | :12:26. | :12:37. | |
That is what we want in the dancing! I will try. James, teach her, go on. | :12:37. | :12:43. | |
I'm scared. Let's go. Up the stairs. Take her upstairs. | :12:43. | :12:53. | |
Vanessa bites back! Clearly, Va-va-nessa, you were born for the | :12:53. | :13:06. | |
glamour, but were you born to dance? I can talk, but I can't dance. You | :13:06. | :13:13. | |
did alright. You remembered all the steps. I tried not to look at his | :13:13. | :13:18. | |
chest. I tried to keep breathing. You did well. What were Craigs | :13:18. | :13:22. | |
comments? I can't remember what he said. Let's write them off! The | :13:22. | :13:27. | |
scores are now in. It is time to get the scores from the judges: | :13:27. | :13:43. | |
19. Happy? Yes. Very good. Nobody is leaving tonight. There's one more | :13:43. | :13:52. | |
couple still to go. Are we saving the best till last? It is time for | :13:52. | :13:58. | |
our final couple. I have been up-and-down those stairs - you don't | :13:58. | :14:05. | |
see this at home, I'm up-and-down. Anyway, our final couple is Abbey | :14:05. | :14:10. | |
Clancy and her partner Aljaz Skornajec. As you know, when they | :14:10. | :14:20. | |
were paired up, Abbey is married to the England footballer, Peter | :14:20. | :14:25. | |
Crouch. By the way, he is 6ft 7in. So I said to Abbey, "You must have | :14:25. | :14:31. | |
very high ceilings in your house. All the time you would be saying | :14:31. | :14:40. | |
Peter... Crouch. Peter... Crouch!" Here is what they have been up to. | :14:40. | :14:47. | |
Model and TV presenter Abbey Clancy is no stranger to the spotlight. | :14:47. | :14:54. | |
When I was a little girl, I loved to sing. I have never ever done any tap | :14:54. | :14:58. | |
ballet, anything. So it is all new to me. When we all go out, we think | :14:58. | :15:02. | |
we are Madonna! After a few drinks. to me. When we all go out, we think | :15:02. | :15:07. | |
People think I lead this glamorous lifestyle. The reality is I'm as | :15:07. | :15:12. | |
normal as everyone else, doing nursery runs, cooking, cleaning, | :15:12. | :15:20. | |
picking up Pete's dirty undies! I have got the amazing Aljaz. I have | :15:20. | :15:27. | |
the hottie of the group. I feel like a big old bag standing next to him. | :15:27. | :15:31. | |
It is quite intimidating. I like to get things done. It will be quite | :15:31. | :15:35. | |
strict, but when there is time for fun, it will be a lot of fun. Aljaz | :15:35. | :15:45. | |
has got what it takes, but have I? I don't know. Oh God, I'm shy. The | :15:45. | :15:52. | |
waltz is such a graceful dance. I feel like a big sack of spuds! Sack | :15:52. | :15:59. | |
of what? Spuds. What is spuds? I'm finding it way more difficult than I | :15:59. | :16:05. | |
thought I would. Stay left. I'm also struggling with my right and left! | :16:05. | :16:13. | |
When you walk down the street, it never happens. He bought me a | :16:13. | :16:19. | |
present today, a glittery L and a glittery R. Put them on so you can | :16:19. | :16:23. | |
see them. I am still struggling with my left and right. Stop that. If I | :16:24. | :16:28. | |
want to do well, it is something I will have to get over and fast! | :16:28. | :16:34. | |
Dancing the waltz, Abbey Clancy and Aljaz Skornajec. | :16:34. | :16:42. | |
Abbey and Aljaz, that was beautiful. You are shaking a bit. That was | :16:42. | :18:37. | |
lovely. Look at these people, they loved it. Aljaz and Abbey, beautiful | :18:37. | :18:47. | |
chemistry. Len? People think the waltz is a small dance. It's not. | :18:47. | :18:53. | |
It's a big dance. Big, flowing movement, low and swing and move on. | :18:53. | :18:56. | |
Abbey, that is the dance of the night. Well done. Oh. What a smile. | :18:56. | :19:06. | |
Bruno? Dreamy, deeply felt, romantic, great chemistry. The | :19:06. | :19:11. | |
movement was wonderful. You have such a wonderful flow across the | :19:11. | :19:16. | |
stage. You did an incredible debut on Strictly. Yes. You don't know how | :19:16. | :19:24. | |
good you were. Wait till you watch it. Craig? I had a hunch about you | :19:24. | :19:34. | |
two. Gorgeous! Don't kiss him! You will never hear the end of it. | :19:34. | :19:40. | |
Darcey? Very romantic, beautiful. Great posture and that pays off | :19:40. | :19:43. | |
because you made some beautiful lines. Well done. That is wonderful. | :19:43. | :19:49. | |
Have you got family here tonight? Me mum and my nan. Your nan. How old is | :19:49. | :19:56. | |
she? She is 96. Really? I have always been attracted to older | :19:56. | :20:01. | |
women! Watch out! Where is she? I will say hello after the show. That | :20:01. | :20:07. | |
was wonderful. Aljaz, you are a team! Go on, get off there. Get off. | :20:07. | :20:15. | |
Well done, Abbey. You are still shaking. Shaking! Best dance of the | :20:15. | :20:30. | |
night. Was it close, getting up close and personal. A lot of ladies | :20:30. | :20:35. | |
wouldn't mind swapping places with you. It is not a bad place to be. | :20:35. | :20:41. | |
Aljaz, how has your Strictly experience been? Wonderful. I am | :20:41. | :20:45. | |
very proud of Abbey. I want to keep going. Great comments from the | :20:45. | :20:48. | |
judges. Let's hope the scores match them. The judges have their scores: | :20:48. | :21:09. | |
That deserves a big hug. That is a phenomenal first score. | :21:09. | :21:15. | |
Congratulations. Thank you. The scores will be carried over to next | :21:15. | :21:20. | |
week. That is when you get your chance to vote. You can vote for | :21:20. | :21:24. | |
free online, so head over to bbc.co.uk/strictly and register | :21:24. | :21:27. | |
after the show. Our new stars will be pulling out all the stops to stay | :21:28. | :21:32. | |
in the competition. You will be able to keep up-to-date with Zoe on It | :21:32. | :21:40. | |
Takes Two. Do you come home at the end of the day blue, lethargic and | :21:40. | :21:47. | |
in need of glitter? Do you find that your weekend dash of dance isn't | :21:47. | :21:54. | |
enough? Then tune your telly box into something really groovy. | :21:54. | :22:00. | |
Welcome to It Takes Two, the weekend is over... The show that gives you | :22:00. | :22:09. | |
all the Strictly Come Dancing behind-the-scenes gossip. It is the | :22:09. | :22:13. | |
sure-fire way to add fab to your day! Don't James and Zoe make a | :22:13. | :22:25. | |
lovely couple? ? Let's have a look at how the leaderboard is looking. | :22:25. | :22:29. | |
Up there at the top, we have Abbey and Aljaz with 32 points. Down at | :22:29. | :22:33. | |
Up there at the top, we have Abbey the bottom, joint bottom with 16 | :22:33. | :22:42. | |
points, Tony and Aliona and Dave and Karen. Those scores will be carried | :22:42. | :22:48. | |
over to next week. Anyone nervous? Nervous faces. Thanks, Dave. That | :22:49. | :22:54. | |
was a good one. Here is a quick reminder of the dances we have seen | :22:54. | :22:59. | |
during our first dynamic weekend of dance: | :22:59. | :23:19. | |
What a night! Thank you all. You have been wonderful. What a night | :23:19. | :26:59. | |
it's been. Next week, the drama begins as you get to vote for your | :26:59. | :27:03. | |
favourite. Tonight's scores have been carried over and the vote will | :27:03. | :27:07. | |
open. Sadly, that does mean our first couple will be leaving | :27:07. | :27:10. | |
Strictly Come Dancing next weekend. Oh dear. Our 15 celebrities have one | :27:10. | :27:17. | |
week to perfect their next dance. It could be anything from a waltz to a | :27:17. | :27:22. | |
Charleston. Remember, they have had three weeks of training to learn | :27:23. | :27:26. | |
their first dance. How will they cope with just one week? Just think | :27:26. | :27:31. | |
about it. You can follow their progress on It Takes Two starting on | :27:32. | :27:38. | |
Monday night at 6.30pm on BBC Two. Atlantis follows us. We will be back | :27:38. | :27:51. | |
next Saturday at 6:20pm. In the meantime, k-e-e-e-p dancing! | :27:51. | :27:56. |