Browse content similar to Week 6. Check below for episodes and series from the same categories and more!
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Last week, ten celebrities took to the floor for our dancing delight. | :00:10. | :00:17. | |
Some shopping, like the stars above. Yet you are an incredible dancer. | :00:18. | :00:22. | |
While others were in for a shocking surprise. In the end we said goodbye | :00:23. | :00:29. | |
to Mystic Leslie, just one week short of our strictly Spookstacular. | :00:30. | :00:39. | |
It was all Hallows Eve and all through the land something strange | :00:40. | :00:45. | |
had come to land. Brendan, I thought you were feeling better this week? | :00:46. | :00:53. | |
Could you get me a cup of tea, please? Daisy, come on, we have work | :00:54. | :00:58. | |
to do. Did you get dressed in the dark this morning? That's not like | :00:59. | :01:02. | |
you, Giovanni. You could have at least shaved for me today. Stop | :01:03. | :01:13. | |
slipping, I want to rehearse. As the mood takes on a glittery sheen, this | :01:14. | :01:21. | |
is Strictly Hallowe'en. Now, that's scary! | :01:22. | :02:04. | |
MUSIC: You Spin Me Round (Like A Record). | :02:05. | :04:46. | |
Live from the BBC, this is the Strictly Come | :04:47. | :04:54. | |
Hello and welcome to Strictly Come Dancing - | :04:55. | :05:17. | |
The Halloween Special! Thanks to our professional dancers, | :05:18. | :05:19. | |
celebrities and judges for a fantastic routine to the track | :05:20. | :05:22. | |
You Spin Me Round, which was co-written and originally | :05:23. | :05:24. | |
performed by Pete Burns, who sadly passed away | :05:25. | :05:27. | |
earlier this week. We send our love out | :05:28. | :05:31. | |
to his family and friends. Last week Lesley and Anton lost out | :05:32. | :05:34. | |
to Daisy and Aljaz in the Dance Off and sadly Lesley left | :05:35. | :05:38. | |
the competition. Tonight, our remaining ten couples | :05:39. | :05:40. | |
are hoping to thrill you all and watching | :05:41. | :05:43. | |
them - very closely - will be our frightening foursome. | :05:44. | :05:45. | |
Our creepy couples have been lurking backstage. | :05:46. | :06:19. | |
It's time to bring them out from the shadows and into | :06:20. | :06:21. | |
So please welcome our Strictly stars. | :06:22. | :06:30. | |
TV presenter and singer Louise Redknapp and her | :06:31. | :06:32. | |
Star of Judge Rinder, Robert Rinder, and his partner Oksana Platero. | :06:33. | :06:39. | |
Olympic gymnast Claudia Fragapane and her partner AJ Pritchard. | :06:40. | :06:44. | |
BBC sports presenter Ore Oduba and his partner Joanne Clifton. | :06:45. | :06:48. | |
Model Daisy Lowe and her partner Aljaz Skorjanec. | :06:49. | :06:53. | |
World champion long jumper Greg Rutherford and his | :06:54. | :06:55. | |
Former Shadow Chancellor, Ed Balls and his | :06:56. | :07:00. | |
TV host Laura Whitmore and her partner Giovanni Pernice. | :07:01. | :07:08. | |
Actor Danny Mac and his partner Oti Mabuse. | :07:09. | :07:12. | |
Singer Anastacia and her partner Brendan Cole. | :07:13. | :07:18. | |
Amongst them a couple of bats, a mad scientist and a wicked witch - | :07:19. | :07:38. | |
all hoping to work their magic on the dance floor tonight. | :07:39. | :07:41. | |
You will be able to vote for your favourite later on. | :07:42. | :07:44. | |
Your votes will be added to the judges' scores to decide | :07:45. | :07:46. | |
which two couples will face the Dance Off in tomorrow | :07:47. | :07:49. | |
It will then be down to the judges alone to decide who | :07:50. | :07:53. | |
stays and who goes. And hoping to send a shiver | :07:54. | :07:55. | |
down your spine first is Louise Redknapp and her | :07:56. | :08:03. | |
partner Kevin Clifton. Their Halloween routine | :08:04. | :08:08. | |
playing super villain Harley Quinn from Batman. | :08:09. | :08:14. | |
It's a fun dance full of comedy, so who better for her to dance it | :08:15. | :08:17. | |
Last Saturday is the most I've been proud of you on Strictly so far. I | :08:18. | :08:32. | |
was really scared of the rumba but ended up being pleasantly surprised. | :08:33. | :08:36. | |
We got a great score, 33, but there were comments from the judges. You | :08:37. | :08:41. | |
are on a plateau, something has to happen to give you that extra boost. | :08:42. | :08:47. | |
This is the week that I really need to grow some guts. For Hallowe'en, | :08:48. | :08:51. | |
Kevin and Louise are becoming Batman's nemesis, the Joker, and his | :08:52. | :08:58. | |
side quick, Harley Quinn. This week we have the charleston. This is a | :08:59. | :09:01. | |
chance for us to show the crazy side of Louise. In order to bring out the | :09:02. | :09:06. | |
silly side of Louise's character, Kevin is taking his role as a joke | :09:07. | :09:11. | |
at a little too literally. Why did the ghost play football? I don't | :09:12. | :09:18. | |
know. He liked scoring ghouls. Why didn't he like Strictly Come Dancing | :09:19. | :09:23. | |
Jamaat he'd didn't have a body to dance with. I think Kevin has the | :09:24. | :09:30. | |
wrong end of the stick. The Joker is a bad guy and the only bad thing | :09:31. | :09:34. | |
about Kevin is his jokes! What do you call a fat pumpkin? I don't | :09:35. | :09:51. | |
know. The plumpkin. I hope our dancing is more than a treat than | :09:52. | :09:57. | |
Kevin's chokes on Saturday night. Dancing that charleston, Louise | :09:58. | :09:58. | |
Redknapp and Kevin "Cobweb" Clifton. The dancing duo. No wonder you are | :09:59. | :11:50. | |
smiling, that was wonderful. What lifts. Before we chat to the judges, | :11:51. | :11:55. | |
let's say hello to our freakishly good live singers. | :11:56. | :11:58. | |
Hayley, Lance, Andrea, Tommy and of course Count Dave Arch | :11:59. | :12:01. | |
I can hear them panting from here. You were keen to push yourself even | :12:02. | :12:12. | |
harder after last week's comments from the judges. Did she pushed | :12:13. | :12:18. | |
herself harder? 100%, so animated, honestly. It was a comic book... I | :12:19. | :12:26. | |
thought the routine was bat Dandy! You were Marvel and there was more | :12:27. | :12:31. | |
fun than be no! It was absolutely spot on. And from this Joker to | :12:32. | :12:43. | |
another, Bruno. Oh, yes, bang, wallop, the charleston as pop art. | :12:44. | :12:47. | |
It was like watching Toni Basil in the master trickster stepping in and | :12:48. | :12:50. | |
out over Roy Lichtenstein painting, you don't see that in the Tate | :12:51. | :12:56. | |
Modern, but you see it on Strictly. Unusual. I wasn't expecting that at | :12:57. | :13:02. | |
all, actually, that's why I found it very interesting, these different | :13:03. | :13:06. | |
ideas put into that dance and done so well, wonderful. | :13:07. | :13:11. | |
CHEERING AND APPLAUSE Craig? I felt it was a little bit | :13:12. | :13:16. | |
too controlled, if I'm being absolutely honest. But I have to | :13:17. | :13:20. | |
commend you on the details clean lines that you showed there, the | :13:21. | :13:25. | |
side-by-side kick session was absolutely amazing. I loved the time | :13:26. | :13:31. | |
step tap you inserted, that was cute and full of personality. Well done. | :13:32. | :13:39. | |
CHEERING Darcey. Thank you, Louise, a | :13:40. | :13:45. | |
dazzling charleston. The details, carefree, you have pulled out the | :13:46. | :13:48. | |
stops and thank you, because it paid off. Brilliant, brilliant. It paid | :13:49. | :13:56. | |
off. Thanks to our very own Joker, it's Louise and Kevin. | :13:57. | :14:00. | |
APPLAUSE What the judges said to you, we want | :14:01. | :14:16. | |
more, and they said we got more, and I have to say what was so sweet, in | :14:17. | :14:19. | |
the judges' comments, Lerner said something lovely and there was a | :14:20. | :14:24. | |
shot of your husband going, come on! You must be so happy because what do | :14:25. | :14:31. | |
they want from me? I know, I wanted to do what they asked of me, Kevin | :14:32. | :14:36. | |
worked so hard with me all week. It's hard in the rehearsal room but, | :14:37. | :14:41. | |
when I get there, I try. She has worked so hard this week purely | :14:42. | :14:45. | |
because of the comments last week. Well done. The scores are in. Ladies | :14:46. | :14:51. | |
and gentlemen, the judges have the scores. Craig Revel Horwood. Eight. | :14:52. | :14:59. | |
Darcey Bussell. Nine. Len Goodman. Nine. And Bruno Tonioli. Nine. | :15:00. | :15:11. | |
You are so polite. Next to you, Kevin is like, yes! Well done. You | :15:12. | :15:20. | |
must be so happy. If you would like to see Louise and Kevin back next | :15:21. | :15:25. | |
week, the details are on your screen now. You can vote for them when | :15:26. | :15:31. | |
voting opens at the end of the show. PHONE RINGS | :15:32. | :15:37. | |
I've been waiting outside. Excellent news. Guys, the pizza is here. | :15:38. | :15:48. | |
Please ask the bill payer's permission. Nobody else is | :15:49. | :15:50. | |
listening. Don't vote yet because your vote | :15:51. | :16:05. | |
won't count and you may still be charged. Tuck in. Our next couple in | :16:06. | :16:12. | |
the haunted ballroom is Judge Rinder and his partner, Oksana Platero. | :16:13. | :16:20. | |
With the help of Oksana Platero Judge Rinder has-been 's deadly | :16:21. | :16:25. | |
improving the weeks. Tonight, they are doing a paso doble as | :16:26. | :16:28. | |
butterflies and judge is hoping this routine will give him a chance to | :16:29. | :16:36. | |
spread his wings. How do you feel about last week? Amazing. I can't | :16:37. | :16:41. | |
say the dance was brilliant, but just the fun. It's what I wanted to | :16:42. | :16:48. | |
achieve. Getting eight from Len means the world to me. I felt that | :16:49. | :16:53. | |
showed we were getting better, and I love it. This week we are doing a | :16:54. | :16:58. | |
paso doble and you are going to be a moth, like a manly butterfly. Isn't | :16:59. | :17:06. | |
that an oxymoron? For inspiration, Oksana has taken Judge Rinder to a | :17:07. | :17:10. | |
butterfly and moth sanctuary. It's magical. You've got the bloom | :17:11. | :17:18. | |
author. Red lace them. The largest moth in the world. The wingspan can | :17:19. | :17:25. | |
reach... On this one looks like you. As soon as we came in he started | :17:26. | :17:32. | |
acting strange. She is scary at times but she wants the best. Hello, | :17:33. | :17:38. | |
how are you? What? No, I'm dancing the paso doble this week. My | :17:39. | :17:43. | |
character is a paso doble like moth full of smouldering to rubber -- | :17:44. | :17:49. | |
smouldering terror. I am king of the butterflies. Enjoyed myself in this | :17:50. | :17:54. | |
incredible butterfly and moth paradise. I feel I can now truly | :17:55. | :17:56. | |
inhabit the character. Dancing the petrifying paso doble, | :17:57. | :18:09. | |
Judge Rinder and Oksana Platero the poisonous. | :18:10. | :18:17. | |
I think the audience enjoyed as much as I did. Great drama from you. I | :18:18. | :20:08. | |
had so much fun. Was I supposed to? I was trying to be butch and | :20:09. | :20:14. | |
channelling my inner Craig. You were the richest butterfly I've ever | :20:15. | :20:20. | |
seen. Was he born to dance? Want to dazzle in his own unique way. I | :20:21. | :20:24. | |
think you were channelling Natalie Portman in Black Swan when she goes | :20:25. | :20:32. | |
berserk. It has to be perfect! In fact, there was a lots of paso | :20:33. | :20:38. | |
You are losing your shape at times. Maybe it is the wings getting in the | :20:39. | :20:42. | |
way. You had to retain the shaping. But plenty of task -- plenty of paso | :20:43. | :20:48. | |
doble, and the dragging, darling, folk, you can drag. We know that | :20:49. | :20:57. | |
Judge always entertains, but is he continuing to improve? The result | :20:58. | :21:06. | |
was very Silence Of The Lambs. A bit gruesome. But I mean that in a good | :21:07. | :21:13. | |
way. Your doubles need a bit of work. They need to be into the | :21:14. | :21:19. | |
ground. But it is your darkest, strongest that I've seen you, which | :21:20. | :21:23. | |
is fantastic. I thought the shaping was rather good. I love the knee, | :21:24. | :21:32. | |
brilliant. A bit haphazard at times, but I liked it very much. He liked | :21:33. | :21:38. | |
it very much. Praise from Craig. Darcey. The paso doble is probably | :21:39. | :21:47. | |
the most theatrical dance, and you definitely gave your all. The | :21:48. | :21:49. | |
aggression, I haven't seen it in you. Valiant. There were moments | :21:50. | :21:55. | |
where you did a little cloud with your lips. If you can control your | :21:56. | :22:05. | |
mouth a bit more. -- a little pout. Stop but I love the power you gave | :22:06. | :22:11. | |
to those lunges. They were stretched out and dramatic and you were coming | :22:12. | :22:17. | |
to the end. I will never get bored watching you, I know this. Now, Len | :22:18. | :22:28. | |
you gave him an eight last week. How did he do tonight? Iron you deserved | :22:29. | :22:33. | |
it last week because you came out and danced. Tonight, you were not | :22:34. | :22:38. | |
flitting about like a moth in a flame, you came out with and | :22:39. | :22:41. | |
aggression. Your posture was good. The knee walks, I used to do those | :22:42. | :22:49. | |
35 years ago and I have got a new knee. In 25 years, you will probably | :22:50. | :22:53. | |
need an operation. You work that last week, you have come out again, | :22:54. | :23:02. | |
strong, powerful and meaningful. Well done. -- you were good last | :23:03. | :23:03. | |
week. You must have loved those comments. | :23:04. | :23:23. | |
You really care what they say. I want to get better each week. I care | :23:24. | :23:29. | |
what judges say. But its Oksana Platero birthday today. Happy | :23:30. | :23:33. | |
birthday! I know that you care what they say, so fingers crossed. You | :23:34. | :23:40. | |
haven't gone down yet in your score. Not yet, but as it is Oksana's | :23:41. | :23:45. | |
birthday, we hoped they'd be generous. Judges, please reveal your | :23:46. | :23:51. | |
scores. Craig Revel Horwood. Eight. Darcey Bussel. Eight. Len Goodman. | :23:52. | :24:06. | |
Eight. Bruno Tonioli. Eight. That is your highest score. You look | :24:07. | :24:11. | |
emotional. We broke the 13 barrier! On her birthday! Did I mention it is | :24:12. | :24:20. | |
her birthday? If you don't want these to butterflies to be released | :24:21. | :24:24. | |
back into the wild, the details are on your screen. Still to come, | :24:25. | :24:30. | |
Anastacia is a bat and so is Brendan. They eat butterflies in the | :24:31. | :24:37. | |
wild so if I were you I'd scarper. Next, Claudia Fragapane E and her | :24:38. | :24:46. | |
partner, AJ Pritchard. A Halloween American Smooth, Claudia will be a | :24:47. | :24:50. | |
teenage witch and she will be turning a frog into Prince AJ. If | :24:51. | :24:54. | |
that goes well, she is hoping to turn the judges Laurie panels into | :24:55. | :25:03. | |
ten. I enjoyed the weekend. Fantastic dancing, a brilliant | :25:04. | :25:08. | |
endeavour. So pleased we got 32. It was incredible. Since we have won | :25:09. | :25:17. | |
it, have I got any better? I feel so much more confident. 100%. You are | :25:18. | :25:22. | |
starting to enjoy the dance on the night. It's refreshing for me to see | :25:23. | :25:28. | |
how far you have come. With Halloween coinciding with Claudia's | :25:29. | :25:35. | |
birthday, AJ has got her a present. Will it spell success? That has got | :25:36. | :25:39. | |
all of the Strictly spells that will help you with every dance. Let's | :25:40. | :25:45. | |
start with that. With more glitter and sequins in your American Smooth, | :25:46. | :25:50. | |
let's hope your head doesn't move. This feels weird! Your head is | :25:51. | :25:58. | |
backwards! It could be a trick or a treat. We don't want two left feet. | :25:59. | :26:03. | |
My feet don't feel right. That's because they are left! What are we | :26:04. | :26:11. | |
going to do? By making our feet a bit faster, hopefully on Halloween | :26:12. | :26:15. | |
Craig doesn't think it's a disaster. AJ, something is happening to my | :26:16. | :26:25. | |
feet! Help! Claudia, comeback! Shall we stick to training? I think so! | :26:26. | :26:31. | |
Dancing the American Smooth, Claudia Fragapane and AJ pumpkin precharge. | :26:32. | :26:37. | |
-- AJ pumpkin Pritchard. Claudia and AJ. Wow! They were | :26:38. | :28:32. | |
spellbinding. Gosh. Magical. Did she cast a spell over you lot? I thought | :28:33. | :28:39. | |
the footwork was very good. You maintained body contact a lot. I | :28:40. | :28:45. | |
liked the frame, the lifts were fluid and dramatic. It was dynamic. | :28:46. | :28:53. | |
Well done. Darcey. Beautifully smooth dismounts from every lift. To | :28:54. | :28:58. | |
be able to take those transitions and iron them out. You had a dress | :28:59. | :29:02. | |
malfunction on the last but you kept your head up. Every time you come | :29:03. | :29:07. | |
out of a old, keep your eye level up. I noticed you are looking at the | :29:08. | :29:19. | |
floor. But spectacular. Well done. It was spellbinding. Lovely flow. | :29:20. | :29:23. | |
What I like, sometimes people do lifts and they do these great big | :29:24. | :29:28. | |
lifts but they get on my wick a bit, because they are nothing to do with | :29:29. | :29:33. | |
it. Your lifts complemented the movement and the fluidity of the | :29:34. | :29:39. | |
dance, which was lovely. AJ, I was so pleased that you had the | :29:40. | :29:43. | |
confidence to give Claudia a three step, which is a step I never see. | :29:44. | :29:48. | |
People cheat and just do a chassis. Your footwork was brilliant. It was | :29:49. | :30:01. | |
a top-notch performance. Oh, my little witch. There is nothing nasty | :30:02. | :30:06. | |
about you. Actually, it's all goodness. What a wonderful dance. | :30:07. | :30:11. | |
They have said all the major points, but there is something else. | :30:12. | :30:15. | |
Sometimes you tend to be a bit angular, because of your gymnastic | :30:16. | :30:18. | |
training. Tonight, you were as lyrical and beautiful and rounded as | :30:19. | :30:24. | |
you should be. So maintained that. It makes all the difference. I know | :30:25. | :30:29. | |
you worked a lot on that. The fluidity of movement, the extension | :30:30. | :30:33. | |
of the arms, that's the way to go. Well done. You must be happy with | :30:34. | :30:38. | |
that. Well done. Claudia and AJ! That's amazing! | :30:39. | :30:53. | |
CHEERING AND APPLAUSE Well done, Claudia, your gymnast | :30:54. | :31:01. | |
coaches are here in the audience and they were so proud, the rods were | :31:02. | :31:08. | |
colliding and -- the worlds were colliding and they have supported | :31:09. | :31:12. | |
you so much. I'm achieving loads because of them. Such a lovely thing | :31:13. | :31:17. | |
to say. You wanted to show the judges you were smooth and it was | :31:18. | :31:22. | |
perfect. The scores are in. The judges' scores are in. Craig Revel | :31:23. | :31:31. | |
Horwood. Nine. Darcey Bussell. Nine. Len Goodman. Nine. Bruno Tonioli. | :31:32. | :31:42. | |
Nine. Well done! CHEERING AND APPLAUSE | :31:43. | :31:47. | |
Very well done. If you loved Claudia and AJ and want to see them back | :31:48. | :31:51. | |
next week, all the details are on your screen now, so you can vote for | :31:52. | :31:55. | |
them when voting ends at the end of the show. -- when voting opens at | :31:56. | :32:01. | |
the end of the show. Still to come, Danny is a hideous creature. | :32:02. | :32:08. | |
Our next dancers are Anastacia and her partner, Brendan Cole. Last week | :32:09. | :32:13. | |
Brendan was ill soap Gorka Marquez kindly stepped in. Brendan is back | :32:14. | :32:20. | |
tonight and they are dancing to a fast-paced meatloaf song, as a pair | :32:21. | :32:25. | |
of bats. They'll be going at it like a bat out of hell. Watching the | :32:26. | :32:31. | |
dance was difficult to do, I was so chuffed with what you have done. And | :32:32. | :32:35. | |
how you both danced together. I was very, very proud. Thank you. It was | :32:36. | :32:40. | |
one of the magical ones of the night. Thank you. It was one lovely | :32:41. | :32:46. | |
dance, well done. I was trying to get the best scores because I wanted | :32:47. | :32:51. | |
you back. We are going to smash 30 this week. The pressure is on. This | :32:52. | :32:57. | |
week, Anastacia has to transform into what bat for her jive. To the | :32:58. | :33:02. | |
Batcave, there's not a moment to lose. Today, I got to training and | :33:03. | :33:09. | |
Brendan had a few surprises for me. Training is vitally important, this | :33:10. | :33:12. | |
week we are bats. Night-vision is crucial. Let's do this. That's very | :33:13. | :33:20. | |
dark. Stand on your left foot. No, no! I think I heard him, I'm not | :33:21. | :33:24. | |
quite sure. Bats have supersonic hearing. I want to see those legs. | :33:25. | :33:31. | |
With Strictly it's important to have downtime and you have to hang around | :33:32. | :33:36. | |
now and then. I'm really getting the hang of this, I love it. I think the | :33:37. | :33:40. | |
most exciting part for me was the fact we were dancing on the ceiling. | :33:41. | :33:44. | |
All this bat training has really got me into character and I hope I'm not | :33:45. | :33:48. | |
going to be winging it. On Saturday night. Dancing that jive, Anastacia | :33:49. | :33:58. | |
and Brendan "Cold Hearted" Cole. CHEERING AND APPLAUSE | :33:59. | :35:47. | |
Oh, very good! Come on over. That was frighteningly fast and you have | :35:48. | :35:52. | |
the stamina to deliver. Yes. Not even out of breath. Welcome back, | :35:53. | :36:00. | |
Brendan, so glad you are better. So Darcey, my our bats be flying up the | :36:01. | :36:05. | |
Leader Board? You certainly turned on the energy. You have the | :36:06. | :36:08. | |
confidence from last week, which is brilliant, because it was a strong, | :36:09. | :36:13. | |
dynamic character and you used the choreography to come that very nice, | :36:14. | :36:17. | |
Brendan. It needs to follow through straight to the technique as well. I | :36:18. | :36:22. | |
would love to have seen in the kickball change, in the bald change, | :36:23. | :36:25. | |
you are on the balls of your feet and you lift the knees up, it was | :36:26. | :36:29. | |
just a bit flat-footed for me but generally come as a whole, I really | :36:30. | :36:35. | |
am president performance. Very good, from Darcey. Len? There was some | :36:36. | :36:41. | |
tasty bits in there, but there's always things you're not really sure | :36:42. | :36:45. | |
about and I thought you came out and you gave it a performance which is | :36:46. | :36:48. | |
great, but Darcey is right, the little clicks you do come more from | :36:49. | :36:54. | |
the knee and they were a little bit loose, but you came out, you sold | :36:55. | :36:59. | |
it, you were having fun and that is what the jive is about. Well done. | :37:00. | :37:04. | |
Bruno? Talk about embracing the character. Totally batty on the | :37:05. | :37:09. | |
borderline bonkers! I mean, I love the fact you went into Tina Turner | :37:10. | :37:17. | |
for a moment. Whatever works, you are going to do it. I love that, I | :37:18. | :37:22. | |
love when somebody gives all they've got, but they are right, the jive is | :37:23. | :37:29. | |
all on the sharpness of the kicks and the slick, very quick | :37:30. | :37:32. | |
retraction, the pump action, it has to bleed pin sharp and you really -- | :37:33. | :37:39. | |
it has to be pin sharp and that is one thing we look at, it is very | :37:40. | :37:44. | |
important for this dance. But performance wise, a treat. Thank | :37:45. | :37:51. | |
you. Was at a trade -- treat for you, Craig? No, it was flat-footed, | :37:52. | :37:59. | |
laboured, leading to come a torpid, it lacked any... Sluggish? She had | :38:00. | :38:04. | |
speed! I'm only being honest, darling. It had a lovely smile. I | :38:05. | :38:12. | |
love your outfit. Thank you. Thank you, judges. We all loved it. Thank | :38:13. | :38:16. | |
you, Anastasia and Brendan. CHEERING AND APPLAUSE | :38:17. | :38:28. | |
We loved it up here, it's so lovely to have you back. You two worked so | :38:29. | :38:41. | |
hard this week on the kicks and the flicks. It was a good, strong dance, | :38:42. | :38:47. | |
we loved it in training. Hair, make-up, costume, unbelievable! | :38:48. | :38:53. | |
APPLAUSE This is all done by hand, this is | :38:54. | :38:58. | |
not put on each and every moment is done by hand. It took me hours. | :38:59. | :39:07. | |
The scores are in. Will the judges Parisse -- please reveal the scores? | :39:08. | :39:13. | |
Craig Revel Horwood. Four. Darcey Bussell. Seven. Len Goodman. Seven. | :39:14. | :39:28. | |
Bruno Tonioli. Seven. I know, you didn't like the four. If you would | :39:29. | :39:33. | |
like to keep Anastasia and Brendan in the competition, all the details | :39:34. | :39:37. | |
are on your screen now, so you can vote for them when voting opens at | :39:38. | :39:41. | |
the end of the show. Still to come, Laura is in a baggy Grim Reaper's | :39:42. | :39:46. | |
cloak, she couldn't get one in the right size. -- scythe. Our next | :39:47. | :39:54. | |
creepy couple is Danny Mac and his partner, Oti Mabuse. They are going | :39:55. | :40:00. | |
to be a Hallowe'en couple getting married, I don't know what the | :40:01. | :40:02. | |
wedding will be like but looking at the State of them I think the hen | :40:03. | :40:07. | |
and stag dos must have been pretty good! Sorry! I was in two minds | :40:08. | :40:14. | |
about the rumba, I wanted to do it because I love a challenge, turns | :40:15. | :40:19. | |
out it went so well. It was a masculine performance. I could watch | :40:20. | :40:25. | |
you all night. I couldn't believe the score. You knocked it out of the | :40:26. | :40:31. | |
park, I'm so proud of you, Danny Mac. It's Hallowe'en week will stop | :40:32. | :40:36. | |
we are dancing the foxtrot to take me to church. -- to Take Me To | :40:37. | :40:45. | |
Church. Great song. You have to be cool, calm and collected. Oti has | :40:46. | :40:50. | |
some spooky surprises in store for Danny. Meet me at the church. | :40:51. | :40:56. | |
Because it's Hallowe'en I thought I'd play a few tricks on Danny. | :40:57. | :41:01. | |
What's this? Something doesn't feel quite right. I don't know what on | :41:02. | :41:07. | |
earth is going on. I swear I've seen those cobwebs, there's bats, I don't | :41:08. | :41:15. | |
know where Oti is. I can hear music. I hope it's Oti. If anyone ever find | :41:16. | :41:23. | |
this video... Tell Craig I was sorry I was never good enough for a ten. | :41:24. | :41:30. | |
Oti? Is that you? Danny, where have you been? We need to practice. I | :41:31. | :41:35. | |
have had all the scares I can handle for this week, so I hope there are | :41:36. | :41:44. | |
no frights on the night. Dancing the frightful foxtrot, Danny Mac and Oti | :41:45. | :41:47. | |
"Monster" Mabuse. CHEERING AND APPLAUSE | :41:48. | :43:39. | |
So sorry, so sorry. Oh, come over, darling, you just raised the roof. | :43:40. | :43:45. | |
All right? Are you whispering something in her ear? Sorry. Sorry? | :43:46. | :43:51. | |
It didn't go to plan. I'm sure we'll hear about it. She's got you on that | :43:52. | :43:57. | |
shortly do already. That was the cause of it. You two are brilliant | :43:58. | :44:03. | |
together, what do you think, Len? I was bewitched, bothered and | :44:04. | :44:06. | |
bewildered, bewitched by the performance, bothered by the amount | :44:07. | :44:13. | |
of mistakes there were, it's so hard, you have to be in line then | :44:14. | :44:18. | |
you have to go outside of your partner, and I was bewildered by the | :44:19. | :44:23. | |
elastic appendage! I didn't quite get that at all. However, in having | :44:24. | :44:27. | |
said that you got sway going in there which is so hard to do. | :44:28. | :44:32. | |
Listen, we all make mistakes, there were a couple in there but I'm sure | :44:33. | :44:36. | |
you'll be back and it will all be forgotten. Well done. | :44:37. | :44:39. | |
APPLAUSE Carried on, that's amazing. Bruno. | :44:40. | :44:45. | |
You went for the hauntingly Gothic, almost operatic high drama and a few | :44:46. | :44:49. | |
dramas on the footwork as well! You pushed the boundaries on the | :44:50. | :44:54. | |
concept, which I is, the puppet on a string. It's very, very difficult, | :44:55. | :44:59. | |
but usually you don't do any mistakes. It happens to anyone. You | :45:00. | :45:04. | |
did a couple of foot faults, you stepped on her! But actually what | :45:05. | :45:08. | |
you did right was very, very good. So you know, just move over next | :45:09. | :45:15. | |
time, and do better. Craig? Really sad, that could have been ten, | :45:16. | :45:20. | |
actually, because I loved the concept, I liked the modern | :45:21. | :45:24. | |
theatrical nurse to it, I the appendage, that you were bothered | :45:25. | :45:31. | |
by, I thought it was great. It's just a real shape -- shame it all | :45:32. | :45:36. | |
went horribly wrong. Darcey? I think it's because you really stretched | :45:37. | :45:39. | |
yourself and the choreography was really interesting. I loved you made | :45:40. | :45:44. | |
it very difficult working with that, having to loop your arm underneath, | :45:45. | :45:49. | |
it came out again, I mean really, I give it to you. It was impressive. | :45:50. | :45:53. | |
It is a shame when you don't get the balance books I think it was because | :45:54. | :45:57. | |
you were overly shut -- stretching with long, gliding moves and you got | :45:58. | :46:02. | |
off balance but I have to say it was terrific. Even with those mistakes. | :46:03. | :46:09. | |
It's a live show, it happens. Off you go. Enjoy your honeymoon. | :46:10. | :46:18. | |
Oh, I'm so sorry. You were so looking forward to doing the | :46:19. | :46:32. | |
foxtrot. I know that training has been amazing, and he was holding | :46:33. | :46:39. | |
onto you. What happened? At least Oti managed to pull me back into | :46:40. | :46:43. | |
position. At least we got to the end. Thank you. Well done. You did | :46:44. | :46:51. | |
brilliantly. Scores are in. Be judges have their scores. Craig | :46:52. | :46:56. | |
Revel Horwood. Seven. Darcey Bussel. Eight. Len Goodman. Seven. Bruno | :46:57. | :47:12. | |
Tonioli. Eight. 30, still good. It's your lowest score. Not bad for a | :47:13. | :47:22. | |
lowest score. It's really not. If you enjoyed this couple staying till | :47:23. | :47:26. | |
death do us part and, by the look of them, that could be any time soon, | :47:27. | :47:30. | |
extraordinary make-up. There is still lots more to come. | :47:31. | :47:40. | |
The charleston is all about swivel. You've got to make sure your feet do | :47:41. | :47:46. | |
a swivelling motion. That's too fast, it's weird. I knew it was | :47:47. | :47:52. | |
going to be for long but I wasn't prepared for how demanding it is. It | :47:53. | :47:57. | |
takes over your life. This week I've got a much better feeling and I hope | :47:58. | :48:02. | |
I can hold the position is well and looked strong and have a good dance. | :48:03. | :48:07. | |
At the beginning, I said I didn't want to do any lacking but, to my | :48:08. | :48:11. | |
surprise, I quite like it. -- any lacking. Be paso doble is energetic. | :48:12. | :48:17. | |
When I get it right, it is the best. Looking forward to all that, | :48:18. | :48:32. | |
especially Ed's routine is a mad scientist. I borrowed his science | :48:33. | :48:35. | |
lab to make myself an elixir of youth. Wouldn't hurt to knock if you | :48:36. | :48:42. | |
years. Excuse me while I give it a go. OK, our next couple is Laura | :48:43. | :48:47. | |
Whitmore her partner, Giovanni Pernice. After missing last week's | :48:48. | :48:52. | |
show due to an ankle injury, Laura is back and ready to go with a | :48:53. | :48:56. | |
Halloween tango to die for. How are you getting on with that elixir of | :48:57. | :49:00. | |
youth? Not as well as I'd hoped... Missed you best Saturday. I missed | :49:01. | :49:22. | |
being there. Laura has injured ankle. I was watching at home and | :49:23. | :49:29. | |
not part of it. It was horrible. As devastated as I was, you have to | :49:30. | :49:34. | |
move on. Is a new week and a new dance you are feeling good. | :49:35. | :49:40. | |
Terrifying tango training starts well but then something weird | :49:41. | :49:45. | |
happened. Just another day. I was just polishing of my tango steps and | :49:46. | :49:49. | |
all of a sudden it felt like there was something in the room. Something | :49:50. | :49:56. | |
watching us. I spotted it out of the corner of my eye. It was a dark | :49:57. | :50:03. | |
presence. Laura, come with me. Joe was so scared. I was strangely drawn | :50:04. | :50:14. | |
to him. He was hypnotic. Dance moves -- his dance moves were not from | :50:15. | :50:18. | |
this world. It was clear it was some sort of Demon. A fun Demon. It was | :50:19. | :50:29. | |
so great and I went -- I was so brave and I went to rescue Laura. | :50:30. | :50:38. | |
OK, enough. And it was Anton. I couldn't stay away. I wanted a | :50:39. | :50:42. | |
chance to dance again. Can you blame me? I love Halloween. Dancing be | :50:43. | :50:56. | |
terrifying tango, Laura Whitmore and Giovanni "Poltergeist" Pernice. | :50:57. | :51:03. | |
Plenty of passion. How does it feel to be back? It's great. I love | :51:04. | :52:43. | |
dance. Lovely having you back. Bruno, you are Laura's biggest fan. | :52:44. | :52:49. | |
Were you tantalised? You are jolly enough to lead me to damnation. You | :52:50. | :52:55. | |
are the sexiest ghouls I have ever seen. A spookily good tango. You've | :52:56. | :53:02. | |
got the looks of a winner. That was so sharp, right on it, precise | :53:03. | :53:05. | |
musicality. And you managed to put in a little tease. O'Connor I love | :53:06. | :53:11. | |
those things. With the shoulders. You were on fire! Oh, I love those | :53:12. | :53:23. | |
things. Your left hand was bothering me because the thumb should be just | :53:24. | :53:26. | |
in his pit. You started in a nice way but then it started closing in | :53:27. | :53:34. | |
and becoming very odd. A small thing for an extremely amazing... | :53:35. | :53:47. | |
CHEERING Laura, the attack, the focus, the determination, it's great | :53:48. | :53:49. | |
to see you on this dance floor. I really enjoyed the mix of those | :53:50. | :53:56. | |
sharp, snapping hips but then the quality of the feminine that you | :53:57. | :54:01. | |
were able to give at the same time was really, really nice. I think it | :54:02. | :54:08. | |
was your best dance. Darcey thinks it was your best dance. Look at Len. | :54:09. | :54:17. | |
Zebedee do.! There was plenty of zip and hardly any doodah. Your footwork | :54:18. | :54:28. | |
could have been better but sharp and full of passion and chemistry. Your | :54:29. | :54:32. | |
best dance, no question. Darcey is right. Well done, Laura. Laura and | :54:33. | :54:39. | |
Giovanni! Well done. I thought you might burst | :54:40. | :55:02. | |
into tears. Noted at this stage. What a way to come back because I | :55:03. | :55:07. | |
know you have been in terrible pain. I think the pain helps. You kind of | :55:08. | :55:13. | |
channel eight just I love doing that dance. -- you glad of channel it. I | :55:14. | :55:24. | |
love doing that dance. How did she do? Really well. Well done. Really | :55:25. | :55:30. | |
good. The judges have their scores. Craig Revel Horwood. Nine. Reed | :55:31. | :55:41. | |
Darcey Bussel. Nine. Len Goodman. Nine. And Bruno Tonioli. Nine. 36! | :55:42. | :55:55. | |
Can you believe it? You are joint top of the Leader Board. There is | :55:56. | :56:03. | |
always more tears. If you would like to see Laura and Giovanni back next | :56:04. | :56:08. | |
week, all the information you need is on your screen. Don't really cry. | :56:09. | :56:13. | |
I want you to be happy. Voting opens at the end of the show. Well done. | :56:14. | :56:20. | |
Still to come, Olympian Greg jumps out of his skin, which I believe is | :56:21. | :56:26. | |
a new personal best. Next is Ore Oduba and Joanne Clifton. For their | :56:27. | :56:34. | |
Halloween charleston, they'll be the grotesque owners of a sweet shop and | :56:35. | :56:39. | |
they've actually got real sweet and I managed to get some gobstoppers | :56:40. | :56:41. | |
for Craig. Open wide... I was so nervous before that dance. | :56:42. | :56:54. | |
I've never been that nervous. He worked so hard and all that work | :56:55. | :57:02. | |
really paid off. You are an incredible dancer. That meant so | :57:03. | :57:17. | |
much. 36?! That was amazing. It's Halloween week and we are dancing be | :57:18. | :57:23. | |
charleston. These steps are so fast and intricate. You have to | :57:24. | :57:27. | |
concentrate. My Halloween nightmare has already begun... Begun... When | :57:28. | :57:35. | |
you think of Halloween, what's the first thing that comes to mind? | :57:36. | :57:44. | |
Ghosts. Another one? Monsters. Pumpkins! That as well. Joanne | :57:45. | :57:51. | |
brought me to one of the UK's biggest pumpkin farms to get me in | :57:52. | :57:55. | |
the mood. We had a pumpkin farming competition. I definitely won. There | :57:56. | :58:04. | |
we go. Wow, that is like looking into a mirror. We have had a | :58:05. | :58:12. | |
spooktacular day at the pumpkin farm. Here's hoping we can carve up | :58:13. | :58:18. | |
a great routine on Saturday. Dancing a chilling charleston, Ore Oduba and | :58:19. | :58:22. | |
Joanne "Cackling" Clifton. What a charleston! , way from the | :58:23. | :00:13. | |
sweeties will stop no offence, but you two look hideous. We dressed up | :00:14. | :00:24. | |
for the occasion. Right then, still eating marshmallows? Don't worry. | :00:25. | :00:29. | |
Sweets in his hair, what's going on? Top of the Leader Board the last two | :00:30. | :00:33. | |
weeks, how did they do, Craig? It's your supporting leg that is the | :00:34. | :00:37. | |
problem in this charleston and it's mainly to do with swivelling. Your | :00:38. | :00:43. | |
left foot occasionally swivels, your right foot never swivels. The first | :00:44. | :00:48. | |
thing that you should do, even if it's all day when you are learning a | :00:49. | :00:51. | |
charleston, is really only concentrate on that one thing, then | :00:52. | :00:59. | |
start, and I'm surprised it wasn't there because I'm expecting a lot | :01:00. | :01:03. | |
more from this particular charleston, particularly without | :01:04. | :01:05. | |
swivels, then it's not a charleston, so you have shot yourself in the | :01:06. | :01:11. | |
foot, so to speak. However, the placement of the dance is always | :01:12. | :01:14. | |
very good, technically I think it's very good in that way, and your | :01:15. | :01:19. | |
timing is always very good, except when you missed the lift and as soon | :01:20. | :01:24. | |
as you got back into charleston Basic, you were completely out of | :01:25. | :01:30. | |
time. It was... Oh! It was out of time. It wasn't perfect, was it? | :01:31. | :01:35. | |
Your characterisation was absolutely brilliant. | :01:36. | :01:37. | |
APPLAUSE Positive in the end. Ore, it really | :01:38. | :01:45. | |
wasn't that bad, don't listen to him. It was sweet, cheeky, neat, a | :01:46. | :01:50. | |
great routine overall. CHEERING | :01:51. | :01:55. | |
There was one moment when you got out of Cink-macro, that -- out of | :01:56. | :02:00. | |
sync, the two of you, you recovered quickly, but I did find it's like | :02:01. | :02:04. | |
you have springs built into your shoes or something. There's this | :02:05. | :02:08. | |
natural, it's wonderful actually to watch, I saw that in the jive, but | :02:09. | :02:14. | |
really you just don't tire at all. You made everything looked very | :02:15. | :02:17. | |
easy, so well done. APPLAUSE | :02:18. | :02:23. | |
He's broken sweat and that beer. Len? There was plenty of creeks and | :02:24. | :02:31. | |
I was amazed, especially at the early stages at the intricacy of | :02:32. | :02:36. | |
some of those steps, and they were right on point, together. I can't | :02:37. | :02:45. | |
agree with Craig about the Chaston. OK, you could have put more | :02:46. | :02:50. | |
charleston in, but the charleston I thought was terrific. OK, you're | :02:51. | :02:53. | |
tempted a lift over there, that little fling over the shoulder which | :02:54. | :02:57. | |
went a little bit dodgy, and you lost synchronicity for a bit, but | :02:58. | :03:03. | |
overall there was a terrific routine and I thought it was great. | :03:04. | :03:09. | |
APPLAUSE Bruno, what do you think? You are | :03:10. | :03:15. | |
the cuddly monster I have ever seen! You're like a werewolf on a sugar | :03:16. | :03:20. | |
high. With enough energy to sell it back to the National Grid, I tell | :03:21. | :03:25. | |
you. What you put on that dance both creatively and in effort is | :03:26. | :03:29. | |
fantastic. Actually, it was perfectly in sync, until the mishap | :03:30. | :03:35. | |
with lift but the new carried on spend the delay. -- you carried on | :03:36. | :03:41. | |
splendidly. You're a fantastic dancer, with a fantastic dance. | :03:42. | :03:46. | |
Thank you, we end on a high judges' comments. Ore and Joanne. | :03:47. | :03:52. | |
CHEERING AND APPLAUSE No, no, no, are you disappointed? A | :03:53. | :04:10. | |
little bit, yes, I've never missed that lift in the whole time we | :04:11. | :04:15. | |
rehearsed it. I had a mind blank and the whole time I didn't want to drop | :04:16. | :04:20. | |
her, thankfully not on her face but I'm sorry, I'm sorry. You did well, | :04:21. | :04:26. | |
don't be down, I promise, the scores are in. Ladies and gentlemen, the | :04:27. | :04:32. | |
judges have the scores. Craig Revel Horwood. Six. Darcey Bussell. Eight. | :04:33. | :04:41. | |
Len Goodman. Nine. Bruno Tonioli. Nine. So you got two nines, a proper | :04:42. | :04:51. | |
pick and mix score situation. There's so much left in the beard if | :04:52. | :04:55. | |
she wants any more! If you would like to see Ore and Joanne back next | :04:56. | :05:00. | |
week, all the details are on your screen now so you can vote for them | :05:01. | :05:04. | |
when voting opens at the end of the show. Still to come, Daisy dances a | :05:05. | :05:09. | |
paso doble and Ed takes on the cha-cha. Tess. Ewan-macro dancing | :05:10. | :05:14. | |
next is Greg Rutherford and his partner, Natalie Rowe. Greg is | :05:15. | :05:20. | |
playing the part of an Edwardian gentleman who finds the ghost of his | :05:21. | :05:24. | |
long lost love, but will he be able to capture the spirit of the rumba? | :05:25. | :05:33. | |
Last Saturday night obviously it wasn't the perfect performance. How | :05:34. | :05:36. | |
did you feel? It's more disappointment than anything else. I | :05:37. | :05:40. | |
wanted it to be good and then it was horrendous. Ed looked very stiff, | :05:41. | :05:45. | |
the walks looked awkward. The dance did expose all the stuff you really | :05:46. | :05:51. | |
can't do, sadly. Don't get down, come back stronger. I'm incredibly | :05:52. | :05:57. | |
thankful to be given the opportunity to dance again. I hope I can perform | :05:58. | :06:02. | |
a lot better than I did last week. This week, they are dancing a | :06:03. | :06:05. | |
haunting rumba and Natalie wants Greg to play a ghostly ghoul in the | :06:06. | :06:10. | |
routine. Greg, where better to train than this old spooky house. Very | :06:11. | :06:15. | |
spooky, I can't wait to get inside and see what it's like. I need you | :06:16. | :06:19. | |
to get into the spirit of being a ghost, so try and think like a | :06:20. | :06:28. | |
ghost. No. At first I thought she's obviously lost the plot here. Try | :06:29. | :06:31. | |
one more time. But after awhile I turned into a ghost. Are you OK? You | :06:32. | :06:39. | |
are looking a bit. I am feeling light on my feet. It was so much | :06:40. | :06:42. | |
fun, I walked through walls and scared her a bit. Sorry, I couldn't | :06:43. | :06:47. | |
help myself. What could be better on Hallowe'en week? This isn't working, | :06:48. | :06:51. | |
we are having too much fun. I will have to be the ghost in this dance. | :06:52. | :06:56. | |
Back to practice. Hopefully we can use this Blue Peter goings-on from | :06:57. | :07:00. | |
this haunted Mansion and put them into our rumba on Saturday night. -- | :07:01. | :07:06. | |
ghostly goings-on. Dancing the rumba, Greg Rutherford and Natalie | :07:07. | :07:09. | |
"Loathsome" Lowe. Oh, you just gave the audience goose | :07:10. | :09:09. | |
bumps! And that acting, brilliant, Oscar worthy. The rumba has been | :09:10. | :09:13. | |
your favourite dance so far, hasn't it crush Maggie it has, everyone was | :09:14. | :09:17. | |
saying you will hate it but Natalie said, stick with it and I have loved | :09:18. | :09:21. | |
this week. I can't explain it. It's been really brilliant. She's been so | :09:22. | :09:27. | |
incredible. Quite incredible. Darcey, you wanted him to come back | :09:28. | :09:32. | |
stronger this week. Did he? I can definitely see you gain some | :09:33. | :09:36. | |
confidence, as you said, you have enjoyed this process because this is | :09:37. | :09:39. | |
another very difficult dance for the man and this was a fast, furious | :09:40. | :09:43. | |
rumba, quite different to what I was expecting. It was passionate, you | :09:44. | :09:48. | |
had plenty of drama, and you produced some really nice long lines | :09:49. | :09:52. | |
and especially that deep lunch, when you were holding Natalie was lovely. | :09:53. | :09:58. | |
I would have loved to have seen more rumba dans content, it would have | :09:59. | :10:01. | |
been nice to see that, but what you produced and how the intensity | :10:02. | :10:07. | |
between you was very nice. But yeah, I loved how you presented it. During | :10:08. | :10:14. | |
APPLAUSE Len? There's no doubting your | :10:15. | :10:19. | |
commitment. You come out and you come out every week 100%, giving it | :10:20. | :10:24. | |
everything. I don't think I have but I think others have mentioned | :10:25. | :10:28. | |
sometimes your toes are turned in and I can see you've worked on that, | :10:29. | :10:36. | |
your toe was out. You can see improvement there. I would have | :10:37. | :10:44. | |
liked... Dancing is a balance between performance and technique. | :10:45. | :10:48. | |
Sometimes you get too much technique and it lacks performance. This one, | :10:49. | :10:53. | |
full of performance, I'd have liked a little bit more hip action and a | :10:54. | :10:57. | |
bit more technique but great to watch, well done. Always great to | :10:58. | :11:04. | |
watch, Bruno? You definitely embraced the dramatic persona, the | :11:05. | :11:09. | |
tormented lost soul, it was like Heathcliff and Cathy reunited, the | :11:10. | :11:13. | |
Wuthering Heights for the last dance. Oh, my God, I love seeing | :11:14. | :11:20. | |
that, I really do, coming out of your shell as a performer. Great! | :11:21. | :11:25. | |
Just a little bit of DW 40 on the hips and it will do the trick. | :11:26. | :11:37. | |
Craig? Natalie, I felt you were protecting Greg with this dance with | :11:38. | :11:42. | |
wild, show stopping positions, and lines that will make the audience | :11:43. | :11:46. | |
applaud and everything. I don't feel like can judge this dance as the | :11:47. | :11:54. | |
rumba. I can judge it probably is a showdown dance or a contemporary | :11:55. | :11:58. | |
dance that is passionate and engaging, but sadly, for me, it | :11:59. | :12:01. | |
wasn't anything I think to do with rumba. If you had done this dance in | :12:02. | :12:08. | |
a showdowns week then it would have been a ten, you know. I absolutely | :12:09. | :12:13. | |
loved the dance but I feel like I can't judge it properly. So tends | :12:14. | :12:17. | |
that are never going to happen for him. Don't spoil it, it was his | :12:18. | :12:22. | |
favourite dance. We loved it, ladies and gentlemen, didn't we? | :12:23. | :12:23. | |
CHEERING AND APPLAUSE We loved, no, no, why are you sad? | :12:24. | :12:44. | |
Because of what Craig said. Don't be so stupid. You've worked so hard | :12:45. | :12:48. | |
this week and to do all those things you do there, you are brilliant and | :12:49. | :12:51. | |
I'm so proud of you and you are amazing. Darling, you didn't, you | :12:52. | :12:58. | |
absolutely didn't, it was much more exciting than a normal rumba is what | :12:59. | :13:01. | |
I would have said. LAUGHTER | :13:02. | :13:04. | |
They are very boring, did I say that out loud? You are fantastic and you | :13:05. | :13:09. | |
must be so happy about the seat because you worked so hard on that. | :13:10. | :13:13. | |
I put a lawful lot into that, we have tried incredibly hard. -- I put | :13:14. | :13:18. | |
an awful lot into that. I've never done anything like that in my life | :13:19. | :13:21. | |
and to take on a character and do something, I really have enjoyed | :13:22. | :13:26. | |
that. You are brilliant, Greg. APPLAUSE | :13:27. | :13:30. | |
Well done, honestly, don't worry. Don't listen to the first one, | :13:31. | :13:35. | |
maybe! The scores are in. The judges' scores are in. Craig Revel | :13:36. | :13:42. | |
Horwood. Four. Darcey Bussell. Seven. Len Goodman. Seven. And Bruno | :13:43. | :13:50. | |
Tonioli. Eight. APPLAUSE | :13:51. | :13:55. | |
That's more than last week, OK? Well done both of you. Can we all cuddle | :13:56. | :14:01. | |
Natalie, if you wouldn't mind? If you enjoyed Greg and Natalie's rumba | :14:02. | :14:05. | |
and want to see them through to next week, the details are on the screen | :14:06. | :14:09. | |
and you can vote when voting opens at the end of the show. Still to | :14:10. | :14:13. | |
come, Ed tries a very dangerous experiment. I do hope it's not | :14:14. | :14:19. | |
another lift. Are you OK? Next up is Daisy Lowe and her | :14:20. | :14:26. | |
partner, Ali Oscar and marriage. -- Aljaz Scorjanec. She's hoping with | :14:27. | :14:30. | |
Hallowe'en paso doble sat on the Day of the Dead will bring her dancing | :14:31. | :14:32. | |
career back to life. Daisy and Aljaz. Last week was my | :14:33. | :14:46. | |
last -- worst fears realised. You should not be here. The great | :14:47. | :14:51. | |
British public have voted. Turn their minds around. Being in the | :14:52. | :14:58. | |
bottom two made me realise I really want to be here. I'm just so | :14:59. | :15:03. | |
grateful I get to be there to dance for another week. This week we're | :15:04. | :15:10. | |
doing a paso doble. I love the spirit of it so much, but it's | :15:11. | :15:16. | |
really hard. No, not very good at that. I'm just terrified of being in | :15:17. | :15:22. | |
the bottom two again. Last weekend was really scary. Last weekend has | :15:23. | :15:27. | |
been playing on my mind so, as it's Halloween, I'm going to get Aljaz | :15:28. | :15:32. | |
out of the training room and have some fun. Our theme is day of the | :15:33. | :15:37. | |
dead and will be wearing make up so I thought I'd go to the best make up | :15:38. | :15:40. | |
artist in town, and she's having a party. I've brought you to my little | :15:41. | :15:47. | |
sister, Becky. I don't think that Aljaz was expecting what I had in | :15:48. | :15:52. | |
store for him. My sister makes me so happy. I feel like myself again. If | :15:53. | :15:59. | |
our dance is half as good as our make up, we're ill -- we're in for a | :16:00. | :16:07. | |
real treat. Dancing feet petrifying paso doble, Daisy Lowe and Aljaz | :16:08. | :16:10. | |
"Scary" Skorjanec. MUSIC: Don't Let Me Be | :16:11. | :16:19. | |
Misunderstood. Come on, Daisy. Lovely to see that | :16:20. | :18:09. | |
fighting spirit. Are you all right? Yes? I don't like missing out. I | :18:10. | :18:16. | |
know you've been a bit down this week. A little bit. Challenging, but | :18:17. | :18:23. | |
you came back strong. Did they bring the dog alive? Oh, yes. You did the | :18:24. | :18:30. | |
twist turns, which I have seen a lot, but I had never seen any girl | :18:31. | :18:38. | |
be able to put those turns in with the heel, because of the speed. You | :18:39. | :18:41. | |
captured it. It was a bit hit and miss. Sometimes, I was like, go one, | :18:42. | :18:48. | |
Daisy, because you were four of aggression, then you'd get to | :18:49. | :18:51. | |
another bit and it would loosen up a bit. It lacked a bit of authority. | :18:52. | :18:56. | |
Overall, a very accomplished paso doble. Well done. Bruno, has she | :18:57. | :19:05. | |
done enough to avoid the dance-off? I'm sure there is plenty of life | :19:06. | :19:10. | |
left in this fascinating creature. What I love about it is the detail. | :19:11. | :19:17. | |
So much flamenco. Apart from what Len said, it's something we look | :19:18. | :19:21. | |
for. I love to see it. True flavour of Spain. Of course, the ladies | :19:22. | :19:26. | |
sometimes has to be a bit coquettish and teasing, and I love that. Hair | :19:27. | :19:32. | |
and make up, I have to say... Day of the dead celebrations in Mexico | :19:33. | :19:39. | |
City. It is mesmerising. The choreography was great, you look | :19:40. | :19:44. | |
fantastic and I adored the dance. Yes. Craig. I loved the amount of | :19:45. | :19:50. | |
detail in the arms and hands. You've gone to a lot of trouble. You are | :19:51. | :19:55. | |
not always leading with the rest, but that is small. A bit more | :19:56. | :20:01. | |
hyperextension, I think, to create a broader Spanish line, but I loved | :20:02. | :20:11. | |
the dance. Yes, Aljaz! I have to say, bringing something else to your | :20:12. | :20:16. | |
performance now. It's lovely to see that dramatic, strong Daisy. I would | :20:17. | :20:22. | |
only say that I could see a bit more exaggeration in the body shapes. | :20:23. | :20:25. | |
When you are told, you have to make a bit more effort to create bad | :20:26. | :20:29. | |
shape, because I could see you side on all the way through. But still | :20:30. | :20:35. | |
really nice. Treats from the judges. Well done, Daisy and Aljaz! | :20:36. | :20:51. | |
Go on! Very well done. I know it's horrible, dance-off, and all week | :20:52. | :20:56. | |
you are like, I just want to try. You trained so hard. You are the | :20:57. | :21:00. | |
most smiley creature on earth and to have to do that and be all stern... | :21:01. | :21:06. | |
It was quite difficult! I looked really when I smiled today. Ladies | :21:07. | :21:14. | |
and gentlemen, the scores. Craig Revel Horwood. Eight. Darcey Bussel. | :21:15. | :21:24. | |
Eight. Len Goodman. Eight. Bruno Tonioli. Nine. Well done. Happy, | :21:25. | :21:35. | |
Aljaz? I'm happy. I don't look happy, but I am. Witch if you | :21:36. | :21:40. | |
thought that was brilliant, will be details are on your screen so you | :21:41. | :21:45. | |
can vote for Daisy and Aljaz when voting opens later. To vote online, | :21:46. | :21:50. | |
you'll need to sign in or register if you haven't already. We have got | :21:51. | :21:55. | |
one couple left to dance. Our final frightening couple is Ed | :21:56. | :22:00. | |
Balls and his partner, Katya Jones. For their Halloween cha-cha, they | :22:01. | :22:08. | |
are going to be mad scientists. Never mind mad, if Craig gives them | :22:09. | :22:12. | |
two for the third row -- third week running, they'll be livid. I enjoyed | :22:13. | :22:18. | |
doing an American Smooth foxtrot. The only thing any body will | :22:19. | :22:22. | |
remember is the fact that our dramatic lift didn't quite work out. | :22:23. | :22:29. | |
# You raise me up... I thought you were going to drop | :22:30. | :22:33. | |
her! The main reason you didn't want to be in the dance-off was because | :22:34. | :22:36. | |
you didn't want to do the lift again. But we did better. We can't | :22:37. | :22:45. | |
play safe. For Halloween, Ed is doing a chilling cha-cha-cha. Ed has | :22:46. | :22:54. | |
been acting a bit strange this week. He's been locking himself away for | :22:55. | :23:00. | |
hours and hours. If my calculations are correct, this should work. He | :23:01. | :23:06. | |
told me he's got a great idea how we can get the highest scores this | :23:07. | :23:14. | |
week. It's working! It's hopeless, darling. You thought there were | :23:15. | :23:19. | |
dance steps in my dance! One of the best I've ever seen. Thank you. Ed, | :23:20. | :23:28. | |
you are fabulous... Fabulous... Fabulous... No! The only way to get | :23:29. | :23:39. | |
highest scores from Craig is to get back to the training room. Dancing | :23:40. | :23:48. | |
the cha-cha-cha argh, Ed Balls and Katya "Jeepers" Jones. | :23:49. | :23:55. | |
We did it! O'Connor Ed! Look at this! | :23:56. | :25:50. | |
You look fantastic. Oh, well done. He never plays it safe, does he? | :25:51. | :26:00. | |
Thank you. From a mad scientist to a mad judge. Let's see. Toxic, | :26:01. | :26:10. | |
addictive, horribly fabulous! You went for those like a jackhammer. | :26:11. | :26:19. | |
You went from kind of mincing to baldly to triumphant. -- to ballsy. | :26:20. | :26:31. | |
I have to say, it was a triumph. Tell me you are not going to be | :26:32. | :26:35. | |
reaching for that two paddle again, Craig. It won't be a two that's for | :26:36. | :26:45. | |
sure, darling. It was moving spasmodically, darling. | :26:46. | :26:48. | |
Convulsively. I didn't know where it was going to go next. It was like | :26:49. | :26:54. | |
some terrible washing machine on the spin cycle. I've never seen anything | :26:55. | :27:07. | |
so bizarre. He's smiling. Made you happy, didn't he? It was on time. | :27:08. | :27:18. | |
Craig. I've never seen him laugh like that. Darcey. Iron I have to | :27:19. | :27:27. | |
admit, I'm so pleased you were here. -- I have to admit, I'm so pleased | :27:28. | :27:32. | |
you were there. I might be mad, but I absolutely loved that. You were on | :27:33. | :27:38. | |
time, the attitude, the confidence, you delivered quite a lot of | :27:39. | :27:44. | |
cha-cha, actually. But not a lot of straight leg. It felt straight to | :27:45. | :28:00. | |
me! Len. How about the supernatural. It wasn't super and it wasn't all | :28:01. | :28:04. | |
that natural, but it was so much fun. Wasn't it. Lots and lots of | :28:05. | :28:14. | |
cha-cha. They were a bit funny, but nice, strong pressure through your | :28:15. | :28:18. | |
feet in that Cuban break. You kept right on time. Your best dance. | :28:19. | :28:30. | |
CHEERING Your best dance, cha-cha. Fingers crossed. Off you go, Ed and | :28:31. | :28:34. | |
catchier. -- catchier. I hope you had... You seem to have | :28:35. | :28:54. | |
broken Craig. He was smiling and laughing. Did you think it would be | :28:55. | :29:00. | |
this good? I love Latin. I still love it. Even if Craig gives us two. | :29:01. | :29:06. | |
The judges have their scores. Craig Revel Horwood. Four. Darcey Bussel. | :29:07. | :29:23. | |
Seven. Len Goodman. Seven. And Bruno Tonioli. It's probably never going | :29:24. | :29:27. | |
to happen again. Eight. CHEERING | :29:28. | :29:35. | |
Well done, Ed. If you don't want these scientists to leave, you need | :29:36. | :29:45. | |
to vote for Ed and Katya. The vote will open in a few moments. All our | :29:46. | :29:51. | |
couples have done all that they can to impress the judges at you at home | :29:52. | :29:55. | |
so, before we open the boat, let's take a look at the Leader Board. At | :29:56. | :30:01. | |
the top, Claudio and AJ and Laura and Giovanni both have 36. | :30:02. | :30:11. | |
You can go online and vote for your favourite. I can announce that the | :30:12. | :30:15. | |
vote is now open. You need the bill payer's position. | :30:16. | :30:27. | |
You can vote online for free. It doesn't work if I can't read it! | :30:28. | :30:37. | |
You'll find full terms and conditions. Please don't try to vote | :30:38. | :30:38. | |
if you are watching on demand. To vote for Louise and Kevin, vote | :30:39. | :30:49. | |
online or call... To vote for Judge Rinder and | :30:50. | :31:13. | |
Oksana... We've had spine chilling | :31:14. | :31:23. | |
charlestons, a terrifying tango Remember voting closes at 8.45pm | :31:24. | :33:49. | |
tonight, so you don't have much All of our spooky celebrities | :33:50. | :33:52. | |
are relying on your support even scarier on tomorrow | :33:53. | :33:56. | |
night's Result Show, as the two couples with the lowest | :33:57. | :34:01. | |
combined judges' score and viewer | :34:02. | :34:03. |