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# Everything today is thoroughly modern | :00:51. | :01:30. | |
# Everything today makes yesterday slow | :01:31. | :01:35. | |
# Raise your skirts and bob your hair | :01:36. | :01:48. | |
# Have you seen the way they kiss in the movies | :01:49. | :01:52. | |
# Painting lips and pencil lining your brow | :01:53. | :01:57. | |
# So beat the drums 'Cause here comes | :01:58. | :02:04. | |
# They think is odd and Sodom and Gomorrah-ble! | :02:05. | :02:21. | |
# Everything today is thoroughly modern | :02:22. | :02:26. | |
# Everything today is starting to go | :02:27. | :02:31. | |
# So beat the drums 'cause here comes thoroughly | :02:32. | :03:25. | |
This is Strictly Come Dancing ? The Results. | :03:26. | :04:01. | |
Hello and welcome to Strictly Come Dancing ? The Results! | :04:02. | :04:17. | |
A huge thank you to our professional dancers for starting the show | :04:18. | :04:20. | |
I got bin bags, a hole punch and ten bread rolls. | :04:21. | :04:28. | |
Ten couples performed, but one couple will leave tonight. | :04:29. | :04:43. | |
Your votes have been combined with the judges' scores, | :04:44. | :04:45. | |
and the two couples with the lowest overall points will go head | :04:46. | :04:48. | |
The final decision of who stays and who goes is down to the judges! | :04:49. | :04:56. | |
And Craig Revel Horwood and Bruno Tonioli. | :04:57. | :05:13. | |
Tonight, performing her new single How To Kiss A Boy, we have country | :05:14. | :05:25. | |
And the judges will be taking a closer look at Saturday's dances | :05:26. | :05:29. | |
Soon we'll find out which couples are through to next week | :05:30. | :05:33. | |
and which two will be in the Dance Off. | :05:34. | :05:35. | |
But first, here is every step, swivel, and samba roll | :05:36. | :05:38. | |
It's week five, who will go this week? I'm very proud of is of making | :05:39. | :05:56. | |
it this far. Every week, it becomes more terrifying. I didn't think I'd | :05:57. | :06:00. | |
get beyond the first couple of weeks. The numbers are going down, | :06:01. | :06:05. | |
it's extra pressure. Everyone is determined not to be in the Dance | :06:06. | :06:13. | |
Off. We could be out. Everybody isn't safe, somebody has to go home | :06:14. | :06:16. | |
at some point. It's heartbreaking when people have to go. I really | :06:17. | :06:21. | |
want to get through next week. It would be amazing to get through to | :06:22. | :06:25. | |
Hallowe'en, when all the bells and whistles come out. In five, ladies | :06:26. | :06:30. | |
and gents. Good luck. I'm praying for fantastic dancing. | :06:31. | :06:40. | |
It's showtime. It was quiet, it was calm and it was sophisticated. I | :06:41. | :06:51. | |
have to say the energy and enthusiasm is unwatchable. It was | :06:52. | :06:57. | |
all the air. Unfortunately, there were one or two little incidents | :06:58. | :07:01. | |
along the way. I'm happy and I thought you did a wonderful | :07:02. | :07:07. | |
charleston. At the very end you get tired and that crispness goes. I'm | :07:08. | :07:11. | |
being really picky here, because I loved it. It was the hardest one. | :07:12. | :07:20. | |
Full house, eight. Four of young, darling, after this. The girl had | :07:21. | :07:26. | |
every single step you would expect. You are like a tornado, darling, | :07:27. | :07:32. | |
going around the glitter ball. Good on you, young hearts run free. You | :07:33. | :07:37. | |
were bouncing around like Jiminy Cricket. The texts were a bit wild, | :07:38. | :07:44. | |
a bit high, but I loved it. For the first time I enjoyed every single | :07:45. | :07:51. | |
Milli second of that. I have to say that was such a lovely surprise, you | :07:52. | :07:56. | |
are so light on your feet. It could have been smoother, but well done. I | :07:57. | :08:00. | |
don't want to upset Brendan, but your best dance. Eight. That was the | :08:01. | :08:13. | |
antithesis of smooth stop plodding, pedestrian, I felt you were fighting | :08:14. | :08:17. | |
one another all the way through. This is the trouble with | :08:18. | :08:21. | |
hitchhiking. You always get dodgy lift. One thing is for sure, you're | :08:22. | :08:26. | |
never going to join the Royal Ballet, I tell you that. Two. At | :08:27. | :08:32. | |
least we showed people at the end what we could have done. Yes. The | :08:33. | :08:38. | |
waltz looks very awkward and this dance did expose all the stuff that | :08:39. | :08:43. | |
you really can't do. There will always be one dance that isn't | :08:44. | :08:45. | |
yours. Sadly, this one is not your dance. Just enjoy it for what it is, | :08:46. | :08:52. | |
don't get down on this, come back stronger. It really wasn't a good | :08:53. | :08:57. | |
performance. For me, it's so frustrating. Mystic Leslie, I love | :08:58. | :09:01. | |
your intensity, I love the way you acted. Unfortunately a lot of steps, | :09:02. | :09:07. | |
you messed it up a little bit. This dance should be danced on one level | :09:08. | :09:10. | |
and you were going up and down through the whole thing. I don't | :09:11. | :09:14. | |
think this is a dance really for you. So frustrating. So annoying. | :09:15. | :09:21. | |
APPLAUSE It was one classy rumba. You have | :09:22. | :09:26. | |
all the ability to be top of the Leader Board. It was like watching | :09:27. | :09:30. | |
Lesley Carroll and Gene Kellie in American in Paris. The sister Katie, | :09:31. | :09:37. | |
very chic. I couldn't have asked for better comments. Nine. I'm so proud, | :09:38. | :09:42. | |
that was awesome, I loved dancing with her. It was a masculine | :09:43. | :09:48. | |
performance. You are consistently excellent dancer. I love, love, love | :09:49. | :09:53. | |
watching you. I could watch you all night. Nine. It's calm, it's | :09:54. | :10:03. | |
elegant. You were able to produce something which such control. It | :10:04. | :10:08. | |
irresistible. You two look so good together. You are just incredible. | :10:09. | :10:12. | |
Having the time of my life dancing with her. It was amazing. | :10:13. | :10:22. | |
What a show and this is how the Leader Board looked at the end of | :10:23. | :10:39. | |
Saturday's performances. At the top we have Ore and Joanne, followed by | :10:40. | :10:48. | |
Danny and Oti. At the bottom, Ed and Katya, with 18. Your votes may have | :10:49. | :10:52. | |
changed everything. Which two will face each other in the Dance Off? | :10:53. | :10:55. | |
The results are in. In no particular order, the first | :10:56. | :11:04. | |
couple safely through to next week is... | :11:05. | :11:15. | |
Louise and Kevin. CHEERING AND APPLAUSE | :11:16. | :11:25. | |
Thank you! Well done. Thank you. Thank you. Also back to dance again | :11:26. | :11:29. | |
our... Cloudier and AJ. | :11:30. | :11:46. | |
CHEERING AND APPLAUSE -- Claudia and AJ. So good, so | :11:47. | :11:52. | |
happy. Thank you. Surviving for another week are... | :11:53. | :12:05. | |
Ore and Joanne. CHEERING AND APPLAUSE | :12:06. | :12:19. | |
O! The fourth couple returning next Saturday are... | :12:20. | :12:29. | |
Judge Rinder and Oksana. CHEERING AND APPLAUSE | :12:30. | :12:40. | |
And now the first couple into night's Dance Off is... | :12:41. | :12:52. | |
It's Lesley and Anton. The rest of you will have to wait a little | :12:53. | :13:00. | |
longer to find out if you through. Lesley and Anton, please come and | :13:01. | :13:03. | |
join me. APPLAUSE | :13:04. | :13:12. | |
Don't worry, don't worry. Come here, sweetheart. Oh, look at your lips | :13:13. | :13:21. | |
cover your face, I'm so sorry. You must be disappointed. You find | :13:22. | :13:25. | |
yourself in the Dance Off. Yes, a bit. Just strange. Of course, nobody | :13:26. | :13:30. | |
wants to be here. Let's get some advice from the judges. Len, have | :13:31. | :13:35. | |
you any words of encouragement ahead of the Dance Off? This was a full on | :13:36. | :13:42. | |
proper tango. It had lovely staccato action and had a mood about it. | :13:43. | :13:46. | |
Throughout the dance, which I think you spoke about, there was one or | :13:47. | :13:50. | |
two little blunders. Now, what we've got to do is come back out, keep | :13:51. | :13:55. | |
that mood, keep that aggressive feel, just iron out those couple of | :13:56. | :14:00. | |
mistakes. Go on, girl. APPLAUSE | :14:01. | :14:10. | |
Four couple safely through to the Halloween Special. All of a sudden | :14:11. | :14:17. | |
it has got a very serious. All of you are just, like, I would like | :14:18. | :14:21. | |
somebody to exhale in a minute! Louise, you got nine for your rumba. | :14:22. | :14:30. | |
When you finish, do you think, it's OK, I'm safe? You can never feel | :14:31. | :14:34. | |
safe, no matter what your score is. You want the public to enjoy it, | :14:35. | :14:41. | |
that is what you are relying on. Ore, you are playing a grotesque | :14:42. | :14:45. | |
shopkeeper next week? How happy are you? I'm ecstatic. It was such an | :14:46. | :14:53. | |
emotional day. I have not stopped shaking since I finished that dance! | :14:54. | :14:59. | |
Doing it with one of my best mates, just so over the moon to be doing it | :15:00. | :15:03. | |
again. And I get to be grotesque next week. I can't wait! Not in a | :15:04. | :15:08. | |
weird way. You know what is so sweet, the minute that Tess says | :15:09. | :15:15. | |
your name, everybody goes like that, and you say, thank you, thank you. | :15:16. | :15:23. | |
These are our teachers. Teachers are incredible, whatever teaching they | :15:24. | :15:27. | |
have done. Somebody that invests all of their emotional and creative | :15:28. | :15:30. | |
character, and they help you, and you just want to thank them at the | :15:31. | :15:33. | |
end of it. It is their work that makes you look good. So moving! You | :15:34. | :15:41. | |
are happy with him, aren't you? You are doing the American smooth next | :15:42. | :15:47. | |
week, you are playing a witch, are you already thrilled about the fact | :15:48. | :15:50. | |
that you through and will be for Halloween? I can't wait, I've never | :15:51. | :15:55. | |
dressed up for Halloween, it will be pretty good. What is AJ playing? | :15:56. | :15:59. | |
Frog! Makes total sense. Performing her new single | :16:00. | :16:03. | |
How To Kiss A Boy, please # You've got no | :16:04. | :16:07. | |
choice but to believe # Hope ain't necessary | :16:08. | :16:18. | |
when you never had a doubt # You just know it will | :16:19. | :16:30. | |
work out, don't you? Thank you to Leann Rimes | :16:31. | :16:44. | |
and our brilliant professional thank you very much. My favourite | :16:45. | :20:12. | |
entrance ever. This is when you dissect sections of Saturday night. | :20:13. | :20:16. | |
Maybe you hadn't had time to talk about it? Please welcome Len's | :20:17. | :20:27. | |
Lense. I would like to start with you and talk about Judge Rinder and | :20:28. | :20:37. | |
his swivel. The toe heel swivel? That's good, swivelling? No, not | :20:38. | :20:44. | |
swivelling. Now I have seen it in slow motion, I wish I hadn't seen | :20:45. | :20:48. | |
that. What you are supposed to do, it is what it says. Toe, heel and | :20:49. | :20:54. | |
then you cross. But you have to get the swivel. If you don't get that | :20:55. | :21:00. | |
swivel, it's wrong. When I was a kid, I loved that step, when I first | :21:01. | :21:06. | |
danced. I used to practice it in the hall. At the bottom of the banister | :21:07. | :21:09. | |
was a big ball that are used to hold. Because you need something. | :21:10. | :21:19. | |
Then I snapped it off. My mum went absolutely ballistic! Did she? Thank | :21:20. | :21:26. | |
you so much for that information. That was like a gift to us all. | :21:27. | :21:31. | |
Darcey, I would like to talk to you about Anastacia and Gorka. You | :21:32. | :21:39. | |
mentioned the pendulum swing? Yes, she goes out to the side again. And | :21:40. | :21:44. | |
again. And then out. It's lovely. The feet come together nicely. | :21:45. | :21:53. | |
Great. Really neat. Can I ask you about Greg and Natalie? You gave him | :21:54. | :21:57. | |
a really low score. He said he was pigeon toed. He is a gold medal | :21:58. | :22:01. | |
winning Olympian. Extraordinary, he's never done this before. Looking | :22:02. | :22:07. | |
at this clip, can you explain? The reason I gave him a low score is | :22:08. | :22:11. | |
because of his feet. You can see he is very pigeon toed, flat-footed. | :22:12. | :22:18. | |
It's not good. It's not great. Instead of standing, like this... Go | :22:19. | :22:24. | |
on! He needs to be slightly turned out. He does that, when he walks. | :22:25. | :22:33. | |
That's not great. Very smart shoes, if you don't mind me saying. Bruno, | :22:34. | :22:36. | |
I would like to talk about Ed and Katya. You were worried about the | :22:37. | :22:38. | |
huge lift, when it went a bit wrong. I thought she was going to bash her | :22:39. | :22:55. | |
head, I was very worried. She could have bashed her head on the floor. A | :22:56. | :23:03. | |
man, man, he caught her? It was very entertaining. Entertaining, but very | :23:04. | :23:10. | |
dangerous. But he showed he could do it perfectly. Look at that. Calling | :23:11. | :23:20. | |
that perfection, a brave attempt. He did it twice. Let's hear it for the | :23:21. | :23:25. | |
judges. Thank you so much. One couple are already in the dance-off. | :23:26. | :23:33. | |
Who will be joining them? Tess? Who is safe and who will be dancing for | :23:34. | :23:35. | |
survival? It's time to find out. In no particular order, safely | :23:36. | :23:42. | |
through to next week are... Back to dance again next Saturday | :23:43. | :23:56. | |
are... That means Greg and Natalie and | :23:57. | :25:04. | |
Daisy and Aljaz, one of you is safe and one is in the dance-off. The | :25:05. | :25:07. | |
couple that will compete in the dance-off is... | :25:08. | :25:14. | |
Daisy and Aljaz. So, Greg and Natalie, congratulations. You are | :25:15. | :25:27. | |
through to next Saturday. Daisy and Aljaz, please come and join me. | :25:28. | :25:37. | |
Goodness me. A huge gasp. You must be surprised to find yourself in the | :25:38. | :25:42. | |
dance-off? Well, I love that dance, so it's OK. I'm happy to do it again | :25:43. | :25:51. | |
and keep the energy up. Always looking on the bright side. You said | :25:52. | :25:56. | |
Daisy had some timing issues, how should she improve that? My main | :25:57. | :26:00. | |
point is stamina. You need to keep your energy going all the way to the | :26:01. | :26:04. | |
end, so the last lift is fresh as the first time you do a swivel. You | :26:05. | :26:11. | |
are a fantastic dancer. Obviously you should not be here. The great | :26:12. | :26:15. | |
British public have voted and you are, and it is your time to turn | :26:16. | :26:18. | |
their minds around. You are brilliant. Best of luck, sweetheart. | :26:19. | :26:27. | |
We will see you later, in the dance-off. I am here with the rest | :26:28. | :26:31. | |
of the couples, all completely relieved and over the moon. Ed, you | :26:32. | :26:38. | |
are through. Halloween week, you are playing a mad scientist. How excited | :26:39. | :26:43. | |
are you? It's amazing to be back with another chance, only because | :26:44. | :26:47. | |
people have voted for us. Thanks for giving us a chance and we will try | :26:48. | :26:52. | |
to do better next week. Greg, you did not like the cha-cha. Your face | :26:53. | :26:56. | |
when there was the heartbeat music, and you were so surprised, sorry, | :26:57. | :27:02. | |
I'm not doing that? It was not for me. We put in nowhere near as good a | :27:03. | :27:07. | |
performance as some of the others. I really thought it was us in the | :27:08. | :27:11. | |
dance-off. I can't thank people enough for keeping us in, we are | :27:12. | :27:14. | |
loving what we are doing. Hopefully I can improve on what was a bad | :27:15. | :27:20. | |
week. Anti-Semites. Anastacia, my favourite reaction, I think, ever? | :27:21. | :27:25. | |
You kept screaming, and then you screamed again, sorry. -- Anastacia, | :27:26. | :27:31. | |
you have my favourite reaction. Your best score and dance, through | :27:32. | :27:43. | |
to next week? He did really well, stepping in for Brendan. So | :27:44. | :27:44. | |
supportive, thank you, thank you. Danny, you are doing a foxtrot next | :27:45. | :27:56. | |
week? Halloween week. You can put your clothes back on! Of course you | :27:57. | :28:04. | |
can. As if dancing live is not scary enough, next week it is Halloween. | :28:05. | :28:30. | |
Can you come here for a second? Really enjoying it. Why did you do | :28:31. | :28:40. | |
that? Happy Halloween! That is Halloween | :28:41. | :29:09. | |
week, next Saturday. Lesley and Anton, Daisy and Aljaz would both | :29:10. | :29:13. | |
love to be there, but it comes down to this. It was a brilliant tango, | :29:14. | :29:18. | |
is part of you excited about doing it again? It is rather nice to do it | :29:19. | :29:25. | |
again. It is going to be good. This time it is going to be perfect? I'm | :29:26. | :29:30. | |
going to try. And on, what would you like to say to your brilliant girl? | :29:31. | :29:37. | |
Do what you do, you are amazing. If it was down to me, I would have put | :29:38. | :29:41. | |
you into the final in the first week. Thank you so much, enormous | :29:42. | :29:54. | |
luck. Lesley and Anton! Daisy and Aljaz, Halloween Special next week. | :29:55. | :29:58. | |
How much do you want to be there? I would love to be there so much. It | :29:59. | :30:04. | |
is down to the judges. Lesley is such a terrific dancer, I wish them | :30:05. | :30:10. | |
all the best. You are a fantastic partnership, what words of | :30:11. | :30:14. | |
encouragement the want to give? Really, from day one, she comes in | :30:15. | :30:18. | |
every single week and there are some beautiful dancers. So proud and | :30:19. | :30:22. | |
honoured to be her partner. You did a great job last night, and I can't | :30:23. | :30:28. | |
wait to do it again. You guys are just too adorable! The judges will | :30:29. | :30:31. | |
have to decide who stays and who goes. | :30:32. | :30:37. | |
Lesley and Anton have done all they can to stay in the competition and | :30:38. | :32:31. | |
are fighting for a place in next week's Hallowe'en special, now it's | :32:32. | :32:32. | |
Daisy and Aljaz. week's Hallowe'en special, now it's | :32:33. | :32:48. | |
Daisy and week's Hallowe'en special, now it's | :32:49. | :34:32. | |
only one couple can return next week. Judges, it's time to decide | :34:33. | :34:40. | |
who will -- who that will be. Based on the Dance Off alone I'm about to | :34:41. | :34:43. | |
ask you the name of the couple you deserve to be saved and your reason | :34:44. | :34:47. | |
for saving them. The couple with the most votes will stay in the | :34:48. | :34:52. | |
competition. In the event of a tie, head Judge Len will have the casting | :34:53. | :34:59. | |
vote. This is it. Craig, who are you going to save, and why? Well, I love | :35:00. | :35:04. | |
both couples for completely different reasons, but for me | :35:05. | :35:10. | |
tonight just for precision, for an improved performance in this | :35:11. | :35:15. | |
particular Dance Off, and finishing on time, the couple I'd like to | :35:16. | :35:21. | |
save, Daisy and Aljaz. Daisy and Aljaz, one vote for you. Darcey, who | :35:22. | :35:27. | |
do you think deserves to stay in the competition, and why? Again, this is | :35:28. | :35:31. | |
very difficult. I wouldn't want these two couples here at all and to | :35:32. | :35:35. | |
choose between them is very difficult. But the couple I would | :35:36. | :35:39. | |
like to save because of a cleanness and quality of their dance was Daisy | :35:40. | :35:44. | |
and Aljaz. CHEERING AND APPLAUSE | :35:45. | :35:47. | |
That is two votes for Daisy and Aljaz. Is -- with Bruno votes save | :35:48. | :35:54. | |
you you are through to next week's Hallowe'en special. Bruno, who do | :35:55. | :35:59. | |
you want to stay on Strictly Come Dancing and why? I is both of these | :36:00. | :36:01. | |
girls for many different reasons, they are gorgeous, look at them, but | :36:02. | :36:07. | |
I have to choose the stronger dance and every act is backed, technique | :36:08. | :36:10. | |
and performance, and for that reason I'm choosing to save Daisy and | :36:11. | :36:17. | |
Aljaz. We have to say goodbye to Lesley and Anton. Daisy and Aljaz, | :36:18. | :36:23. | |
congratulations. We'll see you next Saturday. Len, it won't change the | :36:24. | :36:29. | |
result but did you agree question might I disagree, I would have saved | :36:30. | :36:33. | |
Daisy and Aljaz. Thank you very much. -- I did agree. I would have | :36:34. | :36:42. | |
saved Daisy and Aljaz. Come over here, darling. We have absolutely | :36:43. | :36:48. | |
loved watching you dance. You are a joy and inspiration to watch. No one | :36:49. | :36:54. | |
wants you to leave, quite honestly. Come here, Anton, what's been your | :36:55. | :36:58. | |
highlight? I don't know, I think learning a new dance every week has | :36:59. | :37:01. | |
been lovely, working with him has been an absolute joy and we have | :37:02. | :37:05. | |
laughed a lot. It's been just a lovely, lovely journey and it's come | :37:06. | :37:08. | |
to an end and that's absolutely fine. We've loved it. What will you | :37:09. | :37:14. | |
miss most is to mark him. Anton, what would you like to say the | :37:15. | :37:20. | |
Lesley? I know you've got a fantastic relationship. I'd like to | :37:21. | :37:24. | |
say thank you very much. You enriched my holes quickly experience | :37:25. | :37:28. | |
this year. Dancing with you has been an absolute joy. -- new enriched my | :37:29. | :37:34. | |
experience this year. It's down to you and you are an absolute joy. I | :37:35. | :37:45. | |
love you dearly. Lovely, lovely words. We'll miss due next week, we | :37:46. | :37:48. | |
have really enjoyed watching the pair of you. I'm going to send you | :37:49. | :37:56. | |
off for your last dance. Oh, gosh, sorry! | :37:57. | :37:58. | |
CHEERING AND APPLAUSE You can see the brilliant Lesley and | :37:59. | :38:05. | |
Anton on it takes to when they joined Zoe at 6:30pm on BBC Two. You | :38:06. | :38:10. | |
can head to bbc.co.uk/strictly for exclusive backstage gossip. For now, | :38:11. | :38:19. | |
dancing about is the lovely and wonderful Lesley and Anton. | :38:20. | :38:28. | |
MUSIC: "Right Back Where We Started From" | :38:29. | :39:12. | |
I'm absolutely gutted to see Lesley go. I'm going to miss her more than | :39:13. | :39:27. | |
I can articulate without getting upset. Being in the bottom two is | :39:28. | :39:32. | |
really tough and to see Leslie Day was heartbreaking. The idea is | :39:33. | :39:37. | |
bounce back. I need to be better. I'm enjoying every single second of | :39:38. | :39:42. | |
this. I don't want it to end. I'm made up, actually. I was hoping to | :39:43. | :39:46. | |
get through to Hallowe'en and now I am. We're doing the cha-cha-cha, | :39:47. | :39:59. | |
which I'm not sure is going to be my dance but we | :40:00. | :40:00. |