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In last week's quarter final, the competition really heated up. You | :00:00. | :00:12. | |
teased me. That was perfection. That was just brilliant. The return of | :00:13. | :00:17. | |
the swing-a-thon saw Natalie and Artem blow away the competition. It | :00:18. | :00:21. | |
was precision timing. Spot on. Despite being on top of the | :00:22. | :00:25. | |
leaderboard, Patrick found himself in the dreaded dance-off. In the | :00:26. | :00:32. | |
end, we waved goodbye to Ashley. Hello celebrities, your mission, | :00:33. | :00:36. | |
should you choose to accept it, is to get to the final. This message | :00:37. | :00:40. | |
will self-destruct. What on earth are you doing? Let's | :00:41. | :00:53. | |
get back to training. Live from the Strictly ballroom, | :00:54. | :02:09. | |
this is the Strictly Come Dancing semifinal. Please welcome your hosts | :02:10. | :02:17. | |
Sir Bruce Forsyth and Tess Daly. I love that. Thank you Brucie. You | :02:18. | :02:41. | |
scrub up well yourself. It's like being in prison or something. | :02:42. | :02:47. | |
When do I get out? Good evening ladies and gentleman and children, | :02:48. | :02:49. | |
welcome to Strictly Come Dancing the semifinal! Yes! | :02:50. | :02:55. | |
APPLAUSE It's nice to see you, to see you... | :02:56. | :03:03. | |
Nice! Yes, it's nice to see you, Brucie. This is the semifinal and | :03:04. | :03:07. | |
our five semifinalists are raring to go back stage. They certainly are. | :03:08. | :03:12. | |
Four celebrity ladies but just one celebrity man, Patrick Robinson. Any | :03:13. | :03:18. | |
way, I said to Patrick, "You are the last man standing. The hopes of | :03:19. | :03:23. | |
millions of British men rest on your shoulders. Only you can restore the | :03:24. | :03:29. | |
male pride of this nation! Now put on your make up, put on your | :03:30. | :03:38. | |
sequinned shirt and shimmy!" LAUGHTER | :03:39. | :03:53. | |
Nice! This is it ladies and gentleman, after 11 weeks of | :03:54. | :03:59. | |
ballroom battles, we have reached the Strictly semifinals. Tonight | :04:00. | :04:03. | |
they must dance twice, hoping to win ape place in the Grand Final. It's | :04:04. | :04:10. | |
all to play for as our couples dance for our judges' scores and for your | :04:11. | :04:15. | |
votes. Shall we start the semifinal? I think we should, I'll put my teeth | :04:16. | :04:24. | |
in. Don't worry about that, I can't see anything against it at all. | :04:25. | :04:28. | |
After all, it's time to meet the stars of our show. | :04:29. | :04:34. | |
Pop star Sophie Ellis-Bextor and her partner Brendan Cole. BBC Breakfast | :04:35. | :04:38. | |
presenter Susanna Reid and her partner Kevin Clifton. Coronation | :04:39. | :04:43. | |
Street Star Natalie Gumede and her partner Artem Chigvintsev. Model and | :04:44. | :04:48. | |
TV presenter Abbey Clancy and her partner Aljaz Skornajec. And | :04:49. | :04:52. | |
Casualty star Patrick Robinson and his partner Anya Garnis. | :04:53. | :05:05. | |
CHEERING AND APPLAUSE There they all are. You've been so | :05:06. | :05:15. | |
wonderful this series, you really have. There they all are. We know | :05:16. | :05:22. | |
you're doing two dances tonight and after 11 weeks, you must be | :05:23. | :05:26. | |
exhausted. I've spoken to the producer and I managed to arrange | :05:27. | :05:31. | |
some time off for you. That's nice. That's it, time's up. You deserved | :05:32. | :05:39. | |
it. Didn't they deserve it? Only four of these couples can make it to | :05:40. | :05:43. | |
the final, so you can guarantee they'll pull out all the stops to | :05:44. | :05:47. | |
make sure they'll be there next week. I think it's time to dance. It | :05:48. | :05:51. | |
is indeed. Our first couple tonight is Natalie and her partner Artem. | :05:52. | :05:58. | |
Let's hear it. APPLAUSE | :05:59. | :06:03. | |
Their first dance is a salsa, but their second dance, later tonight, | :06:04. | :06:11. | |
will be an Argentine tango. They'll be dancing on a giant chess board. | :06:12. | :06:16. | |
They're going to have massive chess pieces all over the floor. Natalie | :06:17. | :06:21. | |
wanted to know what large chees pieces they could be. I said it | :06:22. | :06:25. | |
could be a big bishop, it could be a big castle or it could be a big | :06:26. | :06:32. | |
knight - if you play your cards right! | :06:33. | :06:38. | |
Good luck to you for this very special night. Here they are in | :06:39. | :06:43. | |
training. Before my dance, I never have any | :06:44. | :06:53. | |
predictions. Anything can happen. On Saturday night, it did. You teased | :06:54. | :06:58. | |
me, it was too much faffing about. You're in deer diafter that dance. | :06:59. | :07:03. | |
-- you're in jeopardy after that dance. I was knocked off my feet | :07:04. | :07:08. | |
with Len's comments. When Len, being the head judge, says those things, | :07:09. | :07:14. | |
you feel like a naughty schoolgirl. The swing-a-thon is an endurance | :07:15. | :07:19. | |
test. It felt amazing to be the last couple standing. You can't be | :07:20. | :07:23. | |
complacent at this stage. We all want to make it through. We're so | :07:24. | :07:28. | |
close now. I don't want to go home tonight. ( Two dance that's week. My | :07:29. | :07:38. | |
mind has just gone. My first dance this week is salsa. If we can make | :07:39. | :07:44. | |
people at home party with us, I think it could be good. I'll bring | :07:45. | :07:49. | |
the party, you bring the steps. Artem surprised me and brought in | :07:50. | :07:54. | |
some messages of support from the public. We really want you to win. | :07:55. | :08:00. | |
Good luck with the competition, Natalie. Good luck. Team Natalie! | :08:01. | :08:06. | |
There were gorgeous messages. All the best for the weekend. I know you | :08:07. | :08:12. | |
can do it. Hi, I'm four years old, good luck Natalie. Oh, my word. He's | :08:13. | :08:18. | |
adorable. This week we're dancing not only to get into the final, but | :08:19. | :08:22. | |
this salsa is a big thank you to everyone who's supported us. | :08:23. | :08:28. | |
Dancing the Salsa, Natalie and Gumede and Artem Chigvintsev. | :08:29. | :08:39. | |
Wonderful. How many turns at the end? A few. I few? I lost count. I | :08:40. | :10:33. | |
think that dress has put the price of Turkies up. Who says that? I'm | :10:34. | :10:46. | |
basted. I thought you said wasted. Let's welcome our judges. Len's | :10:47. | :10:52. | |
grumpiness upset a few people last week. Some of the dancers... BOO | :10:53. | :11:00. | |
Some of the dancers were upset because Len was rude to them. And | :11:01. | :11:04. | |
Craig was absolutely furious, because that's his job. | :11:05. | :11:11. | |
APPLAUSE Len, you're not going to be grumpy | :11:12. | :11:17. | |
tonight. I wasn't grumpy. I was in a good mood. I was trying to be | :11:18. | :11:23. | |
honest. What did you think of that? For me, this is the tightest | :11:24. | :11:27. | |
semifinal we've ever had. Any one of our five remaining ones could win it | :11:28. | :11:32. | |
and any one could go home tomorrow night. For me, and this is not just | :11:33. | :11:36. | |
for you, all of our couples, every move you make, every step you take, | :11:37. | :11:40. | |
every rule you break, I'll be watching you! And I was watching you | :11:41. | :11:47. | |
and I know you've got another dance to come, if you can dance that to | :11:48. | :11:51. | |
this standard, 100%, you're in the final. We're not afraid of Len. | :11:52. | :12:01. | |
Lovely. I couldn't agree more. Nothing has been tighter. Bruno? | :12:02. | :12:09. | |
Look at you. All luscious and sergeuous. -- sentuous. What was | :12:10. | :12:16. | |
good, most people overwhush the salsa and you let it come out. You | :12:17. | :12:21. | |
just had the, that wonderful sense of tease and flirtacious fun, all | :12:22. | :12:26. | |
the ingredients for a fantastic salsa you had. Wonderful. | :12:27. | :12:33. | |
Yes, and what about Craig? Well, I'm a bit upset actually because I | :12:34. | :12:40. | |
couldn't find much wrong with it, to be honest with you. | :12:41. | :12:44. | |
Never mind! That's the most animated I think I've ever seen you. It was | :12:45. | :12:49. | |
just wonderful to watch. It was brilliant. A wonderful routine. | :12:50. | :13:00. | |
Darcey, do you agree? I do. It was, the dance content was amazing. | :13:01. | :13:04. | |
Artem, what you put in there, everything in that suitcase, my | :13:05. | :13:10. | |
goodness. Those underarm turns was beautifully done. Fantastic end, | :13:11. | :13:14. | |
that lunge, bang, right at the end. So many, so clean, so precise. You | :13:15. | :13:19. | |
can be too careful, which is weird. But maybe a bit more frivolous, but | :13:20. | :13:27. | |
fabulous performance. Wonderful again. Off you go. Good luck | :13:28. | :13:32. | |
tonight. CHEERING AND APPLAUSE | :13:33. | :13:46. | |
Now that is the way to kick off a semifinal. Ecstatic praise from the | :13:47. | :13:56. | |
judges. Though Craig was cross because he couldn't find anything | :13:57. | :13:59. | |
wrong with it. How does it feel to have made it this far? Just amazing. | :14:00. | :14:03. | |
It just feels like every week you come out and dance as if it's your | :14:04. | :14:07. | |
last, and tonight it feels like that. It feels so special. Let's | :14:08. | :14:11. | |
hope it's not your last. You have another dance coming up. What's in | :14:12. | :14:15. | |
store? Argentine tango, leg flicking. I have high hopes for | :14:16. | :14:20. | |
that. I have high hopes for the scores, they're in: | :14:21. | :14:46. | |
What a way to start the show. It doesn't get better than that. Your | :14:47. | :15:00. | |
first perfect score of the series. She's shaking. That's my first 40, | :15:01. | :15:07. | |
in my whole history. Thank you. He said "thank you". It couldn't have | :15:08. | :15:10. | |
started better. The first dance of the semifinal has the party started. | :15:11. | :15:15. | |
You don't want to be starting voting until after all our couples have | :15:16. | :15:19. | |
danced twice tonight. For these two call: You can vote for free online. | :15:20. | :15:32. | |
Get permission from whoever pays the bill. Don't call new or your vote | :15:33. | :15:40. | |
won't count as you may be charged. Let's meet our next contender. | :15:41. | :15:46. | |
Now then four 10s and no standing ovation. Can't you get up? Can't you | :15:47. | :15:56. | |
move yourselves? I'd love you lot in Cabaret. For our next couple, | :15:57. | :16:07. | |
Patrick and his partner Anya. Now then, Patrick and Anya did a very | :16:08. | :16:14. | |
raunchy rumba last week. I was very annoyed. If I'd have known last | :16:15. | :16:20. | |
Saturday he was going to be that raunchy, I wouldn't have had the | :16:21. | :16:26. | |
night off. But I did get -- but it got me in a romantic mood. I | :16:27. | :16:31. | |
couldn't help it. So I cooked my wife a little late supper, very | :16:32. | :16:36. | |
intimate. I used all my cordon bleu skills to make her a dish with a | :16:37. | :16:45. | |
French sounding name, Pot Noudelle. APPLAUSE | :16:46. | :16:50. | |
Nearly worked. Here they are in training. | :16:51. | :16:56. | |
The rumba I was pretty apprehensive about because I couldn't get the | :16:57. | :17:01. | |
steps initially and I couldn't get anything from the music. There is a | :17:02. | :17:05. | |
moment that I thought, this is really lovely. I love doing this. | :17:06. | :17:09. | |
You really gave us something I haven't seen before. Darcey said | :17:10. | :17:13. | |
that she saw a different side of you and that's what I was going for. To | :17:14. | :17:17. | |
be top of the leaderboard in the quarter finals is great. It holds a | :17:18. | :17:22. | |
little kudos for a few seconds. I've been in the dance-off. It doesn't | :17:23. | :17:28. | |
get any seizier. Who are you going to save? Patrick and Anya It's | :17:29. | :17:33. | |
fantastic to be saved by the judges. To find ourselves in the semifinal, | :17:34. | :17:36. | |
we have to put everything on the line. To be the oldest male celeb in | :17:37. | :17:43. | |
the final ever, it would be just amazing. I go under. My first dance | :17:44. | :17:49. | |
this week is the waltz. Last time we did a ballroom dance, the judges | :17:50. | :17:52. | |
commented on the frame and the position of your head. Because it's | :17:53. | :17:55. | |
such an important week, everything needs to be perfect. In the training | :17:56. | :18:00. | |
room today, we were played these amazing messages of support. Hi | :18:01. | :18:05. | |
Patrick, I'm out shopping and I think you're brilliant. Don't break | :18:06. | :18:09. | |
a leg and end up in casualty. All the best. Good luck. Go on Patrick! | :18:10. | :18:18. | |
We love you. Go Patrick, see you in the final. You can do it Patrick, | :18:19. | :18:23. | |
all the way to the final, come on, son, you're a smooth legend. I want | :18:24. | :18:28. | |
to do the best dance that I can do for you guys on Saturday. So | :18:29. | :18:31. | |
hopefully the waltz will go smooth as silk. | :18:32. | :18:36. | |
Dancing the Waltz, Patrick Robinson and Anya Garnis. | :18:37. | :18:43. | |
Oh, your mic. What a beautiful routine. That had more rise and fall | :18:44. | :20:45. | |
than a Yorkshire pudding. Now then, whilst you two get your breath back, | :20:46. | :20:50. | |
it's a good time to welcome our fabulous singers, Dave Arch and his | :20:51. | :20:53. | |
wonderful orchestra. APPLAUSE | :20:54. | :21:02. | |
Great. They really are so good. Bruno, start us off. Patrick, look | :21:03. | :21:10. | |
at you, how smart. The poise, the sense of distinction you brought to | :21:11. | :21:14. | |
the stage, you really placed it so well. I could really see you took so | :21:15. | :21:19. | |
much care in getting it right. Overall, you kind of did it. There | :21:20. | :21:23. | |
were a couple of issues on the foot work. I think it's because, I know | :21:24. | :21:27. | |
it's difficult, it's the semifinal, you get a little bit tense - don't! | :21:28. | :21:32. | |
Don't do that. You have to come out here and go for it. Overall it was | :21:33. | :21:38. | |
very good. Don't tighten up because then tiny mistakes tend to creep in. | :21:39. | :21:45. | |
Overall, it was very nice. I've done the microphone. Thank you. | :21:46. | :21:52. | |
Craig? I thought it was absolutely gorgeous, really, really gorgeous. | :21:53. | :21:57. | |
It could have done with a little more swing and sway, a bit of a | :21:58. | :22:03. | |
stronger heel lead on the down beat, but the flow around the floor was | :22:04. | :22:10. | |
magnificent. A lovely move to it. It went so much with the music. Right, | :22:11. | :22:15. | |
Darcey? The improvement in your frame was so improved. I mean, I | :22:16. | :22:19. | |
haven't seen you better in hold before. That was such an | :22:20. | :22:23. | |
improvement. There is a slight impingement on your right shoulder, | :22:24. | :22:28. | |
only occasionally though, just a little. But a charming waltz. | :22:29. | :22:42. | |
Lovely. Len? As the song says "lonely rivers flow to the sea", and | :22:43. | :22:46. | |
that had the most lovely flow and movement to it. I thought that part | :22:47. | :22:51. | |
of it was beautiful. As Darcey said, your upper body and frame was very | :22:52. | :22:55. | |
good. What is the strangest thing with this dancing that must drive | :22:56. | :23:00. | |
people mad, last week and your rumba I complained because you were | :23:01. | :23:03. | |
stepping forward on your heels, now I'm saying to you, you didn't step | :23:04. | :23:06. | |
forward enough on your heels. But that's one of the things. But | :23:07. | :23:10. | |
listen, the dance, the look of it, the way you came down the stairs | :23:11. | :23:16. | |
with that, absolutely lovely. Thank you. | :23:17. | :23:25. | |
Away you go! APPLAUSE | :23:26. | :23:33. | |
You smooth legend. You're a Latin guy through and through but I love | :23:34. | :23:40. | |
you in the ballroom. Thank you. I loved that. Craig used the words | :23:41. | :23:47. | |
"Georgeous and magnificent", high praise indeed. Absolutely, thank you | :23:48. | :23:50. | |
Craig. Last week in the dance-off, did you ever think you'd make it | :23:51. | :23:53. | |
here tonight? I've been trying not to think of next week, the following | :23:54. | :23:57. | |
week, just enjoy every dance as it comes. Again, this is what I'm | :23:58. | :24:01. | |
doing. I had a great waltz. How about the pressure of learning two | :24:02. | :24:06. | |
dances in a week? Tough? It's fine, with work and the rest of it, no | :24:07. | :24:11. | |
problem (! ) You are our last man standing. How do you fancy making | :24:12. | :24:16. | |
Strictly history and being the eldest male star we've ever had in | :24:17. | :24:20. | |
the final? APPLAUSE | :24:21. | :24:25. | |
Thank you. I'm doing it for the over 50s. Come on! Scores are in: | :24:26. | :24:49. | |
All the nines. Get in says Patrick. If you want to see Patrick and Anya | :24:50. | :24:55. | |
make history in next week's final, the number to call is: | :24:56. | :25:03. | |
you can vote online as well. Don't vote until all our couples have | :25:04. | :25:11. | |
danced twice tonight. Still to come: Susanna and Kevin are coming back | :25:12. | :25:15. | |
fighting, with a fabulous foxtrot and can Abbey and Aljaz's samba get | :25:16. | :25:19. | |
them on the guest list to the final. We find out soon. | :25:20. | :25:23. | |
Next up is Sophie and her partner Brendan. | :25:24. | :25:28. | |
APPLAUSE Another popular couple. Everybody is | :25:29. | :25:33. | |
so good tonight. They're dancing to a piece of music | :25:34. | :25:38. | |
from the Romeo and Juliet ballet. I was chatting to Darcey about the | :25:39. | :25:42. | |
ballet earlier and I told her I once met that wonderful Russian dancer -- | :25:43. | :25:50. | |
dancer, Randolph Nureyev. She's saying it's Rudolph, but it's near | :25:51. | :25:56. | |
number. -- enough. That's what I meant, Rudolph near enough. | :25:57. | :26:05. | |
APPLAUSE Here they are in training. | :26:06. | :26:12. | |
Before the quarter final, I must confess, I felt very nervous. It was | :26:13. | :26:16. | |
very important to me that the judges appreciate the performance aspect | :26:17. | :26:19. | |
because it was a fun routine and it had a cheekiness to it. I absolutely | :26:20. | :26:24. | |
loved that routine. I am genuinely excited to be in the semifinals. | :26:25. | :26:29. | |
We're nearly at the end of the series, which is very sad. It's been | :26:30. | :26:33. | |
so brilliant. It's a once in a lifetime thing. I thought I might as | :26:34. | :26:37. | |
well just go for it. I have nothing to lose. My first dance this week in | :26:38. | :26:44. | |
the semifinal is the paso doble. I have got a few bruises on my knees, | :26:45. | :26:50. | |
elbows, but it will all be worth it. This week we've had two dances to | :26:51. | :26:54. | |
learn, which is quite daunting. Buff we had a lovely time. We went to | :26:55. | :26:59. | |
Downing Street for the children's Christmas party. There's amazing | :27:00. | :27:02. | |
charities being supported by what's happening in there today. It's a | :27:03. | :27:07. | |
special day so very nice to be here. Fantastic, I feel I know you all | :27:08. | :27:11. | |
because I was watching last night. We met some lovely children. I had a | :27:12. | :27:17. | |
cuddle with a six weekend baby called -- week old baby called | :27:18. | :27:21. | |
Sophie. The support from the public is phenomenal. It's an incredible | :27:22. | :27:25. | |
feeling to know that people are enjoying what we're doing and | :27:26. | :27:28. | |
willing us on. I'm very aware that I would not be here without those | :27:29. | :27:34. | |
people. You're doing so well. Get to that final. Good luck to Sophie and | :27:35. | :27:38. | |
Brendan, you're amazing. Keep dancing! I'm grateful to everybody | :27:39. | :27:41. | |
that's supporting us and I wouldn't be here without them. I won't waste | :27:42. | :27:44. | |
the opportunity they've given me now. | :27:45. | :27:48. | |
Dancing the Paso Doble, Sophie Ellis Bextor and Brendan Cole. | :27:49. | :28:03. | |
What have you done? They're on their feet. | :28:04. | :29:58. | |
Incredible. You must so proud. Well done. | :29:59. | :30:05. | |
I don't think they're going, but I never thought I'd see anyone dance | :30:06. | :30:13. | |
to Alan Sugar's signature tune. It was so dramatic, so beautiful. | :30:14. | :30:21. | |
Craig? For me, it was a little bit starchy and stiff. BOO. It just | :30:22. | :30:30. | |
lacked a little bit of Spanish line, for me. The shoulders were a little | :30:31. | :30:35. | |
bit raised, particularly towards the end. But the attitude you brought to | :30:36. | :30:47. | |
that dance was something else. A great routine. Darcey? That music is | :30:48. | :30:53. | |
so close to my heart and to be able to equal that passion and drama is | :30:54. | :30:59. | |
so difficult, but for me, you came power that I haven't seen you give | :31:00. | :31:05. | |
to a dance before. I really wasn't expecting that. It's true, in the | :31:06. | :31:09. | |
arms, they could have had more strength and curve to them. That | :31:10. | :31:14. | |
shaping was missing, but overall, I love that choreography. I wanted to | :31:15. | :31:21. | |
be on there with you. Fabulous. Did you surprise yourself? Yeah, I | :31:22. | :31:28. | |
think I pulled dancer face. The music had drama and I must say, you | :31:29. | :31:32. | |
interpreted that drama through your body. I've got to be honest, I was | :31:33. | :31:37. | |
concerned about this. Because I've been saying you're a little bit | :31:38. | :31:41. | |
Brittle, a bit weak, but you've come out toned, full on, loads of attack. | :31:42. | :31:45. | |
After this, you've got the second half coming on, American smooth, | :31:46. | :31:50. | |
come out and just wow us like you've just done. | :31:51. | :32:01. | |
Bruno? The content, the passion and the intent in delivering it was | :32:02. | :32:04. | |
incredible. You've done what we've always asked of you - come out here | :32:05. | :32:09. | |
and kill it. You did it. That means so much to me. Another | :32:10. | :32:12. | |
thing, that piece of music has to be one of the most difficult to keep up | :32:13. | :32:17. | |
to it, because the timing an the accent are absolutely never regular. | :32:18. | :32:23. | |
It comes and goes. You managed to keep up with it. Yes, you could have | :32:24. | :32:27. | |
done with a little bit more shaping, but you really made yourself proud | :32:28. | :32:31. | |
with this dance. You surprised yourself. I really | :32:32. | :32:36. | |
did. Thank you so much. Go on then. Well done both of you! | :32:37. | :32:39. | |
APPLAUSE Yes, that was a fierce look you | :32:40. | :32:52. | |
gave. She brought the power to the paso. And the audience went wild for | :32:53. | :32:57. | |
it, standing ovation. I tried to take a snapshot of that in my head. | :32:58. | :33:02. | |
Oh, that that feeling. The atmosphere like tonight? Brilliant, | :33:03. | :33:05. | |
what an amazing crowd. The energy in the room. | :33:06. | :33:10. | |
CHEERING After 11 weeks taking part, how have | :33:11. | :33:18. | |
you - how's the public reaction to you? Overwhelming. I'm very clear I | :33:19. | :33:22. | |
wouldn't be here without this guy and their support. I think we all | :33:23. | :33:28. | |
have been blown away. Up underestimate the amazing affection | :33:29. | :33:31. | |
people have for Strictly and the people doing it. Len has high hopes | :33:32. | :33:39. | |
for your American smooth? Can ittive -- live up to it? Definitely! The | :33:40. | :33:43. | |
scores are in: 35, one score less than your highest | :33:44. | :34:03. | |
score. Gasps of shock over the eight. We don't mind. That felt | :34:04. | :34:09. | |
insane to dance, the emotion, wow. Wait for the next one. Think, Sophie | :34:10. | :34:14. | |
and Brendan are one dance from the final. They don't want to hear the | :34:15. | :34:21. | |
words, "you're fired". You might want to be here for this bit. Call | :34:22. | :34:27. | |
to vote: or vote online. It's a night of double dancing and double | :34:28. | :34:31. | |
the pressure. Tonight, there's more spectacular routines, stay with me, | :34:32. | :34:36. | |
and plenty of surprises. Brendan walking off. Who's next? | :34:37. | :34:42. | |
It's the couple of Susanna and her partner Kevin. | :34:43. | :34:51. | |
APPLAUSE Very popular. As Susanna is a BBC | :34:52. | :34:56. | |
lady I thought I'd buy her a Christmas present. But the sales | :34:57. | :34:59. | |
assistants were so rude where I went. I asked, how much a box of | :35:00. | :35:08. | |
chocolates was. She stared at me and walked away. I asked how much the | :35:09. | :35:13. | |
bottle of perfume was and she also walked away. I said to the manager, | :35:14. | :35:18. | |
"What kind of a shop do you call this? He said, "The pound shop." | :35:19. | :35:28. | |
Here they are in training. Last week, we did the Argentine | :35:29. | :35:31. | |
tango, which felt really dramatic and passionate and intense. Lacked | :35:32. | :35:36. | |
mood and atmosphere for me. We have everything to play for in the | :35:37. | :35:40. | |
swing-a-thon. All about that. We worked hard on our swing-a-thon and | :35:41. | :35:45. | |
we were called off. It felt like we hadn't started. I was upset, because | :35:46. | :35:50. | |
I felt if we were going tonight, I would have let Susanna town. We're | :35:51. | :35:54. | |
at the stage where there's one more show until the final. It's | :35:55. | :35:57. | |
extraordinary to have got this far. We don't want to go home. Our first | :35:58. | :36:01. | |
dance this week is the foxtrot. To get to the final, this foxtrot needs | :36:02. | :36:05. | |
to be perfect and beautiful. I just want to make sure I get this right. | :36:06. | :36:10. | |
Every dance is a challenge for me. With the foxtrot, I think it will be | :36:11. | :36:15. | |
keeping the frame in the right position and making sure that the | :36:16. | :36:20. | |
steps flow beautifully. Susanna has been working so hard this week. I | :36:21. | :36:23. | |
thought I'd give an extra boost by bringing in some messages from the | :36:24. | :36:27. | |
people supporting her. Nice to see you, to see you... Nice! I'm wishing | :36:28. | :36:33. | |
you all the best luck in the world. We think you're superb, well done | :36:34. | :36:37. | |
and fingers crossed for the finals. We want you to do well in the final. | :36:38. | :36:41. | |
We're rooting for you. Do a fantastic job, getting up early to | :36:42. | :36:47. | |
do the TV as well. Good luck. We are supporting Susanna and Kevin! | :36:48. | :36:56. | |
Remember, keep dancing! I love you guys. Listening to their messages of | :36:57. | :37:00. | |
support puts a massive smile on our faces as well. It's magic. | :37:01. | :37:07. | |
Dancing the Foxtrot, Susanna Reid and Kevin Clifton. | :37:08. | :37:14. | |
I'd love one. Dancing is like a box of chocolates. You don't know what | :37:15. | :39:09. | |
you're going to get. You gave us the most beautiful performance. Susanna | :39:10. | :39:12. | |
and Kevin. APPLAUSE | :39:13. | :39:16. | |
it was lovely. Now then, start us off Darcey. I really like the story. | :39:17. | :39:20. | |
I like you playing hard to get. That was nice at the beginning. It | :39:21. | :39:22. | |
carried through. The technique was all there. You were smooth across | :39:23. | :39:28. | |
the dance floor. That was a nice foxtrot, very nice. Great pivot | :39:29. | :39:31. | |
turns at the end. You are shining again. | :39:32. | :39:39. | |
Thank you. Like you should be. Len? It was a lark in the park. There's | :39:40. | :39:44. | |
Susanna, Kevin from Grimsby, there was nothing grim about it. I'm | :39:45. | :39:49. | |
telling you. It was a delight. A touch of springtime on a cold | :39:50. | :39:53. | |
December evening. I thought it was terrific, well done. | :39:54. | :40:01. | |
Thank you Len. The nation's sweet heart at her | :40:02. | :40:07. | |
charming best - all sweetness and light and full of life. I loved the | :40:08. | :40:10. | |
change of pace in the dance from lovely and flowy to the sweeping | :40:11. | :40:15. | |
turns, the story telling, the face and expression, you work today girl, | :40:16. | :40:20. | |
you work today hard. It shows, great. I'm worried about Craig. I'll | :40:21. | :40:31. | |
stand by. Craig? Sickly, saccharin, sweet, all the things I detest | :40:32. | :40:36. | |
darling, but I have to say the dancing was magnificent. | :40:37. | :40:44. | |
There you are. What were you afraid of. It was beautiful. Off you go and | :40:45. | :40:46. | |
be proud. another standing O from the | :40:47. | :41:11. | |
audience. You've had such highs and the lows of last week's bottom of | :41:12. | :41:15. | |
the leaderboard. Darcey says you are shining again. What does it mean to | :41:16. | :41:19. | |
be here in the semifinal? I've put these on so I can properly look at | :41:20. | :41:24. | |
the scores when they come in. It would mean the world, particularly | :41:25. | :41:29. | |
as it's Kevin's first year and we've had such amazing support and it's | :41:30. | :41:33. | |
been bliss to dance in the semifinal. I couldn't believe that | :41:34. | :41:36. | |
we've got this far. Thanks everybody. Its been fantastic. | :41:37. | :41:40. | |
Training for two dances this week, it must have been exhausting. Erm... | :41:41. | :41:46. | |
It's been twice the fun. It has to be honest. We've had a great time | :41:47. | :41:52. | |
this week. What can we expect? I'm getting me chest out. Are you? I've | :41:53. | :42:00. | |
had it shaved especially. How you tease us. The scores are in: | :42:01. | :42:25. | |
They're bouncing off the floor. And why not? What an incredible stuff. | :42:26. | :42:33. | |
Two 10s. Well done. Pulled it out of the bag when it matters. She can't | :42:34. | :42:42. | |
speak now. Call to vote: Or vote online if you couldn't take your | :42:43. | :42:46. | |
eyes off Susanna and Kevin and you want to see them next week. All our | :42:47. | :42:49. | |
couples are dancing two new routines tonight. So Natalie and Artem are | :42:50. | :42:54. | |
ready to tackle the Argentine tango and Patrick and Anya are hoping | :42:55. | :42:57. | |
their paso will put them in the final. Congratulations you two. | :42:58. | :42:59. | |
Let's get back to the dance floor. Dancing next are Abbey and her | :43:00. | :43:10. | |
partner Aljaz. APPLAUSE | :43:11. | :43:17. | |
All these dancers are so beautiful. Their second dance later on will be | :43:18. | :43:22. | |
based on a prom night. A prom night in America is a party you have when | :43:23. | :43:26. | |
you leave school. I remember the party on my last day at school - | :43:27. | :43:32. | |
there were flashing lights, fireworks and lots of great big | :43:33. | :43:38. | |
bangs. Hang "Minute, that wasn't the -- hang on a minute, that wasn't a | :43:39. | :43:42. | |
party, that was an air raid. I lived through it all. Here they are in | :43:43. | :43:45. | |
training. Saturday night I felt extremely | :43:46. | :43:58. | |
nervous. I just thought, I love me dance, I just wanted to go out there | :43:59. | :44:04. | |
and do me best. To hear Craig say... What he did. Biggest surprise of the | :44:05. | :44:09. | |
entire competition. It just felt our hard work has paid off. This week we | :44:10. | :44:13. | |
have to learn two dances in four days. That is really scary. If we | :44:14. | :44:17. | |
get through this week, we're going to be if the final -- in the final. | :44:18. | :44:25. | |
I can't believe it. It feels like a dream. My first dance this week is | :44:26. | :44:30. | |
the samba. The only thing I know about the samba is that it tearifies | :44:31. | :44:36. | |
the life out of me. I'm panicking now. I started doing the dance and | :44:37. | :44:40. | |
realised no matter what I do, it's going to look awful. I really | :44:41. | :44:47. | |
freaked out. I've forgotten everything. Throughout this | :44:48. | :44:50. | |
competition I've tried to show people that I'm working hard and | :44:51. | :44:54. | |
that I just love it. And to have the support I've had has been amazing. I | :44:55. | :44:59. | |
really want Taufiq win. Abbey you're great, I love your personality. | :45:00. | :45:03. | |
You're going to do really well. You're our favourite. We hope you | :45:04. | :45:11. | |
win. Go head Abbey. Go! You're one of the most glamorous mums I've ever | :45:12. | :45:17. | |
come across and you dance well. It's funny you forget people are actually | :45:18. | :45:22. | |
watching. Never in my life have I felt support like this. For everyone | :45:23. | :45:28. | |
to be behind us feels incredible. Dancing the Samba, Abbey Clancy and | :45:29. | :45:30. | |
Aljaz Skorjanec. CHEERING AND APPLAUSE | :45:31. | :45:34. | |
CHEERING AND APPLAUSE enjoy it. Breathe it all in. She's | :45:35. | :47:41. | |
nearly crying. Len? To combine rhythm with technique and | :47:42. | :47:44. | |
performance, this is hard to achieve. For me, you did and there | :47:45. | :47:48. | |
were so many wonderful little touches. You did those and slipped | :47:49. | :47:57. | |
in a little timing. It was, I'm telling you, you're a natural. That | :47:58. | :48:03. | |
was fantastic. Yes, you are a natural. | :48:04. | :48:10. | |
Bruno, what due think? And apart from the technique, sex on legs! Sex | :48:11. | :48:18. | |
appeal. You can turn it on. Me too actually, I think. I mean in a good | :48:19. | :48:27. | |
way. It was spontaneous, it wasn't forced. It just came. It was like | :48:28. | :48:34. | |
watching Bridget Bardot in woman created - oh, I don't know. I can't | :48:35. | :48:38. | |
say anything, I'm going to be into trouble. | :48:39. | :48:41. | |
I will get into terrible trouble, but you know what I mean. Loved it. | :48:42. | :48:48. | |
You're absolutely right. Now then, Craig? I think Bruno's on the turn, | :48:49. | :48:52. | |
darling. LAUGHTER | :48:53. | :48:59. | |
I'd like to have seen a little more bounce. But you coped with those | :49:00. | :49:05. | |
rhythm changes brilliantly. It was really, truly amazing. | :49:06. | :49:13. | |
Craig, I'll do the jokes, all right? That was wonderful. Finish up with | :49:14. | :49:18. | |
Darcey. You have got the vibe. I was, you know it's fresh, vibrant. | :49:19. | :49:22. | |
To each dance, you are so natural, as Len said. You don't lose any of | :49:23. | :49:26. | |
the detail, any of the technique and that is difficult to do. You're | :49:27. | :49:32. | |
going flying into that final. You really are. It was beautiful. | :49:33. | :49:41. | |
You deserve it. Don't be so... Go on, wallow in it. Off you go. | :49:42. | :49:45. | |
You left Bruno speechless. I don't think that's ever happened in | :49:46. | :49:58. | |
Strictly history. Did you enjoy that? Loved it. It's a great song | :49:59. | :50:02. | |
and we just went out and tried to have fun. Because it could be our | :50:03. | :50:06. | |
last time on t dance floor. Well you have one more dance tonight. Well, | :50:07. | :50:11. | |
yeah! You started the show as a novice, nerves have been a factor. | :50:12. | :50:15. | |
How are you feeling now, are you feeling like a dancer? She is one. | :50:16. | :50:22. | |
Guess what, you are one. Thank you. The scores are in: | :50:23. | :50:46. | |
A well deserved three 10s. I'm getting a hug as well. I'll take it | :50:47. | :50:54. | |
where I can get it. I don't mind a sweaty hug. They need more than | :50:55. | :50:58. | |
faith to get them to the final. They need your votes. Call to vote: Or | :50:59. | :51:08. | |
vote online. We've reached the halfway point of | :51:09. | :51:12. | |
our sensational semifinal. Let's look at the leaderboard: | :51:13. | :51:24. | |
A high-scoring night tonight. Anything can happen in the next half | :51:25. | :51:30. | |
hour as all our couples are about to dance again. Here's a reminder of | :51:31. | :51:33. | |
their performances so far: What a night. Remember, don't vote | :51:34. | :53:12. | |
until later on. Round two coming up. It's time to welcome back Natalie | :53:13. | :53:19. | |
and her partner Artem. Now before they perform their final | :53:20. | :53:23. | |
dance of the evening, here's what the judges think Natalie and Artem | :53:24. | :53:25. | |
need to do to get to the final. Natalie constantly comes out with | :53:26. | :53:43. | |
great performances. As a dance, corking. Technically, she has been | :53:44. | :53:47. | |
absolutely brilliant. Have a look at this. I was pal p Tating, % | :53:48. | :53:58. | |
operating and -- persperating and flatulating. That was gorgeous. You | :53:59. | :54:02. | |
tend to be perfect, you tend to be predictable. Sho has to do something | :54:03. | :54:07. | |
we don't expect. Lacked a little bit of drama. For Natalie, she's relied | :54:08. | :54:13. | |
on her technique. It is so leer cull and -- lyrical and beautiful to | :54:14. | :54:16. | |
watch. But all the dances become the same, especially the ballroom for | :54:17. | :54:23. | |
me. For me, too much whooshing and not enough foxtrotting. Semifinal | :54:24. | :54:27. | |
and the stakes are high. I want her to come out and really show me the | :54:28. | :54:36. | |
real Natalie. Has Natalie plateaued? Argentine tango, Natalie and Artem, | :54:37. | :54:40. | |
that should be right up her street. If Natalie can really get into the | :54:41. | :54:45. | |
character of the Argentine tango, it's going to be fantastic. Craig, | :54:46. | :54:51. | |
you might have to dust off your ten darling. Don't hold your breath. My | :54:52. | :54:56. | |
biggest challenge is bringing a sense of intimacy to the dance. I | :54:57. | :55:00. | |
have to dance as if Artem is the only one there. Taking Argentine | :55:01. | :55:07. | |
tango to a semifinal is not an easy task. It has to be pretty perfect. | :55:08. | :55:16. | |
You only -- you're only as good as your last performance. That's got to | :55:17. | :55:20. | |
come across on screen as well. If it doesn't, it could be the end of the | :55:21. | :55:22. | |
road. Dancing the Argentine Tango, | :55:23. | :55:28. | |
Nataalie Gumede and Artem Chigvintsev. | :55:29. | :55:32. | |
CHEERING AND APPLAUSE They're up again. They're with us | :55:33. | :57:24. | |
now. They're not tired any more. That was lovely. The red devil, I'll | :57:25. | :57:34. | |
call you. Wasn't that beautiful. Incredible. What astonishes me is | :57:35. | :57:37. | |
the precision, the placement, the line, it was almost like watching a | :57:38. | :57:42. | |
surgical operation, everything was right on the spot. The beauty of the | :57:43. | :57:49. | |
lines was mesmerising. The intensity of your rapport with Artem that you | :57:50. | :57:53. | |
started in the first half of the show continued, in another way, that | :57:54. | :57:58. | |
I found absolutely voluming and beautiful to see. -- involving and | :57:59. | :58:10. | |
butying to see. -- beautiful to see. Craig? I agree, actually. The | :58:11. | :58:18. | |
gaunchos need to be looser. This dance needs to look improvised. It | :58:19. | :58:22. | |
should look like Artem is leading you. I felt that you were taking the | :58:23. | :58:29. | |
lead sometimes. And your feet need to pass through one another. They | :58:30. | :58:35. | |
have to come together when you do the ochos as well. Tiny details, but | :58:36. | :58:42. | |
what a dance routine! Darcey, what did you think? The expertise of | :58:43. | :58:49. | |
difficulty could not be better. It is an extraordinary dance you gave | :58:50. | :58:53. | |
us. I would only like a little more attitude in your character. It was | :58:54. | :58:57. | |
very sensual for an Argentine tango. I would like you to be a little | :58:58. | :59:01. | |
more, you know, come on, give it more, babe. You did it in those last | :59:02. | :59:08. | |
three moves, you gave it again another perfect end. The finish was | :59:09. | :59:20. | |
fantastic. Len? Dance is like fire, some dances should warm, Argentine | :59:21. | :59:26. | |
tango should burn. I'm telling you, you sizzled out there, girl! You're | :59:27. | :59:36. | |
a sizzler. Get up there, sizzler, take him with you. | :59:37. | :59:40. | |
you? This whole experience has been so magical and I've never felt so | :59:41. | :00:18. | |
alive. Thank you so everyone who's supported us. We've been thrilled to | :00:19. | :00:24. | |
perform for you. The scores are in: | :00:25. | :00:46. | |
Bringing the 10s. What about these scores tonight? What about the | :00:47. | :00:52. | |
standard of dancing. Are these two your king and queen of the dance | :00:53. | :00:55. | |
floor? Check you have the numbers and vote: Or vote online as soon as | :00:56. | :01:05. | |
everybody has danced. The atmosphere in the ballroom tonight is reck | :01:06. | :01:10. | |
trick. If you can't get enough -- electric, if you can't get enough go | :01:11. | :01:17. | |
to Twitter, Facebook for more. Patrick and Anya are next. | :01:18. | :01:26. | |
Now then, it has been a series of ups and downs for Patrick. Last week | :01:27. | :01:31. | |
saw him topping the leaderboard and then ending up in the dance-off. The | :01:32. | :01:35. | |
second time, by the way, in the dance-off. So tonight, can they win | :01:36. | :01:40. | |
over the public as well as the judges? Here's what the judges think | :01:41. | :01:50. | |
about Patrick and Anya. Patrick most certainly has been our | :01:51. | :01:54. | |
best male celebrity. He had natural rhythm from the beginning, but he | :01:55. | :01:59. | |
didn't know how to contain it. He's nifty for 50. His energy is that of | :02:00. | :02:04. | |
a 20-year-old. The last few weeks he's come to life. He started and a | :02:05. | :02:07. | |
little bit faltering. He started rough. He used to get it all wrong. | :02:08. | :02:11. | |
If you make a mistake, keep the flow. Then the bad hand. In the | :02:12. | :02:16. | |
dance-off. After that, something happened. That was the quickstep. | :02:17. | :02:21. | |
Beautiful. He just changed. The energy was phenomenal. I loved the | :02:22. | :02:26. | |
theatricality of the whole thing. I think he knew what his strength was. | :02:27. | :02:32. | |
He gets the character of the dance. Chitty Chitty Bang Bang was an | :02:33. | :02:36. | |
example. Was amazing. He took a classic and made it his own. A lot | :02:37. | :02:40. | |
of it is about the detail. That's the key to whoever wins Strictly | :02:41. | :02:45. | |
Come Dancing. Let's hope it continues and it gets even better. | :02:46. | :02:49. | |
It's semifinal, everyone's got to up their game. In ballroom, he needs to | :02:50. | :02:57. | |
refine. In hold he looked down a bit. His Latin is fantastic. My | :02:58. | :03:02. | |
expectations are very high. My only concern with the paso doble is that | :03:03. | :03:06. | |
one of Patrick's secrets is his rhythm and paso doble is more of a | :03:07. | :03:10. | |
march. You don't want hip action. If he can pull that off, Patrick the | :03:11. | :03:17. | |
matador, woo-hoo. He doesn't we won't see him in the final. This has | :03:18. | :03:24. | |
the attitude of the mad tore and -- matador and has strength. It's very | :03:25. | :03:28. | |
definite. I just have to focus to get it right. A very serious week | :03:29. | :03:34. | |
because it's semifinals. This is a serious dance. We need to pull | :03:35. | :03:38. | |
everything together to give the best possible dance. Having worked so | :03:39. | :03:41. | |
hard for three months, it would be a real shame not to get into the | :03:42. | :03:48. | |
final. Yeah, I'd be gutted. Dancing the Paso Doble, Patrick | :03:49. | :03:50. | |
Robinson and Anya Garnis. And again, how many are we going to | :03:51. | :05:53. | |
have tonight? Even upstairs. My friends are there. Well done both of | :05:54. | :05:57. | |
you. Craig would you like to start us off? Yes, well, it had control | :05:58. | :06:04. | |
and it had command. But it didn't have a Spanish feel at all. It was | :06:05. | :06:10. | |
very square and I think the dance actually exposed your weaknesses. | :06:11. | :06:21. | |
Walking seemed to be a problem. It was the walking that was very odd. | :06:22. | :06:26. | |
That's the first thing that you need to correct. The attitude. Darcey? I | :06:27. | :06:31. | |
was waiting for you to turn it on as well. There was attack there, but | :06:32. | :06:38. | |
there was no grrr. Anya I felt that you were leading him. That shape, | :06:39. | :06:42. | |
it's so important in a paso to create shape and tuck that bum | :06:43. | :06:47. | |
under. I was missing that. It's very tricky for me. I know it's tricky, | :06:48. | :06:53. | |
you have a nice bottom. You have to tuck it under. Not your best dance. | :06:54. | :06:59. | |
I accept that absolutely. A shame. Len? I saw arrogance and attitude | :07:00. | :07:03. | |
coming out there, but it was a bit... Yay. But it was a bit off and | :07:04. | :07:11. | |
on. But it didn't maintain it. However, I thought that the whole | :07:12. | :07:18. | |
dance was full of verve, energy. OK, more shaping, but I liked it. Good | :07:19. | :07:21. | |
job. He liked it. Bruno? You had great | :07:22. | :07:27. | |
power, great determination. You led very, very well. You played with | :07:28. | :07:31. | |
your cape. The thing is what happens in this circumstance, you want it so | :07:32. | :07:36. | |
badly that what happens you lose the finesse, you lose the Spanish line. | :07:37. | :07:40. | |
You lose the details that at this stage are very, very important. The | :07:41. | :07:44. | |
performance was very, very good. The content was there. It needed a | :07:45. | :07:48. | |
little bit more artistry. But overall, it wasn't bad, my darling. | :07:49. | :07:56. | |
We all loved it. They all stood up. Don't forget that Patrick. | :07:57. | :08:00. | |
Mixed response from the judges there. But the audience loved it. | :08:01. | :08:13. | |
They were on their feet. How due feel? I felt pretty good. It's gone | :08:14. | :08:17. | |
better in rehearsals, about you pretty good. Do you think you've | :08:18. | :08:22. | |
done enough to get to the final? Who knows the secret of the black magic | :08:23. | :08:27. | |
box. If you get there, will you give us some of your spectacular lifts in | :08:28. | :08:33. | |
the show dance? You're the lift meister? I don't know about that. | :08:34. | :08:40. | |
Yes, yes, you will. Yes. Anya says so. The scores are in: | :08:41. | :09:02. | |
Let's hope everyone feels the same as Craig getting booed. Ring to | :09:03. | :09:10. | |
vote: Or vote online later, if you think Patrick and Anya deserve the | :09:11. | :09:14. | |
extra push into the Grand Final. Three more couples left and then the | :09:15. | :09:19. | |
vote opens. I'm so excited. Just can't hide it. What does our | :09:20. | :09:23. | |
next couple have in store? Next to dance again are Sophie and | :09:24. | :09:33. | |
her partner Brendan. From week one, Sophie has excelled | :09:34. | :09:40. | |
in the ballroom dances. So she must be hoping to impress with her next | :09:41. | :09:44. | |
dance the American smooth. Here's what the judges had to say about | :09:45. | :09:54. | |
Sophie and Brendan's Strictly story. For me, Sophie - clean, clear, | :09:55. | :10:00. | |
precise. I think she's one of the most naturally elegant competitors | :10:01. | :10:05. | |
we've ever had. Her charleston was beautiful. We expected so much | :10:06. | :10:10. | |
because of that show she did. I think that's the key. That | :10:11. | :10:13. | |
charleston was a blessing and a curse. Our expectation flew. When | :10:14. | :10:18. | |
she finds the character of the role, she's brilliant. When she's not sure | :10:19. | :10:22. | |
of the character, it really holds her back. I would like a little bit | :10:23. | :10:26. | |
more passion coming out in it. And getting a little bit more involved | :10:27. | :10:32. | |
in the dance. When she has to go beyond the comfort zone, she starts | :10:33. | :10:37. | |
to almost giggle. In the rumba, she started to giggle and go, "What am I | :10:38. | :10:43. | |
doing? No, you can't do that. She's introverted in her emotions somehow. | :10:44. | :10:47. | |
I know it's there, but it doesn't come out. I want to see Sophie | :10:48. | :10:52. | |
explode on that dance floor. There's so much more in you. Get out there | :10:53. | :10:56. | |
and attack it. She's got the looks. She needs the power. Can I tell you | :10:57. | :11:02. | |
what her biggest competition is? It's herself. Convincing herself | :11:03. | :11:06. | |
that she's a good dancer. We have know she's good. She doesn't think | :11:07. | :11:10. | |
she is. American smooth and Sophie could be stunning. American smooth | :11:11. | :11:16. | |
is a class dance. If she can get that Hollywood flavour, there she | :11:17. | :11:19. | |
goes straight in the final. The only thing that Sophie will fail is her | :11:20. | :11:22. | |
consistency all the way through. It's making sure that she's focussed | :11:23. | :11:26. | |
from the beginning to the end. If she doesn't do that, I don't see her | :11:27. | :11:30. | |
going through. I think this American smooth needs to be a real showpiece. | :11:31. | :11:36. | |
We have a few lifts. The trouble is if that goes wrong, and it hurts, | :11:37. | :11:39. | |
you're suddenly aware of the consequences. Now we're in the | :11:40. | :11:43. | |
semifinal, you're aiming for perfection. I know I will give it | :11:44. | :11:47. | |
all I have got on the dance floor because I would love to be part of | :11:48. | :11:51. | |
the final. Dancing the American Smooth, Sophie | :11:52. | :11:52. | |
Ellis Bextor and Brendan Cole. MUSIC: They Can't Take That Away | :11:53. | :11:57. | |
From Me CHEERING AND APPLAUSE | :11:58. | :13:48. | |
They don't stay sitting for long. Wonderful, absolutely. You did it. | :13:49. | :13:56. | |
Brendan, coming down reminded me of me in the morning. | :13:57. | :14:02. | |
Darcey? This is your dance. I mean, those three lifts, from the top, the | :14:03. | :14:06. | |
middle and then the bottom, it was so graceful. You came in and out of | :14:07. | :14:11. | |
them seamlessly. That is so classy. Yet again, you ooze sophisticated | :14:12. | :14:19. | |
glamour. I loved that performance, well done. Len? Loved the lifts. I | :14:20. | :14:24. | |
loved the musical interpretation. I loved the whole feel of the dance | :14:25. | :14:28. | |
throughout, from those lifts right through, it had a beautiful flow to | :14:29. | :14:33. | |
it. There was an elegance and sophistication. A couple of times | :14:34. | :14:38. | |
your head went a little bit how's your father, sorry Brendan. But I'm | :14:39. | :14:44. | |
not going to lie to millions of people. No. That's what happened. | :14:45. | :14:54. | |
Pretend if you want. It was beautiful. So much style. So | :14:55. | :15:05. | |
impeccable. For me, your best performance to date. You can do it. | :15:06. | :15:16. | |
You did it. Craig? The only thing that bothered me that -- bothered me | :15:17. | :15:20. | |
in that routine is that you came out of hold. I don't feel you're holding | :15:21. | :15:24. | |
your own. I only feel confident when you're in Brendan's arms, sadly. But | :15:25. | :15:29. | |
it was a beautiful dance. Packed full of style, as Bruno said. Tell | :15:30. | :15:37. | |
yourself, you were wonderful. Such an elegant routine, wasn't it? | :15:38. | :15:54. | |
The judges loved the lifts. Did you feel you were floating on air? I | :15:55. | :15:58. | |
think the Strictly experience is made for dances like that. They feel | :15:59. | :16:02. | |
sublime. Gorgeous, Brendan, how proud are you? It's very hard to put | :16:03. | :16:08. | |
into words. Every week has been a delight and tonight, really tops off | :16:09. | :16:12. | |
a magical Strictly experience. The audience are fantastic. This girl is | :16:13. | :16:17. | |
fantastic too. Can she make it to the final? Yes. | :16:18. | :16:22. | |
Absolutely. Thank you, scores are in: | :16:23. | :16:45. | |
A ten. Her first ten. That's what it feels like, she says, long overdue. | :16:46. | :16:56. | |
Thank you to all of them. Sophie dreams of being in the final. Don't | :16:57. | :17:01. | |
take that from her. Ring to vote: Or go online and choose your favourite | :17:02. | :17:05. | |
when the vote opens later in the show. | :17:06. | :17:07. | |
It's been a night of high drama and high scores. Who's next? | :17:08. | :17:13. | |
Next to dance again are Susanna and her partner Kevin. | :17:14. | :17:20. | |
It's been a series of two halves for this couple. Their paso doble in | :17:21. | :17:28. | |
Blackpool brought the house down. Topped the judges' scores, but last | :17:29. | :17:33. | |
week's Argentine tango saw them at the bottom of the leaderboard. | :17:34. | :17:36. | |
Here's what the judges think they need to do to make it through to the | :17:37. | :17:44. | |
final. For me, Susanna is what this show is | :17:45. | :17:48. | |
all about. She's gone from reading the news to being the news on the | :17:49. | :17:53. | |
dance floor. No-one expected her to have that kind of natural ability to | :17:54. | :17:58. | |
connect, to play different parts. What I loved was her paso doble. It | :17:59. | :18:07. | |
was like a buffet of Spanish tapas. She sold that number. She dominated. | :18:08. | :18:12. | |
She was on top of the occasion. She is a bit of an all-rounder. Her | :18:13. | :18:17. | |
waltz was beautiful. Susanna struggles with parts of Latin, for | :18:18. | :18:23. | |
instance her cha cha cha. It did not pop or zing. It was mumsy. | :18:24. | :18:27. | |
Throughout the series there's always some dance that's don't suit you. It | :18:28. | :18:34. | |
was the hip action, it didn't have that natural, easy flow to it. | :18:35. | :18:38. | |
Sometimes they underdo it or overpush it. It was the first one | :18:39. | :18:43. | |
she didn't look comfortable in. The performances are always endearing. | :18:44. | :18:48. | |
It's the finishing of the movement. She's close. It's little details | :18:49. | :18:54. | |
here. If they get kicked out in the semifinal, devastated. I'm a little | :18:55. | :18:58. | |
concerned for Susanna. Salsa is a club dance. She has to come out and | :18:59. | :19:01. | |
really sizzle. They need to get this dance right, other-wise I'm afraid | :19:02. | :19:06. | |
it's game over. The salsa is a tough dance to | :19:07. | :19:09. | |
impress the dances with in the semifinals, lots of hip movement. | :19:10. | :19:14. | |
And there's complicated steps and lifts. It's quite a challenge doing | :19:15. | :19:19. | |
it in the semifinal. It can be here, but we don't want it to be here and | :19:20. | :19:24. | |
present it. Whereas we got criticised in samba for being muddy, | :19:25. | :19:28. | |
that's quite good in salsa. It's the difference between getting to the | :19:29. | :19:31. | |
final and going home. We have to bring everything we've got to the | :19:32. | :19:32. | |
dance floor. Dancing the Salsa, Susanna Reid and | :19:33. | :19:36. | |
Kevin Clifton. Here they are, Susanna and Kevin, a | :19:37. | :21:39. | |
lovely performance. Well done. Have you shaved your chest yet? I | :21:40. | :21:45. | |
have. Oh, you have. I always found a blowtorch was the best way. It looks | :21:46. | :21:48. | |
great. Len, what did you think? Full of | :21:49. | :21:52. | |
energy. There was no holding back. It was all or nothing. The final or | :21:53. | :21:58. | |
bust. With all that intensity, all that attack, on occasion it got a | :21:59. | :22:05. | |
tad messy here and there. But, it is what it is. You come out here and I | :22:06. | :22:11. | |
can really see you want to make it to that final. You work so hard. You | :22:12. | :22:16. | |
throw everything you've got into it. You sell it beautifully. I'm with | :22:17. | :22:20. | |
you with that. But it is the semifinal. Len is right, the | :22:21. | :22:24. | |
movement because you put so much into it, becomes a bit messy, you | :22:25. | :22:29. | |
don't finish properly. We told you before, precision. We love the | :22:30. | :22:32. | |
energy. Precision, precision, precision! These are the salsa girls | :22:33. | :22:36. | |
I like dancing with though. Craig? Darling, if I had a pound for | :22:37. | :22:48. | |
every facial expression you made, I'd be a multimillionaire. I could | :22:49. | :22:53. | |
make you a rich man, Craig. Exactly. A little bit heavy foot for me and | :22:54. | :23:03. | |
messy. Vivacious, darling. And Darcey, darling? For me, you looked | :23:04. | :23:09. | |
so much more relaxed and natural in the Latin, I haven't seen that. | :23:10. | :23:14. | |
That, you gave us tonight, 100% disco energy. The leg action is | :23:15. | :23:20. | |
something that comes in and out. But still full on. And we all loved it. | :23:21. | :23:27. | |
I loved dancing it. Off you go. | :23:28. | :23:30. | |
Still she shimmies. I love that. I know the Latin hasn't been your | :23:31. | :23:46. | |
favourite. But I've never seen you have so much fun. Did it feel good? | :23:47. | :23:53. | |
It felt ridiculously, fantastically good fun. To add to a muddy samba, I | :23:54. | :24:00. | |
can say I've done a messy salsa. Now all the judges agreed that you | :24:01. | :24:04. | |
threw everything into that. What would it mean to get through to the | :24:05. | :24:09. | |
final? It would be phenomenal. It really would. I mean, I just adore | :24:10. | :24:13. | |
dancing with Kevin. It's a total privilege and an honour. It has been | :24:14. | :24:21. | |
an incredible privilege to dance not once, but twice with you. Thanks | :24:22. | :24:25. | |
very much. And he shaved the chest for you. | :24:26. | :24:31. | |
My children are watching. Judges please, scores: | :24:32. | :24:48. | |
That's all right. Not your best or your worst. The That's what the | :24:49. | :25:01. | |
judges thought. Call to vote: Or vote online. That vote opens very | :25:02. | :25:06. | |
soon. We have just one couple left to take to the floor and dance for | :25:07. | :25:10. | |
their place in the Grand Final. Ladies and gentleman, are you ready? | :25:11. | :25:16. | |
CHEERING Take it away. | :25:17. | :25:22. | |
Back for their second dance it's our final couple of the evening, Abbey | :25:23. | :25:30. | |
and Aljaz. It's been a series of highs and lows | :25:31. | :25:35. | |
for all our couples. Abbey is no exception. She was the first | :25:36. | :25:40. | |
celebrity to score a perfect 40, but has also been in the dance-off. Now | :25:41. | :25:45. | |
before they dance, here's what the judges think about Abbey and Aljaz. | :25:46. | :25:54. | |
At the beginning, Abbey lacked a bit of consistency. She used to throw | :25:55. | :25:59. | |
away her moves. She wasn't aware of her body. She couldn't sort out her | :26:00. | :26:03. | |
left foot from her right foot. In the ballroom, she's elegant and you | :26:04. | :26:07. | |
kind of get that straight away. It really showed first in the Latin how | :26:08. | :26:12. | |
her confidence failed. She suddenly is nervous and uncomfortable. It | :26:13. | :26:15. | |
took a while for her to believe in herself. You can see a progression. | :26:16. | :26:21. | |
It's always happening. Every week, it's better. Every week, the | :26:22. | :26:25. | |
performance is stronger. She has gone from absolute zero to hero as | :26:26. | :26:32. | |
far as I'm concerned. That salsa, absolutely knocked us for dead. That | :26:33. | :26:44. | |
was great. Mesmerising. A-maz-ing. That girl can dance. Dusted off my | :26:45. | :26:49. | |
ten for Abbey. I'm hoping that she maintains that standard. Maintaining | :26:50. | :26:56. | |
the A game. If she loses it for a second then mistakes happen. It's a | :26:57. | :27:02. | |
bit like walking a tight rope, one false move and you're out. American | :27:03. | :27:08. | |
smooth, it's perfect for her. Fluent, ease of movement, little bit | :27:09. | :27:14. | |
in hold. Oh, come on Abbey. Don't let me down. Abbey's nerves could be | :27:15. | :27:19. | |
her downfall. We know she's had problems in the past. This is the | :27:20. | :27:23. | |
semifinal. Let's hope Abbey's nerves don't take over like they have in | :27:24. | :27:27. | |
the past. I'm so excited to do the American | :27:28. | :27:32. | |
smooth. I have been for the whole series. We're struggling a bit with | :27:33. | :27:36. | |
timing. It needs to look perfect. It's the semifinal, the judges are | :27:37. | :27:42. | |
not going to let us get away with anything. The thought of it coming | :27:43. | :27:46. | |
to an end breaks my heart. I'm still not ready to go. I don't want it to | :27:47. | :27:50. | |
end. Dancing the American Smooth, Abbey | :27:51. | :27:51. | |
Clancy and Aljaz Skorjanec. CHEERING AND APPLAUSE | :27:52. | :29:53. | |
Same again, two standing ovations. It was lovely, darling. Absolutely | :29:54. | :30:00. | |
lovely. Now then, Bruno? Another totally captivating performance from | :30:01. | :30:08. | |
you two. I tell you, you've got the full package - signed, sealed, | :30:09. | :30:15. | |
delivered, I'm yours! I wouldn't take that too seriously. | :30:16. | :30:23. | |
Don't be naughty. Go and have a lie down. | :30:24. | :30:32. | |
Craig? Yeah, it was full of charisma. You really have an | :30:33. | :30:36. | |
enormous amount of style. You're so watchable. I adore watching you | :30:37. | :30:43. | |
dance. There is a small point, darling, of your sickled feet in the | :30:44. | :30:47. | |
lifts, which you need to sort out. Apart from that. Nobody saw it, but | :30:48. | :30:54. | |
you. Darcey? I saw it as well. But really, you are high school musical | :30:55. | :30:58. | |
glamour, babe. Really, it was stunning. You came out there and you | :30:59. | :31:02. | |
sold it to me. You are a natural finalist. Just don't sickle the foot | :31:03. | :31:06. | |
in the lifts, all right? Perfect, though. | :31:07. | :31:12. | |
She's a natural dancer. What did you think? I'll see you next week in the | :31:13. | :31:18. | |
final. Don't let him down. | :31:19. | :31:23. | |
It was wonderful. Two standing ovations. Off you go. | :31:24. | :31:28. | |
What a way to end the show. Our prom king and queen. How was that for | :31:29. | :31:45. | |
you? It was amazing. I loved that dance. She was looking forward to | :31:46. | :31:49. | |
the American smooth. But still wafting up here on cloud nine. Len | :31:50. | :31:53. | |
and Darcey said they're going to see you in the final. How much do you | :31:54. | :31:57. | |
want to be there? I'm desperate to be in the final. I don't want it to | :31:58. | :32:01. | |
end. It's been the most amazing, amazing experience of my life. How | :32:02. | :32:05. | |
proud are you of abbey to get this far? There's no words to describe | :32:06. | :32:11. | |
it. Every week she delivers a million per cent and never lets me | :32:12. | :32:15. | |
down. I'm so proud, so happy. Proud are you of Aljaz, his first series | :32:16. | :32:20. | |
in the semifinal. I know! He's amazing. It's a love-in. The scores | :32:21. | :32:22. | |
are in: It's raining 10s. Congratulations. | :32:23. | :32:51. | |
That's it, our prom king and queen have danced all they can. Now it's | :32:52. | :32:55. | |
up to you to get them through to the final. Call to vote: Or go online. | :32:56. | :33:03. | |
The vote opens in a few seconds. Get ready, all of our couples have | :33:04. | :33:08. | |
performed two amazing routines. Where does that leave them on the | :33:09. | :33:09. | |
leaderboard? Those points are only half of the | :33:10. | :33:27. | |
story. Remember, you are voting for your Strictly Come Dancing 2013 | :33:28. | :33:30. | |
finalists. So pick up the phone and go online, voting is now open. | :33:31. | :33:35. | |
CHEERING It's open. | :33:36. | :33:46. | |
Full terms and conditions are online. Lines close at 8. 55pm. | :33:47. | :33:52. | |
Here's a reminder of all of tonight's show stopping | :33:53. | :33:54. | |
performances. What a night! You fantastic | :33:55. | :36:52. | |
semifinalists have lived the Strictly life for three months and | :36:53. | :36:55. | |
none of them want to go home when they're so close to the Glitterball | :36:56. | :37:02. | |
trophy. To fall at the final hurdle would be heart breaking. It's | :37:03. | :37:11. | |
hideous, oh, man. I can't stand it. You do feel very exposed. Just | :37:12. | :37:22. | |
desperate to hear your name. You're flooded with relief. That hug, after | :37:23. | :37:27. | |
you know you're through, is the best hug of the night. I'm still not | :37:28. | :37:34. | |
ready to go. You're hoping that you've done enough. We don't want it | :37:35. | :37:39. | |
to end. We'd be devastated. I'd be gutted. | :37:40. | :37:45. | |
Brucie, what a night. Nobody wants to leave. Your votes could save | :37:46. | :37:50. | |
them. Voting closes at 8. 55pm. Didn't they do well. Yes. A | :37:51. | :37:56. | |
semifinal to remember. All five of our couples deserve to be in the | :37:57. | :38:01. | |
final. You really do, you all deserve it. Sadly, only four of them | :38:02. | :38:05. | |
can make it. Your votes will help decide who makes it into the Grand | :38:06. | :38:10. | |
Final. Join Tess and Claudia to find out which two couples will face our | :38:11. | :38:15. | |
final dance-off in the Results Show tomorrow night at the earlier time | :38:16. | :38:19. | |
of 7pm. Be there! We've got the World | :38:20. | :38:27. | |
Exhibition Dance Champions and Celine Dion will be performing. How | :38:28. | :38:30. | |
nice. That's tomorrow night. Concentrate. In the meantime, keep | :38:31. | :38:37. | |
dancing! | :38:38. | :38:44. |