Browse content similar to Week 12. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
I can't believe we have made it this far. It's the semi-final. The | :00:14. | :00:19. | |
semi-finals of Strictly Come Dancing. We are one step away from | :00:20. | :00:23. | |
the final. I didn't think in a million years I'd be here. | :00:24. | :00:32. | |
Incredible. It's definitely been the hardest week yet. Two dances means | :00:33. | :00:37. | |
twice as much work. Twice as much pressure, twice as much effort. I | :00:38. | :00:41. | |
feel like my brain is going to explode. We are going to train | :00:42. | :00:47. | |
around the clock to make sure we're in that final. I've literally spent | :00:48. | :00:52. | |
every waking hour in the training room this week. I've had to learn so | :00:53. | :00:57. | |
many new things to get this far. I'm willing to push myself to the limit. | :00:58. | :01:06. | |
One wrong step. One slipup. Could be the end. It would break my heart to | :01:07. | :01:14. | |
go. To leave now Would be a huge void in my life. This is it. I can't | :01:15. | :01:19. | |
leave now. It's all come down to this. It would mean the world to me | :01:20. | :01:21. | |
to make the final. Live from the BBC, this is Strictly | :01:22. | :02:11. | |
Come Dancing - The Semi-Final! Hello and welcome to | :02:12. | :02:16. | |
Strictly Come Dancing ? Tonight, our remaining couples | :02:17. | :02:45. | |
will perform not once, but twice. Is everybody ready for | :02:46. | :02:52. | |
a night of double dancing? In last week's Dance Off, | :02:53. | :02:54. | |
Ore and Joanne faced Judge Rinder and Oksana and, | :02:55. | :03:02. | |
sadly, it was Judge Rinder We are now left with | :03:03. | :03:04. | |
our fantastic four - only three can make it | :03:05. | :03:09. | |
through to next week's final and they each have two | :03:10. | :03:12. | |
chances to impress. And with double the dancing, | :03:13. | :03:14. | |
it's not just our couples Our semi-finalists are backstage, | :03:15. | :03:17. | |
there's an awful lot resting on tonight as they are all desperate | :03:18. | :03:53. | |
to reach next week's final. TV presenter and singer, | :03:54. | :03:56. | |
Louise Redknapp, and her Olympic gymnast, Claudia Fragapane, | :03:57. | :04:05. | |
and her partner, AJ Pritchard. BBC sports presenter, Ore Oduba, | :04:06. | :04:13. | |
and his partner, Joanne Clifton. Actor, Danny Mac, and his | :04:14. | :04:19. | |
partner, Oti Mabuse. There they are, our semi-finalists - | :04:20. | :04:21. | |
sheer hard work and determination The judges scores for both dances | :04:22. | :04:41. | |
will be added together to decide where they end up | :04:42. | :04:45. | |
on the leaderboard. Those scores will be combined | :04:46. | :04:47. | |
with your votes and the two couples with the lowest overall points | :04:48. | :04:50. | |
will face the Dance Off in tomorrow Sadly, one of our couples | :04:51. | :04:53. | |
will not make it through Dancing first tonight is Louise | :04:54. | :04:56. | |
and her partner Kevin. They're kicking the show | :04:57. | :05:02. | |
off with a Tango. Last week there were just two | :05:03. | :05:12. | |
marks separating all four of our semi-finalists, | :05:13. | :05:14. | |
so this could be the start You smashed it. I really enjoyed it. | :05:15. | :05:35. | |
Nice to march around and do thigh slapping. You two whipped that | :05:36. | :05:40. | |
number into perfect shape. We are in the semi-final? Yes. Now I really | :05:41. | :05:47. | |
have to deliver. First up the tango. I love the sharpness of it. Very | :05:48. | :05:52. | |
different from any ballroom dance. I have to stay flat footed and stomp a | :05:53. | :05:56. | |
bit more. I've spent weeks trying to do rise and fall. I think you're | :05:57. | :06:00. | |
doing an absolutely amazing job. Look at these messages from people | :06:01. | :06:04. | |
watching the show. Louise, you go all the way, baby. You keep up the | :06:05. | :06:08. | |
good work. You are absolutely fantastic. We love you. We love you. | :06:09. | :06:15. | |
We a Allardyce rooting for you. Yee ha! You are gorgeous and so is your | :06:16. | :06:23. | |
partner! I think Louise and Kevin were good at the waltz. Oh, it was | :06:24. | :06:30. | |
graceful. Good luck Louise, we hope you win. We are behind you all the | :06:31. | :06:37. | |
way. Come on, now. Keep on winning. You don't realise how good you are. | :06:38. | :06:41. | |
You are way better than what you realise you are. Love it, really | :06:42. | :06:47. | |
kind. It was really so nice to hear such positive messages and it's | :06:48. | :06:50. | |
definitely helped in giving me the confidence to go and do my very best | :06:51. | :06:53. | |
on Saturday night. Dancing the Tango, | :06:54. | :06:56. | |
Louise Redknapp and Kevin Clifton. MUSIC: Glad All Over | :06:57. | :06:58. | |
confidence to go and do my of the semi-final, let's | :06:59. | :09:27. | |
welcome our wonderful live singers - Hayley, Patrick, Andrea, | :09:28. | :09:27. | |
Tommy and of course Dave Arch Two | :09:28. | :09:27. | |
Well done. How was that? I me of the Generation Game and as | :09:28. | :09:46. | |
Bruice would say - didn't That opening leap, so much snap, | :09:47. | :09:54. | |
crackle and pop. Snap, There was a little moment here... I | :09:55. | :10:06. | |
know. We all There was a little moment here... I | :10:07. | :10:14. | |
in that routine. It was fantastic. Well | :10:15. | :10:25. | |
in that routine. It was fantastic. I wasn't... When I saw | :10:26. | :10:47. | |
in that routine. It was fantastic. way you actually got all the little | :10:48. | :10:51. | |
details in the shoulders and the phrasing of the music. It's one of | :10:52. | :10:56. | |
your greatest qualities. I was thrilled, unexpected and delighted. | :10:57. | :11:02. | |
Always count on you for musicality. Craig, what did you think? I would | :11:03. | :11:07. | |
like to have seen more V-shape in the frame and Len is right you were | :11:08. | :11:11. | |
thrown off balance ever so slightly in one tiny bit. That is small. I | :11:12. | :11:16. | |
mean, you are dynamic. It was full of content. I totally love watching | :11:17. | :11:25. | |
you dance. I really do. High praise. They are all noting the content, | :11:26. | :11:30. | |
Kevin. The attack was stunning. The attitude, as I was saying, the upper | :11:31. | :11:35. | |
body how you fixed it from the beginning of you lost balance in the | :11:36. | :11:40. | |
centre. You got shakey and lost your frame. That's so hard. Such a | :11:41. | :11:48. | |
detailed tango. Lovely, to lose it at the end was such a shame. Really, | :11:49. | :11:54. | |
otherwise, stunning. Stunning. I think we all agree. | :11:55. | :11:56. | |
Well done. You didn't like the tango, did you? Every time I watched | :11:57. | :12:21. | |
you training you were like, I have to be stompy, this doesn't make | :12:22. | :12:25. | |
sense. Did you enjoy that? I did. Every dance you learn it's a new | :12:26. | :12:28. | |
experience. You start off really nervous. I'm nervous until I've | :12:29. | :12:35. | |
finished it. Then I'm, I love it. Now I like it. Well done. The scores | :12:36. | :12:37. | |
are in. The judges' scores are in. Lovely to get a 10. How do you feel? | :12:38. | :13:05. | |
Is Fingers crossed. All right, fingers crossed. | :13:06. | :13:08. | |
If you want to keep Louise and Kevin in the competition, | :13:09. | :13:10. | |
all the information you need is on your screen now so you can | :13:11. | :13:13. | |
vote for them when the vote opens later in the show. | :13:14. | :13:16. | |
It's time for the terms and conditions. | :13:17. | :13:25. | |
I need to be very clear about the fact you can't vote | :13:26. | :13:27. | |
until all our couples have danced twice. | :13:28. | :13:29. | |
So just to hammer it home, I've prepared a few | :13:30. | :13:32. | |
Calls cost 15p plus any network access charge and, please, ask | :13:33. | :13:35. | |
Plus you can vote for free online at bbc.co.uk/strictly. | :13:36. | :13:38. | |
The vote won't open until all our couples have danced twice - | :13:39. | :13:41. | |
yes, twice - so, please, don't vote until I tell you. | :13:42. | :13:44. | |
If you do, your vote won't count and you may be charged. | :13:45. | :13:47. | |
If you are at home having a second birthday tomorrow, let us know. We | :13:48. | :13:51. | |
have a whole lot of stuff for you. Tess. | :13:52. | :13:55. | |
Our next couple are semi-finalists are Danny and his partner, Oti. | :13:56. | :13:58. | |
Their first routine is a dance packe with drama and tension. | :13:59. | :14:03. | |
It's actually a Salsa, but this is the semi-final and every | :14:04. | :14:06. | |
single dance tonight will have us on the edge of our seats. | :14:07. | :14:17. | |
Saturday night I was terrified. I tangoed to a disco song. That | :14:18. | :14:26. | |
routine was so fast. It would have taken one wrong step and we were | :14:27. | :14:29. | |
wrong. You have to step forward on your heel, that was lacking here and | :14:30. | :14:35. | |
there. You have to fix that. We made it to the semi-final. I'm just so | :14:36. | :14:41. | |
glad people kept us in. I honestly don't know if I could have done that | :14:42. | :14:46. | |
routine again. Our first dance this week is a salsa. | :14:47. | :14:50. | |
The last Latin we did went really well. I'd love to pick up where we | :14:51. | :14:54. | |
left off, go out there and smash this one. Because it's such a big | :14:55. | :15:00. | |
week I have a treat for I can't wait you. . Good luck, Danny, we loved | :15:01. | :15:06. | |
your samba. We love your muscles. Go, Danny. Go Oti. Come on Danny. | :15:07. | :15:13. | |
That was the cutest kid. The support from the public has been just | :15:14. | :15:20. | |
remarkable. You have the best moves. Bless them. We are rooting for you. | :15:21. | :15:27. | |
Good luck, mate. I can't explain how overwhelming it is to know that | :15:28. | :15:31. | |
people you never even met want you to do well. We are only here because | :15:32. | :15:36. | |
of them, and I'm having the time of my life. Come on, Danny, you can do | :15:37. | :15:39. | |
it. CHEERING. Dancing the Salsa, | :15:40. | :15:43. | |
Danny Mac and Oti Mabuse. Wow, that reaction from the | :15:44. | :18:00. | |
audience! The hips are hypnotic! Yes, Bruno! | :18:01. | :18:09. | |
Yes! I am loving it! I love the flap boy apes, the flair. -- flamboyance. | :18:10. | :18:17. | |
The flair. All the sequence of the underarms, so fluid, you never lost | :18:18. | :18:21. | |
control. She was going into places that actually never thought | :18:22. | :18:26. | |
possible. Oti, my darling, you are a very naughty girl and that was a | :18:27. | :18:31. | |
very naughty Salsa! Loved it. Loved it. You would. Naughty boy. | :18:32. | :18:39. | |
Will that salsa fast-track Danny to the final, Craig? It lacked for me | :18:40. | :18:45. | |
figure eight rotation in the hip and that's - and the forward and back | :18:46. | :18:51. | |
basic, that really was the only thing missing. And really difficult | :18:52. | :19:01. | |
preparation grips for those lifts which were absolutely amazing! Yes | :19:02. | :19:09. | |
the lifts were phenomenal. Three or nearly four, I mean, the detail, | :19:10. | :19:20. | |
such intricate fabulous lifts. Oti, you really put him to test. All the | :19:21. | :19:25. | |
beautiful turns, you kept it free. Maybe I would have loved more | :19:26. | :19:32. | |
wildness from you. It was funny, you were slightly tentative, only in the | :19:33. | :19:39. | |
basics. I did feel there could have been more attitude. Look at his | :19:40. | :19:44. | |
face! LAUGHTER | :19:45. | :19:53. | |
He's fallen off his chair. First time, semifinals t had to happen. | :19:54. | :20:00. | |
Have you put your back out, love? Are you all right? It was still a | :20:01. | :20:08. | |
fabulous salsa. Thanks, Darcey. Len? Well, it was like my breakfast | :20:09. | :20:17. | |
porridge, tasty, satisfying, with a bit of Oti flavour. Come on! The | :20:18. | :20:25. | |
salsa comes from Cuba and it was like a Cuban evening, hot and | :20:26. | :20:33. | |
steamy! Oh, yes. Your bum... I am a little bit - don't start - I am | :20:34. | :20:37. | |
leaning towards Craig, on occasions - I am not even going to say it now. | :20:38. | :20:46. | |
You have upset me. Listen, you are a fantastic dancer. Whatever happens | :20:47. | :20:50. | |
tonight, you're fantastic. No disputing that. Thank you, judges. | :20:51. | :20:59. | |
You made Bruno fall off his chair for the first time this series. See | :21:00. | :21:04. | |
you later for the American Smooth. Danny and Oti! | :21:05. | :21:12. | |
APPLAUSE Danny and Oti, well done. Two | :21:13. | :21:17. | |
dances. You are such a team. How has your week been, is it confusing? Did | :21:18. | :21:21. | |
you keep thinking am I doing the American smooth? It's been busy. We | :21:22. | :21:25. | |
said at the beginning whatever happens, let's enjoy it, because if | :21:26. | :21:28. | |
it's our last you want to make the most of of it. You don't want to | :21:29. | :21:31. | |
worry all week and go out disappointed. You would rather go | :21:32. | :21:34. | |
out enjoying it. Well done. The scores are in. | :21:35. | :22:01. | |
My favourite thing is listening to these guys. They would give you 80 | :22:02. | :22:06. | |
if they could. If you want to keep them | :22:07. | :22:08. | |
in the competition, all the information you need | :22:09. | :22:11. | |
is on your screen now so you can vote for Danny and Oti | :22:12. | :22:14. | |
when the vote opens, after all our couples | :22:15. | :22:16. | |
have danced twice. Still to come, Ore and Joanne | :22:17. | :22:18. | |
put crash helmets on. What a coincidence, | :22:19. | :22:20. | |
that's how I do my hair. Dancing next is Claudia | :22:21. | :22:22. | |
and her partner, AJ. Last week, they got their | :22:23. | :22:27. | |
first 10 of the series. But it's not just the judges who've | :22:28. | :22:33. | |
been impressed by their dancing. Claudia's been a big hit with people | :22:34. | :22:36. | |
all over the country. Last week you got the first 10. I | :22:37. | :22:47. | |
couldn't stop smiling and laughing all the way through. You are a | :22:48. | :22:52. | |
terrific dancer and you are a bundle of joy. And you didn't drop me, so | :22:53. | :22:58. | |
it was all right. The first dance this week is the rumba. Doing things | :22:59. | :23:04. | |
slower and really just feeling the music. I don't think people realise | :23:05. | :23:10. | |
how hard it is. You completely change 12 years of gymnastics to | :23:11. | :23:14. | |
three days of doing a rumba. It's been a challenge, I have the right | :23:15. | :23:20. | |
thing to motivate Claudia. Good luck, Claudia am. Your Argentine | :23:21. | :23:27. | |
tango was fantastic. Go, Claudia and AJ. Bring the glitterball back for | :23:28. | :23:35. | |
us! We are right behind you. Bristol, love it. I love the | :23:36. | :23:39. | |
Charleston you did, get to the final and nail it. AJ, please don't drop | :23:40. | :23:48. | |
Claudia. Good luck, Claudia! Claudia to win, definitely for the short | :23:49. | :23:56. | |
people. Yes! You are the greatest gymnast and the greatest dancer. | :23:57. | :24:02. | |
She's so good. It's nice that everyone's really enjoyed our | :24:03. | :24:04. | |
routines and how far we progressed and I want to keep making everyone | :24:05. | :24:06. | |
proud. Dancing the Rumba, | :24:07. | :24:11. | |
Claudia Fragapane and AJ Pritchard. Well done, my darling! | :24:12. | :26:25. | |
Such a mature performance. Love that. We were all lost in there with | :26:26. | :26:31. | |
you then for a moment. Wonderful. APPLAUSE AND CHEERING | :26:32. | :26:37. | |
Well done. Craig, they have two chance chances to impress you | :26:38. | :26:40. | |
tonight, how was the first? I thought it was a little bit square, | :26:41. | :26:47. | |
if I am being completely honest. The held moments seemed to stop dead, | :26:48. | :26:51. | |
rather than continue the flow of the dance. You are hitting all the | :26:52. | :26:55. | |
positions but I felt it lacked a little bit of chemistry because of | :26:56. | :27:00. | |
that. I tell you what, I did love, and of course we expect from a | :27:01. | :27:05. | |
gymnast, beautiful moves with the unfolding of the leg and a beautiful | :27:06. | :27:09. | |
pointed foot, you had total control throughout. You really truly are | :27:10. | :27:17. | |
wonderful, darling. Not wrong there. Do you think Claudia embraced the | :27:18. | :27:21. | |
character of the rumba sufficiently, Darcey? There are some wonderful | :27:22. | :27:25. | |
moments, definitely. Some beautiful things. As Craig said, how you | :27:26. | :27:34. | |
extend and unfold those legs. There were lots of those moves. It was how | :27:35. | :27:39. | |
you fill out the music and everything but there has to be an | :27:40. | :27:43. | |
emotional connection and I was trying to watch that you had eye | :27:44. | :27:46. | |
contact but it's like this intent that has to follow through in the | :27:47. | :27:50. | |
move. It's not just doing the actions that you are asked off, it's | :27:51. | :27:53. | |
having a connection with the emotion. This is a very difficult | :27:54. | :27:57. | |
thing and you do that with experience and life experience and | :27:58. | :27:59. | |
you are young and this is the hardest challenge for you and I can | :28:00. | :28:03. | |
see that. But there are some very, very special things in there. It's | :28:04. | :28:07. | |
just that narrative that really has to shine through that is just | :28:08. | :28:13. | |
missing. You are so young and you are great | :28:14. | :28:21. | |
mates. Len? You are dressed as my favourite Quality Street. I tell you | :28:22. | :28:27. | |
what, that was a quality rumba. It was clean. It was precise. Always | :28:28. | :28:36. | |
under total control. I don't know the technical terms because it's | :28:37. | :28:42. | |
ballet, but there was a lot of cocking your leg up. Is that the... | :28:43. | :28:46. | |
There was a lot of those that didn't get on my nerves because you did | :28:47. | :28:51. | |
them beautifully. I would have liked more hip action here and there, but | :28:52. | :28:55. | |
as I think somebody said, you are a lovely dancer, you really are. | :28:56. | :29:08. | |
Beautiful control. Bruno? As always, wonderfully placed shapes beautiful, | :29:09. | :29:11. | |
patterns beautiful. Lines, you can do these lines as wonderful as | :29:12. | :29:14. | |
anyone. You know what it is with the hip action in the rumba, when you | :29:15. | :29:20. | |
started it, it has to continue through the body. It's almost like | :29:21. | :29:28. | |
a... He is up again! Don't point at me! It brings a sense of maturity to | :29:29. | :29:34. | |
it. You are a very young girl and you are playing it at a light level, | :29:35. | :29:40. | |
it needs a slight more intense attitude and keep that flow, not | :29:41. | :29:45. | |
just stopping here. It has to go all the way through, but beautifully | :29:46. | :29:50. | |
done. That's your first dance. The | :29:51. | :29:52. | |
quickstep is later. Looking forward to that. Off you go, it's Claudia | :29:53. | :29:57. | |
and AJ! APPLAUSE | :29:58. | :30:07. | |
We loved it. Are you disappointed by the judges remarks. Your fellow | :30:08. | :30:16. | |
professionals were like - what? We thought it was magnificent. They | :30:17. | :30:24. | |
said you were a beautiful dancer and they wanted more connection. We | :30:25. | :30:28. | |
worked hard on all the steps and connecting. I'm a little bit | :30:29. | :30:34. | |
disappointed. But it's OK. Have you another dance to do. We thought we | :30:35. | :30:37. | |
were absolutely amazing. They are shouting, "under marked." | :30:38. | :31:01. | |
You have a Quickstep coming up. Are you looked forward to it? Yeah, I'm | :31:02. | :31:03. | |
going to bring it. Good, girl. If you want to keep Ore | :31:04. | :31:08. | |
and Joanne in the competition, all the information you need | :31:09. | :31:10. | |
is on your screen now so you can vote for them when the vote opens | :31:11. | :31:14. | |
at the end of the show. Our next couple is Ore | :31:15. | :31:32. | |
and his partner, Joanne. Last week, he survived | :31:33. | :31:34. | |
the dance-off, and being here in the semi-final | :31:35. | :31:37. | |
means everything to Ore, but can tonight's Quickstep take him | :31:38. | :31:39. | |
all the way to the final? I hope so. I absolutely loved that | :31:40. | :31:49. | |
Foxtrot, it was the most magical week I think I've ever had. I think | :31:50. | :31:54. | |
the pressure of the quarter finals maybe got to me. A couple of little | :31:55. | :31:58. | |
unsteady moments for me in those hovers. It's Ore and Joanne. | :31:59. | :32:03. | |
Thankfully, we are still here. I don't want to go home. I am a' | :32:04. | :32:06. | |
willing to put everything on the line. We are in the semi-finals. | :32:07. | :32:14. | |
We're in the semi-finals! Our first dance this week is the Quickstep. I | :32:15. | :32:20. | |
want it to be a Quickstep that everybody goes -- wow. Yes. You | :32:21. | :32:25. | |
cover so much ground and at serious speed. If you can't keep up, then | :32:26. | :32:30. | |
good night. Sorry, sorry. Today I brought in to training some messages | :32:31. | :32:34. | |
of support from the public. Good luck, we have enjoyed watching you | :32:35. | :32:39. | |
every week. Good luck, we think you've done amazingly well. Thanks. | :32:40. | :32:44. | |
I loved your jive. Good luck for the semi-final. Oh, yes. Get those kicks | :32:45. | :32:51. | |
and flicks. We love you. We thought your jive was amazing. Good You have | :32:52. | :32:54. | |
been luck. Great from the beginning. Keep up the hard work. Good luck, | :32:55. | :33:01. | |
Ore and Joanne. See you in the finals. That is the motivation. | :33:02. | :33:06. | |
We have to make sure... We do them proud. We do that. Let's do it. | :33:07. | :33:11. | |
Dancing the Quickstep, Ore Oduba and Joanne Clifton. | :33:12. | :33:13. | |
Soak it up. CHEERING AND APPLAUSE Listen to that | :33:14. | :35:44. | |
reaction. Your mum is so proud. Your first dance of the semi-final, how | :35:45. | :35:48. | |
did it feel? The most amazing thing EVER! We are with you there. They | :35:49. | :35:54. | |
are dancing for a place in the final, Darcey. What do you think? | :35:55. | :35:59. | |
Wow, you came alive. You certainly did. It was terrific foot work. I | :36:00. | :36:06. | |
thought you were on your bike as you sped past us across the dance floor. | :36:07. | :36:11. | |
It's very difficult with that music. You could have got carried away. You | :36:12. | :36:18. | |
kept and composed. Sometimes you worked hard at not opening up your | :36:19. | :36:23. | |
frame. Jo was saying - no, stay, stay. She does that. The energy, the | :36:24. | :36:28. | |
attack, the focus was all there. Well done. Len. I don't know if that | :36:29. | :36:40. | |
motorbike is a Triumph, I tell you what, that Quickstep was. Quickstep, | :36:41. | :36:47. | |
speed and control. You had both of those. The key to it is - move fast, | :36:48. | :36:51. | |
but don't look rushed. You never did. You looked under complete | :36:52. | :36:57. | |
control throughout the dance. It was a fantastic dance. | :36:58. | :37:04. | |
I think I might cry in a minute. Did that get you Reeved up Bruno, it | :37:05. | :37:20. | |
don't take much. Did it just. Firing ing up. Rocking that leather look | :37:21. | :37:27. | |
and shaking it to the foundations. What is very difficult is getting a | :37:28. | :37:32. | |
theme and leaving the theme, being totally into character, | :37:33. | :37:38. | |
rock-and-roll, sexy, cheeky and yet the Quickstep was perfectically | :37:39. | :37:45. | |
identifiable as a fantastic dance. Second standing ovation. I don't | :37:46. | :37:51. | |
think I've ever seen this before. Craig, please don't spoil it. Jo set | :37:52. | :37:56. | |
a high standard in that and didn't make it easy, which I think is a | :37:57. | :38:02. | |
good thing. However, I think your posture was suffering slightly I | :38:03. | :38:05. | |
thought you were dancing a little bit too much with your leading arm. | :38:06. | :38:12. | |
There was one - What are you on about! I'm talking about... Bruno, | :38:13. | :38:18. | |
help me out here. You make it. You just say... I do not make it, Len, | :38:19. | :38:24. | |
I'm not making things up. Why would I make something up? There was one | :38:25. | :38:32. | |
moment that wasn't actually in sync. There was... Strangely, only you saw | :38:33. | :38:36. | |
that, Craig. We loved it. Thank you so much judges for your comments. | :38:37. | :38:38. | |
Please don't fall out. They are bowing it to you. Are you a | :38:39. | :39:01. | |
sport presenter. You didn't dance at your own wedding. You are in the | :39:02. | :39:05. | |
semi-final of Strictly Come Dancing. I love seeing your parents face. | :39:06. | :39:10. | |
They have flown here. Your dad flew in early from Niger yachl he was | :39:11. | :39:14. | |
screaming as you were dancing - in a good way, I should say. The scores | :39:15. | :39:15. | |
are in. Well done. Well done. You have an | :39:16. | :39:55. | |
Argentine Tango next. My parents are here with my wife. Coming from | :39:56. | :39:59. | |
Nigeria, I want to do them proud. They have never seen me do anything, | :40:00. | :40:03. | |
let alone dance. This one will be for them. I'm having the bs time. | :40:04. | :40:06. | |
Thank you! If you want to keep Ore | :40:07. | :40:09. | |
and Joanne in the competition, all the information you need | :40:10. | :40:11. | |
is on your screen now so you can vote for them when the vote opens | :40:12. | :40:14. | |
at the end of the show. So, all our couples have now danced | :40:15. | :40:18. | |
once which means we've reached the half-way point | :40:19. | :40:20. | |
in our semi-final. Let's take a look | :40:21. | :40:22. | |
at the leaderboard. At the top, correct, Ore and Joanne | :40:23. | :40:28. | |
are at the top. At the other end, still with 35, Claudia and AJ. | :40:29. | :40:33. | |
Our couples still have one more routine to perform tonight, | :40:34. | :40:35. | |
Remember the vote won't open until all couples | :40:36. | :40:39. | |
We still have all this still to come. | :40:40. | :40:45. | |
My two dances couldn't be more different. The samba, everything is | :40:46. | :40:50. | |
moving, it's that is bounce, that hip action. I feel like my brain is | :40:51. | :40:56. | |
just filled with choreography. Straight knees, up or down? So much | :40:57. | :41:01. | |
going on. I'm loving the Quickstep. It's so cool. I'm jumping all over | :41:02. | :41:09. | |
the place. I love it. With the Argentine tango you have to make | :41:10. | :41:13. | |
sure your movements are snappy. It's got to pop. Now, everything counts. | :41:14. | :41:20. | |
Can't wait to see what is coming up. Danny and Oti will be dancing by a | :41:21. | :41:25. | |
lake. Yes, I'm doing a bit | :41:26. | :41:28. | |
of fishing in it. Every time you go near a prop | :41:29. | :41:31. | |
you let it go and it's a disaster. Not in the semi-final, | :41:32. | :41:34. | |
I've glued my hands to it. It's time to welcome back Louise | :41:35. | :41:36. | |
and her partner, Kevin. Over the series, Louise has gained | :41:37. | :41:51. | |
plenty of supporters But can she gain a place | :41:52. | :41:59. | |
in next week's final? Let's find out what | :42:00. | :42:23. | |
the judges have to say. Louise, what a class act. How | :42:24. | :42:35. | |
consistent has this girl been? She has a lovely emotion she's able to | :42:36. | :42:39. | |
deliver through her moves. It's rare to see. I, for the first three or | :42:40. | :42:45. | |
four weeks, was a little bit disappointed with Louise. She | :42:46. | :42:51. | |
plateaued. The Rumba lacked the necessary excitement. You have to | :42:52. | :42:55. | |
stretch out those lines. It's frustrating when you can see someone | :42:56. | :42:59. | |
who can produce them, she wasn't. You have to grow into loving dances. | :43:00. | :43:04. | |
This Argentine tango was the moment that something clicked. Beautiful | :43:05. | :43:13. | |
shaping in the arms. She nailed the sultry, sensual quality that we've | :43:14. | :43:18. | |
never seen before. She can do it. She's grown so much as a dancer with | :43:19. | :43:23. | |
the confidence level. I think that's all she was lacking. She has a | :43:24. | :43:27. | |
delicious amount of musicality. That is what I love watching. Louise is | :43:28. | :43:36. | |
doing the samba this week. Samba always is very, very tricky. You | :43:37. | :43:39. | |
have to get that party atmosphere. Yes. But still get technique and | :43:40. | :43:46. | |
rhythm. Nigh I don't know if Louise is a party animal. We will have to | :43:47. | :43:52. | |
wait and see. I just think, when you watch the samba, all parts of the | :43:53. | :43:56. | |
body are doing something different. This samba could be thes difference | :43:57. | :44:00. | |
of me staying in the competition and getting to the final or going home. | :44:01. | :44:07. | |
If ever there is a time I musn't hold back, I think it's going to be | :44:08. | :44:09. | |
on this dance. Dancing the Samba, | :44:10. | :44:12. | |
Louise Redknapp and Kevin Clifton. I am so proud of you, well done. | :44:13. | :46:20. | |
You didn't hold back, did you, you party animal! Loved it. | :46:21. | :46:25. | |
That was your last dance and your last shot at the final. Len, how did | :46:26. | :46:30. | |
she do? You know, last week I said the quickstep lacked a little bit of | :46:31. | :46:36. | |
content. Well, you have gone overboard. You even did the maypole, | :46:37. | :46:44. | |
I haven't seen that ever! Must be 50 years old. You came out full of | :46:45. | :46:49. | |
rhythm and attitude. What I love is you performed the dance and earlier | :46:50. | :46:52. | |
on that's what you weren't doing, but now you are coming out and | :46:53. | :46:57. | |
performing. You hung on a bit in the pivots. But overall what a great | :46:58. | :47:09. | |
samba. Congratulations. Bruno. Oh, how tooty-fruity was that samba? | :47:10. | :47:13. | |
It's easy to capture the colour and the flavour of the samba, you know, | :47:14. | :47:18. | |
shake it about and jump up and down, but what you did is you put in an | :47:19. | :47:22. | |
incredible amount of content. You really made it very hard for | :47:23. | :47:26. | |
yourself because it's probably one of the hardest dances to do. Yes, | :47:27. | :47:33. | |
there was a moment... Oops, where am I? Oh, I am back in, I know what I | :47:34. | :47:38. | |
am doing. I have to appreciate the fact that you stacked this dance | :47:39. | :47:41. | |
with everything you could possibly put in. Great. | :47:42. | :47:52. | |
Craig. For me there wasn't enough of upper body energy or resistance in | :47:53. | :47:59. | |
the top half of your body. I thought you could have made the bounce a | :48:00. | :48:05. | |
little bit more, but you are dancing to Kevin who just goes mad! But what | :48:06. | :48:12. | |
a vivacious performance, incredible. Darcey. A classic samba. The joy in | :48:13. | :48:20. | |
your face from the beginning, I loved all the backward rocks. The | :48:21. | :48:24. | |
tautness in your upper body, not what he was saying, I thought was | :48:25. | :48:27. | |
all there. It's just keeping all that detail until the very end. That | :48:28. | :48:31. | |
energy has to stay as high as possible and I always can tell when | :48:32. | :48:35. | |
you are coming to the end and I don't want to know that, it was | :48:36. | :48:40. | |
still absolutely charming and I did notice you were flirting a little | :48:41. | :48:45. | |
bit with your partner, which was very nice. They've done all they can | :48:46. | :48:54. | |
but will it be enough? Let's hope so. It's Louise and Kevin! Off you | :48:55. | :48:57. | |
go. I am going to use the word journey | :48:58. | :49:18. | |
because you have been on one. Can we remind that when you started you | :49:19. | :49:22. | |
were self-conscious and didn't want to do it and now you are wearing a | :49:23. | :49:26. | |
fringe dress and a fruit hat. I didn't believe it. Now and again I | :49:27. | :49:32. | |
catch a glimpse of myself and I am like, is that me in that hat? Well | :49:33. | :49:34. | |
done. The scores are in. If you want to see Louise and Kevin | :49:35. | :49:52. | |
through to next week's final all the information you need | :49:53. | :49:59. | |
is on your screen now so you can vote for them when the vote opens | :50:00. | :50:02. | |
at the end of the show. Still to come, Claudia dances | :50:03. | :50:05. | |
to When You're Smiling, which I believe is | :50:06. | :50:09. | |
Craig's theme tune. You got that right! He is smiling | :50:10. | :50:10. | |
now. Back for their second dance | :50:11. | :50:19. | |
are Danny and his partner, Oti. Since he was joint top | :50:20. | :50:21. | |
of the leaderboard on week two Danny He is now looking forward ? | :50:22. | :50:28. | |
hoping to secure a place Can he maintain this | :50:29. | :50:31. | |
incredible standard? Let's find out what | :50:32. | :50:34. | |
the judges think. Danny Mac, what a talent. Looks | :50:35. | :50:43. | |
brilliant, dances sensationally. What a showman. He is the one to | :50:44. | :50:49. | |
beat. That samba, they threw everything at it. He had to produce | :50:50. | :50:54. | |
that hip movement, so clean and so exact. It's the first samba to ever | :50:55. | :51:02. | |
get 40. What I loved about this Argentine tango, OK it didn't have | :51:03. | :51:07. | |
that intimate mood, at first I was dubious about it, however, the | :51:08. | :51:10. | |
precision. It's quick and sharp and to the point and he also tells a | :51:11. | :51:16. | |
magnificent story. It was absolutely incredible. That Charleston in | :51:17. | :51:23. | |
Blackpool. Absolutely stunning. That shows you the showmanship. Difficult | :51:24. | :51:27. | |
and rhythm changes constantly. It was the first time I couldn't | :51:28. | :51:31. | |
identify that he was not the professional dancer. Coming up to | :51:32. | :51:35. | |
the final my worry is that the routines are going to get | :51:36. | :51:38. | |
overcomplex and he will struggle to perform. They're all neck-and-neck. | :51:39. | :51:43. | |
One false move and you're gone. This week Danny is going to be doing the | :51:44. | :51:47. | |
American Smooth. I think this will really suit him. He is a little bit | :51:48. | :51:52. | |
of a Gene Kelly. He certainly knows how to move, doesn't he? It's been a | :51:53. | :51:57. | |
while since we have done a dance like this so it's a great time to be | :51:58. | :52:02. | |
bringing it out. For Danny and I to impress the judges we have to bring | :52:03. | :52:04. | |
something new to the table because it's the dance that could get us to | :52:05. | :52:09. | |
the final. I would love nothing more than to take Oti through to the | :52:10. | :52:14. | |
final of this competition. To go out at this stage will be devastating. | :52:15. | :52:21. | |
Dancing the American Smooth, Danny Mac and Oti Mabuse. | :52:22. | :52:39. | |
Oh my goodness! That was incredible! So much trust between... Thank | :52:40. | :54:40. | |
goodness you caught her! My heart was in my mouth. I was like that all | :54:41. | :54:45. | |
week. I am not surprised. She came at you like a bullet! OK. You judges | :54:46. | :54:52. | |
all loved the lifts in the salsa, what about those lifts? I was | :54:53. | :54:57. | |
totally and completely swept away by the motion and emotion of this | :54:58. | :55:03. | |
dance. What I like, you put in some elements of contemporary jazz into | :55:04. | :55:07. | |
it that were just perfect. And enhancing the story. It really was | :55:08. | :55:15. | |
exquisite story-telling. Craig. I hope you agree. That was right up my | :55:16. | :55:27. | |
street. I loved it! Finally, not a negative word to be | :55:28. | :55:34. | |
heard. Darcey. You achieved controlled quality all the way | :55:35. | :55:37. | |
through the rotations and then that lovely pivot. Some really nice | :55:38. | :55:40. | |
things, the transitions out of some of those lifts. There was one lift | :55:41. | :55:45. | |
for me that looked very clumsy and that is the only one that - that | :55:46. | :55:48. | |
swivel around the waist looked out of context. Otherwise, stunning. | :55:49. | :55:55. | |
Len, you said in the judges' report that Danny is the one to beat. Do | :55:56. | :56:01. | |
you still agree? Well, on that dance I have to agree with Craig now, that | :56:02. | :56:07. | |
is right up my alley! I tell you that. I know what you are thinking, | :56:08. | :56:13. | |
I know, you are thinking I only did natural turns, there was no reverse | :56:14. | :56:18. | |
turns, but you did the natural turns so beautifully I am going to forgive | :56:19. | :56:24. | |
you. Thank you judges. Go and get your | :56:25. | :56:34. | |
second set of scores. Danny and Oti! APPLAUSE AND CHEERING | :56:35. | :56:42. | |
Well done. Getting remarks like that after you have worked so hard must | :56:43. | :56:54. | |
mean everything. It really does. Oti honestly, you are extraordinary. | :56:55. | :56:59. | |
That jump, I was like... The scores are in. | :57:00. | :57:21. | |
If you want to see Danny and Oti in the final | :57:22. | :57:24. | |
then all the information is on your screen now so you can | :57:25. | :57:27. | |
vote for them when voting opens at the end of show. | :57:28. | :57:31. | |
If you want to vote online you have to sign in or register if you | :57:32. | :57:36. | |
haven't already. Still to come, more double dancing. If you are playing | :57:37. | :57:40. | |
that game where you have a small drink every time we say double | :57:41. | :57:44. | |
dancing, you might want to lie down. Tess. | :57:45. | :57:49. | |
About to dance for the second time tonight is Claudia | :57:50. | :57:51. | |
Over the series, Claudia has really put her heart and soul into Strictly | :57:52. | :57:57. | |
and it's beginning to pay dividends because it's got her all | :57:58. | :57:59. | |
But can she make it to the final three? | :58:00. | :58:03. | |
Claudia. Little Miss Dynamite. What I love, she comes out, full on, flat | :58:04. | :58:16. | |
out and full of attack. Nothing safe. AJ's done a great job. Movie | :58:17. | :58:22. | |
week, her Bugsy Malone, it was perfect. It was her. You could tell | :58:23. | :58:28. | |
she loved every minute. Technically that was absolutely brilliant! | :58:29. | :58:34. | |
I don't think I have ever seen any girl do better footwork than her | :58:35. | :58:40. | |
American smooth Hallowe'en week. She has something special, I love | :58:41. | :58:45. | |
watching her. She has an incredible reserve of energy. Those lifts in | :58:46. | :58:50. | |
that Argentine tango, incredible. Precise. Claudia I have a problem | :58:51. | :58:55. | |
with, she doesn't commit emotionally to any of the dances, I love what | :58:56. | :59:01. | |
she does with her body but it's what inside her body and soul coming out, | :59:02. | :59:09. | |
you have to tell the story. Emotional impact, not just because | :59:10. | :59:13. | |
you can nail the moves, but nail the mood. This week Claudia is doing the | :59:14. | :59:19. | |
quickstep, I am looking forward to that, she's fast and furious. Will | :59:20. | :59:23. | |
she be elegant and romantic? Her place in the final is dependent on | :59:24. | :59:27. | |
whether or not she can actually sell the character. I really want to | :59:28. | :59:33. | |
impress the judges with my quickstep and show them I can get my emotional | :59:34. | :59:38. | |
side out and I want to perform to my best and tell an amazing story to | :59:39. | :59:40. | |
touch everyone's hearts at home. Dancing the Quickstep, | :59:41. | :59:46. | |
Claudia Fragapane and AJ Pritchard. Did that get you smiling, Craig? It | :59:47. | :01:57. | |
did. I absolutely loved the end of that routine. It was just a | :01:58. | :02:05. | |
fantastic finish. You kept character. It looked like you were | :02:06. | :02:12. | |
dancing for your life. Brilliant. Dancing for your lives, indeed for | :02:13. | :02:15. | |
the final. You look lovely when you smile, you should do it more often. | :02:16. | :02:20. | |
Darcey. It was light, energetic. I loved the routine. One moment you | :02:21. | :02:23. | |
were like carving up the dance floor. It was stunning how the | :02:24. | :02:27. | |
patterns how they curled. You went right to the edge of the dance | :02:28. | :02:32. | |
floor. Really impressive. You had a generous top line throughout. You | :02:33. | :02:38. | |
are one fit girl. You really are. I have to say. There was only tiny | :02:39. | :02:43. | |
moments where there was slight gapping. Oh, stop. We are being | :02:44. | :02:49. | |
picky here. This is the semi-finals. This is your dance. It's fabulous. | :02:50. | :02:59. | |
Len. For me, you have gone from gymnastic to fantastic. Oh! The | :03:00. | :03:09. | |
thing is, I've done ballroom, I've danced hundreds and thousands of | :03:10. | :03:13. | |
Quicksteps, I know the difficulty when there is a height difference. | :03:14. | :03:18. | |
You overcame that with this dance. I congratulate you both. Fair point. | :03:19. | :03:25. | |
Very impressive. Bruno. This dance suits you down to a tee. You were | :03:26. | :03:31. | |
like a ray of sunshine out there. What was extraordinary was your foot | :03:32. | :03:36. | |
work. You both had spring and sprint and you were weightless and you | :03:37. | :03:42. | |
never missed a beat on this dance. Another thing you did, you did turns | :03:43. | :03:49. | |
with sway in which, you know... I don't I've seen it this season. | :03:50. | :03:57. | |
Probably the first time FAB-U-LOUS. Indeed. They are dancing for their | :03:58. | :04:05. | |
lives. Stealing Craig's catchphrase. I'm so proud of you. Off you go. | :04:06. | :04:09. | |
So happy. You train so hard. You said you had to unlearn all of your | :04:10. | :04:28. | |
gymnast training especially for that dance. Doing gymnastics and dancing | :04:29. | :04:33. | |
is the opposite. AJ had to work hard with me. I can't thank you enough. | :04:34. | :04:38. | |
You had a tough week, but they said it was your dance. | :04:39. | :04:40. | |
That is your highest score. Fantastic. Your first 10 from Len. | :04:41. | :05:10. | |
Right time to get one, the semi-final! | :05:11. | :05:13. | |
If you want to see Claudia and AJ in the final all the information | :05:14. | :05:17. | |
you need is on your screen now so you can vote for them | :05:18. | :05:20. | |
when the vote opens at the end of the show. | :05:21. | :05:22. | |
You don't have long to wait because we have just one | :05:23. | :05:25. | |
Our final couple to take to the floor again is | :05:26. | :05:30. | |
It's been a topsy-turvy series for Ore. | :05:31. | :05:35. | |
He's shed tears of joy, he's been top of the leaderboard | :05:36. | :05:37. | |
and he's also survived two Dance Offs. | :05:38. | :05:39. | |
What next for Ore - a place in the final? | :05:40. | :05:41. | |
Ore with lovely Joanne. They perform so well together. Wh when they dance | :05:42. | :05:57. | |
they are completely unite and in tune. You know what I love about | :05:58. | :06:05. | |
them, he is so emotional. Other ray has passion. Do you remember that | :06:06. | :06:11. | |
jive early on? That was the surprise of the season. His flexibility, his | :06:12. | :06:15. | |
strength, his stamina, I was not expecting that. Look at that foot | :06:16. | :06:21. | |
work. Speed an flare. It was a pure jive. It was brill yanlt. A star is | :06:22. | :06:29. | |
born. I will throw a number out to you Singing In The Rain. How | :06:30. | :06:34. | |
incredible was that? The quality, the style. His acting skills. It all | :06:35. | :06:40. | |
was just like a perfect rounded performance. I was shocked. Ore | :06:41. | :06:45. | |
really needs to work on hisify work. He has a small tendency to turn his | :06:46. | :06:53. | |
feet in. Pigeon toed. In the la tin dances -- his. He is doing the | :06:54. | :07:00. | |
Argentine tango for a place in the final. All that emotion and passion | :07:01. | :07:06. | |
will come out. I can't wait. I'm excited about this dance. We have to | :07:07. | :07:14. | |
throw ourselves fully into it. Go big, or go home. I'm hoping we can | :07:15. | :07:19. | |
capture the intensity and the passion. We really need to make sure | :07:20. | :07:30. | |
that this is the most powerful Argentine tango this Strictly has | :07:31. | :07:31. | |
ever seen. Dancing the Argentine Tango, | :07:32. | :07:34. | |
Ore Oduba and Joanne Clifton. What a dance to end the semi-final. | :07:35. | :09:43. | |
So powerful. So intense. You brought out the big guns for that one, Ore. | :09:44. | :09:48. | |
Wow. I won't be able to get that out of my head for quite a while. What | :09:49. | :09:57. | |
did you think Darcey? Fast and furious Argentine tango. Difficult | :09:58. | :09:59. | |
to express that Space passion when it's that speed. You found moments | :10:00. | :10:05. | |
of intensity. The tension was lovely. It really was. That | :10:06. | :10:10. | |
one-handed lift, you caught her. That was extraordinary. That was, | :10:11. | :10:16. | |
really... I was like that, ah! You do have this lovely quality, you are | :10:17. | :10:21. | |
an attentive partner. That really showed. You don't take your eyes off | :10:22. | :10:29. | |
her. That is very special in Argentine tango. The risk... The | :10:30. | :10:34. | |
risk at the end. Create that beat. That half beat to catch that finish. | :10:35. | :10:44. | |
It was perfect. Was that worthy of a place in in the final, Len? I have | :10:45. | :10:51. | |
to say, what amazes me, Ore, you can make a case out for the other three, | :10:52. | :10:56. | |
but you are a gymnast or they have been on musical theatre and stuff. | :10:57. | :11:03. | |
You have no dance experience. You are a sports broadcaster. You've | :11:04. | :11:08. | |
come out and danced with so much precision. You took it - come here, | :11:09. | :11:14. | |
girl. No larking about. It was so full and intense. I thought it was a | :11:15. | :11:20. | |
terrific wonderful performance. Well done. Well done. Bruno. Mesmerising. | :11:21. | :11:32. | |
I could hardly breathe because of the magnetic, hypnotic intensity of | :11:33. | :11:35. | |
that dance. I held my breath all the way through. First, you produced | :11:36. | :11:40. | |
some of the most beautiful pictures and lines we've seen tonight, | :11:41. | :11:46. | |
absolutely, trust me. And, you conducted yourself. I don't know if | :11:47. | :11:51. | |
I was watching a lion tamer or a magician. She was on the floor, | :11:52. | :11:59. | |
prowling like a lioness. Snap your finger, cradling her like a lovely | :12:00. | :12:03. | |
pet. Always the boss. I'm telling you, that was outstanding. There you | :12:04. | :12:11. | |
are. Outstanding. Craig you gave him a controversial eight for their | :12:12. | :12:16. | |
Quickstep, is that better? Yes, it was better, as a matter-of-fact. | :12:17. | :12:21. | |
However, you did lose balance on one of the llunges. Which was such a | :12:22. | :12:28. | |
shame. . -- you should be so proud of yourself. Teaching him to dance | :12:29. | :12:32. | |
like that, Jo, is justs just extraordinary. It really, really is. | :12:33. | :12:42. | |
Brav row. Extraordinary, perfect, we absolutely loved it. Let's see where | :12:43. | :12:45. | |
that leaves you on the leaderboard. So well done. Ore and Joanne, off | :12:46. | :12:50. | |
you go. You were so looking forward to that | :12:51. | :13:01. | |
dance. Did it live up to your expectations? More than. I don't get | :13:02. | :13:06. | |
to show that a, yeah, careful, you are on telly, I don't get to show | :13:07. | :13:11. | |
that side of me often, that intense. We have washed so hard. She has been | :13:12. | :13:19. | |
patient with me. -- worked. 39. The last time you got that was | :13:20. | :13:46. | |
Week 4. Are you happy? I can't put it into words. My mum and dad are | :13:47. | :13:51. | |
here. I know. They are. Your wife was crying throughout. If you want | :13:52. | :13:55. | |
these two to make it to the final all the information you need is on | :13:56. | :13:57. | |
your screen now. So you can vote for Ore and Joanne | :13:58. | :14:07. | |
when the vote opens very shortly. All of our couples have performed | :14:08. | :14:11. | |
two routines and soon we will hear from all of them about why getting | :14:12. | :14:14. | |
to the final means so much. Remember, you're voting | :14:15. | :14:23. | |
for your Strictly Come And, I can confirm, | :14:24. | :14:26. | |
the vote is now... Calls cost 15p plus any | :14:27. | :14:31. | |
network access charge. Please get the bill payer's | :14:32. | :14:35. | |
permission before you call. Or alternatively you can vote online | :14:36. | :14:38. | |
for free at bbc.co.uk/strictly where you will also find full | :14:39. | :14:40. | |
terms and conditions. Please don't try to vote | :14:41. | :14:44. | |
if you're watching On Demand. To help you decide, here's | :14:45. | :14:48. | |
a reminder of tonight's performances and the all | :14:49. | :14:50. | |
important vote information. All four of our remaining couples | :14:51. | :17:15. | |
have given it their all But only three can it | :17:16. | :17:24. | |
make it to next week. No one wants to fall | :17:25. | :17:28. | |
at the final hurdle. Here is why Louise, Ore, | :17:29. | :17:30. | |
Danny and Claudia want to be there. We are one step away from the climax | :17:31. | :17:46. | |
of this series. No one wants to see anybody go home. I can't believe I | :17:47. | :17:50. | |
have come so far in this competition. This is the final | :17:51. | :17:56. | |
hurdle. Regardless of where you are on that leaderboard, you are not | :17:57. | :18:01. | |
safe. Ore and Joanne... Standing under that spotlight has never got | :18:02. | :18:04. | |
easier. You are waiting there and you just think you are in the bottom | :18:05. | :18:09. | |
two automatically. Those few moments are just horrible. It's like you can | :18:10. | :18:14. | |
hear a pin drop. Danny and Oti! | :18:15. | :18:20. | |
The relief that floods your body is indescribable. I am grateful that | :18:21. | :18:23. | |
the elimination process is only going to happen one more time. It | :18:24. | :18:27. | |
would be horrible to fall at the last hurdle because I want to make | :18:28. | :18:30. | |
it to the final. I am going to say it now, I want to be in the final. | :18:31. | :18:33. | |
It would mean the world to me. Every one of our celebrities | :18:34. | :18:40. | |
would love to be in the final next week and they've danced their hearts | :18:41. | :18:43. | |
out in a spectacular semi-final They're all relying on your | :18:44. | :18:46. | |
support to help them Voting closes at 8.40pm tonight, | :18:47. | :18:51. | |
so you don't have much longer Your votes could help them avoid | :18:52. | :18:55. | |
the last dance-off of the series in tomorrow night's Results show | :18:56. | :19:00. | |
at 7.20pm when, sadly, one more couple will be eliminated | :19:01. | :19:03. | |
from Strictly Come Dancing. Also on tomorrow's show our | :19:04. | :19:06. | |
professional dancers will perform Imagine Planet Earth | :19:07. | :19:09. | |
but in the Ballroom. And we have a very special | :19:10. | :19:22. | |
performance from the music So for all of that and to find out | :19:23. | :19:25. | |
which of our stars will be dancing in the final please join us | :19:26. | :19:30. | |
tomorrow at 7.20pm. That's 7.20pm, | :19:31. | :19:32. | |
but in the meantime... The roads we walk have demons | :19:33. | :19:34. | |
beneath them... ..and yours have been waiting | :19:35. | :19:46. | |
for a very long time. | :19:47. | :19:50. |