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Last week on Strictly Come Dancing. Some impressed. Wow! Absolutely | :00:19. | :00:29. | |
corking. For others the claws were well and truly out. You were | :00:29. | :00:39. | |
wriggling around like a slug in salt actually. And we said goodbye to our | :00:39. | :00:43. | |
first couple. This week, romance is in the air. It's love week. Which of | :00:43. | :00:57. | |
our remaining couples halls what it takes to win yourer heart? -- win | :00:57. | :01:00. | |
your heart? CHEERING AND APPLAUSE | :01:00. | :04:32. | |
Live from the Strictly ballroom. It's a night of love songs on | :04:32. | :04:37. | |
Strictly Come Dancing. Please welcome your hosts, Sir Bruce | :04:37. | :04:45. | |
Forsyth and Tess Daly. APPLAUSE | :04:45. | :04:57. | |
What a lovely crowd. A great crowd tonight. Please, please sit down. | :04:57. | :05:08. | |
That's lovely. Good evening, ladies and gentleman and children, it's | :05:08. | :05:09. | |
That's lovely. Good evening, ladies nice to see you, to see you... Nice! | :05:09. | :05:14. | |
What a lovely audience. Aren't they. You're so much better than last | :05:14. | :05:20. | |
week. I was watching. It's really nice to see you, Brucie. Welcome to | :05:20. | :05:24. | |
Strictly Come Dancing. I love a good wedding. What a fantastic way to | :05:24. | :05:27. | |
start the show tonight. A wonderful start. It's all about love tonight. | :05:27. | :05:31. | |
Love, yes and I'm glad you mention that, because I have a confession to | :05:31. | :05:36. | |
make. Yes, I enjoyed a holiday romance last summer. What? No. I'm | :05:36. | :05:41. | |
shocked. I know, everybody is going to be shocked, but it's true. For | :05:41. | :05:46. | |
three glorious weeks I enjoyed a steamy, saucy holiday romance. What | :05:46. | :05:52. | |
happened when you finished your holiday romance? I took the book | :05:52. | :05:57. | |
back to the library. LAUGHTER | :05:57. | :06:03. | |
And I paid the fine! Good. Last week we said a fond farewell to our first | :06:03. | :06:15. | |
celebrity, Tony Jacklin's under par performance saw him make his way out | :06:15. | :06:20. | |
of the competition. Yes, it was a shame. I know. Len was upset about | :06:20. | :06:27. | |
that as well. On this Strictly night of love we can expect lots of | :06:27. | :06:32. | |
excitement, joy, tears and even some rejection - sounds familiar. Shall | :06:32. | :06:39. | |
we see what our gorgeous gang have in store on this romantic evening? | :06:39. | :06:45. | |
Yes, come into my arms. Was that romantic. Not half. | :06:45. | :06:51. | |
Because it's time to meet - that will be slinky - the stars of our | :06:51. | :07:00. | |
show. Pop Princess, Sophie Ellis-Bextor and her partner, | :07:00. | :07:03. | |
Brendan Cole. Star of stage and screen, Mark Benton and his partner, | :07:03. | :07:08. | |
Iveta Lukosiute. BBC Breakfast presenter, Susanna Reid and her | :07:08. | :07:12. | |
partner Kevin Clifton. England rugby hero, Ben Cohen, and his partner, | :07:12. | :07:18. | |
Kristina Rihanoff. Coronation star, Natalie Gumede, and her partner, | :07:18. | :07:22. | |
Artem Chigvintsev. Fashion designer, Julien Macdonald and his partner, | :07:22. | :07:31. | |
Anya Garnis. Vanessa Feltz and James Jordan. Model and TV presenter, | :07:31. | :07:36. | |
Abbey Clancy and her partner, Aljaz Skorjanec. From Hollyoaks, Ashley | :07:36. | :07:39. | |
Taylor Dawson and his partner, Ola Jordan. Star of Dragon's Den, | :07:39. | :07:45. | |
Deborah Meaden, and her partner, Robin Windsor. Patrick Robinson and | :07:45. | :07:52. | |
his partner, Anya Garnis. Countdown presenter Rachel Riley and her | :07:52. | :07:55. | |
partner, Pasha Kovalev. TV chef and Hairy Biker, Dave Myers and his | :07:55. | :08:00. | |
partner, Karen Hauer. And finally, Bond girl and author, Fiona | :08:00. | :08:01. | |
partner, Karen Hauer. And finally, Fullerton and her partner, Anton Du | :08:01. | :08:03. | |
Beke. CHEERING AND APPLAUSE | :08:03. | :08:24. | |
There they all are and I know all of you at home and all of our dancers | :08:24. | :08:28. | |
here are surprised to see me back this week. I would like to explain. | :08:28. | :08:34. | |
I had the flu. I hadn't been voted out. Never. Our fabulous 14 look | :08:34. | :08:43. | |
ready. They're ready to dance some of the greatest ever love songs. | :08:43. | :08:48. | |
Shall we get started? Our first couple this evening is Abbey Clancy | :08:48. | :09:00. | |
and her partner, Aljaz Skorjanec. APPLAUSE | :09:00. | :09:04. | |
For Abbey's dance she's going to take us back to the 1960s. I loved | :09:05. | :09:11. | |
the 60s. I was a huge fan of the mini skirt. Why not, if you've got | :09:11. | :09:20. | |
legs like mine? APPLAUSE | :09:20. | :09:27. | |
Higher, higher. We hay. Those -- Behave. Those pills are working. | :09:27. | :09:33. | |
Here they are in training, good luck to everyone. | :09:33. | :09:38. | |
Last Saturday was a real nervewracking one for me. To go out | :09:38. | :09:43. | |
and dance knowing millions of people are watching at home, it's | :09:43. | :09:48. | |
terrifying. What's important for me is to know that I've done my best. | :09:48. | :09:53. | |
Last Saturday I didn't do my best. You can dance. You're a good dancer, | :09:53. | :09:57. | |
you are. I thought the judges were really, really generous with their | :09:57. | :10:05. | |
scores. I was really, really happy. This week it's love week. Obviously, | :10:05. | :10:10. | |
I'm from Liverpool. I love my city. So I thought it would be a great | :10:11. | :10:18. | |
idea to take Aljaz there. I showed him some famous sites, the Liver | :10:19. | :10:27. | |
bird, the Liverpool docks. # Ferry cross the Mersey # | :10:27. | :10:34. | |
The cabin club where the Beatles performed. Me and my family were | :10:34. | :10:40. | |
trying to teach him some Liverpool Lynningo. They do though don't they | :10:40. | :10:46. | |
though. It was so nice taking Aljaz to Liverpool. I'm so excited for | :10:46. | :10:49. | |
Saturday night now and I hope I can make my city proud. | :10:49. | :10:57. | |
Dancing the jive, Abbey Clancy and Aljaz Skorjanec. | :10:57. | :11:07. | |
CHEERING AND APPLAUSE That was wonderful. Oh, Abbey and | :11:07. | :12:47. | |
Aljaz, that was so wonderful. Look at them all here. We all loved it. | :12:47. | :13:00. | |
OK. Of course, we have our judges. Let's welcome our judges. | :13:00. | :13:06. | |
APPLAUSE As I've still got a little bit of | :13:06. | :13:11. | |
the flu, you know, but the show must go on. I've got myself a hot toddy, | :13:11. | :13:25. | |
it's... Is it here? Yeah, fine. Your recipe. Half lemon and half | :13:25. | :13:29. | |
whisky, OK? Cheers. Good luck for the show. | :13:29. | :13:38. | |
And Craig, thanks for the flowers. It's the nicest wreath I've ever | :13:38. | :13:45. | |
seen. Len, what about this couple? It was | :13:45. | :13:49. | |
a bit like a Beatles medley, there was a lot of please, please me and a | :13:49. | :13:54. | |
little bit of help near the end. I've got to say overall, I thought | :13:54. | :13:57. | |
your energy, your enthusiasm, the way you attacked the dance was | :13:57. | :14:00. | |
great. Your technique sometimes needs a little bit of help, the toe | :14:00. | :14:06. | |
heel swivels, you could have had a bit more swivel. Sometimes your legs | :14:06. | :14:07. | |
were a little bit loose. It started bit more swivel. Sometimes your legs | :14:07. | :14:11. | |
off great, loving pumping action. You lost it a bit here and then. But | :14:11. | :14:21. | |
overall - good job. Lovely. Bruno? Oh, groovy Abbey, you | :14:21. | :14:29. | |
can work that look, baby. Oh, she was giving it all that. A photo | :14:29. | :14:36. | |
shoot for Mary Quant. Like the best pout in the business. Oh, yeah, give | :14:36. | :14:40. | |
it to me. It's good. I love what people come out here and give all | :14:40. | :14:44. | |
they have. Len is right, the legs, kicks and flicks have to be sharper, | :14:44. | :14:49. | |
stronger and sometimes, when your hand is free it flies about a bit, | :14:49. | :14:52. | |
but it's good keeping it on the dress because you can work that, | :14:52. | :15:02. | |
work it well. All good. Craig? You were sat for an awfully long time on | :15:02. | :15:09. | |
Penny Lane there. Your timing, when you did start to dance, your timing | :15:09. | :15:15. | |
was out at the beginning. The drunken sailor sections I thought | :15:15. | :15:19. | |
were slightly laboured and getting behind the beat. Unlike Len, I | :15:19. | :15:23. | |
thought you lacked a bit of attack and could have given a bit more. No, | :15:23. | :15:32. | |
she had attack. Come on Craig. It's only my opinion. She had attack, the | :15:32. | :15:41. | |
girl work so hard. APPLAUSE | :15:41. | :15:48. | |
Anything to add? From last week, the attack was brilliant. You do have to | :15:49. | :15:54. | |
work harder when you're tall in the jive especially because you have to | :15:54. | :15:57. | |
get over, get down on the kicks and flicks because you're a little bit | :15:57. | :16:00. | |
upright, that's just about a strong core. That's because you have such | :16:00. | :16:03. | |
long limbs. But the energy an the story and the style was lovely. Well | :16:03. | :16:08. | |
done. Are you happy? Yes. Away you go. | :16:08. | :16:20. | |
APPLAUSE Come on my darling. We're feeling | :16:20. | :16:28. | |
the love up here tonight. Oh, yes! Right, good job with that jive said | :16:28. | :16:33. | |
Len. Do you feel like you've done your home town of Liverpool proud? I | :16:33. | :16:38. | |
hope so. I'm sweating. I think she did, safe to say. Aljaz have you | :16:38. | :16:47. | |
been working on your Scouse accent? I have. "They do though don't they | :16:47. | :16:51. | |
though. Needs a little bit of work, unlike that jive. The scores are in: | :16:51. | :17:10. | |
28 out of 40, fair score? One more time. They do though, don't they | :17:10. | :17:22. | |
though? Voting lines don't open until all | :17:22. | :17:40. | |
our couples have danced. Please don't call now. If you do your vote | :17:40. | :17:45. | |
won't count and you may be charged. Love is in the air and so is fear in | :17:45. | :17:51. | |
the dance off. Vote for your favourites. Kisses to camera. | :17:51. | :17:57. | |
Now our next couple, Patrick Robinson and his partner, Anya | :17:57. | :18:05. | |
Garnis. Now, in this dance Patrick is trying | :18:05. | :18:15. | |
to would -- woo Anya away from the -- from Vegas. Will I be able to do | :18:16. | :18:22. | |
it? I said, "It depends, is it Las Vegas or Johnny Vegas? He's a right | :18:22. | :18:24. | |
handful. Here they are in training. I felt that all the hard work last | :18:24. | :18:39. | |
week paid off. Fantastic attack. Your timing is impeccable. I was | :18:39. | :18:47. | |
very proud of Patrick. You won't be beating it for ages. You'll be | :18:47. | :18:50. | |
hanging around. You are one to watch. The dance this week is the | :18:50. | :19:01. | |
foxtrot. It's to Let There Be Love. I know you're excited about this | :19:01. | :19:05. | |
week. Very excited because it just reminds me of Sunday mornings and my | :19:05. | :19:11. | |
dad used to play Nat King Cole. It still has fond memories for me. It | :19:11. | :19:15. | |
was glorious to hear that kind of stuff. It always help when you love | :19:15. | :19:19. | |
the song and I feel that Patrick will show a different side of him. | :19:19. | :19:24. | |
Frame and energy and I want you to shine from within. Anya's | :19:24. | :19:29. | |
choreography is beautiful. I see a happy Patrick. So beautiful. | :19:29. | :19:34. | |
My dad most live spends time in Jamaica now. I think my dad would be | :19:34. | :19:38. | |
proud to see my dancing to Nat King Cole. It would be a joy to dance and | :19:38. | :19:46. | |
do a really good job on Saturday. Dancing the foxtrot, Patrick | :19:46. | :19:52. | |
Robinson and Anya Garnis. MUSIC: Let There Be Love. | :19:52. | :21:20. | |
CHEERING AND APPLAUSE Lovely, absolutely lovely. One of my | :21:20. | :21:34. | |
favourite songs. You did sung a good job of it. That was great. Now then, | :21:34. | :21:38. | |
whilst you two get your breath back, it's a good time to welcome our | :21:38. | :21:44. | |
fabulous singers, Dave Arch and his fabulous orchestra. | :21:44. | :21:47. | |
There they are. APPLAUSE | :21:47. | :21:54. | |
Thank you. Now then, Bruno, what did you think? That was a correct, | :21:54. | :21:59. | |
proper and distinguished kind of love, accept -- except when you got | :21:59. | :22:02. | |
your feet in a twist down there. You messed it up a bit. There are | :22:02. | :22:06. | |
moments of dash, and moments that were a bit restrained. You have to | :22:06. | :22:10. | |
drive through the dance all the way through. If you make a mistake, it | :22:10. | :22:14. | |
doesn't matter, keep going. Keep the flow. I would like to have seen a | :22:14. | :22:19. | |
little bit more movement around the floor. I think you need to start | :22:19. | :22:21. | |
thinking about adding swing and sway. You have some gapping issues, | :22:21. | :22:31. | |
but you are style, you really are. APPLAUSE | :22:31. | :22:37. | |
You chose the right word. Darcey? Yeah, you have. You brought panache | :22:37. | :22:43. | |
and class to this. I wasn't expecting that at all. The timing | :22:43. | :22:46. | |
and phrasing is very nice. It is a bit neat and tidy. I would like you | :22:46. | :22:50. | |
to take a couple more risks and not be so safe, then you would travel | :22:50. | :22:53. | |
more, you know drive through that, as Bruno said. Very nice, very nice | :22:53. | :22:58. | |
connect between you, the eye contact. Ive liked it a lot. -- | :22:58. | :23:05. | |
contact. I liked it a lot. What about Len? The foxtrot is a very, | :23:05. | :23:08. | |
very difficult dance. I thought it had an eels Andrew -- ease and | :23:08. | :23:15. | |
elegance about it. You've got style with a smile. Lovely. Well done. | :23:15. | :23:21. | |
That's what it's all about. Away you go. Well done, Patrick and Anya. | :23:21. | :23:31. | |
APPLAUSE Come on over, you foxy trotters. | :23:31. | :23:38. | |
Come to the love den. Style with a smile, says it all really. You were | :23:39. | :23:43. | |
Come to the love den. Style with a channelling gene Kelly down. There | :23:43. | :23:46. | |
Yeah, I would love to recreate anything that he does. Little bit of | :23:46. | :23:53. | |
magic. Your dad is a big Nat King Cole fan. I loved that. Three weeks | :23:53. | :23:57. | |
in, are you loving the whole Strictly experience, it's loving | :23:57. | :24:03. | |
you? Absolutely. Just need to do more. The scores are in: | :24:03. | :24:27. | |
Well done. Due enjoy that? -- did you enjoy that? Then the numbers to | :24:27. | :24:34. | |
call: More fabulous dancing to come with | :24:34. | :24:55. | |
Mark and Iveta. Next couple is Dave Myers and his partner, Karen Hauer. | :24:55. | :25:00. | |
APPLAUSE He's very popular. Right, now | :25:00. | :25:07. | |
they're doing the Spanish paso doble. Please, please, give them a | :25:07. | :25:12. | |
chance. We were chatting earlier and Dave asked me if I liked Spanish | :25:12. | :25:16. | |
food. I said I love it, Spanish food, I love it. Seville with its | :25:16. | :25:23. | |
paella, Madrid with Tapas and Benidorm with its egg and chips. | :25:23. | :25:27. | |
LAUGHTER It's true! Here they are in | :25:27. | :25:34. | |
training. Last Saturday I think it was a vast | :25:34. | :25:37. | |
improvement on the first week. I love you, you no ethat. You have | :25:37. | :25:42. | |
beautiful long arms. Buff they get a bit -- but they get a bit paddly. | :25:42. | :25:48. | |
Mum used to say I had arms like a monkey. Tonight, Dave Myers and | :25:48. | :25:54. | |
Karen Hauer doing the paso doble. I think this is my signature dance. | :25:55. | :26:01. | |
You have to intimidate me. There's nothing fun about a doble face. I've | :26:01. | :26:11. | |
never seen a matta door the -- matador the way Dave does it. I need | :26:11. | :26:15. | |
you to find the passion. I have got passion. I have a passion for | :26:15. | :26:19. | |
motorcycles and the open road. Come on, the sun is shining, a bit of | :26:19. | :26:21. | |
leather. I persuaded her to get on the bike, | :26:21. | :26:30. | |
blow the cobwebs away and she can have a go in my world. I hope Karen | :26:30. | :26:35. | |
loved the motorbike and our little excursion as much as I did. I'm not | :26:35. | :26:42. | |
that sure, though! Let's just hope that I can rev | :26:42. | :26:50. | |
myself up and put as much passion as I -- into the paso doble as I do my | :26:50. | :26:55. | |
bike. Dancing the paso doble, Dave Myers | :26:55. | :26:59. | |
and Karen Hauer. CHEERING AND APPLAUSE | :26:59. | :27:03. | |
Ole! Look at them. Dave, look. You've | :27:03. | :29:05. | |
done it again. You've done it again. | :29:05. | :29:17. | |
CHEERING I love the bull. The gallop was | :29:17. | :29:22. | |
good. It's meant to be an antelope, Bruce. | :29:22. | :29:30. | |
Right, who do we start with, Craig? Lock at the face, oh, dear. It's | :29:30. | :29:38. | |
like a bulldog eating pickles. LAUGHTER | :29:38. | :29:46. | |
What did you think, we know what you think by your look, can you put that | :29:46. | :30:00. | |
into words? One word: Dreadful. BOOING | :30:00. | :30:04. | |
All right, Darcey? You had a very strong attitude. Maybe not a | :30:04. | :30:11. | |
matador, but it didn't follow through into the shaping. | :30:11. | :30:22. | |
LAUGHTER You've got to tone up and create... | :30:22. | :30:37. | |
He's got it. I've got ten pence. The conviction I love. I nearly cried, | :30:37. | :30:43. | |
but the conviction... I enjoyed that Darcey. But Bruno is the only one | :30:43. | :30:48. | |
that's allowed to stand up. It was nice. I liked it. Well, it was like | :30:48. | :30:54. | |
being waxed. It was painful while it's happening, and lovely when it's | :30:54. | :31:00. | |
over, really. Wafting the tea towel at the beginning. You're not the | :31:00. | :31:04. | |
judges' champion maybe, but what's better, you're the people's | :31:04. | :31:13. | |
champion. APPLAUSE | :31:13. | :31:17. | |
They loved it. The whole crowd. We've seen it all. This tops | :31:17. | :31:20. | |
They loved it. The whole crowd. everything I've ever seen. But | :31:20. | :31:27. | |
darling your face. Number nose, you looked like you were smelling bad | :31:27. | :31:31. | |
cheese. Then like you had toffee stuck in your teeth. As for the | :31:31. | :31:36. | |
dance, it's beyond description. Thank you. Thank you. Do what you | :31:36. | :31:45. | |
said at dress rehearsal. Gentlemen, some people have different ways of | :31:45. | :31:50. | |
showing love. And that was one of them. | :31:50. | :31:57. | |
APPLAUSE There's different kinds of love | :31:57. | :32:01. | |
Craig. Thank you for the flowers. I'm glad you're better. It was so | :32:01. | :32:05. | |
lovely. I can't influence the judges, but I can influence the | :32:05. | :32:06. | |
audience, thank you Karen and Dave! APPLAUSE | :32:06. | :32:29. | |
Oh, thank goodnesser, the smile is -- thank goodness. The smile is | :32:29. | :32:35. | |
back. Let's have the paso face. It's arrogance, dominance with, you know, | :32:35. | :32:40. | |
it's all attitude. That's my dance, Tess. It is your dance. I'm not | :32:40. | :32:44. | |
arguing. And neither are they. You loved it, didn't you audience? | :32:44. | :32:48. | |
CHEERING Quite possibly the longest standing | :32:49. | :32:52. | |
ovation we've ever had, ever. You are definitely the people's | :32:52. | :32:56. | |
champion. What a mighty matador. You were second to bottom last week. You | :32:56. | :33:00. | |
wanted to impress the judges this week. I've done everything I can. | :33:00. | :33:07. | |
And then some. You have a daringly low cut shirt tonight. That's | :33:07. | :33:10. | |
conviction for you. The scores are in. | :33:10. | :33:30. | |
16, tough scores from the judges. Are you the people's champion | :33:30. | :33:40. | |
tonight? If Dave and Karen rock your world... I think I need your votes. | :33:40. | :33:51. | |
Call: He's right. Or get yourself online to vote for free. Maybe Dave | :33:51. | :33:55. | |
will do that. What is that by the way? What? That. I won't do that. | :33:55. | :34:02. | |
Oh, that? I'd do anything for love. Would you? Yes, I'd tear down trees, | :34:02. | :34:07. | |
cross oceans, the whack. Thanks. Still to come: Ben and | :34:07. | :34:13. | |
Kristina will get really romantic with the rumba and can Sophie | :34:13. | :34:19. | |
Ellis-Bextor's samba live up to last week's charleston. Ive need a sit | :34:19. | :34:23. | |
down, what about you Dave? No, I'm all right. | :34:23. | :34:27. | |
Back to you Bruce. I love the bull gallop. Any way, our | :34:27. | :34:32. | |
next couple is Fiona Fullerton and her partner, Anton Du Beke. Last | :34:32. | :34:42. | |
week, they had a hiccup with their cha-which-had, this week -- | :34:42. | :34:48. | |
cha-cha-cha, this week it's an elegant waltz. Here they are in | :34:48. | :34:52. | |
training. I think the performance went quite | :34:52. | :34:57. | |
well until the very ebbed. I stepped onto the wrong leg, that completely | :34:57. | :35:02. | |
threw out the choreography. You were very good until the point you kicked | :35:02. | :35:11. | |
Anton in the shin. Craig was unbelievably generous. I like | :35:12. | :35:15. | |
watching you dance. If I could just get the steps right. T.ive took on | :35:15. | :35:20. | |
board what Bruno said to me. You can play the part, but you cannot go | :35:20. | :35:25. | |
wrong any more. He's right. I can't afford to go wrong again. Love, it's | :35:25. | :35:30. | |
about family, children, your husband, the people that you hold | :35:30. | :35:37. | |
dear. I've been told by a small bird that it's your birthday this week. I | :35:37. | :35:41. | |
know she's a bit sad to be away from her family. Her husband is going to | :35:41. | :35:45. | |
come in with a cake as a surprise. A birthday wouldn't be a birthday | :35:45. | :35:52. | |
without a cake. Happy birthday, my darling. You need somebody to love | :35:52. | :36:02. | |
and to be loved. It's such a lovely surprise to see my husband, the best | :36:02. | :36:06. | |
birth Dale present ever would be to -- birthday present ever would be to | :36:06. | :36:09. | |
get through to another week. I'm having such a wonderful time. | :36:09. | :36:16. | |
Dancing the waltz, Fiona Fullerton and Anton Du Beke. | :36:16. | :36:22. | |
very nice. Fiona Andrew ton, that was -- Fiona and Anton, that was | :36:22. | :38:15. | |
wonderful. Are you pleased? Yes. Darcey? Oh, you have turned into | :38:15. | :38:19. | |
Grace Kelly. You danced with ease and elegance. There weren't so many | :38:19. | :38:24. | |
nerves there. I would only say one thing is to open up the shoulders, | :38:24. | :38:27. | |
then you give yourself to create more ability to use your neck and | :38:28. | :38:35. | |
it's just the upper, lift out of the waist and the ribs and you'll create | :38:35. | :38:39. | |
so much better. But it's very beautiful and you looked much more | :38:39. | :38:46. | |
comfortable. Well done. So thrilled for you. Well, you're | :38:46. | :38:53. | |
playing snakes and ladders. Last week you went down the snake, but | :38:53. | :38:59. | |
this week, back up the ladder! Well done. | :38:59. | :39:06. | |
Bruno? Nice and classy, Princess Fiona, that's the way to go. Your | :39:06. | :39:11. | |
turns are better, your balance is better, you are starting to extend | :39:11. | :39:15. | |
some lovely lines. At times I can still see you losing slightly focus, | :39:15. | :39:19. | |
don't do that, because you've got it within you. Because when you do it | :39:19. | :39:22. | |
right, especially the last turn into the lovely drop at the end, it's | :39:22. | :39:31. | |
beautiful. So you can do it. Very nice. And Craig? Your chest | :39:31. | :39:37. | |
needs to be higher to give you a nicer top line. You overbalanced at | :39:37. | :39:41. | |
one stage, but you managed to catch up. It's true. Timing was slightly | :39:41. | :39:46. | |
out, but I thought the whole thing was extremely elegant and | :39:46. | :39:51. | |
beautifully done. Did you have a nice birthday | :39:51. | :39:55. | |
yesterday? Yes, thank you, I had a lovely birthday. My wife's birthday | :39:55. | :40:01. | |
today. I'll be home for supper, darling. No, but it's live. Thank | :40:01. | :40:06. | |
you so much, Anton and Fiona. # Happy birthday to you | :40:06. | :40:15. | |
# Happy birthday dear Fiona # Happy birthday to you # | :40:15. | :40:25. | |
Was that the best belated birthday present, getting it all right? It | :40:25. | :40:29. | |
was fantastic. It was an amazing feeling. I loved it. That's what you | :40:29. | :40:34. | |
wanted to do and you didn't go wrong. Even Craig loved it and a | :40:34. | :40:38. | |
Christmas present all rolled into one. The scores are in: | :40:38. | :41:01. | |
A great score, with the king of the waltz, happy belated birthday. Thank | :41:01. | :41:08. | |
you, that's the most wonderful present. | :41:08. | :41:16. | |
Vote to keep Fiona in. Who's next to dance on our night of love? | :41:16. | :41:25. | |
Next up is Rachel Riley and her partner, Pasha Kovalev. | :41:25. | :41:34. | |
Now then, Rachel's show Countdown has a lot of word games on it. She | :41:34. | :41:38. | |
asked if I was good at English. I said, "Yes, I was always good at | :41:38. | :41:42. | |
English, but I'm even better now. In fact, my English is lots weller than | :41:42. | :41:50. | |
anyone else what did do it. Innit? " That surprised you! Here they are in | :41:50. | :41:53. | |
training. I knew I wasn't going to be amazing | :41:53. | :42:04. | |
at the salsa. But I tried my hardest. I went out to have fun and | :42:04. | :42:08. | |
that's what I did. I thought some of the comments were mean. You were | :42:08. | :42:12. | |
wriggling around like a slug in salt. I'm not going to acknowledge | :42:12. | :42:16. | |
that comment. It was like watching a gorgeous rag doll. I really do need | :42:16. | :42:20. | |
to work on my strength. There is lots of sugar but not a lot of | :42:20. | :42:25. | |
spice. Which is my personality. Ive need to focus -- I need to focus the | :42:25. | :42:28. | |
movements, the sharpness and the SAS. I've always -- sass. I've | :42:28. | :42:33. | |
always loved Strictly Come Dancing, but a better time to show my love | :42:34. | :42:38. | |
than this week. The glamour, music, the dance, the movement, the | :42:38. | :42:41. | |
characters. I love Strictly Come Dancing so much that I had my 21 | :42:41. | :42:45. | |
birthday party as a Strictly theme. Dancing so much that I had my 21 | :42:45. | :42:49. | |
We had our sequins and false eye lashes. To be here to make | :42:49. | :42:55. | |
custom-made dresses, 21-year-old me is dancing for joy. My wedding first | :42:55. | :42:59. | |
dance we had a Strictly routine. Pasha would have told me off because | :42:59. | :43:03. | |
I was the one in the driving scene. In this room, Pasha is definitely | :43:03. | :43:09. | |
the boss. This time you didn't get it. I've loved Strictly Come Dancing | :43:09. | :43:13. | |
for so long, I hope this week's cha cha cha doesn't leave me broken | :43:13. | :43:19. | |
hearted. Dancing the cha cha cha, Rachel | :43:19. | :43:21. | |
Riley and Pasha Kovalev. CHEERING AND APPLAUSE | :43:22. | :45:11. | |
Well done, Rachel. Lovely. Listen to that. Pasha, that was really lovely. | :45:11. | :45:17. | |
Great feel to it. Len? You got your old hips going there, lovely. Like a | :45:17. | :45:22. | |
bionic bum working away. Occasionally you lose a bit of | :45:22. | :45:24. | |
control. It goes a little bit unstable. But overall, I thought you | :45:24. | :45:31. | |
did good leg action, nice feet, cube an breaks -- Cuban breaks were going | :45:31. | :45:37. | |
right on time. Well done. Does that make you feel good? Yes. Lovely. | :45:37. | :45:42. | |
Bruno? Well, well, well, my little Rachel is starting to feel the | :45:42. | :45:48. | |
tingle. You have done well tonight. You're starting to use your assets | :45:48. | :45:54. | |
to your advantage. It's true! She was much stronger. You have to have | :45:54. | :45:58. | |
confidence in yourself. Don't doubt yourself. Because it's all there. | :45:58. | :46:02. | |
It's all there and when you do it, Len is right, when you do it right, | :46:02. | :46:05. | |
it looks good. You're still, at times, a little bit automan. But | :46:05. | :46:10. | |
you're moving in the right direction. You should have faith in | :46:10. | :46:14. | |
yourself. Thank you. Keep doing the good work. Counting the beats. | :46:14. | :46:21. | |
Everything is in beats. Craig? The look of concentration on your face | :46:21. | :46:27. | |
was startling. If only you were smiling that would have brightened | :46:27. | :46:33. | |
the entire thing up. The move on the stairs, don't lower your knee, it | :46:33. | :46:36. | |
needs to be in the same place. You were plonking your body down in a | :46:36. | :46:41. | |
very, placing yourself very heavily in all the finishes. You need to | :46:41. | :46:45. | |
work on your finishes, but your free arm placement that we've been | :46:45. | :46:48. | |
banging on about is much, much better. | :46:48. | :46:57. | |
Craig, it is improving. Darcey? You have really take continue on board | :46:57. | :47:01. | |
from last week, your focus, your arms are cleaner and precise, the | :47:01. | :47:07. | |
choreographic finishes are there, well done. Overall, your confidence | :47:07. | :47:14. | |
through the whole peace -- piece was fabulous. Go on, off you go. It was | :47:14. | :47:20. | |
lovely. APPLAUSE | :47:20. | :47:30. | |
Better than last week. Much more than last week. After the salsa I | :47:30. | :47:35. | |
was crestfallen, but I than last week. After the salsa I | :47:35. | :47:38. | |
enjoyed that. It looked like you enjoyed yourself. Bruno said have | :47:38. | :47:43. | |
faith in yourself. You don't have a performance background. Is it tough | :47:43. | :47:47. | |
going out there live? I'm normally like a happy, bubbly person so to go | :47:47. | :47:51. | |
out and be serious and sultry is quite a challenge. But he's been | :47:52. | :47:54. | |
out and be serious and sultry is teaching me some stuff. He's a good | :47:54. | :47:55. | |
teacher. The scores are in: They're back. She's been putting in | :47:55. | :48:27. | |
the work. Call to vote: Or vote for free online. Voting opens later. | :48:27. | :48:31. | |
We've still got a whole lot of love tonight. And a lot of dancing. We | :48:31. | :48:36. | |
have Deborah quickstepping across the floor and Julien proving that | :48:36. | :48:43. | |
everybody needs somebody to love. Our next couple is Mark Benton and | :48:43. | :48:50. | |
his partner, Iveta Lukosiute. Yes, now then, Mark has recently | :48:50. | :48:58. | |
been starring in that hit musical Hairspray, where he had to dress as | :48:58. | :49:01. | |
a woman. I said, "What's it like having to get dressed like a woman | :49:01. | :49:05. | |
every night of the week? He said, "It's a drag." What's wrong with | :49:05. | :49:14. | |
that? Seven! Here they are in training. | :49:14. | :49:18. | |
When you start the dance, it goes really quickly until the very end | :49:19. | :49:24. | |
and everyone cheers and just like tunnel vision in a way. Dancing is a | :49:24. | :49:28. | |
joy and for me, you make me feel good. I loved it. His comments are | :49:28. | :49:32. | |
so lovely and it means so much that someone as talented and experienced | :49:32. | :49:39. | |
as him says that. Now it's love week this week. I wish someone would tell | :49:39. | :49:45. | |
Iveta. Don't walk into my space. You see that, "Don't walk into my space. | :49:45. | :49:49. | |
I will crush you." I started thinking about love and what comes | :49:49. | :49:52. | |
to mind is a family. I have a delightful wife and three wonderful | :49:52. | :49:57. | |
children. My children range from 15 to eight. That's the great thing | :49:57. | :50:00. | |
about Strictly. They can all watch it and enjoy it. Is anyone coming to | :50:01. | :50:06. | |
watch? My son Archie and my wife Sarah. Oh, wow. Finally I get to | :50:06. | :50:10. | |
meet him because I met all your children. And he's got a suit. That | :50:10. | :50:16. | |
is brilliant. He is hand HM and good -- is he as handsome and good | :50:16. | :50:20. | |
looking as you are? Much more so. Ive thought he would be embarrassed | :50:20. | :50:25. | |
by my dancing on television. Kids say stuff at school and he tells | :50:25. | :50:30. | |
them to shut up. Good on you son. I'm looking forward to see you. I | :50:30. | :50:34. | |
think the kids are proud of me. It makes it all worthwhile really, | :50:34. | :50:36. | |
because they're the most important people. | :50:36. | :50:40. | |
Dancing the American smooth, Mark Benton and Iveta Lukosiute. | :50:40. | :50:50. | |
CHEERING AND APPLAUSE Very lovely. What a bit of show | :50:50. | :52:37. | |
business, real bit of show business. Well done both of you. Bruno? And | :52:37. | :52:43. | |
they lived happily ever after. Ive tell you, you can -- I tell you, you | :52:43. | :52:50. | |
can tell a story. It was mimed to perfection. I could read every | :52:50. | :52:53. | |
moment. Let's go into this journey together. You played it beautifully. | :52:53. | :52:57. | |
It is an American smooth, there were a couple of rough passages, | :52:57. | :53:01. | |
especially from one section to the other. Watch your turns, but a story | :53:01. | :53:10. | |
telling was, it was perfect. Hold on, Craig? Yes, you definitely are a | :53:10. | :53:17. | |
fantastic story teller. However, you really have got to work on your | :53:17. | :53:22. | |
hands. They are absolutely ruining the line. It's only a small thing, | :53:22. | :53:28. | |
but it's a very large part, it's the finish. That's what will give you | :53:28. | :53:31. | |
much better points from the judges, I promise you. Tells a lot of | :53:31. | :53:37. | |
things, the hands. Darcey? I did miss the glamour and flair of the | :53:37. | :53:42. | |
American smooth, but as they said, you tell a story very well. But | :53:43. | :53:44. | |
being, you know you dance a little you tell a story very well. But | :53:44. | :53:50. | |
small for such a tall gentleman. Use your height and extend and travel. | :53:50. | :53:54. | |
That would be the only thing I didn't approve of. Generally, you | :53:55. | :53:59. | |
know, you have this lovely woman and you supported her so well in that | :53:59. | :54:06. | |
promenade. Keep that up. Keep working on that technique down | :54:06. | :54:15. | |
below. Very nice partner. Len? It's madness really, isn't it? That was a | :54:15. | :54:20. | |
joke because of that track was from Madness. Oh, so smart. Where does it | :54:20. | :54:27. | |
come from? I don't know. You capture the essence of every dance. Every | :54:27. | :54:31. | |
dance has got a character to it, American smooth, you have to be | :54:31. | :54:35. | |
glidy, Latin, crisp. You get that straight away. I'm not saying the | :54:35. | :54:41. | |
dancing is top notch, fantastic, but what I love - watching you, you get | :54:41. | :54:46. | |
it. That's great. You get the character. The character is there. | :54:46. | :54:51. | |
Who looks at the feet in I way? Away you go. Work on the hands. | :54:51. | :55:04. | |
APPLAUSE It must be love. Mark, we can always | :55:04. | :55:12. | |
APPLAUSE count on you to tell a story, after | :55:12. | :55:18. | |
last week's crazy salsa, this week, the American smooth. More glamorous. | :55:18. | :55:22. | |
We enjoyed it. Very much. It was good for you? Absolutely. Your son | :55:22. | :55:27. | |
is in the audience. He's here, my wonderful boy. In his new suit. He | :55:27. | :55:33. | |
looks proud. There he is. He's embarrassed now. He's shy now. | :55:33. | :55:37. | |
Scores are in: To vote call: Don't forget, can you | :55:37. | :56:05. | |
vote online, but only after all our couples have danced. That deserves a | :56:05. | :56:09. | |
kiss. If you think Mark and Iveta in the dance-off is utter matness -- | :56:09. | :56:15. | |
madness they will need your votes. Next up Ben Cohen and his partner, | :56:15. | :56:20. | |
Kristina Rihanoff. Another popular couple. Now, let me explain to you, | :56:21. | :56:27. | |
Ben suffers from a 50% loss of hearing and I asked him how it | :56:27. | :56:31. | |
affected him on the show. He told me, "It's a disadvantage when it | :56:31. | :56:36. | |
comes to hearing the music, but it definitely is an advantage when | :56:36. | :56:37. | |
you're doing your jokes." I'm not definitely is an advantage when | :56:37. | :56:43. | |
reading that! Why should I read that. No, here they are in training. | :56:43. | :56:50. | |
What was going through my head - don't mess it up. Oh, you have a | :56:50. | :56:58. | |
little. I'd gone stone faced. From then on I was thinking, smile. You | :56:58. | :57:03. | |
smiled once and then it lit up and then you looked terrified. I have to | :57:03. | :57:07. | |
sort my nerves out. You look magnificent butch you don't move | :57:07. | :57:12. | |
much. I've got to relax. This is the main thing, better than last week. | :57:12. | :57:23. | |
For me my family are my everything. I've been busy with Strictly. I | :57:23. | :57:27. | |
haven't spent much time at home. I'm missing Abbey and my girls. We miss | :57:27. | :57:32. | |
daddy while he's dancing. Ben as a husband and a dad he ticks all the | :57:32. | :57:37. | |
boxes. He does the cooking, he cleans. He's perfect. Who loves you? | :57:37. | :57:42. | |
Daddy, mummy. Good night. Being at home with the girls is very | :57:42. | :57:46. | |
important to me. They've been watching the show. They just repeat | :57:46. | :57:50. | |
mine and Kristina's dance. I can join in and have a bit of fun with | :57:50. | :57:55. | |
them. They are my biggest critics. Do you reckon daddy looks like | :57:55. | :58:01. | |
Stonehenge? No. Do you know what Stonehenge is? No. I love being at | :58:01. | :58:03. | |
home with Abs and the girls. We Stonehenge is? No. I love being at | :58:03. | :58:12. | |
daddy, we love you! Dancing the rumba, Ben Cohen and Kristina | :58:12. | :58:14. | |
Rihanoff. CHEERING AND APPLAUSE | :58:14. | :59:52. | |
Oh, look, they're on their feet. I didn't see that Ben, Kristina, look | :59:52. | :00:05. | |
what you've done. Ben, you dropped your lollipop. Oh, | :00:05. | :00:12. | |
it's yours, sorry. You've got a certain way with you. I tell you | :00:12. | :00:17. | |
what, I think it's coming all together. Do you like it? Don't! All | :00:17. | :00:26. | |
the women on your side, don't do that for goodness sake. Craig, start | :00:26. | :00:30. | |
us off. I want to love you too my darling. | :00:31. | :00:36. | |
I'm willing you to do well and dance well. And you know what, you did. | :00:36. | :00:50. | |
APPLAUSE You're not Stonehenge this week. | :00:51. | :01:00. | |
You're not Stonehenge. You were marvellous. | :01:00. | :01:07. | |
Darcey, dear? Yes, I wanted to see connection. You gave it to me. Well | :01:07. | :01:15. | |
done. You loosened up. You created a true intensity between that dance, | :01:15. | :01:18. | |
between both of you, fabulous. There's no nerves. They've | :01:18. | :01:24. | |
disappeared. Well done. And I saw areas of fluidity. And even a little | :01:24. | :01:30. | |
hip rotation there. Keep that up. I want to see it next | :01:30. | :01:39. | |
week as well. Don't go and kiss her for God's | :01:39. | :01:46. | |
sake. It's nice it see a big, butch bloke being gentle. Lovely | :01:46. | :01:53. | |
partnering. I thought you needed a bit more hips going on on occasions, | :01:53. | :01:58. | |
buff I thought you -- but I thought you showed your feminine side out | :01:58. | :02:07. | |
there. Bruno? I'd love to see more of that | :02:07. | :02:13. | |
side as well. Any time, any time! That was really a touchy, Fehily | :02:13. | :02:19. | |
kind of love -- feely kind of love, hands everywhere. It was like a | :02:19. | :02:24. | |
series of erotic freezes, one more interesting than the other. Which | :02:24. | :02:28. | |
way are you going with this? Whichever way you're going, keep | :02:28. | :02:30. | |
going, because you're going well. You're not going any farther! Get | :02:30. | :02:35. | |
off before they all start. Well done indeed Ben and Kristina! | :02:35. | :02:40. | |
APPLAUSE Wow. We can all feel the love after | :02:40. | :02:47. | |
APPLAUSE that one. That was one romantic | :02:47. | :02:52. | |
rumba, in a Strictly first, you made Craig blush. I don't thip that's | :02:52. | :02:57. | |
happened before. Quite tough getting in touch with your feminine side. | :02:57. | :03:03. | |
Well, it's interesting. You did a great job. Your little girls are so | :03:03. | :03:07. | |
gorgeous. I know, bless them. Are they up watching? They will be, I | :03:07. | :03:11. | |
love you two very much. Little darlings. I'm getting a tear now. | :03:11. | :03:13. | |
The scores are in: Yes! All right call to vote: Or you | :03:13. | :03:43. | |
can vote online later, if you want Ben and Kristina to keep dancing. | :03:43. | :03:47. | |
Now don't forget, as well as voting online, you can get all the gossip | :03:47. | :03:53. | |
on Facebook, Twitter or on our website. If ballroom is the food of | :03:53. | :04:02. | |
love, we'll dance on with all this: Got to look like dancing. That's | :04:02. | :04:16. | |
your right. I can't bear it. Brutal. I'm out of my depth here. When I | :04:16. | :04:21. | |
hear the rhythm I can't stop dancing. Samba is horrible. This | :04:21. | :04:32. | |
dance is going to kill me. Look at me. | :04:32. | :04:36. | |
Lovely. Now, for our next couple, it's Sophie Ellis-Bextor and her | :04:36. | :04:47. | |
partner, Brendan Cole. Remember their dance last week? Oh! | :04:47. | :04:53. | |
Sowive said, "Just because I'm a singer, you're not going to try and | :04:53. | :04:57. | |
sing, are you? I said, "Of course not." Now tell me more about your | :04:57. | :05:01. | |
big hit, Murder on the Dance Floor. Now then, was the murderer sent down | :05:01. | :05:12. | |
for life? Is the name of the game... APPLAUSE | :05:12. | :05:16. | |
Sorry, Sophie. I couldn't stop myself. Any way, here they are in | :05:16. | :05:18. | |
training. Saturday night was a bit of a dream | :05:18. | :05:26. | |
moment for me, to have all the stars aligned, really felt lick a lovely | :05:26. | :05:30. | |
moment. -- like a lovely moment. I can't believe it was me. It was | :05:30. | :05:33. | |
really special getting such lovely feed back from the judges. Wow! | :05:33. | :05:40. | |
Great routine, beautifully done. It's a tricky one to enjoy getting | :05:40. | :05:44. | |
36 points and also not worry about the fact that might be the only time | :05:44. | :05:49. | |
that happens. It wouldn't have been half as special if my husband hadn't | :05:49. | :05:53. | |
been there to enjoy it with me because we have to share in it. It's | :05:53. | :05:56. | |
really important. This week it's a samba. We are dancing to Lionel | :05:56. | :06:02. | |
Richie. It was the first dance at my wedding, this song. Hello guys. It | :06:02. | :06:07. | |
was nice that Richard came into training. We did a little routine | :06:07. | :06:13. | |
when we got married. We had a choreographer actually. Did you do | :06:13. | :06:18. | |
that? Definitely did the guns. I saw them dancing, it was nothing like | :06:18. | :06:23. | |
our wed das -- wedding dance. It's a different dynamic dancing to your | :06:23. | :06:26. | |
wedding dance with another man. It makes me so proud. I'm so in love | :06:26. | :06:37. | |
with my wife right now. Oh, Sir! Can you do this without touching my | :06:37. | :06:41. | |
wife? I love Richard and knowing he's behind me, means everything to | :06:41. | :06:44. | |
me. Dancing the samba, Sophie | :06:44. | :06:47. | |
Ellis-Bextor and Brendan Cole. CHEERING AND APPLAUSE | :06:47. | :08:40. | |
Well done, yes. Look at this. They all loved it. | :08:40. | :08:49. | |
You want to do it again, right? No, you can't. Sophie and Brendan, once | :08:49. | :08:54. | |
again a lovely samba. Your dance content is fabulous and great | :08:54. | :08:57. | |
choreography, all the way through. You bring quite a cool kind of party | :08:57. | :09:02. | |
vibe. I might have liked to have seen a fun, wild, carnival vibe, but | :09:02. | :09:08. | |
you still have it. You really do. I would only say one thing, you | :09:08. | :09:13. | |
overextend your arms in the running promenades, it's a little out there. | :09:13. | :09:18. | |
Just bring it in. Buff you have brilliant isolation, especially the | :09:18. | :09:21. | |
ones against Brendan. They were very nice. That was nice! We practised | :09:21. | :09:27. | |
that a lot. # You have such natural timing and | :09:27. | :09:35. | |
musicality and that shows so easily. You're going to go so far because of | :09:35. | :09:41. | |
that. You've got it all there. With a good teacher too. Len? It lacked a | :09:41. | :09:48. | |
little toning on occasion, but having said that, I loved the back | :09:48. | :09:52. | |
rocks into the little, then you went into another favourite, which look | :09:52. | :09:56. | |
at it, there we go, go on boys and girls. That's another one of my | :09:56. | :10:00. | |
favourites. Natural roll and so full of all my greatest hits. It was | :10:00. | :10:03. | |
lovely. Well done. Bruno? What you did was a | :10:03. | :10:19. | |
sophisticated samba, a samba from an uptown girl, chic yet sexy. You did | :10:19. | :10:25. | |
it all without breaking a sweat and looked good at it. Without breaking | :10:25. | :10:31. | |
a sweat. She has that cool look about her. Craig? I thought you | :10:31. | :10:35. | |
could have done with a little more double bounce action but I really | :10:35. | :10:37. | |
could have done with a little more loved it. You even attempted a | :10:37. | :10:42. | |
difficult move. Fabulous. A cleaner finish would have been great, but | :10:42. | :10:47. | |
well done. ?ment -- well done. Off you go, be happy. | :10:47. | :10:54. | |
APPLAUSE I could have watched that all night | :10:54. | :11:07. | |
long. The audience another standing ovation. I was so nervous before | :11:07. | :11:11. | |
that. I was scaring Brendan a little. Last week calm as anything. | :11:12. | :11:15. | |
What was more nervewracking the first dance at your wedding or the | :11:15. | :11:19. | |
Strictly ballroom? Definitely this one. It was so much more complif | :11:19. | :11:24. | |
Kated. -- Complicated. Your husband was watching and he seemed happy. | :11:24. | :11:25. | |
The scores are in: Really happy about that. One of the | :11:25. | :11:54. | |
coolest sambas we have ever seen. She makes it look cool. To vote | :11:54. | :12:04. | |
call: Or vote online. Voting doesn't start until the dancing stops. It's | :12:04. | :12:06. | |
call: Or vote online. Voting doesn't a night of love tonight. Still to | :12:06. | :12:12. | |
come: Susanna and Kevin - can they get romantic and Ashley and Ola with | :12:12. | :12:16. | |
a saucy samba. Our next couple is Julien Macdonald | :12:16. | :12:26. | |
and his partner, Janette Manrara. Now then, Julien and Janette have | :12:26. | :12:32. | |
been described as a pair of pocket rockets. They are like rockets, | :12:32. | :12:34. | |
she's small and explosive. And he rockets. They are like rockets, | :12:34. | :12:40. | |
lives on another planet. Any way, here they are in training. | :12:40. | :12:48. | |
The tango was a hard dance to have mastered. I'm relieved to have | :12:48. | :12:54. | |
finished it. If tango is a plant, it's a cactus. You're more of an | :12:55. | :12:59. | |
orchid. I am an orchid. I knew I would be in the bottom two. The | :12:59. | :13:03. | |
worst thing is doing the dance again. I was like, will I get it | :13:03. | :13:08. | |
wrong? Will I be bad? Will I be worse? I would like to see staying | :13:08. | :13:13. | |
Julien and Janette. We made it through. I didn't want to go home. I | :13:13. | :13:19. | |
have struggled with the jive. I've been so billsy in training, I hardly | :13:19. | :13:24. | |
get -- busy in training, I hardly get to see the love of my life. | :13:24. | :13:31. | |
# And they call it puppy love # #. I love is there's lots of tricks, | :13:31. | :13:32. | |
buff he does a high five. Are you I love is there's lots of tricks, | :13:32. | :13:42. | |
going to dance with us today? Jake's jive techniques are better than | :13:42. | :13:48. | |
mine. He's very light on his feet. Jive is about being lifted and up. | :13:48. | :13:55. | |
Julien needs to put a spring in his step. I've brought in trampolines. I | :13:55. | :14:00. | |
was so excited. I got a sense of being light on my feet. Jake has | :14:00. | :14:05. | |
inspired me to do a great jive on Saturday night. | :14:06. | :14:09. | |
Dancing the jive, Julien Macdonald and Janette Manrara. | :14:09. | :14:16. | |
MUSIC: Everybody Needs Somebody To Love | :14:16. | :15:49. | |
CHEERING AND APPLAUSE Yes, how about that? You've been | :15:49. | :16:04. | |
working hard. I've been dancing in my sleep. I can see that. Len? I | :16:05. | :16:14. | |
really enjoyed it, because you had that wild, devil may care attitude. | :16:14. | :16:18. | |
You just came out. You said, well, this is it. What happens is what | :16:18. | :16:23. | |
happens. I'm telling you, as far as I'm concerned, that's your best | :16:23. | :16:28. | |
dance to date. Thank you, Len! Now then. It was a | :16:28. | :16:38. | |
criminal attack on the jive. Full of whacky attitude. You went for it. I | :16:38. | :16:43. | |
tell you, I enjoyed it as well, but if you stay in the competition, you | :16:43. | :16:46. | |
really have to focus on time. Because you keep going on and off | :16:46. | :16:49. | |
really have to focus on time. it, on and off it. You have to stay | :16:49. | :16:53. | |
on it all the way through, because if that isn't there, everything else | :16:53. | :16:58. | |
falls apart. The energy was great. Thank you so much! Craig? Yes, I can | :16:58. | :17:07. | |
say, that the energy was great, but it was a bit like a three-year-old, | :17:07. | :17:13. | |
darling at a dance resital after ten bags of sweets. It had lots of | :17:13. | :17:23. | |
energy, which I loved. What did you say? I said it's love weekend, I've | :17:23. | :17:27. | |
asked Craig to love me especially tonight. | :17:27. | :17:35. | |
Oh, what a shame, darling. Right, Darcey? You've certainly | :17:35. | :17:39. | |
brought the energy and love into your jive, as the boys have said. I | :17:39. | :17:43. | |
would just love you to point those feet and make that crisper kick and | :17:43. | :17:48. | |
flick. But that was the only thing that would polish your performance. | :17:48. | :17:53. | |
Nice energy, well done. Lovely moves. Come on, be proud. Off you | :17:53. | :17:55. | |
go. APPLAUSE | :17:55. | :18:14. | |
Best dance yet! I'm so happy, I've worked so hard. I'm dancing in my | :18:14. | :18:19. | |
sleep. Dancing when I eat and dancing wherever I go. I've seen a | :18:20. | :18:24. | |
change in his work ethic, big time. He's upped his game. Was it being in | :18:24. | :18:29. | |
the dance-off, did that make you real aisles you want to stay in the | :18:29. | :18:33. | |
competition? I love the show so much. I find it incredibly | :18:33. | :18:36. | |
difficult, but I'm trying my best. We see that, honey. Great energy. | :18:36. | :18:38. | |
The scores are in: Better than last week. Improvement, | :18:38. | :19:05. | |
that's what we're about on this show. If Julien got you jiving call: | :19:05. | :19:15. | |
Don't forget you can vote online if you like. Remember, you can't vote | :19:15. | :19:20. | |
until everybody's danced and there's plenty more dancing and romancing to | :19:20. | :19:25. | |
come. Yes, our next couple is Susanna Reid | :19:25. | :19:38. | |
and her partner, Kevin from Grimsby. APPLAUSE | :19:38. | :19:39. | |
Susanna impressed the judges from day one. Can she impress them again | :19:39. | :19:46. | |
tonight with her Rhone yees waltz? -- Viennese waltz? Here they are in | :19:47. | :19:51. | |
training. The tango was fierce. As soon as we | :19:51. | :20:00. | |
started dancing, in my head I went, you have one-and-a-half minutes to | :20:00. | :20:03. | |
enjoy this because you are never going to dance this ever again. I | :20:03. | :20:08. | |
think you put the go in tango. Can I dance with you next week? Yeah, all | :20:08. | :20:15. | |
right. It's love week. We are dancing the Viennese waltz. | :20:15. | :20:21. | |
Obviously the love of my life is my family. Kevin and I share a passion. | :20:21. | :20:26. | |
You're goi to be substituted if you keep going back to the leave back. A | :20:26. | :20:32. | |
mutual love of football. Susanna is a fan of complas. -- Crystal Palace. | :20:32. | :20:39. | |
He's always encouraging me to glide across the floor It's really | :20:39. | :20:43. | |
important. We can't cut it short. We need more space. | :20:43. | :20:49. | |
You wouldn't think there was any connection between football and the | :20:49. | :20:53. | |
Viennese waltz. But on the football pitch, you can glide and that, I | :20:53. | :20:58. | |
think, can inspire our dance. Is she going to dive into the box? No. | :20:58. | :21:03. | |
Kevin was clever at showing how we could move around using all this | :21:03. | :21:05. | |
space. It's inspired me. Dancing the Viennese waltz Susanna | :21:05. | :21:11. | |
Reid and Kevin Clifton. CHEERING AND APPLAUSE | :21:11. | :23:03. | |
Oh, Susanna, look! Enjoy it. You don't get that on the news desk. | :23:03. | :23:13. | |
That's lovely. A lovely dance, beautifully performed. Such a | :23:13. | :23:15. | |
feeling to that. Bruno, what did you think? Yeah, you're so lovely and | :23:15. | :23:19. | |
versatile. Just watching you makes you happy. You have a natural feel | :23:19. | :23:23. | |
for the dance. You just naturally go with it. Lovely movement, lovely | :23:23. | :23:28. | |
flow. You have that in both ballroom and Latin. So it's so good to see. I | :23:28. | :23:32. | |
think you're going to go very, very far, my darling. | :23:32. | :23:41. | |
What did you think Craig? Chin up. Left shoulder down, darling. Also, | :23:41. | :23:46. | |
you need to really when you put your arm out, the shoulder ins gats the | :23:46. | :23:54. | |
move, then you -- inter-Bates the move -- anstigates the move. I'm | :23:54. | :24:05. | |
only trying to make it better for you. You made a difficult dance very | :24:05. | :24:10. | |
easy. You made it look easy. Darcey? Your technique is very good with | :24:10. | :24:13. | |
your foot work. Only at the beginning, because you have lovely | :24:13. | :24:19. | |
extensions, but at the beginning, instead of doing this use your | :24:19. | :24:24. | |
shoulders and your upper body so you get more stretch. She's up again. | :24:24. | :24:32. | |
It's only in your top line, that's the only thing letting you down. | :24:32. | :24:35. | |
Every week you get better and better. You're right. | :24:35. | :24:43. | |
It is a difficult dance. Isn't it Len? It is a difficult dance. I must | :24:43. | :24:47. | |
say. I'm telling you what, this is love week and I'm in love with that | :24:47. | :24:55. | |
Viennese waltz. Beautiful rotation, lovely fluidity of movement. You | :24:55. | :25:02. | |
attempted the fleckle. It was the best I've seen tonight. | :25:02. | :25:09. | |
Are you all right? Shall I carry you up the stairs? No, you can. Away you | :25:09. | :25:13. | |
go, Susanna and Kevin! APPLAUSE | :25:13. | :25:18. | |
Yes, Miss Thing made it look easy. APPLAUSE | :25:18. | :25:28. | |
Love week, Len is in love with your waltz. I think I'm in love with Len. | :25:28. | :25:33. | |
It's a mutual love-in. The audience love you. They were on your feet. | :25:33. | :25:39. | |
You have a lot of fun in training, was it tough channelling the | :25:39. | :25:43. | |
romance. Yeah, every time I told her to look in my eyes, she started | :25:43. | :25:46. | |
laughing. I thought it would be about rejection, not love. It's easy | :25:46. | :25:50. | |
to be in love with Kevin for two minutes because... For two minutes! | :25:50. | :25:55. | |
Just two minutes. He's such a lovely money and a boutiful dancer. He's | :25:55. | :25:59. | |
adorable. And so are you, a beautiful dancer. The scores are in: | :25:59. | :26:01. | |
If for Yes! Susanna is having a moment. | :26:01. | :26:28. | |
That was two 9s. Maeg. -- amazing. That's because Kevin is brilliant at | :26:28. | :26:34. | |
dancing. For two minutes though! LAUGHTER | :26:34. | :26:43. | |
Susian aand -- Susanna and Kevin would love your votes. Yes, call or | :26:43. | :26:54. | |
vote online. Plenty more love to give. Let's get | :26:54. | :26:58. | |
back on the floor. Our next couple is Radio 2 DJ, | :26:58. | :27:04. | |
Vanessa Feltz and her partner, James Jordan. | :27:04. | :27:13. | |
Now then, I was listening to Vanessa while I was having a bath this | :27:13. | :27:18. | |
morning. Has she got into my house, I'll never know. | :27:18. | :27:21. | |
LAUGHTER Let alone in the bathroom, where | :27:21. | :27:24. | |
does it stop? Here they are in training. | :27:24. | :27:32. | |
Last Saturday night, the performance felt just wonderful. I felt as if I | :27:32. | :27:39. | |
was floating. It was almost like watching a scene in a beautiful | :27:39. | :27:47. | |
musical. Yet being the star of it yourself. You're connected. You're | :27:47. | :27:51. | |
involved. You feel the music. As someone who has never danced, I was | :27:51. | :27:56. | |
involved. You feel the music. As really chuffed. I'm going to be | :27:56. | :27:59. | |
perfectly honest, I'm delightly concerned about the tango. Sorry. | :27:59. | :28:04. | |
perfectly honest, I'm delightly This dance is jolly fast. What, | :28:04. | :28:10. | |
what, what? Side, close? I'm in the sure I can even, I'm not joking, | :28:10. | :28:14. | |
move that fast. I was just in the middle of training with James, | :28:14. | :28:17. | |
trying to do this tango and I really wasn't getting head nor tail of the | :28:17. | :28:23. | |
whole thing, suddenly then my fiance appeared. Oh, look who's here! You | :28:23. | :28:32. | |
sweet head! You're doing so well. On Saturday night I was so proud of | :28:32. | :28:37. | |
you. I wanted to do Strictly because Ben is such a fantastic dancer. And | :28:37. | :28:41. | |
it would be heavenly, the best feeling in the world to dance | :28:41. | :28:45. | |
beautifully with the man I really love. Dancing the tango Vanessa | :28:45. | :28:54. | |
Feltz and James Jordan. CHEERING AND APPLAUSE | :28:54. | :30:42. | |
Oh, you stomp around the floor there. You've been getting it. | :30:42. | :30:48. | |
Craig, what did you think? Your left hand, you've got a broken wrist on | :30:49. | :30:52. | |
that. You need to straighten that out. Your head position needs to be | :30:52. | :30:56. | |
to the left when it needs to be. It lacked a little focus for me and | :30:56. | :31:02. | |
sharpness. Your head at times didn't look like it belonged actually. And | :31:02. | :31:10. | |
you messed up the first Corus -- chorus as well. At the beginning, | :31:10. | :31:16. | |
couldn't even catch him. He was down the Finchley Road. I've made | :31:16. | :31:19. | |
enormous progress to keep up with this dude, honestly. | :31:19. | :31:25. | |
Quite right. Give him a bit of stick back. I did like the fire in your -- | :31:25. | :31:30. | |
in you. You gave that attack straight away. You went for it. But | :31:30. | :31:33. | |
the only thing is you're not, it's not about liking the smell of your | :31:34. | :31:38. | |
man. You're not meant to like the smell of him. You're meant to keep | :31:38. | :31:43. | |
your head to the left. He doesn't smell. Scrupulously clean. It's | :31:43. | :31:48. | |
about keeping your head away. That's the only thing that lets you down, | :31:48. | :31:53. | |
the direction of your head. Find it hard, keeping your head away from | :31:53. | :31:56. | |
me. I'm sure every woman agrees. Len? I thought there was a lot of | :31:57. | :32:01. | |
content into that routine. James, you didn't take the easy option and | :32:01. | :32:05. | |
just do a little bit of mincing about. The overall feeling of it | :32:05. | :32:07. | |
just do a little bit of mincing a bit lick a decalf coffee, it -- | :32:07. | :32:12. | |
decaf coffee, it looks OK, but it lacks a bit of bite. Overall, well | :32:12. | :32:18. | |
done James, and lovely, Vanessa. You really had a go there. Bruno? | :32:18. | :32:24. | |
You did the disdainful, broken-hearted woman very well. You | :32:24. | :32:28. | |
were going at it like a battle axe at the beginning. "Don't mess with | :32:28. | :32:32. | |
my man." You were good at it. You messed up your foot work and what | :32:32. | :32:36. | |
happens sometimes, you just stop driving the dance, darling. You | :32:36. | :32:40. | |
know, you do it all up here, and then you do a bit by number. You | :32:40. | :32:43. | |
have to keep going. You started well, keep going. | :32:43. | :32:50. | |
APPLAUSE That was a fierce and passionate | :32:50. | :33:10. | |
tango. You can't say she didn't sell it. She gave it everything. It a lot | :33:10. | :33:16. | |
of character. A lot of content. I'm glad Len commented on that. Excite | :33:16. | :33:20. | |
the mixed -- despite the mixed comments, are you loving the | :33:20. | :33:25. | |
ballroom? Even if I look outside on the outside, on the inside it's | :33:25. | :33:29. | |
fantastic. That's the shame TV all. You look far from awful. You're | :33:29. | :33:32. | |
giving it your all. The scores are in: | :33:32. | :33:48. | |
Better towards the end. It's relative. It's from where you start | :33:48. | :33:54. | |
and where you finish up. Strictly is about someone that you take that's | :33:54. | :33:57. | |
never danced before and you're improving. I'm proud of you. So | :33:57. | :34:00. | |
whatever the judges say, I'm proud of you. Thank you. | :34:00. | :34:10. | |
Well done. Call or vote online later if you think that Vanessa and James | :34:10. | :34:15. | |
deserve to dance again next week. Lick a candle-lit dinner for two, | :34:16. | :34:20. | |
we've had the first two courses, a few glasses of bubbly and now | :34:20. | :34:24. | |
dessert as our final three couples dish up their dances. | :34:25. | :34:30. | |
Next is the couple, Ashley Taylor Dawson and his partner, Ola Jordan. | :34:30. | :34:39. | |
Now then, tonight, they are doing the samba. It's the party dance. | :34:39. | :34:44. | |
Ashley is going to be the host and Ola will just drop in. You'll see | :34:44. | :34:47. | |
what I mean. Here they are in training. | :34:47. | :34:53. | |
After the first week I wanted to go out there and just enjoy it a little | :34:53. | :35:02. | |
bit more, which I think I did. So impressive. You are going to go far. | :35:02. | :35:09. | |
Darcey gave me a nine. That's amazing. I couldn't believe it. | :35:09. | :35:12. | |
Thank you Darcey. Getting positive feed back from the judges has | :35:12. | :35:16. | |
boosted my confidence. Hopefully, in E week, I can -- next week, I can | :35:16. | :35:23. | |
improve again. My next dance is the samba. It's also my new nightmare. | :35:23. | :35:36. | |
Samba is hips, hip action. It's like someone has had his hip replaced. | :35:36. | :35:44. | |
Ola brought in lovely props today. I really think she's brought them in | :35:44. | :35:48. | |
to stand there looking pretty herself. I haven't been able to | :35:48. | :35:51. | |
spend much time with my family at the moment. Today I've invited them | :35:52. | :35:55. | |
to training so I can get to see them. It really hit home what this | :35:55. | :36:00. | |
week is about - it's love week. I love you more. I love you more. I | :36:00. | :36:02. | |
want to go out there on Saturday love you more. I love you more. I | :36:02. | :36:05. | |
night and hopefully I will make them proud. Who's the better dancer, Ola | :36:05. | :36:17. | |
or daddy? Daddy. Dancing the samba, Ashley Taylor Dawson and Ola Jordan. | :36:17. | :36:23. | |
CHEERING AND APPLAUSE Ashley, look! I tried to stop them, | :36:23. | :38:18. | |
but it was there. You haven't been very well, how are | :38:18. | :38:23. | |
you feeling? You're all right now. You lost a day. Absolutely | :38:23. | :38:26. | |
marvellous. That was great. Darcey, dear? I liked it. Especially the | :38:26. | :38:34. | |
percussion part, your rhythm, you kept that all the way through, and | :38:34. | :38:38. | |
that's not easy. It was only one thing, you have to lift up your eye | :38:38. | :38:43. | |
level. Just rails the chin and -- raise the chin and you'll have | :38:43. | :38:44. | |
better finished lines. Very nice, raise the chin and you'll have | :38:44. | :38:48. | |
just maybe do up the shirt next week and I won't be distracted. Puts you | :38:48. | :38:54. | |
just maybe do up the shirt next week off, yes. Len? The voltas were a | :38:54. | :38:59. | |
little bit heavy here and there, but the bottom line is, you've coped | :39:00. | :39:04. | |
well with a very difficult dance. Well done. | :39:04. | :39:10. | |
And on the beat all the time. Oh, yes, you're going to get plenty of | :39:10. | :39:15. | |
love after this dance, you dream boat from Brazil. Let's ehope. Let's | :39:15. | :39:21. | |
go all the way. You got your feet wrong at the corner, you just went | :39:21. | :39:26. | |
on the wrong foot, other-wise Len is right, you did a great job. | :39:26. | :39:33. | |
Marvellous. Craig? Hip rolls were absolute filth and I loved it! Watch | :39:34. | :39:45. | |
your mouth. I've never heard him say that before. Off you go. | :39:45. | :39:52. | |
APPLAUSE Love is in the air. Closing his | :39:52. | :40:04. | |
shirt as he comes upstairs. Len said you coped well and you're the | :40:04. | :40:09. | |
highest scoring male celebrity last week. I justed -- just wanted to get | :40:09. | :40:16. | |
the dance right. It was all over the place. We didn't notice. The scores | :40:16. | :40:18. | |
are in. Great score. All that and he has a | :40:18. | :40:43. | |
week old baby. Respect to you. Well done. If that dance made you think | :40:43. | :40:47. | |
love is in the air, everywhere you look around, call: Or go online. | :40:47. | :40:53. | |
Voting will be open at the end of look around, call: Or go online. | :40:53. | :40:56. | |
the show. You'll get to have your say very soon indeed. Now it's a | :40:57. | :41:02. | |
night of love here, close the shirt. We're distracted. It's a night of | :41:02. | :41:06. | |
love here and Ola, we hear that you are celebrating today, ten years of | :41:06. | :41:19. | |
marriage. Yes! Congratulations. I believe we've got a photo of the big | :41:19. | :41:21. | |
day. Brendan has a little something for | :41:21. | :41:39. | |
you. Excuse me guys. APPLAUSE | :41:39. | :41:44. | |
James and Ola, happy 10th wedding anniversary. From all of us. Thank | :41:44. | :41:48. | |
you guys. We will all have a piece of that. | :41:48. | :41:53. | |
Congratulations James and Ola. Beautiful. That was lovely. | :41:54. | :41:58. | |
Unexpected but lovely. Our next couple is Natalie Gumede and her | :41:58. | :42:04. | |
partner, Artem Chigvintsev. They are doing the rumba, the dance | :42:04. | :42:08. | |
partner, Artem Chigvintsev. of love. I was chatting to Natalie | :42:08. | :42:10. | |
partner, Artem Chigvintsev. about love and I said, "When I was a | :42:10. | :42:13. | |
young man, whenever I kissed a woman, I kept my eyes open." She | :42:13. | :42:21. | |
said, "Why? I said, "I just couldn't believe there was a woman there." | :42:21. | :42:24. | |
Here they are in training. From the last two shows I'm learning | :42:24. | :42:39. | |
how much I love to dance. It's just magic. It's a dance and as a | :42:39. | :42:43. | |
performance, absolutely corking. To get great comments from the judges | :42:43. | :42:46. | |
is really encouraging, because it means we're on the right track. We | :42:47. | :42:52. | |
weren't expecting nines in week two at all. We were absolutely thrilled. | :42:52. | :43:01. | |
This week we're dancing the rumba for love week. I'd say the big loves | :43:01. | :43:05. | |
in my life are my family and friends. I haven't had much time to | :43:05. | :43:09. | |
see them, so I invited Artem round to get to know them a little better | :43:09. | :43:16. | |
too. I was really looking forward to it, then I realised It's the girls | :43:16. | :43:24. | |
night! In onesies? We got in our onesies. We watched movies. He loved | :43:24. | :43:34. | |
it. There was a little chance for a rumba. We got to practice. We've had | :43:34. | :43:41. | |
our fun and it's time to work hard and hopefully, enjoy Saturday night. | :43:41. | :43:47. | |
Dancing the rumba Natalie Gumede and Artem Chigvintsev. | :43:47. | :43:55. | |
CHEERING AND APPLAUSE Yes, no surprise at all. Real | :43:55. | :45:46. | |
connoisseurs. Look at them. May I say, lovely to see you so graceful | :45:46. | :45:51. | |
and being so pleasant. It is beautiful. Len? That was fabulous. | :45:51. | :46:06. | |
Bruno? Expressive, meaningful, beauty in perpetual motion. Oh, | :46:06. | :46:21. | |
well. Craig? Love, love, love! And Darcey rgs darling? You speak with | :46:21. | :46:25. | |
the whole of your body. It's beautiful. And especially that end. | :46:25. | :46:32. | |
I loved that and smooth onto the ground. Brilliant. | :46:32. | :46:38. | |
I was just going to say that. Absolutely beautiful. It's lovely to | :46:38. | :46:41. | |
see you like this. Off you go. What a job you're doing, Artem. | :46:41. | :46:43. | |
Away you go. APPLAUSE | :46:43. | :46:59. | |
Wow! Wow! . That's what I call romantic. Three weeks in a row, | :46:59. | :47:02. | |
three incredible dances. Is there anything you can't do? Dance with my | :47:02. | :47:08. | |
hair down, I don't think. I can't see. It didn't stop you. Artem, you | :47:08. | :47:13. | |
look like you're welling up. Maybe a little. Terminator is about to cry. | :47:13. | :47:17. | |
That's a first. Go and pop your onesie on and you'll | :47:17. | :47:19. | |
be fine. The scores are in. An incredible score for an | :47:19. | :47:48. | |
incredible dance. Really great. They keep going upwards. To call: Or vote | :47:48. | :48:00. | |
online if you think Natalie's rumba reeked of romance and you want to | :48:00. | :48:04. | |
see what they can pull out of the bag next week. Someone's growling | :48:04. | :48:09. | |
behind me. Get those fingers flexed and ready. Voting opens soon. Who's | :48:09. | :48:15. | |
having the last dance of the night. Ignore them! | :48:15. | :48:18. | |
To our final couple tonight, Deborah Meaden and her partner, Robin | :48:18. | :48:25. | |
Windsor. Now then, after her routine last | :48:25. | :48:29. | |
week, Deborah said she didn't think Craig liked her dance. She said he | :48:30. | :48:36. | |
just sat there, stony faced, expressionless and never once raised | :48:36. | :48:40. | |
a smile. I said, that's nothing do with your dance, it's the botox. | :48:40. | :48:49. | |
Is he smiling? We wouldn't know if he's smiling or not would we. Any | :48:49. | :48:51. | |
way, here they are in training. I loved the cha cha cha. Dragon | :48:51. | :49:04. | |
versus drag queen darling, be careful. I don't know what Craig | :49:04. | :49:08. | |
meant. I presume he was talking about himself. You must straighten | :49:08. | :49:12. | |
your legs. It made it look stompy, unfortunately. Craig is right, I was | :49:12. | :49:16. | |
a bit stompy. Ive know I can do better. I can always do better. It's | :49:16. | :49:24. | |
love week and what two better people to be dancing around the ballroom | :49:24. | :49:31. | |
floor than me and my wonderful Deborah. To me love isn't just about | :49:31. | :49:37. | |
the slow seductive music, it's about the joy of life. Robin has taken me | :49:37. | :49:42. | |
into this world of Strictly and all the glitz and glamour and I'm | :49:42. | :49:50. | |
showing him the other loves of my life, horses. He'd rather just stand | :49:50. | :49:56. | |
there. I think I might be a country boy after all. I adore Robin. I love | :49:57. | :50:02. | |
the stuff we're doing together. My son is about a love of life, love of | :50:02. | :50:07. | |
horses. We have to pick that up. What -- with what? My hands? With | :50:07. | :50:11. | |
brooms. To find something you love so much so late, I wish I'd found it | :50:11. | :50:17. | |
earlier. Dancing the quickstep, Deborah | :50:17. | :50:19. | |
Meaden and Robin Windsor. CHEERING AND APPLAUSE | :50:19. | :52:13. | |
Deborah, look at that! Look what a dragon can do. | :52:13. | :52:20. | |
Isn't that wonderful to see them all standing up for you. You did such a | :52:20. | :52:23. | |
Isn't that wonderful to see them all great job. Bruno? The dragon is | :52:23. | :52:29. | |
turning into a butterfly. You can fly if you want to, my darling. You | :52:30. | :52:34. | |
were more light footed than ever. Just one thing, be very careful, | :52:34. | :52:38. | |
you're losing your neck. Don't turn into a tortoise by the end. So much | :52:38. | :52:49. | |
better. Craig? You put a smile on my face, darling. I really enjoyed | :52:49. | :52:54. | |
that. Lovely. Darcey? It was fast and | :52:54. | :53:00. | |
furious and you didn't end up in Robin's chest, which I thought you | :53:00. | :53:03. | |
might because you do have to fix that frame, so we don't get bounce | :53:03. | :53:07. | |
in the top line. I love the pleasure you get from dancing. It's fabulous. | :53:07. | :53:15. | |
She loves it. And Len? Your best dance to date, my lovely. | :53:15. | :53:22. | |
You love it don't you? You're enjoying it. Go and enjoy it, run up | :53:22. | :53:26. | |
those stairs and enjoy your marks. APPLAUSE | :53:26. | :53:40. | |
What a way to end the show with a standing ovation and you put a smile | :53:40. | :53:44. | |
on Craig's face. You're not expecting me to talk, are you? Don't | :53:44. | :53:49. | |
talk, just take in air rapidly. You must be so proud of her. Totally, we | :53:49. | :53:54. | |
worked so hard this week. Deborah is improving is much. I'm so, so, so | :53:54. | :54:00. | |
proud. He does a bit too. Yes he does. You covered every square inch | :54:00. | :54:05. | |
of that floor, incredible. It feels like it. Did it feel good? I loved | :54:05. | :54:11. | |
it. I'm loving dancing. How different is this to your real life | :54:11. | :54:16. | |
in the boardroom? What life? I've lost that, that life's gone. This is | :54:16. | :54:20. | |
your new life. Dancing is your life. The scores are in. | :54:20. | :54:44. | |
Come on! Your votes can lift Deborah and Robin higher and higher, call: | :54:44. | :54:55. | |
Or you can vote online if you want to see this pair dancing again. Your | :54:55. | :54:58. | |
votes make the difference between our couples having a successful | :54:58. | :55:02. | |
relationship in the ballroom or a dance divorce in the Results Show. | :55:02. | :55:08. | |
We don't want that. No! All our couples have danced. They've faced | :55:08. | :55:11. | |
the judges, let's lack at the leaderboard: | :55:11. | :55:30. | |
Remember, you can make or break their hearts by picking up the phone | :55:30. | :55:34. | |
or going online and voting for your their hearts by picking up the phone | :55:34. | :55:38. | |
favourite. Do it now, because voting is open! Calls cost 15 p from a BT | :55:38. | :55:51. | |
land line. Other networks may vary. Please ask the bill payer's | :55:52. | :55:56. | |
permission. You'll find full terms and conditions online, | :55:56. | :56:04. | |
bbc.co.uk/strct strictly. High standard of dancing tonight. | :56:04. | :00:19. | |
Very high. Thank you, didn't you all do well? However, one of our 14 | :00:19. | :00:24. | |
celebrities is heading to the heart break hotel. They muff leave the | :00:24. | :00:30. | |
competition -- they must leave the competition. It will be you who | :00:30. | :00:36. | |
makes the difference. If you don't want to say goodbye to your | :00:36. | :00:39. | |
favourites, pick up the phone or go online and have your say. The | :00:39. | :00:44. | |
romance has to end some time. Tomorrow night two of our couples | :00:44. | :00:50. | |
will have to face the dreaded dance-off. Sad. Join me and Claudia | :00:50. | :00:57. | |
at 7. 20pm to find out which of our stars has danced the last dance. | :00:57. | :01:02. | |
Stay with BBC One for all the action in Atlantis. In the meantime, watch | :01:02. | :01:05. | |
and learn. Keep dancing! | :01:05. | :01:07. |