Week 7 Strictly Come Dancing


Week 7

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This week on Strictly Come Dancing. Ten celebrities remain. Everyone is

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stepping up their game. We've got to put on a great show. All tended to

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prove to the judges they deserve their place. It isn't easy, I need

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to buck my ideas. And it could be curtains. Everyone is spilling sweat

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and tears to stay in. I've got the bruises to prove it. Got any oxygen?

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But for one of them it will be in vain. I'd be devastated.

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Heartbroken. I've got to deliver. I will give it my all. Ten will become

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nine. Live from the BBC,

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this is Strictly Come Dancing! Please welcome your hosts Tess Daly

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and Claudia Winkleman. Hello and welcome to

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Strictly Come Dancing! We're over halfway through

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the series and a different couple has topped

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the leaderboard each week which On last week's Halloween special it

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was Kirsty and Brendan and Jamelia and Tristan who had to face

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their fears when they ended up Sadly, it was Kirsty who lost out,

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becoming the first female celebrity Well, that depends on your votes

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and the thoughts of the four people Our celebrities have been

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training non-stop to impress. EastEnders actress, Kellie Bright,

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and her partner, Kevin Clifton. TV presenter, Anita Rani,

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and her partner, Gleb Savchenko. From BBC Proms

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and Radio 3 presenter, Katie Derham, Star of Call The Midwife,

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Helen George, and her partner, Actress, Georgia May Foote,

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and her partner, Giovanni Pernice. BBC Broadcaster and Journalist,

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Jeremy Vine, and his partner, Singer and Loose Women Star,

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Jamelia, and her partner, Pop star and TV personality,

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Peter Andre, and his partner, BBC Weather reporter,

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Carol Kirkwood, her partner, And, finally, from the Wanted,

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popstar Jay McGuiness There they are, just look at them,

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our tremendous Top 10, all hoping to be number one on the leaderboard

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by the end of the night. The two couples with the lowest

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combined scores from the judges and viewer votes will find themselves

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in the Dance Off tomorrow night. It will then be down to the judges

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to decide who stays and who goes. Opening the show tonight,

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it's Peter Andre They're doing a Charleston and

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at the start of the routine Janette That's the easy bit, it's dragging

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him away from it that's the problem. Last week it wasn't my best

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performance but it was great fun. You perform everything the same way.

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You have to become another character. I think it's time now to

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give something completely different and hopefully get a higher score.

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This week Peter is doing a vaudeville style Charleston. They

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mentioned you need to play a new character and I think the Charleston

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is the perfect opportunity. He's right. I know a guy who can help us

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out at a cabaret bar. Peter, this is Adam and Adam is a vaudeville

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enthusiast. I'm going to teach you a few games that will hopefully bring

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your vaudevillian character out. This exercise is all about

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exaggeration so I want you to follow genetic and you pick up one thing

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that she does. It is the hearts so we are starting to exaggerate, the

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most big saturating, did you know you did this with the arms? My

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favourite bit was the mirroring afterwards because we have that in

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the routine. Mirror perfectly what she does, still obviously looking.

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I'm seeing more of a vaudeville performance in Peter. I've learned a

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few vaudeville pointers to date so I hope I can deliver.

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Dancing the Charleston, Peter Andre and Janette Manrara.

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Wow. Brilliant! How about that for a reaction. Goodness me. You are

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opened the show with a staggering ovation and that reaction.

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Now, that's what I call a double act!

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Say hello to my little friend! You have worked wonders. Time to

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introduce our brilliant live singers. They are incredible. The

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Charleston is a dance you've been waiting to do. I'm so happy to do

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something where you can smile and have fun. It is great to see you

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doing your thing. That was their thing, was that your thing, Len? You

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started to show, absolute show stopper, your best dance. Tell you

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what, watch this, bad knee, fantastic!

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APPLAUSE Wow. Thank you, Len. He had an

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operation two weeks ago. You said he should take it to the next level,

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did he? Just what the doctor ordered, you embraced the character

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and became somebody else and it had a wonderful element of goofy

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slapstick comedy, the flavour of old-time music halls, very sharp,

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the scissors action was excellent. Did you put a double bounce in it?

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There was an element of Lindy hop. That is what I want to seek. I want

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to see a different performance every time and you delivered. He

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delivered. I appreciate it. Are you happy? You overbalanced on the left

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at the end. I understand. BOOING

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Only by a margin and you saved it. I thought the performance was

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absolutely exceptional. APPLAUSE

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He does not say that very often. It does mean a lot. Darcey. I could

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nearly mistake you as a professional out there.

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CHEERING As Bruno said you became the

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character, you became the style, it was excellent.

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APPLAUSE Thank you very much. Smashing start

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from the East to. Congratulations. If you don't mind

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me saying, Janette, you are a phenomenal choreographer. It is a

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team, Jenny and Darren, thank you so much. It was extraordinary, they

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said you had plateaued last week and I know you tried hard, you must have

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been happy with the comments. You know what, I finally woke up, I was

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sleeping for a few weeks and feel alive again so I'm very happy. Very

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well done. You've never had nine, how much would you like a nine? It

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would be amazing. But we just don't know. Cross your fingers.

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Peter, that is the highest score of the series. Well done. Are you

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buzzing? You know what, I'm so happy, I can't even tell you, well,

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I just did! Well done to both of you.

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6 22 52 12 from your mobile, 09015 22 52 12 from your landline or vote

:12:42.:12:47.

It's time for the terms and conditions.

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Calls cost 15p plus your network's access charge.

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Please ask the bill payer's permission.

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To vote online visit bbc.co.uk/strictly

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where you'll also find terms and conditions.

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Voting won't open until all our couples have danced.

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I love you, Janette, for the nodding.

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Not only that, but your vote won't count and you may still be charged.

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Go and call your family! Well done. I'm so excited about the tens.

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Our next couple is Jamelia and her partner, Tristan MacManus.

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Jamelia has now been in the Dance Off three times,

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so we're really hoping she impresses tonight with her Viennese waltz.

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She's dancing to a song called Trouble, let's hope she keeps out of

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it. Saturday night I had a brilliant

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time. Fantastic energy and great storytelling. He said fantastic,

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great, wicked. Being in the dance-off was a shock. I was in the

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Leader Board and every time I've been in the middle I've been in the

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dance-off, not an experience I want to repeat, not again. With it being

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the Viennese it has to be footwork focused. We have to make sure that

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we can nail it this week. My first day of training has gone

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surprisingly well. I feel that it is completely necessary for me to give

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this dance my absolute all. Nobody is going home until I get this

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right. It is a new one this week which is great stub we got down to

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hard work straightaway and I can definitely see progress and a change

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in attitude so it's great for stop super. I'm not happy being mediocre,

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I want to do a great dance. You need to nail buffer work, and the judges

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have pulled as up on it a lot. If that is something we can focus on to

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get that right we can really climb up the Leader Board. Come on, feet!

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It is imperative that I master the footwork. I really want to be on the

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top half of the Leader Board and I'm just going to give it my absolute

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all. Dancing the Viennese Waltz,

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Jamelia and Tristan MacManus. Thank you. So are you in that dress.

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You gave that your all. The guitar case got in the way. Bruno. You were

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sailing through it on the crest of a wave, my darling. Great floor, great

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movement. A couple of things you really have to work on. Extend and

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maintain the arc of your back. Sometimes there is some gapping that

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is being created. It loses a little bit the shape your movement was

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good. You were light on your feet. You have to work on these two things

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OK, yeah? Thank you. Otherwise very good. Craig The top line is

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problematic. It needs to be an extreme arch to your flak. It had

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flow and grace until you crashed into the guitar. That was led by

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Tristan there, darling. Floor craft there. It's OK. I thought you did

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really, really well. Thank you. You have been focussing on your foot

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work in training. Darcey, did it play off You look beautiful tonight.

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The movement around the dance floor you worked hard. Only when you get

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dizzy do you straighten up. You have to trust Tristan. Keep pushing away.

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I know that horrible feeling when you get that dizzy you keep doom

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coming up straight. The fleckerl at the end. You got back together and

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did a lovely fleckerl at the end. Thank you. Len, what did you think?

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The song is Trouble, for me the dance was no trouble at all. You

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breezed through it. Lovely amount of rotation. You worked on the foot

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work. I can see it, getting those heel leads driving off. Yes. The

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guitar got in the way a little bit. If you are in the Dance Off this

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week I'm going to pickle my walnuts. LAUGHTER Thank you judges.

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Hello. You do look completely gorgeous. Thank you. You really

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tried this week? Yeah, yeah. How much do you not want to be in the

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Dance Off? On a scale of - do you just think... No, no, I think you

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have to remain positive. I just hope that the public will see that I'm

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working and I'm trying. I really don't want to be there. If you don't

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me to be there, please, vote for me. You have seen such a change. She

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tries so hard, doesn't she? We have to change our focus all the time.

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This week most importantingly was the feet, closing our feet. When

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mistakes happen you have to compose yourself and keep going. Close your

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feet. We don't want Len to pickle his walnuts. I genuinely don't know

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what it means. Two more than last week? I'm really

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pleased. 6 22 52 11 from your mobile,

:20:15.:20:36.

09015 22 52 11 from your landline or Still to come, Anita and Gleb

:20:37.:20:41.

dance with mops and a bucket. Dancing next tonight is

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Carol Kirkwood and her partner, Last week, Carol scored

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a frighteningly low score of 13 for Now, it's week seven and Carol knows

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that the honeymoon is over and she really has to up her game if she

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wants to stay in the competition. Being part of the Hallowe'en

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spectacle was amazing. Your Rumba is grounds for divorce for

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irreconcilable differences to dance. Next week we will do a lot better

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and really, really going to push. I don't want to be at the bottom of

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the leaderboard. I want to prove to those who have faith in me that

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their faith is well placed. It's amazing to realise how much support

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the audience has been giving us? I know it. Makes me want to improve

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and make this dance the best yet. This week reare doing American

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Fergus Ewing smooth Fergus Ewing foxtrot. I'm worried about the Carol

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says she lifts. 'S afraid of lift. Let us get into position so I don't

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kill She disguises it you. By the fear of hurting me. I'm scared and

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don't want to damage him and ruin his career. When you have never done

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anything like that, you will be naturally scared. My Cat and myself

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are wide-awake. All I can think about is lifts. I'm at work and

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thinking about my dance on Saturday. These lifts, oh, my goodness. Auto

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you I'm really hoping we have a solid routine this week. It's

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halfway through the competition now. It's got to be good. That's what I'm

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aiming for. Dancing the American Smooth,

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Carol Kirkwood and Pasha Kovalev. How about that then? The lift at the

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end. Shopping and dancing with Pasha,

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you've got it all going on. Best combination. Indeed. What a

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Saturday Saturday night. Craig, did you buy that routine? It was like

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watching a bumper car ride, actually. You kept crashing in and

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out of one another, particularly in and out of lifts. Also, you must

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point your foot and take care of the line of the leg when you are up in

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that first and last lift. A flexed foot looks absolutely ugly. It made

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it look a little bit pedestrian. It's a vast improvement over last

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week. A vast improvement. Is Darcey? Well, without fail I can see the

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intent and energy you are putting into the dance now. That is such a

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relief. You have to come out there and sell it. You were selling it.

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There is a great improve am there. The lines, you were placing the arms

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with more feeling and grace. You've got to hold that focus right until

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the very end of the dance. I think you get into the excitement of it

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all and enjoy it so much that we lose the focus of where the lines

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are and the arms and that sensitivity. Really, a great

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improvement. A great improvement, two out of two. Len? Carol, listen,

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dancing begins with the feet. OK. So we have to start somewhere. If you

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listen to everyone you will do nothing. One of us is talking about

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your arms others about the fluidity of the movement, this, that and the

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other. Let us start with the feet. Let's work, I hope you are back next

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week, on getting beautiful foot work. So I can say, oh, Carol, that

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foot work was perfection. My advice - start somewhere, let's start with

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the feet. Bruno. Carol, I love you because you are consistent. Yeah.

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She's weather-proof, critic-proof, dance-proof nothing sticks she's

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like Teflon. Everything keeps sliding away. You have to put it in

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the right place, right order and listen to the music. I like your

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consistency, keep going. The audience don't agree with him.

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Congratulations. Other than Bruno the other judges said there had been

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real improvement. That must make you feel good It absolutely does. We are

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loving it. It's such good fun. That was high energy. The lifts. That was

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a different Carol. I'm fascinated how I to make you grumpy. We will

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talk about that after the show. You were worried about the lifts, did

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you enjoy them out there? I did. I was worrying about flattening poor

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Pasha. Don't be ridiculous. 17. Are you disappointed? It's four

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more than that last week. Yeah. We have been up-and-down, up-and-down.

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That's fun. They could you it a journey. We call it the "J" word.

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If you were sold on that shopping routine, then call:

:28:17.:28:18.

6 22 52 13 from your mobile, 09015 22 52 13 from

:28:19.:28:21.

your landline or vote online free of charge when the vote opens later.

:28:22.:28:24.

Remember, the judges scores are only half the story tonight and your

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Still to come, Jay gets stuck into an Argentine mango.

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Been looking forward to saying that for the last 10 years. Tess.

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Our next couple is Helen George and her partner Aljaz Skorjanec.

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This week they're doing the Rumba and all week Aljaz has been teaching

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Helen the dance of love, full of romance and passion -

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which is probably why Helen's girlfriends chose this week to come

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the weeks go on because you enjoy it so much and you don't want to be the

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person that goes home. You have come out of your box, it's a new Helen.

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Nine! We scored 34, the whole routine was mummylicious. This time

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Helen is taking some much downtime with her friends from her rumba

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routine. How is it going? It is going well. How are your hips? I get

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to see my best girlfriends tonight. We are really proud of you. It is so

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nice because I have not seen them for ages. Alias seems nice. He seems

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like a lovely man. -- Aljaz. What are we going to see on Saturday? It

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will be the most romantic dance so far. Even more than the one when you

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were mummies? I'm going to show them some steps from the rumba. Imprest?

:30:06.:30:12.

Aljaz invited my friends to dance and my friend Vicky had a lovely

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chance with Aljaz. He is a lovely man. I think I'm really ready to do

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the dance on Saturday now. Dancing the Rumba,

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Helen George and Aljaz Skorjanec. Oh! I say! That was hot, so hot you

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had to open your shirt to cool down. Simply stunning, emotional.

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I have to say I was transported into your romantic love story, you took

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me straight there that is what you need. The feeling, you stroked and

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caressed the floor with your feet, that's hard to achieve. Aligns,

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there was so much I liked, thank you.

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APPLAUSE -- the lines. Len. Basically, what's

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on the label is not on the tin. I could call this pencil a hammer but

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it is a pencil. For me that lacked enough basic rumba. There was a

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couple of opening outs, you went to fan but went nowhere with it. I had

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a pop the other week with George about the same thing and I've got to

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try and be consistent this. For me it lacked content. However, having

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said that, you are a fantastic dancer.

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APPLAUSE Bruno. My darling, you were like a

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siren out there whose sole purpose is to seduce and entrap. You entrap

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me, it was so intense, the performance was absolutely

:33:54.:33:55.

beautiful. The thing is that you're dancing is so uplifting that

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sometimes the hip action needs to be a little bit more rounded and

:34:01.:34:03.

continuous. That's what makes that kind of rumba Cuban motion flow. But

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the images and intention and the sex appeal was fantastic. Craig,

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underneath it all, you are an old romantic at heart. I loved the drama

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in that and you set up the story beautifully and told the story

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throughout. I would much prefer to see double underarm turn into a

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layout. I'm going against Len on that. It's a rumba, you can't change

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what it is Craig! You are allowed to choose what steps you use from the

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rumba, you don't have to use every single one of them. There were none.

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There were some colour in your defence and I liked it. Bruno is

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getting his coat! Stay with me, it is safer.

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I tell you what, we were going nuts for it up here. It's always

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difficult when the judges have a slight barney. What would you like

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to say to Len who said there was not enough rumba content? I agree in

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some way but we started the routine with rumba walks and we did the fan

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and opening outs. There can always be more dancing so try to find the

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balance between both is a little bit hard but she did an incredible job.

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You did an incredible job. Eight. 31 is a good score, not as

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high as last week but you are happy with that? It's the highest rumba

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score we have had this season so it is great. If you enjoyed the routine

:36:15.:36:19.

to Hello and you don't want them to say goodbye, then please call:

:36:20.:36:23.

09015 22 52 07 from your landline or vote online

:36:24.:36:27.

once we have seen all our couples perform.

:36:28.:36:37.

Still to come, Katie and Anton are dancing with a pair of curtains.

:36:38.:36:41.

Assuming they can pull themselves together!

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Our next couple is Jay McGuiness and his partner, Aliona Vilani.

:36:44.:36:46.

It's the moment we've all been waiting for, the first

:36:47.:36:49.

So, Len, how does it differ to the ordinary tango and what should

:36:50.:37:00.

The normal tango is more formal, you get into the hold and you stay there

:37:01.:37:06.

and the girl has got to be laid-back. In the Argentine tango

:37:07.:37:11.

you can be together, cheek to cheek, you can be wide apart, you want to

:37:12.:37:16.

see passion, flair and emotion. So, it's a little bit more, you know,

:37:17.:37:20.

you can go to town in the Argentine tango. We want passion and emotion.

:37:21.:37:27.

Buckets of it. I can't wait to see this. Let's see how they got on in

:37:28.:37:33.

training. Last Saturday we had lifts, which I've never done before

:37:34.:37:37.

and on top of that was the character of the Wolf. There was no stressing

:37:38.:37:42.

and no messing. I'd have liked to see more character. We got the

:37:43.:37:46.

approval of the judges and that felt great. Today week started learning

:37:47.:37:54.

the Argentine tango. Turn me. It is very dynamic and sultry and I think

:37:55.:38:01.

the dance will suit Jay. Argentine tango is a specialist dance, so we

:38:02.:38:05.

are going to have experts coming in to explain the injured things about

:38:06.:38:13.

the dance. Let's do this. The experts have shown us some awesome

:38:14.:38:16.

stuff, the way they move together is fascinating. And very small things

:38:17.:38:21.

like the way you hold someone our dance steps too. You can be in front

:38:22.:38:27.

of us. The tango is the result of European culture coming to Argentina

:38:28.:38:30.

in the early 19th-century. What he is going to have to do is try to get

:38:31.:38:35.

posture, intention, navigation skills, footwork. That's very good.

:38:36.:38:42.

He's got a lot to do this week. I'm putting in all of the hours I can in

:38:43.:38:45.

the training room and get home and go over it. I hope I do everyone

:38:46.:38:49.

proud and do the Argentine tango some justice this Saturday.

:38:50.:38:53.

Dancing the Argentine Tango, Jay McGuiness and Aliona Vilani.

:38:54.:38:55.

The audience are going wild, they are going wild. Wow, what a

:38:56.:40:50.

reaction. I love the intimacy, very dramatic.

:40:51.:41:02.

Is that what you were looking for, Len? Yes, polished performance, you

:41:03.:41:10.

must have used a J cloth! It was sleek, slick, nice intensity about

:41:11.:41:16.

it, the lifts were good. I know you are concentrating but sometimes you

:41:17.:41:19.

want to see a little bit of emotion come out through your face. And you

:41:20.:41:27.

keep that very bland. Sometimes that would help to show off the whole

:41:28.:41:32.

thing. But, lovely, clean, clear, crisp and lovely. Lovely. The first

:41:33.:41:37.

Argentine tango, have they set the bar high? Well, I felt it, I did

:41:38.:41:45.

expect excellent. I could feel the macho man bubbling under, you were

:41:46.:41:51.

focused and in the zone. Those lines you were hitting, picture-perfect.

:41:52.:41:57.

The feet were hitting the floor like laser-guided missiles. The precision

:41:58.:42:03.

was incredible. APPLAUSE

:42:04.:42:08.

I was transported to upper-class whereas -- Buenos Aires. I have to

:42:09.:42:17.

agree with Len about the acting side, you could be a lot more

:42:18.:42:21.

intense in this dance and have a lot more purpose in it. Foot wise I

:42:22.:42:26.

thought you were absolutely fine, I thought that was grateful stop but I

:42:27.:42:32.

was desperately lacking gaucho rural, the series of kicks that

:42:33.:42:36.

makes this particular dance stand out from the rest -- gauchos. You

:42:37.:42:42.

did one and that was it. There was lots of opportunity. I wanted this

:42:43.:42:47.

man to come out and shine. It did leave me wanting more. It felt like

:42:48.:42:53.

a warm up to the main event. Thank you, Bruno! Bruno has been making

:42:54.:43:00.

faces and he doesn't agree. Maybe I was watching another show, I don't

:43:01.:43:06.

know. I thought this was brilliant. Darcey, they have rarely been out of

:43:07.:43:09.

the top three, have they maintained that? You execute it to perfection.

:43:10.:43:16.

Those lines, everything Bruno said you are achieving. There was a

:43:17.:43:21.

beautiful detail when you crossed the legs when you lifted and turned

:43:22.:43:26.

out of it, I love what you do. But the same thing, I want to see this

:43:27.:43:32.

fire come out, this desire. It's just missing only that. OK, thank

:43:33.:43:42.

you. OK. Lots to work on but really great job.

:43:43.:43:45.

Off you go and get your scores. Jay and Aliona!

:43:46.:43:49.

Picture-perfect, precise, amazing. But do they want you to growl? I

:43:50.:44:07.

don't understand. Probably. Does that make sense to you? Acting. Yes.

:44:08.:44:17.

Are you all right? Yes. Not so chatty. I will hopefully be here

:44:18.:44:23.

next week and work on it. Oh my god! He is edible!

:44:24.:44:26.

Nine. Now at least you know when you come back what you need to work on.

:44:27.:44:55.

6 22 52 14 from your mobile, 09015 22 52 14 from your landline or vote

:44:56.:45:01.

There are five couples left to dance and all of this still to come.

:45:02.:45:14.

We are Kwik stepping to 42nd Street. I'm in heaven. This is Broadway

:45:15.:45:28.

glamour. It don't feel like the Jive as an acrobatics We are dancing

:45:29.:45:33.

session. The Tango. I musn't smile. I'm struggle with parts of the dance

:45:34.:45:37.

because it's so fast. I'm 24 and I feel 50. The waltz did a beautiful

:45:38.:45:42.

dance. I love it. I just haven't got hold of it yet.

:45:43.:45:49.

Next up is Katie Derham and her partner Anton Du Beke.

:45:50.:45:51.

They're doing a routine that's set in a theatre.

:45:52.:45:58.

Not that sort of theatre. It's a musical theatre.

:45:59.:46:07.

And she's hoping their Quickstep to 42nd Street will get them rave

:46:08.:46:11.

Musical! Hallowe'en, it was always going to be epic. I can't say it was

:46:12.:46:25.

perfect. I know it wasn't. The crowd seemed to love it. They were

:46:26.:46:28.

cheering it. Was brilliant. Then we went over to the judges. It wasn't

:46:29.:46:33.

great, Kate, I wish it was. What do you want me to do? It felt like my

:46:34.:46:41.

happy balloon was popped. Oh, dear. Sorry! Toe, toe. Quickstep, great.

:46:42.:46:48.

Toe, toe, correct. There are steps I'm doing that I know from previous

:46:49.:46:52.

dances. We are doing them an awful lot faster. Looking in good shape at

:46:53.:46:56.

the moment. I got the steps right. I'm loving doing a ballroom dance

:46:57.:47:00.

again. Not bad. What I want to show you is a performance by a tremendous

:47:01.:47:06.

ballroom dancer. It's such a good performance. We watched our Viennese

:47:07.:47:14.

Waltz. . After the dodgy couple of weeks, we can do that well. Remember

:47:15.:47:17.

the feeling of that. Take it into this week. That was great. I'm

:47:18.:47:23.

enjoying dancing with Katie she has such enthusiasm for what she's

:47:24.:47:30.

doing. I'm lucky to be with Anton, who I get on very well indeed. I

:47:31.:47:37.

want to do it for him. It's one of those dances, if it goes well it

:47:38.:47:41.

could be amazing. I just really hope it does and it all comes together on

:47:42.:47:43.

Saturday night. BOOM! Dancing the quickstep,

:47:44.:47:48.

Katie Derham and Anton Du Beke. You've come back strong. A crowd

:47:49.:49:36.

pleaser. Great musical number. Let's see what the critics thought. Bruno?

:49:37.:49:42.

The images I felt I was like on 5th Avenue. So much beauty and glamour.

:49:43.:49:49.

Actually, I have to say, you started that ride really. Like in 5th Avenue

:49:50.:49:56.

there are potholes. Once once you hit the potholes you lose the foot

:49:57.:50:00.

work. The foot work went. The frame then went. The beginning was great.

:50:01.:50:05.

There were so many mistakes - you know, it happened. The potential is

:50:06.:50:08.

there. You have to get it right, really. When it's right, it's great.

:50:09.:50:13.

But it really was - it was hitting one pothole after another. Then

:50:14.:50:16.

everything a little went. It's there. We want to see it. OK. It's

:50:17.:50:24.

there. Two difficult weeks. Are they back on top, Craig? That was an

:50:25.:50:29.

ambitious routine which I think you were right to go for Anton I know

:50:30.:50:33.

that Katie is capable of doing it. If you had one more week on this

:50:34.:50:37.

particular routine you would have absolutely smashed it. But, just

:50:38.:50:44.

tonight, sadly, that didn't happen. It didn't happen. An extra day. Do

:50:45.:50:51.

you think the dance suited Katie It was. It was made for you. You are

:50:52.:50:55.

beautifully light on your feet. The frame and everything. When it's that

:50:56.:50:59.

challenging. It was a very difficult combination of steps you gave her.

:51:00.:51:03.

As they say it's brilliant because - I know you can can do it. When it

:51:04.:51:09.

goes wrong. Then it was too challenging, sadly. You made the

:51:10.:51:18.

mistakes and the core weakens, the frame weakens. It's very

:51:19.:51:25.

frustrating. I know you can do that. Len They were classic, classy, Radio

:51:26.:51:31.

3. Other parts were like 5 Live, sporty, fast, full on. The problem

:51:32.:51:35.

is, when you dance at that speed, with that amount of steps, you can

:51:36.:51:40.

lose a little bit of control, and that's what happened. But, other

:51:41.:51:46.

than that, you can't take away the fact it was a fantastic performance.

:51:47.:51:52.

Well done. Thank you. Thank you, Len.

:51:53.:52:03.

Take a few quick steps up to Claudia.

:52:04.:52:05.

Fantastic. It was superfast, brilliantly put together. We were

:52:06.:52:23.

not aware, were you? A couple. Only a couple. They went on a while, but

:52:24.:52:29.

they were only a couple. They don't even count! It must be lovely to be

:52:30.:52:35.

back in ballroom with the King. So lovely. If I'd known I would have

:52:36.:52:41.

got sleeves. I feel we had a job lot on.

:52:42.:52:43.

26. Were you expected more? Yeah, 46. Katie. I made a couple of

:52:44.:53:15.

mistakes, they spotted them. To keep Katie and Anton dancing

:53:16.:53:17.

through to next week call 6 22 52 05 from your mobile,

:53:18.:53:20.

09015 22 52 05 from your landline or you can vote for free online

:53:21.:53:24.

when the vote opens later. Still to come,

:53:25.:53:26.

Kellie and Kevin do a waltz Our next couple is Anita Rani

:53:27.:53:29.

and her partner Gleb Savchenko. Last week saw Anita flying as

:53:30.:53:39.

Maleficent in her Waltz and it was This week they're doing a Jive

:53:40.:53:48.

dressed as a pair of cleaners. So they're hoping to wipe

:53:49.:53:52.

the floor with the opposition Flying down from the ceiling as

:53:53.:54:07.

Maleficent was incredible. Mr Ballroom said... The waltz was

:54:08.:54:11.

fabulous. That is the best compliment a girl can get. That is

:54:12.:54:17.

one of the most dramatic waltz I've ever seen. Hallowe'en exceeded all

:54:18.:54:22.

my expectations. It was spectacular. This week we're doing a Jive. It's

:54:23.:54:26.

superfast with a lot of foot work. I'm scared. I will take you to a

:54:27.:54:32.

dance class. Some guys doing the Jive have more energy than you and I

:54:33.:54:36.

together. Where are you talking me, Gleb? You'll see. Thank you. Hello,

:54:37.:54:43.

is this a Jive class? Can I join your class. We joined in with the

:54:44.:54:51.

toddler Jive class. My goodness they can move. Who has more energy th

:54:52.:55:00.

toddlers. I will be worn out. It was amazing having them in my class

:55:01.:55:03.

today. We will show you our Jive. What do we get out of 10? I will be

:55:04.:55:12.

thinking of you on Saturday. Hopefully we will do a good job. I

:55:13.:55:17.

hope the children inspired them for the energy they need for the Jive.

:55:18.:55:24.

This is what we have to teach every week. I got a hug. Good luck, Anita

:55:25.:55:28.

and Gleb. Dancing the Jive,

:55:29.:55:31.

Anita Rani and Gleb Savchenko. Yes. You can take it? Just a little

:55:32.:57:24.

bit. I say yes all the time. I can see clearly. Loved the mop. Craig,

:57:25.:57:30.

was it a clean Jive? You can come and clean my house any day. It would

:57:31.:57:34.

be done in less than five minutes. That rate was fast and furious.

:57:35.:57:38.

Energetic. I loved the stylisation of it. You dance in a combat way.

:57:39.:57:46.

With your kicks you didn't quite get the Jive style. I loved the routine.

:57:47.:57:52.

Thank you, Craig. So did the audience. Darcey, enough energy for

:57:53.:57:56.

you? Brilliant, the action the energy. You are one fit lady. She is

:57:57.:58:02.

so fit. You are not out of breath or anything, are you? What is brilliant

:58:03.:58:07.

you are relaxed on top, the legs are, woing hard and sharp for me it

:58:08.:58:10.

was more about the feet. I could have more point and not so flappy.

:58:11.:58:17.

They get flappy. A fab Jive, thank you. Len? For me, it's what I call a

:58:18.:58:26.

full of dance. It was full of fun, full of energy, full of sharp kicks

:58:27.:58:33.

and flicks. I tell you what, steady on now! I'm full of praise because

:58:34.:58:38.

it was terrific. APPLAUSE.

:58:39.:58:46.

Thank you. Bruno? Anita Gleb, you're hired. You're multi tasking

:58:47.:58:52.

beautifully. Tonight, Anita, you broke through the mould. Mould. You

:58:53.:59:02.

on fire. You were selling it, you were tight. Your best dance yet.

:59:03.:59:14.

Thank you! A a A clean sweep with that. You work hard.

:59:15.:59:18.

Go and see if you clean up with the scores.

:59:19.:59:21.

Your best score yet. Your floor work has gone to new levels. You enjoyed

:59:22.:59:37.

the jive, didn't you? I loved it, it is so difficult and there is a point

:59:38.:59:41.

during the week when you say, no way, and then that happens and it's

:59:42.:59:46.

like OK. Gleb jumped on me and I did something so that was OK! You have

:59:47.:59:51.

never had a nine. How much would you like a nine? Well, who wouldn't like

:59:52.:59:56.

nine? I don't want to tempt fate. Nine. Congratulations. If you'd like

:59:57.:00:25.

Anita and Gleb to be mopping up a lot of votes tonight:

:00:26.:00:30.

call 6 22 52 03 from your mobile, 09015 22 52 03

:00:31.:00:32.

from your landline or vote online when the vote opens later.

:00:33.:00:35.

Still to come, Jeremy does a tango with a horse.

:00:36.:00:40.

Yes, that is fact, welcome to strictly come prancing!

:00:41.:00:45.

Our next couple is Kellie Bright and her partner Kevin Clifton.

:00:46.:00:49.

After last week's dramatic full-on paso it's time for Kellie and Kevin

:00:50.:00:55.

to calm things down with an elegant ballroom number.

:00:56.:00:57.

Even with some extra training at a tea dance, this waltz isn't

:00:58.:01:04.

Saturday night was a brilliant night.

:01:05.:01:13.

I was really pleased that I didn't fall over, or fall off the end of

:01:14.:01:18.

the table. You are a wonderful dancer. As long as I feel I've done

:01:19.:01:23.

my best each week then that is all I can do.

:01:24.:01:30.

That way. It is the waltz this week. I thought a nice way to get into the

:01:31.:01:34.

spirit of this would be to take you to a T Dan -- tea dance. I've always

:01:35.:01:45.

wanted to go to one. The waltz is a traditional dance and to be able to

:01:46.:01:48.

do that at eight tea dance which is also quite traditional is lovely.

:01:49.:01:54.

Does everybody watch Strictly Come Dancing? Who is your favourite? I

:01:55.:02:00.

love coming here, everybody is dancing. It is giving her lots of

:02:01.:02:06.

encouragement and it's a great atmosphere. I was being spun around

:02:07.:02:12.

earlier. You didn't put your head out then either. The support for

:02:13.:02:18.

myself and Kevin has been so lovely. It's got to be at ten! I have to say

:02:19.:02:23.

I prefer this lot to the normal judges!

:02:24.:02:26.

Dancing the Waltz, Kellie Bright and Kevin Clifton.

:02:27.:02:33.

They are on their feet in the studio.

:02:34.:04:24.

You packed everything into that waltz.

:04:25.:04:26.

I could see that you worked on the top line very hard.

:04:27.:04:29.

Darcey, could they be on the move back to the top of the leaderboard?

:04:30.:04:33.

I think so, I really think so. It is wonderful.

:04:34.:04:39.

APPLAUSE What you give is this quality and

:04:40.:04:44.

this finesse. I know because you are a strong lady. I have to say when

:04:45.:04:49.

you get into the top line, which is a great improvement on those

:04:50.:04:52.

shoulders, your core is so strong. X to Kevin and holding back, it's very

:04:53.:04:58.

impressive, it's only be right shoulder. -- next to Kevin. My right

:04:59.:05:07.

shoulder has a life of its own. You are bringing it into it just too

:05:08.:05:11.

much. But there is improvement there and I could see you were trying

:05:12.:05:15.

really hard but I really enjoyed it, though. I really did.

:05:16.:05:20.

APPLAUSE Len, and you enjoy seeing a more

:05:21.:05:24.

graceful side to Kellie? I thought it was full of charm and grace. Yuna

:05:25.:05:31.

how to please Len, three double reverse turns, beautiful -- you know

:05:32.:05:36.

how. There was something going on with your right arm on occasions. I

:05:37.:05:40.

don't know if you got too far over on Kevin's right side but lovely

:05:41.:05:45.

fluid movement. You are a great all-round dancer. Bruno. You are

:05:46.:05:56.

becoming the king and queen of nostalgia, another wonderful trip

:05:57.:05:59.

down memory lane, one of these wonderful Julian Fellowes

:06:00.:06:01.

screenplays, expertly crafted, dutifully detailed a wonderfully

:06:02.:06:08.

acted. I think what happens is I think you get tight, that's what it

:06:09.:06:13.

is. Relaxed the shoulders and that would allow you to keep the fluidity

:06:14.:06:17.

in the top line and also on the underarm terms. But again, it is a

:06:18.:06:20.

great performance. APPLAUSE

:06:21.:06:26.

It makes you look a little hard on the top line rather than soft and

:06:27.:06:29.

femme fatale, darling. You lost a bit of balance at the end but you

:06:30.:06:35.

caught up with it and recovered beautifully and it was a lovely

:06:36.:06:39.

routine. Well done. Thank you, judges. Improving week on week.

:06:40.:06:44.

Get in! Last week you said to me, after some very energetic routines,

:06:45.:07:05.

I'm quite looking forward to the waltz, did you enjoy it? I did enjoy

:07:06.:07:09.

it but it is harder than it looks. You said to Zoe on It Takes Two this

:07:10.:07:15.

will be fine and then oh no. It has been a tough week this week. But you

:07:16.:07:20.

got there. We wanted to show a softer side because we have been

:07:21.:07:23.

doing lots of fast dances and we wanted to show that we can do that

:07:24.:07:30.

as a partnership, showing finesse. Len said you are a great all-round

:07:31.:07:32.

dancer. That is a lovely comment. Eight. Not your best score but an

:07:33.:07:59.

improvement on last week. It is an improvement.

:08:00.:08:00.

If you don't want Kellie and Kevin to pack up and move out

:08:01.:08:05.

of the competition, call: 6 22 52 01 from your mobile,

:08:06.:08:08.

09015 22 52 01 from your landline, or vote online later to keep Kellie

:08:09.:08:11.

We have the same thing, Claudia and I.

:08:12.:08:20.

Next up is Jeremy Vine and his partner Karen Clifton.

:08:21.:08:22.

This week Jeremy's doing the tango, it's a serious dance and to

:08:23.:08:33.

demonstrate the gravitas of the routine, he's dressed up as a cowboy

:08:34.:08:36.

and will be riding a big, plastic horse.

:08:37.:08:38.

I think because it was Halloween and because it was fun I didn't want

:08:39.:08:49.

them to say it was rubbish, and they didn't! Craig gave us a four. Four

:08:50.:09:01.

from Craig! This week we are dancing the tango, it's a very intense

:09:02.:09:06.

dance. It sounds serious. It is serious actually. So they will need

:09:07.:09:10.

all the time they can get and with that in mind Karen heads to Radio 2

:09:11.:09:16.

for a bit of extra practice. I'm really excited to see him doing his

:09:17.:09:20.

thing in his own environment. Hold your horses, let me get back to

:09:21.:09:27.

Yvonne! Very serious! Hello. It is really nice having her here. He made

:09:28.:09:33.

me feel so at home. BBC Radio 2, we have Karen Clifton in the studio.

:09:34.:09:36.

Jeremy Hunt I were able to talk about the tango. I had the best time

:09:37.:09:42.

on strip become dancing and I want you to say that and that would make

:09:43.:09:45.

me happy. You have to have your chin up. I saw his serious journalist

:09:46.:09:50.

side and that is what you need for the tango. I've got to think happy,

:09:51.:09:57.

happy, news face, love, joy, news face, that's the tango!

:09:58.:09:58.

CHUCKLES Dancing the tango,

:09:59.:10:01.

Jeremy Vine and Karen Clifton. Jeremy, you are back! I'm back

:10:02.:10:11.

because I want to dance with you! Everybody is going wild in the

:10:12.:10:19.

studio. Thank you! Thank you! They really

:10:20.:12:06.

like it. You were the only one

:12:07.:12:24.

in the studio who didn't have I'm trying to read them here. The

:12:25.:12:27.

best cowboy face. Len, was that cowboy routine good,

:12:28.:12:33.

bad, or ugly? What I love is there is always

:12:34.:12:40.

anticipation when you come out, you don't know what to expect and there

:12:41.:12:47.

you are coming out looking like Woody from Toy Story and off you go

:12:48.:12:53.

and into the tango and it is wacky and fun and wild and I always loved

:12:54.:12:56.

watching you. That is how the West was lost, in

:12:57.:13:07.

spite of the odds, like General Custer you went for attack. It was a

:13:08.:13:11.

glorious disaster. BOOING

:13:12.:13:21.

Really! It's true! I don't think they agree with him, Jeremy

:13:22.:13:22.

Craig, you saw an improvement last week and

:13:23.:13:24.

Forrest up that was a big moment for us. Big moment for all of us.

:13:25.:13:29.

It definitely had a staccato nature to it which the dance requires, it's

:13:30.:13:39.

like playing the motto with you, we never know where the limb will land

:13:40.:13:47.

at any time. I enjoyed your little bottom going like this as you went

:13:48.:13:55.

past the desk. We must do that again! Do it again, do it again!

:13:56.:14:02.

Darcey can't speak, she's laughing too much! OK! I have to compose

:14:03.:14:12.

myself! Compose yourself. What is fabulous is your determination, and

:14:13.:14:17.

well done for keeping a straight face all the way through, because I

:14:18.:14:20.

know that is very difficult for you. And there was great improvement

:14:21.:14:26.

in your topline. You get a little bit carried away.

:14:27.:14:32.

APPLAUSE The frame, it is holding it until

:14:33.:14:36.

the very end, and like a lot of things you get a little bit carried

:14:37.:14:40.

away but I will never get bored of watching you, never, never. We all

:14:41.:14:45.

love you. You are an extraordinary creature.

:14:46.:15:07.

If anybody is watching at home and just wants to make this their screen

:15:08.:15:14.

saver. Do that tango face for me. Like that. It's eerie and fantastic.

:15:15.:15:21.

It was a great tango. How much fun have you had. You have been training

:15:22.:15:25.

him, been ill and you have still done it. It's tough keeping a

:15:26.:15:30.

straight face he giggles all the time. There has been a great

:15:31.:15:38.

improvement. Let's not forget the horse. He was vital.

:15:39.:15:41.

I don't want to nag but if you enjoyed Jeremy and Karen

:15:42.:16:09.

dancing with a horse call 6 22 52 10 from your mobile, 09015 22 52 10

:16:10.:16:13.

from your landline, or vote online for free when voting opens later.

:16:14.:16:19.

Guess how many people are left to dance? One. Phew. Tess.

:16:20.:16:27.

Our final couple is Georgia May Foote

:16:28.:16:29.

After topping the leaderboard last week, and being crowned Len's Queen

:16:30.:16:33.

of Halloween, Georgia is hoping this Gypsy Kings' routine,

:16:34.:16:35.

Last Saturday night was possibly the best night of my entire life. The

:16:36.:16:54.

Queen of Hallowe'en. 9. We were top of the leaderboard. Yes. I could

:16:55.:16:59.

leave now knowing I've done that. Hopefully we will continue each week

:17:00.:17:03.

to be up there at the top. This week we have the Sam pa. What is the

:17:04.:17:09.

concept this week? You pretend to be an actress. Do you miss home? I miss

:17:10.:17:23.

my mum's cooking. Why we don't go on a Manchester Italy slash everything

:17:24.:17:28.

tour. I can't wait. This is Old Trafford. The first thing I think of

:17:29.:17:34.

when I come to Old Trafford is the colosseum. Don't you There is

:17:35.:17:39.

nothing like a colosseum here. There is the Manchester Canal. Or the

:17:40.:17:46.

Manchester Riviera. Where are the gondolas? What do you think that?

:17:47.:17:53.

It's not really Italian. I hope the next stop will be better. Next stop.

:17:54.:17:59.

Italian food here in Manchester. It's really like my mum's cooking. I

:18:00.:18:08.

think our Manchester/Italian tour was perfect. Giovanni might not

:18:09.:18:12.

think it, but it's certainly put me in the mood for Saturday.

:18:13.:18:16.

Dancing the Samba, Georgia May Foote and Giovanni Peniche.

:18:17.:18:18.

The crowd are on their feet. Well done, darling.

:18:19.:20:12.

You owned the dance. APPLAUSE.

:20:13.:20:27.

Enjoy it. What a Samba. Bruno, from one Italian to another. (Speaks

:20:28.:20:37.

Italian) Translate! Don't you understand? Really good. Premier

:20:38.:20:51.

League dancers. It had the flavour and the acceleration of a Ferrari.

:20:52.:20:56.

You were, again, another outstanding performance. Tonight, you just

:20:57.:21:01.

became a fantastic dancer to a level I've never seen before. You were

:21:02.:21:06.

performing it like I've never seen. You were brilliant. A couple of

:21:07.:21:11.

light slight losses of balance. That's the way to go. Don't hold

:21:12.:21:15.

back. Never hold back. Last week, Craig, they topped the leaderboard.

:21:16.:21:20.

What do you think tonight? You handled the speed of that dance so

:21:21.:21:24.

well. So fast. You lost technique along the way. That happens. You

:21:25.:21:29.

missed a hand over here after the promenade runs. Something went

:21:30.:21:32.

wrong. What an incredible dance. Thank you. Congratulations. Thank

:21:33.:21:38.

you, Craig. Darcey? Georgia, I mean both of you, you ate up that dance

:21:39.:21:43.

floor. It was like a bullet coming out of a gun. It was amazing. It was

:21:44.:21:47.

incredible to think that you could hold on to as much technique that

:21:48.:21:51.

you did, being that speed, but fabulous. Thank you. Len? Well, I

:21:52.:22:02.

don't know what coffee you were drinking it weren't decaff. You came

:22:03.:22:07.

out like my favourite pizza, hot and spicy. You killed it. Well done!

:22:08.:22:14.

Killed it, hot, line and sinker they fell for it.

:22:15.:22:17.

Well done. What a dance. What choreography. They completely loved

:22:18.:22:31.

it, didn't they Yeah, it was so fast. OK, thank you very much. Good.

:22:32.:22:34.

Scores are in. Second on the leaderboard. Are you

:22:35.:22:37.

happy? So happy. That's amazing. If you don't want Giovanni to

:22:38.:23:01.

actually be waiting on people in a cafe next week, then call:

:23:02.:23:05.

6 22 52 09 from your mobile, 09015 22 52 09 from your landline or

:23:06.:23:08.

vote online Let's take a look

:23:09.:23:10.

at the leaderboard. At the top, Peter and Janette. He at

:23:11.:23:25.

the bottom Carol and Pasha. Remember you can change all that

:23:26.:23:38.

by picking up Giovanni, I've borrowed one

:23:39.:23:40.

of your friends The voting is now - get ready

:23:41.:23:50.

Ricardo - OPEN. Calls cost 15p plus

:23:51.:24:02.

your network's access charge. Please ask

:24:03.:24:05.

the bill payer's permission. To vote online visit

:24:06.:24:06.

bbc.co.uk/strictly where you'll also find terms

:24:07.:24:07.

and conditions. Please don't vote

:24:08.:24:09.

if you're watching on demand. To help you decide, here's a

:24:10.:24:12.

reminder of tonight's performances We've seen it all -

:24:13.:24:15.

a sensational Samba and, of course, the first

:24:16.:27:11.

Argentine Tango of the series. Our 10 couples have dazzled us with

:27:12.:27:13.

their routines and can do no more. Don't forget voting closes

:27:14.:27:17.

at 8.25pm tonight, so you don't have They're all desperate to stay in the

:27:18.:27:21.

competition, but sadly two couples will have to face the Dance

:27:22.:27:27.

Off in tomorrow night's Results show at 7.15pm, and one couple will be

:27:28.:27:30.

leaving Strictly Come Dancing! We also have a very special

:27:31.:27:33.

Remembrance Day routine from our brilliant professional

:27:34.:27:35.

dancers and a performance from the one and only Seal, who'll

:27:36.:27:37.

be singing his new single, right For all that make sure you tune

:27:38.:27:40.

in at 7.15pm. Come on! Stop causing friction.

:27:41.:28:07.

We're trying to move on.

:28:08.:28:11.

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