Browse content similar to Week 6. Check below for episodes and series from the same categories and more!
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Last week, the temperature reached boiling point in the ballroom | :00:10. | :00:18. | |
cauldron. Fabulous! While some dances were cooked to perfection... | :00:19. | :00:27. | |
Others frankly were inedible. A dreadful salsa. In the end, chef | :00:28. | :00:31. | |
Ainsley reached his sell by date. This week, it's Halloween and so | :00:32. | :00:36. | |
far, no female celebrity has left the competition, and the three guys | :00:37. | :00:40. | |
left are not giving in without a fight. Every week so far, one of the | :00:41. | :00:45. | |
guys has gone. We need to put a stop to this. The girls will not be able | :00:46. | :00:53. | |
to dance if they are terrified. This week is Halloween. We have to give | :00:54. | :00:59. | |
it our all. What was that? Act, is it me or is it getting cold in here? | :01:00. | :01:05. | |
Well, I survived the dance-off... Our! They are watching me, aren't | :01:06. | :01:11. | |
they? What is going on? Leave me alone! Aaagh! That is a bit creepy, | :01:12. | :01:24. | |
actually. Live from the BBC, | :01:25. | :02:09. | |
this is the Strictly Come Dancing Hello and welcome to | :02:10. | :04:56. | |
Strictly Come Dancing. Huge thanks to our celebrities | :04:57. | :05:21. | |
and professional dancers Last week, Jamelia and Tristan faced | :05:22. | :05:28. | |
Ainsley and Natalie in the dreaded Dance Off, and sadly, it was our | :05:29. | :05:36. | |
celebrity chef who got the chop. Tonight, the rest | :05:37. | :05:40. | |
of our cast are hoping to work their They're like one big, happy, | :05:41. | :05:43. | |
dysfunctional family. They're so excited | :05:44. | :06:23. | |
about our Halloween Special, EastEnders actress, Kellie Bright | :06:24. | :06:26. | |
and her partner Kevin Clifton. TV presenter, Anita Rani | :06:27. | :06:38. | |
and her partner Gleb Savchenko. From BBC Proms | :06:39. | :06:44. | |
and Radio 3 presenter, Katie Derham Star of Call The Midwife, | :06:45. | :06:47. | |
Helen George and her partner Actress Georgia May Foote | :06:48. | :06:52. | |
and her partner Giovanni Pernice. BBC broadcaster and | :06:53. | :07:03. | |
journalist Jeremy Vine Singer and Loose Women Star, Jamelia | :07:04. | :07:04. | |
and her partner Tristan MacManus. Singer and TV personality | :07:05. | :07:10. | |
Peter Andre and his partner BBC weather reporter, Carol Kirkwood | :07:11. | :07:13. | |
and her partner Pasha Kovalev. From The Wanted, | :07:14. | :07:22. | |
popstar Jay McGuiness And sports anchor Kirsty Gallacher | :07:23. | :07:23. | |
and her partner Brendan Cole. Just look at our gruesome gang | :07:24. | :07:46. | |
of guys and ghouls. But after losing four guys in a row, | :07:47. | :07:50. | |
will the ghouls rule tonight? The two couples with the lowest | :07:51. | :07:53. | |
combined scores from the judges and viewer votes will find themselves | :07:54. | :07:56. | |
in the Dance Off tomorrow night. It will then be | :07:57. | :08:00. | |
down to the judges to decide who is First tonight is Katie Derham | :08:01. | :08:03. | |
and her partner Anton Du Beke. They're dancing a paso doble to | :08:04. | :08:09. | |
the song Phantom Of The Opera, Not only is it her favourite song | :08:10. | :08:18. | |
from her all-time favourite show, but it means for the whole routine, | :08:19. | :08:23. | |
Anton has to wear a mask. I enjoyed Saturday night. It had | :08:24. | :08:39. | |
basically gone according to plan, I thought. There was absolutely no | :08:40. | :08:44. | |
figure rate. A dreadful salsa, sorry. We are just delighted to | :08:45. | :08:53. | |
still be dancing this week. As it is Halloween, Anton has invited Katie | :08:54. | :08:58. | |
to train at his mansion. I am going to put the kettle on. And he has a | :08:59. | :09:03. | |
trick up his sleeve to scare her into dancing her best. I am one of | :09:04. | :09:13. | |
the ghost of Anton's Strictly asked. Ann? Lovely to meet you, Katie. | :09:14. | :09:24. | |
Happy Halloween, Katie. Judy? One month or two? One month, please. | :09:25. | :09:29. | |
Survive Halloween. It may not be easy, because that was when Nancy | :09:30. | :09:34. | |
left the competition. And most important of all, Anton loves | :09:35. | :09:46. | |
Victoria sponge. Don't let us down. Well, the tea is made, but I've got | :09:47. | :09:56. | |
a lovely... Victoria sponge! Thank you, ladies. A pleasure, Anton. | :09:57. | :09:59. | |
Dancing the petrifying Paso Doble, Katie Derham and Anton | :10:00. | :10:03. | |
That wasn't short on drama, that's for sure. | :10:04. | :11:57. | |
How did that feel? Nice to see you smile again. | :11:58. | :12:01. | |
Before we hear from our judges, let's welcome | :12:02. | :12:03. | |
our devilishly good live singers, Hayley, Andrea, Lance and Tommy. | :12:04. | :12:06. | |
And of course, the demonic Dave Arch and his orchestra. | :12:07. | :12:17. | |
Let's took to lend first. Lennon, you haven't been the biggest fan of | :12:18. | :12:23. | |
Katie's Latin in the past. Has her past I changed your mind? Well, the | :12:24. | :12:30. | |
problem is, you're like an English rose. And paso doble is like a | :12:31. | :12:35. | |
cactus. It's sharp and aggressive and spiky. It doesn't really suit | :12:36. | :12:40. | |
your personality. It was a bit scary. I got the willies at one time | :12:41. | :12:49. | |
when I thought you would use the wrong foot, but you kept on going. | :12:50. | :12:56. | |
It wasn't great, Kate. I wish it was. What do you want me to do? He | :12:57. | :13:02. | |
is right. The Phantom Of The Opera is big. You have to be a primadonna | :13:03. | :13:06. | |
out there. You have to dominate the whole proceedings. It was a bit like | :13:07. | :13:15. | |
a doormat. Your feet were very insecure at times, and you cannot be | :13:16. | :13:21. | |
insecure with the paso doble. Everything has to be punched out to | :13:22. | :13:24. | |
the full. Then again, you have another chance. Build on that. | :13:25. | :13:33. | |
Craig's eye thought it was very stiff, and also very awkward. There | :13:34. | :13:39. | |
were balance issues throughout. You need to power through the floor a | :13:40. | :13:44. | |
lot more. Your foot came off the floor twice in that bin, so I regard | :13:45. | :13:51. | |
that as they lift -- in that spin. I was let you get away with the two | :13:52. | :13:55. | |
assisted jumps at the end, but it wasn't great. Darcey? Well, you look | :13:56. | :14:01. | |
the part. You look absolutely stunning. I think to have strength | :14:02. | :14:10. | |
in your performance, use those eyes. You have beautiful eyes. Really | :14:11. | :14:14. | |
focused, have intent in them. Every time you change direction, find your | :14:15. | :14:20. | |
corner and focus on your partner as well. Make him even more scary. Than | :14:21. | :14:36. | |
he already is! There is a good improvement already with your Latin, | :14:37. | :14:40. | |
so you are working in the right direction. Thank you very much for | :14:41. | :14:47. | |
kicking off our show. We all loved it. Off you go. | :14:48. | :14:55. | |
You must have been, where you quite shocked at those comments? Everyone | :14:56. | :15:14. | |
gave you a standing ovation, you opened the show, you have got a mask | :15:15. | :15:20. | |
on. The audience down there stood and cheered. It was lovely. Thank | :15:21. | :15:25. | |
you. CHEERING AND APPLAUSE | :15:26. | :15:32. | |
Firstly, they have got their opinions but I think the masses will | :15:33. | :15:39. | |
agree, they know what they are talking about. Are you OK because I | :15:40. | :15:44. | |
was looking at Len's face as he said it was not great? I had hoped that | :15:45. | :15:48. | |
they would like it. I thought it could have gone better. You were | :15:49. | :15:56. | |
great. I loved it! The scores are in. Ladies and gentlemen, the judges | :15:57. | :15:59. | |
have their scores. Craig Revel Horwood. Darcey Bussell. Len | :16:00. | :16:04. | |
Goodman. And Bruno Tonioli. Can I just say, that was rubbish, | :16:05. | :16:20. | |
but what is really exciting, all being well is that we have got the | :16:21. | :16:24. | |
quickstep next week. I can't wait for that. They are going to love it. | :16:25. | :16:30. | |
They told us so. We will love it, I reckon we will get 42 points! | :16:31. | :16:34. | |
To vote for Katie and Anton, call 6 22 52 05 from your mobile, | :16:35. | :16:37. | |
09015 22 52 05 from your landline or vote online when it opens later. | :16:38. | :16:42. | |
It's time for the all important terms and conditions. | :16:43. | :16:45. | |
I know it's hard to tell but he's genuinely excited. | :16:46. | :16:53. | |
Calls cost 15p plus your network's access charge. | :16:54. | :16:55. | |
Please ask the bill payers permission. | :16:56. | :16:59. | |
To vote online visit bbc.co.uk/strictly | :17:00. | :17:02. | |
where you can register for your BBD iD and you'll also find terms | :17:03. | :17:05. | |
Voting won't open until all our couples have danced. | :17:06. | :17:08. | |
Not only that, your vote won't count and you may still be charged. | :17:09. | :17:11. | |
Our next couple is Kirsty Gallacher and her partner Brendan Cole. | :17:12. | :17:19. | |
In their Halloween dance, Kirsty becomes a vampire | :17:20. | :17:21. | |
All series, he's been so supportive, but tonight he's turned | :17:22. | :17:27. | |
Last Saturday was just incredible. I was so pleased with the judges' | :17:28. | :17:44. | |
comments. You pulled it off, big-time! Kirsty Gallacher really | :17:45. | :17:53. | |
beautifully and I was proud of her. -- danced really beautifully. It | :17:54. | :17:56. | |
gave me the feeling that I could do it. I'm not ready to go. This week, | :17:57. | :18:02. | |
Kirsty is dancing a charleston with a vampire theme. Can we train at | :18:03. | :18:10. | |
night? I would prefer it. What is the cake? The paso doble was last | :18:11. | :18:16. | |
week. I'm a pitch chilly. Kirsty is behaving strangely. You've got a | :18:17. | :18:20. | |
great neck. I've never noticed before. Good. It's getting there but | :18:21. | :18:24. | |
we need to do more than nights. Let's get here first thing in the | :18:25. | :18:31. | |
morning. Morning? Kirsty, where are you? Brendan, I'm trying to sleep! | :18:32. | :18:41. | |
Leave me alone! We need to train, let's go. It's too bright, Brendan! | :18:42. | :18:48. | |
It's too bright! Kirsty? Won there's no way I can do the job done like | :18:49. | :18:53. | |
this. Luckily we start after dark on Saturday and if she can keep her | :18:54. | :18:56. | |
feet in the ground and not get into much of a flap, we will do a very | :18:57. | :18:58. | |
good charleston. Dancing a chilling Charleston, | :18:59. | :19:01. | |
Kirsty Gallacher and Brendan CHEERING AND APPLAUSE | :19:02. | :20:53. | |
You really got stuck into that Charleston! Are you OK? OK, Bruno, | :20:54. | :20:59. | |
what did you think? You made mincemeat out of that! What a mess. | :21:00. | :21:08. | |
I'm sorry! You went wrong, you really went wrong, you are trying to | :21:09. | :21:12. | |
cover it up and it did not happen. You just saved it by the skin of | :21:13. | :21:16. | |
your teeth. It is one of those things that happens, apart from the | :21:17. | :21:20. | |
timing, that when you are doing it at the beginning, could have been | :21:21. | :21:25. | |
sharper, in the feet a little bit more and your toes. You can't dance | :21:26. | :21:29. | |
the charleston on flippers. You have to move your toes. There was a major | :21:30. | :21:33. | |
accident that spoiled the whole thing. What can I say? These things | :21:34. | :21:41. | |
happen. Hopefully if you are back... I was trying to get a grasp of it | :21:42. | :21:47. | |
and slipped. You recovered well. She did not go to pieces, she recovered | :21:48. | :21:51. | |
and we got back into it which shows she is improving and getting better | :21:52. | :21:54. | |
because most people would fall apart and walked offstage but not this | :21:55. | :22:00. | |
girl. It takes a pro to carry on. Craig? Those things happen to | :22:01. | :22:04. | |
professionals. That is a point come EU have to be able to recover and | :22:05. | :22:09. | |
get on with it. -- that is the point, you have to be able to | :22:10. | :22:13. | |
recover. I was getting very excited at the beginning but as soon as you | :22:14. | :22:16. | |
came onto the floor, you lost all sense of the swing. The kicks were | :22:17. | :22:21. | |
horribly out of time at the beginning, and you caught up in the | :22:22. | :22:24. | |
end but I don't know what you were trying to do? Was it a wrong grip? | :22:25. | :22:30. | |
It was the one hand and then we could not get it up. Just bad luck, | :22:31. | :22:38. | |
really. These things happen. Darcey? You have no fear, and it is | :22:39. | :22:41. | |
incredible how you throw yourself into the lifts anyway. It is true | :22:42. | :22:46. | |
that professionals make mistakes. I know that maybe you could have had | :22:47. | :22:50. | |
more dance content and things but he went for it and are very oppressive | :22:51. | :22:55. | |
cartwheel at the end! -- you went for it. After you were exhausted at | :22:56. | :22:59. | |
the end. Don't be too hard on yourself because I know you are | :23:00. | :23:02. | |
trying really hard and you can see it. It's not going wrong and making | :23:03. | :23:07. | |
mistakes, it is how you cope with them and I thought you coped very | :23:08. | :23:14. | |
well. APPLAUSE You are like snakes and ladders. | :23:15. | :23:19. | |
Last week, flying up the ladder, this week, you have gone a bit down | :23:20. | :23:23. | |
the snake. You have not seen the rest yet. They are all going down! | :23:24. | :23:28. | |
Then we have great hope. But well done. APPLAUSE | :23:29. | :23:34. | |
Thank you, judges, fair comment, pat yourself on the back and fly up | :23:35. | :23:37. | |
there. Well done, guys, Kirsty and Brendan! CHEERING AND APPLAUSE | :23:38. | :23:51. | |
It is an exasperating because we did a great run earlier! If you get one | :23:52. | :23:58. | |
thing wrong... But Len said you came back brilliantly. I was very | :23:59. | :24:05. | |
appreciative. We all make mistakes and you coped really well. It's a | :24:06. | :24:09. | |
difficult dance, I love the charleston, it's really fun. A week | :24:10. | :24:12. | |
is not that long to do it and I love it to watch but doing lifts, doing | :24:13. | :24:16. | |
the charleston and coming out... Darcey said your lifts were very | :24:17. | :24:20. | |
impressive. Can we mention how brilliant Lisa and Vicky are, the | :24:21. | :24:26. | |
head of the costume department? APPLAUSE | :24:27. | :24:29. | |
I'm looking at you and I can't believe. What these guys do, I wish | :24:30. | :24:33. | |
you knew at them, from morning to night, they have worked without | :24:34. | :24:37. | |
hardly a break and look at the result, phenomenal across-the-board. | :24:38. | :24:42. | |
Best show on telly! I just had to mention the work they do. The scores | :24:43. | :24:44. | |
are in. Oh my gosh, that is really bad! That | :24:45. | :25:04. | |
is your lowest score. That is a dive bomb from last week. All right then! | :25:05. | :25:12. | |
If you love Kirsty and Brendan, vote for them. | :25:13. | :25:18. | |
Still to come, Anita is a fairy and Gleb is a King. | :25:19. | :25:21. | |
Our next couple is Jeremy Vine and his partner Karen Clifton. | :25:22. | :25:31. | |
Last week, Bruno said Jeremy's routine was lifeless | :25:32. | :25:40. | |
and he accused him of dancing like a zombie. | :25:41. | :25:42. | |
Jeremy said he would never, ever dance like a zombie again. | :25:43. | :25:45. | |
Bruno, it's Halloween and guess what he's dancing as? | :25:46. | :25:51. | |
I enjoy the warts but I'm sorry that not all the judges did. You have a | :25:52. | :26:05. | |
grin like a zombie. I can't apologise was mine. May be because | :26:06. | :26:09. | |
next week is Halloween, you're trying to get into character. I'm | :26:10. | :26:13. | |
hoping there will be some kind of lightning strike and we will break | :26:14. | :26:17. | |
through. With Bruno's zombie criticism is winning his ears, | :26:18. | :26:21. | |
Jeremy Stravius hard. He's in such high spirits, such energy, I'm | :26:22. | :26:26. | |
loving it. Day two, and still not a zombie insight. Rod hey, Karen. | :26:27. | :26:32. | |
Jeremy Lopez looking a bit tired. Or is there? There's definitely | :26:33. | :26:42. | |
something odd going on. I'm sorry, it happened again. Day three of | :26:43. | :26:46. | |
rehearsals, and he is dancing all jolting and weird and it's really | :26:47. | :26:53. | |
scaring me. It is the last day of training and there's definitely | :26:54. | :26:54. | |
something wrong with Jeremy. He's not been himself. I got you some | :26:55. | :27:02. | |
tea. I think it will make you feel better. Your back! I feel great. I | :27:03. | :27:11. | |
was tired from the training. What can I say? Shall we get on with it? | :27:12. | :27:17. | |
Dancing the scary Salsa, Jeremy Vine and Karen "Cackling" Clifton. | :27:18. | :27:23. | |
CHEERING AND APPLAUSE Thank you! Listen to the crowd! I | :27:24. | :29:24. | |
can honestly say, nobody gets into the spirit of things quite like you, | :29:25. | :29:27. | |
Jeremy Aicardi LAUGHTER And we all love you for it, we | :29:28. | :29:34. | |
really do. -- Jeremy! . The last four weeks, someone has scored you a | :29:35. | :29:40. | |
paltry three. Please tell me, please tell me you were more impressed this | :29:41. | :29:44. | |
week, Craig. Well, the problem is really began when you began to | :29:45. | :29:52. | |
dance, actually. No rotation in the hips, position to position, you are | :29:53. | :29:55. | |
meant to move with ease and that did not happen at all. There was no | :29:56. | :30:00. | |
continuous flow. It was jagged and stilted but I have to say, I do have | :30:01. | :30:04. | |
to say this, dressed as a zombie, that actually worked very, very | :30:05. | :30:12. | |
well. APPLAUSE I particularly like all the Thriller | :30:13. | :30:13. | |
stuff. Your characterisation was | :30:14. | :30:26. | |
spectacular. It really suit you, and you were actually quite nimble. I | :30:27. | :30:30. | |
could see you were on the balls of your feet, and your timing has | :30:31. | :30:34. | |
improved. So you were in sync. Admittedly, the hips weren't really | :30:35. | :30:38. | |
working, but luckily, I was distracted by the whole... Body! But | :30:39. | :30:43. | |
if you just keep working on softening of those knees, it will | :30:44. | :30:47. | |
help your technique. You have those long legs, you just have to get into | :30:48. | :30:51. | |
the ground a bit more. Good improvement, well done. Len, Jeremy | :30:52. | :30:58. | |
has been at the bottom of the leaderboard. Might he climb up after | :30:59. | :31:02. | |
that performance? I think he could, you know. Don't get carried away. | :31:03. | :31:09. | |
Halloween is all about the supernatural. Well, it wasn't super | :31:10. | :31:14. | |
and it weren't very natural. However, there is an awkward charm | :31:15. | :31:18. | |
about the way you dance, and I just liked watching it. Bruno, did you | :31:19. | :31:25. | |
like this zombie? It really tickled me. It was fun from the master of | :31:26. | :31:34. | |
dance horror. You have got the serial killer thriller's moves! I | :31:35. | :31:39. | |
know the salsa is dead and buried. But actually, I really enjoyed it. | :31:40. | :31:50. | |
We all enjoyed it, that's for sure. Now moonwalk up to Claudia. It is | :31:51. | :31:53. | |
Jeremy and Karen! Jeremy Vine, I heard Radio 2 just | :31:54. | :32:15. | |
imploded. I wish I had seen Ken Bruce's face. You enjoyed it, didn't | :32:16. | :32:19. | |
you? Well, it was such an iconic video. I was 17 in 1982 and Karen | :32:20. | :32:24. | |
was born that yet, so it is a special year for us both. I love the | :32:25. | :32:31. | |
song. We will take on board what the judges say. We are constantly trying | :32:32. | :32:34. | |
to improve. How much would you to get more than three? Oh so much! The | :32:35. | :32:41. | |
scores are in. Can I just say how much I love you | :32:42. | :33:19. | |
two. Getting a 4 from Craig. That was a bigger reaction than some | :33:20. | :33:20. | |
people getting 40! If you thought they were dead good | :33:21. | :33:22. | |
and indeed, You are currently top of the | :33:23. | :33:28. | |
leaderboard. Still to come, Georgia has | :33:29. | :33:47. | |
a genuine Ghostbusters machine. All right, then, it's a Henry | :33:48. | :33:54. | |
the Hoover covered with glitter. Our next couple is Anita Rani | :33:55. | :33:56. | |
and her partner Gleb Savchenko. Anita seems to be one | :33:57. | :34:00. | |
of those people who just gets better and better every week, no matter | :34:01. | :34:07. | |
what dance we throw at her. Tonight, she's performing a Waltz | :34:08. | :34:11. | |
as the powerful winged fairy But can she take her performance | :34:12. | :34:13. | |
level to new heights? Saturday, I performed the tango, and | :34:14. | :34:30. | |
we got our best results yet. You're like a panther stalking all the | :34:31. | :34:37. | |
time, full of menace. Wow, if you say so! 32! Thank you very much. I'm | :34:38. | :34:44. | |
amazed. So this week, we are doing the waltz. OK, that is romantic and | :34:45. | :34:49. | |
dreamy. How do we make it Halloween? You have to learn how to fly? The | :34:50. | :34:54. | |
beginning require something dramatic. I am going to fly in as | :34:55. | :34:58. | |
Maleficent before I lose my wings and performed the waltz. But we have | :34:59. | :35:03. | |
not been able to practice the flying yet. So I need to get that harness | :35:04. | :35:08. | |
on and give it a go. Well, wait no longer, because it is time to hang | :35:09. | :35:12. | |
around at the studio. You are in professional hands. Apparently, I am | :35:13. | :35:17. | |
going up seven or eight metres. That is very high. FYI, I'm not relaxed. | :35:18. | :35:23. | |
I'm also terrified. Wings, engage. Fly! I don't know how it looks from | :35:24. | :35:30. | |
below, but up there, it's pretty scary. I'm currently eight metres | :35:31. | :35:35. | |
high, attached to two bits of wire. You look amazing. The dance is | :35:36. | :35:39. | |
hauntingly beautiful. When in your life do you get to fly and waltz? | :35:40. | :35:43. | |
Dancing the wicked Waltz, Anita Rani and Gleb "Spooky" Savchenko. | :35:44. | :35:56. | |
The audience are on their feet! That was magnificent, Maleficent. | :35:57. | :37:53. | |
Incredible. Flying and waltzing. And growing horns. Darcey, Anita has | :37:54. | :37:57. | |
performed consistently well, did she again tonight? That was one of the | :37:58. | :38:01. | |
most dramatic waltz as I have ever seen. You never fail to give your | :38:02. | :38:08. | |
all on and I love that from you. It is so passionate, and that is so | :38:09. | :38:13. | |
important that when you come onto that dance floor, you just go for | :38:14. | :38:17. | |
it, and you really did. The only thing you have to watch, when you | :38:18. | :38:20. | |
are playing such a powerful character, don't get spiky, because | :38:21. | :38:27. | |
it still has to look effortless and graceful. But it was an enjoyable | :38:28. | :38:33. | |
performance. There were a couple of little parts where you just caught | :38:34. | :38:37. | |
the floor and became a bit jerky, but a very nice show. Len? I don't | :38:38. | :38:49. | |
want to be glib, Gleb, but I didn't know what was going on most of the | :38:50. | :38:58. | |
time. I didn't understand the story. There is probably a film, and I | :38:59. | :39:02. | |
haven't seen it. If you prick me, I bleed. The waltz was fabulous. Thank | :39:03. | :39:12. | |
God you kept your head to the left. With those horns, you would have had | :39:13. | :39:16. | |
his eye out! It was beautiful, well done. Bruno. Magnificent | :39:17. | :39:26. | |
Maleficent. Bewitching your prints. Your characterisation was brilliant. | :39:27. | :39:30. | |
I don't know what it was, but some of the time, especially when you | :39:31. | :39:33. | |
were doing the underarm turns, you kind of stopped the flow. What the | :39:34. | :39:41. | |
horns? If you do the sweeping movement, it can never stop or be | :39:42. | :39:45. | |
jagged. But you really immersed yourself in the character, and I | :39:46. | :39:52. | |
could read the story. Well done. Craig, are you going to clip her | :39:53. | :39:56. | |
wings? It lacked grace and flow, sadly. I liked the storytelling, I | :39:57. | :40:02. | |
can't agree with Len. The storytelling was the better part. It | :40:03. | :40:07. | |
needed to be a lot more lyrical for me to really work. It's a shame, | :40:08. | :40:11. | |
because I know you are capable of it. I loved the contemporary end as | :40:12. | :40:18. | |
well. Thank you, judges. Fly up to Claudia. Anita and Gleb! Anita, I'm | :40:19. | :40:35. | |
surprised. We thought it was beautiful. Amazing choreography. | :40:36. | :40:44. | |
It's fine, I'm learning. And these way about 50 kilos. You look | :40:45. | :40:47. | |
fantastic. The scores are in. When you two get your scores, if you | :40:48. | :41:12. | |
50 get six, you don't go, what you just go, OK, thank you very much. | :41:13. | :41:21. | |
If you enjoyed watching our fairy dance, call. | :41:22. | :41:24. | |
And on top of that, we've dressed him up as a wolf. | :41:25. | :41:31. | |
Dancing next is Jamelia and her partner Tristan MacManus. | :41:32. | :41:37. | |
They're doing a jive set in a haunted house. | :41:38. | :41:43. | |
It's a house where terrifying, evil creatures dwell. | :41:44. | :41:46. | |
So thank you very much for letting us borrow it, Craig. | :41:47. | :41:58. | |
I expected to hear my name for the dance off. I do find it upsetting | :41:59. | :42:08. | |
because people didn't vote for me. That is how I feel. To me, it's all | :42:09. | :42:15. | |
about progression. You pay attention to what the judges said and apply it | :42:16. | :42:25. | |
to the next dance. This week, our dive is fun -- jive is fun, so I | :42:26. | :42:32. | |
have a surprise for you. You always have surprises! The best thing about | :42:33. | :42:36. | |
Halloween is scary movies, and me and you are going to make one. I | :42:37. | :42:47. | |
love being silly. It was so much fun being in control of Tristan for | :42:48. | :42:50. | |
once. There was a massive spider, and the only way to get rid of it is | :42:51. | :42:57. | |
to scream like a girl. Aaagh! I made him scream like a girl! That was | :42:58. | :43:04. | |
good. It's right behind you! Back, evil aliens! Our movie making really | :43:05. | :43:09. | |
got me into the Halloween spirit, so I am hoping to bring the character | :43:10. | :43:13. | |
and fun to the dance floor on the night. | :43:14. | :43:16. | |
Dancing the jinxed Jive, Jamelia and Tristan "Morbid" MacManus. | :43:17. | :43:23. | |
CHEERING AND APPLAUSE You can raise the roof on this | :43:24. | :45:11. | |
wanted house! What a bone jangling jive, so entertaining! Did it get | :45:12. | :45:17. | |
you rocking, Len? Of course it did. It was a bit rocky but it was not a | :45:18. | :45:21. | |
horror. The difference between near the good is practice and this was a | :45:22. | :45:27. | |
little bit, for me, underrehearsed. Your legs could have been a bit | :45:28. | :45:31. | |
straighter, the kicks could have been a bit sharper. But you came out | :45:32. | :45:36. | |
full of energy and full on. Well done. APPLAUSE | :45:37. | :45:43. | |
Bruno? Yes, give yourself over to absolute pleasure! I know you want | :45:44. | :45:47. | |
to let yourself go, let your hair down. You had a sense of fun and | :45:48. | :45:52. | |
your timing was not too bad. Your flicks, you have to point your | :45:53. | :45:58. | |
feet! Otherwise all the steps look the same, a bit shuffling. You have | :45:59. | :46:02. | |
to sort out your footwork but great fun and great energy. Thank you. | :46:03. | :46:09. | |
Cregg? It was a bit flat-footed and your feet are not looking the most | :46:10. | :46:18. | |
attractive. A bit more side to side just to be a comparison but | :46:19. | :46:20. | |
fantastic energy and great storytelling. APPLAUSE | :46:21. | :46:27. | |
Darcey, was that jive enough to save her from the dance-off this week? I | :46:28. | :46:34. | |
believe so. The energy and the speed you need, that was a fast but the | :46:35. | :46:38. | |
thing is, you tire and its notices, and the boys said, it is being able | :46:39. | :46:41. | |
to finish the move and getting on the balls of your feet and it will | :46:42. | :46:45. | |
only help your technique but I have to say, incredibly enjoyable. We | :46:46. | :46:53. | |
loved it, lots of tricks and go up there and give Claudia a fright. | :46:54. | :47:05. | |
Jamelia and Dresden! -- Tristan. CHEERING AND APPLAUSE | :47:06. | :47:14. | |
You did great! You did great. I know you find it difficult, being in the | :47:15. | :47:17. | |
Dance Off but how much does it make you feel better? It's fantastic, I | :47:18. | :47:24. | |
set it the other day, he's like a cheerleader by my side all the time. | :47:25. | :47:30. | |
I really enjoyed it the night. It was fantastic, and the judges said | :47:31. | :47:34. | |
it had great energy. We wondered what they would say! The scores are | :47:35. | :47:36. | |
in. APPLAUSE | :47:37. | :47:57. | |
Happy with that? Delighted. It is stamina, we are taking it one thing | :47:58. | :47:59. | |
at a time and getting better, like everyone. Very happy. There's the | :48:00. | :48:02. | |
smile! If you don't want | :48:03. | :48:03. | |
the credits to come up on their Rocky Horror Picture Show, | :48:04. | :48:06. | |
call 6 22 52 11 from your mobile, There are six couples left to dance | :48:07. | :48:09. | |
and all of this still to come. Now we are doing the American | :48:10. | :48:27. | |
Smooth, we've got opportunities to fly. When I was doing the paso | :48:28. | :48:34. | |
doble, I wanted to do a slow one! The tango is so sharp and twisty and | :48:35. | :48:40. | |
I'm a bit stiff and full of bruises at the moment. Even though it is the | :48:41. | :48:44. | |
foxtrot, I want to look like I'm gliding, not trotting. There's a bit | :48:45. | :48:49. | |
of the dance-wear Pasha swings me between his feet. It made me blush! | :48:50. | :48:54. | |
In my head, I'm moving my hips but they are not moving. I'm hoping I | :48:55. | :48:57. | |
don't freak out in the performance, although it is Halloween! | :48:58. | :49:02. | |
I'm really looking forward to Kellie and Kevin's routine, dancing to | :49:03. | :49:04. | |
Next up is Jay McGuiness and his dance partner Aliona Vilani. | :49:05. | :49:23. | |
They're doing an American Smooth dressed as Little Red Riding Hood | :49:24. | :49:30. | |
And after Jay's return to form last week, at the end of this routine we | :49:31. | :49:36. | |
might just be saying "My, what big scores you've got". | :49:37. | :49:44. | |
The paso doble was very strong and I felt like I looked strong during it | :49:45. | :49:50. | |
but you don't really know how it looks until you get told afterwards. | :49:51. | :49:54. | |
You are the opposite of Samson, you have had your hair cut and gone from | :49:55. | :49:58. | |
strength. Trying to get into character does not come naturally to | :49:59. | :50:02. | |
me so I'm going to work on it a lot this week to be present in the | :50:03. | :50:07. | |
arena, if I can. This week, Jay and Aliona are dancing and American | :50:08. | :50:12. | |
Smooth with a little red riding hood seem so Jay is getting story time. | :50:13. | :50:15. | |
Once upon a time, there was a brave and handsome knight called Jay. He | :50:16. | :50:24. | |
sounds pretty cool. Everyday, Jay would look up at the castle where | :50:25. | :50:27. | |
Princess Aliona lived and gazed upon her entrancing beauty. One day come | :50:28. | :50:32. | |
he spotted Princess Aliona being chased by a big bad Wolf. In a | :50:33. | :50:38. | |
flash, he drew out his sword and scared the wolf away. Begone! | :50:39. | :50:44. | |
Princess Aliona was so grateful to him, she promised he could have her | :50:45. | :50:49. | |
hand at the Strictly ball but only if he danced dutifully. For five | :50:50. | :50:54. | |
magical nights, she perfected his footwork, mastered his footwork and | :50:55. | :51:01. | |
even taught him how to lift for the first time. What happens next? We | :51:02. | :51:06. | |
will have to wait until Saturday night to find out! | :51:07. | :51:08. | |
APPLAUSE Dancing the ahahahahrrrrrrrhhhaaa | :51:09. | :51:11. | |
American Smooth, Jay McGuinness CHEERING AND APPLAUSE | :51:12. | :53:07. | |
A fairy tale American Smooth! Look around! I think they enjoyed it in | :53:08. | :53:14. | |
the audience. Brilliant make up, fantastic! Thanks to the costume and | :53:15. | :53:22. | |
make-up department. It's phenomenal! And your first lifts, impressive. | :53:23. | :53:26. | |
Bruno, did the warts have you panting for more? The thing about | :53:27. | :53:30. | |
this wolf is that he is so well trained, he could make best in show | :53:31. | :53:37. | |
at Crufts. But I love your lines, the elegance of the lines are just | :53:38. | :53:41. | |
beautiful. CHEERING AND APPLAUSE So well placed. The movement is | :53:42. | :53:47. | |
great. It is wonderful, really wonderful. Effortless as well. From | :53:48. | :53:53. | |
the big bad wolf to the big bad judge, Craig. I really love the | :53:54. | :53:58. | |
lines also. Your feet are absolutely beautiful. You point your feet so | :53:59. | :54:03. | |
beautifully, great timing, great control. I would like to have seen a | :54:04. | :54:06. | |
bit more characterisation but he made up for it at the very end. | :54:07. | :54:13. | |
Great face! A bit more of that would have been good but I loved it. | :54:14. | :54:17. | |
APPLAUSE Darcey? It was smooth and stylish | :54:18. | :54:22. | |
and I loved the turning lifts you did. Every time you dismounted, you | :54:23. | :54:27. | |
are controlled. They were very impressive. Again, for me, it is | :54:28. | :54:33. | |
about character. You are a good dancer but you can't rely on the | :54:34. | :54:37. | |
costume. You have to go for it more and sell it more, for me and then it | :54:38. | :54:40. | |
would be a more rounded performance but you are exceptional and I like | :54:41. | :54:45. | |
you very much. APPLAUSE Do you like it very much? I do! Hold | :54:46. | :54:53. | |
my gaze. You got your heels and toes a bit in a pickle but I appreciate | :54:54. | :54:57. | |
the fact that you really tried to work on it. Well done for that. | :54:58. | :55:03. | |
There was no stressing or messing. It was a lovely routine. And very | :55:04. | :55:06. | |
well done. APPLAUSE So well done. I how links excess | :55:07. | :55:13. | |
from this lot! We thought it was incredible. Head on up to Claudia, | :55:14. | :55:16. | |
and other good job from Jay and Aliona, how about that? CHEERING AND | :55:17. | :55:18. | |
APPLAUSE Jay, what a dance, amazing. Look at | :55:19. | :55:35. | |
you! Extraordinary. What did you think when they said they wanted | :55:36. | :55:38. | |
more? How could there be any more wolfish nets? Push it out a bit. | :55:39. | :55:45. | |
There was also face painting and my costume but I have to keep pushing. | :55:46. | :55:51. | |
And your first lifts as well. Look at that. I'm bruised! There's always | :55:52. | :55:56. | |
a downside. The judges' scores are in. | :55:57. | :56:11. | |
CHEERING AND APPLAUSE That is more than last week. One | :56:12. | :56:17. | |
more than last week. Very well done. If you're thinking, "My, what big | :56:18. | :56:20. | |
fingers I've got", well, they're Vote for them on 6 22 52 14 | :56:21. | :56:24. | |
from your mobile, 09015 22 52 14 from your landline or | :56:25. | :56:31. | |
you can vote for free online Still to come, | :56:32. | :56:34. | |
Carol and Frankenstein get married. Our next couple is Kellie Bright and | :56:35. | :56:39. | |
her dance partner, Kevin Clifton. Last week's fast-paced Jive saw them | :56:40. | :56:48. | |
race to joint first Tonight, they're doing a Paso Doble | :56:49. | :56:55. | |
as Harry Potter and Hermione. But can they enchant the judges, | :56:56. | :56:59. | |
and have another spell at the top It's always the same on a Saturday | :57:00. | :57:16. | |
night. I just feel like, "please just let this one be right". Oh, my | :57:17. | :57:23. | |
goodness! Something is blowing my tiny mind. Owing to a hectic filming | :57:24. | :57:29. | |
schedule this week, Kellie has asked Kevin to pop down so they can | :57:30. | :57:32. | |
rehearse their Harry Potter themed paso doble in costume. What have you | :57:33. | :57:39. | |
come as? She'd said I should be in costume onset. I was going to be in | :57:40. | :57:42. | |
costume but you are not opposed to me. Well I'm here now. Agree it is a | :57:43. | :57:50. | |
strong potter. Today we are filming Mick and Linda's wedding for | :57:51. | :57:54. | |
Eastenders. I heard you do a really good impression of me. So there I | :57:55. | :57:58. | |
was, doing an inversion of Danny Dyer to Danny Dyer. Very manly! | :57:59. | :58:06. | |
Dressed as a wizard. I did not quite know who to give my attention to. At | :58:07. | :58:13. | |
least we got some practice in onset in front of everyone in Eastenders. | :58:14. | :58:18. | |
Good luck, do what you do, you are brilliant. I'm going to crack on | :58:19. | :58:19. | |
with the piano. Dancing the poisonous Paso Doble, | :58:20. | :58:30. | |
Kellie Bright and Kevin CHEERING AND APPLAUSE. | :58:31. | :58:32. | |
. The audience are going wild! You | :58:33. | :00:41. | |
through yourself into that. And they are standing upstairs. I loved the | :00:42. | :00:50. | |
table choreography as well. Craig, did they cast a spell on you? I was | :00:51. | :00:54. | |
a bit concerned about the whole concept of it, but as a matter of | :00:55. | :00:59. | |
fact, it did work. I wasn't expecting it to. It was a little | :01:00. | :01:06. | |
like a drunken romp through Seville, though, darling, dancing on the | :01:07. | :01:12. | |
table and stuff. I would like to see more of a Spanish line. That was all | :01:13. | :01:16. | |
that was missing, but you are wonderful dancer. Darcey, did they | :01:17. | :01:26. | |
make child's play of that paso? You are fuelled with energy. Kellie, | :01:27. | :01:30. | |
every time you make an appearance, we know about it. It's fabulous. For | :01:31. | :01:37. | |
me, it was those flamenco arms. I needed more Spanish-style. And in | :01:38. | :01:43. | |
hold, you just have to relax that top line. You get a little tense. I | :01:44. | :01:50. | |
think you get carried away. On your own, oh, my gosh, fabulous. Sorry, | :01:51. | :02:01. | |
Kevin! She's great on her own(!). You took off like a Nimbus 2000! A | :02:02. | :02:09. | |
little bit on the table, maybe it restricted what you could do, | :02:10. | :02:13. | |
actually. All the stuff around the floor, I love. School's out, but you | :02:14. | :02:15. | |
won't be. Bruno? Expertly -- you were probably banshees! He | :02:16. | :02:35. | |
has the energy. Again, that was fantastic. Because of the amount of | :02:36. | :02:40. | |
energy that you unleashed, we have lost the finesse of the dance. It is | :02:41. | :02:45. | |
a balance of the two, but don't be discouraged, because you are a | :02:46. | :02:49. | |
fantastic dancer and it was a fantastic performance. We all loved | :02:50. | :02:59. | |
it. You throw everything at every dance you do. Off you go. Kellie and | :03:00. | :03:13. | |
Kevin! Expelliarmus! You're not Harry Potter any more! Harry | :03:14. | :03:21. | |
Potter! I just want to explain to the group, you have been working up | :03:22. | :03:28. | |
at 4am? 4:30am. Oh, so a lion. Because you have been doing | :03:29. | :03:34. | |
EastEnders. And just got married. Tess and I just bring you something | :03:35. | :03:38. | |
special, but you have been training is well liked at night. How have you | :03:39. | :03:42. | |
done it? I don't know, really. It has been a tough week. I don't mind | :03:43. | :03:48. | |
the hours. The one thing I will say, though - the hardest bit is that I | :03:49. | :03:52. | |
miss my family. And I miss my little boy. I know he has been largest day | :03:53. | :03:57. | |
out and watch this. So, Freddie, I will see you tomorrow for a big hug. | :03:58. | :04:04. | |
Can't wait, love you! The scores are in. | :04:05. | :04:24. | |
Much lower than last week. That is OK. | :04:25. | :04:26. | |
If you loved Kellie and Kevin, then call: | :04:27. | :04:36. | |
Still to come, Peter does a Foxtrot as a ghost and is worried | :04:37. | :04:40. | |
Our next couple is Carol Kirkwood and her partner, Pasha Kovalev. | :04:41. | :04:53. | |
For their Rumba, Carol is the Bride of Frankenstein and Pasha is | :04:54. | :04:57. | |
the monster she's created out of different body parts. | :04:58. | :05:00. | |
I just hope she hasn't given him two left feet! | :05:01. | :05:11. | |
I think the highlight of my weekend was Bryan Adams! Oh, my goodness. It | :05:12. | :05:23. | |
is no secret that I have a crush. I think Isgrove 21 is good for us. | :05:24. | :05:27. | |
Some would say that is terrible. I was like, yeah, 21! I would love it | :05:28. | :05:36. | |
to be 41. I don't think they do 41. This week, we are doing wrong before | :05:37. | :05:41. | |
Halloween week. Pasha, you are early. And who is this? This is | :05:42. | :05:47. | |
Pashenstein. I made him last night. Gorgeous, is only? Anyway, we have | :05:48. | :05:53. | |
to start training. Open to the side... Hang on, I've got a text. | :05:54. | :05:59. | |
Carroll, are you serious? Something is wrong with her. It is so hard | :06:00. | :06:09. | |
when you really like two people and you can only choose one. I just keep | :06:10. | :06:13. | |
catching Pashenstein's eye, and there is something about him. What | :06:14. | :06:19. | |
is going on? I can't keep this any more from you, Pasha. I want | :06:20. | :06:23. | |
Pashenstein to be my partner. That is ridiculous. You are amazing! | :06:24. | :06:30. | |
Carol Kirkwood and Pasha "Quivering" Kovalev. | :06:31. | :06:38. | |
Well done. Carol and the Pashenstein! Basi, has Pashenstein | :06:39. | :08:33. | |
made a dancer out of his bride? Now, this is more T-shirts talking to | :08:34. | :08:36. | |
you, Carol. This is going to be tough. The rumba should be fluid, | :08:37. | :08:41. | |
caressing, sensual moves and sadly, there weren't many of those on that | :08:42. | :08:46. | |
dance floor. I'm sorry, this just isn't your dance. Len? Carol, I like | :08:47. | :08:58. | |
that you have kept a sunny disposition, however Frosty the | :08:59. | :09:04. | |
judges are. Pasha, and you ever mentioned to Carol that you mustn't | :09:05. | :09:07. | |
step forward on the heel during the time you have been training this | :09:08. | :09:15. | |
week? It's my fault. It is forbidden. You cannot walk on your | :09:16. | :09:20. | |
heels. It is all ball flat. That was the nail in the coffin for me, the | :09:21. | :09:28. | |
footwork. Bruno? Miss Frankenstein, your rumba is grounds for divorce. | :09:29. | :09:34. | |
For irreconcilable differences to dance, darling. But look on the | :09:35. | :09:37. | |
bright side, no more stitching and you get to keep the frock. You can | :09:38. | :09:42. | |
use that again! They said it all. Craig? Well, it wasn't sexy and it | :09:43. | :09:50. | |
certainly wasn't seductive, darling. It was more like watching a barn | :09:51. | :09:57. | |
dance. Ignore him, he's in a bad mood. He got no sweets when he went | :09:58. | :10:02. | |
triple treating. Take your bride upstairs. Don't forget to carry her | :10:03. | :10:05. | |
over the upstairs. Don't forget to carry her | :10:06. | :10:23. | |
Carol! You smiled through all of those comments, and unlike almost | :10:24. | :10:26. | |
every other human being on the planet, you love doing the rumba. It | :10:27. | :10:31. | |
was good fun, actually. I love everything Pasha does. All his | :10:32. | :10:35. | |
routines are amazing. She is so much in character, she lost her voice. We | :10:36. | :10:40. | |
should say it is not because you are emotional, you have a sore throat. | :10:41. | :10:44. | |
And you take the blame for the heel on the floor? We put it together | :10:45. | :10:50. | |
very fast -- she put me together very fast, so... I am not perfect. | :10:51. | :10:57. | |
Len mentioned your sunny disposition. Isn't she the | :10:58. | :10:58. | |
sweetest? The scores are in. Oh, my goodness. It is not 40. | :10:59. | :11:23. | |
However, it might be more interesting than 40. If you turned | :11:24. | :11:30. | |
it the other way round, it would be 31. | :11:31. | :11:31. | |
If you thought Carol dancing with a man made up of other people's body | :11:32. | :11:35. | |
parts was the most romantic thing you've ever seen, then call: | :11:36. | :11:46. | |
Plus, there's lots more on Facebook, Twitter and | :11:47. | :11:48. | |
Next up is is Georgia May Foote and her partner, Giovanni Pernice. | :11:49. | :11:59. | |
They're dancing a Tango while being bombarded by spirits, | :12:00. | :12:02. | |
Luckily, as far as team GG is concerned, | :12:03. | :12:06. | |
It was scary stepping out on the dance floor last week, because we | :12:07. | :12:21. | |
were first to dance. Everybody has tried that dirty dancing lift. I | :12:22. | :12:24. | |
think that was the best it ever went. I am about that! We got a 31 | :12:25. | :12:33. | |
again, which is amazing. Each week, hopefully we will stay the same or | :12:34. | :12:39. | |
go up. This week, we are going to dance tango to Ghostbusters. I am | :12:40. | :12:44. | |
not scared of ghosts. I love ghosts, vampires, Dracula. He will not stop | :12:45. | :12:52. | |
talking about Halloween, and now he has just wandered off to go and buy | :12:53. | :12:58. | |
loads of Halloween stuff. You look well good X on, we need to practice. | :12:59. | :13:07. | |
I don't like it when you don't talk. We should do this every week. You | :13:08. | :13:10. | |
can't just take the dress, you have to give it back, you know what I | :13:11. | :13:16. | |
mean? At least you're listening. Giovanni has got so into character | :13:17. | :13:20. | |
that he hasn't said a word all day. I'm so sorry, too much traffic. If | :13:21. | :13:28. | |
you're there, then who's... ? Aaagh! Saturday night, we will be fine on | :13:29. | :13:33. | |
as long as George isn't too scared of Halloween. -- Georgia. | :13:34. | :13:37. | |
Dancing the terrifying Tango, Georgia May Foote and Giovanni | :13:38. | :13:39. | |
CHEERING AND APPLAUSE Oh, yes! Wow, you just put the super | :13:40. | :15:41. | |
into supernatural! What a response on the audience! Thank you! They are | :15:42. | :15:46. | |
standing up! White-matter they are on their beat. It looked like you | :15:47. | :15:49. | |
were busting all the right moves to me. I hope so. Was she, Len? She was | :15:50. | :15:58. | |
indeed. I'm going to W the Queen of Halloween. -- to call you the Queen | :15:59. | :16:05. | |
of Halloween. The story did not get in the way of the dance. It was | :16:06. | :16:10. | |
fabulous. APPLAUSE Fabulous! Bruno? What have we got | :16:11. | :16:19. | |
here, the tango-busters. You got straight into it, plenty of content, | :16:20. | :16:23. | |
all the footwork was great and you maintain the speed. You never | :16:24. | :16:28. | |
slackened. Sometimes, when the music is so fast, it is difficult to | :16:29. | :16:31. | |
maintain them are meant. You did it with such gusto. It was good to see. | :16:32. | :16:37. | |
APPLAUSE Now, you are afraid of a ghost but | :16:38. | :16:43. | |
you might be afraid of Craig. Sharp, staccato, Ice-T, -- feisty, | :16:44. | :16:53. | |
incandescent. She is shaking! Darcey? That was one powerful | :16:54. | :16:58. | |
performance. I have to say, it was sharp, exact, beautiful work and | :16:59. | :17:05. | |
really, really impressive. You were glued together. I loved it. We all | :17:06. | :17:12. | |
loved it. Go and see if there's something strange in Claudia's | :17:13. | :17:14. | |
neighbourhood, Georgia and Giovanni! CHEERING AND APPLAUSE | :17:15. | :17:29. | |
You did it! That's amazing! I thought you were going to cry. I | :17:30. | :17:35. | |
think I am. I'm having a moment. I'm shaking so much. Congratulations, | :17:36. | :17:38. | |
you're per season and the choreography, when they say content, | :17:39. | :17:41. | |
it means you're a genius. Every single week, he has pulled an | :17:42. | :17:45. | |
amazing routine out of the bag. They have been hard but they have been | :17:46. | :17:50. | |
amazing. Thank you very much! I saw in the week that he pushes you hard. | :17:51. | :18:01. | |
You couldn't move your neck. I've had a cold all week, could not move | :18:02. | :18:04. | |
my neck or back but the amazing video sorted me out. Very well done. | :18:05. | :18:05. | |
The scores are in. CHEERING AND APPLAUSE | :18:06. | :18:26. | |
OK, I have two pieces of information. That is your highest | :18:27. | :18:29. | |
score and it's top of the Leader Board! Thank you! It is no longer | :18:30. | :18:34. | |
Jeremy. If you liked that routine, | :18:35. | :18:35. | |
who you gonna call? Well it's actually 6 22 52 09 | :18:36. | :18:39. | |
from your mobile, 09015 22 52 09 from your landline or vote online | :18:40. | :18:45. | |
for free when voting opens later. Still to come, Helen | :18:46. | :18:52. | |
and Aljaz dance in ancient Egypt. They don't think it's | :18:53. | :18:57. | |
their strongest dance, But first | :18:58. | :18:58. | |
and hoping to give them a run for their money, it's Peter Andre | :18:59. | :19:09. | |
and his partner Janette Manrara. They're dancing a Foxtrot and | :19:10. | :19:12. | |
during training, they fancied a bit of fresh air, so | :19:13. | :19:17. | |
Janette organized a camping trip. But when Peter went down to the | :19:18. | :19:20. | |
woods, he was in for a big surprise. Saturday was great. I remember | :19:21. | :19:34. | |
thinking "this is so beautiful, such a great song". It is 150,000% harder | :19:35. | :19:41. | |
than I thought it would be but I love the experience and what I'm | :19:42. | :19:49. | |
doing. You get better every day! Because we are doing a ghostly | :19:50. | :19:52. | |
foxtrot, I really want to take Peter camping tonight so he can get into | :19:53. | :19:57. | |
the spirit. Do you get scared easily? No! We came here during the | :19:58. | :20:03. | |
daytime and pitch the ten so we did not have to do it in the dark. How | :20:04. | :20:07. | |
is this going to help me with my steps? Get cosy and I will go and | :20:08. | :20:14. | |
get some firewood. This is not so bad. Peace and quiet. LAUGHTER | :20:15. | :20:23. | |
If anyone finds this video, tell Craig I forgive him for his | :20:24. | :20:25. | |
comments! You! Apropos what? I'm just watching | :20:26. | :20:40. | |
our Movie Week dance will stop look! Remember when we did that thing with | :20:41. | :20:45. | |
a ferret. That was so funny. Where are you going? | :20:46. | :20:48. | |
Dancing the fangtastic Foxtrot, Peter Andre and Janette | :20:49. | :20:51. | |
CHEERING AND APPLAUSE Peter and Janette, they loved it in | :20:52. | :22:46. | |
the studio. Well done. You are so consistent, you guys. Ready on. | :22:47. | :22:52. | |
Bruno, did it give you chills? Oh, Peter, you chilled me to the bone! | :22:53. | :22:56. | |
You have such a potential to thrill as well. I'm going to be a bit hard | :22:57. | :23:02. | |
on you to night because, no, it is all done with love, it is because of | :23:03. | :23:06. | |
the potential. What you have, like all performers that have been around | :23:07. | :23:09. | |
for a very long time, they tend to go into a safety zone. You perform | :23:10. | :23:14. | |
everything the same way. You are so used to doing your pop star thing | :23:15. | :23:23. | |
and... Yeah! In certain dances, you have to become another character. | :23:24. | :23:28. | |
But I can always see that Peter wanting to emerge because you have | :23:29. | :23:32. | |
the ability, like this one, for example, there is a floating, | :23:33. | :23:35. | |
gliding quality that you have to maintain all the time. Don't repeat | :23:36. | :23:39. | |
yourself. Don't become the person you were the week before, if you | :23:40. | :23:44. | |
know what I mean. Yes. You have to become a new character, like playing | :23:45. | :23:48. | |
any part in a film. Every dance is very specific. You can do it. I'm | :23:49. | :23:51. | |
saying it because you have the ability. But you plateau and you do | :23:52. | :23:58. | |
the same thing every week. Sorry! Stuff to work on. Craig? Your | :23:59. | :24:03. | |
shoulders were sometimes coming up, not as much as normally, though. I | :24:04. | :24:08. | |
would like it to have been a bit smoother, particularly around the | :24:09. | :24:10. | |
edges, if you know what I mean, a bit jolting, which is what we are | :24:11. | :24:17. | |
getting at. The slows should drive and the quicks should coast and I | :24:18. | :24:20. | |
felt you were popping up in your rise and fall too much. Absolutely | :24:21. | :24:25. | |
right. That is the difference between a warts and foxtrot. But a | :24:26. | :24:31. | |
very, very -- between a waltz and they foxtrot. But a very, very good | :24:32. | :24:36. | |
job. Did it get your spine tingling? What you always do it that you are | :24:37. | :24:40. | |
such a natural performer and it is lovely to see the dance floor, live | :24:41. | :24:46. | |
when you dance together. -- come alive. I can see you are working | :24:47. | :24:49. | |
really hard at keeping the floor contact with your feet, gliding and | :24:50. | :24:53. | |
really working at it and I could see it all away round. You did not fail | :24:54. | :24:59. | |
there, for me. It is your shoulders and the topline! You only take the | :25:00. | :25:03. | |
feeling, as soon as you come into the rise and you are changing | :25:04. | :25:06. | |
direction or transitioning, you just come up and that is all it is but a | :25:07. | :25:15. | |
very nice performance, still. Len? I'm all... Little things, little | :25:16. | :25:20. | |
things please me. I loved your footwork... Janette worked on that! | :25:21. | :25:27. | |
Especially going back, drawing off from the heel. Regarding your | :25:28. | :25:31. | |
shoulder, I think maybe your right hand is eight had to hide. OK. And | :25:32. | :25:43. | |
also to horizontal. -- a tad Tuwai. If it was a bit more diagonal, it | :25:44. | :25:47. | |
would give you a better right elbow and maybe smooth out your right | :25:48. | :25:52. | |
shoulder. They must have been worried upstairs because I did not | :25:53. | :25:55. | |
know what to give it. It was so close to something else but it has | :25:56. | :26:00. | |
become what it is. Well done. CHEERING AND APPLAUSE | :26:01. | :26:04. | |
Can I just say, genuinely, whenever I see the judges individually, I | :26:05. | :26:08. | |
always tell them how grateful I am. For me, performing is for life. It | :26:09. | :26:13. | |
is not for 23 months. What I am learning is invaluable and I'm | :26:14. | :26:16. | |
loving it, really loving it. Thank you! What a gent and we are loving | :26:17. | :26:21. | |
you as well. Off you go. Peter and Janette! | :26:22. | :26:24. | |
RADIO: CHEERING AND APPLAUSE | :26:25. | :26:39. | |
Well done. Foxtrot, a famously difficult and your first foxtrot, I | :26:40. | :26:45. | |
believe. And she is foxy! OK, I'll leave it there. The audience loved | :26:46. | :26:51. | |
it and you take the comments on board. I do. It is one of those | :26:52. | :26:55. | |
things where these guys, I will say it again, they are masters of their | :26:56. | :26:57. | |
craft. They are! The scores are in. CHEERING AND APPLAUSE | :26:58. | :27:17. | |
Excellent. Good! If you want this couple to remain | :27:18. | :27:24. | |
in high spirits, call 6 22 52 12 from your mobile, 09015 22 52 12 | :27:25. | :27:27. | |
from your landline or go online Our final couple tonight is | :27:28. | :27:31. | |
Helen George and her partner, As you've probably guessed, | :27:32. | :27:41. | |
their dance will have Helen stars in Call the Midwife | :27:42. | :27:49. | |
so she knows all about mummies. Last week was brilliant. Fabulous! | :27:50. | :28:07. | |
We did not expect to be top of the Leader Board. 35, now we can go even | :28:08. | :28:16. | |
higher. This week we're doing a samba to Take Your Mamma. We are | :28:17. | :28:24. | |
going to be dressed as mummies so I decided to wind Aljaz up with some | :28:25. | :28:34. | |
of my always supply. Matt Green I don't need a bandage. I think that | :28:35. | :28:42. | |
is slightly overboard. You sure it's necessary? I'm completely fine, | :28:43. | :28:48. | |
she's just making a fuss. I think you are taking this way overboard. | :28:49. | :28:53. | |
I'm a TV nurse, I know. Three, four, five. I'm sorry! When Helen started | :28:54. | :29:01. | |
pulling bandages out of her bag, I knew she was not up to any good. I | :29:02. | :29:04. | |
honestly think you need just a little. How am I supposed to do a | :29:05. | :29:11. | |
samba like this? There we go! Helen has been winding me up all week and | :29:12. | :29:15. | |
I really hope that she makes this mummy proud on Saturday night. | :29:16. | :29:23. | |
Dancing the spellbinding Samba, Helen George | :29:24. | :29:24. | |
CHEERING AND APPLAUSE. . | :29:25. | :31:12. | |
Come here! You make one hot mama, Lady! And I am loving those hips. | :31:13. | :31:28. | |
You really got them moving. Did we end on a Halloween high, Craig? | :31:29. | :31:33. | |
Well, I really loved the opening scenario. Fantastic choreography, | :31:34. | :31:42. | |
trying to marry the stilted nature of a mummy zombie dance and the | :31:43. | :31:49. | |
bounce action is difficult. You nearly got there with the bounce | :31:50. | :31:54. | |
action, darling. But the whole routine was spectacular. Darcey, you | :31:55. | :32:01. | |
wanted her to get down with the hips more. I was impressed. You have | :32:02. | :32:07. | |
really come out of your box. It is a new Helen! You really looked | :32:08. | :32:13. | |
natural. It is such a hard technique to create that double bounce. There | :32:14. | :32:18. | |
were so many moments where you just caught it, but very impressive | :32:19. | :32:24. | |
performance. Len, joint top last week. What do you think tonight? | :32:25. | :32:28. | |
Well, I wouldn't be shocked if she was up there tonight, because you | :32:29. | :32:34. | |
have delivered again, the midwife. Oh, yes! I don't know what happened, | :32:35. | :32:43. | |
but you had a terrible moment. I had a bit of a trip. That was | :32:44. | :32:51. | |
choreographed. Oh, shut up! You are a yummy mummy. Oh, yes, she is. And | :32:52. | :33:02. | |
more than that, Mamma Mia, here we go again! My, my, how can I resist | :33:03. | :33:07. | |
you? You bring the dead back to life! Very inventive, beautiful. | :33:08. | :33:15. | |
Thank you, judges. They loved it. Take your mummy upstairs. Hallen and | :33:16. | :33:21. | |
Aljaz! -- Helen. How difficult did you find that? The | :33:22. | :33:40. | |
double bounce is difficult. I thought that was a basketball | :33:41. | :33:46. | |
thing. It was difficult. I feel quite English in these dances, I | :33:47. | :33:49. | |
don't feel very Brazilian and free, but hopefully, the Raffles started. | :33:50. | :33:56. | |
You look Brazilian. Have you ever done anything this bonkers and | :33:57. | :34:00. | |
brilliant in your life? Just as a mummy, is it your first? Yeah. I | :34:01. | :34:06. | |
rarely dress as a mummy at home. I just got an insight into Aljaz's | :34:07. | :34:08. | |
life. The scores are in. If you like mummies who party, | :34:09. | :34:28. | |
although in my experience, it usually gets messy | :34:29. | :34:32. | |
after a couple of G, call You don't have long to wait, | :34:33. | :34:44. | |
as it opens shortly. Let's take a look | :34:45. | :34:48. | |
at the leaderboard. Remember, you can change all that | :34:49. | :35:11. | |
by picking up Boys and girls, get | :35:12. | :35:13. | |
your party hats on - Bob, you too. Calls cost 15p plus | :35:14. | :35:19. | |
your network's access charge. Please ask | :35:20. | :35:28. | |
the bill payer's permission. The vote closes | :35:29. | :35:35. | |
at 8.40 tonight. Please don't vote | :35:36. | :35:36. | |
if you're watching on demand. To help you decide, here's a | :35:37. | :35:39. | |
reminder of tonight's performances What a night it's been - | :35:40. | :35:41. | |
Halloween did not disappoint. We've had Terrifying Tangos, Wicked | :35:42. | :38:58. | |
Waltzes and Chilling Charlestons. The standard of dance was so high, | :38:59. | :39:01. | |
it was scary. That's 8.40, | :39:02. | :39:03. | |
so you don't have much longer to On tomorrow night's result show, the | :39:04. | :39:09. | |
two couples with the lowest combined judges' score and viewer vote will | :39:10. | :39:13. | |
face each other in the Dance Off. Right now, there are eight | :39:14. | :39:20. | |
ladies and only three men left. One couple must leave the | :39:21. | :39:23. | |
competition and nobody wants to go. Also, on tomorrow's show, performing | :39:24. | :39:25. | |
his new song, Demons, the brilliant James Morrison will be here, plus, | :39:26. | :39:28. | |
our professional dancers have a chess-themed group routine so good, | :39:29. | :39:31. | |
it'll send a shiver down your spine. So join us at 7.15 tomorrow night, | :39:32. | :39:34. | |
when we'll find out the fifth couple 227 Lears and I cannot | :39:35. | :39:37. | |
remember the first line. I cannot remember the first line | :39:38. | :40:00. | |
in 100,000 performances. I've always thought | :40:01. | :40:06. | |
he was indestructible... The whole world's struggling | :40:07. | :40:11. | |
for survival, so why can't you? My hands, they're shaking. If you | :40:12. | :40:16. | |
haven't the strength, no-one has. | :40:17. | :40:21. |