Browse content similar to Week 1 - Show 2. Check below for episodes and series from the same categories and more!
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Last night, downright dazzling displays. You were wonderful. | :00:00. | :00:30. | |
Tonight, the remaining nine celebrities will blast into the | :00:31. | :00:36. | |
ballroom with their first dance. Expect a electrifying performances. | :00:37. | :00:44. | |
And thunderous moves. Who will be the shooting Star? And two will feel | :00:45. | :00:52. | |
to light up the sky? This is Strictly Come Dancing 2014. I want | :00:53. | :00:58. | |
to go home. MUSIC: "Rhythm Of The Night" by | :00:59. | :02:00. | |
Bastille. APPLAUSE | :02:01. | :04:39. | |
Live from the BBC, this is Strictly Come Dancing. Please welcome your | :04:40. | :04:44. | |
thoughts, Tess Daly and Claudia Winkleman. Good evening and welcome | :04:45. | :05:00. | |
to Strictly Come Dancing. What an incredible routine from our | :05:01. | :05:04. | |
professional dancers. Who knew we had that many professionals? That is | :05:05. | :05:09. | |
the standard we are looking for. Last night, six other couples | :05:10. | :05:14. | |
performed. There were flashes of madness and brilliance, even a | :05:15. | :05:20. | |
little flash of Anton's Lancs. Is anyone else ready for a little bit | :05:21. | :05:22. | |
of dancing? CHEERING | :05:23. | :05:30. | |
That is excellent news. Can you imagine if they had said no. The | :05:31. | :05:35. | |
wait is almost over for our nine couples who will take to the floor | :05:36. | :05:40. | |
tonight. Yet ready for some time goes, cha-chas and some dances we | :05:41. | :05:46. | |
cannot put our fingers on. After weeks of intense training, it is | :05:47. | :05:50. | |
judgement day, but you cannot have judgement without our judges. Craig | :05:51. | :05:57. | |
Revel Horwood, Darcey Bussell, Bruno Tonioli and Len Goodman. | :05:58. | :06:13. | |
The judges, everyone. The band are set and we have some very nervous | :06:14. | :06:23. | |
celebrities waiting backstage. Let's get them out here, because it is | :06:24. | :06:34. | |
time to meet the stars of Peugeot. -- stars of our show. | :06:35. | :07:10. | |
EastEnders star Jake Wood and his partner, Janette Manrara. | :07:11. | :07:13. | |
Pop princess Pixie Lott and her partner, Trent Whiddon. | :07:14. | :07:15. | |
Wildlife expert Steve Backshall and his partner, Ola Jordan. | :07:16. | :07:17. | |
Tennis coach Judy Murray and her partner, Anton du Beke. | :07:18. | :07:20. | |
TV presenter and radio DJ Mark Wright and his partner, Karen Hauer. | :07:21. | :07:23. | |
This Morning reporter Alison Hammond and her partner, Aljaz Skorjanec. | :07:24. | :07:25. | |
Star of MasterChef Gregg Wallace and his partner, Aliona Vilani. | :07:26. | :07:27. | |
From The Saturdays, popstar Frankie Bridge | :07:28. | :07:29. | |
and her partner, Kevin Clifton. Bargain Hunt?s antiques expert | :07:30. | :07:31. | |
Tim Wonnacott and his partner, Natalie Lowe. | :07:32. | :07:33. | |
TV presenter Caroline Flack and her partner, Pasha Kovalev. | :07:34. | :07:35. | |
From Blue, popstar Simon Webbe and his partner, Kristina Rihanoff. | :07:36. | :07:37. | |
Star of Mrs Brown?s Boys Jennifer Gibney | :07:38. | :07:39. | |
and her partner, Tristan MacManus. Radio One DJ Scott Mills | :07:40. | :07:41. | |
and his partner, Joanne Clifton. Star of Casualty Sunetra Sarker | :07:42. | :07:44. | |
and her partner, Brendan Cole. Rugby star and model Thom Evans | :07:45. | :07:45. | |
and his partner, Iveta Lukosiute. APPLAUSE | :07:46. | :08:02. | |
Just look at them, already for the battle about to go ahead. Just like | :08:03. | :08:09. | |
last night, there is no public vote and none of couples will be leaving | :08:10. | :08:12. | |
the competition this weekend. But the judges will be scoring their | :08:13. | :08:17. | |
fancy footwork. Be warned, they are not afraid to put the boot in. There | :08:18. | :08:22. | |
are scores will be carried over to next week. That is when you will get | :08:23. | :08:27. | |
to cast your vote makes. The two couples with the lowest public vote | :08:28. | :08:32. | |
will face each other in the dance off. No voting tonight, but plenty | :08:33. | :08:39. | |
of dancing. It is time for stars to show us what they have got. First | :08:40. | :08:49. | |
up, it is TV presenter Mark Wright and his partner, Karen Hauer. Before | :08:50. | :08:58. | |
the series started, Mark's friends called him Markey No Moves. After | :08:59. | :09:03. | |
three weeks of solid training, has Karen turned him into Markey Some | :09:04. | :09:15. | |
Moves? Let's find out. TV presenter and Essex lad Mark Wright wants to | :09:16. | :09:20. | |
set the record straight. Essex boys have I came this image that they are | :09:21. | :09:25. | |
too cool to dance. That is not the case. We love to lead our hair | :09:26. | :09:30. | |
down. You always see us on the dance floor. It is Karen. There were a few | :09:31. | :09:39. | |
of the other boys who really wanted Karen and I got. Sorry, Lance. I am | :09:40. | :09:44. | |
over the moon about dancing with Mark. He is extremely nice. I want | :09:45. | :09:52. | |
to have someone I can have fun with. I see lots of potential, so I will | :09:53. | :09:56. | |
make him work. This could go terribly wrong or terribly right. | :09:57. | :10:02. | |
All I need to do is hit my mark on the night. That is so bad. We will | :10:03. | :10:10. | |
start off with the cha-cha-cha. Is that a fast one? Two, three, and | :10:11. | :10:18. | |
one. The dance is based around New York City. Mark is trying to | :10:19. | :10:25. | |
challenge his New Yorker. New York and Essex are 1 million miles apart. | :10:26. | :10:31. | |
I threw it back at her and said, come on, give me some Essex? She is | :10:32. | :10:40. | |
trying. That is what I am talking about. The best teacher in the | :10:41. | :10:50. | |
world, officially, guaranteed. I am trying to be New York, Karen is | :10:51. | :10:55. | |
trying to be Essex. I hope we are speaking the same language when we | :10:56. | :11:05. | |
hit the dance floor. Dancing the cha-cha-cha, Mark Wright and Karen | :11:06. | :11:06. | |
Hauer. APPLAUSE | :11:07. | :12:42. | |
What about that? What an opener. Thank you. Look at | :12:43. | :12:52. | |
this, as standing ovation for your first dance. My biggest fear was on | :12:53. | :13:00. | |
those steps, I did not think I could do it. I was petrified. He told me | :13:01. | :13:12. | |
that I could not dance. Let's well, our amazing singers, Hayley, Lance, | :13:13. | :13:18. | |
Andrea, Chris, and Dave Arch and his wonderful orchestra. Len, did Mark | :13:19. | :13:29. | |
make all the right moves? It started off very encouraging, then you got | :13:30. | :13:33. | |
overexcited and you started to go a little bit quickly. You wanted to | :13:34. | :13:41. | |
get it over with. It is the truth. You started to go a bit quickly. I | :13:42. | :13:46. | |
thought, I will let you get away with that. Then you start in the | :13:47. | :13:54. | |
silly handstand. We love that, didn't we? I thought, that was a bit | :13:55. | :14:03. | |
daft. Ignore that, carry on. Then you did the free Willy. I thought, | :14:04. | :14:10. | |
what is going on here? You have got fantastic potential, as you said. | :14:11. | :14:15. | |
You have just got to come down, keep on time and take out the free Willy | :14:16. | :14:21. | |
and you will be fantastic. Thank you. Bruno. Mark, what you have got, | :14:22. | :14:32. | |
what I like, you have attitude. You go out there with cocky confidence. | :14:33. | :14:38. | |
You covered up the mistakes with great energy. I like to see that. | :14:39. | :14:45. | |
You tried extremely hard. Obviously, your energy overrode the finesse of | :14:46. | :14:49. | |
the steps. Control the energy, because it is good, and you will be | :14:50. | :14:56. | |
so much better. Maybe Craig has something nice to say. I thought it | :14:57. | :15:02. | |
was stilted. Your hands were very flat. Your shoulders were over the | :15:03. | :15:10. | |
top. You need to camp that down. Your arm placement was decidedly | :15:11. | :15:14. | |
dodgy all the way through. The handstand donkey cake has to go, | :15:15. | :15:20. | |
darling. But I did love the caterpillar, going up stage, I | :15:21. | :15:27. | |
thought that worked well. -- kick. Darcey. For me, I love the show | :15:28. | :15:35. | |
man. You have to watch the cheeky shoulders. They bounce up and down | :15:36. | :15:44. | |
every time you do your moves. Generally, I think you definitely | :15:45. | :15:47. | |
have a future in this competition. You will go fire. Not bad for a | :15:48. | :15:53. | |
first bands. You have definitely got some moves. Off you go, Mark and | :15:54. | :15:59. | |
Karen. You are so cute. How relieved I read | :16:00. | :16:15. | |
you? That was petrifying. The biggest thing for me was getting | :16:16. | :16:21. | |
through it, and I did it. Do you feel emotional? I do, I want to stop | :16:22. | :16:27. | |
talking. It has been hard. I got through the dance and I managed to | :16:28. | :16:35. | |
complete it. You are the cutest. She will cuddle you. You did | :16:36. | :16:41. | |
brilliantly. I am so proud of him. I knows he was petrified. Very well | :16:42. | :16:48. | |
done. Before we find out your scores, let's find out how the | :16:49. | :16:53. | |
leaderboard stood at the end of last night's performances. | :16:54. | :17:04. | |
It's time to find out how Mark's done - he'll either be top, bottom, | :17:05. | :17:08. | |
or somewhere in the middle. The judges scores are in. | :17:09. | :17:10. | |
we were terrified. We are off and there is lots more to come. Jennifer | :17:11. | :17:41. | |
is getting happy and Gregg will be cooking up a fruity number. I'll be | :17:42. | :17:47. | |
stays in for a few weeks because have quite a few cooking pans. | :17:48. | :17:51. | |
The next couple is Alison Hammond and her partner. | :17:52. | :18:00. | |
When you?re being taught how to dance it?s important to listen to | :18:01. | :18:03. | |
Not a problem for Alison - when Aljaz is talking she hangs onto | :18:04. | :18:07. | |
TV presenter Alison Hammond is used to brightening up our day. And the | :18:08. | :18:23. | |
roving reporter, I do everything, from celebrities to travelling the | :18:24. | :18:28. | |
world. I'd just love my job. I have got no fears. I'm just going to take | :18:29. | :18:34. | |
hold of this bubble, absorb it, jump around in it. I was already the | :18:35. | :18:43. | |
dance. When Tess announced it was Aljaz Skorjanec, I was over the | :18:44. | :18:47. | |
moon. I was so excited, I had to pick him up. I'm very fortunate to | :18:48. | :18:53. | |
be the reigning champion of Strictly, and with an incredible | :18:54. | :18:57. | |
partner with Alison, I'm going to do my best to hold onto the trophy. | :18:58. | :19:03. | |
Yes, Aljaz! Action! The chat chat is all about the combination between | :19:04. | :19:12. | |
the male and female. -- cha cha cha. I think it is the best way to start | :19:13. | :19:17. | |
the competition. I'm so not getting bored. I think the fact that he is | :19:18. | :19:21. | |
so gorgeous, I do not want to disappoint him. He is the sort of | :19:22. | :19:27. | |
teacher you want to marry! I just love him, I am loving every minute | :19:28. | :19:37. | |
of this. Today, I realise that this is based on the Bodyguard. I am in | :19:38. | :19:42. | |
Whitney Houston. And now that you are the security guy, looking after | :19:43. | :19:47. | |
me. I love it. You need to focus on your personality, be funny and | :19:48. | :19:52. | |
cheeky. We're going to have so much fun. I know that nobody is going | :19:53. | :19:55. | |
this week but I'm still really nervous. I want Aljaz to be proud of | :19:56. | :20:07. | |
me. I hope years. -- he is. Dancing the cha cha cha, Alison Hammond and | :20:08. | :20:09. | |
Aljaz Skorjanec. MUSIC: "I'm Every Woman" | :20:10. | :20:17. | |
by Chaka Khan. APPLAUSE AND CHEERING. My goodness, | :20:18. | :21:55. | |
it is a standing ovation! Well done! The joy on your face! | :21:56. | :22:06. | |
Ecstatic. I think we all enjoyed it as much as you did. Len was grinning | :22:07. | :22:11. | |
from ear to ear! Bruno, did you enjoy it? V the diva! -- of Ivar. | :22:12. | :22:26. | |
Yes, I really like that. There was a wholesome, uplifting radiance that | :22:27. | :22:30. | |
you exude. The whole audience was there, lapping it up. It is | :22:31. | :22:37. | |
wonderful. Absolutely wonderful. For the future, try to rule on the ball | :22:38. | :22:43. | |
of your feet a bit more, but what a treat. What did you make of it? That | :22:44. | :22:53. | |
is one of the most confident first-time performances I have ever | :22:54. | :22:57. | |
seen. You were out there, really strutting your stuff. Bruno was | :22:58. | :23:01. | |
right, it was a little flat-footed because you were wearing low heels. | :23:02. | :23:06. | |
You have an extinct of gift for music and rhythm and dance. I | :23:07. | :23:13. | |
thought it was exuberant and joyous. Goodness me! That is a lot coming | :23:14. | :23:20. | |
from him. Darcey? It is true, Alison, you are infectious. You have | :23:21. | :23:25. | |
such a wonderful, natural, moving style. I will never get bored of | :23:26. | :23:28. | |
watching you. The boys are right, you need to polish the food work, | :23:29. | :23:33. | |
but it was lovely. Thank you. -- footwork. You're my type of girl, | :23:34. | :23:42. | |
big, bold and bouncy. That is what you want in the cha cha cha. You | :23:43. | :23:46. | |
were good in the mornings, but you are fantastic at night. It is | :23:47. | :23:51. | |
unanimous from the judges! Thank you very much. Take your bodyguard up | :23:52. | :23:56. | |
the stairs. Alison and Aljaz! Your fellow dancers are screaming | :23:57. | :24:20. | |
for you. What you think, the judges were nice? Craig said he had never | :24:21. | :24:27. | |
seen such a confidence two confident first dance. I feel like I am in a | :24:28. | :24:31. | |
dream, it is amazing! But it is real, isn't it! All we can hear day | :24:32. | :24:38. | |
and night, is your laugh, walking down the corridors. You are having | :24:39. | :24:44. | |
the time of your life? It has been the best experience. Really, it is | :24:45. | :24:51. | |
partly because of you, you have been a great trainer and I have loved | :24:52. | :24:55. | |
every minute. Only partly! Turnround, the scores are in. | :24:56. | :25:15. | |
I would have been happy if I have got five! Very well done. | :25:16. | :25:20. | |
They danced to Every Woman and we'd | :25:21. | :25:22. | |
like to see if every woman, man and child at home is dancing too. | :25:23. | :25:25. | |
No matter what your age or dance ability, if you move to | :25:26. | :25:28. | |
Go to bbc.co.uk/strictly for more details. | :25:29. | :25:32. | |
Still to come, Kristina and Simon's Jive, Frankie and | :25:33. | :25:37. | |
Our next couple is Steve Backshall and his partner Ola Jordan. | :25:38. | :25:47. | |
In the past Steve has come face to face with some of the most deadly | :25:48. | :25:54. | |
creatures on the planet. Spiders, crocodiles, snakes. But now he has | :25:55. | :25:58. | |
to face something far more terrifying ? Craig. | :25:59. | :26:13. | |
Steve Backshall has been dancing with danger for a very long time. | :26:14. | :26:23. | |
Since I was knee-high, I have gone after snakes and spiders and that is | :26:24. | :26:27. | |
who I am in. I've summer in the Arctic and they did not change my | :26:28. | :26:30. | |
clothes once. Now I have people putting make-up on me and doing my | :26:31. | :26:42. | |
here. It is just beyond weird. When found out I had Ola as a dance | :26:43. | :26:47. | |
partner, my fear factor went through the roof. He is dancing with me, of | :26:48. | :26:50. | |
course he's going to be scared. But what a privilege. I'm quite an | :26:51. | :26:58. | |
honest and strict person. I hope that Stephen is straight. I'm such | :26:59. | :27:07. | |
after that we have the tangle for the first dance. Like the idea of | :27:08. | :27:11. | |
sliding across the floor. That is more like a monkey. Bend your knees. | :27:12. | :27:19. | |
This is so hard. It is so much information to take in. I'd don't | :27:20. | :27:26. | |
want a spatula hand. My mind is screaming, saying it, I cannot | :27:27. | :27:30. | |
handle it! Strictly is outside of my comfort zone but it is all about | :27:31. | :27:33. | |
having the right gear. It is like a big expedition. Bandages and | :27:34. | :27:40. | |
plasters. All you need to survive Strictly is this. This is | :27:41. | :27:48. | |
ridiculous! I think you are ready now. Let's go and train. Now I feel | :27:49. | :27:53. | |
that I can't tackle the tangle like a tiger. A glittery tiger. | :27:54. | :28:15. | |
MUSIC: "Born to be Wild" by Steppenwolf. | :28:16. | :29:37. | |
APPLAUSE AND CHEERING. Steve and Ola, easy Tiger! Anton's | :29:38. | :29:55. | |
legs last night, Steve Backshall's shoulders tonight, what is a lady to | :29:56. | :29:59. | |
do?! Spoiled for choice. Was he born to be wild? The muscles were a | :30:00. | :30:05. | |
slight distraction for me. And then you did that wonderful cartwheel. It | :30:06. | :30:10. | |
was lovely, except you did not point your feet or straight in your legs. | :30:11. | :30:16. | |
Come on! You have got to make it pretty. You have got to make it | :30:17. | :30:20. | |
pretty. He tends elbow, which is fine but you lost your frame very | :30:21. | :30:26. | |
slightly. But have to say, it was a very, very strong performance. | :30:27. | :30:39. | |
APPLAUSE. Darcey Hume act -- Darcey? The focus all the way through, you | :30:40. | :30:44. | |
did not die. It is definitely your dance. You are a strong man. I had | :30:45. | :30:49. | |
the same problem, I could not take my eyes off your arms. When they are | :30:50. | :30:54. | |
that overdeveloped, you have to make sure that you stretch them. Because | :30:55. | :30:58. | |
they look bent. When you come out of a hold, make sure you stretch your | :30:59. | :31:03. | |
arms. But I'm looking for reducing the cheeky side next week. Well | :31:04. | :31:10. | |
done. APPLAUSE. Len? Not quite a triumph, but definitely not a | :31:11. | :31:17. | |
notepad. This competition is all about expectation. I thought, is | :31:18. | :31:20. | |
usually comes, he has been in the jungle, but now come up it was very, | :31:21. | :31:27. | |
very well done. It was clean and crisp and precise. You got a bit | :31:28. | :31:30. | |
over a bit overaggressive at one stage, and then you lost your frame, | :31:31. | :31:34. | |
but Steve, it was to reflect. Well done. -- to reflect. Natural enough | :31:35. | :31:46. | |
for you, Bruno? -- chill. Somewhere between Popeye and Marlon Brando. | :31:47. | :31:51. | |
You have to max I'd is, a smooth side, which you retained, during the | :31:52. | :31:57. | |
lead, it is so difficult to read when you have never done it before. | :31:58. | :32:04. | |
And then you went a bit Popeye, I thought you were going to split her | :32:05. | :32:08. | |
in two, but you have great qualities. Qualities that you need | :32:09. | :32:14. | |
to work on, and try to release the bulk little bit more. But again, | :32:15. | :32:15. | |
wonderful. Well done. Our action man did not | :32:16. | :32:30. | |
let us down tonight. Off you go, Steve and Ola. | :32:31. | :32:45. | |
Well done. You must have been happy with those comments. Yes, | :32:46. | :32:48. | |
constructive criticism is what we want. That was fantastic. They were | :32:49. | :32:58. | |
really impressed. Ola is a brilliant teacher. Apart from anything else, | :32:59. | :33:03. | |
everyone is staring at her dress. They are not looking at my feet. We | :33:04. | :33:11. | |
were not looking at your feet, love. The scores are in. The judges score | :33:12. | :33:27. | |
start Mac -- the judges' scores are in. Are you pleased? Yes. Next time, | :33:28. | :33:43. | |
our animal expert could be dancing to something by Arctic monkeys, the | :33:44. | :33:49. | |
Beatles, def Leopard, I have got loads of these, or the Eagles. So | :33:50. | :33:59. | |
many, apologies. Up next, it is the star of Mrs | :34:00. | :34:06. | |
Brown's boys, Jennifer Gibney, and her partner, new boy Tristan | :34:07. | :34:12. | |
MacManus. For the last three weeks, they have been getting on | :34:13. | :34:16. | |
brilliantly. What will Irish eyes be smiling when it comes to facing the | :34:17. | :34:23. | |
judges? Let's find out. Actress Jennifer Gibney is looking forward | :34:24. | :34:27. | |
to her Strictly debut. As long as she can get over her stage fright. I | :34:28. | :34:34. | |
am really excited, fill of terror. Do not let me fault, please. The | :34:35. | :34:39. | |
character I play is not renowned for her dancing skills. I would not say | :34:40. | :34:45. | |
I have a dancing style, that would be a stretch. Tristan is Irish and | :34:46. | :34:51. | |
so am I. I hope we have the luck of the Irish. She is great, she has a | :34:52. | :34:59. | |
super personality. No one else can understand a word that we are | :35:00. | :35:03. | |
seeing, but we can understand each other. It is like dancing with my | :35:04. | :35:08. | |
little brother. If she likes her brother, I am all right. Let's start | :35:09. | :35:15. | |
again. Let's do it again. Jennifer gets very frustrated. It is good. It | :35:16. | :35:24. | |
shows you that her heart is there. You get some steps right and then | :35:25. | :35:28. | |
you forget, there are more that, after that. I am so annoyed with | :35:29. | :35:35. | |
myself. I am still struggling. I have decided to talk to somebody how | :35:36. | :35:41. | |
this feels, Nicky Byrne, you will already him from Strictly. How are | :35:42. | :35:47. | |
you getting on? It is exhausting. If I can give you any advice, that last | :35:48. | :35:52. | |
moment when the voice-over says, dancing the jive, take a deep breath | :35:53. | :35:59. | |
and go for it. Remember, we are proud of you. Do it for Ireland. | :36:00. | :36:08. | |
Have fun. I hope we can make the judges happy on the big night. | :36:09. | :36:16. | |
Dancing the jive, Jennifer Gibney and Tristan MacManus. MUSIC: "Happy" | :36:17. | :36:24. | |
by Pharrell Williams. APPLAUSE | :36:25. | :37:54. | |
Jennifer and Tristan. Come over here, you too. That was such a | :37:55. | :38:03. | |
physical routine. That looked exhausting. I managed without | :38:04. | :38:13. | |
falling. She is happy with that. Darcey, the song is called Happy, | :38:14. | :38:19. | |
are you? I was happily exhausted watching you. It is such a difficult | :38:20. | :38:26. | |
bands, the jive. You really went for that. Tristan, I have to say, you | :38:27. | :38:31. | |
did not hold back on the dance content. You gave her so much to | :38:32. | :38:36. | |
think about. It is difficult, you have got to watch that the shoulders | :38:37. | :38:42. | |
do not lift. That is what I was seeing a lot. If you think about | :38:43. | :38:47. | |
that, but I know it is a difficult bands. -- dance. You look like you | :38:48. | :39:02. | |
were enjoying it. Len? There was a touch of Riverdance in there. The | :39:03. | :39:07. | |
problem was, as you did the jive, your feet were still in the river. | :39:08. | :39:14. | |
The cakes and flakes could have been sharper. As Darcey said, the energy | :39:15. | :39:28. | |
was up there. -- kicks and flicks. Overall, I was happy, because you | :39:29. | :39:34. | |
got through it. Bruno? I am totally with you, trying to keep up with the | :39:35. | :39:40. | |
Lord of the dance. He gave you lots of steps, and you did it. Next time | :39:41. | :39:46. | |
you have to do it with more energy, sharper on the rhythm, and a little | :39:47. | :39:52. | |
more presentation, but that is it. Encouraging. Craig? I thought your | :39:53. | :39:58. | |
arms were all over the place. You have to be aware of what is | :39:59. | :40:02. | |
happening with your arm, just because you have been let go off | :40:03. | :40:08. | |
does not mean it can flail about. A little hunched of bag as well. You | :40:09. | :40:13. | |
are leaning forward and over. It does not look good. When you did | :40:14. | :40:21. | |
your Riverdance moment, I thought that was very lame. If you're going | :40:22. | :40:25. | |
to put yourself on a pedestal, darling, you had better do something | :40:26. | :40:31. | |
spectacular. When you broke called towards the end, you were flagging. | :40:32. | :40:36. | |
This stance need stamina. You need to build your stamina. -- this | :40:37. | :40:45. | |
dance. Go easy on her, it is weak one. I think she did well, didn't | :40:46. | :40:51. | |
she, ladies and gents? APPLAUSE | :40:52. | :40:51. | |
Jennifer and Tristan. Well done to both of you. Did you | :40:52. | :41:15. | |
enjoy that? Was that a good experience? I loved every second of | :41:16. | :41:21. | |
that. We thought you did as well. What about the cable and the | :41:22. | :41:25. | |
ponies? That must have been terrifying? I loved every second off | :41:26. | :41:32. | |
it. The scores are in. The scores are | :41:33. | :41:42. | |
-- scores are in. We will take around. The jive is very hard, and | :41:43. | :41:56. | |
next week you will do the waltz. Yes, we will take that. If this is | :41:57. | :42:06. | |
not enough to satisfy your Strictly cravings, do not worry, you are only | :42:07. | :42:14. | |
human. Join us online for all the gossip. You can also register to | :42:15. | :42:23. | |
vote online. Who is next? Next is rugby star and model Thom | :42:24. | :42:29. | |
Evans, and his partner, Iveta Lukosiute. If there is one thing and | :42:30. | :42:36. | |
international rugby player is going to do, it is try, try and try again. | :42:37. | :42:44. | |
Thom Evans is determined to tackle Strictly with his very best try yet. | :42:45. | :42:50. | |
Being an ex-professional sportsmen, it is safety say the result was | :42:51. | :42:55. | |
going to be that competitive side to me. I have been known to take my top | :42:56. | :43:01. | |
off. So winning this costume does not feel that I'm comfortable. It is | :43:02. | :43:09. | |
Iveta. I was ecstatic to get her as my partner. I think all the girls | :43:10. | :43:17. | |
wanted to dance with Thom. I am so sorry we have put you with someone | :43:18. | :43:22. | |
so physically repellent. It did seem like she was blushing a little bit. | :43:23. | :43:27. | |
She has a lovely sense of humour. We are going to work so hard we are | :43:28. | :43:33. | |
going to go straight to the final. Social media has been going mad | :43:34. | :43:38. | |
about Thom, how handsome he is. Some people think he could be the | :43:39. | :43:44. | |
world's most handsome man. I was told never to trust a man with brown | :43:45. | :43:52. | |
eyes. Why is that? I do not know. Thom has been showing me some of his | :43:53. | :44:00. | |
own moves. Quite interesting. The waltz is strange because it requires | :44:01. | :44:07. | |
you to look away from your partner. I guess I will have to get used to | :44:08. | :44:13. | |
it. I cannot wait to step out in front of all those people and give | :44:14. | :44:17. | |
it my all. I feel like I was born for this. I am just checking out the | :44:18. | :44:28. | |
sparkles. Dancing the waltz, Thom Evans and Iveta Lukosiute. | :44:29. | :44:45. | |
MUSIC: "You Raise Me Up" by Susann Taylor. | :44:46. | :46:13. | |
classy and elegant. Born to it, he said. | :46:14. | :46:16. | |
You raised us all up with that routine! | :46:17. | :46:18. | |
Len ? first waltz of the evening, what did you think | :46:19. | :46:21. | |
I thought it was a little bit careful in places but I understand | :46:22. | :46:29. | |
that. We want to get it neat and dainty. I thought your frame was | :46:30. | :46:34. | |
good, there was a little mistake going on over there. He got off on | :46:35. | :46:38. | |
the wrong foot for a little while but you are tempted to do the food | :46:39. | :46:42. | |
work correctly, which I appreciate. A sweet, salsa. There is no | :46:43. | :46:47. | |
inhibitions. I want you to get out there and shake your bum and really | :46:48. | :46:54. | |
knocked my socks off. And Bruno's! Are you ready for that? Thank you so | :46:55. | :47:03. | |
much! Listen, I have to say, it was so kind, so caring, you were just | :47:04. | :47:08. | |
treating her like she was made of glass, like a child. You tried so | :47:09. | :47:14. | |
hard to get everything right and they found that almost moving. I'm | :47:15. | :47:18. | |
really appreciate that. You put a lot of work into it. You messed it | :47:19. | :47:23. | |
up a little bit on the corner, more impetus, more drive next time. Come | :47:24. | :47:32. | |
on, let's be more sexy! He is incorrigible. I think that you let | :47:33. | :47:43. | |
Iveta down slightly when you did the turner. It is the man's job to keep | :47:44. | :47:47. | |
the lady on balance. I felt that she had to escape a little earlier and | :47:48. | :47:55. | |
catch up. Shaping of the hand, I was not impressed with your thumbs. Your | :47:56. | :47:58. | |
right hand was too low. My usual things. The rise and fall is not | :47:59. | :48:04. | |
through the knees, but through the feet. And Iveta did get away from | :48:05. | :48:08. | |
you quite remarkably, almost by Anita will stop I do not know how he | :48:09. | :48:14. | |
got back together but I did love it. And he loved it, after all of that! | :48:15. | :48:22. | |
Darcey? I was expecting you to leave delete that lead to the ballroom | :48:23. | :48:26. | |
dance, and because you were tall and elegant and strong with a good | :48:27. | :48:30. | |
physique, you were playing it safe. That is understandable because it is | :48:31. | :48:33. | |
your first time and are now but that is like. What I expect is for you to | :48:34. | :48:37. | |
open your shoulders and stick out those packs. Be proud. And then you | :48:38. | :48:48. | |
will look like you mean business. -- pecs. Thank you, Bruno. I'm sorry, | :48:49. | :48:57. | |
Darcey! Are you going to take that on board? Yes. Off you go, have a | :48:58. | :49:11. | |
team huddle. APPLAUSE AND CHEERING. Well done. | :49:12. | :49:16. | |
You did great. They were talking about your thumbs and pecs, did he | :49:17. | :49:23. | |
let you down? Now. For next week, when you end like that, I nearly | :49:24. | :49:27. | |
wanted you to case. Is that too much? Just consider it! You have to | :49:28. | :49:34. | |
have some build-up. Week four, just go in. Don't dilly-dally. Do it now. | :49:35. | :49:40. | |
Don't do it now, keep us waiting! I'm so excited. Time to get the | :49:41. | :49:43. | |
scores from the judges. I do happy with that? The judges | :49:44. | :50:06. | |
were right, I'm messed up that one particular step, and will take their | :50:07. | :50:09. | |
instructions on board and try to work that. We thought you were | :50:10. | :50:13. | |
really brilliant. You did great. And well done, Iveta. | :50:14. | :50:15. | |
If Thom and Iveta have blown your minds - good. | :50:16. | :50:17. | |
Keep dancing! Keep dancing? That is easy. | :50:18. | :50:37. | |
You made a mistake? What?! Shall we do the whole dance like this? Suite. | :50:38. | :50:49. | |
Why are you laughing? Go away! Cha cha one... That's good. | :50:50. | :50:57. | |
It's Casualty Star Sunetra Sarker and her partner Brendan Cole. | :50:58. | :51:10. | |
So does that mean you're going to wear a chef's hat when Gregg dances? | :51:11. | :51:13. | |
I think that would be too much but this is perfect. In the meantime, | :51:14. | :51:22. | |
let's see how Sunetra has been getting on. Sunetra Sarker is most | :51:23. | :51:30. | |
at home in the emergency department but can she hope the pressure of the | :51:31. | :51:34. | |
Strictly ballroom? I did not realise how comfortable I felt in a hospital | :51:35. | :51:38. | |
in the liking and stabbed on the dance floor. Adding to need a few | :51:39. | :51:41. | |
doctors standing by for my first dance goes my heart is already in my | :51:42. | :51:45. | |
mouth. I was so convinced that would not get Brendan, the legend, he is | :51:46. | :51:52. | |
tall... Looked across an Sunetra was mine. This is the right match. The | :51:53. | :51:58. | |
pressure of being Brendan Cole's partner is another thing entirely. I | :51:59. | :52:03. | |
need somebody to whip me into shape. I am really upset. As long as we | :52:04. | :52:07. | |
have the right energy, the fitness will come. I'm just keen to start | :52:08. | :52:11. | |
working and see what she has got. Does not know what he has got | :52:12. | :52:15. | |
himself in for because I laugh a lot and talk a lot but outside of that, | :52:16. | :52:21. | |
I am a good student. For our first dance, we are doing the tango. | :52:22. | :52:26. | |
Quick, sharp, and on point. Pretty full on. It said it, it should look | :52:27. | :52:38. | |
smooth. -- a visit. I just cannot compose myself on the pivot. If I | :52:39. | :52:44. | |
cannot by the end of my training session, what will happen? I will | :52:45. | :52:49. | |
symbol five things as I think is necessary but you will get the | :52:50. | :52:53. | |
pivots, I promise you. I do not want you make -- to make me Sybil Fayette | :52:54. | :53:03. | |
because of me. To pivot or not to pivot, that is the question. Dancing | :53:04. | :53:10. | |
the tango, Sunetra Sarker and Brendan Cole. | :53:11. | :53:20. | |
Sunetra and Brendan! A cracking tango. Lots of drama. Setting the | :53:21. | :54:57. | |
Hearts racing. I think left my heart on the dance floor. Brendan is | :54:58. | :55:03. | |
happy. Let's find out what the judges thought. Carry on, Doctor, | :55:04. | :55:13. | |
please! That was a firecracker of a tango. Wasn't it?! Beautiful. It was | :55:14. | :55:23. | |
very funny because you have a wonderful bent back, but somehow | :55:24. | :55:29. | |
when you are on hold, you go a bit wobbly. I think it is that question | :55:30. | :55:33. | |
of experience, controlling your assets, please! Do you understand | :55:34. | :55:40. | |
what I mean? Brendan was trying to put you in your place and you were | :55:41. | :55:43. | |
kind of going a bit wobbly. I'm telling you again, the first week, | :55:44. | :55:52. | |
great promise. Good girl. Craig? You have a great sense of rhythm which | :55:53. | :55:55. | |
is a good beginning. You acted very well, but we expect that from you, | :55:56. | :56:00. | |
darling. But frame is what it is all about and you did not have that | :56:01. | :56:06. | |
night. Sadly. She could learn the frame, the stance? You no more than | :56:07. | :56:13. | |
me, Brendan. I like the attack and the story and you did some beautiful | :56:14. | :56:22. | |
things. The neck, the feeling. But it is true, when you get into a | :56:23. | :56:25. | |
hold, it has got to be strong. But you can to the energy from the | :56:26. | :56:29. | |
beginning until the end. Well done. -- kept the energy. I thought of the | :56:30. | :56:37. | |
war is far more right than wrong about that dance. -- there was far | :56:38. | :56:43. | |
more right. The biggest problem is your left arm, she has it here and | :56:44. | :56:48. | |
then it goes up and back. Once you get your arm going, you are OK. | :56:49. | :56:56. | |
However, let me say... You write there? The operations over some of | :56:57. | :57:00. | |
the patient is still alive. You will be back next week and I'll look | :57:01. | :57:08. | |
forward to seeing you. Thank you. Sunetra and Brendan, ladies and | :57:09. | :57:22. | |
gentlemen! Well done. What you right? -- are you all right. A | :57:23. | :57:32. | |
firecracker of a tango, you must be happy! That was like stepping up to | :57:33. | :57:39. | |
take a penalty. How can you say such a thing? I can only apologise. You | :57:40. | :57:45. | |
love Strictly and you absolutely love Brendan. Is it like working | :57:46. | :57:52. | |
with a Jedi master? I am constantly bossing him about, and he lets me do | :57:53. | :57:58. | |
it. That is true. Week one, you let them try,... Good luck with that. | :57:59. | :58:05. | |
The scores are in. Are you happy? Yes. Your baby is | :58:06. | :58:32. | |
watching, and he is nine. I'm sorry did not get nine, but hollow, Noah, | :58:33. | :58:36. | |
I hope you are going to bed soon. Ask for whatever you want, get on a | :58:37. | :58:39. | |
trampoline, have chocolate! There are three more | :58:40. | :58:40. | |
couples left to dance. The wait is almost over for | :58:41. | :58:42. | |
Gregg Wallace, First up is | :58:43. | :58:44. | |
Masterchef Star Gregg Wallace Blend a top chef with | :58:45. | :58:49. | |
a brilliant professional dancer, drizzle on gallons of fake tan, | :58:50. | :58:59. | |
sprinkle with hundreds and thousands of sequins and finish with a Lycra | :59:00. | :59:03. | |
dressing and what have you got? Hopefully, | :59:04. | :59:06. | |
it?s the recipe for success. He is a master in the kitchen mop | :59:07. | :59:19. | |
but does Gregg Wallace have what it takes to whip up a storm on the | :59:20. | :59:23. | |
dance floor? Everybody watches Masterchef and assumed that I chefs | :59:24. | :59:29. | |
at Miami Green grocer. It is a rough, tough, Manly occupation. I am | :59:30. | :59:35. | |
actually going to be filming the next series of Masterchef whilst | :59:36. | :59:40. | |
Ripley is on. Taste, 1,123. But but it will all work out. It is Aliona! | :59:41. | :59:46. | |
I was delighted when I was partnered with Aliona because she is an | :59:47. | :59:50. | |
amazing cancer and her reputation is that she is a very good teacher. | :59:51. | :59:53. | |
Great loves to tell jokes all the time. She is very stern and I am | :59:54. | :59:58. | |
very smiley and jockey. All the time. I have to convince her that I | :59:59. | :00:04. | |
can put in the hard graft. I think she thinks she might be coupled with | :00:05. | :00:11. | |
a client. You should never eat clowns, they taste funny. What is | :00:12. | :00:17. | |
this? If I'd tell a joke, I forget my steps. Less jokes, better | :00:18. | :00:25. | |
dancing. Next time, I will be concentrating like orange juice. | :00:26. | :00:34. | |
That is not a sidestep. What is a sidestep? I am determined to get | :00:35. | :00:39. | |
this right. Can I feel your feet doing it so why can practice at home | :00:40. | :00:44. | |
two as promised, I am practising. Cha cha, one, two, three. Ken I say | :00:45. | :00:50. | |
to camera, that is my first lovely in three days. Gregg is putting a | :00:51. | :00:55. | |
lot of hard work into this, so I am hoping that on the night, it will go | :00:56. | :01:00. | |
well. All Aliona needs to bring out the best of me is just a little bit | :01:01. | :01:04. | |
of patience and some sticky toffee pudding. | :01:05. | :01:07. | |
Dancing the Cha Cha Cha, Gregg Wallace and Aliona Vilani. | :01:08. | :01:13. | |
Well done. You were concentrating so hard. Craig? Sub zero, darling. You | :01:14. | :03:17. | |
were really nasty about my peppercorns, I recall, one | :03:18. | :03:24. | |
MasterChef. I am going to be nice and tell you the truth. You were | :03:25. | :03:31. | |
like a wind-up toy out there. Like a pressure cooker about to explode. | :03:32. | :03:41. | |
The bounce action you manage to get into the cha-cha-cha, that belongs | :03:42. | :03:47. | |
in the samba. Alyokhina, you must have seen that in the mirror, | :03:48. | :04:00. | |
darling. -- Aliona. I can only encourage your enthusiasm and hope | :04:01. | :04:08. | |
that you get better. Thanks. Darcey? Weirdly, I like that. Your | :04:09. | :04:21. | |
little bottom sticks out. And your shoulders have a life of their own. | :04:22. | :04:25. | |
They've is this kind of thing going on. But there is something OK, I | :04:26. | :04:35. | |
actually like you without your glasses as well. She liked it, that | :04:36. | :04:45. | |
is good. Len? I would have liked bigger portions. It was all a little | :04:46. | :04:52. | |
small and Dean T. Far be it for me to tell you not to practice, but | :04:53. | :04:58. | |
sometimes you practice so much, do this, do that, you forget to get out | :04:59. | :05:08. | |
and give it some flair. -- small and dainty. Practice, but come out next | :05:09. | :05:22. | |
week, and go on, my son. Bruno? I do not know how to describe this, but | :05:23. | :05:28. | |
it brings to mind in spy with a soggy bottom. I do not know what you | :05:29. | :05:40. | |
were doing. It was enjoyable to watch. I cannot wait for your next | :05:41. | :05:47. | |
dish, because it will be interesting. That was only a | :05:48. | :05:55. | |
starter. Ladies and gentlemen, thank you very much. Let's hear it for | :05:56. | :05:56. | |
them. CHEERING | :05:57. | :06:12. | |
You did great. Not only that, Darcey has fallen in love with you. That is | :06:13. | :06:20. | |
great. Did you love it? I loved it, that was great. He did brilliantly? | :06:21. | :06:30. | |
I messed up a bit. Now, you did not. Ignore that. -- no. Ladies and | :06:31. | :06:38. | |
gentlemen, the judges have their scores. | :06:39. | :06:48. | |
Are you happy? All right. I have got this. You can celebrate with that. | :06:49. | :07:04. | |
That is my boy. Sorry, mum. The next couple with their first bands is The | :07:05. | :07:11. | |
Saturdays' Frankie Bridge and her partner, Kevin Clifton. As well as | :07:12. | :07:18. | |
dance training, Frankie has been performing all across the country | :07:19. | :07:23. | |
with this lovely lot. It is becoming clear that there are not enough days | :07:24. | :07:29. | |
in the week for this Saturday. Saturday star Frankie Bridge is no | :07:30. | :07:36. | |
stranger to first night fears. -- Saturdays. I am used to being | :07:37. | :07:43. | |
nervous, but normally I have other people to hide behind. If this goes | :07:44. | :07:49. | |
wrong, everyone will see it. It is the dream of every girl could get | :07:50. | :07:53. | |
dressed up in these costumes. I am loving it. -- to get dressed up. I | :07:54. | :08:01. | |
have watched Kevin dans, he is amazing. I do not want to let him | :08:02. | :08:08. | |
down. We are doing the waltz first. The waltz is a slow dans and you | :08:09. | :08:16. | |
have got to glide across the floor. -- slow dance. You are travelling | :08:17. | :08:27. | |
around the country, have you finding it? Next week is more mental, it is | :08:28. | :08:41. | |
all right, we have four shows. I am in Dublin tonight. I am in | :08:42. | :08:45. | |
Birmingham right now, then I am going to Cardiff. Then we are doing | :08:46. | :08:50. | |
Wembley. I am making sure that I fit in my training. That is ten. | :08:51. | :09:05. | |
My partner Kevin is here tonight watching. Give him ice cream. -- | :09:06. | :09:22. | |
give him a scream. We could go all the way to the final. Dancing the | :09:23. | :09:27. | |
waltz, Frankie Bridge and Kevin Clifton. | :09:28. | :09:40. | |
APPLAUSE That was beautiful. That was lovely, | :09:41. | :11:14. | |
my darling. They are on their feet in the studio. You got a standing | :11:15. | :11:21. | |
ovation for that waltz. Darcey? Was that a hit for Frankie? It was a | :11:22. | :11:28. | |
major hit. There was a beautiful feeling throughout the dance, there | :11:29. | :11:35. | |
really was, and the arms, the quality, it was so lyrical, right | :11:36. | :11:40. | |
against your fingers. I would say only one thing, you get a little | :11:41. | :11:46. | |
comfortable in the hold. You could lean me even more, for me. What you | :11:47. | :11:59. | |
are a joy to watch. Len? I am amazed you could dans so well in this | :12:00. | :12:04. | |
weather. That without doubt is the best dance of the first week. High | :12:05. | :12:16. | |
praise from the Baldry master. Bruno? Deliciously romantic. I live | :12:17. | :12:22. | |
every moment with you. One thing is dancing but another thing is giving | :12:23. | :12:31. | |
meaning to what you do. The extended lines, once people start giving me | :12:32. | :12:35. | |
the full extension with the song, you have done it. What a way to | :12:36. | :12:47. | |
start. Craig? For me, you danced a lot to fit on your toes. I would | :12:48. | :12:53. | |
like to see I heavier fuel, but lovely arms, graceful, elegant, | :12:54. | :13:01. | |
romantic, you followed Kevin's lead beautifully. They love it. Will you | :13:02. | :13:06. | |
be top of the charts, we will find out soon enough? Give it up for | :13:07. | :13:10. | |
Frankie and Kevin. You did not sleep a wink last night, | :13:11. | :13:28. | |
you were so nervous? Did you enjoy it? Yes, I think I did. It was | :13:29. | :13:38. | |
amazing. She did a great job. I did not sleep either. I was listening to | :13:39. | :13:45. | |
The Saturdays' greatest hits. Was it weird to have your girls there are? | :13:46. | :13:50. | |
Yes, I knew they were going to be there. You did beautifully. The | :13:51. | :14:08. | |
judges' score sarin. -- judges' scores are in. That is the highest | :14:09. | :14:19. | |
score of the weekend. Did you happy? Yes. You cannot be rubbish | :14:20. | :14:26. | |
next week. Frankie is not ready to waltz off into the sunset yet. All | :14:27. | :14:31. | |
couples will be back next week. If you want to follow their every move, | :14:32. | :14:38. | |
join us on Facebook and Twitter. Also, the website. There is good | :14:39. | :14:44. | |
stuff on there. We have had eight incredible performances. There is | :14:45. | :14:49. | |
one to come. Our last couple tonight is Blue pop | :14:50. | :14:57. | |
star Simon Webbe and his partner, Kristina Rihanoff. When he was | :14:58. | :15:05. | |
paired with Kristina, Simon could not have been happier. But does he | :15:06. | :15:15. | |
still have a smile on his face? Dan is a pop star, Simon Webbe is used | :15:16. | :15:19. | |
to looking good but what do his band mates think of his latest make over? | :15:20. | :15:22. | |
The other boys were definitely jealous of this. I have been going | :15:23. | :15:27. | |
to the gym over the last couple of months, but I have been doing boxing | :15:28. | :15:31. | |
for food work. Should be no problems with the lifts. Kristina is my | :15:32. | :15:38. | |
partner and I think I'm going to teacher at the shoulder move. He has | :15:39. | :15:42. | |
to do more than that to impress me and judges. He will have to work | :15:43. | :15:50. | |
very hard. We will see how he copes. Unions! I am so excited. Not as | :15:51. | :15:57. | |
excited as I am in. We're going to do the jive. Yes, the kicks. The | :15:58. | :16:04. | |
jive, the quickest of all the Latin dances. It is going to be crazy | :16:05. | :16:09. | |
fast. Your legs are going to get tired but we are going to go for it. | :16:10. | :16:15. | |
Let's try again. There is a lot of things I'm finding difficult. And | :16:16. | :16:21. | |
that is every single step. But I am looking at Kristina to guide me | :16:22. | :16:27. | |
through. Because you feel music well, I want you to do a bit of a | :16:28. | :16:32. | |
solo. Week one, a solo. You must be kidding? You can do whatever you | :16:33. | :16:38. | |
want. Kristina is letting me do my own choreography. Don't disappoint | :16:39. | :16:49. | |
me. I trust you. Gangnam Style! I hope she likes the moves that I have | :16:50. | :16:53. | |
put together for the solo. I like it. She has worked hard on the | :16:54. | :16:59. | |
routine and they do not want to let her down. -- I do not want to. | :17:00. | :17:03. | |
Dancing the Jive, Simon Webbe and Kristina Rihanoff. | :17:04. | :17:09. | |
A standing ovation in the studio! Have a look at that. What a way to | :17:10. | :19:03. | |
close the show. Is this really their first week? The calibre of dancing | :19:04. | :19:07. | |
is unbelievable. Plenty of kicks, plenty of Flex. | :19:08. | :19:17. | |
Like EEC way that you did it. You were not uptight, you just came out | :19:18. | :19:24. | |
and dance to. Well done. -- danced. You are out of breath, I can C. You | :19:25. | :19:32. | |
have such a wonderful, springy bounce. You are like a frisky | :19:33. | :19:39. | |
rabbit. Bouncing on the floor. What you do is great and I like the rock | :19:40. | :19:43. | |
'n' roll that you put into it. A couple of Michael Jackson steps | :19:44. | :19:48. | |
there. But just remember, keep pointing your feet. You cannot just | :19:49. | :19:52. | |
do it like that. You have to point and retreat, point and retreat. | :19:53. | :20:03. | |
Bodies think, Craig? -- what do you think. It looks like you're pounding | :20:04. | :20:10. | |
the floor mop and you will see that professional than serviceable accent | :20:11. | :20:13. | |
on their heads to make it look like they're doing that but they are not | :20:14. | :20:19. | |
painting the floor. A little bit more action on your kicks will be | :20:20. | :20:25. | |
great, and point your feet. It could have been perfect. But it is week | :20:26. | :20:32. | |
one, and I think you are doing a fantastic job. Darcey? I liked it a | :20:33. | :20:39. | |
lot, especially the choreography, Kristina. You put so many details in | :20:40. | :20:45. | |
there, and I really like that. It was just getting crisper. You need | :20:46. | :20:48. | |
to keep it crisp right until the very end. I could see you getting | :20:49. | :20:54. | |
tired, but you have fully, Simon. You really do. -- you have the | :20:55. | :20:56. | |
layer. Of Simon! You are amazing. Goodbye. | :20:57. | :21:25. | |
Did that hurt? Did it feel good? When you turned up, you said you | :21:26. | :21:30. | |
could only do a shoulder move, but that was not a shoulder move. You | :21:31. | :21:37. | |
did great. Did you enjoy it? I am a little disappointed in myself. Don't | :21:38. | :21:43. | |
be ridiculous! I heard what the judges were saying. But for week | :21:44. | :21:50. | |
one... You did great. The scores are in. | :21:51. | :22:08. | |
What was so sweet is you said the only thing you did not want to do | :22:09. | :22:14. | |
was let Kristina Darren. As he let you down? Now. He is amazing and he | :22:15. | :22:21. | |
worked so hard. I'm so proud of you. I love duo dance when you did that | :22:22. | :22:25. | |
bit with your head. That is it. We have seen all our couple stands for | :22:26. | :22:30. | |
the very first time. -- couples dance. | :22:31. | :22:31. | |
Let's take a look at the leaderboard. | :22:32. | :22:34. | |
But that's only half the story because it could all | :22:35. | :22:53. | |
change next week when our celebrities will be back | :22:54. | :22:56. | |
with 15 brand new dances and you get the chance to cast your vote. | :22:57. | :23:02. | |
Here's a quick reminder of all the routines we've seen | :23:03. | :23:04. | |
Strictly Come Dancing 2014 has well and truly started! | :23:05. | :27:22. | |
And next week you can join in and start voting for your favourites. | :27:23. | :27:26. | |
Sadly one of our couples will have to leave the competition, | :27:27. | :27:29. | |
and none of the celebrities want to be the first to go home. | :27:30. | :27:33. | |
So it's back to the training rooms where, instead of 3 long weeks, | :27:34. | :27:36. | |
they'll have to learn a brand new dance in just six short days. | :27:37. | :27:39. | |
But if this weekend's performances are anything to go by, | :27:40. | :27:41. | |
You can keep up with our couples training and all things | :27:42. | :27:48. | |
Strictly every day next week with the brilliant Zoe Ball on It Takes | :27:49. | :27:51. | |
Two starting Monday night at 6:30pm on BBC2. | :27:52. | :27:56. | |
We'll see you next Saturday at 6.20, that's 6.20pm, | :27:57. | :27:58. | |
for more ballroom brilliance. But in the meantime, shall we? | :27:59. | :28:01. | |
MUSIC: Goldfinger by Shirley Bassey | :28:02. | :28:24. |