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Ballroom battle to stay in Strictly. And of course, our fabulous four | :04:12. | :04:19. | |
judges have had the hideous task of deciding who stays and who goes. | :04:19. | :04:24. | |
Please welcome cig, Darcey, Len and Bruno. | :04:24. | :04:27. | |
APPLAUSE sitting pretty. Also on the show | :04:27. | :04:31. | |
tonight, there's a brand new leader of the rat pack, Matt Goss will | :04:31. | :04:37. | |
perform his latest single. Yes. And I'll be sharing the best moments of | :04:37. | :04:41. | |
this week's dancing with the judges and the return of Len's lens. I have | :04:41. | :04:47. | |
missed that. Very soon we'll find out who will be the first couple in | :04:47. | :04:51. | |
the dance-off. But first here's what happened on Saturday's show both on | :04:51. | :05:00. | |
and off the dancefloor. It was good. D. The idea someone is leading is | :05:00. | :05:04. | |
really, really scary. At the moment, I'm going for waves of terror and | :05:04. | :05:10. | |
total excitement. There's a hundred ways to mess up and one way to get | :05:10. | :05:16. | |
it right. Help me! Not long before we go live. It's all very exciting. | :05:16. | :05:22. | |
I can see the nerves brewing. You have seven minute, ladies and gents. | :05:22. | :05:30. | |
We're coming. Have a good guy. She looks gorgeous. Out with anger. In | :05:30. | :05:36. | |
with love. I have lost Anton. He's my security blanket. Scared. Ten | :05:36. | :05:42. | |
seconds - nines eight, seven, six... Time to strut. Show time. Three, | :05:42. | :05:47. | |
two, one. I think you put the "go" in tango | :05:47. | :05:53. | |
there. I think you should give up your day job. You've got it. Eight. | :05:53. | :06:04. | |
Well done, you. The most exciting thing about that was the jump. At | :06:04. | :06:09. | |
69, to come out and dance, I commend you for that. Two. A lot of hard | :06:09. | :06:17. | |
work for 13 points. I know that. . I loved the use of the skirt. You did | :06:17. | :06:23. | |
that with absolute ease. I love the feel of it. It had a grace and an | :06:23. | :06:27. | |
elegance about it. You're going to be one to watch, wonderful work. How | :06:27. | :06:34. | |
do you like... You have certainly tamed that excitement. You have | :06:34. | :06:38. | |
found some control. The lift, I thought, was a little bit | :06:38. | :06:43. | |
lumberjack-ish. I get more excited about watching you than anyone. You | :06:43. | :06:49. | |
won't be beaten for ages. You'll be hanging around for weeks. | :06:49. | :06:53. | |
APPLAUSE I thought that had a fantastic | :06:53. | :06:57. | |
attack. Your timing is impeccable. I would say high five. High five. | :06:57. | :07:04. | |
Dragon versus drag Queen, darling. Be careful. So much better, my | :07:04. | :07:11. | |
darling. You get my respect totally, tell you. It's not the highest | :07:11. | :07:17. | |
score, but I am so chuffed. You were like a slug in salt, actually. | :07:17. | :07:22. | |
That's just horrible. Lots of sugar but not a lot of spice. It's like | :07:22. | :07:27. | |
watching a gorgeous rag doll at the mercy of the elements. | :07:27. | :07:30. | |
LAUGHTER You're connected. You feel the | :07:30. | :07:33. | |
music, and by doing, so you're moving better. A huge difference | :07:33. | :07:40. | |
from last week. 23 points is a big improvement on last week. You didn't | :07:40. | :07:51. | |
quite work out the way it should go. Not quite your best. Better than | :07:51. | :07:56. | |
last week? No. Five. Can't keep everybody happy. No. Fiona, no need | :07:56. | :08:02. | |
to beg. You just need to dance, my darling. I thought you were having | :08:02. | :08:07. | |
good up until the point you kicked him in the shin. It shows you have | :08:07. | :08:12. | |
it in you. You've just got to focus more. Absolutely loved that. Through | :08:12. | :08:19. | |
the darkest clouds, a ray of sunshine appears. | :08:19. | :08:24. | |
Heavily juiced with character, and that's what makes it live. | :08:24. | :08:31. | |
Wow! The Charleston is made for you. Beautifully done - full stop. Nine. | :08:32. | :08:45. | |
Nine. Nine. Getting nines is pretty amazing. You were stunning. You look | :08:45. | :08:50. | |
magnificent, but you don't move much. | :08:50. | :08:52. | |
I would just like to see a little bit more connection between you two, | :08:52. | :08:57. | |
but a great improvement. It's improvement. I am happy with that. | :08:57. | :09:05. | |
It's so good. So good! Very, very enjoyable. You're a good dancer, | :09:05. | :09:15. | |
Abbey, you are. High five. I am absolutely amazed. There was so much | :09:15. | :09:26. | |
content in there. So impressive. You put the oo in smooth. Oh, oh, oh! | :09:26. | :09:38. | |
What a night! Sophie, four 9s on week two - that was something | :09:38. | :09:41. | |
special. The thing is on this show, you've got to just do your best, and | :09:41. | :09:45. | |
that's what Tony Jacklin did. He came out, and he gave it all he | :09:45. | :09:50. | |
could. Strictly's back. What a show. I am loving it. That was last night. | :09:50. | :09:59. | |
This is right now - 15 stars of dance to keep their place in the | :09:59. | :10:02. | |
competition, but who will survive, and who will find themselves in the | :10:02. | :10:04. | |
dance-off? The results are in. . In no particular order, the first | :10:04. | :10:17. | |
couple safely through to next week is - | :10:17. | :10:29. | |
Deborah and Robin. Ooh! APPLAUSE | :10:29. | :10:59. | |
Ben and Kristina. Oh, my God, yes! Yes! | :10:59. | :11:45. | |
Returning to the dancefloor next Saturday are: | :11:45. | :12:27. | |
Mark and Eva Gilly. -- Eveta. APPLAUSE | :12:27. | :12:35. | |
And now the first couple who must fight for survival in the dance-off | :12:35. | :12:40. | |
is: It's Tony and Aliona. Tony and | :12:40. | :12:57. | |
Aliona, please come down. For the rest of you, I'm afraid you'll have | :12:57. | :13:03. | |
to wait to a little longer to discover your fate. Oh, Tony. Sorry. | :13:03. | :13:10. | |
to wait to a little longer to Come on. Len, our first couple here | :13:10. | :13:13. | |
in the dance-off. Are you surprised to see him here? Listen, I am | :13:13. | :13:17. | |
surprised to a degree because, you know, what I like about the way we | :13:17. | :13:22. | |
vote is that the public usually go for the underdogs, andal all my | :13:22. | :13:27. | |
mates up my golf club would be voting for you but well done anyway. | :13:27. | :13:31. | |
I think you done terrific to get up there and have the nerve to come out | :13:31. | :13:36. | |
and give it a go. And do a Charleston in week two. Tony, it has | :13:36. | :13:39. | |
been a tough couple of weeks for you. How are you feeling now to be | :13:39. | :13:43. | |
in the dance-off? It was into the unknown earlier on. At least now I | :13:43. | :13:48. | |
know what I'm trying to achieve. I just feel a little calmer than I did | :13:48. | :13:52. | |
know what I'm trying to achieve. I earlier for some reason. I don't | :13:52. | :13:57. | |
know why. Calmer! Well, it's not over yet, Tony. Use that use the new | :13:57. | :14:02. | |
calm. Craig, you said Tony's Charleston was limp, lame and lacked | :14:02. | :14:06. | |
lustre. What does he need to do in the dance-off to improve? Well, | :14:06. | :14:10. | |
everything opposite those adjectives, quite frankly. It needs | :14:10. | :14:12. | |
everything opposite those to be full of character, be full of | :14:12. | :14:17. | |
energy. I think you need to go out there, go mad. You have nothing to | :14:17. | :14:22. | |
lose - well, except the competition. Thank you, judges, I think. Tony, | :14:22. | :14:27. | |
you're going to go for it, right? Going to dry. Go on, give it some wp | :14:27. | :14:33. | |
wellie. APPLAUSE | :14:33. | :14:35. | |
Over to you. Thank you. I have six delirious | :14:35. | :14:39. | |
dancers. You all survived. Congratulations. | :14:40. | :14:41. | |
APPLAUSE I have to say, when you came up here | :14:41. | :14:45. | |
- the first thing you said to me was, "That was hideous." Hideous, | :14:45. | :14:48. | |
yes. Debra, you have won best face was, "That was hideous." Hideous, | :14:48. | :14:53. | |
under the spotlight. When they said your name, you looked - genuinely I | :14:53. | :14:59. | |
think there has been a mistake. Are you over the moon? I can't believe I | :14:59. | :15:04. | |
am on Strictly. The fact that I'm here! You're still here. Were you | :15:04. | :15:06. | |
am on Strictly. The fact that I'm worried because the judges were a | :15:06. | :15:11. | |
bit harsh, Mark? Did you think it's going to be me? You do because | :15:12. | :15:15. | |
you're standing there and everything goes through your mind. That - | :15:15. | :15:20. | |
# Do, do, do, do # Does it sound like that? It is | :15:20. | :15:24. | |
hideous. I would like a show of hands. Who here remembers Bros? Yes! | :15:24. | :15:31. | |
Do you remember When Will I Be Famous? She was their biggest fan. I | :15:31. | :15:38. | |
have good news: Matt Goss is here singing that right now. | :15:38. | :15:49. | |
# Your body in the sun # Yes, you are | :15:49. | :16:05. | |
# You recognise # You keep asking the question | :16:06. | :16:11. | |
# What that you're not supposed to mention | :16:11. | :16:13. | |
# When will I # Will I be famous? | :16:13. | :16:24. | |
# When will I see my picture in the paper? | :16:24. | :16:26. | |
# I can't answer that, she said # She said | :16:26. | :16:28. | |
# When will I - # Will I be famous? | :16:28. | :16:32. | |
# When will I see my picture in the paper? | :16:32. | :16:37. | |
# I can't answer that # Oh, she's a slave to fashion | :16:37. | :16:47. | |
# Your life is full of passion # You've suffered for your art | :16:47. | :16:52. | |
# With the jogging in the park # You know you should go far | :16:52. | :16:54. | |
# But you keep asking the question # You know you should go far | :16:54. | :16:59. | |
# Oh, you're not supposed to mention # When will I - | :16:59. | :17:06. | |
# Will I be famous? # Oh, when will I see my picture in | :17:06. | :17:10. | |
the paper? # I can't answer that. | :17:10. | :17:16. | |
# Oh, when will I - will I be famous? ? Won't will I see my | :17:17. | :17:24. | |
picture in the paper? # I can't answer that. | :17:24. | :17:30. | |
# You won't suffer in silence # You're a talent | :17:30. | :17:32. | |
# You won't suffer in silence # You know that I've noticed | :17:32. | :17:47. | |
# You'd like to be a legend # Big star overnight | :17:47. | :17:51. | |
# Say, when will I # When will I be famous? | :17:52. | :17:59. | |
# When will I see my picture in the paper? | :17:59. | :18:09. | |
# When will I - will I be famous? # When will I see my picture in the | :18:09. | :18:16. | |
paper? # I can't answer that | :18:16. | :18:29. | |
# It's a game # Let's go, fellas. | :18:30. | :18:47. | |
Now, please bow your heads in remembrance as we welcome the | :18:47. | :19:10. | |
judges. -- reverence. Veriny, Bruno! | :19:11. | :19:15. | |
Welcome. Now, this is the moment when we welcome the fifth member, as | :19:15. | :19:22. | |
it were, of the judges. We can't do this section alone, let's not | :19:22. | :19:28. | |
forget. We need the guidance of Len's Lens. There it is. This is | :19:28. | :19:33. | |
where we look at the details, the tiny little nuggets. If you didn't | :19:33. | :19:36. | |
have enough time on Saturday night, this is where we can discuss it. Are | :19:36. | :19:41. | |
we up for it? Yes! Good. Clever boy. Right. Len, the first thing we're | :19:41. | :19:46. | |
going to discuss is Susana and Kevin, because you wanted to mention | :19:46. | :19:50. | |
- afterwards, you were very excited about their Viennese crosses. I did | :19:50. | :19:57. | |
indeed. Is that a cake? No, that's Viennese waltz. It's really a step | :19:57. | :20:02. | |
that came that dance and hence is called Viennese crosses. It's a step | :20:02. | :20:06. | |
to the left, a reverse turn, then the girl has to cross and close. | :20:06. | :20:10. | |
She's doing it beautifully. Normally, once you see it slowed | :20:10. | :20:12. | |
down to that degree, it's not quite Normally, once you see it slowed | :20:12. | :20:18. | |
perfect... Week two. It's week two. It's a very difficult step. There | :20:18. | :20:23. | |
was a lovely levelness about it. She wasn't bobbing up and down, and I | :20:23. | :20:27. | |
admired it. I liked it. Good. Let's clap. Yeah, let's clap. I would like | :20:27. | :20:35. | |
to talk to you about Natalie's beautiful - you said swan neck, | :20:35. | :20:38. | |
arms. Let's have a look at the clip. This is her Saturday night. Head | :20:38. | :20:46. | |
spins... That's extraordinary. To do it fast and get relaxed and such a | :20:46. | :20:51. | |
deep back, it's extraordinary. You gave them a nine. Normally you would | :20:51. | :20:56. | |
be much tenser, but it's so slow as well. What I loved about you, you | :20:56. | :21:01. | |
were fully involved Saturday night. You're not just watching and | :21:01. | :21:04. | |
enjoying. You were counting. No, counting. I remember that. Look at | :21:04. | :21:11. | |
you - like a strict boy, counting. I am very involved, you know, because | :21:11. | :21:15. | |
what I say has to make some sense in spite of what some people are | :21:15. | :21:19. | |
saying. I know exactly what I'm talking about. No, she was last | :21:19. | :21:23. | |
week, if you remember, she lost timing, and she got her feet in a | :21:23. | :21:27. | |
muddle. Tonight she worked very, very hard. I was counting all the | :21:27. | :21:31. | |
way through, and she was on time, which is a great achievement, and I | :21:31. | :21:36. | |
praised her for that. Good. I am clapping for that. Why not. I am in | :21:36. | :21:43. | |
love - I know you were - we're all falling in love. Look at his face. | :21:43. | :21:47. | |
I've just got some shots of his face. Look. Adorable. There he goes. | :21:47. | :21:51. | |
LAUGHTER There he goes - another one. He's | :21:51. | :21:58. | |
absolutely amazing. What's wonderful about Tim is his character and he's | :21:58. | :22:03. | |
a fantastic character. He sells. He sells anything he does full tilt. I | :22:03. | :22:06. | |
mean, you cannot really complain about that. Yes, final shot of the | :22:06. | :22:11. | |
night is how much you loved last night. This is you at the end where | :22:11. | :22:15. | |
normally you might be having a lie-down. You couldn't help | :22:15. | :22:18. | |
yourselves have a little dance. I am talking to you, Craig. Have a look | :22:18. | :22:23. | |
at you. Oh, dear. Swivel, swivel. Darcey, a couple of moves - | :22:23. | :22:29. | |
ooh-la-la. LAUGHTER | :22:29. | :22:31. | |
Thank you very much. Let's hear it for our judges. | :22:31. | :22:35. | |
APPLAUSE So far, six couples are through. Who | :22:35. | :22:39. | |
will be joining them, and who will be in that dreaded dance-off? Let's | :22:39. | :22:42. | |
will be joining them, and who will find out. Over to you, Tess. Thanks, | :22:42. | :22:47. | |
Claudia. Eight kurms are still waiting to learn their fate. One | :22:47. | :22:52. | |
will join Tony and Anya Gamis in the dance-off, but who will it be? It's | :22:53. | :22:58. | |
the moment of truth. In no particular order, safely through to | :22:58. | :23:00. | |
next week are: Ola Jordan and Ashley Taylor. | :23:00. | :23:19. | |
APPLAUSE Back to dance again next Saturday | :23:20. | :23:36. | |
are: Abbey Clancy and Ajaz Skorjanec. Also safe are: | :23:37. | :23:49. | |
Dave and Karen. Yeah! APPLAUSE | :23:49. | :24:02. | |
Returning next week will be - Rachel and Pasha. | :24:02. | :24:17. | |
APPLAUSE Surviving to next Saturday are: | :24:17. | :24:37. | |
Sophie and Brendan. APPLAUSE | :24:37. | :24:41. | |
That took forever! APPLAUSE | :24:41. | :24:56. | |
Also through are: Fiona and Anton. Woo-woo-woo-woo! | :24:56. | :25:09. | |
Oh, my God. Well done. So that means Vanessa and James, Julian and | :25:09. | :25:15. | |
Janett, one of you is safe, one in the dance-off. I can reveal the | :25:15. | :25:19. | |
bottom two tonight who will compete in the dance-off is: | :25:19. | :25:37. | |
it's Julien and Janette. So Vanessa and James, congratulations. You're | :25:37. | :25:41. | |
through to next Saturday. Well done, darling. Can you come over and join | :25:42. | :25:46. | |
me? Come on over. No-one wants to be stood next to me at this stage of | :25:46. | :25:53. | |
the evening. Now, Darcey, Julien and Janette, they have entertained us, | :25:53. | :25:55. | |
the evening. Now, Darcey, Julien and no question. Why have they found | :25:55. | :25:59. | |
themselves in the dance-off? You so entertained us. It would only be | :25:59. | :26:03. | |
down to the lack of technique. This is only the second week for you, so | :26:03. | :26:06. | |
that would be the only reason why you would be here. Julien, you loved | :26:07. | :26:12. | |
it out there on the dancefloor, safe to say. How disappointed are you to | :26:12. | :26:16. | |
be standing here? Obviously, nobody wants to leave the competition, but | :26:16. | :26:21. | |
you know what? I have had an absolutely fabulous sparkling time. | :26:21. | :26:25. | |
You certainly have, definitely have! I try my best, if I can impress the | :26:25. | :26:29. | |
judges one last time, but... , I try my best, if I can impress the | :26:29. | :26:34. | |
no-one beats you on the sparkle front. You've just got to go for it | :26:34. | :26:40. | |
and do your very, very best. Thank you. Over to you, Claudia. Thank | :26:40. | :26:47. | |
you. I am here with our six celebrities. Vanessa, they left you | :26:47. | :26:52. | |
there until last - your little - # Do, do, do # | :26:52. | :26:58. | |
Is it terrifying? They prolonged the agony. It was excruciating waiting | :26:58. | :27:03. | |
and waiting. I am so delightful and so thankful to get a chance to dance | :27:03. | :27:08. | |
again. Yes, yes. Well done. I know, Dave, you sort of felt you were | :27:08. | :27:10. | |
going to be in the dance-off? Yes, I Dave, you sort of felt you were | :27:10. | :27:16. | |
felt I was in pole position for it but I can only echo what she said. I | :27:16. | :27:20. | |
am so relieved. I am having such a good time. I feel I am getting | :27:21. | :27:25. | |
better. It's good to be able to carry on. I am relieved not to have | :27:25. | :27:30. | |
to do the dance-off. Yes! You have a brand new little week with that | :27:30. | :27:33. | |
brand new little pumpkin at home. Yes. It's not a pumpkin but a baby! | :27:33. | :27:40. | |
Are you pleased to still be in? Yes, I am delighted, to have a baby and | :27:40. | :27:44. | |
to do this - thank you, everyone. It has been amazing. Thank you very | :27:45. | :27:47. | |
much. You're all through, but sadly for our two couples in the | :27:47. | :27:51. | |
dance-off, only one will be back next week, and things could get a | :27:51. | :27:56. | |
little steamy as we launch Strictly Love Week, and they've already been | :27:56. | :28:01. | |
getting in the mood. What are we doing next week? It's | :28:01. | :28:06. | |
Love Week. That's sweet. What do you do to show your husband you love | :28:06. | :28:13. | |
him? I like to write him a note. I make him a home-cooked meal. On the | :28:13. | :28:21. | |
golf course. I take mine out for a nice meal. Me, I just do this - hit | :28:21. | :28:25. | |
it! # I love you, baby | :28:25. | :28:30. | |
# And if it's quite all right, I love you, baby | :28:30. | :28:36. | |
# To warm the lonely night # Baby | :28:36. | :28:39. | |
# Trust in me when I say # Oh, pretty baby, now that I found | :28:39. | :28:42. | |
this day # Let me love you, baby | :28:42. | :28:46. | |
# Let me love you - # # Let me love you, baby | :28:46. | :28:49. | |
You know, nout flashy. Adorable. Julian and Janette, Tony | :28:49. | :29:02. | |
and Aliona Vilani, you're about to face the dance-off. You have just | :29:02. | :29:07. | |
one chance to impress the judges. I'm sorry you're both here. Are you | :29:07. | :29:12. | |
sad? Oh, you know, I'm not sad. I can get through it one more time! | :29:12. | :29:17. | |
Yes, will you go and get into position, young man? Go on, do it! | :29:18. | :29:25. | |
Absolutely do it. Tony and Aliona, are you miserable to be here? Did | :29:25. | :29:30. | |
you think you were going to be here? I'm not miserable because I gave it | :29:30. | :29:34. | |
my best shot, you know? I thought I did. Maybe I could do better this | :29:34. | :29:39. | |
time. I don't know. Would you do it differently, just with more | :29:39. | :29:45. | |
gumption? Gumption? I'll do my best. Enormous luck for later on. We don't | :29:45. | :29:49. | |
want to say goodbye to any of our couples at this early stage, but | :29:49. | :29:53. | |
someone must leave tonight. Dancing to stay in the competition, please | :29:53. | :30:02. | |
go wild for Julien and Janette. APPLAUSE | :30:02. | :31:40. | |
I don't envy our judges tonight. It's going to be a difficult | :31:40. | :31:44. | |
decision. Please welcome back to the floor fighting for their place on | :31:44. | :31:51. | |
Strictly, it's Tony and Aliona. APPLAUSE | :31:51. | :33:30. | |
Very well done to both of you. I know it's nerve-racking. Right. | :33:30. | :33:38. | |
We'll now find out which of you will be back to dance again next week. | :33:38. | :33:46. | |
Judges, it's decision time. We are about to ask each of you the name of | :33:46. | :33:50. | |
the couple you think deserves to be saved. The couple with the most | :33:50. | :33:54. | |
votes will stay in the competition. The other couple is out of Strictly | :33:54. | :33:58. | |
Come Dancing. In the event of a tie, head judge Len, you will have the | :33:58. | :34:06. | |
casting vote. Julien and Janette and Tony and Aliona, this is it. So | :34:06. | :34:12. | |
Craig, who are you going to save? I would like to save Julien and | :34:12. | :34:20. | |
Janette. Well done, one vote for you. Darcey, who do you think | :34:20. | :34:24. | |
deserves to stay in the competition, please? The couple I would like to | :34:24. | :34:32. | |
save is Julien and Janette. Well done, another volt for you. If Bruno | :34:32. | :34:37. | |
now decides to save you, that means you are indeed back to dance another | :34:37. | :34:43. | |
week. Bruno, who do you want to see stay in Strictly Come Dancing? I | :34:43. | :34:50. | |
would like to see staying Julien and Janette. | :34:50. | :34:53. | |
APPLAUSE we're going to have to say goodbye | :34:53. | :34:58. | |
to Tony and Aliona. You come and join me. Congratulations, Julien and | :34:58. | :35:05. | |
Janette. We'll see you next week. Tony, Tony, Tony! You've only just | :35:06. | :35:11. | |
got started. So sorry to see you go, must be disappointed. I'm a tough | :35:11. | :35:16. | |
pupil. This girl's fantastic, I tell you. She did a wonderful job. Yes. | :35:16. | :35:23. | |
Len, now, I know it makes no difference to the result, but who | :35:23. | :35:27. | |
got your vote? Well, Tony, you have been one of my golfing heroes all of | :35:28. | :35:30. | |
got your vote? Well, Tony, you have my life, so sadly, I have to say I | :35:30. | :35:36. | |
would have gone with Julien and Janette, but you're one of my | :35:36. | :35:40. | |
heroes. Jiem I'm going to stick to golf, I think. Tony, your time with | :35:40. | :35:45. | |
us has been short, but have you enjoyed yourself? I actually have. | :35:45. | :35:49. | |
It's a complete glimpse into another world, which I thoroughly enjoyed. I | :35:49. | :35:55. | |
had no conception of the work that goes into... Lot of work, isn't it? | :35:55. | :36:00. | |
And the work ethic these girls have - I mean, it's fantastic. I'm not | :36:00. | :36:07. | |
sure I did it... Not sorry we had you. Anything to say to the lovely | :36:08. | :36:12. | |
Aliona? Thanks. I did my best. It wasn't good enough. Oh, Tony! You | :36:12. | :36:18. | |
really have been a great sport, so thank you so much for joining us. | :36:18. | :36:22. | |
Off you go. You're going to do a last dance for us, and thank you so | :36:22. | :36:25. | |
much for being on the show. Thank you. Tony, he's a teddy bear! It's | :36:25. | :36:33. | |
so sad, isn't it? Having to say goodbye to someone this early on - | :36:33. | :36:43. | |
they'll join Zoe on Monday for It Takes Two . For all the gossip go to | :36:43. | :36:49. | |
the website. Bruce and I will be back at 6. 30pm when Strictly gets | :36:49. | :36:57. | |
romantic for Love Week. Ooh-la-la. But now for their final Dan, it's | :36:57. | :37:01. | |
Tony and Aliona. # Don't leave me this way # | :37:01. | :37:09. | |
# I can survive # I can stay alive | :37:09. | :37:12. | |
# Without your love # Don't leave me this way | :37:12. | :37:17. | |
# Ah, baby # My heart is full of love and | :37:17. | :37:22. | |
desire for you # So come on down | :37:22. | :37:30. | |
# And do what you gotta do # You started this fire | :37:30. | :37:32. | |
# Down in my soul # Now, can't you see it's burning | :37:32. | :37:37. | |
# Out of control # Because only your good loving can | :37:37. | :37:43. | |
set me free # Free, free, yeah # | :37:43. | :37:45. |