Browse content similar to Week 6 Results. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
CHEERING HOWLING. | :00:48. | :01:22. | |
From London, this is Strictly Come Dancing: The Results. | :01:23. | :03:55. | |
Please welcome your hosts, Tess Daly. | :03:56. | :03:57. | |
Hello and welcome to our Halloween Results Show. | :03:58. | :04:12. | |
A big thank you to our professional dancers for that | :04:13. | :04:14. | |
I tell you what, that is one clock that definitely should have | :04:15. | :04:19. | |
Saturday night's Halloween show was filled with frights and delights. | :04:20. | :04:35. | |
Probably Ed fainting when he scored I need. -- scored an eight. | :04:36. | :04:42. | |
But sadly tonight we have to say goodbye to one couple. | :04:43. | :04:45. | |
Your votes have been combined with the judges' scores and the two | :04:46. | :04:48. | |
couples with the lowest overall points will go head | :04:49. | :04:50. | |
As always the decision of who stays and who goes lies | :04:51. | :04:54. | |
Also on tonight's show, performing her new single, | :04:55. | :05:11. | |
Ready Or Not, Laura Mvula will be here. | :05:12. | :05:16. | |
Plus, the judges will cast a closer eye over Saturday's dances | :05:17. | :05:21. | |
couples will have to face their demons in tonight's dance-off. | :05:22. | :05:27. | |
But before we do, here's a reminder of all the performances in last | :05:28. | :05:30. | |
-- special. It is Halloween, and after last week, I should not be | :05:31. | :05:46. | |
here, so I will keep a low profile. It is Halloween. We have decided to | :05:47. | :05:50. | |
be really subtle with make-up. I have never been to a Halloween | :05:51. | :05:56. | |
party, this is a big deal for me. Is it Halloween? This is a big part of | :05:57. | :06:00. | |
what this show is about. I am a wedge and I am super happy. The only | :06:01. | :06:08. | |
person who has not been allowed to dress up as Ore. I am a little | :06:09. | :06:12. | |
afraid of myself. Going out there is terrifying. It is Halloween every | :06:13. | :06:17. | |
week. Keep your spirits up. Things are about to go bump in the night. | :06:18. | :06:32. | |
Counting to an air. Three, two, one, titles. It will be spectacular. That | :06:33. | :06:38. | |
was a spookily good tango. Absolutely amazing. Strong, a | :06:39. | :06:47. | |
powerful and meaningful. Wonderful to watch. You came out with power, | :06:48. | :06:55. | |
with aggression. You do a little pout with the lips. Control the | :06:56. | :07:02. | |
mouse more. That is the darkest, the strongest we have seen you. I love | :07:03. | :07:10. | |
it. When people do a standing ovation, if only I could get that | :07:11. | :07:14. | |
every day. A really nice performance. I love the detail. | :07:15. | :07:20. | |
There was so much flamenco. Your fill of aggression, full of attack, | :07:21. | :07:26. | |
then you lack a little bit of authority. I have been trying hard | :07:27. | :07:31. | |
to be tough. I am not good at it. I was amazed about the intricacy of | :07:32. | :07:36. | |
some of those steps. I was expecting a lot more from this particular | :07:37. | :07:41. | |
Charleston. Do not listen to him. It was a great routine overall. You | :07:42. | :07:52. | |
cannot mess up looking like this. It was laboured, it was leading. The | :07:53. | :07:57. | |
jives about the sharpness of the kicks and the flicks. It was a | :07:58. | :08:04. | |
little flat-footed. Four. You have got to know how to flick. I liked | :08:05. | :08:15. | |
it. That is nice. Natalie, I felt like you were protecting Greg with | :08:16. | :08:19. | |
this dance. I do not feel like I can judge this as a rumba. Four. I loved | :08:20. | :08:26. | |
it. It was a brilliant dance. What more can I say. I was bothered by | :08:27. | :08:33. | |
the amount of mistakes there were. It is a real shame it went horribly | :08:34. | :08:42. | |
wrong. It is so frustrating. Toxic, addictive, horribly fabulous. I do | :08:43. | :08:50. | |
not know about supernatural. It was not super and it was not all that | :08:51. | :08:56. | |
natural, but your best dance. That is an eight. | :08:57. | :09:04. | |
Bang, wallop. Wonderful. I have to commend you on the detail, the clean | :09:05. | :09:14. | |
lines. Spot on. We smashed it out of the park. The lifts were fluid and | :09:15. | :09:22. | |
dramatic. Beautifully smooth. Your footwork was brilliant. It was a | :09:23. | :09:28. | |
really top notch performance. Nine. Ecstatic, so happy. Laura, the | :09:29. | :09:36. | |
attack, the focus, the determination. I think that was your | :09:37. | :09:42. | |
best dance. Amazing. That was so sharp. You were on fire. | :09:43. | :10:02. | |
Here's how the leaderboard looked at the end of | :10:03. | :10:07. | |
Joint top, we have Claudia and AJ, and Laura and Giovanni. Have your | :10:08. | :10:19. | |
votes at home changed everything? Ten couples danced on Saturday | :10:20. | :10:22. | |
but only nine can go So who is safe and who will face | :10:23. | :10:24. | |
the most frightening thing this In no particular order, the first | :10:25. | :10:49. | |
couple through to next week is... Judge Rinder and Oksana. | :10:50. | :10:55. | |
CHEERING Thank you, thank you. Also back | :10:56. | :11:17. | |
our... -- also back are... Grade and Natalie. | :11:18. | :11:19. | |
CHEERING Thank you. Surviving for another | :11:20. | :11:26. | |
week our... Ed and Katya. | :11:27. | :11:45. | |
CHEERING Returning to the dance floor next | :11:46. | :11:57. | |
Saturday... Claudia and AJ. | :11:58. | :12:17. | |
APPLAUSE Thank you. Know the first couple in | :12:18. | :12:24. | |
the dance-off. The rest of you, I'm afraid, | :12:25. | :12:41. | |
will have to wait a little longer APPLAUSE | :12:42. | :13:00. | |
Dear me. Here we are again. I am so sorry. She is breathing deeply. How | :13:01. | :13:12. | |
do you feel? A bit out of breath. Did you know what? I want together | :13:13. | :13:16. | |
that dance more attack. I will do that. Bruno, you said there was | :13:17. | :13:24. | |
plenty of life left in this partnership. Can you give Daisy a | :13:25. | :13:29. | |
confidence boost? This girl can raise the dead. While you kidding | :13:30. | :13:35. | |
me? I am stunned, bewildered. It was a beautiful dance. Fantastic | :13:36. | :13:42. | |
content, beautiful subtlety. Do not change a thing. Trust me, I have | :13:43. | :13:46. | |
been around a very long time. You are good. | :13:47. | :13:48. | |
APPLAUSE We wish you all the very best. Go | :13:49. | :13:55. | |
and attack it. We will see you later in the dance-off. Claudia, offer to | :13:56. | :13:56. | |
you. I'm joined by the first four couples | :13:57. | :13:58. | |
to have escaped the dance-off. Judge Rinder and Oksana, all you | :13:59. | :14:13. | |
wanted was to get better and to get 30. Congratulations. Each week we | :14:14. | :14:17. | |
just want to get better. Are teachers work so hard to make us | :14:18. | :14:19. | |
better each week. How are you going to come back next | :14:20. | :14:30. | |
week and feel confident? That's tough. We put our absolute heart and | :14:31. | :14:35. | |
soul into that. To get the same scores as the week before is | :14:36. | :14:38. | |
difficult because we tried hard to be better. So just back to the | :14:39. | :14:44. | |
drawing board, I guess. Also on the good news, the lovely public who | :14:45. | :14:47. | |
were watching, they kept you in. I know. Absolutely wonderful. I really | :14:48. | :14:54. | |
do hope everyone votes for us. We tried really hard. Again, fantastic | :14:55. | :15:00. | |
teacher here. Very well done. Huge congratulations. Top of the | :15:01. | :15:05. | |
leaderboard Saturday night. Just as AJ got rid of the gymnastics habits, | :15:06. | :15:09. | |
if you like, you are back in training for the Championships in | :15:10. | :15:16. | |
March. Will that be totally weird for you all week? I've got to be | :15:17. | :15:23. | |
very straight and do certain kinds of things. With AJ you've got to | :15:24. | :15:28. | |
lunge, to this and that and have your hands straight and gosh it will | :15:29. | :15:33. | |
be confusing but I'll be fine. All right, huge luck with both training | :15:34. | :15:38. | |
sessions. Ed, congratulations, not bottom of the leaderboard. I can | :15:39. | :15:42. | |
hardly believe it, improvement on last week. All the people who've | :15:43. | :15:47. | |
done our hair, make-up and costumes have been amazing. They have. Now | :15:48. | :15:55. | |
time for some music, performing, Ready Or Not, please welcome Laura | :15:56. | :15:58. | |
Mvula. # Ready or not | :15:59. | :16:11. | |
# Here I come # You can't hide | :16:12. | :16:17. | |
# Gonna find you # And make you happy | :16:18. | :16:21. | |
# Ready or not # Here I come | :16:22. | :16:25. | |
# You can't hide # Wanna love you | :16:26. | :16:29. | |
# And make you love me # You can run away | :16:30. | :16:37. | |
# Uh baby # I've got a lot of love | :16:38. | :16:43. | |
# Any where you go # My whole heart got to know | :16:44. | :16:48. | |
# Hey, baby # You get all the love | :16:49. | :16:52. | |
# Ready or not # Here I come | :16:53. | :16:56. | |
# You can't run # | :16:57. | :16:59. | |
Gonna find you # And make you happy, yes | :17:00. | :17:03. | |
# Ready or not # Here I come | :17:04. | :17:07. | |
# Gonna love you # And make you love me, yeah | :17:08. | :17:18. | |
# Ready or not # Here I come | :17:19. | :17:21. | |
# Ready or not # Here I come | :17:22. | :17:26. | |
# You can't hide # Ready or not | :17:27. | :17:31. | |
# Here I come # You can't hide | :17:32. | :17:34. | |
# Wanna find you # And make you love me | :17:35. | :17:39. | |
# Wanna love you # And make you love me | :17:40. | :17:45. | |
# You can't run away # From this love I've got, oh baby | :17:46. | :17:54. | |
# Hey baby, cos I've got a lot of love | :17:55. | :17:56. | |
# Any where you go # My whole heart got to know | :17:57. | :18:03. | |
# Hey baby, you get all the love # Ready or not, here I come | :18:04. | :18:08. | |
# You can't hide # Gonna find you | :18:09. | :18:12. | |
# And make you love me # Ready or not | :18:13. | :18:17. | |
# Here I come # You can hide | :18:18. | :18:21. | |
# Gonna love you # And make you love me # | :18:22. | :18:24. | |
. CHEERING AND APPLAUSE. | :18:25. | :18:35. | |
Huge thank you to Laura Mvula and also to her dancers for that | :18:36. | :18:41. | |
routine. If you happened to spot something strange on the dance | :18:42. | :18:44. | |
floor, who you gonna call? The judges, everyone! | :18:45. | :18:55. | |
# Ghostbusters... Thank you so much. We now dissect | :18:56. | :19:00. | |
things that happened on Saturday night. Couldn't we do it alone, | :19:01. | :19:07. | |
Craig? No, darling. Please welcome Len's Lens. Len Goodman, what I love | :19:08. | :19:15. | |
has taken 14 series for this to happen, group number, you flying, | :19:16. | :19:20. | |
let's have a reminder. You look so cute and slightly terrified. | :19:21. | :19:26. | |
I know Craig is a past master of flying on guitars, I'd never done | :19:27. | :19:34. | |
it. It was high. It is! We had to cuddle. Let me talk to you about | :19:35. | :19:40. | |
Claudia and AJ. You loved their footwork, you said it took a lot of | :19:41. | :19:44. | |
effort. Let's have a look. This is called the hill turn. Feet together, | :19:45. | :19:50. | |
then on to the toe, yes thank you, should have a heel now, love it, | :19:51. | :19:55. | |
yes, couple of little spins. Here they are, turning, turning, turning. | :19:56. | :19:59. | |
Then, further step and then the three steps. Look how she's drawing | :20:00. | :20:05. | |
back off the heel into another heel. I tell you, unless you've done | :20:06. | :20:10. | |
ballroom dancing, you do not appreciate how difficult that is in | :20:11. | :20:17. | |
addition to all the razzamatazz. That was brilliant. She's great. | :20:18. | :20:24. | |
Thank you very much. I'm pleased when you are delighted. Danny's | :20:25. | :20:29. | |
lunges, Darcey, we are going to have a look at his stumble now. You said | :20:30. | :20:38. | |
it might be because he's too... He came off balance and you have to | :20:39. | :20:43. | |
control it. See there, he just anticipated because his wait and | :20:44. | :20:46. | |
balance, his momentum's going forward and he's got to hold back. | :20:47. | :20:50. | |
Incredibly difficult but they are also tied together which makes it | :20:51. | :20:55. | |
even harder. Such a shame, he was so disappointed. Difficult to pick | :20:56. | :20:59. | |
yourself back up. Really hard. Craig, can I talk to you about Judge | :21:00. | :21:02. | |
Rinder? Please do. Brilliant Saturday night. You loved his knee | :21:03. | :21:08. | |
walks. Here is a reminder. Why so good? A lovely knee spin, then it | :21:09. | :21:15. | |
takes great courage to control the whole thing and also, you have to be | :21:16. | :21:19. | |
on balance. I thought he did a really good job. He's calmed the | :21:20. | :21:24. | |
facial expresses down, taken it that bit more seriously which I'm | :21:25. | :21:27. | |
absolutely adoring and I really, really enjoyed that. Thank you so | :21:28. | :21:29. | |
much. APPLAUSE. | :21:30. | :21:35. | |
Bruno, I want to talk to you about Laura and Giovanni. You said | :21:36. | :21:41. | |
specifically the sharpness in the tango, here is the reminder. Whack, | :21:42. | :21:49. | |
whiplash! And hot as hell! But actually, it has to be on the beat | :21:50. | :21:57. | |
and on time. The whole dance actually, purely as a tango was | :21:58. | :22:01. | |
wonderful. She could not have put more into it if she wanted to. | :22:02. | :22:05. | |
Incredible comeback, don't you agree? Yes, OK. Thank you very much. | :22:06. | :22:10. | |
APPLAUSE. Finally, I have two words for you, | :22:11. | :22:23. | |
ooh and ah, let's have a listen. # Ooh, ah, ooh, ah, ooh, ah. | :22:24. | :22:34. | |
Memorable. Thank you so much. Let's hear it for the judges. | :22:35. | :22:38. | |
APPLAUSE. Thank you. Four couples have made it | :22:39. | :22:42. | |
through to next week but who will be joining them? Tess? | :22:43. | :22:49. | |
Thanks Claudia. Which couple will be facing Daisy and Aljaz in the | :22:50. | :22:55. | |
dance-off? It's time to find out. In no particular order, the fifth | :22:56. | :22:57. | |
couple to return next week is... Louise and Kevin. | :22:58. | :23:11. | |
Yeah! Thank you. Back to dance again next Saturday | :23:12. | :23:25. | |
are... Ore and Joanne. | :23:26. | :23:37. | |
Oh, thank you. Laura and Giovanni. | :23:38. | :24:06. | |
Yes! Thank you, thank you. | :24:07. | :24:11. | |
So that means an station ya and Brendan and Danny and of thety, one | :24:12. | :24:17. | |
of you is safe, one of you is in the dance-off, I can reveal the couple | :24:18. | :24:21. | |
in the bottom two tonight who will compete in the dance-off is... | :24:22. | :24:31. | |
Anna station ya and Brendan -- Anastasia and Brendan. Anastacia and | :24:32. | :24:42. | |
Brendan come and join me. APPLAUSE. | :24:43. | :24:48. | |
Here we go again. You have been here before. Yes. What is going through | :24:49. | :24:55. | |
your head right now? That I didn't do kicks and flicks, yes. It's that | :24:56. | :24:59. | |
I don't know those things. Let's talk to Darcey. You said their jive | :25:00. | :25:05. | |
had energy but lacked technique. How can Anastacia improve the dance-off? | :25:06. | :25:11. | |
Well, you are a great little match you two. Get your weight forward, on | :25:12. | :25:16. | |
to the balls and get that flick, that retraction on those kicks, get | :25:17. | :25:23. | |
the knees up. It was great fun watching, I hope you had great fun | :25:24. | :25:26. | |
dancing it. Thank you for the advice. We are all | :25:27. | :25:30. | |
behind you. We'll see you later on in the dance-off. Best of luck. | :25:31. | :25:34. | |
Claudia, over to you. Thank you, I'm here with the rest of | :25:35. | :25:38. | |
the couples safely through to next week. How happy are you all and | :25:39. | :25:47. | |
quite emotional? Don't make me cry. Every time I look at you you cry. | :25:48. | :25:53. | |
You look after them, Joanne. The sobers. Well done Laura, you were | :25:54. | :25:57. | |
top of the leaderboard on Saturday and then to be through you must be | :25:58. | :26:01. | |
over the moon? You just don't know because the standard is so high and | :26:02. | :26:05. | |
everyone is giving everything to this and we are all so close, you | :26:06. | :26:09. | |
feel it for everyone else and when we are all standing up there, we are | :26:10. | :26:14. | |
all feeling it for everyone else. I said it to you before, can you stop | :26:15. | :26:19. | |
doing this bit? ! Not really but we'll try. Huge congratulations. | :26:20. | :26:25. | |
Well done. Next week, the salsa. Loads of lifts. Is that good news or | :26:26. | :26:29. | |
bad news? It's good news because it means I don't have to wear this! You | :26:30. | :26:37. | |
look awesome. This has been tormenting OK. I'm so, so grateful | :26:38. | :26:41. | |
to be given another chance because Jo and the whole team that put this | :26:42. | :26:45. | |
together have been incredible and worked so hard, they have been so | :26:46. | :26:48. | |
patient with me so I'm so, so glad that we get to do this again. The | :26:49. | :26:53. | |
salsa, bring it on, no beard! No beard. Very well done, you looked | :26:54. | :26:57. | |
incredibly nervous under those lights. It was nerve-racking, you | :26:58. | :27:03. | |
know, the dance last night didn't go perfectly but there are worse thing | :27:04. | :27:08. | |
happening in the world than messing up a foxtrot. Over it, glad we don't | :27:09. | :27:13. | |
have to do it again. Very, very well done. Oti can you bounce him back, | :27:14. | :27:21. | |
he already seems quite bouncy. He needs to bounce me back! No, no, no, | :27:22. | :27:28. | |
please don't be sad, you did great. Louise, can't say these words | :27:29. | :27:32. | |
without exploding, you are doing an Argentine tango next week. Yes. I | :27:33. | :27:39. | |
don't quite know what that means but everyone keeps going "ooh". Good | :27:40. | :27:43. | |
luck! Well done! Kevin she's going to be fantastic. She is. I'm proud | :27:44. | :27:49. | |
of her this week. Len said we might have plateaued last week so to come | :27:50. | :27:54. | |
on this week and do better than we did before, amazing, really proud of | :27:55. | :27:59. | |
her. Well done to all of you. If a week of Strictly isn't enough for | :28:00. | :28:05. | |
you, you can tune into Zoe Ball every night on BBC Two. | :28:06. | :28:10. | |
Fear not, we are full of treats here at It Takes Two. We have had | :28:11. | :28:16. | |
hair-raising moments. Frighteningly good fun. | :28:17. | :28:21. | |
And ghoulish surprises. So, for a terrifyingly good time, | :28:22. | :28:26. | |
join me Zoe Ball for It Takes Two on Monday 6. 30, BBC Two. | :28:27. | :28:32. | |
Thank you, zoo. Zoe. We are here with our couples. One of them will | :28:33. | :28:43. | |
leave tonight. Previous scores mean absolutely nothing. Whichever couple | :28:44. | :28:46. | |
impresses the judges most with their next dance is through. Anastacia, | :28:47. | :28:52. | |
you fantastic creature, are you quite excited about kicking and | :28:53. | :28:56. | |
flicking again? I'm actually really excited so I think that's just what | :28:57. | :29:02. | |
I'm going to do, is kick and flick my way through Meatloaf which is | :29:03. | :29:08. | |
what Len likes me to do, Len likes Meatloaf so... We all like that. | :29:09. | :29:14. | |
Brendan? For my girl, Aljaz and Daisy, leave nothing in the dressing | :29:15. | :29:17. | |
room, make this our best performance and see what happens. Thank you so | :29:18. | :29:22. | |
much. Enormous luck, please get into position. Anastacia and Brendan. | :29:23. | :29:24. | |
Come on, baby! APPLAUSE | :29:25. | :29:41. | |
How are you going to attack that dance-off? I am going to try really | :29:42. | :29:48. | |
hard to stay tough the rated. I love doing the paso doble. It is going to | :29:49. | :29:52. | |
be great. I will give it more shaping and go for it. Enjoy it. She | :29:53. | :29:58. | |
did so well in the dance-off last week. What does she have to do? The | :29:59. | :30:03. | |
exact same as last week. She performed the Charleston so well in | :30:04. | :30:08. | |
the dance-off. The paso doble yesterday was brilliant. I cannot | :30:09. | :30:12. | |
wait to see it again. Good luck, darling. Good luck to both of you. | :30:13. | :30:23. | |
Right now, dancing to stay on Strictly, it is Anastacia and | :30:24. | :30:24. | |
Brendan. Well done. Thank you. Anastacia and | :30:25. | :32:07. | |
Brendan have done all they can. No, dancing to stay in the competition, | :32:08. | :32:10. | |
it is Daisy and Aljaz. MUSIC: "Don't Let Me | :32:11. | :32:30. | |
Be Misunderstood" CHEERING | :32:31. | :33:47. | |
, one. -- come on. Thank you. One of you will come back next week, | :33:48. | :34:05. | |
one of you will leave tonight. Based on the dance-off alone, | :34:06. | :34:16. | |
I'm about to ask each of you the name of the couple | :34:17. | :34:22. | |
you think deserves to be saved The couple with the most votes | :34:23. | :34:25. | |
will stay in the competition, meaning the other couple is out | :34:26. | :34:29. | |
of Strictly Come Dancing. In the event of a tie, | :34:30. | :34:31. | |
head judge Len, you will Anastacia and Brendan, add Daisy and | :34:32. | :34:34. | |
Aljaz, this is it. Craig, who are you | :34:35. | :34:45. | |
going to save and why? I would like to save the more | :34:46. | :34:53. | |
powerful and better dancer on the night, and I believe that couple to | :34:54. | :34:58. | |
be Daisy and Aljaz. That is one vote for you. | :34:59. | :34:59. | |
Darcey, who do you think deserves to stay in the competition and why? | :35:00. | :35:05. | |
It is tough when people are in the dance-off. It is hard to make this | :35:06. | :35:11. | |
choice, but the couple I would like to save for their dance quality and | :35:12. | :35:18. | |
performance is Daisy and Aljaz. It is two votes for Daisy and Aljaz. If | :35:19. | :35:22. | |
Bruno votes for them, they will stay next week. | :35:23. | :35:25. | |
Bruno, who do you want to stay in Strictly Come Dancing and why? | :35:26. | :35:30. | |
First, I want to say that both couples put up a fierce fight. I | :35:31. | :35:36. | |
like that. I would like to choose the couple that gave me more | :35:37. | :35:42. | |
satisfying content, quality of movement, power of performance, | :35:43. | :35:47. | |
Daisy and Aljaz. That means we are saying goodbye to Anastacia and | :35:48. | :35:52. | |
Brendan. Please come and join us. Len, I know it makes no difference, | :35:53. | :35:58. | |
but did you agree? Yes, I did agree, Daisy and Aljaz were my winners. | :35:59. | :36:04. | |
Congratulations Daisy and Aljaz. We will see you next week. Anastacia, | :36:05. | :36:11. | |
we are really going to miss you in this competition. What has been your | :36:12. | :36:18. | |
personal highlight. Do not say dancing the polka. I have really | :36:19. | :36:26. | |
enjoyed being here. I am sorry to get emotional. This was a place for | :36:27. | :36:32. | |
me to get to know my female. This place allowed me to do that, the | :36:33. | :36:37. | |
head and they make up, the production. The judges gave me great | :36:38. | :36:41. | |
comments. You guys are amazing, the way you run this family. It is | :36:42. | :36:46. | |
beautiful. Out there in the UK, you know why you're watching the show, | :36:47. | :36:51. | |
it is amazing. And you are amazing. Thank you for everything. Do you | :36:52. | :37:01. | |
know what? # I am not out of love. | :37:02. | :37:13. | |
# Strictly. This programme will miss you, I will miss you. Thank you for | :37:14. | :37:17. | |
teaching me so much about everything and being a fantastic partner. | :37:18. | :37:21. | |
APPLAUSE Off you go for one last dance. I am | :37:22. | :37:31. | |
sorry to send you away. We are going to really miss Anastacia and | :37:32. | :37:31. | |
Brendan. They will join Zoe on Monday's It | :37:32. | :37:36. | |
Takes Two at 6:30 on BBC Two. You can also head to | :37:37. | :37:39. | |
bbc.co.uk/strictly, where you'll Claudia and I will be back next | :37:40. | :37:41. | |
Saturday at 6:55 when our couples take to the floor with nine | :37:42. | :37:45. | |
brand-new routines. For now, dancing aside, it is the | :37:46. | :37:53. | |
truly wonderful Anastacia and Brendan. | :37:54. | :38:00. | |
It does not get any easier. Anastacia, I applied. She was an | :38:01. | :39:10. | |
amazing person. She looked after me so much. When someone goes through | :39:11. | :39:17. | |
as extraordinary as she is, it feels sad. I am so grateful I get to fight | :39:18. | :39:22. | |
another week with you. We are down to the last nine. The competition is | :39:23. | :39:30. | |
incredibly difficult. I am so happy. We are through another week? Week | :39:31. | :39:34. | |
seven. That was our best dance. I loved it. It is great to go through. | :39:35. | :39:41. | |
It is a beautiful, beautiful samba. I do not even know what samba means. | :39:42. | :39:43. | |
To be MICK: All you've got to do | :39:44. | :39:45. | |
is show up. When were you going to tell | :39:46. | :39:48. | |
Whitney about the loan? MICK: All you've got to do | :39:49. | :39:49. | |
is show up. Everything that could go wrong | :39:50. | :39:51. | |
went wrong yesterday. and you've got to do it | :39:52. | :39:54. | |
before the wedding. | :39:55. | :39:59. |