Week 6 Strictly Come Dancing


Week 6

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Last week, the temperature reached boiling point in the ballroom

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cauldron. Fabulous! While some dances were cooked to perfection...

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Others frankly were inedible. A dreadful salsa. In the end, chef

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Ainsley reached his sell by date. This week, it's Halloween and so

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far, no female celebrity has left the competition, and the three guys

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left are not giving in without a fight. Every week so far, one of the

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guys has gone. We need to put a stop to this. The girls will not be able

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to dance if they are terrified. This week is Halloween. We have to give

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it our all. What was that? Act, is it me or is it getting cold in here?

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Well, I survived the dance-off... Our! They are watching me, aren't

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they? What is going on? Leave me alone! Aaagh! That is a bit creepy,

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actually. Live from the BBC,

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this is the Strictly Come Dancing Hello and welcome to

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Strictly Come Dancing. Huge thanks to our celebrities

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and professional dancers Last week, Jamelia and Tristan faced

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Ainsley and Natalie in the dreaded Dance Off, and sadly, it was our

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celebrity chef who got the chop. Tonight, the rest

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of our cast are hoping to work their They're like one big, happy,

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dysfunctional family. They're so excited

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about our Halloween Special, EastEnders actress, Kellie Bright

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and her partner Kevin Clifton. TV presenter, Anita Rani

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and her partner Gleb Savchenko. From BBC Proms

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and Radio 3 presenter, Katie Derham Star of Call The Midwife,

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Helen George and her partner Actress Georgia May Foote

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and her partner Giovanni Pernice. BBC broadcaster and

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journalist Jeremy Vine Singer and Loose Women Star, Jamelia

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and her partner Tristan MacManus. Singer and TV personality

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Peter Andre and his partner BBC weather reporter, Carol Kirkwood

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and her partner Pasha Kovalev. From The Wanted,

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popstar Jay McGuiness And sports anchor Kirsty Gallacher

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and her partner Brendan Cole. Just look at our gruesome gang

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of guys and ghouls. But after losing four guys in a row,

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will the ghouls rule tonight? The two couples with the lowest

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combined scores from the judges and viewer votes will find themselves

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in the Dance Off tomorrow night. It will then be

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down to the judges to decide who is First tonight is Katie Derham

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and her partner Anton Du Beke. They're dancing a paso doble to

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the song Phantom Of The Opera, Not only is it her favourite song

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from her all-time favourite show, but it means for the whole routine,

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Anton has to wear a mask. I enjoyed Saturday night. It had

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basically gone according to plan, I thought. There was absolutely no

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figure rate. A dreadful salsa, sorry. We are just delighted to

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still be dancing this week. As it is Halloween, Anton has invited Katie

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to train at his mansion. I am going to put the kettle on. And he has a

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trick up his sleeve to scare her into dancing her best. I am one of

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the ghost of Anton's Strictly asked. Ann? Lovely to meet you, Katie.

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Happy Halloween, Katie. Judy? One month or two? One month, please.

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Survive Halloween. It may not be easy, because that was when Nancy

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left the competition. And most important of all, Anton loves

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Victoria sponge. Don't let us down. Well, the tea is made, but I've got

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a lovely... Victoria sponge! Thank you, ladies. A pleasure, Anton.

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Dancing the petrifying Paso Doble, Katie Derham and Anton

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That wasn't short on drama, that's for sure.

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How did that feel? Nice to see you smile again.

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Before we hear from our judges, let's welcome

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our devilishly good live singers, Hayley, Andrea, Lance and Tommy.

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And of course, the demonic Dave Arch and his orchestra.

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Let's took to lend first. Lennon, you haven't been the biggest fan of

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Katie's Latin in the past. Has her past I changed your mind? Well, the

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problem is, you're like an English rose. And paso doble is like a

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cactus. It's sharp and aggressive and spiky. It doesn't really suit

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your personality. It was a bit scary. I got the willies at one time

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when I thought you would use the wrong foot, but you kept on going.

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It wasn't great, Kate. I wish it was. What do you want me to do? He

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is right. The Phantom Of The Opera is big. You have to be a primadonna

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out there. You have to dominate the whole proceedings. It was a bit like

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a doormat. Your feet were very insecure at times, and you cannot be

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insecure with the paso doble. Everything has to be punched out to

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the full. Then again, you have another chance. Build on that.

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Craig's eye thought it was very stiff, and also very awkward. There

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were balance issues throughout. You need to power through the floor a

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lot more. Your foot came off the floor twice in that bin, so I regard

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that as they lift -- in that spin. I was let you get away with the two

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assisted jumps at the end, but it wasn't great. Darcey? Well, you look

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the part. You look absolutely stunning. I think to have strength

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in your performance, use those eyes. You have beautiful eyes. Really

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focused, have intent in them. Every time you change direction, find your

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corner and focus on your partner as well. Make him even more scary. Than

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he already is! There is a good improvement already with your Latin,

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so you are working in the right direction. Thank you very much for

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kicking off our show. We all loved it. Off you go.

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You must have been, where you quite shocked at those comments? Everyone

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gave you a standing ovation, you opened the show, you have got a mask

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on. The audience down there stood and cheered. It was lovely. Thank

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you. CHEERING AND APPLAUSE

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Firstly, they have got their opinions but I think the masses will

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agree, they know what they are talking about. Are you OK because I

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was looking at Len's face as he said it was not great? I had hoped that

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they would like it. I thought it could have gone better. You were

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great. I loved it! The scores are in. Ladies and gentlemen, the judges

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have their scores. Craig Revel Horwood. Darcey Bussell. Len

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Goodman. And Bruno Tonioli. Can I just say, that was rubbish,

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but what is really exciting, all being well is that we have got the

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quickstep next week. I can't wait for that. They are going to love it.

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They told us so. We will love it, I reckon we will get 42 points!

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To vote for Katie and Anton, call 6 22 52 05 from your mobile,

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09015 22 52 05 from your landline or vote online when it opens later.

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It's time for the all important terms and conditions.

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I know it's hard to tell but he's genuinely excited.

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Calls cost 15p plus your network's access charge.

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Please ask the bill payers permission.

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To vote online visit bbc.co.uk/strictly

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where you can register for your BBD iD and you'll also find terms

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Voting won't open until all our couples have danced.

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Not only that, your vote won't count and you may still be charged.

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Our next couple is Kirsty Gallacher and her partner Brendan Cole.

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In their Halloween dance, Kirsty becomes a vampire

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All series, he's been so supportive, but tonight he's turned

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Last Saturday was just incredible. I was so pleased with the judges'

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comments. You pulled it off, big-time! Kirsty Gallacher really

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beautifully and I was proud of her. -- danced really beautifully. It

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gave me the feeling that I could do it. I'm not ready to go. This week,

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Kirsty is dancing a charleston with a vampire theme. Can we train at

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night? I would prefer it. What is the cake? The paso doble was last

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week. I'm a pitch chilly. Kirsty is behaving strangely. You've got a

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great neck. I've never noticed before. Good. It's getting there but

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we need to do more than nights. Let's get here first thing in the

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morning. Morning? Kirsty, where are you? Brendan, I'm trying to sleep!

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Leave me alone! We need to train, let's go. It's too bright, Brendan!

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It's too bright! Kirsty? Won there's no way I can do the job done like

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this. Luckily we start after dark on Saturday and if she can keep her

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feet in the ground and not get into much of a flap, we will do a very

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good charleston. Dancing a chilling Charleston,

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Kirsty Gallacher and Brendan CHEERING AND APPLAUSE

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You really got stuck into that Charleston! Are you OK? OK, Bruno,

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what did you think? You made mincemeat out of that! What a mess.

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I'm sorry! You went wrong, you really went wrong, you are trying to

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cover it up and it did not happen. You just saved it by the skin of

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your teeth. It is one of those things that happens, apart from the

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timing, that when you are doing it at the beginning, could have been

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sharper, in the feet a little bit more and your toes. You can't dance

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the charleston on flippers. You have to move your toes. There was a major

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accident that spoiled the whole thing. What can I say? These things

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happen. Hopefully if you are back... I was trying to get a grasp of it

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and slipped. You recovered well. She did not go to pieces, she recovered

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and we got back into it which shows she is improving and getting better

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because most people would fall apart and walked offstage but not this

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girl. It takes a pro to carry on. Craig? Those things happen to

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professionals. That is a point come EU have to be able to recover and

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get on with it. -- that is the point, you have to be able to

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recover. I was getting very excited at the beginning but as soon as you

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came onto the floor, you lost all sense of the swing. The kicks were

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horribly out of time at the beginning, and you caught up in the

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end but I don't know what you were trying to do? Was it a wrong grip?

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It was the one hand and then we could not get it up. Just bad luck,

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really. These things happen. Darcey? You have no fear, and it is

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incredible how you throw yourself into the lifts anyway. It is true

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that professionals make mistakes. I know that maybe you could have had

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more dance content and things but he went for it and are very oppressive

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cartwheel at the end! -- you went for it. After you were exhausted at

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the end. Don't be too hard on yourself because I know you are

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trying really hard and you can see it. It's not going wrong and making

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mistakes, it is how you cope with them and I thought you coped very

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well. APPLAUSE You are like snakes and ladders.

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Last week, flying up the ladder, this week, you have gone a bit down

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the snake. You have not seen the rest yet. They are all going down!

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Then we have great hope. But well done. APPLAUSE

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Thank you, judges, fair comment, pat yourself on the back and fly up

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there. Well done, guys, Kirsty and Brendan! CHEERING AND APPLAUSE

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It is an exasperating because we did a great run earlier! If you get one

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thing wrong... But Len said you came back brilliantly. I was very

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appreciative. We all make mistakes and you coped really well. It's a

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difficult dance, I love the charleston, it's really fun. A week

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is not that long to do it and I love it to watch but doing lifts, doing

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the charleston and coming out... Darcey said your lifts were very

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impressive. Can we mention how brilliant Lisa and Vicky are, the

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head of the costume department? APPLAUSE

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I'm looking at you and I can't believe. What these guys do, I wish

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you knew at them, from morning to night, they have worked without

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hardly a break and look at the result, phenomenal across-the-board.

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Best show on telly! I just had to mention the work they do. The scores

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are in. Oh my gosh, that is really bad! That

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is your lowest score. That is a dive bomb from last week. All right then!

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If you love Kirsty and Brendan, vote for them.

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Still to come, Anita is a fairy and Gleb is a King.

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Our next couple is Jeremy Vine and his partner Karen Clifton.

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Last week, Bruno said Jeremy's routine was lifeless

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and he accused him of dancing like a zombie.

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Jeremy said he would never, ever dance like a zombie again.

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Bruno, it's Halloween and guess what he's dancing as?

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I enjoy the warts but I'm sorry that not all the judges did. You have a

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grin like a zombie. I can't apologise was mine. May be because

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next week is Halloween, you're trying to get into character. I'm

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hoping there will be some kind of lightning strike and we will break

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through. With Bruno's zombie criticism is winning his ears,

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Jeremy Stravius hard. He's in such high spirits, such energy, I'm

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loving it. Day two, and still not a zombie insight. Rod hey, Karen.

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Jeremy Lopez looking a bit tired. Or is there? There's definitely

:26:33.:26:42.

something odd going on. I'm sorry, it happened again. Day three of

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rehearsals, and he is dancing all jolting and weird and it's really

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scaring me. It is the last day of training and there's definitely

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something wrong with Jeremy. He's not been himself. I got you some

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tea. I think it will make you feel better. Your back! I feel great. I

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was tired from the training. What can I say? Shall we get on with it?

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Dancing the scary Salsa, Jeremy Vine and Karen "Cackling" Clifton.

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CHEERING AND APPLAUSE Thank you! Listen to the crowd! I

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can honestly say, nobody gets into the spirit of things quite like you,

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Jeremy Aicardi LAUGHTER And we all love you for it, we

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really do. -- Jeremy! . The last four weeks, someone has scored you a

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paltry three. Please tell me, please tell me you were more impressed this

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week, Craig. Well, the problem is really began when you began to

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dance, actually. No rotation in the hips, position to position, you are

:29:53.:29:55.

meant to move with ease and that did not happen at all. There was no

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continuous flow. It was jagged and stilted but I have to say, I do have

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to say this, dressed as a zombie, that actually worked very, very

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well. APPLAUSE I particularly like all the Thriller

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stuff. Your characterisation was

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spectacular. It really suit you, and you were actually quite nimble. I

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could see you were on the balls of your feet, and your timing has

:30:31.:30:34.

improved. So you were in sync. Admittedly, the hips weren't really

:30:35.:30:38.

working, but luckily, I was distracted by the whole... Body! But

:30:39.:30:43.

if you just keep working on softening of those knees, it will

:30:44.:30:47.

help your technique. You have those long legs, you just have to get into

:30:48.:30:51.

the ground a bit more. Good improvement, well done. Len, Jeremy

:30:52.:30:58.

has been at the bottom of the leaderboard. Might he climb up after

:30:59.:31:02.

that performance? I think he could, you know. Don't get carried away.

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Halloween is all about the supernatural. Well, it wasn't super

:31:10.:31:14.

and it weren't very natural. However, there is an awkward charm

:31:15.:31:18.

about the way you dance, and I just liked watching it. Bruno, did you

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like this zombie? It really tickled me. It was fun from the master of

:31:26.:31:34.

dance horror. You have got the serial killer thriller's moves! I

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know the salsa is dead and buried. But actually, I really enjoyed it.

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We all enjoyed it, that's for sure. Now moonwalk up to Claudia. It is

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Jeremy and Karen! Jeremy Vine, I heard Radio 2 just

:31:54.:32:15.

imploded. I wish I had seen Ken Bruce's face. You enjoyed it, didn't

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you? Well, it was such an iconic video. I was 17 in 1982 and Karen

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was born that yet, so it is a special year for us both. I love the

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song. We will take on board what the judges say. We are constantly trying

:32:32.:32:34.

to improve. How much would you to get more than three? Oh so much! The

:32:35.:32:41.

scores are in. Can I just say how much I love you

:32:42.:33:19.

two. Getting a 4 from Craig. That was a bigger reaction than some

:33:20.:33:20.

people getting 40! If you thought they were dead good

:33:21.:33:22.

and indeed, You are currently top of the

:33:23.:33:28.

leaderboard. Still to come, Georgia has

:33:29.:33:47.

a genuine Ghostbusters machine. All right, then, it's a Henry

:33:48.:33:54.

the Hoover covered with glitter. Our next couple is Anita Rani

:33:55.:33:56.

and her partner Gleb Savchenko. Anita seems to be one

:33:57.:34:00.

of those people who just gets better and better every week, no matter

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what dance we throw at her. Tonight, she's performing a Waltz

:34:08.:34:11.

as the powerful winged fairy But can she take her performance

:34:12.:34:13.

level to new heights? Saturday, I performed the tango, and

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we got our best results yet. You're like a panther stalking all the

:34:31.:34:37.

time, full of menace. Wow, if you say so! 32! Thank you very much. I'm

:34:38.:34:44.

amazed. So this week, we are doing the waltz. OK, that is romantic and

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dreamy. How do we make it Halloween? You have to learn how to fly? The

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beginning require something dramatic. I am going to fly in as

:34:55.:34:58.

Maleficent before I lose my wings and performed the waltz. But we have

:34:59.:35:03.

not been able to practice the flying yet. So I need to get that harness

:35:04.:35:08.

on and give it a go. Well, wait no longer, because it is time to hang

:35:09.:35:12.

around at the studio. You are in professional hands. Apparently, I am

:35:13.:35:17.

going up seven or eight metres. That is very high. FYI, I'm not relaxed.

:35:18.:35:23.

I'm also terrified. Wings, engage. Fly! I don't know how it looks from

:35:24.:35:30.

below, but up there, it's pretty scary. I'm currently eight metres

:35:31.:35:35.

high, attached to two bits of wire. You look amazing. The dance is

:35:36.:35:39.

hauntingly beautiful. When in your life do you get to fly and waltz?

:35:40.:35:43.

Dancing the wicked Waltz, Anita Rani and Gleb "Spooky" Savchenko.

:35:44.:35:56.

The audience are on their feet! That was magnificent, Maleficent.

:35:57.:37:53.

Incredible. Flying and waltzing. And growing horns. Darcey, Anita has

:37:54.:37:57.

performed consistently well, did she again tonight? That was one of the

:37:58.:38:01.

most dramatic waltz as I have ever seen. You never fail to give your

:38:02.:38:08.

all on and I love that from you. It is so passionate, and that is so

:38:09.:38:13.

important that when you come onto that dance floor, you just go for

:38:14.:38:17.

it, and you really did. The only thing you have to watch, when you

:38:18.:38:20.

are playing such a powerful character, don't get spiky, because

:38:21.:38:27.

it still has to look effortless and graceful. But it was an enjoyable

:38:28.:38:33.

performance. There were a couple of little parts where you just caught

:38:34.:38:37.

the floor and became a bit jerky, but a very nice show. Len? I don't

:38:38.:38:49.

want to be glib, Gleb, but I didn't know what was going on most of the

:38:50.:38:58.

time. I didn't understand the story. There is probably a film, and I

:38:59.:39:02.

haven't seen it. If you prick me, I bleed. The waltz was fabulous. Thank

:39:03.:39:12.

God you kept your head to the left. With those horns, you would have had

:39:13.:39:16.

his eye out! It was beautiful, well done. Bruno. Magnificent

:39:17.:39:26.

Maleficent. Bewitching your prints. Your characterisation was brilliant.

:39:27.:39:30.

I don't know what it was, but some of the time, especially when you

:39:31.:39:33.

were doing the underarm turns, you kind of stopped the flow. What the

:39:34.:39:41.

horns? If you do the sweeping movement, it can never stop or be

:39:42.:39:45.

jagged. But you really immersed yourself in the character, and I

:39:46.:39:52.

could read the story. Well done. Craig, are you going to clip her

:39:53.:39:56.

wings? It lacked grace and flow, sadly. I liked the storytelling, I

:39:57.:40:02.

can't agree with Len. The storytelling was the better part. It

:40:03.:40:07.

needed to be a lot more lyrical for me to really work. It's a shame,

:40:08.:40:11.

because I know you are capable of it. I loved the contemporary end as

:40:12.:40:18.

well. Thank you, judges. Fly up to Claudia. Anita and Gleb! Anita, I'm

:40:19.:40:35.

surprised. We thought it was beautiful. Amazing choreography.

:40:36.:40:44.

It's fine, I'm learning. And these way about 50 kilos. You look

:40:45.:40:47.

fantastic. The scores are in. When you two get your scores, if you

:40:48.:41:12.

50 get six, you don't go, what you just go, OK, thank you very much.

:41:13.:41:21.

If you enjoyed watching our fairy dance, call.

:41:22.:41:24.

And on top of that, we've dressed him up as a wolf.

:41:25.:41:31.

Dancing next is Jamelia and her partner Tristan MacManus.

:41:32.:41:37.

They're doing a jive set in a haunted house.

:41:38.:41:43.

It's a house where terrifying, evil creatures dwell.

:41:44.:41:46.

So thank you very much for letting us borrow it, Craig.

:41:47.:41:58.

I expected to hear my name for the dance off. I do find it upsetting

:41:59.:42:08.

because people didn't vote for me. That is how I feel. To me, it's all

:42:09.:42:15.

about progression. You pay attention to what the judges said and apply it

:42:16.:42:25.

to the next dance. This week, our dive is fun -- jive is fun, so I

:42:26.:42:32.

have a surprise for you. You always have surprises! The best thing about

:42:33.:42:36.

Halloween is scary movies, and me and you are going to make one. I

:42:37.:42:47.

love being silly. It was so much fun being in control of Tristan for

:42:48.:42:50.

once. There was a massive spider, and the only way to get rid of it is

:42:51.:42:57.

to scream like a girl. Aaagh! I made him scream like a girl! That was

:42:58.:43:04.

good. It's right behind you! Back, evil aliens! Our movie making really

:43:05.:43:09.

got me into the Halloween spirit, so I am hoping to bring the character

:43:10.:43:13.

and fun to the dance floor on the night.

:43:14.:43:16.

Dancing the jinxed Jive, Jamelia and Tristan "Morbid" MacManus.

:43:17.:43:23.

CHEERING AND APPLAUSE You can raise the roof on this

:43:24.:45:11.

wanted house! What a bone jangling jive, so entertaining! Did it get

:45:12.:45:17.

you rocking, Len? Of course it did. It was a bit rocky but it was not a

:45:18.:45:21.

horror. The difference between near the good is practice and this was a

:45:22.:45:27.

little bit, for me, underrehearsed. Your legs could have been a bit

:45:28.:45:31.

straighter, the kicks could have been a bit sharper. But you came out

:45:32.:45:36.

full of energy and full on. Well done. APPLAUSE

:45:37.:45:43.

Bruno? Yes, give yourself over to absolute pleasure! I know you want

:45:44.:45:47.

to let yourself go, let your hair down. You had a sense of fun and

:45:48.:45:52.

your timing was not too bad. Your flicks, you have to point your

:45:53.:45:58.

feet! Otherwise all the steps look the same, a bit shuffling. You have

:45:59.:46:02.

to sort out your footwork but great fun and great energy. Thank you.

:46:03.:46:09.

Cregg? It was a bit flat-footed and your feet are not looking the most

:46:10.:46:18.

attractive. A bit more side to side just to be a comparison but

:46:19.:46:20.

fantastic energy and great storytelling. APPLAUSE

:46:21.:46:27.

Darcey, was that jive enough to save her from the dance-off this week? I

:46:28.:46:34.

believe so. The energy and the speed you need, that was a fast but the

:46:35.:46:38.

thing is, you tire and its notices, and the boys said, it is being able

:46:39.:46:41.

to finish the move and getting on the balls of your feet and it will

:46:42.:46:45.

only help your technique but I have to say, incredibly enjoyable. We

:46:46.:46:53.

loved it, lots of tricks and go up there and give Claudia a fright.

:46:54.:47:05.

Jamelia and Dresden! -- Tristan. CHEERING AND APPLAUSE

:47:06.:47:14.

You did great! You did great. I know you find it difficult, being in the

:47:15.:47:17.

Dance Off but how much does it make you feel better? It's fantastic, I

:47:18.:47:24.

set it the other day, he's like a cheerleader by my side all the time.

:47:25.:47:30.

I really enjoyed it the night. It was fantastic, and the judges said

:47:31.:47:34.

it had great energy. We wondered what they would say! The scores are

:47:35.:47:36.

in. APPLAUSE

:47:37.:47:57.

Happy with that? Delighted. It is stamina, we are taking it one thing

:47:58.:47:59.

at a time and getting better, like everyone. Very happy. There's the

:48:00.:48:02.

smile! If you don't want

:48:03.:48:03.

the credits to come up on their Rocky Horror Picture Show,

:48:04.:48:06.

call 6 22 52 11 from your mobile, There are six couples left to dance

:48:07.:48:09.

and all of this still to come. Now we are doing the American

:48:10.:48:27.

Smooth, we've got opportunities to fly. When I was doing the paso

:48:28.:48:34.

doble, I wanted to do a slow one! The tango is so sharp and twisty and

:48:35.:48:40.

I'm a bit stiff and full of bruises at the moment. Even though it is the

:48:41.:48:44.

foxtrot, I want to look like I'm gliding, not trotting. There's a bit

:48:45.:48:49.

of the dance-wear Pasha swings me between his feet. It made me blush!

:48:50.:48:54.

In my head, I'm moving my hips but they are not moving. I'm hoping I

:48:55.:48:57.

don't freak out in the performance, although it is Halloween!

:48:58.:49:02.

I'm really looking forward to Kellie and Kevin's routine, dancing to

:49:03.:49:04.

Next up is Jay McGuiness and his dance partner Aliona Vilani.

:49:05.:49:23.

They're doing an American Smooth dressed as Little Red Riding Hood

:49:24.:49:30.

And after Jay's return to form last week, at the end of this routine we

:49:31.:49:36.

might just be saying "My, what big scores you've got".

:49:37.:49:44.

The paso doble was very strong and I felt like I looked strong during it

:49:45.:49:50.

but you don't really know how it looks until you get told afterwards.

:49:51.:49:54.

You are the opposite of Samson, you have had your hair cut and gone from

:49:55.:49:58.

strength. Trying to get into character does not come naturally to

:49:59.:50:02.

me so I'm going to work on it a lot this week to be present in the

:50:03.:50:07.

arena, if I can. This week, Jay and Aliona are dancing and American

:50:08.:50:12.

Smooth with a little red riding hood seem so Jay is getting story time.

:50:13.:50:15.

Once upon a time, there was a brave and handsome knight called Jay. He

:50:16.:50:24.

sounds pretty cool. Everyday, Jay would look up at the castle where

:50:25.:50:27.

Princess Aliona lived and gazed upon her entrancing beauty. One day come

:50:28.:50:32.

he spotted Princess Aliona being chased by a big bad Wolf. In a

:50:33.:50:38.

flash, he drew out his sword and scared the wolf away. Begone!

:50:39.:50:44.

Princess Aliona was so grateful to him, she promised he could have her

:50:45.:50:49.

hand at the Strictly ball but only if he danced dutifully. For five

:50:50.:50:54.

magical nights, she perfected his footwork, mastered his footwork and

:50:55.:51:01.

even taught him how to lift for the first time. What happens next? We

:51:02.:51:06.

will have to wait until Saturday night to find out!

:51:07.:51:08.

APPLAUSE Dancing the ahahahahrrrrrrrhhhaaa

:51:09.:51:11.

American Smooth, Jay McGuinness CHEERING AND APPLAUSE

:51:12.:53:07.

A fairy tale American Smooth! Look around! I think they enjoyed it in

:53:08.:53:14.

the audience. Brilliant make up, fantastic! Thanks to the costume and

:53:15.:53:22.

make-up department. It's phenomenal! And your first lifts, impressive.

:53:23.:53:26.

Bruno, did the warts have you panting for more? The thing about

:53:27.:53:30.

this wolf is that he is so well trained, he could make best in show

:53:31.:53:37.

at Crufts. But I love your lines, the elegance of the lines are just

:53:38.:53:41.

beautiful. CHEERING AND APPLAUSE So well placed. The movement is

:53:42.:53:47.

great. It is wonderful, really wonderful. Effortless as well. From

:53:48.:53:53.

the big bad wolf to the big bad judge, Craig. I really love the

:53:54.:53:58.

lines also. Your feet are absolutely beautiful. You point your feet so

:53:59.:54:03.

beautifully, great timing, great control. I would like to have seen a

:54:04.:54:06.

bit more characterisation but he made up for it at the very end.

:54:07.:54:13.

Great face! A bit more of that would have been good but I loved it.

:54:14.:54:17.

APPLAUSE Darcey? It was smooth and stylish

:54:18.:54:22.

and I loved the turning lifts you did. Every time you dismounted, you

:54:23.:54:27.

are controlled. They were very impressive. Again, for me, it is

:54:28.:54:33.

about character. You are a good dancer but you can't rely on the

:54:34.:54:37.

costume. You have to go for it more and sell it more, for me and then it

:54:38.:54:40.

would be a more rounded performance but you are exceptional and I like

:54:41.:54:45.

you very much. APPLAUSE Do you like it very much? I do! Hold

:54:46.:54:53.

my gaze. You got your heels and toes a bit in a pickle but I appreciate

:54:54.:54:57.

the fact that you really tried to work on it. Well done for that.

:54:58.:55:03.

There was no stressing or messing. It was a lovely routine. And very

:55:04.:55:06.

well done. APPLAUSE So well done. I how links excess

:55:07.:55:13.

from this lot! We thought it was incredible. Head on up to Claudia,

:55:14.:55:16.

and other good job from Jay and Aliona, how about that? CHEERING AND

:55:17.:55:18.

APPLAUSE Jay, what a dance, amazing. Look at

:55:19.:55:35.

you! Extraordinary. What did you think when they said they wanted

:55:36.:55:38.

more? How could there be any more wolfish nets? Push it out a bit.

:55:39.:55:45.

There was also face painting and my costume but I have to keep pushing.

:55:46.:55:51.

And your first lifts as well. Look at that. I'm bruised! There's always

:55:52.:55:56.

a downside. The judges' scores are in.

:55:57.:56:11.

CHEERING AND APPLAUSE That is more than last week. One

:56:12.:56:17.

more than last week. Very well done. If you're thinking, "My, what big

:56:18.:56:20.

fingers I've got", well, they're Vote for them on 6 22 52 14

:56:21.:56:24.

from your mobile, 09015 22 52 14 from your landline or

:56:25.:56:31.

you can vote for free online Still to come,

:56:32.:56:34.

Carol and Frankenstein get married. Our next couple is Kellie Bright and

:56:35.:56:39.

her dance partner, Kevin Clifton. Last week's fast-paced Jive saw them

:56:40.:56:48.

race to joint first Tonight, they're doing a Paso Doble

:56:49.:56:55.

as Harry Potter and Hermione. But can they enchant the judges,

:56:56.:56:59.

and have another spell at the top It's always the same on a Saturday

:57:00.:57:16.

night. I just feel like, "please just let this one be right". Oh, my

:57:17.:57:23.

goodness! Something is blowing my tiny mind. Owing to a hectic filming

:57:24.:57:29.

schedule this week, Kellie has asked Kevin to pop down so they can

:57:30.:57:32.

rehearse their Harry Potter themed paso doble in costume. What have you

:57:33.:57:39.

come as? She'd said I should be in costume onset. I was going to be in

:57:40.:57:42.

costume but you are not opposed to me. Well I'm here now. Agree it is a

:57:43.:57:50.

strong potter. Today we are filming Mick and Linda's wedding for

:57:51.:57:54.

Eastenders. I heard you do a really good impression of me. So there I

:57:55.:57:58.

was, doing an inversion of Danny Dyer to Danny Dyer. Very manly!

:57:59.:58:06.

Dressed as a wizard. I did not quite know who to give my attention to. At

:58:07.:58:13.

least we got some practice in onset in front of everyone in Eastenders.

:58:14.:58:18.

Good luck, do what you do, you are brilliant. I'm going to crack on

:58:19.:58:19.

with the piano. Dancing the poisonous Paso Doble,

:58:20.:58:30.

Kellie Bright and Kevin CHEERING AND APPLAUSE.

:58:31.:58:32.

. The audience are going wild! You

:58:33.:00:41.

through yourself into that. And they are standing upstairs. I loved the

:00:42.:00:50.

table choreography as well. Craig, did they cast a spell on you? I was

:00:51.:00:54.

a bit concerned about the whole concept of it, but as a matter of

:00:55.:00:59.

fact, it did work. I wasn't expecting it to. It was a little

:01:00.:01:06.

like a drunken romp through Seville, though, darling, dancing on the

:01:07.:01:12.

table and stuff. I would like to see more of a Spanish line. That was all

:01:13.:01:16.

that was missing, but you are wonderful dancer. Darcey, did they

:01:17.:01:26.

make child's play of that paso? You are fuelled with energy. Kellie,

:01:27.:01:30.

every time you make an appearance, we know about it. It's fabulous. For

:01:31.:01:37.

me, it was those flamenco arms. I needed more Spanish-style. And in

:01:38.:01:43.

hold, you just have to relax that top line. You get a little tense. I

:01:44.:01:50.

think you get carried away. On your own, oh, my gosh, fabulous. Sorry,

:01:51.:02:01.

Kevin! She's great on her own(!). You took off like a Nimbus 2000! A

:02:02.:02:09.

little bit on the table, maybe it restricted what you could do,

:02:10.:02:13.

actually. All the stuff around the floor, I love. School's out, but you

:02:14.:02:15.

won't be. Bruno? Expertly -- you were probably banshees! He

:02:16.:02:35.

has the energy. Again, that was fantastic. Because of the amount of

:02:36.:02:40.

energy that you unleashed, we have lost the finesse of the dance. It is

:02:41.:02:45.

a balance of the two, but don't be discouraged, because you are a

:02:46.:02:49.

fantastic dancer and it was a fantastic performance. We all loved

:02:50.:02:59.

it. You throw everything at every dance you do. Off you go. Kellie and

:03:00.:03:13.

Kevin! Expelliarmus! You're not Harry Potter any more! Harry

:03:14.:03:21.

Potter! I just want to explain to the group, you have been working up

:03:22.:03:28.

at 4am? 4:30am. Oh, so a lion. Because you have been doing

:03:29.:03:34.

EastEnders. And just got married. Tess and I just bring you something

:03:35.:03:38.

special, but you have been training is well liked at night. How have you

:03:39.:03:42.

done it? I don't know, really. It has been a tough week. I don't mind

:03:43.:03:48.

the hours. The one thing I will say, though - the hardest bit is that I

:03:49.:03:52.

miss my family. And I miss my little boy. I know he has been largest day

:03:53.:03:57.

out and watch this. So, Freddie, I will see you tomorrow for a big hug.

:03:58.:04:04.

Can't wait, love you! The scores are in.

:04:05.:04:24.

Much lower than last week. That is OK.

:04:25.:04:26.

If you loved Kellie and Kevin, then call:

:04:27.:04:36.

Still to come, Peter does a Foxtrot as a ghost and is worried

:04:37.:04:40.

Our next couple is Carol Kirkwood and her partner, Pasha Kovalev.

:04:41.:04:53.

For their Rumba, Carol is the Bride of Frankenstein and Pasha is

:04:54.:04:57.

the monster she's created out of different body parts.

:04:58.:05:00.

I just hope she hasn't given him two left feet!

:05:01.:05:11.

I think the highlight of my weekend was Bryan Adams! Oh, my goodness. It

:05:12.:05:23.

is no secret that I have a crush. I think Isgrove 21 is good for us.

:05:24.:05:27.

Some would say that is terrible. I was like, yeah, 21! I would love it

:05:28.:05:36.

to be 41. I don't think they do 41. This week, we are doing wrong before

:05:37.:05:41.

Halloween week. Pasha, you are early. And who is this? This is

:05:42.:05:47.

Pashenstein. I made him last night. Gorgeous, is only? Anyway, we have

:05:48.:05:53.

to start training. Open to the side... Hang on, I've got a text.

:05:54.:05:59.

Carroll, are you serious? Something is wrong with her. It is so hard

:06:00.:06:09.

when you really like two people and you can only choose one. I just keep

:06:10.:06:13.

catching Pashenstein's eye, and there is something about him. What

:06:14.:06:19.

is going on? I can't keep this any more from you, Pasha. I want

:06:20.:06:23.

Pashenstein to be my partner. That is ridiculous. You are amazing!

:06:24.:06:30.

Carol Kirkwood and Pasha "Quivering" Kovalev.

:06:31.:06:38.

Well done. Carol and the Pashenstein! Basi, has Pashenstein

:06:39.:08:33.

made a dancer out of his bride? Now, this is more T-shirts talking to

:08:34.:08:36.

you, Carol. This is going to be tough. The rumba should be fluid,

:08:37.:08:41.

caressing, sensual moves and sadly, there weren't many of those on that

:08:42.:08:46.

dance floor. I'm sorry, this just isn't your dance. Len? Carol, I like

:08:47.:08:58.

that you have kept a sunny disposition, however Frosty the

:08:59.:09:04.

judges are. Pasha, and you ever mentioned to Carol that you mustn't

:09:05.:09:07.

step forward on the heel during the time you have been training this

:09:08.:09:15.

week? It's my fault. It is forbidden. You cannot walk on your

:09:16.:09:20.

heels. It is all ball flat. That was the nail in the coffin for me, the

:09:21.:09:28.

footwork. Bruno? Miss Frankenstein, your rumba is grounds for divorce.

:09:29.:09:34.

For irreconcilable differences to dance, darling. But look on the

:09:35.:09:37.

bright side, no more stitching and you get to keep the frock. You can

:09:38.:09:42.

use that again! They said it all. Craig? Well, it wasn't sexy and it

:09:43.:09:50.

certainly wasn't seductive, darling. It was more like watching a barn

:09:51.:09:57.

dance. Ignore him, he's in a bad mood. He got no sweets when he went

:09:58.:10:02.

triple treating. Take your bride upstairs. Don't forget to carry her

:10:03.:10:05.

over the upstairs. Don't forget to carry her

:10:06.:10:23.

Carol! You smiled through all of those comments, and unlike almost

:10:24.:10:26.

every other human being on the planet, you love doing the rumba. It

:10:27.:10:31.

was good fun, actually. I love everything Pasha does. All his

:10:32.:10:35.

routines are amazing. She is so much in character, she lost her voice. We

:10:36.:10:40.

should say it is not because you are emotional, you have a sore throat.

:10:41.:10:44.

And you take the blame for the heel on the floor? We put it together

:10:45.:10:50.

very fast -- she put me together very fast, so... I am not perfect.

:10:51.:10:57.

Len mentioned your sunny disposition. Isn't she the

:10:58.:10:58.

sweetest? The scores are in. Oh, my goodness. It is not 40.

:10:59.:11:23.

However, it might be more interesting than 40. If you turned

:11:24.:11:30.

it the other way round, it would be 31.

:11:31.:11:31.

If you thought Carol dancing with a man made up of other people's body

:11:32.:11:35.

parts was the most romantic thing you've ever seen, then call:

:11:36.:11:46.

Plus, there's lots more on Facebook, Twitter and

:11:47.:11:48.

Next up is is Georgia May Foote and her partner, Giovanni Pernice.

:11:49.:11:59.

They're dancing a Tango while being bombarded by spirits,

:12:00.:12:02.

Luckily, as far as team GG is concerned,

:12:03.:12:06.

It was scary stepping out on the dance floor last week, because we

:12:07.:12:21.

were first to dance. Everybody has tried that dirty dancing lift. I

:12:22.:12:24.

think that was the best it ever went. I am about that! We got a 31

:12:25.:12:33.

again, which is amazing. Each week, hopefully we will stay the same or

:12:34.:12:39.

go up. This week, we are going to dance tango to Ghostbusters. I am

:12:40.:12:44.

not scared of ghosts. I love ghosts, vampires, Dracula. He will not stop

:12:45.:12:52.

talking about Halloween, and now he has just wandered off to go and buy

:12:53.:12:58.

loads of Halloween stuff. You look well good X on, we need to practice.

:12:59.:13:07.

I don't like it when you don't talk. We should do this every week. You

:13:08.:13:10.

can't just take the dress, you have to give it back, you know what I

:13:11.:13:16.

mean? At least you're listening. Giovanni has got so into character

:13:17.:13:20.

that he hasn't said a word all day. I'm so sorry, too much traffic. If

:13:21.:13:28.

you're there, then who's... ? Aaagh! Saturday night, we will be fine on

:13:29.:13:33.

as long as George isn't too scared of Halloween. -- Georgia.

:13:34.:13:37.

Dancing the terrifying Tango, Georgia May Foote and Giovanni

:13:38.:13:39.

CHEERING AND APPLAUSE Oh, yes! Wow, you just put the super

:13:40.:15:41.

into supernatural! What a response on the audience! Thank you! They are

:15:42.:15:46.

standing up! White-matter they are on their beat. It looked like you

:15:47.:15:49.

were busting all the right moves to me. I hope so. Was she, Len? She was

:15:50.:15:58.

indeed. I'm going to W the Queen of Halloween. -- to call you the Queen

:15:59.:16:05.

of Halloween. The story did not get in the way of the dance. It was

:16:06.:16:10.

fabulous. APPLAUSE Fabulous! Bruno? What have we got

:16:11.:16:19.

here, the tango-busters. You got straight into it, plenty of content,

:16:20.:16:23.

all the footwork was great and you maintain the speed. You never

:16:24.:16:28.

slackened. Sometimes, when the music is so fast, it is difficult to

:16:29.:16:31.

maintain them are meant. You did it with such gusto. It was good to see.

:16:32.:16:37.

APPLAUSE Now, you are afraid of a ghost but

:16:38.:16:43.

you might be afraid of Craig. Sharp, staccato, Ice-T, -- feisty,

:16:44.:16:53.

incandescent. She is shaking! Darcey? That was one powerful

:16:54.:16:58.

performance. I have to say, it was sharp, exact, beautiful work and

:16:59.:17:05.

really, really impressive. You were glued together. I loved it. We all

:17:06.:17:12.

loved it. Go and see if there's something strange in Claudia's

:17:13.:17:14.

neighbourhood, Georgia and Giovanni! CHEERING AND APPLAUSE

:17:15.:17:29.

You did it! That's amazing! I thought you were going to cry. I

:17:30.:17:35.

think I am. I'm having a moment. I'm shaking so much. Congratulations,

:17:36.:17:38.

you're per season and the choreography, when they say content,

:17:39.:17:41.

it means you're a genius. Every single week, he has pulled an

:17:42.:17:45.

amazing routine out of the bag. They have been hard but they have been

:17:46.:17:50.

amazing. Thank you very much! I saw in the week that he pushes you hard.

:17:51.:18:01.

You couldn't move your neck. I've had a cold all week, could not move

:18:02.:18:04.

my neck or back but the amazing video sorted me out. Very well done.

:18:05.:18:05.

The scores are in. CHEERING AND APPLAUSE

:18:06.:18:26.

OK, I have two pieces of information. That is your highest

:18:27.:18:29.

score and it's top of the Leader Board! Thank you! It is no longer

:18:30.:18:34.

Jeremy. If you liked that routine,

:18:35.:18:35.

who you gonna call? Well it's actually 6 22 52 09

:18:36.:18:39.

from your mobile, 09015 22 52 09 from your landline or vote online

:18:40.:18:45.

for free when voting opens later. Still to come, Helen

:18:46.:18:52.

and Aljaz dance in ancient Egypt. They don't think it's

:18:53.:18:57.

their strongest dance, But first

:18:58.:18:58.

and hoping to give them a run for their money, it's Peter Andre

:18:59.:19:09.

and his partner Janette Manrara. They're dancing a Foxtrot and

:19:10.:19:12.

during training, they fancied a bit of fresh air, so

:19:13.:19:17.

Janette organized a camping trip. But when Peter went down to the

:19:18.:19:20.

woods, he was in for a big surprise. Saturday was great. I remember

:19:21.:19:34.

thinking "this is so beautiful, such a great song". It is 150,000% harder

:19:35.:19:41.

than I thought it would be but I love the experience and what I'm

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doing. You get better every day! Because we are doing a ghostly

:19:50.:19:52.

foxtrot, I really want to take Peter camping tonight so he can get into

:19:53.:19:57.

the spirit. Do you get scared easily? No! We came here during the

:19:58.:20:03.

daytime and pitch the ten so we did not have to do it in the dark. How

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is this going to help me with my steps? Get cosy and I will go and

:20:08.:20:14.

get some firewood. This is not so bad. Peace and quiet. LAUGHTER

:20:15.:20:23.

If anyone finds this video, tell Craig I forgive him for his

:20:24.:20:25.

comments! You! Apropos what? I'm just watching

:20:26.:20:40.

our Movie Week dance will stop look! Remember when we did that thing with

:20:41.:20:45.

a ferret. That was so funny. Where are you going?

:20:46.:20:48.

Dancing the fangtastic Foxtrot, Peter Andre and Janette

:20:49.:20:51.

CHEERING AND APPLAUSE Peter and Janette, they loved it in

:20:52.:22:46.

the studio. Well done. You are so consistent, you guys. Ready on.

:22:47.:22:52.

Bruno, did it give you chills? Oh, Peter, you chilled me to the bone!

:22:53.:22:56.

You have such a potential to thrill as well. I'm going to be a bit hard

:22:57.:23:02.

on you to night because, no, it is all done with love, it is because of

:23:03.:23:06.

the potential. What you have, like all performers that have been around

:23:07.:23:09.

for a very long time, they tend to go into a safety zone. You perform

:23:10.:23:14.

everything the same way. You are so used to doing your pop star thing

:23:15.:23:23.

and... Yeah! In certain dances, you have to become another character.

:23:24.:23:28.

But I can always see that Peter wanting to emerge because you have

:23:29.:23:32.

the ability, like this one, for example, there is a floating,

:23:33.:23:35.

gliding quality that you have to maintain all the time. Don't repeat

:23:36.:23:39.

yourself. Don't become the person you were the week before, if you

:23:40.:23:44.

know what I mean. Yes. You have to become a new character, like playing

:23:45.:23:48.

any part in a film. Every dance is very specific. You can do it. I'm

:23:49.:23:51.

saying it because you have the ability. But you plateau and you do

:23:52.:23:58.

the same thing every week. Sorry! Stuff to work on. Craig? Your

:23:59.:24:03.

shoulders were sometimes coming up, not as much as normally, though. I

:24:04.:24:08.

would like it to have been a bit smoother, particularly around the

:24:09.:24:10.

edges, if you know what I mean, a bit jolting, which is what we are

:24:11.:24:17.

getting at. The slows should drive and the quicks should coast and I

:24:18.:24:20.

felt you were popping up in your rise and fall too much. Absolutely

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right. That is the difference between a warts and foxtrot. But a

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very, very -- between a waltz and they foxtrot. But a very, very good

:24:32.:24:36.

job. Did it get your spine tingling? What you always do it that you are

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such a natural performer and it is lovely to see the dance floor, live

:24:41.:24:46.

when you dance together. -- come alive. I can see you are working

:24:47.:24:49.

really hard at keeping the floor contact with your feet, gliding and

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really working at it and I could see it all away round. You did not fail

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there, for me. It is your shoulders and the topline! You only take the

:25:00.:25:03.

feeling, as soon as you come into the rise and you are changing

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direction or transitioning, you just come up and that is all it is but a

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very nice performance, still. Len? I'm all... Little things, little

:25:16.:25:20.

things please me. I loved your footwork... Janette worked on that!

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Especially going back, drawing off from the heel. Regarding your

:25:28.:25:31.

shoulder, I think maybe your right hand is eight had to hide. OK. And

:25:32.:25:43.

also to horizontal. -- a tad Tuwai. If it was a bit more diagonal, it

:25:44.:25:47.

would give you a better right elbow and maybe smooth out your right

:25:48.:25:52.

shoulder. They must have been worried upstairs because I did not

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know what to give it. It was so close to something else but it has

:25:56.:26:00.

become what it is. Well done. CHEERING AND APPLAUSE

:26:01.:26:04.

Can I just say, genuinely, whenever I see the judges individually, I

:26:05.:26:08.

always tell them how grateful I am. For me, performing is for life. It

:26:09.:26:13.

is not for 23 months. What I am learning is invaluable and I'm

:26:14.:26:16.

loving it, really loving it. Thank you! What a gent and we are loving

:26:17.:26:21.

you as well. Off you go. Peter and Janette!

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RADIO: CHEERING AND APPLAUSE

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Well done. Foxtrot, a famously difficult and your first foxtrot, I

:26:40.:26:45.

believe. And she is foxy! OK, I'll leave it there. The audience loved

:26:46.:26:51.

it and you take the comments on board. I do. It is one of those

:26:52.:26:55.

things where these guys, I will say it again, they are masters of their

:26:56.:26:57.

craft. They are! The scores are in. CHEERING AND APPLAUSE

:26:58.:27:17.

Excellent. Good! If you want this couple to remain

:27:18.:27:24.

in high spirits, call 6 22 52 12 from your mobile, 09015 22 52 12

:27:25.:27:27.

from your landline or go online Our final couple tonight is

:27:28.:27:31.

Helen George and her partner, As you've probably guessed,

:27:32.:27:41.

their dance will have Helen stars in Call the Midwife

:27:42.:27:49.

so she knows all about mummies. Last week was brilliant. Fabulous!

:27:50.:28:07.

We did not expect to be top of the Leader Board. 35, now we can go even

:28:08.:28:16.

higher. This week we're doing a samba to Take Your Mamma. We are

:28:17.:28:24.

going to be dressed as mummies so I decided to wind Aljaz up with some

:28:25.:28:34.

of my always supply. Matt Green I don't need a bandage. I think that

:28:35.:28:42.

is slightly overboard. You sure it's necessary? I'm completely fine,

:28:43.:28:48.

she's just making a fuss. I think you are taking this way overboard.

:28:49.:28:53.

I'm a TV nurse, I know. Three, four, five. I'm sorry! When Helen started

:28:54.:29:01.

pulling bandages out of her bag, I knew she was not up to any good. I

:29:02.:29:04.

honestly think you need just a little. How am I supposed to do a

:29:05.:29:11.

samba like this? There we go! Helen has been winding me up all week and

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I really hope that she makes this mummy proud on Saturday night.

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Dancing the spellbinding Samba, Helen George

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CHEERING AND APPLAUSE. .

:29:25.:31:12.

Come here! You make one hot mama, Lady! And I am loving those hips.

:31:13.:31:28.

You really got them moving. Did we end on a Halloween high, Craig?

:31:29.:31:33.

Well, I really loved the opening scenario. Fantastic choreography,

:31:34.:31:42.

trying to marry the stilted nature of a mummy zombie dance and the

:31:43.:31:49.

bounce action is difficult. You nearly got there with the bounce

:31:50.:31:54.

action, darling. But the whole routine was spectacular. Darcey, you

:31:55.:32:01.

wanted her to get down with the hips more. I was impressed. You have

:32:02.:32:07.

really come out of your box. It is a new Helen! You really looked

:32:08.:32:13.

natural. It is such a hard technique to create that double bounce. There

:32:14.:32:18.

were so many moments where you just caught it, but very impressive

:32:19.:32:24.

performance. Len, joint top last week. What do you think tonight?

:32:25.:32:28.

Well, I wouldn't be shocked if she was up there tonight, because you

:32:29.:32:34.

have delivered again, the midwife. Oh, yes! I don't know what happened,

:32:35.:32:43.

but you had a terrible moment. I had a bit of a trip. That was

:32:44.:32:51.

choreographed. Oh, shut up! You are a yummy mummy. Oh, yes, she is. And

:32:52.:33:02.

more than that, Mamma Mia, here we go again! My, my, how can I resist

:33:03.:33:07.

you? You bring the dead back to life! Very inventive, beautiful.

:33:08.:33:15.

Thank you, judges. They loved it. Take your mummy upstairs. Hallen and

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Aljaz! -- Helen. How difficult did you find that? The

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double bounce is difficult. I thought that was a basketball

:33:41.:33:46.

thing. It was difficult. I feel quite English in these dances, I

:33:47.:33:49.

don't feel very Brazilian and free, but hopefully, the Raffles started.

:33:50.:33:56.

You look Brazilian. Have you ever done anything this bonkers and

:33:57.:34:00.

brilliant in your life? Just as a mummy, is it your first? Yeah. I

:34:01.:34:06.

rarely dress as a mummy at home. I just got an insight into Aljaz's

:34:07.:34:08.

life. The scores are in. If you like mummies who party,

:34:09.:34:28.

although in my experience, it usually gets messy

:34:29.:34:32.

after a couple of G, call You don't have long to wait,

:34:33.:34:44.

as it opens shortly. Let's take a look

:34:45.:34:48.

at the leaderboard. Remember, you can change all that

:34:49.:35:11.

by picking up Boys and girls, get

:35:12.:35:13.

your party hats on - Bob, you too. Calls cost 15p plus

:35:14.:35:19.

your network's access charge. Please ask

:35:20.:35:28.

the bill payer's permission. The vote closes

:35:29.:35:35.

at 8.40 tonight. Please don't vote

:35:36.:35:36.

if you're watching on demand. To help you decide, here's a

:35:37.:35:39.

reminder of tonight's performances What a night it's been -

:35:40.:35:41.

Halloween did not disappoint. We've had Terrifying Tangos, Wicked

:35:42.:38:58.

Waltzes and Chilling Charlestons. The standard of dance was so high,

:38:59.:39:01.

it was scary. That's 8.40,

:39:02.:39:03.

so you don't have much longer to On tomorrow night's result show, the

:39:04.:39:09.

two couples with the lowest combined judges' score and viewer vote will

:39:10.:39:13.

face each other in the Dance Off. Right now, there are eight

:39:14.:39:20.

ladies and only three men left. One couple must leave the

:39:21.:39:23.

competition and nobody wants to go. Also, on tomorrow's show, performing

:39:24.:39:25.

his new song, Demons, the brilliant James Morrison will be here, plus,

:39:26.:39:28.

our professional dancers have a chess-themed group routine so good,

:39:29.:39:31.

it'll send a shiver down your spine. So join us at 7.15 tomorrow night,

:39:32.:39:34.

when we'll find out the fifth couple 227 Lears and I cannot

:39:35.:39:37.

remember the first line. I cannot remember the first line

:39:38.:40:00.

in 100,000 performances. I've always thought

:40:01.:40:06.

he was indestructible... The whole world's struggling

:40:07.:40:11.

for survival, so why can't you? My hands, they're shaking. If you

:40:12.:40:16.

haven't the strength, no-one has.

:40:17.:40:21.

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