Browse content similar to Week 5. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Last week our celebrities exploded on to the Strictly dancefloor. With | :00:08. | :00:15. | |
Ore setting the scoreboard on fire. This week our celebrities will have | :00:16. | :00:22. | |
to dig even deeper. Each week that goes by we have to push harder and | :00:23. | :00:27. | |
harder. There's so many steps, so much choreography. I'm working so | :00:28. | :00:30. | |
hard this week. You have to make sure your dance is fantastic. I want | :00:31. | :00:35. | |
to show the judges I can dance. This competition is so hot, it is on | :00:36. | :00:39. | |
fire! I have found it really stressful. I will do the best I can. | :00:40. | :00:45. | |
Everybody is trying incredibly hard. Everyone is getting better and | :00:46. | :00:49. | |
better every week. Every week. You have to believe in yourself. When | :00:50. | :00:53. | |
you move from the training room to the studio it suddenly becomes real. | :00:54. | :00:57. | |
Rehearsing here on the Strictly dancefloor really gets your heart | :00:58. | :01:02. | |
racing. I know I've got to give it my absolute all. I do not want to be | :01:03. | :01:05. | |
in that Dance Off. Live from the BBC, this | :01:06. | :01:53. | |
is Strictly Come Dancing! Hello and welcome to | :01:54. | :01:58. | |
Strictly Come Dancing. Last week we saw some | :01:59. | :02:28. | |
incredible routines, including an energetic | :02:29. | :02:31. | |
Charleston from Lesley, a superb quickstep from Danny, and | :02:32. | :02:33. | |
that unforgettable jive from Ore. It was a routine so good, | :02:34. | :02:40. | |
it made three of our judges reach for their | :02:41. | :02:43. | |
10 paddles and Ore And sadly, after losing | :02:44. | :02:47. | |
out to Anastacia and Brendan in the Dance | :02:48. | :02:52. | |
Off, Naga and Pasha became the fourth | :02:53. | :02:54. | |
couple to leave the Speaking of Brendan, as many of you | :02:55. | :03:04. | |
know, he's been ill this week, so the brilliant Gorka has kindly | :03:05. | :03:07. | |
stepped in and will be dancing with Anastacia tonight. | :03:08. | :03:08. | |
APPLAUSE. All of our couples are backstage, | :03:09. | :03:15. | |
desperate to come out here and entertain you all again, so | :03:16. | :03:45. | |
please welcome our Strictly stars. TV presenter and singer, | :03:46. | :03:53. | |
Louise Redknapp, and her Star of Judge Rinder, | :03:54. | :03:55. | |
Robert Rinder, and his partner, Actress Lesley Joseph | :03:56. | :04:00. | |
and her partner, Olympic gymnast Claudia | :04:01. | :04:03. | |
Fragapane and her BBC sports presenter, | :04:04. | :04:07. | |
Ore Oduba, and his partner, Model Daisy Lowe and her | :04:08. | :04:11. | |
partner, Aljaz Skorjanec. World champion longjumper | :04:12. | :04:19. | |
Greg Rutherford and his Former Shadow Chancellor Ed Balls, | :04:20. | :04:20. | |
and his partner, Katya Jones. Actor Danny Mac, and his | :04:21. | :04:29. | |
partner, Oti Mabuse. And singer Anastacia | :04:30. | :04:34. | |
and Gorka Marquez. CHEERING AND APPLAUSE. | :04:35. | :04:50. | |
Also, the eagle-eyed amongst you may have | :04:51. | :05:03. | |
Laura has injured her ankle and she's currently resting at home, | :05:04. | :05:07. | |
so won't be able to dance with Giovanni tonight. | :05:08. | :05:09. | |
Laura, if you're watching, we wish you a speedy | :05:10. | :05:12. | |
I hope you've remembered your dancing shoes. | :05:13. | :05:16. | |
Now, we do have ten couples ready to pull out all | :05:17. | :05:24. | |
the stops in their performances tonight and you | :05:25. | :05:26. | |
will be able to vote for your favourite later on. | :05:27. | :05:29. | |
Your votes will be added to the judges' scores to | :05:30. | :05:31. | |
decide which two couples will face the Dance Off | :05:32. | :05:33. | |
It's then down to our judges alone to decide who | :05:34. | :05:37. | |
And with the standard so high, I really don't envy their task. | :05:38. | :05:41. | |
Dancing first tonight is Judge Rinder and his | :05:42. | :05:42. | |
For this week's jive, the Judge will be a GI and | :05:43. | :05:53. | |
Oksana is hoping her little soldier will get a salute | :05:54. | :05:55. | |
from the judges, and a quick march through to | :05:56. | :05:57. | |
How do you think last week went? Not so good. I wanted really badly tole | :05:58. | :06:12. | |
prove. When you go out there and it doesn't live up to what you expected | :06:13. | :06:17. | |
and what you hoped for, it's just so frustrating. It's like I see you | :06:18. | :06:22. | |
overthinking, and you don't need to. I think there's a lot of quality in | :06:23. | :06:27. | |
there and we want to see that now. I want to get to the end, look at you | :06:28. | :06:31. | |
and think, yeah, that was the best we could have done it. This week we | :06:32. | :06:35. | |
are really going to come out and just dance. I'm doing a jive this | :06:36. | :06:39. | |
week. We have very little time to train, because I work during the | :06:40. | :06:42. | |
week, so it is really hard to remember the steps. How do you find | :06:43. | :06:48. | |
training this week? Oh dear, well, I've had eight cases today and I'm | :06:49. | :06:51. | |
finding it really hard to remember the steps. You need to come to my | :06:52. | :06:55. | |
court and see what's happening. I who love to come and watch. Oksana | :06:56. | :07:02. | |
goes to see how hard Judge Rinder really works. He is terrifying, not | :07:03. | :07:10. | |
to me, but to other people. I had the curious daydream today. Madam | :07:11. | :07:17. | |
Oksana, you are charged with filling my brain. Are you guilty or not | :07:18. | :07:23. | |
guilty? Not guilty. Of course you are guilty. I sentence you to 10 | :07:24. | :07:31. | |
years in jail. It was disappointing but then there she was teaching me | :07:32. | :07:36. | |
even more dance. If I can remember the steps in my courtroom, hopefully | :07:37. | :07:39. | |
I can remember the dance on Saturday night. | :07:40. | :07:40. | |
Dancing the jive, Judge Rinder and Oksana Platero. | :07:41. | :07:43. | |
Oh yes! They're on their feet for you Judge Rinder! I loved it. | :07:44. | :09:47. | |
She's really putting you through your paces. | :09:48. | :09:51. | |
I have to thank her. Isn't she marvellous? Deliciously terrifying. | :09:52. | :10:02. | |
The pair of you are marvellous together. | :10:03. | :10:04. | |
While you two stand at ease, let's welcome our fabulous | :10:05. | :10:06. | |
live singers - Hayley, Lance, Andrea, Tommy and of | :10:07. | :10:09. | |
course Dave Arch and his brilliant orchestra. | :10:10. | :10:10. | |
I know how much you wanted to impress this week. Len, did he? I | :10:11. | :10:19. | |
don't know what you just said, so I can't anticipates that. Did he | :10:20. | :10:25. | |
impress you, darling? Hey? He impressed me immensely. You... | :10:26. | :10:30. | |
CHEERING. You put the camp into boot camp, you really do. A lovely mix. | :10:31. | :10:34. | |
It was like the history of jive. You got a bit of jitterbug, Linde, rock | :10:35. | :10:39. | |
'n' roll, into some jive. Full of energy, full of enthusiasm. You did | :10:40. | :10:42. | |
a step called the toe heel survive el. Could have had a bit more | :10:43. | :10:47. | |
survive el in it, but I will tell you what, that was as tight as a | :10:48. | :10:52. | |
bugle boy's cheeks. Right on it. Well done! | :10:53. | :10:57. | |
CHEERING. You impressed the head judge. Bruno? Talk about jumpy. You | :10:58. | :11:04. | |
were bouncing around like Jiminy Cricket in camp camouflage. You | :11:05. | :11:08. | |
weren't just dancing. You were erupting. Among the steps your legs | :11:09. | :11:13. | |
were so high it looked like a can-can. Then I thought you were | :11:14. | :11:18. | |
going to fall on your butt. The last survive sell you did, it was | :11:19. | :11:23. | |
something to behold. I have to say, the energy and enthusiasm you put | :11:24. | :11:33. | |
into it, it is not perfect but it is eminently watchable. | :11:34. | :11:36. | |
CHEERING. Absolutely watchable. Craig, last week you said there was | :11:37. | :11:41. | |
a dancer hidden within Judge Rinder. Did that dancer emerge tonight? | :11:42. | :11:46. | |
Well, die like the fact you dance with tempestuous abandon. That's a | :11:47. | :11:51. | |
very good thing. However, for me it was a little bit flat-footed. It | :11:52. | :11:56. | |
needed to be a lot more precision in there. There needs to be retraction | :11:57. | :12:02. | |
on those kicks, my darling. I did however love the one-handed scart | :12:03. | :12:05. | |
wheel. Not easy to do. CHEERING. Great start. Thank you | :12:06. | :12:11. | |
Craig. Darcey? It was one hard routine that you gave him, Oksana. | :12:12. | :12:16. | |
Really, to get through it, your enthusiasm obviously takes over and | :12:17. | :12:20. | |
gets a little bit carried away, but what you packed into there, the | :12:21. | :12:24. | |
tricks, the tours, the kicks were a bit wild, a bit high, but I loved | :12:25. | :12:27. | |
it. CHEERING. | :12:28. | :12:34. | |
Let's hope the people at home loved it as much as we did. Well done. | :12:35. | :12:39. | |
Left, right! Very, very well done. I remembered | :12:40. | :12:59. | |
the steps! You are quite hard on yourself, you have said, all you | :13:00. | :13:04. | |
want is to finish the dance and say, have I done it right? I just | :13:05. | :13:07. | |
listened to the music and had so much fun! It is lovely that you had | :13:08. | :13:15. | |
that, the standing ovation, and your mum is in the audience! There she | :13:16. | :13:20. | |
is! I hope you have got the right person, oh, yes! These goals are in. | :13:21. | :13:25. | |
The judges have their scores. Craig Revel Horwood... | :13:26. | :13:32. | |
Six. Darcey Bussell. Eight. Len Goodman. Aid. Bruno Tonioli. Seven. | :13:33. | :13:45. | |
Are you all right with that? It is an improvement, I know Craig meant | :13:46. | :13:52. | |
seven, I am sure he did. He probably couldn't find it under the table, | :13:53. | :13:54. | |
poor darling. If you want to see Judge | :13:55. | :13:57. | |
Rinder and Oksana back next week in our Halloween | :13:58. | :13:59. | |
special, all the details are on your screen now, | :14:00. | :14:02. | |
so you can vote for them when voting opens at | :14:03. | :14:04. | |
the end of the show. Now, I have some | :14:05. | :14:06. | |
exciting news tonight. We're joined by Strictly superfans | :14:07. | :14:10. | |
Steve and Rod. Hi! Thank you very much! What are | :14:11. | :14:24. | |
your favourite things about the show? | :14:25. | :14:25. | |
I love the costumes, and the dancing. | :14:26. | :14:28. | |
Well, you've come to the right place. | :14:29. | :14:31. | |
Calls cost 15p plus any network access charge and... | :14:32. | :14:36. | |
I'll have to say this, he can't pronounce his Ps. | :14:37. | :14:39. | |
Please ask the bill payer's permission. | :14:40. | :14:43. | |
Yes, by visiting bbc.co.uk/strictly, where you will | :14:44. | :14:53. | |
Voting won't open until all our couples have danced, | :14:54. | :14:59. | |
so please don't call yet, as your vote won't count | :15:00. | :15:01. | |
and you may still be charged. Tess. | :15:02. | :15:08. | |
Our next couple is Lesley Joseph and her partner, Anton Du Beke. | :15:09. | :15:16. | |
and Lesley is going to be a fortune teller. | :15:17. | :15:25. | |
She starts the routine by gazing into a crystal ball | :15:26. | :15:28. | |
and would love to see herself here next week. | :15:29. | :15:37. | |
It was good last week, I was really pleased. Brilliant. I thought it | :15:38. | :15:45. | |
went very well. You showed brilliant energy, you kept on going until the | :15:46. | :15:50. | |
end. It was strong, vibrant, I loved it. You are improving every week, | :15:51. | :15:58. | |
with energy and personality. You know I am really enjoying it, and I | :15:59. | :16:02. | |
cannot wait to see what this week old install. The tango! I need to | :16:03. | :16:09. | |
play a fortune-telling in my tango, so he has been showing me some of | :16:10. | :16:15. | |
his fortune-telling prowess. Can you read tea leaves? Yeah, I can, it | :16:16. | :16:19. | |
says you are going to finish top of the Leader Board - or something like | :16:20. | :16:26. | |
that. Secondly, we had cards, quite extraordinary. A Glitterball! Four | :16:27. | :16:35. | |
tens! Standing ovation from the judges! That is what I want. That | :16:36. | :16:41. | |
looks like a perfect result. Thirdly, the crystal ball. I can see | :16:42. | :16:47. | |
Craig smiling! Oh, the glasses cracked. I can see Blackpool Tower, | :16:48. | :16:54. | |
I can say blackball Our! Yes! I can see me kneeling, I see the Queen, | :16:55. | :17:06. | |
arise Sir Anton Du Beke for services to dance! No-one can predict the | :17:07. | :17:10. | |
future, so fingers crossed I remember the steps and we stay in | :17:11. | :17:11. | |
another week. Dancing the tango, | :17:12. | :17:13. | |
Lesley Joseph and Anton Du Beke. Goodness me! Absolutely brilliant, | :17:14. | :19:09. | |
come on over, they are on their feet, you smashed it. Absolutely | :19:10. | :19:16. | |
smashed it, Madam Lola and Sir Anton, I have never seen you so | :19:17. | :19:20. | |
stern! She has broken character! What do you see for Lesley in your | :19:21. | :19:28. | |
crystal ball? Well, I can see Mystic Lesley, so intense, she really | :19:29. | :19:34. | |
cracked the crystal ball, and Anton's back, by the look of it. You | :19:35. | :19:39. | |
were hanging on to him like the alive, he is mine, I am never going | :19:40. | :19:43. | |
to let him go! Really attached for ever. You know what you want, don't | :19:44. | :19:50. | |
you, girl? You are going to get it! I love your intent city, I love the | :19:51. | :19:56. | |
way you acted. Unfortunately, a lot of the steps, you messed it up a | :19:57. | :20:02. | |
little bit. Just a couple of times. Then it becomes Skippy, the tango | :20:03. | :20:07. | |
always glides, you cannot skip, and because of your attachment and the | :20:08. | :20:11. | |
intensity, you were literally like that! No shoulders, no neck, keep | :20:12. | :20:19. | |
away from him, make him want you. I can barely resist myself! That is | :20:20. | :20:28. | |
the understatement of the evening! Craig, last week you were shocked by | :20:29. | :20:31. | |
how good Lesley is, what about tonight? Well, not the same, sadly. | :20:32. | :20:38. | |
This should be danced on one level, and Bruno is right, you were going | :20:39. | :20:42. | |
up and down through the whole thing, there were stumbles, I felt like | :20:43. | :20:51. | |
your neck was very stiff, I was missing the V shape that you need to | :20:52. | :20:54. | |
create, your right shoulder was up. This is not really a dance for you. | :20:55. | :21:01. | |
Darcey. Well, I enjoyed the amount of dance content you had. The amount | :21:02. | :21:07. | |
you have picked up in one week coming he gave you everything, and | :21:08. | :21:12. | |
you nearly achieved it all. Wonderful, nice, short head snaps | :21:13. | :21:18. | |
and all of that, you were achieving those. I know it is difficult when | :21:19. | :21:24. | |
you haven't got the frame, which is hard, to create that drama and that | :21:25. | :21:29. | |
intensity that you need in a tango. That is all we're missing, that | :21:30. | :21:33. | |
neck, you have to lower and relax your shoulders. But the energy was | :21:34. | :21:37. | |
there, you still did a very good job. Darcey, thank you very much. | :21:38. | :21:45. | |
Len. It was all there! The steps, the mood, staccato, musicality. | :21:46. | :21:52. | |
Unfortunately, there were one or two little incidents along the way, but | :21:53. | :21:56. | |
you are going to get them if you are dancing with Anton! You were | :21:57. | :22:02. | |
spot-on, Anton, pull it together, William?! Well done, Lesley. | :22:03. | :22:09. | |
Thank you, judges. I know you want to see what the future holds, well | :22:10. | :22:17. | |
done, my darling, Lesley! I made a mistake, didn't I? I know! | :22:18. | :22:28. | |
We absolutely loved it up here, but I saw the disappointment. I know, I | :22:29. | :22:36. | |
went wrong in a couple of places, it is difficult to have passion and be | :22:37. | :22:40. | |
relaxed at the same time, the passion makes you want to grab them! | :22:41. | :22:46. | |
Darcey loved the intensity. Look at him, he has got my eyeliner! What I | :22:47. | :22:51. | |
loved about it, your positivity each week, you love it, you always do. I | :22:52. | :22:58. | |
have got the jive next week. I know you are desperate to do it. The | :22:59. | :23:00. | |
scores are in. Five. Darcey Bussell. Six. Len | :23:01. | :23:19. | |
Goodman. Seven! Bruno Tonioli. Six. It is not your worst score, that is | :23:20. | :23:24. | |
the good news! It is not my best either! | :23:25. | :23:29. | |
If you want Lesley and Anton to be here next week, | :23:30. | :23:32. | |
all the details are on your screen now, so you can vote | :23:33. | :23:34. | |
for them when voting opens at the end of the show. | :23:35. | :23:37. | |
Still to come, Anastacia is in the park with a Pot Noodle. | :23:38. | :23:40. | |
Next on the floor is Greg Rutherford and his partner, Natalie Lowe. | :23:41. | :23:44. | |
For an athlete with no dance experience, | :23:45. | :23:49. | |
Greg has been consistently good so far. | :23:50. | :23:51. | |
This week, he's dancing the cha-cha, and Natalie decided a visit | :23:52. | :23:54. | |
to where he won gold in 2012 would be the perfect place | :23:55. | :23:57. | |
to keep him, quite literally, on track. | :23:58. | :24:10. | |
Hurricane Greg hits the salsa and shakes it for all it is worth! The | :24:11. | :24:18. | |
lift at the end, it was going to be an epic talking point. That lived at | :24:19. | :24:23. | |
the end was absolutely brilliant! I am chuffed to bits that we nailed | :24:24. | :24:28. | |
it. Your bum was going to town, oh yes! It was a good finish to what | :24:29. | :24:34. | |
had been a really tough week. This week, we are doing the cha-cha. | :24:35. | :24:43. | |
There are no heel leads, there is a lovely straightening of the knee, | :24:44. | :24:47. | |
which Greg has never done before. The steps are so precise, I'm going | :24:48. | :24:52. | |
to be so exposed, I have to nail it and show I have got good will would | :24:53. | :24:55. | |
work. It is a different challenge to what | :24:56. | :25:00. | |
Greg faced at the 2012 Olympics, and Natalie has got a treat lined up. I | :25:01. | :25:05. | |
brought into the Olympic Park stadium for some inspiration for | :25:06. | :25:10. | |
Saturday night. I love at here, London 2012 was huge for me, | :25:11. | :25:13. | |
hopefully I can bring their performance on Saturday. Outside of | :25:14. | :25:18. | |
the training room, getting onto the track, it has definitely helped. | :25:19. | :25:22. | |
This is sacred ground to me, the best training session we have had | :25:23. | :25:26. | |
for the cha-cha. For being so fantastic and training, I thought I | :25:27. | :25:30. | |
would give him a surprise. I have a piece of the London 2012 track that | :25:31. | :25:36. | |
you won gold on. Wow! Where did you get that from? You didn't just pick | :25:37. | :25:40. | |
it up, did you?! That is incredible. I am hoping this is a good omen to | :25:41. | :25:46. | |
keep me on track for a good score on Saturday night. | :25:47. | :25:48. | |
Dancing the cha-cha-cha, Greg Rutherford and Natalie Lowe. | :25:49. | :25:55. | |
CHEERING. Well done. Oh yes! Absolutely brilliant! Come on. | :25:56. | :27:45. | |
CHEERING. Dave Arch doing dance music. Yes, Dave. That was a proper | :27:46. | :27:51. | |
party dance. And very intense. You raised the roof in here. I know | :27:52. | :27:55. | |
you've been working so hard on that footwork. How did you find it, | :27:56. | :28:01. | |
Craig? Well, one good thing is you did show Natalie off in this dance, | :28:02. | :28:06. | |
and that's what it's about. But sadly it looked very stiff. You are | :28:07. | :28:12. | |
pigeon toed and naturally bow of leg, which makes you an Olympic | :28:13. | :28:15. | |
champion but in this particular dance you have to try to rectify | :28:16. | :28:21. | |
that and lose less of the gap by turning your feet out a little bit. | :28:22. | :28:25. | |
And especially the walks. They are very awkward. They difficult to do | :28:26. | :28:30. | |
and this dance I'm afraid really did expose all the stuff that you really | :28:31. | :28:33. | |
can't do, sadly. That's the thing about the cha-cha characters it is | :28:34. | :28:39. | |
very exposing isn't it? Darcey? You must remember, Greg, you've | :28:40. | :28:42. | |
accomplished so much every week... CHEERING. Every dance. There will | :28:43. | :28:47. | |
always be one dance that isn't yours. Sadly this one is not your | :28:48. | :28:53. | |
dance, OK? You will come back stronger, but it is just unfortunate | :28:54. | :28:56. | |
if you can't straighten your knees very well or if you can't turn out | :28:57. | :29:00. | |
the lower leg. But really, as a whole, you had your gorgeous | :29:01. | :29:04. | |
Natalie. Just enjoy it for what it is, yeah? Don't get down on this. | :29:05. | :29:08. | |
Come back stronger. APPLAUSE. Len? We mustn't forget, | :29:09. | :29:15. | |
you're an athlete. You've never danced before. You're right out | :29:16. | :29:21. | |
here, not in your comfort zone at all. I must say, you didn't, if I | :29:22. | :29:26. | |
can go into your brain, you didn't look comfortable and confident. I | :29:27. | :29:29. | |
think that had a lot to do with it. I don't think you really liked the | :29:30. | :29:33. | |
cha-cha-cha. I'm not sure, but it was like you had the attitude, oh, I | :29:34. | :29:37. | |
don't like this, and that sort of came out a little bit. There was a | :29:38. | :29:42. | |
horrendous blunder early on but you disguised it, covered it up. I | :29:43. | :29:49. | |
thought you gave it a great lot of content, Natalie, Cuban breaks here, | :29:50. | :29:52. | |
there and everywhere. Listen, you did a great job, be proud of | :29:53. | :29:54. | |
yourself. Well done. APPLAUSE. Bruno? Listen, I always | :29:55. | :30:03. | |
love your heroic, muscular stance. So statuesque, framing your partner | :30:04. | :30:07. | |
so beautifully, very caring about your girl. I love to see that in a | :30:08. | :30:13. | |
man. And, I think what happened, you stiffened up a little bit. That's | :30:14. | :30:17. | |
why... Sometimes you overattack a dance, especially the cha-cha-cha, | :30:18. | :30:22. | |
when you have to have such smooth hip action that comes from the foot. | :30:23. | :30:27. | |
If you overattack it, you stomp it and the hips won't happen. I am sure | :30:28. | :30:32. | |
next time you do it, will you be fabulous. | :30:33. | :30:39. | |
APPLAUSE. Thank you judges. We all loved it. You started the party | :30:40. | :30:44. | |
here. Go and join Claudia's party upstairs. | :30:45. | :30:45. | |
CHEERING. Well done. You know what was so | :30:46. | :31:01. | |
sweet, the moment you finished that dance, you turned to Natalie and | :31:02. | :31:05. | |
said, sorry. We had a couple of good rehearsals today, and this morning | :31:06. | :31:08. | |
it seemed to be working. And then annoyingly with this one I haven't | :31:09. | :31:12. | |
been retaining it. I've been trying to hard all week, put so much into | :31:13. | :31:16. | |
it but it hasn't come in. I'm sorry about that. No, don't be, you gave | :31:17. | :31:23. | |
it absolutely. You're sparkly. Rihanna go have loved it. | :31:24. | :31:24. | |
That's better. 24. Everyone was shocked by the 4. Everyone behind me | :31:25. | :31:52. | |
went, what! As Darcey said, come back stronger. If we have to do it | :31:53. | :31:55. | |
later, we'll do it better. They found love, and if you can, | :31:56. | :31:57. | |
find a pen, jot down All the details are on your screen | :31:58. | :31:59. | |
now, and voting opens Don't forget if you want to vote | :32:00. | :32:04. | |
online, you'll need to register Three couples have danced, | :32:05. | :32:08. | |
and there's still all this to come. Brendan's not feeling well, so we | :32:09. | :32:20. | |
have Gorka coming in to help the routine until my Brendan is ready to | :32:21. | :32:27. | |
go back. I will do whatever Kevin throws at me. Whether I do it | :32:28. | :32:30. | |
correctly or not is another story. I'm really scare of the rumba. | :32:31. | :32:35. | |
It's such an honour to go on that floor and dance these wonderful | :32:36. | :32:39. | |
dances with a great band and a wonderful partner. I hope to do my | :32:40. | :32:42. | |
best, and I'm going to. APPLAUSE. | :32:43. | :32:45. | |
Brendan was unable to train and still isn't well enough to dance | :32:46. | :33:01. | |
with Anastacia tonight. Get well soon, Brendan, from all of us. | :33:02. | :33:06. | |
Stepping into his shoes is Gorka Marquez. Here he is with Anastacia | :33:07. | :33:08. | |
in training. I wished my score was higher. It was | :33:09. | :33:22. | |
disappointing, because I worked really hard. I was focused on making | :33:23. | :33:27. | |
my arms more girly. Such expressive arms. The reality of what I see in | :33:28. | :33:31. | |
the competition, it was very hard. Anastacia and Brendan. I want to | :33:32. | :33:37. | |
stay in as long as I can. This week Anastacia and Brendan... Hold it | :33:38. | :33:41. | |
right there. Brendan, you look different! It's Gorka. You are my | :33:42. | :33:46. | |
temporary new partner, as Brendan isn't feeling well. So this week we | :33:47. | :33:51. | |
are doing the quickstep. Quickstep is one of the most fast numbers we | :33:52. | :33:55. | |
are going to do. We are going to travel around all the floor very | :33:56. | :33:58. | |
fast. We are going to have so much fun, you will love it. OK, I'm | :33:59. | :34:04. | |
excited. It will be interesting to work with another another person. I | :34:05. | :34:07. | |
want to be a good student and want to have Brendan be really proud. | :34:08. | :34:13. | |
Turn your head. It is really important especially for Anastacia | :34:14. | :34:17. | |
to keep always this projection like outside. Now change. Gorka has been | :34:18. | :34:22. | |
motivating me to have great posture. Everything has to be relaxed from | :34:23. | :34:26. | |
here. I say to her, if you keep here, Brendan is going to be happy. | :34:27. | :34:32. | |
Happy Brendan, grumpy Brendan. As the week draws to a close Anastacia | :34:33. | :34:36. | |
is given the news that Brendan still isn't well enough to dance this | :34:37. | :34:40. | |
weekend. The amazing Gorka is going to be my Prince Charming. We are | :34:41. | :34:44. | |
going to do a greet performance and we want to make Brendan very proud. | :34:45. | :34:48. | |
Get well, young man. CHEERING. | :34:49. | :34:49. | |
Dancing the quickstep, Anastacia and Gorka Marquez. | :34:50. | :34:54. | |
CHEERING. Yes! Well done, Anastacia and Gorka! | :34:55. | :36:44. | |
That was my kind of quickstep, let me tell you. Well done, darling. | :36:45. | :36:51. | |
Come here. Thank you for stepping, in Gorka the corker. Gorka makes me | :36:52. | :37:00. | |
walka. Makes me wanna work. Understand song must have meant a | :37:01. | :37:04. | |
lot to you because it's your home town. It did, the my Granada is | :37:05. | :37:09. | |
upstairs going, you go, girl. You go! How have they done, Darcey? That | :37:10. | :37:15. | |
was such a lovely surprise. You are so light on your feet. | :37:16. | :37:20. | |
APPLAUSE. What I really love is the pendulum step in this corner. It was | :37:21. | :37:25. | |
beautifully instructed. Really nice. And you flowed off. There were many | :37:26. | :37:30. | |
stops and starts which makes it difficult for that continuity and | :37:31. | :37:32. | |
keeping the flow. There were moments where it could have been smoother | :37:33. | :37:36. | |
and you could have lent out, but this was one lovely dance. Well | :37:37. | :37:41. | |
done. Wasn't it judge? Well done. Was it your kind of dance, Len? It | :37:42. | :37:47. | |
was 100%. Getting a new partner is a bit like getting a new pair of | :37:48. | :37:54. | |
shoes. It's awesome? It takes a while to get them broken in and | :37:55. | :37:58. | |
comfortable. But you looked in your comfort zone. Light and bright, fun | :37:59. | :38:02. | |
and frivolous. It was easy on the eye. I don't want to upset Brendan, | :38:03. | :38:07. | |
but it was your best dance. CHEERING. A bit of Spain does | :38:08. | :38:18. | |
wonders to you. I tell you. You were like a lick coquettish swinger. You | :38:19. | :38:23. | |
couldn't wait to jump into action. I love The Verve, the renewed energy. | :38:24. | :38:29. | |
Light on your feet, great musicality, mind the gap though. The | :38:30. | :38:35. | |
gapping. Be careful. Don't get carried away and into your own | :38:36. | :38:39. | |
world. Lovely, very, very nice. Thank you. | :38:40. | :38:43. | |
APPLAUSE. Dance Off last week, Craig, better this week? Well, | :38:44. | :38:47. | |
there's no gap now, darling, but there certainly was through that | :38:48. | :38:53. | |
dance and you could have felled a tree through it. It was that bad | :38:54. | :38:58. | |
Darcey. You need body contact in this and that's what makes it | :38:59. | :39:01. | |
difficult. However, all that being said, it was, as the other judges | :39:02. | :39:04. | |
say, very light and I wasn't expecting that. You flew across the | :39:05. | :39:07. | |
stage... APPLAUSE. I thought you performed it | :39:08. | :39:12. | |
absolutely brilliantly. Thank you. Crew Craig. I'm sure Brendan is very | :39:13. | :39:17. | |
proud of you Anastacia and Gorka. CHEERING. Very well done and thank | :39:18. | :39:29. | |
you so much, Gorka. Like a superhero, he said, I'll help. But | :39:30. | :39:33. | |
confusing for you to go hi, I'm Anastacia? All the pros are amazing. | :39:34. | :39:38. | |
I'm so lucky to have been able to dance with two, let alone one. They | :39:39. | :39:43. | |
are so good. Thank you so much. My pleasure. They said it is your best | :39:44. | :39:49. | |
dance. I know Brendan is unwell at home. Would like to send a message | :39:50. | :39:55. | |
to him? Brendan, get busy, we've got to go to work next week. | :39:56. | :39:58. | |
That's your highest school ever. You are top of the leaderboard. | :39:59. | :40:25. | |
If you loved Anastacia and Gorka's quickstep and want to keep | :40:26. | :40:27. | |
her in the competition, you can vote for them when voting | :40:28. | :40:30. | |
Still to come, Ed is looking for the way to Amarillo. | :40:31. | :40:36. | |
Our next couple is Louise Redknapp and her partner, Kevin Clifton. | :40:37. | :40:45. | |
Tonight, Louise and Kevin are doing a tender loving rumba set | :40:46. | :40:55. | |
Tonight, Louise and Kevin are doing a tender emotional rumba set | :40:56. | :40:58. | |
in the most romantic city in the world. | :40:59. | :41:00. | |
How did you find Saturday night? It was good, I really enjoyed it. I | :41:01. | :41:09. | |
like the foxtrot. I was apprehensive going into it, because it was | :41:10. | :41:14. | |
ballroom. I thought I loved the Latin for some reason. It felt | :41:15. | :41:18. | |
different from everything else. Was that a standing ovation and your | :41:19. | :41:22. | |
technique was amazing. I was delighted with how you did. Get in! | :41:23. | :41:27. | |
Check out you and your footwork. I think it's my favourite so far. The | :41:28. | :41:30. | |
rumba this week. We've got to conquer the theme of our dance. It | :41:31. | :41:36. | |
just so happens our dance is set in Paris by the Eiffel Tower. We are | :41:37. | :41:43. | |
going to Paris! Of course we are. Right, welcome to France. Today | :41:44. | :41:46. | |
we've got to fit in as much research as possible. And some shopping? I | :41:47. | :41:51. | |
don't know about that, Redknapp, but we are going here first. So here we | :41:52. | :41:59. | |
are in Paris. Rumba walks, here we development Kevin! Straighten that | :42:00. | :42:06. | |
back, Quasimodo. Because the theme is dancing under | :42:07. | :42:15. | |
the Eiffel tower, it was important to come and understand that. Kevin | :42:16. | :42:22. | |
has made me do the rumba walk down the shots Elysee, under the Eiffel | :42:23. | :42:27. | |
tower, anywhere there was space for me to do it, I did it. The rumba is | :42:28. | :42:32. | |
definitely the hardest I have done so far, and I have to go out and | :42:33. | :42:34. | |
just do my best on Saturday night. Dancing the rumba, | :42:35. | :42:37. | |
Louise Redknapp and Kevin Clifton. C'est magnifique! You really brought | :42:38. | :44:43. | |
the romance of Paris alive, delightful! What is on your mind, | :44:44. | :44:49. | |
then? It was a dance in France and getting an Eiffel was delightful! | :44:50. | :44:56. | |
You are consistently good, no-one, if any of these judges say you are | :44:57. | :45:00. | |
not good, they are not telling the truth. You are consistently good. | :45:01. | :45:06. | |
But for me, you were on a plateau, you know? You are on this plateau, | :45:07. | :45:10. | |
and something has got to happen to give you that extra boost, because | :45:11. | :45:14. | |
there is one or two others that are also on a plateau but it is a little | :45:15. | :45:19. | |
bit higher. We have got to come out now and dance with that clarity and | :45:20. | :45:24. | |
purity, but also a little bit more wow! Well done. Bruno? | :45:25. | :45:35. | |
# Every little breeze seems to whisper Louise... # | :45:36. | :45:44. | |
I went into French mode, but it was distinguished, elegant, very chic, | :45:45. | :45:52. | |
and there was a sequence of turns, it was like watching Gene Kellie in | :45:53. | :46:00. | |
American In Paris, I absolutely loved the cultural references that | :46:01. | :46:07. | |
are so relevant, and you gave it that French tone, that flavour, | :46:08. | :46:09. | |
thanks to Kevin as well. And to me, that is what it needed. | :46:10. | :46:18. | |
Were you feeling the romance, Craig? Well, for me, it lacked excitement, | :46:19. | :46:23. | |
I have got to admit. There was nothing really dangerous about it. | :46:24. | :46:27. | |
It was romantic! You need to accentuate your hips a little bit | :46:28. | :46:31. | |
more, but I suppose at least you got a free trip to Paris out of it, | :46:32. | :46:39. | |
darling. However...! That being said, you have wonderful lyricism, | :46:40. | :46:41. | |
which I think is brilliant. APPLAUSE | :46:42. | :46:49. | |
Darcey? Louise, it was one classy rumba, you bring out the best in | :46:50. | :46:55. | |
her, Kevin, you really do. Beautiful quality, beautiful relationship | :46:56. | :46:58. | |
between you. I would love a little bit more tension when you caressed | :46:59. | :47:03. | |
the floor. Like the boys are saying, you have all the ability to be at | :47:04. | :47:07. | |
the top of the Leader Board, and you are getting there, going in the | :47:08. | :47:12. | |
right direction, but just keep working, exaggerate those moves. | :47:13. | :47:16. | |
Extend yourself more. Good work. They want to keep pushing you, they | :47:17. | :47:23. | |
know you can do it! Louise and Kevin! | :47:24. | :47:23. | |
CHEERING AND APPLAUSE CHEERING | :47:24. | :47:38. | |
Well done! You got a standing ovation, I have to ask you, we have | :47:39. | :47:41. | |
got to say hello to your mother-in-law. She had an accident, | :47:42. | :47:47. | |
and she said, the only thing I care about, I must say my | :47:48. | :47:50. | |
daughter-in-law. She was in the ambulance, she was saying, I need to | :47:51. | :47:55. | |
be well for Saturday night and Strictly! You enjoyed that, didn't | :47:56. | :48:01. | |
you? I found it so hard, you are so exposed in a rumba, everything is | :48:02. | :48:04. | |
slow, you are trying to feel the music, but I loved doing it, Kevin | :48:05. | :48:12. | |
is the start. The scores are in. The judges have their scores, Craig | :48:13. | :48:18. | |
Revel Horwood. Eight! Darcey Bussell. Eight! Len Goodman. Eight! | :48:19. | :48:30. | |
Bruno Tonioli. Nine! Yes! You were getting eights, | :48:31. | :48:39. | |
saying, this is fine, then you got the nine! | :48:40. | :48:44. | |
If Louise and Kevin are always on your mind, vote for them. | :48:45. | :48:47. | |
All the details are on your screen now. | :48:48. | :48:49. | |
Still to come, Daisy is dancing to a song about body parts. | :48:50. | :48:52. | |
Could be Head, Shoulders, Knees And Toes, Knees And Toes. | :48:53. | :49:03. | |
# Heads, shoulders, knees and toes! # | :49:04. | :49:08. | |
Dancing next in the ballroom is Ed Balls and his partner, Katya Jones. | :49:09. | :49:12. | |
and they're going to be playing the part of hitchhikers. | :49:13. | :49:16. | |
I just hope Ed holds his thumb in the right place, | :49:17. | :49:18. | |
or there'll be hell to pay from Craig. | :49:19. | :49:26. | |
No, darling, down, down! See what I mean?! There we go! Last Saturday | :49:27. | :49:46. | |
did not really go to plan. My mind blanked, and suddenly I was doing | :49:47. | :49:50. | |
this. It looks like you were directing traffic, what is this?! | :49:51. | :49:54. | |
You were mincing around like you were in an episode of Some Mothers | :49:55. | :50:04. | |
Do Have 'Em! The marks were low. On the positive side, we are getting | :50:05. | :50:12. | |
better. This week we are dancing American | :50:13. | :50:16. | |
Smooth foxtrot. After the comments from the judges, I think Ed is | :50:17. | :50:20. | |
really determined to get the dancing right, the technique, the footwork. | :50:21. | :50:27. | |
Open left leg a bit more. I find the little things difficult. Compared to | :50:28. | :50:33. | |
the last few weeks, with this big character, how are you feeling the | :50:34. | :50:37. | |
American Smooth? I want to entertain people, but I want to show you can | :50:38. | :50:42. | |
learn and get better. I know you can do it. Ed came in this week really | :50:43. | :50:48. | |
determined to impress the judges with his proper dancing. Is that | :50:49. | :50:56. | |
right? Perfect! Better! I have shown I can throw myself into it and | :50:57. | :51:00. | |
perform, but I want to show that we can do the dance steps, and I am | :51:01. | :51:04. | |
learning and getting better. Learn once me to show I can do it, this is | :51:05. | :51:08. | |
my week to prove it. -- Len. Dancing the American smooth, | :51:09. | :51:15. | |
Ed Balls and Katya Jones. MUSIC: "Is This The Way | :51:16. | :51:19. | |
To Amarillo?" Oh! Oh, look, they are doing the | :51:20. | :53:16. | |
lift again! No, no! CHEERING AND APPLAUSE | :53:17. | :53:23. | |
It went so well in Ozil, and it went very well there. It was ambitious! | :53:24. | :53:35. | |
That is the way to entertain! Oh! Bruno, you have never doubted Ed's | :53:36. | :53:41. | |
efforts, but is is dancing improving? Are you kidding?! One | :53:42. | :53:44. | |
thing is for sure, you are never going to join the Royal Ballet, I | :53:45. | :53:50. | |
will tell you that! That ride nearly ended in disaster, I thought, my | :53:51. | :53:55. | |
God, he is going to drop! There is one thing I have to say, you always | :53:56. | :54:01. | |
take us places I would never expect. LAUGHTER | :54:02. | :54:05. | |
But there was a point where you just tried, he went into the hold, you | :54:06. | :54:10. | |
tried to do a proper foxtrot, OK, he can actually do it. Then you go all | :54:11. | :54:16. | |
over the place, like you read the hitchhiker's guide to ballroom | :54:17. | :54:19. | |
backwards! You can do it, I really do think you can, it is just you | :54:20. | :54:23. | |
have to be consistent, do not overstretch yourself in the Carlos | :54:24. | :54:29. | |
Acosta lift, they are not going to happen, love, I will tell you that! | :54:30. | :54:34. | |
He is trying so very hard. APPLAUSE | :54:35. | :54:39. | |
Craig? Well, that was the antithesis, I am afraid, of smooth. | :54:40. | :54:44. | |
Plodding, pedestrian, I felt he were fighting one another all the way | :54:45. | :54:49. | |
through. Absolutely no style whatsoever out of the hold. And this | :54:50. | :54:55. | |
dance, you are allowed to do three lifts, you did four, three of which, | :54:56. | :55:01. | |
I thought, were very good. But that horrific one, darling, you really | :55:02. | :55:06. | |
didn't need to demonstrate afterwards, because it wasn't that | :55:07. | :55:11. | |
good. It was a risky move, he wanted to prove he can do it. It is a | :55:12. | :55:18. | |
really good lift! It is a good lift. CHEERING AND APPLAUSE | :55:19. | :55:25. | |
I could do it to you as well, I think! | :55:26. | :55:29. | |
We could try that in the bar later. We will try up later! Darcey! You | :55:30. | :55:36. | |
did start incredibly well, and the lift that you did achieve... I mean, | :55:37. | :55:40. | |
you do have the strength to do it, and it is just a shame that you did | :55:41. | :55:45. | |
stumble there. But, you know, like show, things go wrong, even in a | :55:46. | :55:50. | |
live show, and it was a shame that you were not able to recover out of | :55:51. | :55:54. | |
it. It is the kind of thing where you have to find your composure, | :55:55. | :55:59. | |
make a mistake, get back on the programme, focus. I note you can do | :56:00. | :56:04. | |
it, you tried again, which was great! Comeback next year... Next | :56:05. | :56:06. | |
year?! LAUGHTER | :56:07. | :56:17. | |
No, thank God! We know you have it in you, so comeback next week! You | :56:18. | :56:23. | |
have got it in you, Ed. What is going on?! This is the trouble with | :56:24. | :56:28. | |
hitchhiking, you always get a dodgy lift! | :56:29. | :56:34. | |
LAUGHTER Now, in your defence, and totally | :56:35. | :56:41. | |
against Craig, let me say, OK, you got into hold, you started off a | :56:42. | :56:47. | |
further step, lovely, reverse turn, Federer finished, a little bit of | :56:48. | :56:52. | |
dancing, into a weave. All of that section, I thought, was terrific, | :56:53. | :56:56. | |
and you were on the way, it was just a rotten shame that your big | :56:57. | :57:02. | |
spectacular moment went a bit pear shaped. But well done, I liked | :57:03. | :57:08. | |
watching you! Don't we all?! Thank you very much, Ed and Catania! -- | :57:09. | :57:19. | |
Katya. Ed! That lift looked incredibly | :57:20. | :57:27. | |
complicated. I'm pleased you showed us what it was going to be. You | :57:28. | :57:32. | |
enjoyed it though? I loved doing the lift. It was fabulous. We invented | :57:33. | :57:36. | |
it this week. Really, the two of you? It was the glitterball special. | :57:37. | :57:44. | |
It was going to be dedicated to Tony Curtis and Peter Kay. But after | :57:45. | :57:46. | |
that, I won't. Ed, the good news is that it is | :57:47. | :58:11. | |
better than last week, yes? Yes, but not as good as the week before. The | :58:12. | :58:16. | |
other good news, you've had your first spray tan. I did. | :58:17. | :58:22. | |
CHEERING. Well done. If I come back, do I do a full Jeremy Vine, the | :58:23. | :58:27. | |
whole lot? Of course you do. Let's not pull on that string! If you | :58:28. | :58:31. | |
If you want Ed and Katya back If you here and dancing | :58:32. | :58:34. | |
in our Hallowe'en special next week, then vote for them. | :58:35. | :58:36. | |
All the details are on your screen now, and voting opens | :58:37. | :58:39. | |
If you want to vote online you will need to register first. | :58:40. | :58:43. | |
This week we've got to somehow keep the composure with the waltz. It's | :58:44. | :58:56. | |
going be difficult but I'm really up for the challenge. Can we dance now, | :58:57. | :59:03. | |
please? The Charleston is 1920s flapper girls, lots of ankle swivels | :59:04. | :59:09. | |
and it is about having a good time. I've been finding it really, really | :59:10. | :59:12. | |
difficult. The routine is so fast. I feel like my brain is going to | :59:13. | :59:15. | |
explode. There's a long way to go. Switch and | :59:16. | :59:22. | |
catch. Hopefully come Saturday night we'll be ready to rumba. | :59:23. | :59:26. | |
She's going to be dancing a samba underneath a giant mirrorball | :59:27. | :59:31. | |
that's going to be dangling from the ceiling. | :59:32. | :59:35. | |
I know, and I'm holding it up for her. | :59:36. | :59:37. | |
Our next couple to take to the floor is Ore Oduba | :59:38. | :59:54. | |
They're dancing a waltz, and Ore starts off under a spotlight. | :59:55. | :00:03. | |
I don't think we need it - if this is anything like last week's | :00:04. | :00:07. | |
jive, he'll be lighting the floor up all on his own. | :00:08. | :00:14. | |
That was better than even the way it happened in my dreams. I couldn't | :00:15. | :00:22. | |
believe what happened. You are the one to beat in this competition. | :00:23. | :00:29. | |
What?! What is he talking about. A star is born. That's when I couldn't | :00:30. | :00:36. | |
hold it in. 10! You know me. A cuddle. Let's not speak, just | :00:37. | :00:42. | |
cuddle. This week from the quickness of last week's jive we are on to the | :00:43. | :00:49. | |
smooth class of the waltz. So we are going to slow things down. They | :00:50. | :00:53. | |
might be slowing things down in the training room but life is busier | :00:54. | :00:58. | |
than ever for Ore and Joanne is going along for the ride. We are in | :00:59. | :01:03. | |
Manchester, the Paralympic and Olympic parade is going through the | :01:04. | :01:06. | |
streets of the city. Let's go on the float. I do have for you a Team GB | :01:07. | :01:13. | |
bracelet. Excuse me. It's an absolute treat. Manchester looking | :01:14. | :01:19. | |
resplendent mere. We have had a bit of rain but you can hear the cheers. | :01:20. | :01:26. | |
Ore! As soon as he saw me, he ran to the back of the float and said, is | :01:27. | :01:31. | |
that alright? I said yeah, but we are doing the waltz. I have some | :01:32. | :01:37. | |
gold medal-winning athletes. Can you teach me? Good luck Ore for this | :01:38. | :01:43. | |
Saturday. The best of luck. It is a winning atmosphere. We've just got | :01:44. | :01:46. | |
to try and tap into that and bring some of it to Saturday night. | :01:47. | :01:49. | |
CHEERING. Dancing the waltz, Ore Oduba | :01:50. | :01:51. | |
and Joanne Clifton. Brilliant from Ore and Joanne. Come | :01:52. | :04:00. | |
on over. Oh, breathtaking. What an amazing performance from our singer, | :04:01. | :04:05. | |
Andrea. Yes! A beautiful voice. As for you, we saw your softer side | :04:06. | :04:10. | |
tonight, didn't we? Slowing things down after that jive. Yeah, that was | :04:11. | :04:15. | |
hard. Euro managementic side. It's there somewhere. He was top of the | :04:16. | :04:22. | |
leaderboard last week, Craig, how did he do tonight? Extremely well. | :04:23. | :04:31. | |
This is normally done in 4-4 time but the orchestra did it in 3-4 time | :04:32. | :04:35. | |
to marry it into a waltz. A the fraying was wonderful. There was | :04:36. | :04:38. | |
rise and fall, which was delicious. A bit of swing and sway. The | :04:39. | :04:43. | |
storytelling. The you are just incredible. | :04:44. | :04:53. | |
CHEERING. Darcey? Well, I feel the same. It's calm. It's elegant. You | :04:54. | :05:00. | |
are able to produce something with such control, it's not easy. You | :05:01. | :05:04. | |
still had great energy as you moved across the dancefloor, which also is | :05:05. | :05:08. | |
hard, but there was lovely moments of stillness. Stillness. You were | :05:09. | :05:14. | |
able to hold on to your frame. You had moments of a little right | :05:15. | :05:18. | |
shoulder popping up now and then, but beautiful control. Well done. | :05:19. | :05:26. | |
APPLAUSE. Len? It was quiet, it was calm and it was sophisticated. | :05:27. | :05:29. | |
People think the waltz is like a dainty, small dance, it's not. It's | :05:30. | :05:34. | |
a big, flowing, full on dance, and you showed that. I loved that hover. | :05:35. | :05:41. | |
I did. My old dance teacher used to say the hardest thing to do is | :05:42. | :05:46. | |
nothing, and to just stop and hold that for a bar and then come out. | :05:47. | :05:51. | |
Gorgeous. A little bit of a problem with that turning lock. It got a bit | :05:52. | :05:55. | |
sticky over there. However, having said that, you are an incredible | :05:56. | :05:58. | |
dancer. CHEERING. Bruno? Love is in the air. | :05:59. | :06:09. | |
It's irresistible. You two look so good together. They've all explained | :06:10. | :06:12. | |
the technical merits of the dance, but I want to go further. What you | :06:13. | :06:17. | |
have is a connection and a chemistry that is outstanding. You seem to | :06:18. | :06:21. | |
communicate through moves effortlessly. You have a connection | :06:22. | :06:27. | |
within the tune and the music that's outstanding. So wonderful to see. | :06:28. | :06:32. | |
Every week you surprise me, you really do. | :06:33. | :06:36. | |
APPLAUSE. The judges loved it and I think this audience will always love | :06:37. | :06:44. | |
you too. Off you go, well done. Ore and Joanne! | :06:45. | :06:56. | |
CHEERING. Well done. Ore and Joanne. Craig just said you were incredible. | :06:57. | :07:01. | |
I don't know what just happened. So did Len. It is quite hard, that | :07:02. | :07:05. | |
pressure What they don't know is just before we started that dance my | :07:06. | :07:11. | |
knees went, absolutely shot. I was shivering. So nervous. It's been a | :07:12. | :07:15. | |
really difficult week. This is the one with the control and just the | :07:16. | :07:20. | |
pressure from last week, it was a really nerve-racking week, but she | :07:21. | :07:27. | |
was so patient with me, my mate, coach, my better dancing half. So | :07:28. | :07:31. | |
patient. I'm chuffed. So, so chuffed. | :07:32. | :07:32. | |
Well done. Top of the leaderboard. Really, really good. | :07:33. | :07:57. | |
If you don't want Ore and Joanne waltzing off | :07:58. | :07:59. | |
the show, all the details are on your screen now. | :08:00. | :08:01. | |
So you can vote for them when voting opens at the end of the show. | :08:02. | :08:06. | |
Still to come, Danny is doing a rumba to the Sam Smith | :08:07. | :08:12. | |
Our next couple is Daisy Lowe and her partner, Aljaz Skorjanec. | :08:13. | :08:19. | |
This week they're taking on the charleston, | :08:20. | :08:22. | |
and they're going to start off the routine in the dark. | :08:23. | :08:25. | |
Not only is this a first for Strictly, but it also means | :08:26. | :08:28. | |
the judges might not be able to spot if they make any mistakes. | :08:29. | :08:34. | |
They will, they definitely will. I loved dancing that dance with you. | :08:35. | :08:42. | |
It felt like we were completely in the moment and everything else fell | :08:43. | :08:46. | |
away and I was just there with you. It was really special. Long, languid | :08:47. | :08:52. | |
move it is, very difficult to control and sustain. To get that | :08:53. | :08:55. | |
balance every time you stretched out, very impressive. There was no | :08:56. | :09:03. | |
hiccups, no mistakes. It just sort of flowed the whole way through. A | :09:04. | :09:11. | |
terrifically difficult dance and I thought you did a terrifically good | :09:12. | :09:17. | |
job. It was beautiful. Honestly. But this week we are dancing the | :09:18. | :09:21. | |
Charleston to a song called Happy Feet. My feet are very happy this | :09:22. | :09:25. | |
week. We are going to start in the dark dressed all the black. The only | :09:26. | :09:29. | |
thing that's going to be visible is white gloves and white shoes. I | :09:30. | :09:33. | |
thought to get you used to functioning in the dark, here they | :09:34. | :09:41. | |
serve food in the pitch black. Enjoy your food, Daisy. Yeah, bon appetit. | :09:42. | :09:48. | |
Yum, is that chicken? I don't think I have anything on my fork. Eating | :09:49. | :09:54. | |
in the dark was delicious and hilarious. My nose was slightly | :09:55. | :09:58. | |
injured. He fed me a full breast of chicken at the end of a full... Yes! | :09:59. | :10:06. | |
Sorry, shall we do some promise. Loved dancing in the dark. Hopefully | :10:07. | :10:12. | |
on Saturday night we c illuminate the dancefloor. | :10:13. | :10:13. | |
CHEERING. Dancing the Charleston, | :10:14. | :10:14. | |
Daisy Lowe and Aljaz Skorjanec. Oh, that was superb, come on, Aljaz! | :10:15. | :12:18. | |
That was superb, so original! We have never seen done like that | :12:19. | :12:25. | |
before. Lots of happy hands for you. They were so lovely, you capture the | :12:26. | :12:31. | |
quirky playfulness of the silent movies, you are in there, and that | :12:32. | :12:35. | |
was just heaven, your style really suited you, not easy when you are | :12:36. | :12:39. | |
tall, because you have to be really contained to achieve all those | :12:40. | :12:43. | |
moves, especially with the white shoes and white gloves, very | :12:44. | :12:47. | |
revealing of the technique, so well done, well done! Very good! I would | :12:48. | :12:54. | |
only say, at the very end, you get tired, and the crispness goes just | :12:55. | :12:59. | |
in the moves. No, it wasn't bad, I am being really picky, because I | :13:00. | :13:04. | |
loved it. Just tighten up the core, get it around in those lifts, but it | :13:05. | :13:09. | |
is difficult to do those at the end. Well done! You have got happy feet, | :13:10. | :13:18. | |
I am happy, I know everyone in here is happy, and ideal you did a | :13:19. | :13:24. | |
wonderful charleston, well done! Bruno? Wonderful, clever, full of | :13:25. | :13:30. | |
joy, smart concept, it was like watching Betty Boop coming back to | :13:31. | :13:35. | |
life, I loved it, very nice indeed. Did it give you a happy face? Yes, a | :13:36. | :13:43. | |
very happy face. Mistakes are going to be amplified considerably with | :13:44. | :13:46. | |
those big old white shoes, but you danced on the off beads, slightly | :13:47. | :13:51. | |
late, tired, but I loved it, I thought it was brilliant. Lovely to | :13:52. | :13:57. | |
see something different, take those happy feet up to Claudia! Yes! | :13:58. | :14:09. | |
CHEERING So different from last week's rumba, | :14:10. | :14:14. | |
you were like, what, what am I doing?! | :14:15. | :14:18. | |
I am very warm in all the clothes! The scores are in. Craig Revel | :14:19. | :14:28. | |
Horwood. Eight. Darcey Bussell. Eight. Len Goodman. And other eight. | :14:29. | :14:37. | |
And Bruno Tonioli. Fauldhouse, eight! | :14:38. | :14:37. | |
Well done, Aljaz, that was amazing. If you enjoyed their Happy Feet, | :14:38. | :14:43. | |
use your happy fingers to vote All the details you need | :14:44. | :14:46. | |
are on your screen now. You can vote for them when voting | :14:47. | :14:49. | |
opens at the end of the show. Still to come, | :14:50. | :14:52. | |
Claudia tries some samba rolls. Our next couple was going to be | :14:53. | :14:54. | |
Laura Whitmore and her partner, But as we mentioned earlier, | :14:55. | :14:59. | |
Laura has injured her ankle and is therefore unable | :15:00. | :15:02. | |
to perform tonight. Here's what happened | :15:03. | :15:04. | |
during the week. I really enjoyed the quickstep, I | :15:05. | :15:18. | |
had loads of fun. It was nerve wracking, especially since I was in | :15:19. | :15:22. | |
the dance of the week before, but I really had fun doing it. Plenty of | :15:23. | :15:27. | |
lights, plenty of cameras, plenty of action. If you are in the bottom two | :15:28. | :15:33. | |
this week, I am going to pickle my walnuts, I promise! I just want to | :15:34. | :15:37. | |
get better every week, so I was really happy. | :15:38. | :15:43. | |
This week, I am learning how to jive, and I am so excited. With the | :15:44. | :15:50. | |
jive, it is fast, but it is also about the steps. Jive is quite a | :15:51. | :15:56. | |
difficult stance, you have a lot of kicks, a lot of stamina. Jive is my | :15:57. | :16:02. | |
favourite dance, so I want to make sure that it is going to be good. | :16:03. | :16:06. | |
During the week, all the training is starting to take its toll on Laura. | :16:07. | :16:11. | |
Laura got an injury on the ankle. I have put too much pressure on it, I | :16:12. | :16:16. | |
have not been 100%. The left leg is grand, but I have an issue with the | :16:17. | :16:21. | |
right. As the week continues, the pain gets worse, so Laura is seen by | :16:22. | :16:27. | |
a Strictly physio for assessment. The physio has just said that I | :16:28. | :16:31. | |
cannot dance. I am just really gutted because of the dance as well, | :16:32. | :16:36. | |
because from before I started Strictly, the one I wanted to learn | :16:37. | :16:40. | |
was the jive. I am devastated, but I have to look forward to getting | :16:41. | :16:43. | |
better, think about resting it and sorting myself out for next week, | :16:44. | :16:46. | |
which is the most important thing. Laura, if you're watching, | :16:47. | :16:50. | |
we send you all our love. Laura and Giovanni will not be up | :16:51. | :16:54. | |
for the viewer vote tonight. They have been given a bye through | :16:55. | :17:04. | |
to next week. The medics have said she should be fit enough to danced | :17:05. | :17:09. | |
then. I know you are both devastated, and it is your | :17:10. | :17:13. | |
favourite, are you all right? Yes, we are both a little bit sad, but | :17:14. | :17:18. | |
jive is my favourite, she was learning forward to learn it, but it | :17:19. | :17:24. | |
is about the health, so maybe it is better this way, I think it is | :17:25. | :17:28. | |
better this way. I know she is watching at home, do you have a | :17:29. | :17:33. | |
message? Yes, all of us, we are missing you, get rest, looking | :17:34. | :17:36. | |
forward for the next week, it is going to be a different stance. | :17:37. | :17:42. | |
Thank you very much. Thank you, we send all our love. | :17:43. | :17:46. | |
Dancing next is Danny Mac and his partner, Oti Mabuse. | :17:47. | :17:51. | |
Danny will be the first male celebrity | :17:52. | :17:54. | |
It's a notoriously difficult dance for the men to master, | :17:55. | :17:59. | |
but if anyone can do it, Dan's the man. | :18:00. | :18:08. | |
The weekend was amazing. It was the best. The judges were pretty pleased | :18:09. | :18:19. | |
with you. It was absolutely wonderful! Outstanding! You are on | :18:20. | :18:25. | |
fire! You look good, you dance good, and by golly you did good! Nine! It | :18:26. | :18:33. | |
was the most incredible feeling. This week we have got the eight, I | :18:34. | :18:38. | |
think it is going to take so much focus and concentration. Buys this | :18:39. | :18:45. | |
feels so weird. The rumba is a very technical dance, it requires | :18:46. | :18:49. | |
precision and balance. To help with the precision and balance, Oti has | :18:50. | :18:59. | |
an idea. I have come to the circus to try my hand at tightrope walking. | :19:00. | :19:04. | |
The same stills you need for a rumba, balance, precision, really | :19:05. | :19:08. | |
strong core. You expect me to do that?! That is really good! To be a | :19:09. | :19:17. | |
tightrope walker, you have to be strong, you have to be flexible, you | :19:18. | :19:24. | |
have to have good balance. Restarted off really shaky, but he looked | :19:25. | :19:30. | |
pretty good towards the end. Really good, look at you! Yeah! It has been | :19:31. | :19:34. | |
really fun at the circus, and I think this is going to help my | :19:35. | :19:39. | |
technique in the rumba this week. I just hope my performance isn't | :19:40. | :19:40. | |
ropey! I have got to stop this. Dancing the rumba, | :19:41. | :19:43. | |
Danny Mac and Oti Mabuse. Oh, yes! Oh, | :19:44. | :19:50. | |
easy. -- you smoothly. My legs were Oh, yes! Oh, | :19:51. | :22:16. | |
little bit staccato, which was not so pleasant. However, | :22:17. | :22:24. | |
little bit staccato, which was not I loved very nice, you stuck a turn | :22:25. | :22:24. | |
in. I loved very nice, you stuck a turn | :22:25. | :22:36. | |
you like it? One thing is for sure, those | :22:37. | :22:54. | |
you like it? One thing is for sure, subtlety, and you did it overall | :22:55. | :22:54. | |
very well, subtlety, and you did it overall | :22:55. | :23:00. | |
became a bit jagged, but I am telling you, I would | :23:01. | :23:08. | |
became a bit jagged, but I am Not any dance-off! I would like to | :23:09. | :23:08. | |
see it Not any dance-off! I would like to | :23:09. | :23:15. | |
much attack for me. Too much powering | :23:16. | :23:23. | |
much attack for me. Too much than rumba. But I love, love, | :23:24. | :23:33. | |
much attack for me. Too much Darcey? I have to agree with the | :23:34. | :23:33. | |
boys, you have Darcey? I have to agree with the | :23:34. | :23:42. | |
was very consistent as well. You know, you | :23:43. | :23:49. | |
was very consistent as well. You for rumba. I know, | :23:50. | :24:10. | |
was very consistent as well. You Well done, are you all right after | :24:11. | :24:15. | |
that? I am, I just did not want to fall over, that was my main focus! | :24:16. | :24:20. | |
Were you thinking that while you were doing it? I had her in my arms | :24:21. | :24:25. | |
for a few of the bits, it could have been carnage! And you did not want | :24:26. | :24:30. | |
to show your chest, I believe? I had a big argument with costume but they | :24:31. | :24:34. | |
ran out of buttons. Don't be never so about it, it is working for us on | :24:35. | :24:39. | |
every level, I cannot even look at it, it has become a thing! It is | :24:40. | :24:45. | |
your grandma's 82nd birthday. Happy birthday, Nanna! The scores are in. | :24:46. | :24:52. | |
Ladies and gentlemen, the judges have their schools, Craig Revel | :24:53. | :24:59. | |
Horwood. Eight. Darcey Bussell. And nine. Len Goodman. Nine. Bruno | :25:00. | :25:11. | |
Tonioli. Nine! I was not expecting that! You are | :25:12. | :25:16. | |
second on the leader board so far. If you liked that, put down your TV | :25:17. | :25:22. | |
remote and vote for them, all the details are on screen now. Voting | :25:23. | :25:26. | |
opens at the end of the show, only one couple left to dance. | :25:27. | :25:30. | |
Our final couple tonight is Claudia Fragapani | :25:31. | :25:32. | |
This week they're doing a samba, and it's going to have a disco vibe. | :25:33. | :25:37. | |
But will this dance under a mirrorball get them | :25:38. | :25:40. | |
one step closer to picking up the Glitterball? | :25:41. | :25:50. | |
I really loved it at there, doing the foxtrot, it is so bad I got the | :25:51. | :25:58. | |
steps wrong. You really put your mind to it, I can see you have been | :25:59. | :26:05. | |
working hard, so well done. What did you think? So happy, it was great. I | :26:06. | :26:10. | |
am so proud of you from week one to week five, I know the foxtrot was so | :26:11. | :26:15. | |
hard, it was amazing on the night. Thank you. This week we're doing the | :26:16. | :26:22. | |
samba, it is fast, fierce, it is super complicated. Oh, gosh! Pivot, | :26:23. | :26:30. | |
pivot. I have been finding it really, really difficult. That was | :26:31. | :26:34. | |
not the normal speed. Some of the technical stuff we have been | :26:35. | :26:42. | |
learning, it has gone in one ear and out the other. Release the core, | :26:43. | :26:50. | |
that gymnastics training. Try not to get angry! No anger, take the anger | :26:51. | :26:56. | |
out on the step. He says I need to loosen up my rib cage. Samba is very | :26:57. | :27:02. | |
rhythmical, very free, I need you to relax and loosen up. It is really | :27:03. | :27:06. | |
hard, I have done 12 years of gymnastics, being fixed and still, | :27:07. | :27:11. | |
so this is a challenge in four days. It is our most intense, fastest, the | :27:12. | :27:16. | |
hardest choreography we have done so far. That is the speed you are | :27:17. | :27:25. | |
dealing with. If I slip up or forget any of the moves and Saturday night, | :27:26. | :27:27. | |
it will go horribly wrong. Take me back to gymnastics! | :27:28. | :27:29. | |
Dancing the samba, Claudia Fragapane and AJ Pritchard! | :27:30. | :27:32. | |
Amazing. Look at that for a reaction! Well done. That's what I | :27:33. | :29:30. | |
call a glitterball and that's what I call a Samba. Brilliant job. Soak it | :29:31. | :29:36. | |
up. Reversing 12 years of gymnastics in just six days, not easy. Did that | :29:37. | :29:42. | |
make your young heart run free, Bruno? Forever young, darling, after | :29:43. | :29:49. | |
this. I wanted to enjoy it so much. You've got the biggest disco ball I | :29:50. | :29:55. | |
have ever seen. You put so much stuff into that samba, the girl had | :29:56. | :29:59. | |
every single step you would expect. You did that on purpose to make it | :30:00. | :30:05. | |
harder for you. The pressure. Oh my God the pressure is so difficult to | :30:06. | :30:09. | |
do and you did it overall very well. But there is just one little thing, | :30:10. | :30:15. | |
my darling, don't rush the music. Don't go ahead of it. Because it is | :30:16. | :30:19. | |
like, oh my God! Is she going to do it? You can do it. Take it ease. | :30:20. | :30:26. | |
Stay on it. Don't overrush it. Never change the music, but fantastic | :30:27. | :30:28. | |
dancing. APPLAUSE. The samba rolls were | :30:29. | :30:36. | |
awesome. Craig? It was a little bit then ittic, you were like a tornado, | :30:37. | :30:39. | |
darling. BOOING.. Please. The bounce action | :30:40. | :30:44. | |
unfortunately suffered because of the speed of it but I have to say an | :30:45. | :30:49. | |
absolutely brilliant endeavour. Really, really good. | :30:50. | :30:54. | |
APPLAUSE. Darcey? I have to say, at first I was getting really excited | :30:55. | :30:58. | |
when you strutted down those steps you meant business, but it was a | :30:59. | :31:02. | |
problem. I did feel you were being overpushed to travel. And to step | :31:03. | :31:06. | |
out. As the speed got faster and then you lose the finesse of the | :31:07. | :31:10. | |
steps. We weren't getting the right action. That was the only thing that | :31:11. | :31:14. | |
really bothered me, but I see you have it all. Don't lose confidence, | :31:15. | :31:17. | |
because you are a natural performer. You've gained so much with this | :31:18. | :31:21. | |
competition. Don't lose it now, OK? APPLAUSE. Thank you. He threw some | :31:22. | :31:28. | |
tough choreography at you, to be fair. Len? The last couple and then | :31:29. | :31:34. | |
the party starts, so that's great. I know you looked at me with that | :31:35. | :31:42. | |
boyish little face of yours. I did enjoy those stationary samba walks, | :31:43. | :31:46. | |
because you did them slow and oily, which I enjoyed. Let me tell you the | :31:47. | :31:51. | |
truth and I don't care if you boo, because it's the truth. You exactly | :31:52. | :31:56. | |
ties technique... Oh... For the speed of the music. I saw you on the | :31:57. | :32:00. | |
VT working on hip action in the voltas. She couldn't do it. It was | :32:01. | :32:06. | |
too fast. It all became hectic. However, having said that, you are a | :32:07. | :32:10. | |
beautiful dancer. I enjoyed the party spirit so good on you, and | :32:11. | :32:15. | |
young hearts run free. APPLAUSE. He loved the party spirit. | :32:16. | :32:22. | |
Our pocket rocket lit up that floor. Up you go. Claudia and AJ. | :32:23. | :32:36. | |
CHEERING. Well done! Craig said it was a brilliant endeavour. It was | :32:37. | :32:41. | |
hard. You put so much in, there AJ. You do that on purpose just to show | :32:42. | :32:45. | |
off Claudia's brilliant moves. That's true. I love about you two, | :32:46. | :32:50. | |
you are always so positive and you can be quite negative, you go, I'm | :32:51. | :32:54. | |
rubbish, when you are amazing. But he is doing such a good job isn't | :32:55. | :33:04. | |
ehe? He is. Is. He's doing a really good job. | :33:05. | :33:05. | |
CHEERING. That's 32. Two more than last week. I'm so happy with that. | :33:06. | :33:31. | |
If you enjoyed Claudia and AJ's samba and want to see them back next | :33:32. | :33:34. | |
week for our Halloween special, all the details you need to vote | :33:35. | :33:37. | |
and voting will open in just a few moments. | :33:38. | :33:41. | |
All our couples have done everything they can to impress | :33:42. | :33:44. | |
the judges and you at home, so before we open the vote, | :33:45. | :33:46. | |
let's take a look at the leaderboard. | :33:47. | :33:49. | |
Ore and Joanne are at the top with a score of 36. | :33:50. | :33:59. | |
But remember you can change all that by picking up the phone | :34:00. | :34:02. | |
or going online and voting for your favourite. | :34:03. | :34:04. | |
So brace yourselves, because voting is now open. | :34:05. | :34:07. | |
Calls cost 15p plus any network access charge. | :34:08. | :34:09. | |
Please get the bill payer's permission before you call. | :34:10. | :34:13. | |
Or alternatively you can vote online for free at bbc.co.uk/strictly, | :34:14. | :34:17. | |
where you will also find full terms and conditions. | :34:18. | :34:19. | |
Please don't try to vote if you're watching on demand. | :34:20. | :34:24. | |
To help you decide, here's a reminder of tonight's performances | :34:25. | :34:26. | |
and the all-important vote information. | :34:27. | :37:31. | |
All of our couples have done everything they possibly can, | :37:32. | :37:37. | |
Our celebrities are relying on your support to stay in the competition. | :37:38. | :37:42. | |
Voting closes at 8:45 tonight, so you don't have much longer | :37:43. | :37:45. | |
Next week is our Hallowe'en special, and they all want to be there. | :37:46. | :37:52. | |
Your votes could help them avoid the dreaded dance-off in tomorrow | :37:53. | :37:55. | |
night's results show at 7:15, when sadly one more couple | :37:56. | :37:57. | |
will be eliminated from Strictly Come Dancing. | :37:58. | :38:00. | |
Also tomorrow night American country star LeAnn Rimes will be | :38:01. | :38:03. | |
here performing her new single, How To Kiss A Boy. | :38:04. | :38:06. | |
And we have a brilliant routine from our professional dancers | :38:07. | :38:09. | |
that includes tap dancing and all four of our judges. | :38:10. | :38:12. | |
Make sure you tune in at 7:15 tomorrow night for all of that. | :38:13. | :38:19. | |
We'll see you then, and in the meantime... | :38:20. | :38:21. | |
BBC One presents a special evening with Michael Buble... | :38:22. | :38:38. | |
BBC One presents a special evening with Michael Buble... | :38:39. | :38:44. | |
I think of it as an excuse to throw a party. | :38:45. | :38:47. | |
..featuring new and classic songs... # Cry me a river... # | :38:48. | :38:51. |