Browse content similar to Week 1 - Show 1. Check below for episodes and series from the same categories and more!
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proceedings. Please welcome our judges, Darcey Bussell, Craig Revel | :04:01. | :04:04. | |
Horwood, Len Goodman and Bruno Tonioli! | :04:05. | :04:14. | |
CHEERING As lovely as the four undoubtedly | :04:15. | :04:27. | |
are, what would our judges do without talent to judge? It is time | :04:28. | :04:41. | |
to meet the stars of our shell! EastEnders star Jake Wood and his | :04:42. | :04:47. | |
partner Janette Mann rara. Pop princess Pixie Lott and her partner | :04:48. | :04:50. | |
Trent Whiddon. Wildlife experts Steve Backshall and | :04:51. | :04:55. | |
his partner Ola Jordan. Tennis coach Judy Murray and her | :04:56. | :04:58. | |
partner Anton Du Beke. TV presenter Mark Wright and his | :04:59. | :05:03. | |
partner Karen Hauer. This Morning reporter and her | :05:04. | :05:08. | |
partner Aljaz Skorjanec. Star MasterChef Gregg Wallace and | :05:09. | :05:14. | |
his partner Aliona Vilani. From The Saturdays Frankie Bridge and her | :05:15. | :05:17. | |
partner Kevin Clifton. Bargain Hunt's antiques expert Tim | :05:18. | :05:22. | |
Wonnacott and his partner Natalie Lowe. | :05:23. | :05:27. | |
TV presenter Caroline Flack and her partner Pasha Kovalev. From great | :05:28. | :05:34. | |
macro Simon Webbe and his partner Kristina Rihanoff. | :05:35. | :05:39. | |
Star Rob Mrs Brown's Boys Jennifer Gibney. Star Ross Casualty Sunetra | :05:40. | :05:43. | |
Sarker and her partner Grendel and coal. | :05:44. | :05:55. | |
-- Brendan Cole. And finally rugby player Thom Evans and his partner | :05:56. | :06:00. | |
Iveta Lukosiute. CHEERING | :06:01. | :06:13. | |
They are gorgeous! What about the lovely legs on show! I am not just | :06:14. | :06:24. | |
talking about the girls. First, the good news for our celebrities. No | :06:25. | :06:28. | |
one will be leaving the competition this weekend because there is no | :06:29. | :06:32. | |
public vote. Now the not so good news. The judges will still be | :06:33. | :06:38. | |
scoring their performances. Craig has got his happy face on again. The | :06:39. | :06:44. | |
judges scores will be carried forward to next week and that is | :06:45. | :06:47. | |
when you at home get the chance to vote. Then the combined scores and | :06:48. | :06:54. | |
the public vote with the lowest scores will have to face the dreaded | :06:55. | :07:02. | |
dance. But let's not worry about that. | :07:03. | :07:06. | |
Take into the dance floor this evening is Tim, Jake, Scott and | :07:07. | :07:10. | |
Pixie! CHEERING | :07:11. | :07:18. | |
Our first couple tonight is TV presenter Caroline Flack and her | :07:19. | :07:19. | |
partner Pasha cover love. As well as the dance moves, Caroline | :07:20. | :07:32. | |
has been practising her dance face. Her cha-cha face is coming along | :07:33. | :07:36. | |
nicely. But that the end of the routine will she have a happy face? | :07:37. | :07:42. | |
Fingers crossed! When it comes to nerves, TV | :07:43. | :07:47. | |
presenter Caroline Flack is laying down the law. I get very embarrassed | :07:48. | :07:55. | |
and very nervous. I am not just saying this but when I met the | :07:56. | :07:59. | |
dancers for the first time, there was something about Pasha that stood | :08:00. | :08:05. | |
out. When I knew I was dancing with him, I gave a squeal of excitement. | :08:06. | :08:09. | |
A lot of the time you cannot tell what he's thinking. This is serious | :08:10. | :08:15. | |
Pasha. This is happy Pasha. This is nervous Pasha. | :08:16. | :08:26. | |
Caroline is a lot of fun. She is passionate and she can really move. | :08:27. | :08:31. | |
I think we can go pretty far in the competition. Maybe even winning it. | :08:32. | :08:37. | |
The training is the thing I am most excited about. I am going to buy | :08:38. | :08:43. | |
legwarmers, everything! Cha-cha is a very fast and fun dance. It is quite | :08:44. | :08:49. | |
playful. Keep your chin up. I thought this would be one I would be | :08:50. | :08:55. | |
good at. Is it the hardest dance? No, it is the easiest one. You are | :08:56. | :09:04. | |
joking! I have noticed that when you concentrate a lot you have a serious | :09:05. | :09:09. | |
face. Smile! For this dance we need to be light and fun and smile more. | :09:10. | :09:14. | |
You have got it. Show me what you have got. It is a great song. We are | :09:15. | :09:21. | |
going to go out there, look like we are having a party. | :09:22. | :09:30. | |
CHEERING Dancing the cha-cha-cha, Caroline | :09:31. | :09:31. | |
Flack and Pasha Kovalev. MUSIC: "Can You Feel It" | :09:32. | :09:37. | |
by The Jacksons. What a stunning start to the show! | :09:38. | :11:22. | |
Come on over, Caroline. Can you feel it? Can you hear it! They are | :11:23. | :11:26. | |
cheering for years! CHEERING | :11:27. | :11:36. | |
Amazing! It is never easy. You made it look easy. What a star. While you | :11:37. | :11:43. | |
two recover, let me welcome our fabulous singers, Hayley, Lance, | :11:44. | :11:48. | |
Andrea and Chris and of course, Dave Arch and his brilliant orchestra! | :11:49. | :11:56. | |
That has woken me up, has it kick-started your weekend? It | :11:57. | :12:01. | |
certainly has. It is always nice to start the night with a glass of | :12:02. | :12:07. | |
champagne. That was sparkling, fizzy and ever Beasant. Caroline, there | :12:08. | :12:13. | |
was one little mistake but I tell you, sweet Caroline, that was | :12:14. | :12:21. | |
stunning. Sweet Caroline! Bruneau? There was a flash of gold! I did | :12:22. | :12:27. | |
feel something. Your arms were so expressive. You can spin and drop, | :12:28. | :12:36. | |
my kind of girl. Len was right, there was a little bit which went | :12:37. | :12:40. | |
wrong but I have to tell you, a great debut. Maybe because of the | :12:41. | :12:46. | |
curtains of gold, a bit more hits but I am telling you, very | :12:47. | :12:57. | |
promising. Craig, do you agree? I thought good musicale to, a | :12:58. | :13:01. | |
fantastic rhythm. You got into a good groove. I would like to see a | :13:02. | :13:06. | |
little more hip action. I have got to be honest, some of your lines | :13:07. | :13:13. | |
need finishing properly and a little more finesse. Something in you | :13:14. | :13:17. | |
changed when you came up here and it all went horribly wrong. But still, | :13:18. | :13:23. | |
I thought you did a fantastic job. CHEERING | :13:24. | :13:33. | |
Darcy, what did you make of that? You definitely feel to me one | :13:34. | :13:37. | |
natural performer and one natural dancer. With those legs they are | :13:38. | :13:45. | |
pretty good in a cha-cha, well done. We are up, we are dancing, what a | :13:46. | :13:52. | |
performance, what a star! Caroline and Pasha, ladies and gentlemen! | :13:53. | :14:04. | |
You did it. You did it. You said, I will be fine as long as I do not go | :14:05. | :14:15. | |
first. Did you enjoy it? I loved it. The audience were amazing. Pasha was | :14:16. | :14:24. | |
amazing. You are amazing. That is the first dance. Starting the show | :14:25. | :14:28. | |
is a difficult job to do but you nailed it. The schools are in. | :14:29. | :14:34. | |
Ladies and gentlemen, the judges have their scores. | :14:35. | :14:51. | |
Are you happy with that? Very! You must be over the moon. Yes, the | :14:52. | :15:01. | |
first dance. No one is leading us tonight but the judges' scores will | :15:02. | :15:04. | |
carry over to next week when we will find that he will face the first | :15:05. | :15:06. | |
dance. Back to you, tests. -- have. I understand she can dance a bit as | :15:07. | :16:02. | |
well. wandering off with that glitterball. | :16:03. | :16:20. | |
It will look great on my mantlepiece. I think that the | :16:21. | :16:24. | |
training is going well. But there is such a lot to remember. Natalie is | :16:25. | :16:28. | |
great. What she does is break the dance down into bits. | :16:29. | :16:34. | |
Almost! Then hopefully it fits together into something that is | :16:35. | :16:39. | |
really beautiful. I love Tim's Bargain Hunt kick. It will | :16:40. | :16:42. | |
definitely make an appearance in a routine. But I have to see it in | :16:43. | :16:47. | |
action in Bargain Hunt. Do you want to witness the kick on | :16:48. | :16:54. | |
Bargain Hunt? Yes! Where is he? I'm going to find him. | :16:55. | :17:01. | |
Well done, teams. Join us soon for some Bargain Hunt-ing! I love it. | :17:02. | :17:10. | |
Can I join in! Join us soon for some more Bargain Hunt-ing. So, Natalie, | :17:11. | :17:16. | |
was that fun or was it fun? I loved every minute of it. Are you ready | :17:17. | :17:20. | |
for the judges. Dancing the Cha Cha Cha, Tim | :17:21. | :17:26. | |
Wonnacott and Natalie Lowe. What am I bid for these | :17:27. | :17:34. | |
spanningly... Delicious high-heeled shoes? Is it ?15,000 from the lovely | :17:35. | :17:38. | |
lady in the green dress? MUSIC: | :17:39. | :18:02. | |
"Shop Around". And sold! Well done. | :18:03. | :19:20. | |
Thank you. Come on over, Tim, Tim, Tim! Come | :19:21. | :19:26. | |
on. That was so much fun! Did you enjoy yourself by any chance? You | :19:27. | :19:30. | |
could say that. You cheeky Cha Cha Cha, you! Wasn't | :19:31. | :19:37. | |
that fantastic? It was fantastic. I think they all agree with you. It | :19:38. | :19:42. | |
was. Wasn't my Natalie fantastic? ! She | :19:43. | :19:49. | |
is divine and you two are a lovely partnership between the two of you. | :19:50. | :19:53. | |
Cheeky chappie. Now, be warned. | :19:54. | :19:59. | |
Well, I have to appreciate your sense of confidence. If you can sell | :20:00. | :20:06. | |
this, you can sell anything! You embraced the madness, the campness, | :20:07. | :20:15. | |
the entertainment, the barminess of it all. I was ecrying. Your | :20:16. | :20:20. | |
technique is difficult to define. It is very personal. | :20:21. | :20:24. | |
Enthusiastic! But I think it needs a little bit of work but I tell you... | :20:25. | :20:34. | |
He enjoyed it, clearly! I really enjoyed it. But I'm crazy, so you | :20:35. | :20:40. | |
know. Did Craig enjoy it? Oh, no. | :20:41. | :20:46. | |
No, I didn't, actually. Your gait, my darling is extremely wide. You | :20:47. | :20:51. | |
must be aware of that. It looked like you were wearing soiled | :20:52. | :20:56. | |
nappies. Very, very stiff of hip. Your knees bent throughout. That is | :20:57. | :21:01. | |
not on. Be aware of that free arm. It was getting a little bit Julian | :21:02. | :21:06. | |
Clary. But it is not where you start. | :21:07. | :21:12. | |
Craig, I am sorry, order! Darcey, can you be the voice of reason, | :21:13. | :21:16. | |
please. Well, dance is about being | :21:17. | :21:22. | |
entertaining. I am a judge and I am here to mark you on ability and | :21:23. | :21:27. | |
style but for me that was so entertaining! It was cheeky, it was | :21:28. | :21:37. | |
fun and surprisingly, entertaining! I think that the audience agreed | :21:38. | :21:41. | |
with you on that, Darcey. Do you, Len? Tim, look. I'm sure Natalie has | :21:42. | :21:47. | |
told you this many times, you must not step forward on your heel in the | :21:48. | :21:53. | |
Cha Cha Cha. She's told you, I know she has. Unfortunately, the footwork | :21:54. | :21:58. | |
was no too clever. However, having said that, your feet are a long way | :21:59. | :22:05. | |
from your heart. You come out full on with personality and you gave it | :22:06. | :22:11. | |
everything! So well done to you. It's a well done from Len. A cheeky | :22:12. | :22:17. | |
Cha Cha Cha, with heart. Thank you very much. | :22:18. | :22:28. | |
Well done, Tim and Natalie. Tim! Tim! Tim! Hello. Wasn't that | :22:29. | :22:37. | |
fantastic! I love that Darcey Bussell, she is my favourite. | :22:38. | :22:39. | |
Without a doubt. We all love her. I have never seen | :22:40. | :22:44. | |
that before. You were so adorable. You came on stage, it was fantastic. | :22:45. | :22:48. | |
You also made Bruno cry in a good way. | :22:49. | :22:51. | |
I didn't like the soiled nappies much. | :22:52. | :22:55. | |
That was below the belt? Come on, all of us... They are all in love | :22:56. | :23:01. | |
with you. You two have a fantastic partnership. It looked like you were | :23:02. | :23:06. | |
having the best time out there. Well, that is just like the | :23:07. | :23:10. | |
rehearsals. We have had so much fun without a shadow of a doubt and this | :23:11. | :23:14. | |
is hopefully just the beginning. Of course it is just the beginning. | :23:15. | :23:21. | |
Is it? Even with my nappies? Well, let's leave the nappies to the side. | :23:22. | :23:23. | |
Be a love! . The scores are in. You will take that? That is a | :23:24. | :23:45. | |
result. So good. Tell me it is good? It is good. The best score of the | :23:46. | :23:52. | |
night, off of. Tim and Natalie have faced their | :23:53. | :23:58. | |
bid, you can place your bid when the bids open up next week. We have two | :23:59. | :24:04. | |
waltz and a jive. In one of them, Anton is wearing a kilt. How you | :24:05. | :24:09. | |
tease us, Claudia, I can't wait for that. Dancing next tonight is Jake | :24:10. | :24:18. | |
Wood and his partner, Janette Manrara. | :24:19. | :24:22. | |
They are dancing the Tango. For this dance, Jake must be mean, moody and | :24:23. | :24:28. | |
macho. But hey, he is the bad boy in EastEnders, so it should be a walk | :24:29. | :24:35. | |
in the park. As EastEnders bad boy, Max Branning, Jake Wood has waltzed | :24:36. | :24:41. | |
his way around the floor. But will it be good on the dance | :24:42. | :24:48. | |
floor? ? I have been been told I dance with my bum sticking out. It | :24:49. | :24:55. | |
makes me nervous. The only thing that me and Max Branning have in | :24:56. | :25:01. | |
common is that we share a barber. I am a happy man. I have a great wife | :25:02. | :25:07. | |
and the best two children. I was looking for a partner who does not | :25:08. | :25:12. | |
do nonsense. I don't like to fluff around. I noticed that Jake has | :25:13. | :25:17. | |
loose hips, so that is one dance done. | :25:18. | :25:20. | |
All of the dancers are calling me snake hips. So I think that is a | :25:21. | :25:24. | |
good thing. It is positive. It means that I am doing something right. The | :25:25. | :25:31. | |
first dance is the Tango. The Tango is a man's dance. Strong, positive, | :25:32. | :25:37. | |
aggressive. The story line is that I see lipstick stains on your shirt | :25:38. | :25:41. | |
when you come home, I get angry as you. | :25:42. | :25:47. | |
There are a lot of steps in there, pirouettes and other steps. | :25:48. | :25:53. | |
Morning, Janette. What is this? Getting into character. You know, | :25:54. | :25:59. | |
Max Branning. Oh, my God! It is good. Good. I am surprised! It helps | :26:00. | :26:05. | |
to have something to work with in rehearsals. It was a great idea for | :26:06. | :26:11. | |
him to come as Max Branning this morning. | :26:12. | :26:15. | |
Hopefully, if I can keep this bad boy up, I can do it on the night. | :26:16. | :26:21. | |
So, fingers crossed. Dancing the Tango, Jake Wood and | :26:22. | :26:33. | |
Janette Manrara. MUSIC: "Toxic". | :26:34. | :28:02. | |
Well done! Jake and Janette! Look at you. Well, well, well. They're on | :28:03. | :28:15. | |
their feet in the studio. Look at that, a standing ovation! Yes! The | :28:16. | :28:22. | |
first of the series. Mean, moody and magnificent! It | :28:23. | :28:25. | |
suited you down to a T. That was good. | :28:26. | :28:29. | |
You dark horse. Can I point out, that is not my | :28:30. | :28:33. | |
shade of lipstick! Let's have a look... Cheeky. | :28:34. | :28:40. | |
Craig, did you enjoy Jake's Toxic Tango? Well, I am impressed. Strong | :28:41. | :28:45. | |
frame. You took the lead. Control of the routine. It was full of intent, | :28:46. | :28:50. | |
purpose. It was sharp. Great moves in there. I think you are one to | :28:51. | :28:54. | |
watch. Definitely. One to watch! Coming from him that | :28:55. | :28:58. | |
means an awful lot. Darcey, what did you think? It was | :28:59. | :29:04. | |
cool, very, very cool. You looked so comfortable in that Tango I was | :29:05. | :29:10. | |
shocked. The drama, the attack. And again you really understood that. I | :29:11. | :29:14. | |
mean, well done, Janette. You have really worked on him. He's a good | :29:15. | :29:18. | |
student. The boss is happy. But you | :29:19. | :29:22. | |
transported me into that story. Well done. | :29:23. | :29:32. | |
Was it enough character in a Tango for you, Len? It was. And I must say | :29:33. | :29:39. | |
from one good-looking East End boy to another, that was full of | :29:40. | :29:43. | |
character! Lot of choreography. Loads of steps, you danced it well. | :29:44. | :29:47. | |
It had spirit. I thought it was terrific. Well done, oh, yes! Bruno, | :29:48. | :29:54. | |
is it going to be a clean sweep? You are a brute. The hard man. Get in, | :29:55. | :30:02. | |
taking care of business, done, tough, strong, put here into place, | :30:03. | :30:07. | |
goodbye, see you next week. You came in and took care of business | :30:08. | :30:12. | |
beautifully. For a debut, we are all saying it was very strong. But I | :30:13. | :30:15. | |
would like to see your softer side as well. | :30:16. | :30:20. | |
Maybe next week, Bruno. I will have to wait a long time for | :30:21. | :30:25. | |
that one. Positive across the board, Janette, | :30:26. | :30:28. | |
you must be delighted. I am. So proud. | :30:29. | :30:43. | |
CHEERING You are so cute because you looked | :30:44. | :30:54. | |
surprised by those comments. You got a standing ovation. I was so | :30:55. | :31:00. | |
focused on the dance I forgot I would get comments. Let me just tell | :31:01. | :31:04. | |
you that I do not think Craig has ever used the word impressed before. | :31:05. | :31:10. | |
I have never heard that, no. Ginette, were you pleased because | :31:11. | :31:14. | |
the judges said the choreography was beautiful. Yes, very pleased. He is | :31:15. | :31:22. | |
the best student any professional could ask for. Well done, you. You | :31:23. | :31:31. | |
said you are doing this for your kids, Buster and Amber at home. | :31:32. | :31:38. | |
Daddy loves you. Be home soon! Time to get the scores. | :31:39. | :31:59. | |
Are you happy? That is the highest score of the night. We are halfway | :32:00. | :32:07. | |
through this evening. Three celebrities have performed and three | :32:08. | :32:12. | |
nervous ones are to go. 07 from Craig? The next couple are | :32:13. | :32:17. | |
Judy Murray and her partner Anton Du Beke. As a top tennis coach and a | :32:18. | :32:25. | |
captain of the British Federation cup team, Judy is not used to being | :32:26. | :32:31. | |
told what to do but in this relationship, Anton is undeniably | :32:32. | :32:35. | |
and definitely in charge, as long as that is all right with Judy. | :32:36. | :32:43. | |
Sporting matriarch Judy Murray has raised tennis champions but can she | :32:44. | :32:48. | |
rise to the occasion on Strictly's Centre Court? When we were all | :32:49. | :32:52. | |
standing behind the glitter ball and it was about to go up, I thought, I | :32:53. | :32:57. | |
am actually going to do this. I was terrified I might trip on the steps | :32:58. | :33:00. | |
because I am a tracksuit and trainers type of girl. I wanted | :33:01. | :33:05. | |
three in my partner, patience, sense of humour and a 6 pack. Two out of | :33:06. | :33:13. | |
three ain't bad. I had no idea that he was so funny. She laughs all the | :33:14. | :33:16. | |
time which is great for me because I have not changed my material in | :33:17. | :33:21. | |
three years which is brilliant. The other dancers are calling us Sir | :33:22. | :33:26. | |
Anton and Lady Judy. We have become part of the establishment already | :33:27. | :33:32. | |
and we have not danced a step yet. I love it. Welcome to Scotland. We | :33:33. | :33:42. | |
have got some work to do. Come on. Our first dance will be the slow | :33:43. | :33:46. | |
waltz and we are dancing to Mull of Kintyre. I'm not the most graceful | :33:47. | :33:52. | |
or rhythmical but I am really enjoying it. The thing about the | :33:53. | :33:58. | |
waltz is it gives you the rises and falls which characterises the dance. | :33:59. | :34:02. | |
Anton has disappeared. Happy birthday to you! That is | :34:03. | :34:16. | |
gorgeous. Thank you. Does that mean we can stop training? I will put the | :34:17. | :34:24. | |
kettle on and we can tuck in. How does that sound? Good to me! | :34:25. | :34:31. | |
Dancing the waltz, Judy Murray and Anton Du Beke. | :34:32. | :34:45. | |
MUSIC: "Mull Of Kyntyre" by Wings | :34:46. | :36:17. | |
CHEERING Julie and Anton, everybody. # GD and | :36:18. | :36:23. | |
Anton, everybody. I loved it and I love that kilts, | :36:24. | :36:40. | |
Anton! A big thank you to our bagpiper, Robert Jordan! | :36:41. | :36:49. | |
So, Darcey, starting with you, were you moved? The waltz is about moving | :36:50. | :36:55. | |
effortlessly. It is an elegant, controlled dance and it is much | :36:56. | :37:00. | |
harder than it looks. I did feel Judy, that in that beautiful smile | :37:01. | :37:04. | |
of yours, the nerves were coming through. It was a bit edgy for me. | :37:05. | :37:12. | |
To control the rise and fall is hard. To come out on that dance | :37:13. | :37:17. | |
floor for the first time is not easy. I do not think people realise | :37:18. | :37:22. | |
how nervous you become. I think when you come out next week you will show | :37:23. | :37:27. | |
us what you really can do. I could feel the nerves and you shook a | :37:28. | :37:36. | |
little bit all the way through. Fair enough, it is the first night. When | :37:37. | :37:43. | |
you spun around, Anton, and your kilt went up, I saw your Bonnie | :37:44. | :37:52. | |
Prince Charlie. I did! That is a frightening thought! I thought by | :37:53. | :38:03. | |
and large, your footwork was Mull of Kintyre, your posture was more | :38:04. | :38:08. | |
mulligatawny. It is only a witticism, don't start. You have got | :38:09. | :38:14. | |
to lift up your diaphragm to get further away from Anton. However, | :38:15. | :38:19. | |
having said that, you commented on it but not fully. This is a very, | :38:20. | :38:24. | |
very difficult dance to do. There were a lot of elements in it, the | :38:25. | :38:29. | |
footwork, the posture, the hold and the movement. I thought for a very | :38:30. | :38:34. | |
difficult dance, Judy, you did very well. Don't worry, cha-cha next | :38:35. | :38:43. | |
week. Let me say first of all, you look absolutely beautiful. This is | :38:44. | :38:49. | |
like your maiden flight into a new sky that got hit by turbulence. What | :38:50. | :38:58. | |
you have got to do is land safely and try again next week. It is a new | :38:59. | :39:02. | |
experience. Now you have got the taste of it, take a deep breath, | :39:03. | :39:08. | |
enjoyed an next week you will be better. Thank you. | :39:09. | :39:16. | |
Craig. I was on the edge of my seat. With excitement? No, I felt like you | :39:17. | :39:32. | |
were dragging Judy around. Your arms out of hold need serious attention. | :39:33. | :39:37. | |
You need to finesse those arms. The posture is appalling. The head needs | :39:38. | :39:43. | |
to be a lot more to the left. Don't listen to him, he will go on for a | :39:44. | :39:48. | |
fortnight at this rate. You came out and gave it a go so well done on | :39:49. | :39:56. | |
that. Go easy on her, Craig, it is the first dance, never easy! Walk | :39:57. | :40:02. | |
those lovely legs upstairs, waltz up to Claudia. Well done! | :40:03. | :40:12. | |
Thank you, thank you! We loved it up here. I'm glad somebody did! Having | :40:13. | :40:33. | |
watched hours of your training, the only thing you do as well as | :40:34. | :40:37. | |
training is laughing your head is. Now you were thinking the judges are | :40:38. | :40:41. | |
commented. Did you enjoy it or were you as nervous as Darcey said? I was | :40:42. | :40:46. | |
a little bit nervous but I did enjoy it. I enjoyed it enormously. Thank | :40:47. | :40:54. | |
you for asking! The judges have their scores. | :40:55. | :41:12. | |
Are you happy with that? Yes. Still two couples to dance tonight, Pixie | :41:13. | :41:25. | |
Lott and DJ Scott. That rhymes. Who is next? | :41:26. | :41:35. | |
Our next couple are Scott Mills and Joanne Clifton. They are doing a | :41:36. | :41:38. | |
cha-cha to a Robbie Williams classic. It may not be the easiest | :41:39. | :41:43. | |
song to dance too but Scott has someone very special in his corner. | :41:44. | :41:48. | |
Radio 1 DJ Scott Mills cannot wait to get on the Strictly dance floor. | :41:49. | :41:54. | |
Pretty much everything about being on Strictly scares me. I cannot even | :41:55. | :41:59. | |
think about it right now. My boyfriend, he has never seen me | :42:00. | :42:05. | |
dance, because I do not. I am static with a drink when everyone else is | :42:06. | :42:09. | |
dancing around me. When we were stood there and there were two | :42:10. | :42:13. | |
dances left, I was really hoping I would get paired with Joanne because | :42:14. | :42:19. | |
she is great. I was so happy to be partnered up with Scott. I got him | :42:20. | :42:25. | |
in a really good ballroom pose straightaway. She is 100% convinced | :42:26. | :42:30. | |
she can teach me how to dance and I do not know how she will do that, so | :42:31. | :42:36. | |
good luck, me. I have been told that cha-cha is one | :42:37. | :42:40. | |
of the easiest dances to do. I do not buy that at all. You have got | :42:41. | :42:46. | |
the steps right but you are a bit gorilla like at the minute. My feet | :42:47. | :42:57. | |
do not do this. Robbie Williams is Scott's friend. Hello, Scott and | :42:58. | :43:03. | |
everybody back home. I cannot believe you are doing Rock DJ. A | :43:04. | :43:09. | |
little-known fact is that Scott stole my | :43:10. | 0:36:15 |