Browse content similar to Week 4. Check below for episodes and series from the same categories and more!
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Last week, Strictly fell in love. For some, romance blossomed. Love, | :00:07. | :00:16. | |
love, love. Julienne survived the dreaded dance off for the second | :00:17. | :00:22. | |
time. And escaped a broken heart. This week 13 couples remain and | :00:23. | :00:24. | |
superstition is in the air. Hey! 13 couples, unlucky for one. Not me | :00:25. | :00:41. | |
hopefully. Live from the Strictly ballroom, | :00:42. | :01:42. | |
this is Strictly Come Dancing. Please welcome your hosts, Sir Bruce | :01:43. | :01:55. | |
Forsyth and Tess Daly. APPLAUSE | :01:56. | :02:05. | |
I saw you, tricky foot work. A new step. I liked the new step. Thank | :02:06. | :02:08. | |
you. CHEERING | :02:09. | :02:15. | |
Oh, they're lively. They've woken up. Good evening, ladies and | :02:16. | :02:20. | |
gentleman and children, welcome to Strictly Come Dancing. It's nice to | :02:21. | :02:26. | |
see you, to see you... NICE! Wow, amazing. Nice to see you. You | :02:27. | :02:31. | |
my love. Wasn't week was a great show, all about love. I think love | :02:32. | :02:35. | |
is here to stay. I've heard more and more couples are having candle-lit | :02:36. | :02:42. | |
dinners. Is that because romance is here forever? No, they can't afford | :02:43. | :02:51. | |
the Energy Bills. APPLAUSE | :02:52. | :02:59. | |
Vote for Forsyth! You know it makes sense. | :03:00. | :03:02. | |
APPLAUSE Yes, it's in the far away now. I can | :03:03. | :03:10. | |
feel it. I will be needed. For one couple love wasn't in the air. | :03:11. | :03:14. | |
Vanessa and James left the dance floor for good. Sad, yes. Breaking | :03:15. | :03:20. | |
up is hard to do and so our couples must once again face the music and | :03:21. | :03:28. | |
battle on to avoid the dreaded dance-off. We've ramped up the | :03:29. | :03:33. | |
tension enough. Is it time to begin worshipping in the temple of dance. | :03:34. | :03:39. | |
Temple of dance? Who wrote that? Come here, my beauty. Oh, I say. | :03:40. | :03:44. | |
It's time to meet the stars of our show. | :03:45. | :03:49. | |
Pop star Sophie Ellis-Bextor and her partner Brendan Cole. Star of stage | :03:50. | :03:54. | |
and screen Mark Benton and his partner Iveta Lukosiute. BBC | :03:55. | :03:58. | |
Breakfast presenter Susanna Reid and her partner Kevin Clifton. England | :03:59. | :04:03. | |
rugby hero Ben Cohen and his partner Kristina Rihanoff. Coronation Street | :04:04. | :04:08. | |
Star Natalie Gumede and her partner Artem Chigvintsev. International | :04:09. | :04:12. | |
fashion designer Julien McDonald and his partner Janette Manrara. Model | :04:13. | :04:17. | |
and TV presenter Abbey Clancy and her partner Aljaz Skornajec. From | :04:18. | :04:22. | |
Hollyoaks, Ashley Taylor Dawson and his partner Ola Jordan. Star of | :04:23. | :04:28. | |
Dragon's Den Deborah Meaden and her partner Robin Windsor. Casualty star | :04:29. | :04:31. | |
Patrick Robinson and his partner Anya Garnis. Countdown presenter | :04:32. | :04:36. | |
Rachel Riley and her partner Pasha Kovalev. TV Chef and Hairy Biker | :04:37. | :04:39. | |
Dave Myers and his partner Karen Hauer. And Bond girl and author | :04:40. | :04:45. | |
Fiona Fullerton and her partner Anton du Beke. | :04:46. | :04:59. | |
CHEERING AND APPLAUSE Look at them. Just look at them. | :05:00. | :05:14. | |
There they all are. Now, now then, a lot of relations in I think. You | :05:15. | :05:18. | |
might have read in the papers that Craig will soon be having a hip | :05:19. | :05:26. | |
operation. Aawww. Evidently for the past ten years he's had to put up | :05:27. | :05:36. | |
with a persistent pain. The first one who says, "So have we, Craig" | :05:37. | :05:42. | |
will get a low mark tonight. As I thought - you're all chicken. Our 13 | :05:43. | :05:48. | |
lucky chickens are bursting to get to the dance floor and show us what | :05:49. | :05:51. | |
they've done. Who is going first? I'm glad you asked, our first couple | :05:52. | :05:56. | |
tonight is Sophie Ellis-Bextor and her partner Brendan Cole. | :05:57. | :06:06. | |
APPLAUSE They're in the middle. Their dance | :06:07. | :06:13. | |
will have a 1920s feel about it. I was born in the 1920s, what a lovely | :06:14. | :06:19. | |
moment that must have been the midwife handing me to my mother and | :06:20. | :06:23. | |
saying, "Congratulations Mrs Forsyth, it's a chin." | :06:24. | :06:28. | |
LAUGHTER Shut up. That's not funny. You keep | :06:29. | :06:34. | |
quiet as well. I'm not laughing. Here they are in training. . | :06:35. | :06:40. | |
Dancing the samba for me was quite a challenge. I was a jumble of nerves. | :06:41. | :06:48. | |
What you did was a sophisticated samba, chic yet sexy. Bruno was | :06:49. | :06:55. | |
really kind to me. It's a bit intimidating the Latin numbers | :06:56. | :06:59. | |
because they are supposed to be the sexy side. I got through it and I | :07:00. | :07:03. | |
managed to enjoy it. But it's a whole new dance this week. This week | :07:04. | :07:11. | |
we are dancing the foxtrot. Sorry. You've got to attack every dance in | :07:12. | :07:15. | |
the right mind set, put yourself in that Syria. Picture the costume. | :07:16. | :07:21. | |
Maybe if I went to try and find some clothes from that era it might be a | :07:22. | :07:25. | |
good way to get into character. You want to go shopping? I want to go | :07:26. | :07:29. | |
shopping. We're going vintage clothes shopping, I'm sure it will | :07:30. | :07:33. | |
help with my foxtrot. Pretty things everywhere. Shopping, probably not | :07:34. | :07:36. | |
my first choice of things to do. But I am here to support. If Sophie | :07:37. | :07:41. | |
wants shopping, Sophie gets shopping. When we were shopping, | :07:42. | :07:45. | |
Brendan did look a bit bored from time to time. But I'd say he | :07:46. | :07:49. | |
tolerated the exercise really. My head is definitely in the 1930s now. | :07:50. | :07:51. | |
I just hope my feet are too. CHEERING AND APPLAUSE | :07:52. | :09:51. | |
What a start! Oh, I say, enjoy it. Look at that. Oh, what a start. | :09:52. | :10:00. | |
Thank you both. Oh, you're embarrassed. A little bit. Don't be | :10:01. | :10:05. | |
embarrassed about being that good, never. Let's welcome our judges, | :10:06. | :10:11. | |
Craig, Darcy, Len and Bruno! APPLAUSE | :10:12. | :10:20. | |
I'm sure the judges, all of our dancers and our audience would like | :10:21. | :10:24. | |
to join me in wishing Craig good luck for his hip operation. Are you | :10:25. | :10:32. | |
ready? Let's do it right. If we're going to do it, do it right. Ready? | :10:33. | :10:43. | |
Hip Hip Hooray. In all seriousness, we do wish you all the best for it. | :10:44. | :10:47. | |
I hope everything goes absolutely wonderful. That is from our hearts. | :10:48. | :10:55. | |
That's very sweet, thank you. Now then, I've been dying to do that all | :10:56. | :10:59. | |
day. Len, what did you think of that? No messing about, you went | :11:00. | :11:02. | |
straight into the routine, none of that silly stuff going on. I loved | :11:03. | :11:07. | |
the music. I loved the routine. I loved the dance. What more do you | :11:08. | :11:16. | |
want? Fabulous. Oh, my darling, you really looked like a Hollywood star | :11:17. | :11:24. | |
from Hollywood's golden era. Exquisite elegance, immaculate sense | :11:25. | :11:29. | |
of style. What I really like, when you take a turn, you hold it until | :11:30. | :11:33. | |
the last moment of the musical phrase, before you go into the next | :11:34. | :11:41. | |
one. It's so lovely to see. Sustain the top line. That's the only tiny | :11:42. | :11:46. | |
little thing. You really have to sustain that. I'd like to add, | :11:47. | :11:50. | |
that's probably the singer in you that helps you do those it helps | :11:51. | :12:00. | |
with the dance. I have to agree with Bruno, your top line is suffering | :12:01. | :12:04. | |
somewhat. That's a small thing. A couple of heels missing, but it was | :12:05. | :12:07. | |
elegant. It was graceful. The movement around the floor was | :12:08. | :12:12. | |
absolutely exquisite. Fabulous clean pave ots, darling -- pivots, | :12:13. | :12:21. | |
darling, loved it. You really gave Sophie a really hard | :12:22. | :12:26. | |
foxtrot, but you created such ease, with your travelling and gliding. I | :12:27. | :12:30. | |
would say when you create that spin, in the standing spins, don't let the | :12:31. | :12:35. | |
shoulder rise, that was the only thing. You get faster and faster. | :12:36. | :12:39. | |
But not that it bothered me because you have style and grace all the way | :12:40. | :12:44. | |
through. Beautiful. It was near perfection. Thank you very much. | :12:45. | :12:45. | |
Well done both of you. Off you go. What a start to the show! | :12:46. | :13:01. | |
APPLAUSE You do not disappoint. Are you | :13:02. | :13:04. | |
embarrassed? Yeah, I was a bit. Ened ing ovation to start the show. It | :13:05. | :13:08. | |
doesn't get much better than that. Bruno said you looked like a | :13:09. | :13:12. | |
Hollywood star. Four weeks in, you are excelling in both ballroom and | :13:13. | :13:16. | |
Latin. Do you feel that you're falling in love with ballroom | :13:17. | :13:19. | |
dancing? I love, love, love the way it looks. No, I find it really | :13:20. | :13:22. | |
tricky. There's so much going on all the time, the technique. I can only | :13:23. | :13:26. | |
credit Brendan if I'm getting it right. You make it look effortless. | :13:27. | :13:31. | |
You can't fake chemistry. You two have bucket loads. What's she like | :13:32. | :13:36. | |
to dance with? Foxtrot is a tricky one to get feeling relaxed. It felt | :13:37. | :13:39. | |
beautiful out there. You should be very proud of yourself. And your | :13:40. | :13:45. | |
84-year-old granny Sybil is here tonight. Yeah, Sybil! Scores are in: | :13:46. | :14:09. | |
She said, "I can't cope." Great score. She needs a sit down. I hope | :14:10. | :14:18. | |
my granny's all right. If you think that foxtrot was good enough to keep | :14:19. | :14:23. | |
Sophie and Brendan in the competition these are the numbers | :14:24. | :14:24. | |
you need: Voting lines don't open until all | :14:25. | :14:38. | |
our couples have danced. Please don't vote now. If you do your vote | :14:39. | :14:42. | |
won't count and you may be charged. The couples with the lowest combined | :14:43. | :14:46. | |
score will be in the dance-off tomorrow night. Scared faces. Who's | :14:47. | :14:48. | |
next? Our next couple is Fiona Fullerton | :14:49. | :14:56. | |
and her partner Anton Du Beke. Very popular couple. As you know, Fiona | :14:57. | :15:06. | |
used to be a Bond girl. I told her I saw a Bond film the other night and | :15:07. | :15:10. | |
I really fancied one of the girls. But she was way, way too young for | :15:11. | :15:17. | |
me. She said, "Who was it? I said, "Judi Dench." | :15:18. | :15:23. | |
APPLAUSE Poor Judi. She never ever got over | :15:24. | :15:25. | |
it. Here they are in training. I was really looking forward to the | :15:26. | :15:37. | |
dance because Anton is the king of ballroom and the waltz. I felt that | :15:38. | :15:43. | |
I was in very safe hands. Nice and classy, Princess Fiona. I was | :15:44. | :15:49. | |
thrilled we got 28 points. I don't think I've had 28 points in the last | :15:50. | :15:53. | |
three series added together. Now, there is that added pressure to keep | :15:54. | :15:58. | |
improving, but whether the scores will improve, who knows. Good. Put | :15:59. | :16:06. | |
your arms down. I'm a huge Strictly Come Dancing fan. When my father | :16:07. | :16:10. | |
passed away in 2008, it became a tradition that my mum would come to | :16:11. | :16:14. | |
our house for the weekend and then we would all watch Strictly | :16:15. | :16:20. | |
together. So this week, I thought I'd bring extra Strictly magic to | :16:21. | :16:26. | |
our family gathering. What a wonderful surprise. Would you like | :16:27. | :16:32. | |
to get up. All my friends are going to be | :16:33. | :16:35. | |
really jealous that I've had a dance with Anton. It was an absolute | :16:36. | :16:42. | |
pleasure dancing with Fiona's mum. Exquisite dancing obviously runs in | :16:43. | :16:45. | |
the family. I don't really want to be sitting on the sofa on a Saturday | :16:46. | :16:47. | |
night too soon. Keep dancing! Come here. What happened at the end | :16:48. | :18:48. | |
there? Something? So you invited him back to meet the family, did you? I | :18:49. | :18:53. | |
didn't see the film. While you catch your breath, it's a good time to | :18:54. | :18:56. | |
welcome our fabulous singers, Dave Arch and his fabulous orchestra. | :18:57. | :19:11. | |
Wave. OK now then, Bruno, we start with you. Fiona, sweet heart, the | :19:12. | :19:15. | |
packaging was very enticing and very promising at the beginning. There | :19:16. | :19:21. | |
were a few serious issues with balance and losing your step and | :19:22. | :19:25. | |
fluidity, my darling. The rumba is all about, no, you know. It's all | :19:26. | :19:31. | |
about continuous motion. You can't just stop and start. It was very | :19:32. | :19:37. | |
evident. I still think you have it, but you really have to concentrate | :19:38. | :19:42. | |
in sustaining your performances. I am. We all make mistakes. Of course. | :19:43. | :19:50. | |
Craig? Dare I mention it, the hip action, darling, I thought was very, | :19:51. | :19:59. | |
very stiff and plonky. It sort of clunked into place. Your exit from | :20:00. | :20:05. | |
the floor spin, you did a bizarre jump out of that. It lacked a bit of | :20:06. | :20:10. | |
rhythm and any sort of connection with Anton. Also your balance went | :20:11. | :20:15. | |
and you missed that last move there. That was quite sad. Overall not your | :20:16. | :20:22. | |
best. We choreographed it like that, actually. | :20:23. | :20:26. | |
APPLAUSE You can do it normally... We've done | :20:27. | :20:33. | |
it in practice many times. We thought we'd do it in the | :20:34. | :20:41. | |
controversial version. Darcey? For me, you have that slinky lady | :20:42. | :20:45. | |
effect, you were caressing the floor. It was very good at the | :20:46. | :20:48. | |
beginning, but it's true, you do lose focus. I really don't want us | :20:49. | :20:53. | |
to notice or you to show us that you're making any mistakes. Please | :20:54. | :20:58. | |
don't show it. It's really important that you focus. I mean, I think | :20:59. | :21:05. | |
there is so much in you and you've got to survive. So bring out the | :21:06. | :21:10. | |
fight in you next time. Yes, exactly. Good comments there. OK, | :21:11. | :21:17. | |
Len? All the steps were. There the attitude was good. The rumba is such | :21:18. | :21:23. | |
ape slow, pre-- such a slow, precise dance and it magnifies any mistakes. | :21:24. | :21:28. | |
When it's fast moving, you make a mistake and you're on to the next | :21:29. | :21:34. | |
thing. With a rumba, it's like Len's lens, you see it. There were a few | :21:35. | :21:38. | |
issues. I liked the attitude you came out with. I thought there was | :21:39. | :21:45. | |
one. One what? One issue. One in each section. You messed up the fan | :21:46. | :21:50. | |
position. You went off on the wrong foot. You were falling all over him. | :21:51. | :21:54. | |
I was being nice and then you come back. I enjoyed watching you, as I | :21:55. | :21:58. | |
always do. You shouldn't have said that. | :21:59. | :22:10. | |
Any way, off you go. APPLAUSE | :22:11. | :22:11. | |
Oh, I love you. And breathe. Darcey said similar, | :22:12. | :22:25. | |
Bruno said you have got it but you have to concentrate. Do the nerves | :22:26. | :22:30. | |
get to you? I think I'm concentrating like mad. I don't know | :22:31. | :22:34. | |
what the issue is. I did lose my balance and I've never done that | :22:35. | :22:38. | |
before. It's becoming my USP to go wrong every week. The rumba is a | :22:39. | :22:42. | |
difficult dance. How do you think Fiona did? Tremendously, it is a | :22:43. | :22:45. | |
difficult dance, if you go a little bit off, it is magnified in that | :22:46. | :22:49. | |
respect. I thought you did beautifully. You danced beautifully. | :22:50. | :22:54. | |
You look beautiful. The scores are in: | :22:55. | :23:18. | |
Those scores are only half the story. Your votes could change the | :23:19. | :23:26. | |
course of Fiona Andrew ton's dancing future. Call from your mobile or | :23:27. | :23:29. | |
land line or get online. There's so much to come. Julienne and Janette. | :23:30. | :23:35. | |
They're doing the salsa. And Natalie and Artem with the quickstep. | :23:36. | :23:41. | |
Next up is Mark Benton and his partner, Iveta Lukosiute. Now, they | :23:42. | :23:53. | |
are dancing to an urban rap hip-hop song. Let me tell you everything I | :23:54. | :24:02. | |
know about urban rap and hip-hop. LAUGHTER | :24:03. | :24:10. | |
Here they are in training. I thought our performance went really well. | :24:11. | :24:21. | |
All the judges last week picked up on our story telling. You can tell a | :24:22. | :24:25. | |
story. It was mimed to perfection. It's something that I love to do. | :24:26. | :24:30. | |
Craig picked up on my hands again. Absolutely ruining the line. With | :24:31. | :24:36. | |
the nerves you can't think of everything. I love watching you, you | :24:37. | :24:40. | |
get it and that's great. I was thrilled with the score. Hopefully | :24:41. | :24:44. | |
we can keep going that way rather than that way. This week we're | :24:45. | :24:56. | |
dancing the cha cha to MC Hammer U Can't Touch This. Mark's cools are | :24:57. | :24:59. | |
not as cool as he thinks they are. I can throw some shapes, I can bust | :25:00. | :25:04. | |
some moves. I'm trying my best to be cool. Mark needs to be cool in this | :25:05. | :25:09. | |
dance. I got an idea that might just help him to get into character and | :25:10. | :25:16. | |
be cool. Hi Marky boy. I've got you some accessories. Check it out. | :25:17. | :25:20. | |
# You've got to fight for your right to party # | :25:21. | :25:27. | |
You look cool, you feel cool, let's dance cool. I've got the moves. I've | :25:28. | :25:30. | |
got the attitude. Bring on Saturday night. | :25:31. | :25:35. | |
CHEERING AND APPLAUSE There we are, Mark, enjoy it. | :25:36. | :27:41. | |
A standing ovation and well deserved. That was wonderful. | :27:42. | :27:50. | |
Now I know what urban rap and hip-hop is. I think! Right Craig? I | :27:51. | :27:59. | |
can see what the judges think. I have to say, I can't believe the | :28:00. | :28:10. | |
audience. I mean... BOO They give you a false sense of | :28:11. | :28:14. | |
security. It was all very flat footed and stompy. The cha cha cha | :28:15. | :28:19. | |
that you actually did was danced, I'm afraid, very badly. I don't know | :28:20. | :28:33. | |
how are they... I disagree. That was brilliant! There was leg action. I | :28:34. | :28:38. | |
didn't know you had that in you. It was great and you've worked really | :28:39. | :28:44. | |
hard on those details. Every little look. Fabulous. It's just brilliant. | :28:45. | :28:52. | |
Loved it. Len, what did you think? I tell you what, you're full of | :28:53. | :28:55. | |
talent, I won't tell you what Craig's full of. I tell you what you | :28:56. | :29:02. | |
had in there, you had so many basic steps, New Yorks, time steps, Cuban | :29:03. | :29:07. | |
breaks, you did a fan and a hockey stick. Mark, do it again. | :29:08. | :29:19. | |
It was so beautiful. Bruno? MC Mark is going for gold. Or was it brass, | :29:20. | :29:25. | |
I'm not quite sure. But you had plenty of bling. It was unique. It | :29:26. | :29:30. | |
was different. It was memorable. And very, very funny. And the way they | :29:31. | :29:39. | |
work together, your movement, it was a team. We are a team. Thank you. It | :29:40. | :29:47. | |
was wonderful. Off you go. APPLAUSE | :29:48. | :30:01. | |
Break it down, touch me. One time. Len wants to see it again. Show us | :30:02. | :30:08. | |
one more hip-hop move, because you can. Yeah! That's the one. | :30:09. | :30:14. | |
That was one heck of a cha cha. We absolutely loved it. The aupd yens | :30:15. | :30:18. | |
were on -- audience were on their feet. Have you found your funky | :30:19. | :30:22. | |
Latin side? Definitely. Safe to say. How hard does he work in training, | :30:23. | :30:27. | |
looks like it. There were a lot of moves. I don't want to make it sound | :30:28. | :30:31. | |
like he doesn't work hard because we have a lot of fun. But he works real | :30:32. | :30:38. | |
little hard, honestly. Yeah, I do. I do! Scores are in: | :30:39. | :31:08. | |
Ignore Craig. Call from your mobile or from your land line or you can | :31:09. | :31:20. | |
vote for free online. But stop. Hammertime! Thank you. Nice. Voting | :31:21. | :31:25. | |
won't open until all our couples have danced. I'm going to dig out my | :31:26. | :31:31. | |
baggy pants now. Who's next? Our next couple is Ashley Taylor | :31:32. | :31:37. | |
Dawson and his partner, Ola Jordan. A lot of fans here. Now, Ashley is | :31:38. | :31:44. | |
one of the hardest working celebrities we have ever had and | :31:45. | :31:49. | |
he's coping very well with the pitter patter of tiny feet. Nothing | :31:50. | :31:53. | |
to do with his new baby, he's got mice in the dressing room. | :31:54. | :32:00. | |
Alan Carr game me that joke! Here they are in training. I was really | :32:01. | :32:09. | |
excited about the samba, because it was a fast routine. The bottom line | :32:10. | :32:15. | |
is you've coped well with a very difficult dance. That's the best | :32:16. | :32:18. | |
thing I've heard in years. I was happy with that. Just maybe do up | :32:19. | :32:23. | |
the shirt next week and then I won't be distracted! I love the fact that | :32:24. | :32:26. | |
I'm on Strictly Come Dancing. It's the best experience of my life. I | :32:27. | :32:33. | |
just want to improve. It's a hug. This week, I'm dancing | :32:34. | :32:39. | |
the Viennese waltz. Ashley has got to be romantic and loving. Don't | :32:40. | :32:47. | |
laugh. Don't smile. It's romantic. I've got a good idea. In order to | :32:48. | :32:53. | |
inspire Ashley, I took him to a cinema to watch the old classics. | :32:54. | :33:00. | |
Very good, very funny. I saw my lovely face on the big screen | :33:01. | :33:09. | |
necking birds. Thanks Ola, not embarrassing at all (! ) I think he | :33:10. | :33:14. | |
was happy the were only two of us in the cinema. Are we doing that? No, | :33:15. | :33:19. | |
just the look on your face. You've stitched me up. Revenge is sweet. | :33:20. | :33:21. | |
You wait. CHEERING AND APPLAUSE | :33:22. | :35:12. | |
Very lovely. Lovely rue teen, beautiful. Come in here. Oh, | :35:13. | :35:22. | |
absolutely. Due enjoy that? Yes. I couldn't wear a vest. With a lovely | :35:23. | :35:29. | |
outfit like that? Right, Darcey? Ashley, a veen yeets waltz is -- | :35:30. | :35:35. | |
Viennese waltz is faster than a waltz, it has many turns, it's | :35:36. | :35:38. | |
smooth and romantic and you gave many of those things. It was a | :35:39. | :35:42. | |
little, for me, a little bit too safe and placed. So I just want you | :35:43. | :35:46. | |
to push yourself next time and go for it. What you did give me is a | :35:47. | :35:51. | |
neck, your eye line level, very elegant in your top line. That's | :35:52. | :35:54. | |
what I really wanted especially from last week, and you gave me that. | :35:55. | :35:57. | |
Just push yourself a little bit harder. Drive through. Go for it. | :35:58. | :36:06. | |
I thought it was beautiful. Len? It had romance, elegance and there was | :36:07. | :36:11. | |
a style to it. I thought your footwork, you've obviously worked on | :36:12. | :36:14. | |
that. A little bit wafty on occasions, I thought. And the other | :36:15. | :36:21. | |
thing, I liked the fleckerl, it needed for me, you get a bit stiff, | :36:22. | :36:25. | |
you're being told keep your head to the left and then you get stiff. So | :36:26. | :36:30. | |
you get a bit stiff in the top. Just needed a bit more gusto to it. A bit | :36:31. | :36:37. | |
more gotcha. I think we know what you mean. Buno? I -- Bruno? I didn't | :36:38. | :36:43. | |
mind the wafty at all. He extends his lines beautifully. The casual | :36:44. | :36:53. | |
flick of the wrist. Very Darcey. We love that. It was tender, romantic, | :36:54. | :36:59. | |
they are right, you need more oomph. You need to drive it. Keep it there. | :37:00. | :37:03. | |
That was a good Darcey, I tell you that. You could have fooled me. It | :37:04. | :37:09. | |
had me going. The only thing that bothered me about it were your arms | :37:10. | :37:15. | |
out of hold. They seem unnatural actually. They're not as flowy as | :37:16. | :37:21. | |
Bruno was making out. They're actually quite bizarrely stiff. No, | :37:22. | :37:25. | |
it wasn't stiff. They are. You into Ed to work on that. No. That would | :37:26. | :37:30. | |
have swept me away with that. It ruined it a bit more me. Oh, well, | :37:31. | :37:37. | |
some things to work on. Still don't like the vest. Don't wear a vest | :37:38. | :37:42. | |
with a lovely outfit like that. I'm surprised at awe -- you, I really | :37:43. | :37:47. | |
am. You're getting the blame. No more vests. Good luck. | :37:48. | :37:50. | |
APPLAUSE Your beautiful angel Ola. We thought | :37:51. | :38:06. | |
it was gorgeous to watch. How did it feel? Maybe I was a bit stiff, that | :38:07. | :38:10. | |
was probably the nerves. I enjoyed it. How has the public's reaction | :38:11. | :38:15. | |
been to your taking part in Strictly? Everywhere you go, they | :38:16. | :38:20. | |
wait until they're leaving and they say, "Good luck." It's quite | :38:21. | :38:23. | |
overwhelming. The scores are in: Great score for you guys. No more | :38:24. | :38:52. | |
bruises. A lot in training. Call from your mobile or from your | :38:53. | :38:58. | |
landline, or you can vote online if Ashley and Ola's gorgeous Viennese | :38:59. | :39:04. | |
waltz whisked you away. Earlier I gave you the wrong number for Mark | :39:05. | :39:16. | |
and Iveta. The numbers are: Patrick is begging Anya for mercy and Ben is | :39:17. | :39:21. | |
proving hard to handle. I bet! Our fifth couple is Julien Macdonald | :39:22. | :39:31. | |
and his partner Janette Manrara. Now they are dancing a salsa to a | :39:32. | :39:36. | |
Spice Girls hit. The whole routine is going to be a tribute to herbs | :39:37. | :39:43. | |
and spices. Julienne will be trying -- Julien will try his best to cut | :39:44. | :39:48. | |
the mustard. Janette will be wearing hardly any cloves. And we all hope | :39:49. | :39:59. | |
and pray that Julien keeps in thyme. Here they are in training. I was | :40:00. | :40:06. | |
really looking forward to the show on Saturday. I really liked my | :40:07. | :40:12. | |
routine. I loved the song. It was a criminal attack on the jive. In the | :40:13. | :40:18. | |
dance-off it's Julien and Janette. Here I go again. I was more | :40:19. | :40:25. | |
focussed. I need to keep Julien and Janette. I need to prove to everyone | :40:26. | :40:28. | |
that I can dance and I want to be here. | :40:29. | :40:33. | |
I'm really happy that I'm dancing to a Spice Girls song. I used to dress | :40:34. | :40:37. | |
all the Spice Girls. I didn't realise they were all Strictly fans. | :40:38. | :40:41. | |
Julien good luck. Don't mess it up. And I'll be thinking about you. | :40:42. | :40:46. | |
What's before that? Left first. I love the dance. I love the song. My | :40:47. | :40:52. | |
problem is I can't remember the steps. I created a game show memory | :40:53. | :40:56. | |
show for Julien. It was Spice Girls themed to help him remember his | :40:57. | :41:01. | |
steps. I remember that, I made that. After two weeks in the dance-off | :41:02. | :41:05. | |
it's nice to have some fun in the training room. Go! Steps, Union Jack | :41:06. | :41:11. | |
dress, a mug, a cuddly toy, a picture of Bruce, erm...... Well | :41:12. | :41:16. | |
done. Let's hope I can really spice up my dance routine this week. I | :41:17. | :41:20. | |
really don't want to end up in the bottom two again. | :41:21. | :41:26. | |
I think he's got it. By jove he's got it. Well done. Thank you Bruce. | :41:27. | :43:23. | |
You put a lot of effort into that. I liked your attitude. You come out | :43:24. | :43:27. | |
and attacked the dance. It was a bit wild and whacky. It needed a bit | :43:28. | :43:32. | |
more control. So work a little bit on that. The dynamic of it is | :43:33. | :43:37. | |
terrific. Control yourself. Well, that's a good tip. Definitely high | :43:38. | :43:45. | |
on spice. It looked like you all tried to do them at once, scary, | :43:46. | :43:53. | |
spicy, baby, posh. Sporty. The thing is... Now to be honest, I have to | :43:54. | :43:59. | |
tell the truth, you threw yourself into it beautifully. You always do | :44:00. | :44:03. | |
everything you can. But, if you stay on, you cannot force yourself upon a | :44:04. | :44:09. | |
dance. You have to go with it. You have to go with the music, because | :44:10. | :44:12. | |
what happens, the worst thing again is your timing. It's like you're not | :44:13. | :44:18. | |
listening to the music. You're trying so hard and I feel for you. | :44:19. | :44:22. | |
But ease off a bit. Go with it. Listen to the music. Was better, on | :44:23. | :44:29. | |
the beat more times than not. I am trying really hard. I love it, | :44:30. | :44:35. | |
but I find it so difficult. Because you overthink it maybe. | :44:36. | :44:40. | |
Craig? There was no rotation at all, whatsoever in the hip department. | :44:41. | :44:45. | |
This dance should flow and have a motor and it should be an easier | :44:46. | :44:49. | |
steady thing that goes through it. You lack musicality. That is your | :44:50. | :44:56. | |
problem, I think. There was a lot of hip action in the beginning. | :44:57. | :45:06. | |
Don't answer that. Darcey? It was certainly fun. There were dynamics | :45:07. | :45:10. | |
there. That's what you need. You've tried really hard at keeping in | :45:11. | :45:15. | |
sync. You were nearly all the way through in sync. It is just those | :45:16. | :45:19. | |
isolations, but I think that was your best dance. | :45:20. | :45:28. | |
It was. It was his best chance, but we | :45:29. | :45:34. | |
didn't have much to choose from. Go on off you go! | :45:35. | :45:37. | |
APPLAUSE Well done. We were all rooting for | :45:38. | :45:51. | |
you up here. You nailed it. Darcey said your best dance yet. Bruno says | :45:52. | :46:00. | |
you do all you can. I give it 400, 500, 1,000%. We know it. I have | :46:01. | :46:08. | |
2,000 cratals on. -- cystals on. Twice you've survived the dance-off, | :46:09. | :46:11. | |
have you done enough to not be there again this week? I hope so. I've | :46:12. | :46:16. | |
danced night and day. I don't know what else I can do. The commitment | :46:17. | :46:17. | |
is there. Let's hope the scores are. I do believe that is your best score | :46:18. | :46:43. | |
yet. They're going up and up. If Julien and Janette spiced up your | :46:44. | :46:54. | |
life then call: Or vote online later. They do not want to be in the | :46:55. | :47:00. | |
dance-off for a third time. No. No Second Night Out. -- No, no. | :47:01. | :47:05. | |
More drama tonight. Deborah is revealing all to a Eurovision | :47:06. | :47:10. | |
classic and Dave is a matinee idol. Who's next? | :47:11. | :47:15. | |
Now, it for our next couple Rachel Riley and her partner, Pasha | :47:16. | :47:20. | |
Kovalev. Another lovely couple. For their | :47:21. | :47:27. | |
dance they're going to be a pair of gangsters robbing a bank. I went out | :47:28. | :47:31. | |
with a girl who worked in a bank once, the trouble was every time she | :47:32. | :47:36. | |
sent me a love letter, she charged me 25 quid. | :47:37. | :47:45. | |
Is it there? Well do it then! APPLAUSE | :47:46. | :47:45. | |
Here they are in training. When I knew I had to dance the cha | :47:46. | :47:55. | |
cha the week after the salsa, I was a bit scared. I had to get myself in | :47:56. | :48:00. | |
the zone. Overall I was rely pleased with how it went. You got your old | :48:01. | :48:08. | |
hips going there. Bionic bum. It was clean and precise. To go from 20 | :48:09. | :48:12. | |
points in the salsa to 27 in the cha cha I was really, really happy. I | :48:13. | :48:18. | |
can only get better from here, I hope. This week Pasha and I are | :48:19. | :48:22. | |
dancing the quickstep. For the quickstep you need a lot of speed, | :48:23. | :48:29. | |
stamina and quick reflexes. If we can relate it to a sport that will | :48:30. | :48:32. | |
really help your dance. So what sport? Let's play some squash. | :48:33. | :48:42. | |
Come on. I have an idea. Every time you swing, before the ball comes | :48:43. | :48:45. | |
back, give me a quickstep. Don't stop. Shoulders down. Keep | :48:46. | :48:50. | |
your feet going. Faster, faster. I did feel silly doing quicksteps on | :48:51. | :48:54. | |
the court. But hopefully it gets it into my head that I need to | :48:55. | :48:57. | |
anticipate the next move, which should help. You are so fast here, | :48:58. | :49:02. | |
so if you just bring it in the ballroom on Saturday night, your | :49:03. | :49:04. | |
quickstep would be unstoppable. CHEERING AND APPLAUSE | :49:05. | :51:01. | |
They were after our Glitterball. That was the big steal. Well done, | :51:02. | :51:04. | |
the pair of you. That was a fast quickstep. | :51:05. | :51:11. | |
That was really fast. Bruno? Rachel, you tricky girl, you just about got | :51:12. | :51:18. | |
away with it. I tell you, plenty of content, but what you need is | :51:19. | :51:21. | |
control. I think a lot of the mistakes happen because you lose | :51:22. | :51:24. | |
control of your body. Work on the control. Control and strength. OK. | :51:25. | :51:30. | |
Craig? The thing that really let that down was your top line. That | :51:31. | :51:35. | |
would have looked and OK, you would have got away with it, but I felt | :51:36. | :51:40. | |
like you were being flung about. You lost your balance. Then a series of | :51:41. | :51:43. | |
mistakes and the leap at the end went wrong. You must tighten your | :51:44. | :51:48. | |
bum cheeks darling when you go through that at the end, then you | :51:49. | :51:52. | |
will glide beautifully. There's a good tip for you, my dear. | :51:53. | :51:58. | |
Work on that. Darcey? Pasha gave you a very | :51:59. | :52:03. | |
challenging quickstep. It's not easy. That was very fast. Just watch | :52:04. | :52:07. | |
you don't grip on his shoulder like that or it's a bit of gripping. I | :52:08. | :52:11. | |
know I've said it before, it is about strength in your core because | :52:12. | :52:14. | |
you have, that was hard and you did a very good job, just trek then that | :52:15. | :52:22. | |
-- streng Chen that core -- strengthen that corps and there will | :52:23. | :52:29. | |
be much improvement. Len. If you can stop laughing. You'll be clenching | :52:30. | :52:38. | |
your bum cheeks tomorrow when they kick... | :52:39. | :52:39. | |
LAUGHTER What was that? What did you say? I | :52:40. | :52:48. | |
can't repeat it. It was only a bit of whimsy. | :52:49. | :52:53. | |
Listen, the quaunt of steps was there -- quantity of steps was | :52:54. | :52:56. | |
there. It was the quality in the top. You started off terrific. I | :52:57. | :52:59. | |
thought this is going to be your best dance. As it went on, you lost | :53:00. | :53:05. | |
your posture a bit. Lovely foot work, though. I loved everything | :53:06. | :53:08. | |
down stairs was beautiful. It's just you have to get this top up a bit | :53:09. | :53:12. | |
and focus. Well done. | :53:13. | :53:19. | |
It was lovely. Don't listen to that nonsense. Away you go. Good luck. | :53:20. | :53:23. | |
CHEERING AND APPLAUSE Bruno's officially off his rocker. | :53:24. | :53:37. | |
Love that. Right, Len loved your foot work. Do you feel like you've | :53:38. | :53:40. | |
found your dancing feet? I found them and then I lost them and then I | :53:41. | :53:45. | |
found them. I'm not sure. Maybe one. Darcey said you did a very good job. | :53:46. | :53:48. | |
Encouraging comments from those two. Scores are in: | :53:49. | :54:09. | |
26! Call from your mobile or from your land line, or you can go online | :54:10. | :54:25. | |
when voting opens later on. Six dancers down, seven more waiting | :54:26. | :54:28. | |
nervously in the blocks and still all this to come: One, two and | :54:29. | :54:38. | |
three. It feels so weird. Have I actually got hips? You do have hips. | :54:39. | :54:53. | |
Here comes Shakira. Your back? Does it hurt? Yeah. This was your paso | :54:54. | :55:01. | |
face, it has to turn into a happy face. Now is not the time to be | :55:02. | :55:09. | |
going all shy on me. Len, why didn't you just say,up,up, | :55:10. | :55:15. | |
pig's bum. -- yum, yum, pig's bum. Everything | :55:16. | :55:21. | |
would have been fine. I know what camera it is! I'm not an idiot. Did | :55:22. | :55:27. | |
you see that? Next up, it's Ben Cohen and his partner, Kristina | :55:28. | :55:32. | |
Rihanoff. Yes, very popular, they really are. | :55:33. | :55:38. | |
For their dance, they're going to be a life-sized car on the floor. | :55:39. | :55:43. | |
You'll see it in a minute just there. Funnily enough, the car | :55:44. | :55:49. | |
reminds me so much of Ben - very powerful, as a well upholstered | :55:50. | :55:55. | |
seat, and looks great with the top off. Am I right, ladies? Get back! | :55:56. | :56:05. | |
Right, here they are in training. Last Saturday, I felt better when I | :56:06. | :56:09. | |
danced. I started to let go a bit. There's no nerves. They've | :56:10. | :56:13. | |
disappeared. Seven! We got good scores. That was completely | :56:14. | :56:17. | |
spontaneous, going up and giving Craig a kiss and a cuddle, bless | :56:18. | :56:21. | |
him. Keep going because you're going well. We're heading in the right | :56:22. | :56:23. | |
direction. That's what the competition is about. There's no | :56:24. | :56:26. | |
dancing background and seeing you turn into a beautiful dancer - I | :56:27. | :56:36. | |
hope! One, two, three, four... This week, we're dancing the salsa. It's | :56:37. | :56:44. | |
a massive transition from rugby player to a person on the dance | :56:45. | :56:48. | |
floor. Rugby players did really well on the show. You know Matt Dawson | :56:49. | :56:55. | |
and Austin Healy did wonderfully. Today I arranged for Matt to come to | :56:56. | :56:59. | |
rehearsals and help Ben with his salsa. It was good to catch up with | :57:00. | :57:05. | |
him and he gave me some tips. I thought his salsa was great. I | :57:06. | :57:10. | |
think he can move his hips. He's got rhythm. So pleasantly surprised. | :57:11. | :57:19. | |
He's got it. He hasn't lost it. I'm happy to have Matt in. Hopefully | :57:20. | :57:23. | |
fingers crossed and I can let go on Saturday fight into. | :57:24. | :57:25. | |
-- Saturday night. CHEERING AND APPLAUSE | :57:26. | :59:08. | |
They love you. Look at them. Well, a standing | :59:09. | :59:17. | |
ovation for Ben. I tell you, the rugby player, the way you picked her | :59:18. | :59:22. | |
head up. That was - I loved that bit. Bute flifl. -- beautiful. Dirty | :59:23. | :59:32. | |
oiled mechanic... Ticking every box. I loved it. Craig, control yourself. | :59:33. | :59:42. | |
Next time let him kiss you. Ben, you can certainly handle Kristina with | :59:43. | :59:47. | |
ease and confidence. You definitely have come out of your shell. You're | :59:48. | :59:50. | |
having fun. I love it. You'll wait your turn. | :59:51. | :00:11. | |
Len's first. Ben, you've got the guns and tonight | :00:12. | :00:15. | |
you have the ammunition. That was terrific. | :00:16. | :00:23. | |
Well done. Bruno? Surprisingly smooth for such a big bruiser. I | :00:24. | :00:34. | |
want to see more of you. Of me? Of him. I thought so. The way you are | :00:35. | :00:39. | |
getting on with him is absolutely wonderful. Well done. Ben, keep | :00:40. | :00:43. | |
going. He's got the guns and he's got the | :00:44. | :00:59. | |
ammunition. Don't touch them. Let me think, I'm | :01:00. | :01:06. | |
not shy. Standing ovation out there today. Darcey said that you've | :01:07. | :01:09. | |
really come out of your shell and you look like you're having fun. | :01:10. | :01:13. | |
Were you? I feel more at home out there now I can throw someone | :01:14. | :01:17. | |
around. The strength, those lifts were incredibly dangerous. A lot of | :01:18. | :01:22. | |
trust there. Yes. A lot of hard work. He's a strong guy, he can | :01:23. | :01:25. | |
handle it. It takes a strong guy all the way up there, impressive. The | :01:26. | :01:27. | |
scores are in: You enjoyed that dance. You thought | :01:28. | :01:54. | |
that might be a dance, that's your highest score to date. Call from a | :01:55. | :02:02. | |
mobile or land line. Or you can vote online if you want to see Ben and | :02:03. | :02:07. | |
Kristina tackle another dance next week. As well as going online to | :02:08. | :02:13. | |
vote you can catch up with the back stage shenanigans on Twitter and | :02:14. | :02:16. | |
Facebook. For our next couple Deborah Meaden | :02:17. | :02:24. | |
and Robin Windsor. Now, tonight she's doing the jive. I | :02:25. | :02:30. | |
think that's a big mistake. I mean, when she's on Dragon's Den, she | :02:31. | :02:38. | |
says, "I'm in" Or "I'm out" Why don't they give her the Hokey Cokey? | :02:39. | :02:43. | |
She'd get four tens for that. I wish I could do that again. Never mind. | :02:44. | :02:50. | |
You see, it's live television. If it were recorded, I could do it again. | :02:51. | :02:55. | |
Never mind, here they are in training. | :02:56. | :02:59. | |
I really enjoyed the quickstep. I got a standing ovation. I cannot | :03:00. | :03:07. | |
believe this. It's amazing. You put a smile on my face, darling. I | :03:08. | :03:11. | |
really enjoyed that. I was so chuffed with Craig's comment. | :03:12. | :03:14. | |
There's a first time for everything. Your best dance to date, my lovely. | :03:15. | :03:20. | |
I'm hanging onto the judges' every word. Because the important thing is | :03:21. | :03:25. | |
I get better. This week I'm doing the jive. Robin has taught me -- | :03:26. | :03:36. | |
talked me into dancing to Bucks Fizz Making Your Mind. I'm having a great | :03:37. | :03:41. | |
time dancing, but I am still quite inhibited. The nation at home are | :03:42. | :03:45. | |
thinking, please don't take this skirt off. If you're not feeling the | :03:46. | :03:48. | |
vibe of Eurovision, there's only one way to make that happen. I think we | :03:49. | :03:52. | |
should have a little Eurovision party. This is a perfect idea. Oh, | :03:53. | :04:00. | |
look. We watched the original Eurovision Song Contest. It really | :04:01. | :04:02. | |
reminded me what this dance was all about. Here's the moment. Oh, my | :04:03. | :04:10. | |
goodness. By the end of it, I was getting it. I hope it's a ten and | :04:11. | :04:13. | |
not nil poi. CHEERING AND APPLAUSE | :04:14. | :06:14. | |
Well done, Deborah. Are you all right, darling. Don't talk to me. I | :06:15. | :06:22. | |
won't. But it was lovely. Darcey, start us off. That's a hard dance. | :06:23. | :06:26. | |
You have to have sharp kicks, energy, bounce. It was a little | :06:27. | :06:33. | |
soft. I'm sorry. I missed your confident self. It just wasn't your | :06:34. | :06:37. | |
dance. There is always one. But it just wasn't yours. But you have so | :06:38. | :06:41. | |
much enthusiasm and I know you can come back stronger next week. | :06:42. | :06:47. | |
There you are, some dances suit. Len? Bucks Fizz, you know it had | :06:48. | :06:52. | |
plenty of fizz, you have to buck your feet up. There just wasn't the | :06:53. | :06:57. | |
technique there. You went wrong a couple of times. I love you, like | :06:58. | :07:01. | |
Darcey says, I love your enthusiasm. I like the way you come out. You | :07:02. | :07:05. | |
have a brilliant smile. You are giving it plenty. You just need to | :07:06. | :07:08. | |
work on the technique a bit. She gives her all. You got the | :07:09. | :07:13. | |
Eurovision camp right, I tell you that. It was light hearted fun. But | :07:14. | :07:17. | |
they're right, basically the technique wasn't strong enough in | :07:18. | :07:20. | |
this dance. You'll come back and do better. In other dances, she's been | :07:21. | :07:28. | |
wonderful. There was no real spring in your steps. The kicks were very, | :07:29. | :07:35. | |
very lame. They weren't pointed the foot or anything. The ball changes | :07:36. | :07:38. | |
were flat footed unfortunately. Not your dance. I loved it. I had a | :07:39. | :07:47. | |
lovely time. You've done the jive. Who can take that away? Off you go! | :07:48. | :07:52. | |
Come on over you two. Something's changed about you Robin, is it the | :07:53. | :08:12. | |
beard? My pants. Definitely the beard. What are the judges saying, | :08:13. | :08:15. | |
it wasn't your dance. When you were in the Dragon's Den, did you imagine | :08:16. | :08:18. | |
you'd be getting your skirt whipped off in front of ten million people? | :08:19. | :08:24. | |
Good heavens no. But things might change in the den from now on. You | :08:25. | :08:28. | |
were nervous about the jive. I was. I love fast dances, but I kind of | :08:29. | :08:33. | |
felt I was struggling with this one. I still had a great time. The scores | :08:34. | :08:35. | |
are in: What do you think, voting couldn't | :08:36. | :08:59. | |
be easier call from your mobile or land line or you can vote on the | :09:00. | :09:01. | |
website. The beard and hair, that's | :09:02. | :09:14. | |
distracting. Voting isn't open yet. Don't take long making your mind up. | :09:15. | :09:18. | |
There are still five couples left to dance. Have you heard this lot? Back | :09:19. | :09:21. | |
to you. For our next couple Natalie Gumede | :09:22. | :09:30. | |
and her partner, Artem Chigvintsev. This week, Natalie suffered an | :09:31. | :09:34. | |
injury to her back and had to stop training for two days. I'm glad to | :09:35. | :09:39. | |
say, she's back on her feet, but has she recovered enough to dance the | :09:40. | :09:44. | |
energetic quickstep? Here's exactly what happened. | :09:45. | :09:49. | |
I was absolutely thrilled that our dance was so well received on | :09:50. | :09:55. | |
Saturday. It felt fantastic. Fabulous. Love, love, love. To get | :09:56. | :10:01. | |
the feed back from the audience and then from the judges, we were so | :10:02. | :10:07. | |
blown away. Good job. Thank you. That Saturday night is the best | :10:08. | :10:10. | |
feeling in the world. It's not something I want to end just yet. | :10:11. | :10:18. | |
This week, we are dancing the quickstep. It's so quick. There's a | :10:19. | :10:23. | |
lot that can go wrong. During training things took a turn for the | :10:24. | :10:30. | |
worse. I started having really bad trouble with my back. The pain soon | :10:31. | :10:35. | |
became unbearable and we had to go to the doctor. I was really scared. | :10:36. | :10:43. | |
After lots of tests, they found a bulging disc in my spine. I don't | :10:44. | :10:47. | |
want to let Artem down and I don't want to miss out on the most | :10:48. | :10:52. | |
enjoyable experience I've ever had. I was terrified that I had to pull | :10:53. | :10:58. | |
out of the competition. But I've been prescribed pain killers. I'm | :10:59. | :11:01. | |
back dancing. The lack of rehearsal was a worry. I just hope my back | :11:02. | :11:04. | |
holds out on the night. CHEERING AND APPLAUSE | :11:05. | :12:57. | |
Well done indeed. What a great routine. There it is. That says it | :12:58. | :13:08. | |
all. A great routine. Are you all right? Are you feeling OK? Thank | :13:09. | :13:13. | |
you. You should be after that. It was a bit long winded getting | :13:14. | :13:18. | |
started, if I'm honest. Once you got - well it was. What do you want me | :13:19. | :13:22. | |
to say. Look behind you. I'm not worried about them. The part in hold | :13:23. | :13:26. | |
I liked very much. I just thought it was too long before you got cracking | :13:27. | :13:32. | |
and you stopped in hold too short. It was too long at the front and the | :13:33. | :13:39. | |
back. The bit in hold I thought was great. I'm just telling them! Right, | :13:40. | :13:47. | |
Bruno? I can't believe you delivered a dance of this standard in such a | :13:48. | :13:53. | |
short time. I love the jazzy feel. It was like watching quickstep as | :13:54. | :13:57. | |
the main attraction at the cotton club. I mean, it was just like being | :13:58. | :14:02. | |
there with you. You capture the spirit of the dance so well. And | :14:03. | :14:07. | |
some of the musical nuances, the jazzy turns, I thought it was | :14:08. | :14:10. | |
wonderful. So did I. | :14:11. | :14:17. | |
Just two days of training, I mean, Craig, what did you think? I agree, | :14:18. | :14:21. | |
I loved the fusion of quickstep and jazz. I thought that was done | :14:22. | :14:25. | |
immaculately well. There is no stopping you, darling. Stunning. | :14:26. | :14:29. | |
And the whole dance was to the music. | :14:30. | :14:33. | |
The boys are right, the style was just perfect. It was so nice. And so | :14:34. | :14:38. | |
much dance content. But what you've been through this week, with missing | :14:39. | :14:42. | |
out and having that problem, you could have afforded not to have so | :14:43. | :14:46. | |
much, and I know it's hard, you could have cut some things and it | :14:47. | :14:49. | |
would still have been fabulous. We want you to last, OK? You have to | :14:50. | :14:54. | |
get through this show. So don't be too ambitious. | :14:55. | :15:01. | |
Look at yourself. That means a lot. Off you go. It was great! What a | :15:02. | :15:04. | |
routine. Come on my darling, another standing | :15:05. | :15:20. | |
ovation and another show stopping routine from our Natalie. Like Craig | :15:21. | :15:25. | |
said, there is no stopping you. You have had problems tonight. How did | :15:26. | :15:29. | |
the back feel tonight? Wonderful. I was so happy to be here. I've had | :15:30. | :15:33. | |
fantastic care from Strictly this week and I couldn't be more | :15:34. | :15:37. | |
grateful. I'm so thrilled to be dancing with this man. I'm delighted | :15:38. | :15:39. | |
that I'm part of this experience. You didn't look like you were | :15:40. | :15:43. | |
feeling any pain. You looked like you were loving every moment. Pure | :15:44. | :15:45. | |
musical theatre. The scores are in: Wonderful score! She's high as a | :15:46. | :16:14. | |
kite, sheer adrenaline, nothing to do with medication. The number to | :16:15. | :16:24. | |
call when voting opens later: or go online. Natalie and Artem may be | :16:25. | :16:28. | |
riding high with the judges but they need your votes if they're to stay | :16:29. | :16:31. | |
in the competition. Coming up, abbey and Aljaz are limb perking up for | :16:32. | :16:37. | |
their -- limbering up for their fierce tango. | :16:38. | :16:41. | |
Who's next? Only one man has the answer, Bruce. | :16:42. | :16:46. | |
Next tonight is Patrick Robinson and his partner Anya Garnis. | :16:47. | :16:55. | |
Last week, Craig and Len said Patrick had style and panache. Style | :16:56. | :17:01. | |
and panache, I'm so glad I'm not the only one. | :17:02. | :17:06. | |
Get out! Any way, here they are in training. | :17:07. | :17:14. | |
The moment before you perform is quite nervewracking and then there's | :17:15. | :17:21. | |
a freedom. It's a very difficult dance. I thought it had an ease | :17:22. | :17:26. | |
Andrew elegance about it. You are style, you really are. | :17:27. | :17:33. | |
It's great. You had it all. This week we're dancing the cha cha. It's | :17:34. | :17:39. | |
been pretty tricky. Rehearsing Strictly and obviously working on | :17:40. | :17:43. | |
Casualty takes its toll. I know he's working all the time. And he's | :17:44. | :17:47. | |
trying to do this as well. I'll have my head full of lines instead of | :17:48. | :17:51. | |
moves. I'm inviting Anya to the set and see me do my day job. I'm here | :17:52. | :17:56. | |
on the set and I'm super excited to see Patrick in his element. It's | :17:57. | :18:04. | |
been great having Anya here to see exactly what I do. How do you do it? | :18:05. | :18:10. | |
When I'm just about to do the dance, it goes like this. He's wonderful, | :18:11. | :18:15. | |
but he should point his feet more. Go on Patrick. Everyone enjoyed our | :18:16. | :18:22. | |
doing the routine on set. Good luck tonight. Good luck. Good luck, meat. | :18:23. | :18:28. | |
-- Mate. Hopefully I can do everyone on set proud. ( | :18:29. | :18:35. | |
CHEERING AND APPLAUSE Well done, the pair of you. That was | :18:36. | :20:20. | |
great. You were right, you did say panache. | :20:21. | :20:29. | |
I thought it was pan-acky. No need for mercy because you do a mean cha | :20:30. | :20:34. | |
cha. I tell you, very sensual, very ridge makal. I -- rhymical. I loved | :20:35. | :20:43. | |
the smacking. Your best dance yet. Good job. | :20:44. | :20:51. | |
She teases you. Absolutely brilliant. Oh! Don't kiss him, it's | :20:52. | :21:02. | |
been done. Is that all? That's enough. Darcey? Patrick, you are so | :21:03. | :21:08. | |
confident out of hold, you just, it suits you. Just watch when you look | :21:09. | :21:13. | |
at Anya, you look down at her. Just look down your nose at her. You have | :21:14. | :21:17. | |
an inner groove and I'm loving it. Len? It's happy hour. You're happy. | :21:18. | :21:30. | |
I'm happy. The audience is happy. I'm telling you what, you were | :21:31. | :21:34. | |
steaming, I was beaming. That is your best dance! Off you go! That's | :21:35. | :21:41. | |
wonderful. Well done, both of you. Best dance ever. She's unzipping | :21:42. | :22:05. | |
him. Your best dance ever said Len and one word from Craig "brilliant" | :22:06. | :22:11. | |
that's rare indeed. Fantastic. This is your favourite dance isn't it? | :22:12. | :22:15. | |
It's the best one so far. He enjoyed that. We loved it up | :22:16. | :22:19. | |
here. Of course, you were dancing with your cast this week, what do | :22:20. | :22:23. | |
they make of it? They seemed to enjoy it. There was a big round of | :22:24. | :22:29. | |
applause after it. I bet they loved the party tonight because you got it | :22:30. | :22:31. | |
started. The scores are in: 33! Yes. Patrick and yawn are | :22:32. | :23:01. | |
begging you for -- and Anya are begging you for mercy and your vote. | :23:02. | :23:06. | |
Call to vote or you can vote online. If you have itchy voting fingers, we | :23:07. | :23:12. | |
only have three couples left to dance vm | :23:13. | :23:16. | |
Our next couple is Abbey Clancy and her partner, Aljaz Skorjanec. | :23:17. | :23:24. | |
Abbey's turned out to be a really good sport, in order to prepare | :23:25. | :23:30. | |
herself for the rigours of the tango, she took part in a muddy army | :23:31. | :23:36. | |
assault course. Sounds more like Dirty Dancing to me. Any way, she | :23:37. | :23:40. | |
really is a good sport. Well done, darling. Here they are in training. | :23:41. | :23:47. | |
I'm feeling good after last week's show. I've had two fast dances now. | :23:48. | :23:53. | |
They're not my favourite. I thought you lacked a bit of attack. She had | :23:54. | :23:58. | |
attack. To be honest, I did completely agree with what Craig | :23:59. | :24:01. | |
said. I've got to go for it even more. I'm definitely going to work | :24:02. | :24:07. | |
on that this week. This week is tango. The routine will be quite | :24:08. | :24:13. | |
fast. Oh, that kills. I need to help you get in your -- getting your | :24:14. | :24:17. | |
physical strength and stamina. It kills my belly. Where are you taking | :24:18. | :24:25. | |
many e? To -- Where are you taking me? To the assault course. We got | :24:26. | :24:28. | |
comments last weekend, that you don't give enough attack. Your core | :24:29. | :24:34. | |
needs to be more engaged. Give me "Yes, sir!" Sir, yes, sir. Foot | :24:35. | :24:42. | |
work. What do you say? Sir, yes, sir. Come on! You need to get into | :24:43. | :24:52. | |
the spirit of things. Come on. Use your core. Think of the tango, | :24:53. | :24:58. | |
come on. I'm impressed with you. I'm pretty sure you're ready for | :24:59. | :24:59. | |
Saturday. High five. I nearly forgot to come down, I was | :25:00. | :26:57. | |
so enthralled. Well done. The assault course as well. Craig, what | :26:58. | :27:01. | |
did you think? You used all the accents in the music to absolutely | :27:02. | :27:06. | |
brilliant effect. Great use of the floor, I thought. Some fantastic, | :27:07. | :27:13. | |
sharp, that catto moves. -- stacatto moves. It had intent and purpose. I | :27:14. | :27:22. | |
thought it was a--maz-ing. It was beautiful. Quick looks and | :27:23. | :27:26. | |
everything. Darcey? I was not expecting that from you. Your | :27:27. | :27:29. | |
shaping especially and your top line. You played a sexy, cool tango. | :27:30. | :27:35. | |
Very nicely done and very nice, clipped edges every time you change | :27:36. | :27:39. | |
direction. Great strength throughout. Wonderful. | :27:40. | :27:48. | |
Len? In ballroom, I'm telling you, you are a formidable couple. I'm | :27:49. | :27:55. | |
telling you. That was full, snap, crackle, pop, full on, punchy, | :27:56. | :28:00. | |
dynamic. I tell you what, that was terrific tango. Well done. | :28:01. | :28:07. | |
Surprised us all. Bruno? Power, drama, passion, beauty, you had it | :28:08. | :28:14. | |
all. And it was snappier than the crack of a whip. I thought I was | :28:15. | :28:19. | |
getting whiplash just watching you. The two of you together, it takes | :28:20. | :28:24. | |
two to tango, and the mixture and the chemistry between you two it | :28:25. | :28:28. | |
really is wonderful to see. You really use each other beautifully, | :28:29. | :28:32. | |
carry on, because I love it. I love watching you. | :28:33. | :28:38. | |
You've done it. Go on, up the stairs. | :28:39. | :28:47. | |
APPLAUSE Wow. Look at her face. She can't | :28:48. | :28:55. | |
believe it. I think everyone is stepping it up a gear. That was | :28:56. | :28:58. | |
incredible. How do you feel after that passionate performance? Great, | :28:59. | :29:10. | |
yeah. Great, yeah. Craig said it was a-maz-img. -- ing. Did it help to | :29:11. | :29:15. | |
get into character. Definitely. We worked on the core strength and it | :29:16. | :29:19. | |
showed. Is boot camp part of your normal morning routine? Not usually! | :29:20. | :29:25. | |
Mud wrestling with Aljaz. Must have been utter hell (! ) The scores are | :29:26. | :29:29. | |
in: Three nines there, well done. Did | :29:30. | :29:54. | |
that tango light your fire? If so, call from your mobile or a land | :29:55. | :30:00. | |
line. Or can you go online when voting opens later in the show, if | :30:01. | :30:04. | |
you want abbey and Aljaz to avoid the drama of the dance-off. It's | :30:05. | :30:08. | |
hotting up in here. Are you ready for more? | :30:09. | :30:12. | |
Our next couple is TV chef Dave Myers and his partner, Karen Hauer. | :30:13. | :30:25. | |
When a character. Any way, Dave is dancing a waltz to a lovely song by | :30:26. | :30:31. | |
The Eagles. I said to him, "Do you like The Eagles? He said, "Yes, but | :30:32. | :30:37. | |
they do take a bit of cooking." It's the beak and all those wings. I was | :30:38. | :30:48. | |
ecstatic with my performance on Saturday night. When I walked off | :30:49. | :30:52. | |
that dance floor, to what I believe was one of the biggest standing | :30:53. | :30:58. | |
ovations in Strictly history. We were glowing, until we saw Craig's | :30:59. | :31:03. | |
face. It's like a bulldog eating pickles. The comments do deflate you | :31:04. | :31:07. | |
somewhat. I'm working as hard as I can. I'm getting the steps right. | :31:08. | :31:12. | |
I'm trying to get the performance into the dance. What more can I do? | :31:13. | :31:18. | |
I never thought that hairy old me could immerse themselves in a world | :31:19. | :31:22. | |
of sequins, fake tans. Your hair is just... Dave's loving his Strictly | :31:23. | :31:28. | |
experience. I will do whatever it takes to get through. There's only | :31:29. | :31:33. | |
one thing for it and that's Strictly vacation. | :31:34. | :31:38. | |
Why am I here? We need the smoothness. Elegance. No part left | :31:39. | :31:49. | |
unnoticed. Your feet to be strictlified. I wouldn't wish these | :31:50. | :31:57. | |
trotters on anybody. I feel lick a flaming labrador. If this doesn't | :31:58. | :31:59. | |
win the judges over, nothing will. CHEERING AND APPLAUSE | :32:00. | :34:01. | |
A new Dave. Yes. Very Deb fair. Karen has taken me and buffed me to | :34:02. | :34:06. | |
on livion. I hope it worked. We'll soon find out. Darcey? You started | :34:07. | :34:11. | |
really well. It was, I'm loving the clean look, really perfect for the | :34:12. | :34:17. | |
waltz. You do have lovely elegant, long limbs. You just have to use | :34:18. | :34:21. | |
them. Soften those knees and travel. That's what I was missing. I know | :34:22. | :34:26. | |
you've worked hard. One thing that would help this posture, for me, go | :34:27. | :34:30. | |
and try a ballet class and see if we can get this posture right when | :34:31. | :34:34. | |
you're in hold. That's the only thing letting you do you -- down. | :34:35. | :34:40. | |
Not bad. I shall be on the rail. You have | :34:41. | :34:47. | |
truly titivated yourself up a treat. I really think you have. On | :34:48. | :34:51. | |
Strictly, the only failure is the failure to try. And what I love | :34:52. | :34:57. | |
about you - you try your hardest every week. Yes, you do my darling, | :34:58. | :35:08. | |
you scrub it very well, almost unrecognisable. There's a ray of | :35:09. | :35:12. | |
hope on the horizon, because what you did, it was still very, very | :35:13. | :35:16. | |
minimal, but it did look like a waltz and you tried hard to keep | :35:17. | :35:20. | |
your posture and do the foot work. Of course, it didn't travel. It was | :35:21. | :35:24. | |
stuck on the point. But it is better. That's the way to go. There | :35:25. | :35:28. | |
is improvement. Exactly. Well, there you are. Now | :35:29. | :35:35. | |
then, Craig? It was for me all very placed. You need to feel the music a | :35:36. | :35:39. | |
lot more. You need to really listen to the music and try tone joy -- try | :35:40. | :35:45. | |
to enjoy dancing with the music it. There was gapping going on. There | :35:46. | :35:48. | |
needs to be more movement. But it's nice to see the serious Dave. I | :35:49. | :35:52. | |
really enjoyed that. I'd say that was your personal best. | :35:53. | :35:56. | |
Thanks Craig. That's lovely. You're still my favourite. | :35:57. | :36:01. | |
Thank you Sir Bruce. Off you go. Well done indeed. | :36:02. | :36:07. | |
Look at you! Not so Hairy Biker. No. I'm groomed. Is this hay change of | :36:08. | :36:26. | |
image on -- is this a change of image on the cards? It might be. And | :36:27. | :36:32. | |
you have lipstick on your cheek. As only a man like me should. Of | :36:33. | :36:35. | |
course. You have worked really hard. You really want this, to be taken | :36:36. | :36:39. | |
seriously. Oh, yes. I've always worked hard at the dancing. I think | :36:40. | :36:43. | |
it would be a discredit to Karen the amount of effort and work she's put | :36:44. | :36:47. | |
in with me to be sloppy with it. Are you proud of him? You're amazing. I | :36:48. | :36:51. | |
love you, really. I think I love you too. | :36:52. | :36:54. | |
The scores are in: Safe to say, very, very happy. | :36:55. | :37:22. | |
That's your personal best score. That's lovely. Thank you very much | :37:23. | :37:26. | |
and I do appreciate it. Thank you. I love him so much. That's what the | :37:27. | :37:30. | |
judges thought. But your votes mean even more to Dave than mere judges' | :37:31. | :37:35. | |
paddles. Yes, I think I do need them. | :37:36. | :37:39. | |
Call from your mobile or a landline. Or you can vote online to keep Dave | :37:40. | :37:48. | |
and Karen out of the dance-off. Just one couple left. Who is it? | :37:49. | :37:54. | |
Well, I tell you who it is: Our final couple is Susanna Reid and her | :37:55. | :38:05. | |
partner, Kevin from Grimsby. Now, Susanna has been rehearsing her | :38:06. | :38:10. | |
dance steps in her sleep. I said, "But you're such a busy woman, when | :38:11. | :38:15. | |
do you get time to sleep? She said, "When you're on." Aawww. Here they | :38:16. | :38:27. | |
are aaawww in training. It felt lovely to dance the Viennese | :38:28. | :38:31. | |
waltz. It was surprisingly emotional. I'm in love with that | :38:32. | :38:38. | |
Viennese waltz. Every week you get better and better. Amazing. Through | :38:39. | :38:43. | |
to another week on Strictly. I'm so glad. I enjoy it so, so much. This | :38:44. | :38:51. | |
week, we are dancing the samba. It just feels like I've got something | :38:52. | :38:54. | |
dislocated in my hip. There's a lot of opportunity to feel | :38:55. | :38:57. | |
self-conscious. Don't think about it. Have a good time with it. My | :38:58. | :39:01. | |
three boys are my biggest supporters. They do a mock judging | :39:02. | :39:06. | |
panel at home with teddies. Ten! I was worried they might be | :39:07. | :39:09. | |
embarrassed especially with the samba. I thought it would be great | :39:10. | :39:14. | |
to get them in the training room and ask their advice. They were full of | :39:15. | :39:18. | |
enthusiasm, hugely supportive and lots of great advice. I think maybe | :39:19. | :39:23. | |
your steps could be a bit better. You need to give it a bit more | :39:24. | :39:29. | |
oomph. I think that was brilliant. The foot work, the power, the | :39:30. | :39:36. | |
energy, all of it, brilliant! Eight. Eight. 10! Seeing my boys and | :39:37. | :39:40. | |
hearing their positive comments about the dancing that's really | :39:41. | :39:43. | |
going to give me the boost to nail this one. | :39:44. | :39:49. | |
CHEERING AND APPLAUSE Well, what about that? What about it | :39:50. | :41:40. | |
Susanna! That was wonderful. Your three little boys, oh, they're so | :41:41. | :41:45. | |
lovely. The judging was great. I tell you what, Len? You should be | :41:46. | :41:51. | |
ashamed of yourself, a nice girl like you, off the breakfast news | :41:52. | :41:57. | |
coming out, all bounce, bum and bongos! This is before the water | :41:58. | :42:02. | |
shed, you know. You can't come out flaunting your sl like that. Dear | :42:03. | :42:06. | |
Lord. I nearly had a palpitation. Honestly. I thought you came out and | :42:07. | :42:11. | |
gave it plenty of attack. A little bit messy here and there. But I tell | :42:12. | :42:17. | |
you what, it was good. You've developed into a lovely | :42:18. | :42:22. | |
little mover. Bruno? If you got it, flaunt it, darling. Don't worry. | :42:23. | :42:28. | |
Sexy, saucy Susanna let her hair down. You were going for it like a | :42:29. | :42:33. | |
fury, any time, anywhere, any place. If you can keep up with me. It was | :42:34. | :42:39. | |
hard keeping up with you. You put so much energy into that dance. At | :42:40. | :42:42. | |
times your finish was a little bit messy. So maintain that performance | :42:43. | :42:47. | |
level, but don't lose the finish, because you usually have a very | :42:48. | :42:52. | |
clean delivery. Tonight it was a bit muddy at the edges, but I loved the | :42:53. | :42:56. | |
flow of it. Beautiful. How about Craig? I | :42:57. | :43:03. | |
thought it was a bit muddy actually. I felt, at times, you were fighting | :43:04. | :43:07. | |
one another and going against one another, which wasn't helping any of | :43:08. | :43:11. | |
your rolls or anything like that together. I feel it lost impact. I | :43:12. | :43:16. | |
feel like you're losing your neck at times as well. Also, I think you can | :43:17. | :43:21. | |
go further. I know that sounds odd, but like the hip movements, for | :43:22. | :43:25. | |
instance, at the top, you could have done a much broader hip movement up | :43:26. | :43:32. | |
there and you know what, it's just OK. I want to see you go a lot | :43:33. | :43:37. | |
further. It just feels like it's fitting in the middle ground at the | :43:38. | :43:40. | |
moment. Let's see what Darcey thinks. I like | :43:41. | :43:46. | |
the wild samba queen. You were going for it. It is true there was a | :43:47. | :43:51. | |
couple of messy bits. On your running promenades you have to | :43:52. | :43:55. | |
straighten the back leg and just the finishes. They're a little bit | :43:56. | :44:00. | |
fuzzy. But I really enjoy your energy and you go for it, which is | :44:01. | :44:02. | |
great. She does. She really does. You're | :44:03. | :44:06. | |
marvellous. I can't wait to hear what your boys | :44:07. | :44:07. | |
think. Off you go! APPLAUSE | :44:08. | :44:25. | |
Another standing ovation, you wild samba queen, you! Save me! Was it | :44:26. | :44:32. | |
nervewracking going out there and shaking your thing in front of | :44:33. | :44:35. | |
millions? Yeah, it was for me, a bit, yeah. Yeah, but you know what, | :44:36. | :44:42. | |
I said to my kids, are you going to worry about me doing that? They said | :44:43. | :44:47. | |
you're only on Strictly once, don't waste it being embarrassed. I see | :44:48. | :44:52. | |
you as a bit after I Wonder Woman. You have three beautiful boys and | :44:53. | :44:56. | |
then going out there and doing that, how are you coping? Well, you just | :44:57. | :45:00. | |
keep going. It's all great fun. I love being at home with the family | :45:01. | :45:04. | |
and I love dancing. We love watching you dance with Kevin from grimesy. | :45:05. | :45:09. | |
Now Kevin, not a lot of people might know this, but you have great | :45:10. | :45:13. | |
ballroom pedigree. You come from a family of ballroom dancers. Your mum | :45:14. | :45:18. | |
and dad former champions. Yes, my mum and dad former world champions. | :45:19. | :45:22. | |
My sister is the best in the world at the moment. I'm the black sheep | :45:23. | :45:26. | |
at the moment. He's my hero. I imagine they're proud of your | :45:27. | :45:29. | |
performances. The scores are in: | :45:30. | :45:46. | |
That's more like it, Len and Bruno. Great dance. Call to vote: Or you | :45:47. | :46:06. | |
can vote online. That's it. All 13 couples have danced. Was it unlucky | :46:07. | :46:10. | |
for some? Let's look at the leaderboard. | :46:11. | :46:33. | |
You can change all of that by picking up the phone or going online | :46:34. | :46:43. | |
and voting for your favourite. And voting is open! | :46:44. | :46:59. | |
You'll find the full terms and conditions online. They don't get | :47:00. | :47:04. | |
out much. Still don't know who to vote for? Here's a reminder of | :47:05. | :47:06. | |
tonight's performances. No time like the present. Voting | :47:07. | :51:02. | |
closes at 8. 45pm. Didn't they all do well? They did. We'd love to keep | :51:03. | :51:09. | |
all our celebrities but two of our couples will be in the dance-off. | :51:10. | :51:13. | |
That means one of them will be going home. Every single one of your votes | :51:14. | :51:16. | |
counts, which means if you don't want to see your favourites leave | :51:17. | :51:19. | |
the competition, pick up the phone or go online and vote. Our couples | :51:20. | :51:23. | |
will discover their dancing fate in the Results Show with Tess and | :51:24. | :51:29. | |
Claudia tomorrow night at 7. 15pm. Be there. We'll have performances | :51:30. | :51:33. | |
from Keane and the winner of The Voice Andrea Begley. Stay with BBC | :51:34. | :51:40. | |
One now, for more action in Atlantis. Keep dancing! | :51:41. | :51:44. |