Week 5 Strictly Come Dancing


Week 5

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Last week our celebrities exploded on to the Strictly dancefloor. With

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Ore setting the scoreboard on fire. This week our celebrities will have

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to dig even deeper. Each week that goes by we have to push harder and

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harder. There's so many steps, so much choreography. I'm working so

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hard this week. You have to make sure your dance is fantastic. I want

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to show the judges I can dance. This competition is so hot, it is on

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fire! I have found it really stressful. I will do the best I can.

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Everybody is trying incredibly hard. Everyone is getting better and

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better every week. Every week. You have to believe in yourself. When

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you move from the training room to the studio it suddenly becomes real.

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Rehearsing here on the Strictly dancefloor really gets your heart

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racing. I know I've got to give it my absolute all. I do not want to be

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in that Dance Off. Live from the BBC, this

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is Strictly Come Dancing! Hello and welcome to

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Strictly Come Dancing. Last week we saw some

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incredible routines, including an energetic

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Charleston from Lesley, a superb quickstep from Danny, and

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that unforgettable jive from Ore. It was a routine so good,

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it made three of our judges reach for their

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10 paddles and Ore And sadly, after losing

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out to Anastacia and Brendan in the Dance

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Off, Naga and Pasha became the fourth

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couple to leave the Speaking of Brendan, as many of you

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know, he's been ill this week, so the brilliant Gorka has kindly

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stepped in and will be dancing with Anastacia tonight.

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APPLAUSE. All of our couples are backstage,

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desperate to come out here and entertain you all again, so

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please welcome our Strictly stars. TV presenter and singer,

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Louise Redknapp, and her Star of Judge Rinder,

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Robert Rinder, and his partner, Actress Lesley Joseph

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and her partner, Olympic gymnast Claudia

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Fragapane and her BBC sports presenter,

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Ore Oduba, and his partner, Model Daisy Lowe and her

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partner, Aljaz Skorjanec. World champion longjumper

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Greg Rutherford and his Former Shadow Chancellor Ed Balls,

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and his partner, Katya Jones. Actor Danny Mac, and his

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partner, Oti Mabuse. And singer Anastacia

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and Gorka Marquez. CHEERING AND APPLAUSE.

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Also, the eagle-eyed amongst you may have

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Laura has injured her ankle and she's currently resting at home,

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so won't be able to dance with Giovanni tonight.

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Laura, if you're watching, we wish you a speedy

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I hope you've remembered your dancing shoes.

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Now, we do have ten couples ready to pull out all

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the stops in their performances tonight and you

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will be able to vote for your favourite later on.

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Your votes will be added to the judges' scores to

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decide which two couples will face the Dance Off

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It's then down to our judges alone to decide who

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And with the standard so high, I really don't envy their task.

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Dancing first tonight is Judge Rinder and his

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For this week's jive, the Judge will be a GI and

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Oksana is hoping her little soldier will get a salute

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from the judges, and a quick march through to

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How do you think last week went? Not so good. I wanted really badly tole

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prove. When you go out there and it doesn't live up to what you expected

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and what you hoped for, it's just so frustrating. It's like I see you

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overthinking, and you don't need to. I think there's a lot of quality in

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there and we want to see that now. I want to get to the end, look at you

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and think, yeah, that was the best we could have done it. This week we

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are really going to come out and just dance. I'm doing a jive this

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week. We have very little time to train, because I work during the

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week, so it is really hard to remember the steps. How do you find

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training this week? Oh dear, well, I've had eight cases today and I'm

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finding it really hard to remember the steps. You need to come to my

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court and see what's happening. I who love to come and watch. Oksana

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goes to see how hard Judge Rinder really works. He is terrifying, not

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to me, but to other people. I had the curious daydream today. Madam

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Oksana, you are charged with filling my brain. Are you guilty or not

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guilty? Not guilty. Of course you are guilty. I sentence you to 10

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years in jail. It was disappointing but then there she was teaching me

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even more dance. If I can remember the steps in my courtroom, hopefully

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I can remember the dance on Saturday night.

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Dancing the jive, Judge Rinder and Oksana Platero.

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Oh yes! They're on their feet for you Judge Rinder! I loved it.

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She's really putting you through your paces.

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I have to thank her. Isn't she marvellous? Deliciously terrifying.

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The pair of you are marvellous together.

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While you two stand at ease, let's welcome our fabulous

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live singers - Hayley, Lance, Andrea, Tommy and of

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course Dave Arch and his brilliant orchestra.

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I know how much you wanted to impress this week. Len, did he? I

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don't know what you just said, so I can't anticipates that. Did he

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impress you, darling? Hey? He impressed me immensely. You...

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CHEERING. You put the camp into boot camp, you really do. A lovely mix.

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It was like the history of jive. You got a bit of jitterbug, Linde, rock

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'n' roll, into some jive. Full of energy, full of enthusiasm. You did

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a step called the toe heel survive el. Could have had a bit more

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survive el in it, but I will tell you what, that was as tight as a

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bugle boy's cheeks. Right on it. Well done!

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CHEERING. You impressed the head judge. Bruno? Talk about jumpy. You

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were bouncing around like Jiminy Cricket in camp camouflage. You

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weren't just dancing. You were erupting. Among the steps your legs

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were so high it looked like a can-can. Then I thought you were

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going to fall on your butt. The last survive sell you did, it was

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something to behold. I have to say, the energy and enthusiasm you put

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into it, it is not perfect but it is eminently watchable.

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CHEERING. Absolutely watchable. Craig, last week you said there was

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a dancer hidden within Judge Rinder. Did that dancer emerge tonight?

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Well, die like the fact you dance with tempestuous abandon. That's a

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very good thing. However, for me it was a little bit flat-footed. It

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needed to be a lot more precision in there. There needs to be retraction

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on those kicks, my darling. I did however love the one-handed scart

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wheel. Not easy to do. CHEERING. Great start. Thank you

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Craig. Darcey? It was one hard routine that you gave him, Oksana.

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Really, to get through it, your enthusiasm obviously takes over and

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gets a little bit carried away, but what you packed into there, the

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tricks, the tours, the kicks were a bit wild, a bit high, but I loved

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it. CHEERING.

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Let's hope the people at home loved it as much as we did. Well done.

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Left, right! Very, very well done. I remembered

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the steps! You are quite hard on yourself, you have said, all you

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want is to finish the dance and say, have I done it right? I just

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listened to the music and had so much fun! It is lovely that you had

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that, the standing ovation, and your mum is in the audience! There she

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is! I hope you have got the right person, oh, yes! These goals are in.

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The judges have their scores. Craig Revel Horwood...

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Six. Darcey Bussell. Eight. Len Goodman. Aid. Bruno Tonioli. Seven.

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Are you all right with that? It is an improvement, I know Craig meant

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seven, I am sure he did. He probably couldn't find it under the table,

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poor darling. If you want to see Judge

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Rinder and Oksana back next week in our Halloween

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special, all the details are on your screen now,

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so you can vote for them when voting opens at

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the end of the show. Now, I have some

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exciting news tonight. We're joined by Strictly superfans

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Steve and Rod. Hi! Thank you very much! What are

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your favourite things about the show?

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I love the costumes, and the dancing.

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Well, you've come to the right place.

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Calls cost 15p plus any network access charge and...

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I'll have to say this, he can't pronounce his Ps.

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Please ask the bill payer's permission.

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Yes, by visiting bbc.co.uk/strictly, where you will

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Voting won't open until all our couples have danced,

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so please don't call yet, as your vote won't count

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and you may still be charged. Tess.

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Our next couple is Lesley Joseph and her partner, Anton Du Beke.

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and Lesley is going to be a fortune teller.

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She starts the routine by gazing into a crystal ball

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and would love to see herself here next week.

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It was good last week, I was really pleased. Brilliant. I thought it

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went very well. You showed brilliant energy, you kept on going until the

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end. It was strong, vibrant, I loved it. You are improving every week,

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with energy and personality. You know I am really enjoying it, and I

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cannot wait to see what this week old install. The tango! I need to

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play a fortune-telling in my tango, so he has been showing me some of

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his fortune-telling prowess. Can you read tea leaves? Yeah, I can, it

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says you are going to finish top of the Leader Board - or something like

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that. Secondly, we had cards, quite extraordinary. A Glitterball! Four

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tens! Standing ovation from the judges! That is what I want. That

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looks like a perfect result. Thirdly, the crystal ball. I can see

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Craig smiling! Oh, the glasses cracked. I can see Blackpool Tower,

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I can say blackball Our! Yes! I can see me kneeling, I see the Queen,

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arise Sir Anton Du Beke for services to dance! No-one can predict the

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future, so fingers crossed I remember the steps and we stay in

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another week. Dancing the tango,

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Lesley Joseph and Anton Du Beke. Goodness me! Absolutely brilliant,

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come on over, they are on their feet, you smashed it. Absolutely

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smashed it, Madam Lola and Sir Anton, I have never seen you so

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stern! She has broken character! What do you see for Lesley in your

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crystal ball? Well, I can see Mystic Lesley, so intense, she really

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cracked the crystal ball, and Anton's back, by the look of it. You

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were hanging on to him like the alive, he is mine, I am never going

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to let him go! Really attached for ever. You know what you want, don't

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you, girl? You are going to get it! I love your intent city, I love the

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way you acted. Unfortunately, a lot of the steps, you messed it up a

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little bit. Just a couple of times. Then it becomes Skippy, the tango

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always glides, you cannot skip, and because of your attachment and the

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intensity, you were literally like that! No shoulders, no neck, keep

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away from him, make him want you. I can barely resist myself! That is

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the understatement of the evening! Craig, last week you were shocked by

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how good Lesley is, what about tonight? Well, not the same, sadly.

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This should be danced on one level, and Bruno is right, you were going

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up and down through the whole thing, there were stumbles, I felt like

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your neck was very stiff, I was missing the V shape that you need to

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create, your right shoulder was up. This is not really a dance for you.

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Darcey. Well, I enjoyed the amount of dance content you had. The amount

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you have picked up in one week coming he gave you everything, and

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you nearly achieved it all. Wonderful, nice, short head snaps

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and all of that, you were achieving those. I know it is difficult when

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you haven't got the frame, which is hard, to create that drama and that

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intensity that you need in a tango. That is all we're missing, that

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neck, you have to lower and relax your shoulders. But the energy was

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there, you still did a very good job. Darcey, thank you very much.

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Len. It was all there! The steps, the mood, staccato, musicality.

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Unfortunately, there were one or two little incidents along the way, but

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you are going to get them if you are dancing with Anton! You were

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spot-on, Anton, pull it together, William?! Well done, Lesley.

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Thank you, judges. I know you want to see what the future holds, well

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done, my darling, Lesley! I made a mistake, didn't I? I know!

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We absolutely loved it up here, but I saw the disappointment. I know, I

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went wrong in a couple of places, it is difficult to have passion and be

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relaxed at the same time, the passion makes you want to grab them!

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Darcey loved the intensity. Look at him, he has got my eyeliner! What I

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loved about it, your positivity each week, you love it, you always do. I

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have got the jive next week. I know you are desperate to do it. The

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scores are in. Five. Darcey Bussell. Six. Len

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Goodman. Seven! Bruno Tonioli. Six. It is not your worst score, that is

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the good news! It is not my best either!

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If you want Lesley and Anton to be here next week,

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all the details are on your screen now, so you can vote

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for them when voting opens at the end of the show.

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Still to come, Anastacia is in the park with a Pot Noodle.

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Next on the floor is Greg Rutherford and his partner, Natalie Lowe.

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For an athlete with no dance experience,

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Greg has been consistently good so far.

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This week, he's dancing the cha-cha, and Natalie decided a visit

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to where he won gold in 2012 would be the perfect place

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to keep him, quite literally, on track.

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Hurricane Greg hits the salsa and shakes it for all it is worth! The

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lift at the end, it was going to be an epic talking point. That lived at

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the end was absolutely brilliant! I am chuffed to bits that we nailed

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it. Your bum was going to town, oh yes! It was a good finish to what

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had been a really tough week. This week, we are doing the cha-cha.

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There are no heel leads, there is a lovely straightening of the knee,

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which Greg has never done before. The steps are so precise, I'm going

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to be so exposed, I have to nail it and show I have got good will would

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work. It is a different challenge to what

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Greg faced at the 2012 Olympics, and Natalie has got a treat lined up. I

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brought into the Olympic Park stadium for some inspiration for

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Saturday night. I love at here, London 2012 was huge for me,

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hopefully I can bring their performance on Saturday. Outside of

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the training room, getting onto the track, it has definitely helped.

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This is sacred ground to me, the best training session we have had

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for the cha-cha. For being so fantastic and training, I thought I

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would give him a surprise. I have a piece of the London 2012 track that

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you won gold on. Wow! Where did you get that from? You didn't just pick

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it up, did you?! That is incredible. I am hoping this is a good omen to

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keep me on track for a good score on Saturday night.

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Dancing the cha-cha-cha, Greg Rutherford and Natalie Lowe.

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CHEERING. Well done. Oh yes! Absolutely brilliant! Come on.

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CHEERING. Dave Arch doing dance music. Yes, Dave. That was a proper

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party dance. And very intense. You raised the roof in here. I know

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you've been working so hard on that footwork. How did you find it,

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Craig? Well, one good thing is you did show Natalie off in this dance,

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and that's what it's about. But sadly it looked very stiff. You are

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pigeon toed and naturally bow of leg, which makes you an Olympic

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champion but in this particular dance you have to try to rectify

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that and lose less of the gap by turning your feet out a little bit.

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And especially the walks. They are very awkward. They difficult to do

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and this dance I'm afraid really did expose all the stuff that you really

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can't do, sadly. That's the thing about the cha-cha characters it is

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very exposing isn't it? Darcey? You must remember, Greg, you've

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accomplished so much every week... CHEERING. Every dance. There will

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always be one dance that isn't yours. Sadly this one is not your

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dance, OK? You will come back stronger, but it is just unfortunate

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if you can't straighten your knees very well or if you can't turn out

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the lower leg. But really, as a whole, you had your gorgeous

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Natalie. Just enjoy it for what it is, yeah? Don't get down on this.

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Come back stronger. APPLAUSE. Len? We mustn't forget,

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you're an athlete. You've never danced before. You're right out

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here, not in your comfort zone at all. I must say, you didn't, if I

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can go into your brain, you didn't look comfortable and confident. I

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think that had a lot to do with it. I don't think you really liked the

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cha-cha-cha. I'm not sure, but it was like you had the attitude, oh, I

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don't like this, and that sort of came out a little bit. There was a

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horrendous blunder early on but you disguised it, covered it up. I

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thought you gave it a great lot of content, Natalie, Cuban breaks here,

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there and everywhere. Listen, you did a great job, be proud of

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yourself. Well done. APPLAUSE. Bruno? Listen, I always

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love your heroic, muscular stance. So statuesque, framing your partner

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so beautifully, very caring about your girl. I love to see that in a

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man. And, I think what happened, you stiffened up a little bit. That's

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why... Sometimes you overattack a dance, especially the cha-cha-cha,

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when you have to have such smooth hip action that comes from the foot.

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If you overattack it, you stomp it and the hips won't happen. I am sure

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next time you do it, will you be fabulous.

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APPLAUSE. Thank you judges. We all loved it. You started the party

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here. Go and join Claudia's party upstairs.

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CHEERING. Well done. You know what was so

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sweet, the moment you finished that dance, you turned to Natalie and

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said, sorry. We had a couple of good rehearsals today, and this morning

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it seemed to be working. And then annoyingly with this one I haven't

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been retaining it. I've been trying to hard all week, put so much into

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it but it hasn't come in. I'm sorry about that. No, don't be, you gave

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it absolutely. You're sparkly. Rihanna go have loved it.

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That's better. 24. Everyone was shocked by the 4. Everyone behind me

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went, what! As Darcey said, come back stronger. If we have to do it

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later, we'll do it better. They found love, and if you can,

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find a pen, jot down All the details are on your screen

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now, and voting opens Don't forget if you want to vote

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online, you'll need to register Three couples have danced,

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and there's still all this to come. Brendan's not feeling well, so we

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have Gorka coming in to help the routine until my Brendan is ready to

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go back. I will do whatever Kevin throws at me. Whether I do it

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correctly or not is another story. I'm really scare of the rumba.

:32:31.:32:35.

It's such an honour to go on that floor and dance these wonderful

:32:36.:32:39.

dances with a great band and a wonderful partner. I hope to do my

:32:40.:32:42.

best, and I'm going to. APPLAUSE.

:32:43.:32:45.

Brendan was unable to train and still isn't well enough to dance

:32:46.:33:01.

with Anastacia tonight. Get well soon, Brendan, from all of us.

:33:02.:33:06.

Stepping into his shoes is Gorka Marquez. Here he is with Anastacia

:33:07.:33:08.

in training. I wished my score was higher. It was

:33:09.:33:22.

disappointing, because I worked really hard. I was focused on making

:33:23.:33:27.

my arms more girly. Such expressive arms. The reality of what I see in

:33:28.:33:31.

the competition, it was very hard. Anastacia and Brendan. I want to

:33:32.:33:37.

stay in as long as I can. This week Anastacia and Brendan... Hold it

:33:38.:33:41.

right there. Brendan, you look different! It's Gorka. You are my

:33:42.:33:46.

temporary new partner, as Brendan isn't feeling well. So this week we

:33:47.:33:51.

are doing the quickstep. Quickstep is one of the most fast numbers we

:33:52.:33:55.

are going to do. We are going to travel around all the floor very

:33:56.:33:58.

fast. We are going to have so much fun, you will love it. OK, I'm

:33:59.:34:04.

excited. It will be interesting to work with another another person. I

:34:05.:34:07.

want to be a good student and want to have Brendan be really proud.

:34:08.:34:13.

Turn your head. It is really important especially for Anastacia

:34:14.:34:17.

to keep always this projection like outside. Now change. Gorka has been

:34:18.:34:22.

motivating me to have great posture. Everything has to be relaxed from

:34:23.:34:26.

here. I say to her, if you keep here, Brendan is going to be happy.

:34:27.:34:32.

Happy Brendan, grumpy Brendan. As the week draws to a close Anastacia

:34:33.:34:36.

is given the news that Brendan still isn't well enough to dance this

:34:37.:34:40.

weekend. The amazing Gorka is going to be my Prince Charming. We are

:34:41.:34:44.

going to do a greet performance and we want to make Brendan very proud.

:34:45.:34:48.

Get well, young man. CHEERING.

:34:49.:34:49.

Dancing the quickstep, Anastacia and Gorka Marquez.

:34:50.:34:54.

CHEERING. Yes! Well done, Anastacia and Gorka!

:34:55.:36:44.

That was my kind of quickstep, let me tell you. Well done, darling.

:36:45.:36:51.

Come here. Thank you for stepping, in Gorka the corker. Gorka makes me

:36:52.:37:00.

walka. Makes me wanna work. Understand song must have meant a

:37:01.:37:04.

lot to you because it's your home town. It did, the my Granada is

:37:05.:37:09.

upstairs going, you go, girl. You go! How have they done, Darcey? That

:37:10.:37:15.

was such a lovely surprise. You are so light on your feet.

:37:16.:37:20.

APPLAUSE. What I really love is the pendulum step in this corner. It was

:37:21.:37:25.

beautifully instructed. Really nice. And you flowed off. There were many

:37:26.:37:30.

stops and starts which makes it difficult for that continuity and

:37:31.:37:32.

keeping the flow. There were moments where it could have been smoother

:37:33.:37:36.

and you could have lent out, but this was one lovely dance. Well

:37:37.:37:41.

done. Wasn't it judge? Well done. Was it your kind of dance, Len? It

:37:42.:37:47.

was 100%. Getting a new partner is a bit like getting a new pair of

:37:48.:37:54.

shoes. It's awesome? It takes a while to get them broken in and

:37:55.:37:58.

comfortable. But you looked in your comfort zone. Light and bright, fun

:37:59.:38:02.

and frivolous. It was easy on the eye. I don't want to upset Brendan,

:38:03.:38:07.

but it was your best dance. CHEERING. A bit of Spain does

:38:08.:38:18.

wonders to you. I tell you. You were like a lick coquettish swinger. You

:38:19.:38:23.

couldn't wait to jump into action. I love The Verve, the renewed energy.

:38:24.:38:29.

Light on your feet, great musicality, mind the gap though. The

:38:30.:38:35.

gapping. Be careful. Don't get carried away and into your own

:38:36.:38:39.

world. Lovely, very, very nice. Thank you.

:38:40.:38:43.

APPLAUSE. Dance Off last week, Craig, better this week? Well,

:38:44.:38:47.

there's no gap now, darling, but there certainly was through that

:38:48.:38:53.

dance and you could have felled a tree through it. It was that bad

:38:54.:38:58.

Darcey. You need body contact in this and that's what makes it

:38:59.:39:01.

difficult. However, all that being said, it was, as the other judges

:39:02.:39:04.

say, very light and I wasn't expecting that. You flew across the

:39:05.:39:07.

stage... APPLAUSE. I thought you performed it

:39:08.:39:12.

absolutely brilliantly. Thank you. Crew Craig. I'm sure Brendan is very

:39:13.:39:17.

proud of you Anastacia and Gorka. CHEERING. Very well done and thank

:39:18.:39:29.

you so much, Gorka. Like a superhero, he said, I'll help. But

:39:30.:39:33.

confusing for you to go hi, I'm Anastacia? All the pros are amazing.

:39:34.:39:38.

I'm so lucky to have been able to dance with two, let alone one. They

:39:39.:39:43.

are so good. Thank you so much. My pleasure. They said it is your best

:39:44.:39:49.

dance. I know Brendan is unwell at home. Would like to send a message

:39:50.:39:55.

to him? Brendan, get busy, we've got to go to work next week.

:39:56.:39:58.

That's your highest school ever. You are top of the leaderboard.

:39:59.:40:25.

If you loved Anastacia and Gorka's quickstep and want to keep

:40:26.:40:27.

her in the competition, you can vote for them when voting

:40:28.:40:30.

Still to come, Ed is looking for the way to Amarillo.

:40:31.:40:36.

Our next couple is Louise Redknapp and her partner, Kevin Clifton.

:40:37.:40:45.

Tonight, Louise and Kevin are doing a tender loving rumba set

:40:46.:40:55.

Tonight, Louise and Kevin are doing a tender emotional rumba set

:40:56.:40:58.

in the most romantic city in the world.

:40:59.:41:00.

How did you find Saturday night? It was good, I really enjoyed it. I

:41:01.:41:09.

like the foxtrot. I was apprehensive going into it, because it was

:41:10.:41:14.

ballroom. I thought I loved the Latin for some reason. It felt

:41:15.:41:18.

different from everything else. Was that a standing ovation and your

:41:19.:41:22.

technique was amazing. I was delighted with how you did. Get in!

:41:23.:41:27.

Check out you and your footwork. I think it's my favourite so far. The

:41:28.:41:30.

rumba this week. We've got to conquer the theme of our dance. It

:41:31.:41:36.

just so happens our dance is set in Paris by the Eiffel Tower. We are

:41:37.:41:43.

going to Paris! Of course we are. Right, welcome to France. Today

:41:44.:41:46.

we've got to fit in as much research as possible. And some shopping? I

:41:47.:41:51.

don't know about that, Redknapp, but we are going here first. So here we

:41:52.:41:59.

are in Paris. Rumba walks, here we development Kevin! Straighten that

:42:00.:42:06.

back, Quasimodo. Because the theme is dancing under

:42:07.:42:15.

the Eiffel tower, it was important to come and understand that. Kevin

:42:16.:42:22.

has made me do the rumba walk down the shots Elysee, under the Eiffel

:42:23.:42:27.

tower, anywhere there was space for me to do it, I did it. The rumba is

:42:28.:42:32.

definitely the hardest I have done so far, and I have to go out and

:42:33.:42:34.

just do my best on Saturday night. Dancing the rumba,

:42:35.:42:37.

Louise Redknapp and Kevin Clifton. C'est magnifique! You really brought

:42:38.:44:43.

the romance of Paris alive, delightful! What is on your mind,

:44:44.:44:49.

then? It was a dance in France and getting an Eiffel was delightful!

:44:50.:44:56.

You are consistently good, no-one, if any of these judges say you are

:44:57.:45:00.

not good, they are not telling the truth. You are consistently good.

:45:01.:45:06.

But for me, you were on a plateau, you know? You are on this plateau,

:45:07.:45:10.

and something has got to happen to give you that extra boost, because

:45:11.:45:14.

there is one or two others that are also on a plateau but it is a little

:45:15.:45:19.

bit higher. We have got to come out now and dance with that clarity and

:45:20.:45:24.

purity, but also a little bit more wow! Well done. Bruno?

:45:25.:45:35.

# Every little breeze seems to whisper Louise... #

:45:36.:45:44.

I went into French mode, but it was distinguished, elegant, very chic,

:45:45.:45:52.

and there was a sequence of turns, it was like watching Gene Kellie in

:45:53.:46:00.

American In Paris, I absolutely loved the cultural references that

:46:01.:46:07.

are so relevant, and you gave it that French tone, that flavour,

:46:08.:46:09.

thanks to Kevin as well. And to me, that is what it needed.

:46:10.:46:18.

Were you feeling the romance, Craig? Well, for me, it lacked excitement,

:46:19.:46:23.

I have got to admit. There was nothing really dangerous about it.

:46:24.:46:27.

It was romantic! You need to accentuate your hips a little bit

:46:28.:46:31.

more, but I suppose at least you got a free trip to Paris out of it,

:46:32.:46:39.

darling. However...! That being said, you have wonderful lyricism,

:46:40.:46:41.

which I think is brilliant. APPLAUSE

:46:42.:46:49.

Darcey? Louise, it was one classy rumba, you bring out the best in

:46:50.:46:55.

her, Kevin, you really do. Beautiful quality, beautiful relationship

:46:56.:46:58.

between you. I would love a little bit more tension when you caressed

:46:59.:47:03.

the floor. Like the boys are saying, you have all the ability to be at

:47:04.:47:07.

the top of the Leader Board, and you are getting there, going in the

:47:08.:47:12.

right direction, but just keep working, exaggerate those moves.

:47:13.:47:16.

Extend yourself more. Good work. They want to keep pushing you, they

:47:17.:47:23.

know you can do it! Louise and Kevin!

:47:24.:47:23.

CHEERING AND APPLAUSE CHEERING

:47:24.:47:38.

Well done! You got a standing ovation, I have to ask you, we have

:47:39.:47:41.

got to say hello to your mother-in-law. She had an accident,

:47:42.:47:47.

and she said, the only thing I care about, I must say my

:47:48.:47:50.

daughter-in-law. She was in the ambulance, she was saying, I need to

:47:51.:47:55.

be well for Saturday night and Strictly! You enjoyed that, didn't

:47:56.:48:01.

you? I found it so hard, you are so exposed in a rumba, everything is

:48:02.:48:04.

slow, you are trying to feel the music, but I loved doing it, Kevin

:48:05.:48:12.

is the start. The scores are in. The judges have their scores, Craig

:48:13.:48:18.

Revel Horwood. Eight! Darcey Bussell. Eight! Len Goodman. Eight!

:48:19.:48:30.

Bruno Tonioli. Nine! Yes! You were getting eights,

:48:31.:48:39.

saying, this is fine, then you got the nine!

:48:40.:48:44.

If Louise and Kevin are always on your mind, vote for them.

:48:45.:48:47.

All the details are on your screen now.

:48:48.:48:49.

Still to come, Daisy is dancing to a song about body parts.

:48:50.:48:52.

Could be Head, Shoulders, Knees And Toes, Knees And Toes.

:48:53.:49:03.

# Heads, shoulders, knees and toes! #

:49:04.:49:08.

Dancing next in the ballroom is Ed Balls and his partner, Katya Jones.

:49:09.:49:12.

and they're going to be playing the part of hitchhikers.

:49:13.:49:16.

I just hope Ed holds his thumb in the right place,

:49:17.:49:18.

or there'll be hell to pay from Craig.

:49:19.:49:26.

No, darling, down, down! See what I mean?! There we go! Last Saturday

:49:27.:49:46.

did not really go to plan. My mind blanked, and suddenly I was doing

:49:47.:49:50.

this. It looks like you were directing traffic, what is this?!

:49:51.:49:54.

You were mincing around like you were in an episode of Some Mothers

:49:55.:50:04.

Do Have 'Em! The marks were low. On the positive side, we are getting

:50:05.:50:12.

better. This week we are dancing American

:50:13.:50:16.

Smooth foxtrot. After the comments from the judges, I think Ed is

:50:17.:50:20.

really determined to get the dancing right, the technique, the footwork.

:50:21.:50:27.

Open left leg a bit more. I find the little things difficult. Compared to

:50:28.:50:33.

the last few weeks, with this big character, how are you feeling the

:50:34.:50:37.

American Smooth? I want to entertain people, but I want to show you can

:50:38.:50:42.

learn and get better. I know you can do it. Ed came in this week really

:50:43.:50:48.

determined to impress the judges with his proper dancing. Is that

:50:49.:50:56.

right? Perfect! Better! I have shown I can throw myself into it and

:50:57.:51:00.

perform, but I want to show that we can do the dance steps, and I am

:51:01.:51:04.

learning and getting better. Learn once me to show I can do it, this is

:51:05.:51:08.

my week to prove it. -- Len. Dancing the American smooth,

:51:09.:51:15.

Ed Balls and Katya Jones. MUSIC: "Is This The Way

:51:16.:51:19.

To Amarillo?" Oh! Oh, look, they are doing the

:51:20.:53:16.

lift again! No, no! CHEERING AND APPLAUSE

:53:17.:53:23.

It went so well in Ozil, and it went very well there. It was ambitious!

:53:24.:53:35.

That is the way to entertain! Oh! Bruno, you have never doubted Ed's

:53:36.:53:41.

efforts, but is is dancing improving? Are you kidding?! One

:53:42.:53:44.

thing is for sure, you are never going to join the Royal Ballet, I

:53:45.:53:50.

will tell you that! That ride nearly ended in disaster, I thought, my

:53:51.:53:55.

God, he is going to drop! There is one thing I have to say, you always

:53:56.:54:01.

take us places I would never expect. LAUGHTER

:54:02.:54:05.

But there was a point where you just tried, he went into the hold, you

:54:06.:54:10.

tried to do a proper foxtrot, OK, he can actually do it. Then you go all

:54:11.:54:16.

over the place, like you read the hitchhiker's guide to ballroom

:54:17.:54:19.

backwards! You can do it, I really do think you can, it is just you

:54:20.:54:23.

have to be consistent, do not overstretch yourself in the Carlos

:54:24.:54:29.

Acosta lift, they are not going to happen, love, I will tell you that!

:54:30.:54:34.

He is trying so very hard. APPLAUSE

:54:35.:54:39.

Craig? Well, that was the antithesis, I am afraid, of smooth.

:54:40.:54:44.

Plodding, pedestrian, I felt he were fighting one another all the way

:54:45.:54:49.

through. Absolutely no style whatsoever out of the hold. And this

:54:50.:54:55.

dance, you are allowed to do three lifts, you did four, three of which,

:54:56.:55:01.

I thought, were very good. But that horrific one, darling, you really

:55:02.:55:06.

didn't need to demonstrate afterwards, because it wasn't that

:55:07.:55:11.

good. It was a risky move, he wanted to prove he can do it. It is a

:55:12.:55:18.

really good lift! It is a good lift. CHEERING AND APPLAUSE

:55:19.:55:25.

I could do it to you as well, I think!

:55:26.:55:29.

We could try that in the bar later. We will try up later! Darcey! You

:55:30.:55:36.

did start incredibly well, and the lift that you did achieve... I mean,

:55:37.:55:40.

you do have the strength to do it, and it is just a shame that you did

:55:41.:55:45.

stumble there. But, you know, like show, things go wrong, even in a

:55:46.:55:50.

live show, and it was a shame that you were not able to recover out of

:55:51.:55:54.

it. It is the kind of thing where you have to find your composure,

:55:55.:55:59.

make a mistake, get back on the programme, focus. I note you can do

:56:00.:56:04.

it, you tried again, which was great! Comeback next year... Next

:56:05.:56:06.

year?! LAUGHTER

:56:07.:56:17.

No, thank God! We know you have it in you, so comeback next week! You

:56:18.:56:23.

have got it in you, Ed. What is going on?! This is the trouble with

:56:24.:56:28.

hitchhiking, you always get a dodgy lift!

:56:29.:56:34.

LAUGHTER Now, in your defence, and totally

:56:35.:56:41.

against Craig, let me say, OK, you got into hold, you started off a

:56:42.:56:47.

further step, lovely, reverse turn, Federer finished, a little bit of

:56:48.:56:52.

dancing, into a weave. All of that section, I thought, was terrific,

:56:53.:56:56.

and you were on the way, it was just a rotten shame that your big

:56:57.:57:02.

spectacular moment went a bit pear shaped. But well done, I liked

:57:03.:57:08.

watching you! Don't we all?! Thank you very much, Ed and Catania! --

:57:09.:57:19.

Katya. Ed! That lift looked incredibly

:57:20.:57:27.

complicated. I'm pleased you showed us what it was going to be. You

:57:28.:57:32.

enjoyed it though? I loved doing the lift. It was fabulous. We invented

:57:33.:57:36.

it this week. Really, the two of you? It was the glitterball special.

:57:37.:57:44.

It was going to be dedicated to Tony Curtis and Peter Kay. But after

:57:45.:57:46.

that, I won't. Ed, the good news is that it is

:57:47.:58:11.

better than last week, yes? Yes, but not as good as the week before. The

:58:12.:58:16.

other good news, you've had your first spray tan. I did.

:58:17.:58:22.

CHEERING. Well done. If I come back, do I do a full Jeremy Vine, the

:58:23.:58:27.

whole lot? Of course you do. Let's not pull on that string! If you

:58:28.:58:31.

If you want Ed and Katya back If you here and dancing

:58:32.:58:34.

in our Hallowe'en special next week, then vote for them.

:58:35.:58:36.

All the details are on your screen now, and voting opens

:58:37.:58:39.

If you want to vote online you will need to register first.

:58:40.:58:43.

This week we've got to somehow keep the composure with the waltz. It's

:58:44.:58:56.

going be difficult but I'm really up for the challenge. Can we dance now,

:58:57.:59:03.

please? The Charleston is 1920s flapper girls, lots of ankle swivels

:59:04.:59:09.

and it is about having a good time. I've been finding it really, really

:59:10.:59:12.

difficult. The routine is so fast. I feel like my brain is going to

:59:13.:59:15.

explode. There's a long way to go. Switch and

:59:16.:59:22.

catch. Hopefully come Saturday night we'll be ready to rumba.

:59:23.:59:26.

She's going to be dancing a samba underneath a giant mirrorball

:59:27.:59:31.

that's going to be dangling from the ceiling.

:59:32.:59:35.

I know, and I'm holding it up for her.

:59:36.:59:37.

Our next couple to take to the floor is Ore Oduba

:59:38.:59:54.

They're dancing a waltz, and Ore starts off under a spotlight.

:59:55.:00:03.

I don't think we need it - if this is anything like last week's

:00:04.:00:07.

jive, he'll be lighting the floor up all on his own.

:00:08.:00:14.

That was better than even the way it happened in my dreams. I couldn't

:00:15.:00:22.

believe what happened. You are the one to beat in this competition.

:00:23.:00:29.

What?! What is he talking about. A star is born. That's when I couldn't

:00:30.:00:36.

hold it in. 10! You know me. A cuddle. Let's not speak, just

:00:37.:00:42.

cuddle. This week from the quickness of last week's jive we are on to the

:00:43.:00:49.

smooth class of the waltz. So we are going to slow things down. They

:00:50.:00:53.

might be slowing things down in the training room but life is busier

:00:54.:00:58.

than ever for Ore and Joanne is going along for the ride. We are in

:00:59.:01:03.

Manchester, the Paralympic and Olympic parade is going through the

:01:04.:01:06.

streets of the city. Let's go on the float. I do have for you a Team GB

:01:07.:01:13.

bracelet. Excuse me. It's an absolute treat. Manchester looking

:01:14.:01:19.

resplendent mere. We have had a bit of rain but you can hear the cheers.

:01:20.:01:26.

Ore! As soon as he saw me, he ran to the back of the float and said, is

:01:27.:01:31.

that alright? I said yeah, but we are doing the waltz. I have some

:01:32.:01:37.

gold medal-winning athletes. Can you teach me? Good luck Ore for this

:01:38.:01:43.

Saturday. The best of luck. It is a winning atmosphere. We've just got

:01:44.:01:46.

to try and tap into that and bring some of it to Saturday night.

:01:47.:01:49.

CHEERING. Dancing the waltz, Ore Oduba

:01:50.:01:51.

and Joanne Clifton. Brilliant from Ore and Joanne. Come

:01:52.:04:00.

on over. Oh, breathtaking. What an amazing performance from our singer,

:04:01.:04:05.

Andrea. Yes! A beautiful voice. As for you, we saw your softer side

:04:06.:04:10.

tonight, didn't we? Slowing things down after that jive. Yeah, that was

:04:11.:04:15.

hard. Euro managementic side. It's there somewhere. He was top of the

:04:16.:04:22.

leaderboard last week, Craig, how did he do tonight? Extremely well.

:04:23.:04:31.

This is normally done in 4-4 time but the orchestra did it in 3-4 time

:04:32.:04:35.

to marry it into a waltz. A the fraying was wonderful. There was

:04:36.:04:38.

rise and fall, which was delicious. A bit of swing and sway. The

:04:39.:04:43.

storytelling. The you are just incredible.

:04:44.:04:53.

CHEERING. Darcey? Well, I feel the same. It's calm. It's elegant. You

:04:54.:05:00.

are able to produce something with such control, it's not easy. You

:05:01.:05:04.

still had great energy as you moved across the dancefloor, which also is

:05:05.:05:08.

hard, but there was lovely moments of stillness. Stillness. You were

:05:09.:05:14.

able to hold on to your frame. You had moments of a little right

:05:15.:05:18.

shoulder popping up now and then, but beautiful control. Well done.

:05:19.:05:26.

APPLAUSE. Len? It was quiet, it was calm and it was sophisticated.

:05:27.:05:29.

People think the waltz is like a dainty, small dance, it's not. It's

:05:30.:05:34.

a big, flowing, full on dance, and you showed that. I loved that hover.

:05:35.:05:41.

I did. My old dance teacher used to say the hardest thing to do is

:05:42.:05:46.

nothing, and to just stop and hold that for a bar and then come out.

:05:47.:05:51.

Gorgeous. A little bit of a problem with that turning lock. It got a bit

:05:52.:05:55.

sticky over there. However, having said that, you are an incredible

:05:56.:05:58.

dancer. CHEERING. Bruno? Love is in the air.

:05:59.:06:09.

It's irresistible. You two look so good together. They've all explained

:06:10.:06:12.

the technical merits of the dance, but I want to go further. What you

:06:13.:06:17.

have is a connection and a chemistry that is outstanding. You seem to

:06:18.:06:21.

communicate through moves effortlessly. You have a connection

:06:22.:06:27.

within the tune and the music that's outstanding. So wonderful to see.

:06:28.:06:32.

Every week you surprise me, you really do.

:06:33.:06:36.

APPLAUSE. The judges loved it and I think this audience will always love

:06:37.:06:44.

you too. Off you go, well done. Ore and Joanne!

:06:45.:06:56.

CHEERING. Well done. Ore and Joanne. Craig just said you were incredible.

:06:57.:07:01.

I don't know what just happened. So did Len. It is quite hard, that

:07:02.:07:05.

pressure What they don't know is just before we started that dance my

:07:06.:07:11.

knees went, absolutely shot. I was shivering. So nervous. It's been a

:07:12.:07:15.

really difficult week. This is the one with the control and just the

:07:16.:07:20.

pressure from last week, it was a really nerve-racking week, but she

:07:21.:07:27.

was so patient with me, my mate, coach, my better dancing half. So

:07:28.:07:31.

patient. I'm chuffed. So, so chuffed.

:07:32.:07:32.

Well done. Top of the leaderboard. Really, really good.

:07:33.:07:57.

If you don't want Ore and Joanne waltzing off

:07:58.:07:59.

the show, all the details are on your screen now.

:08:00.:08:01.

So you can vote for them when voting opens at the end of the show.

:08:02.:08:06.

Still to come, Danny is doing a rumba to the Sam Smith

:08:07.:08:12.

Our next couple is Daisy Lowe and her partner, Aljaz Skorjanec.

:08:13.:08:19.

This week they're taking on the charleston,

:08:20.:08:22.

and they're going to start off the routine in the dark.

:08:23.:08:25.

Not only is this a first for Strictly, but it also means

:08:26.:08:28.

the judges might not be able to spot if they make any mistakes.

:08:29.:08:34.

They will, they definitely will. I loved dancing that dance with you.

:08:35.:08:42.

It felt like we were completely in the moment and everything else fell

:08:43.:08:46.

away and I was just there with you. It was really special. Long, languid

:08:47.:08:52.

move it is, very difficult to control and sustain. To get that

:08:53.:08:55.

balance every time you stretched out, very impressive. There was no

:08:56.:09:03.

hiccups, no mistakes. It just sort of flowed the whole way through. A

:09:04.:09:11.

terrifically difficult dance and I thought you did a terrifically good

:09:12.:09:17.

job. It was beautiful. Honestly. But this week we are dancing the

:09:18.:09:21.

Charleston to a song called Happy Feet. My feet are very happy this

:09:22.:09:25.

week. We are going to start in the dark dressed all the black. The only

:09:26.:09:29.

thing that's going to be visible is white gloves and white shoes. I

:09:30.:09:33.

thought to get you used to functioning in the dark, here they

:09:34.:09:41.

serve food in the pitch black. Enjoy your food, Daisy. Yeah, bon appetit.

:09:42.:09:48.

Yum, is that chicken? I don't think I have anything on my fork. Eating

:09:49.:09:54.

in the dark was delicious and hilarious. My nose was slightly

:09:55.:09:58.

injured. He fed me a full breast of chicken at the end of a full... Yes!

:09:59.:10:06.

Sorry, shall we do some promise. Loved dancing in the dark. Hopefully

:10:07.:10:12.

on Saturday night we c illuminate the dancefloor.

:10:13.:10:13.

CHEERING. Dancing the Charleston,

:10:14.:10:14.

Daisy Lowe and Aljaz Skorjanec. Oh, that was superb, come on, Aljaz!

:10:15.:12:18.

That was superb, so original! We have never seen done like that

:12:19.:12:25.

before. Lots of happy hands for you. They were so lovely, you capture the

:12:26.:12:31.

quirky playfulness of the silent movies, you are in there, and that

:12:32.:12:35.

was just heaven, your style really suited you, not easy when you are

:12:36.:12:39.

tall, because you have to be really contained to achieve all those

:12:40.:12:43.

moves, especially with the white shoes and white gloves, very

:12:44.:12:47.

revealing of the technique, so well done, well done! Very good! I would

:12:48.:12:54.

only say, at the very end, you get tired, and the crispness goes just

:12:55.:12:59.

in the moves. No, it wasn't bad, I am being really picky, because I

:13:00.:13:04.

loved it. Just tighten up the core, get it around in those lifts, but it

:13:05.:13:09.

is difficult to do those at the end. Well done! You have got happy feet,

:13:10.:13:18.

I am happy, I know everyone in here is happy, and ideal you did a

:13:19.:13:24.

wonderful charleston, well done! Bruno? Wonderful, clever, full of

:13:25.:13:30.

joy, smart concept, it was like watching Betty Boop coming back to

:13:31.:13:35.

life, I loved it, very nice indeed. Did it give you a happy face? Yes, a

:13:36.:13:43.

very happy face. Mistakes are going to be amplified considerably with

:13:44.:13:46.

those big old white shoes, but you danced on the off beads, slightly

:13:47.:13:51.

late, tired, but I loved it, I thought it was brilliant. Lovely to

:13:52.:13:57.

see something different, take those happy feet up to Claudia! Yes!

:13:58.:14:09.

CHEERING So different from last week's rumba,

:14:10.:14:14.

you were like, what, what am I doing?!

:14:15.:14:18.

I am very warm in all the clothes! The scores are in. Craig Revel

:14:19.:14:28.

Horwood. Eight. Darcey Bussell. Eight. Len Goodman. And other eight.

:14:29.:14:37.

And Bruno Tonioli. Fauldhouse, eight!

:14:38.:14:37.

Well done, Aljaz, that was amazing. If you enjoyed their Happy Feet,

:14:38.:14:43.

use your happy fingers to vote All the details you need

:14:44.:14:46.

are on your screen now. You can vote for them when voting

:14:47.:14:49.

opens at the end of the show. Still to come,

:14:50.:14:52.

Claudia tries some samba rolls. Our next couple was going to be

:14:53.:14:54.

Laura Whitmore and her partner, But as we mentioned earlier,

:14:55.:14:59.

Laura has injured her ankle and is therefore unable

:15:00.:15:02.

to perform tonight. Here's what happened

:15:03.:15:04.

during the week. I really enjoyed the quickstep, I

:15:05.:15:18.

had loads of fun. It was nerve wracking, especially since I was in

:15:19.:15:22.

the dance of the week before, but I really had fun doing it. Plenty of

:15:23.:15:27.

lights, plenty of cameras, plenty of action. If you are in the bottom two

:15:28.:15:33.

this week, I am going to pickle my walnuts, I promise! I just want to

:15:34.:15:37.

get better every week, so I was really happy.

:15:38.:15:43.

This week, I am learning how to jive, and I am so excited. With the

:15:44.:15:50.

jive, it is fast, but it is also about the steps. Jive is quite a

:15:51.:15:56.

difficult stance, you have a lot of kicks, a lot of stamina. Jive is my

:15:57.:16:02.

favourite dance, so I want to make sure that it is going to be good.

:16:03.:16:06.

During the week, all the training is starting to take its toll on Laura.

:16:07.:16:11.

Laura got an injury on the ankle. I have put too much pressure on it, I

:16:12.:16:16.

have not been 100%. The left leg is grand, but I have an issue with the

:16:17.:16:21.

right. As the week continues, the pain gets worse, so Laura is seen by

:16:22.:16:27.

a Strictly physio for assessment. The physio has just said that I

:16:28.:16:31.

cannot dance. I am just really gutted because of the dance as well,

:16:32.:16:36.

because from before I started Strictly, the one I wanted to learn

:16:37.:16:40.

was the jive. I am devastated, but I have to look forward to getting

:16:41.:16:43.

better, think about resting it and sorting myself out for next week,

:16:44.:16:46.

which is the most important thing. Laura, if you're watching,

:16:47.:16:50.

we send you all our love. Laura and Giovanni will not be up

:16:51.:16:54.

for the viewer vote tonight. They have been given a bye through

:16:55.:17:04.

to next week. The medics have said she should be fit enough to danced

:17:05.:17:09.

then. I know you are both devastated, and it is your

:17:10.:17:13.

favourite, are you all right? Yes, we are both a little bit sad, but

:17:14.:17:18.

jive is my favourite, she was learning forward to learn it, but it

:17:19.:17:24.

is about the health, so maybe it is better this way, I think it is

:17:25.:17:28.

better this way. I know she is watching at home, do you have a

:17:29.:17:33.

message? Yes, all of us, we are missing you, get rest, looking

:17:34.:17:36.

forward for the next week, it is going to be a different stance.

:17:37.:17:42.

Thank you very much. Thank you, we send all our love.

:17:43.:17:46.

Dancing next is Danny Mac and his partner, Oti Mabuse.

:17:47.:17:51.

Danny will be the first male celebrity

:17:52.:17:54.

It's a notoriously difficult dance for the men to master,

:17:55.:17:59.

but if anyone can do it, Dan's the man.

:18:00.:18:08.

The weekend was amazing. It was the best. The judges were pretty pleased

:18:09.:18:19.

with you. It was absolutely wonderful! Outstanding! You are on

:18:20.:18:25.

fire! You look good, you dance good, and by golly you did good! Nine! It

:18:26.:18:33.

was the most incredible feeling. This week we have got the eight, I

:18:34.:18:38.

think it is going to take so much focus and concentration. Buys this

:18:39.:18:45.

feels so weird. The rumba is a very technical dance, it requires

:18:46.:18:49.

precision and balance. To help with the precision and balance, Oti has

:18:50.:18:59.

an idea. I have come to the circus to try my hand at tightrope walking.

:19:00.:19:04.

The same stills you need for a rumba, balance, precision, really

:19:05.:19:08.

strong core. You expect me to do that?! That is really good! To be a

:19:09.:19:17.

tightrope walker, you have to be strong, you have to be flexible, you

:19:18.:19:24.

have to have good balance. Restarted off really shaky, but he looked

:19:25.:19:30.

pretty good towards the end. Really good, look at you! Yeah! It has been

:19:31.:19:34.

really fun at the circus, and I think this is going to help my

:19:35.:19:39.

technique in the rumba this week. I just hope my performance isn't

:19:40.:19:40.

ropey! I have got to stop this. Dancing the rumba,

:19:41.:19:43.

Danny Mac and Oti Mabuse. Oh, yes! Oh,

:19:44.:19:50.

easy. -- you smoothly. My legs were Oh, yes! Oh,

:19:51.:22:16.

little bit staccato, which was not so pleasant. However,

:22:17.:22:24.

little bit staccato, which was not I loved very nice, you stuck a turn

:22:25.:22:24.

in. I loved very nice, you stuck a turn

:22:25.:22:36.

you like it? One thing is for sure, those

:22:37.:22:54.

you like it? One thing is for sure, subtlety, and you did it overall

:22:55.:22:54.

very well, subtlety, and you did it overall

:22:55.:23:00.

became a bit jagged, but I am telling you, I would

:23:01.:23:08.

became a bit jagged, but I am Not any dance-off! I would like to

:23:09.:23:08.

see it Not any dance-off! I would like to

:23:09.:23:15.

much attack for me. Too much powering

:23:16.:23:23.

much attack for me. Too much than rumba. But I love, love,

:23:24.:23:33.

much attack for me. Too much Darcey? I have to agree with the

:23:34.:23:33.

boys, you have Darcey? I have to agree with the

:23:34.:23:42.

was very consistent as well. You know, you

:23:43.:23:49.

was very consistent as well. You for rumba. I know,

:23:50.:24:10.

was very consistent as well. You Well done, are you all right after

:24:11.:24:15.

that? I am, I just did not want to fall over, that was my main focus!

:24:16.:24:20.

Were you thinking that while you were doing it? I had her in my arms

:24:21.:24:25.

for a few of the bits, it could have been carnage! And you did not want

:24:26.:24:30.

to show your chest, I believe? I had a big argument with costume but they

:24:31.:24:34.

ran out of buttons. Don't be never so about it, it is working for us on

:24:35.:24:39.

every level, I cannot even look at it, it has become a thing! It is

:24:40.:24:45.

your grandma's 82nd birthday. Happy birthday, Nanna! The scores are in.

:24:46.:24:52.

Ladies and gentlemen, the judges have their schools, Craig Revel

:24:53.:24:59.

Horwood. Eight. Darcey Bussell. And nine. Len Goodman. Nine. Bruno

:25:00.:25:11.

Tonioli. Nine! I was not expecting that! You are

:25:12.:25:16.

second on the leader board so far. If you liked that, put down your TV

:25:17.:25:22.

remote and vote for them, all the details are on screen now. Voting

:25:23.:25:26.

opens at the end of the show, only one couple left to dance.

:25:27.:25:30.

Our final couple tonight is Claudia Fragapani

:25:31.:25:32.

This week they're doing a samba, and it's going to have a disco vibe.

:25:33.:25:37.

But will this dance under a mirrorball get them

:25:38.:25:40.

one step closer to picking up the Glitterball?

:25:41.:25:50.

I really loved it at there, doing the foxtrot, it is so bad I got the

:25:51.:25:58.

steps wrong. You really put your mind to it, I can see you have been

:25:59.:26:05.

working hard, so well done. What did you think? So happy, it was great. I

:26:06.:26:10.

am so proud of you from week one to week five, I know the foxtrot was so

:26:11.:26:15.

hard, it was amazing on the night. Thank you. This week we're doing the

:26:16.:26:22.

samba, it is fast, fierce, it is super complicated. Oh, gosh! Pivot,

:26:23.:26:30.

pivot. I have been finding it really, really difficult. That was

:26:31.:26:34.

not the normal speed. Some of the technical stuff we have been

:26:35.:26:42.

learning, it has gone in one ear and out the other. Release the core,

:26:43.:26:50.

that gymnastics training. Try not to get angry! No anger, take the anger

:26:51.:26:56.

out on the step. He says I need to loosen up my rib cage. Samba is very

:26:57.:27:02.

rhythmical, very free, I need you to relax and loosen up. It is really

:27:03.:27:06.

hard, I have done 12 years of gymnastics, being fixed and still,

:27:07.:27:11.

so this is a challenge in four days. It is our most intense, fastest, the

:27:12.:27:16.

hardest choreography we have done so far. That is the speed you are

:27:17.:27:25.

dealing with. If I slip up or forget any of the moves and Saturday night,

:27:26.:27:27.

it will go horribly wrong. Take me back to gymnastics!

:27:28.:27:29.

Dancing the samba, Claudia Fragapane and AJ Pritchard!

:27:30.:27:32.

Amazing. Look at that for a reaction! Well done. That's what I

:27:33.:29:30.

call a glitterball and that's what I call a Samba. Brilliant job. Soak it

:29:31.:29:36.

up. Reversing 12 years of gymnastics in just six days, not easy. Did that

:29:37.:29:42.

make your young heart run free, Bruno? Forever young, darling, after

:29:43.:29:49.

this. I wanted to enjoy it so much. You've got the biggest disco ball I

:29:50.:29:55.

have ever seen. You put so much stuff into that samba, the girl had

:29:56.:29:59.

every single step you would expect. You did that on purpose to make it

:30:00.:30:05.

harder for you. The pressure. Oh my God the pressure is so difficult to

:30:06.:30:09.

do and you did it overall very well. But there is just one little thing,

:30:10.:30:15.

my darling, don't rush the music. Don't go ahead of it. Because it is

:30:16.:30:19.

like, oh my God! Is she going to do it? You can do it. Take it ease.

:30:20.:30:26.

Stay on it. Don't overrush it. Never change the music, but fantastic

:30:27.:30:28.

dancing. APPLAUSE. The samba rolls were

:30:29.:30:36.

awesome. Craig? It was a little bit then ittic, you were like a tornado,

:30:37.:30:39.

darling. BOOING.. Please. The bounce action

:30:40.:30:44.

unfortunately suffered because of the speed of it but I have to say an

:30:45.:30:49.

absolutely brilliant endeavour. Really, really good.

:30:50.:30:54.

APPLAUSE. Darcey? I have to say, at first I was getting really excited

:30:55.:30:58.

when you strutted down those steps you meant business, but it was a

:30:59.:31:02.

problem. I did feel you were being overpushed to travel. And to step

:31:03.:31:06.

out. As the speed got faster and then you lose the finesse of the

:31:07.:31:10.

steps. We weren't getting the right action. That was the only thing that

:31:11.:31:14.

really bothered me, but I see you have it all. Don't lose confidence,

:31:15.:31:17.

because you are a natural performer. You've gained so much with this

:31:18.:31:21.

competition. Don't lose it now, OK? APPLAUSE. Thank you. He threw some

:31:22.:31:28.

tough choreography at you, to be fair. Len? The last couple and then

:31:29.:31:34.

the party starts, so that's great. I know you looked at me with that

:31:35.:31:42.

boyish little face of yours. I did enjoy those stationary samba walks,

:31:43.:31:46.

because you did them slow and oily, which I enjoyed. Let me tell you the

:31:47.:31:51.

truth and I don't care if you boo, because it's the truth. You exactly

:31:52.:31:56.

ties technique... Oh... For the speed of the music. I saw you on the

:31:57.:32:00.

VT working on hip action in the voltas. She couldn't do it. It was

:32:01.:32:06.

too fast. It all became hectic. However, having said that, you are a

:32:07.:32:10.

beautiful dancer. I enjoyed the party spirit so good on you, and

:32:11.:32:15.

young hearts run free. APPLAUSE. He loved the party spirit.

:32:16.:32:22.

Our pocket rocket lit up that floor. Up you go. Claudia and AJ.

:32:23.:32:36.

CHEERING. Well done! Craig said it was a brilliant endeavour. It was

:32:37.:32:41.

hard. You put so much in, there AJ. You do that on purpose just to show

:32:42.:32:45.

off Claudia's brilliant moves. That's true. I love about you two,

:32:46.:32:50.

you are always so positive and you can be quite negative, you go, I'm

:32:51.:32:54.

rubbish, when you are amazing. But he is doing such a good job isn't

:32:55.:33:04.

ehe? He is. Is. He's doing a really good job.

:33:05.:33:05.

CHEERING. That's 32. Two more than last week. I'm so happy with that.

:33:06.:33:31.

If you enjoyed Claudia and AJ's samba and want to see them back next

:33:32.:33:34.

week for our Halloween special, all the details you need to vote

:33:35.:33:37.

and voting will open in just a few moments.

:33:38.:33:41.

All our couples have done everything they can to impress

:33:42.:33:44.

the judges and you at home, so before we open the vote,

:33:45.:33:46.

let's take a look at the leaderboard.

:33:47.:33:49.

Ore and Joanne are at the top with a score of 36.

:33:50.:33:59.

But remember you can change all that by picking up the phone

:34:00.:34:02.

or going online and voting for your favourite.

:34:03.:34:04.

So brace yourselves, because voting is now open.

:34:05.:34:07.

Calls cost 15p plus any network access charge.

:34:08.:34:09.

Please get the bill payer's permission before you call.

:34:10.:34:13.

Or alternatively you can vote online for free at bbc.co.uk/strictly,

:34:14.:34:17.

where you will also find full terms and conditions.

:34:18.:34:19.

Please don't try to vote if you're watching on demand.

:34:20.:34:24.

To help you decide, here's a reminder of tonight's performances

:34:25.:34:26.

and the all-important vote information.

:34:27.:37:31.

All of our couples have done everything they possibly can,

:37:32.:37:37.

Our celebrities are relying on your support to stay in the competition.

:37:38.:37:42.

Voting closes at 8:45 tonight, so you don't have much longer

:37:43.:37:45.

Next week is our Hallowe'en special, and they all want to be there.

:37:46.:37:52.

Your votes could help them avoid the dreaded dance-off in tomorrow

:37:53.:37:55.

night's results show at 7:15, when sadly one more couple

:37:56.:37:57.

will be eliminated from Strictly Come Dancing.

:37:58.:38:00.

Also tomorrow night American country star LeAnn Rimes will be

:38:01.:38:03.

here performing her new single, How To Kiss A Boy.

:38:04.:38:06.

And we have a brilliant routine from our professional dancers

:38:07.:38:09.

that includes tap dancing and all four of our judges.

:38:10.:38:12.

Make sure you tune in at 7:15 tomorrow night for all of that.

:38:13.:38:19.

We'll see you then, and in the meantime...

:38:20.:38:21.

BBC One presents a special evening with Michael Buble...

:38:22.:38:38.

BBC One presents a special evening with Michael Buble...

:38:39.:38:44.

I think of it as an excuse to throw a party.

:38:45.:38:47.

..featuring new and classic songs... # Cry me a river... #

:38:48.:38:51.

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