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You can do this, this is what you've been waiting for. I can't believe | :00:11. | :00:20. | |
we're dancing life. This weekend. You've got all the support you need. | :00:21. | :00:25. | |
You are going to be all right. Just remember everything you've learned | :00:26. | :00:29. | |
in the training room. All those steps that you've gone over and | :00:30. | :00:34. | |
over. Just remember Tabriz, to smile, and to laugh. It's important | :00:35. | :00:41. | |
to stay cool under pressure. If you make a mistake, don't panic. And | :00:42. | :00:47. | |
even if you do, just carry on regardless. When you put your mind | :00:48. | :00:51. | |
to it all you've got to do is face your fears. Head on. Fully believe | :00:52. | :01:01. | |
in yourself. You can do amazing things. Looking totally fabulous. At | :01:02. | :01:11. | |
the same time. This is Strictly Come Dancing. | :01:12. | :01:55. | |
Live from the BBC, this is Strictly Come Dancing. Please welcome your | :01:56. | :02:14. | |
hosts, Tess Daly and Claudia Winkleman. | :02:15. | :02:16. | |
CHEERING AND APPLAUSE Hello, and welcome to the first live | :02:17. | :02:42. | |
show of Strictly Come Dancing 2016. CHEERING AND APPLAUSE | :02:43. | :02:47. | |
We are looking forward to seeing our celebrities take to the floor with | :02:48. | :02:51. | |
their partners for the very first time, so one question, are you? | :02:52. | :02:57. | |
CHEERING Complete silence from the | :02:58. | :03:00. | |
celebrities backstage. We are looking forward to it, they are | :03:01. | :03:05. | |
quite frankly terrified. Yes, this weekend it the dancing double bill, | :03:06. | :03:09. | |
six couples will remain dance tonight and the remaining nine | :03:10. | :03:13. | |
tomorrow. They've been working hard on by routine but have they worked | :03:14. | :03:17. | |
hard enough to impress the judges? Speaking of which, ladies and | :03:18. | :03:22. | |
gentlemen, here they are. Please welcome... | :03:23. | :03:26. | |
CHEERING AND APPLAUSE And Goodman. -- Len Goodman. Darcey | :03:27. | :03:37. | |
Bussell. Craig Revel Horwood. Bruno Tonioli. | :03:38. | :03:44. | |
CHEERING AND APPLAUSE The judges, everyone. Look at them | :03:45. | :03:51. | |
all, ready to shower our celebrities with sprays. We'll find out soon -- | :03:52. | :04:00. | |
soon enough, it's time to meet our Strictly stars. TV presenter Louise | :04:01. | :04:07. | |
Redman and her partner Kevin Clifton. Star Ross Robert Rinder and | :04:08. | :04:15. | |
his partner Oxana Corso Anton du Beke. TV presenter and radio DJ | :04:16. | :04:21. | |
Melvin Odoom and his partner Jenna Murray. Claudia Fragapane and | :04:22. | :04:28. | |
partner AJ Pritchard. BBC sports presenter Ore Oduba and his partner | :04:29. | :04:36. | |
Joanne Clifton. Daisy Lowe and heard partner Aljaz Scorjanec is. Will | :04:37. | :04:41. | |
Young and... INAUDIBLE | :04:42. | :04:47. | |
Natasha Kovalevich. World champion long jump Greg Rutherford and his | :04:48. | :04:52. | |
partner Natalie. Ian Dennis -- EastEnders start. Former Shadow | :04:53. | :05:00. | |
Chancellor Ed Balls and his partner Katya Jones. TV put host Laura | :05:01. | :05:08. | |
Whitmore. Acta Danny Mac and his partner Oti Mabuse. And finally | :05:09. | :05:12. | |
singer Anastasia and her partner Brendan Cole. | :05:13. | :05:25. | |
CHEERING AND APPLAUSE There they are. Our fabulous 15. It | :05:26. | :05:37. | |
looks like the first day of the world's most glamorous and sparkly | :05:38. | :05:42. | |
school. So who will be top of the class? There's going to be no public | :05:43. | :05:45. | |
vote this weekend but the judges will still be scoring. And their | :05:46. | :05:49. | |
scores will be carried over into next week, when you'll have the | :05:50. | :05:52. | |
chance to vote for your favourite. So let's get started and the task of | :05:53. | :05:57. | |
opening the series goes to TV host Laura Whitmore and her partner | :05:58. | :06:02. | |
Giovanni Pernice. CHEERING AND APPLAUSE | :06:03. | :06:17. | |
For her first routine, Laura is performing a cha-cha to the classic | :06:18. | :06:22. | |
song Venus, and she's hoping the judges go Bananaramas for it. | :06:23. | :06:29. | |
Laura Whitmore has interviewed some of the biggest names in showbiz, but | :06:30. | :06:33. | |
how will she cope on that Strictly dance for us Mark I'm excited, also | :06:34. | :06:39. | |
extremely nervous. Thankfully I have a partner who will hopefully guide | :06:40. | :06:46. | |
me. Giovanni. Giovanni is an Italian stallion and feisty, so I'm sure | :06:47. | :06:50. | |
there'll be some fights. We'll be fine. I studied journalism but I | :06:51. | :06:54. | |
also studied drama as well, so I think I need to find an alter ego to | :06:55. | :06:59. | |
help me get into character. Dresses, make-up and the hair, that really | :07:00. | :07:03. | |
helps, Laura out on that dance floor will be petrified. It is day one and | :07:04. | :07:11. | |
I'm harder than I thought. I kind of feel like I'm in Fame. One. We need | :07:12. | :07:18. | |
to what confident because she is sometimes thinking she can do some | :07:19. | :07:21. | |
steps, but she's a good dancer. I need to get my head around this and | :07:22. | :07:26. | |
get the confidence. I'm trying as hard as I can. The dance is going | :07:27. | :07:31. | |
really well. But it's not good enough. What's wrong? What do I need | :07:32. | :07:37. | |
to work on? Arms, you know. I'm not a dancer. My only experience in | :07:38. | :07:45. | |
dances Irish dance. Can you show me Irish dance? I can try and teach | :07:46. | :07:49. | |
you. Welcome to my classroom. Hold this behind your back, keep your | :07:50. | :07:53. | |
arms straight. We having fun teaching him few one, two, threes. | :07:54. | :08:03. | |
Irish dance, forgot about this. Now the fun is out of the way it's time | :08:04. | :08:07. | |
to focus on the cha-cha-cha for our first show. | :08:08. | :08:11. | |
CHEERING AND APPLAUSE Dancing the cha-cha-cha, Laura | :08:12. | :08:13. | |
Whitmore and Giovanni Pernice. She's definitely got it. You've got | :08:14. | :10:12. | |
it all right, girl! What a superb start to the show, congratulations, | :10:13. | :10:17. | |
Laura. And Giovanni, thank you. Get your breath back. Let's welcome our | :10:18. | :10:22. | |
fabulous live singers, Hayley, Lance, Andrea and Tommy and of | :10:23. | :10:29. | |
course Dave Arch. It must be so nerve wracking, being the first | :10:30. | :10:35. | |
couple on the dance floor. Petrifying. Did you enjoy it? I saw | :10:36. | :10:41. | |
Craig face and thought to smile and I thought, I can't. No smiling. Did | :10:42. | :10:46. | |
you enjoy yourself? I really enjoyed it. Let's see if the judges enjoyed | :10:47. | :10:53. | |
it as well. Len? What a lovely way to start off the show. So much fun, | :10:54. | :10:59. | |
lovely amount of cha-cha content, which I appreciate. A nice lot of | :11:00. | :11:03. | |
rhythm going. Unfortunately, near the end, you lost time on one little | :11:04. | :11:10. | |
bit, which was... I know. It was only a little molecule of lost time. | :11:11. | :11:16. | |
You've got to work on straightening your legs. Your legs are too flexed | :11:17. | :11:22. | |
during it. But first day out, first class, well done. | :11:23. | :11:28. | |
CHEERING AND APPLAUSE That's firing your Friday night, | :11:29. | :11:34. | |
Bruno? Laura, carry on like this and I'll need a fire extinguisher! Well, | :11:35. | :11:41. | |
the love goddess toying with the boy, you little tease. You can toy | :11:42. | :11:47. | |
with me any time. This girl is a kicker, because you have wonderful | :11:48. | :11:51. | |
musicality, you work the stage beautifully. You have a really | :11:52. | :11:56. | |
sparkling presence, be careful on the foot placement because that will | :11:57. | :12:00. | |
give you better hip action. And when you do your arms, you have this | :12:01. | :12:04. | |
beautiful extensions, at the moment you through it a bit away. You can | :12:05. | :12:09. | |
give it a little bit more in tension. It will be more effective, | :12:10. | :12:15. | |
gorgeous. That's it. He likes it! CHEERING AND APPLAUSE | :12:16. | :12:21. | |
Did you live it? The whole thing sadly was danced on flexed knees, | :12:22. | :12:24. | |
which is not right. I'm only agreeing with Len here. Your | :12:25. | :12:28. | |
shoulders were raising slightly every time you made a gesture | :12:29. | :12:33. | |
forward. I thought the whole thing was a little bit unstable. I wasn't | :12:34. | :12:39. | |
feeling confident throughout. Picky, picky, picky. I thought your turns | :12:40. | :12:44. | |
were clean and efficient, darling. You looked good, darling. | :12:45. | :12:49. | |
CHEERING AND APPLAUSE Ending on a positive. Darcey? Laura, | :12:50. | :12:54. | |
you were sweet and sassy from the beginning to the end. Only at the | :12:55. | :12:58. | |
end did you lose character a little bit but suddenly, you go, oh my god, | :12:59. | :13:03. | |
I'm on the dance floor, finally I'm here. For me, I enjoyed the upper | :13:04. | :13:08. | |
body, you worked it really well. I have no problems with that. I am | :13:09. | :13:11. | |
agreeing with the boys, the lower part of your body didn't work as | :13:12. | :13:16. | |
well. You had bent knees all the way through but generally for your first | :13:17. | :13:19. | |
dance, very good. Very good. A strong start. Constructive | :13:20. | :13:27. | |
criticism. Well done, Laura. Go and relax. Laura and Giovanni, ladies | :13:28. | :13:29. | |
and gentlemen. CHEERING AND APPLAUSE | :13:30. | :13:42. | |
You were so nervous, you looked so nervous. I couldn't even feel my | :13:43. | :13:50. | |
legs, I didn't know what they were doing! You they did great. It's | :13:51. | :13:54. | |
terrifying going first but now you can spend two dace just sitting and | :13:55. | :13:58. | |
pointing. Do you know what I love, your face. During the judges' | :13:59. | :14:03. | |
comments you are like a keen schoolgirl, fine, even when Craig | :14:04. | :14:08. | |
was like, you were like, I work on it. What how did she do? For a first | :14:09. | :14:17. | |
dance she did really well. OK, the scores are in. Ladies and gentlemen, | :14:18. | :14:22. | |
the judges have their scores. Craig Revel Horwood. Five. Darcey Bussell. | :14:23. | :14:32. | |
Six. Len Goodman. Seven. And Bruno Tonioli. Seven. | :14:33. | :14:42. | |
They are very happy. I wanted lend to say seven. That is the highest | :14:43. | :14:53. | |
score of any couple so far this series. -- Len. Still to come, Judge | :14:54. | :14:59. | |
Rinder does the cha-cha. Our next couple as BBC breakfast | :15:00. | :15:10. | |
presenter Naga Munchetty and her partner, Pasha Kovalev. This won't | :15:11. | :15:19. | |
be the first time Naga has been on our screens today commit she was | :15:20. | :15:23. | |
presenting Breakfast nearly 15 hours ago. She is about to dance waltz to | :15:24. | :15:27. | |
the song, Run To You. . Naga Munchetty's first Strictly | :15:28. | :15:44. | |
experience. I did not feel anywhere but on planet Strictly. When Pasha's | :15:45. | :15:51. | |
name was announced, I did not know what to do. He went down on one | :15:52. | :15:55. | |
knee, shove me on there, and I thought, we really going to work. | :15:56. | :16:00. | |
She is so focused. She wants to do so well. Perfect for the lack of | :16:01. | :16:04. | |
what I like. My only advice would be, listen to me. I usually dressed | :16:05. | :16:10. | |
in jeans, trainers, a sloppy top. I have embraced the glitter and | :16:11. | :16:15. | |
sequins. I never thought I would look so ladylike. I am loving it. | :16:16. | :16:21. | |
First morning, really excited. I just hope Pasha is ready for what he | :16:22. | :16:27. | |
has to deal with. The first dance we will be dancing is the waltz. This | :16:28. | :16:33. | |
is the dance I was dreading. That's me being elegant. You will love the | :16:34. | :16:38. | |
waltz. You will see there is nothing to be afraid. Pasha a very patient | :16:39. | :16:49. | |
teacher. Be like a swan. For nag, it is a little challenging. I think I | :16:50. | :16:55. | |
was right to be worried about being elegant -- Naga. I'm trying not to | :16:56. | :17:05. | |
tread on Pasha's toes. I am getting more ladylike. There is less tomboy. | :17:06. | :17:10. | |
Hopefully we will deliver the goods on the night. | :17:11. | :17:14. | |
Dancing the waltz, Naga Munchetty and Pasha Kovalev. | :17:15. | :17:24. | |
How about that! Well done, lovely lady! Breakfast this morning, | :17:25. | :19:09. | |
ballroom this evening. I know you were nervous, a little bit, about | :19:10. | :19:14. | |
doing the waltz. How do you feel now it is done? Relieved. I loved it. | :19:15. | :19:23. | |
Amazing. The waltz is amazing. You weren't bad yourself! Bruno, she was | :19:24. | :19:27. | |
worried about the elegance. I tell you, no worries there. You started | :19:28. | :19:33. | |
off cereal, lyrical, elegant. You are such a beautiful girl. You have | :19:34. | :19:39. | |
a natural poise for ballroom. Something went horribly wrong in the | :19:40. | :19:44. | |
middle. You went on the wrong foot. What happened? You got it together. | :19:45. | :19:52. | |
You got it together by the end. On the last Dragon, be very careful. If | :19:53. | :20:01. | |
you drag, drag well. -- drag. I can give you a few tips. Nothing to | :20:02. | :20:06. | |
worry about. You are a beautiful, elegant lady. He is right. Craig... | :20:07. | :20:16. | |
Thank you for that vote of confidence. I thought your jawline | :20:17. | :20:20. | |
could be slightly higher. I am talking millimetres. It did lack | :20:21. | :20:24. | |
throw. That was largely due to your rise and fall which was bumpy and | :20:25. | :20:28. | |
that incident halfway through did not lend itself to anything | :20:29. | :20:35. | |
beautiful, I am afraid. You do have a wonderful, wonderful potential I | :20:36. | :20:38. | |
think in this competition and that is great to see. Naga has never | :20:39. | :20:50. | |
danced before, how did she do? The quality was serene. That is so hard. | :20:51. | :20:54. | |
I know you are shaking like this from beginning to end. I am aware of | :20:55. | :21:02. | |
that. You have such a beautiful neck, I cannot tell you. One of the | :21:03. | :21:07. | |
best attributes you have in your top lines. You have got to use it. You | :21:08. | :21:14. | |
showed it off. It is just the shoulders come up. If you can drag | :21:15. | :21:20. | |
them down, it will be so perfect for all your ballroom dancers. You will | :21:21. | :21:25. | |
look stunning. Don't worry. Don't worry about the transitions. You are | :21:26. | :21:32. | |
doing really well. The waltz requires great control. Any little | :21:33. | :21:37. | |
mistake is magnified. In the cha-cha-cha, you can give a wink and | :21:38. | :21:41. | |
shake your bum and no one notices anything. You did a step called the | :21:42. | :21:47. | |
wing and you did one step too many, which messed you a bit. Then the | :21:48. | :21:50. | |
double reverse turn which was a bit of a fumble. What I loved was the | :21:51. | :21:57. | |
potential and the elegance. Well done to you. You pulled off the | :21:58. | :22:06. | |
elegance. Glowing comments, all things considered. Off you go. Well | :22:07. | :22:13. | |
done! Run to Claudia. Naga and Pasha. | :22:14. | :22:18. | |
CHEERING AND APPLAUSE You dig great! Your parents are in | :22:19. | :22:28. | |
the audience. I wish you had seen their faces. Very, very well done. | :22:29. | :22:36. | |
Let's see your schools. The scores are in. The judges schools are in. | :22:37. | :22:44. | |
Craig Revel Horwood. Darcey Bussell. Len Goodman. Bruno Tonioli. Good | :22:45. | :22:58. | |
schools. A very good start. Beautiful, elegant, wonderful | :22:59. | :23:01. | |
potential. You are getting on brilliantly. Excellent. If you | :23:02. | :23:07. | |
enjoyed that waltz, don't go to your phones yet. | :23:08. | :23:11. | |
Our next couple it's Judge Windsor -- is Judge render and his partner, | :23:12. | :23:28. | |
Oksana Platero. They are going to do the cha-cha live in front of the | :23:29. | :23:29. | |
nation. Judge Rinder is dedicated to | :23:30. | :23:39. | |
bringing justice to the court room. What can we expect him on the | :23:40. | :23:48. | |
Strictly dance floor? 150%. When people say 150%, it is utterly | :23:49. | :23:54. | |
absurd. 100%. I feel nervous but quietly confident. I have the most | :23:55. | :24:01. | |
beautiful and brilliant teacher in Astana -- Oksana. I am Ukrainian | :24:02. | :24:05. | |
champion as well as American champion. She would be an absolute | :24:06. | :24:11. | |
taskmaster and I'm thrilled. Robert needs to be careful what he wishes | :24:12. | :24:18. | |
for. Oh, boy, just wait! Not being in charge is an entirely new | :24:19. | :24:24. | |
experience for me. This is my space. Oksana has most things under | :24:25. | :24:28. | |
control. Are there any words in Russian you think I should | :24:29. | :24:35. | |
definitely know straightaway? What does that mean? Again, again, and | :24:36. | :24:40. | |
many more times a game. How do you handle things in the court room? I | :24:41. | :24:44. | |
taught Oksana Basic way of telling another person to be quiet. And she | :24:45. | :24:51. | |
is doing it all the time. I have actually created a monster. It is | :24:52. | :24:59. | |
exhausting. Put some order in your foot. He has a really good hip | :25:00. | :25:05. | |
action. His problem is he is over thinking. Now you are overthinking | :25:06. | :25:11. | |
it. I have to trust my body and a bay Oksana's command and then | :25:12. | :25:12. | |
everything will be fine. -- dancing the cha-cha-cha, Judge | :25:13. | :25:28. | |
Rinder and Oksana Platero. Order in the ballroom. | :25:29. | :25:32. | |
Talking. Watson says schlock choreography! Sheer perfection. How | :25:33. | :27:47. | |
are you feeling about being judged? -- what sensational choreography! | :27:48. | :27:55. | |
Guess who is first? Craig. What a thrill! Hello, Craig. It certainly | :27:56. | :28:01. | |
was frenetic. And that they shall expressions. It looked like you had | :28:02. | :28:08. | |
had excessive collagen procedures done. The open mouth at trout pout. | :28:09. | :28:17. | |
You really need to look at that. The good thing is, it used to have read | :28:18. | :28:22. | |
them. I looking forward to seeing that once again. -- you do have read | :28:23. | :28:30. | |
them. Thank you for replicating the turns. I thought you did that with | :28:31. | :28:39. | |
reckless abandon. What is your verdict? It was extraordinary. That | :28:40. | :28:48. | |
was the wildest surprise I think I have ever had. The amount of detail | :28:49. | :28:53. | |
you are able to add as well. It was outstanding. As Craig said, I can't | :28:54. | :29:05. | |
get out of my mind how you look like Craig when you did that. We do look | :29:06. | :29:17. | |
a little alike. I can smile. You put the boy in flamboyant. You really | :29:18. | :29:25. | |
do. A bit wild in places. If entertainment is a crime, you are | :29:26. | :29:33. | |
guilty. It is your turn to judge. I think the jury is hung. A face like | :29:34. | :29:40. | |
this requires serious scrutiny. I love the extraordinary flamboyant | :29:41. | :29:44. | |
style. Those looks could sink a thousand ships. It was done with | :29:45. | :29:53. | |
great gusto and personality. You get my vote. Outstanding abandon. You | :29:54. | :30:01. | |
got all of our boats. We loved it. Off you go. A debrief from Claudia. | :30:02. | :30:04. | |
-- votes. CHEERING AND APPLAUSE | :30:05. | :30:20. | |
Very, very well done. I have to tell you, your fellow dancers, Tameka | :30:21. | :30:26. | |
might be your biggest fan! Here here. You did great. Darcey said it | :30:27. | :30:31. | |
was a world of surprise, because we didn't know you are going to do | :30:32. | :30:36. | |
that. I didn't, I just listened to her. Congratulations, your first | :30:37. | :30:41. | |
Strictly, magnificent. It always helps when there is a moderate | :30:42. | :30:45. | |
degree of threat will stop yes, doesn't it just. The scores are in. | :30:46. | :30:51. | |
All the judges please reveal their scores. Craig Revel Horwood. Six. | :30:52. | :30:58. | |
Darcey Bussell. A wild seven. Len Goodman. Six. And Bruno Tonioli. | :30:59. | :31:10. | |
Six. You are top of the Leader Board, you'll take that. For sure. | :31:11. | :31:15. | |
That's the highest score Craig has given this evening. Very nice. If | :31:16. | :31:19. | |
you'd like to vote for Judge Rinder and Oksana, you can when the lines | :31:20. | :31:24. | |
open next week. Very well done. Tess. | :31:25. | :31:28. | |
Damn thing next this actress Lesley Joseph and her partner, Anton du | :31:29. | :31:34. | |
Beke. -- dancing next. Like all of our contestants, Leslie is a bit | :31:35. | :31:38. | |
nervous about dancing live in front of millions of people. Last year's | :31:39. | :31:44. | |
finalist Anton is a partner, who's to say this bird of a feather won't | :31:45. | :31:49. | |
get off to a flying start? Birds of a feather flock together but actors | :31:50. | :31:53. | |
Lesley Joseph will be hoping to find her own wings in the ballroom. I've | :31:54. | :31:59. | |
been into Strictly where everything is Majid Khan sparkles and glitter, | :32:00. | :32:02. | |
the whole experience is a bit surreal. I keep having to pinch my | :32:03. | :32:05. | |
self and say yes, you are in Strictly. I wanted Anton because I | :32:06. | :32:11. | |
love him. He's a Strictly legend. Lesley Joseph, Merry Christmas to | :32:12. | :32:17. | |
me. Got the one I wanted! He'll have to have the patience of a saint. | :32:18. | :32:23. | |
He'll have to help me a lot. All I want from Leslie is her enthusiasm | :32:24. | :32:27. | |
and personality and the rest, we will create. I'm thinking with my | :32:28. | :32:32. | |
training that I'm the age I am so I can only do within my limitations. | :32:33. | :32:36. | |
If you see my hand doing this you know I'm a bit nervous. Hello. I'm | :32:37. | :32:43. | |
here! Day one of waltz training and Anton is about to reveal the | :32:44. | :32:48. | |
surprise song they'll dance to. It's called What'll I do? It's the theme | :32:49. | :32:54. | |
from birds of a feather. I've never heard of it in my life. It's like | :32:55. | :32:59. | |
marrying two programmes together, it will give me courage. I thought the | :33:00. | :33:04. | |
waltz was easy, it isn't. I've got little legs and Anton is taller than | :33:05. | :33:08. | |
me so I have to stride out quite a lot to keep up with him. Look right | :33:09. | :33:12. | |
when he tells me. Keep leaning to the left. But my head over there. | :33:13. | :33:18. | |
We're getting there. I'm exhausted, look at me, I'm dripping. I'm loving | :33:19. | :33:23. | |
it. It's not been easy and I hope on the night I can do this wonderful | :33:24. | :33:26. | |
song and my rather wonderful dance partner Anton Justice. Fingers | :33:27. | :33:28. | |
crossed. CHEERING AND APPLAUSE | :33:29. | :33:34. | |
Dancing the waltz, Lesley Joseph and Anton du Beke. | :33:35. | :33:40. | |
Lovely! Lovely. Waltzing in the arms of Anton du Beke. Is that a dream | :33:41. | :35:35. | |
come true? It is slightly. Nerves. That's what I do when I'm nervous. | :35:36. | :35:41. | |
That's true. You can do it now. Let's go to the judges. Darcey. | :35:42. | :35:45. | |
Sophisticated, romantic, elegant. And Anton, your dream, I have to | :35:46. | :35:52. | |
say, great control throughout. Just watch you don't get lost in Anton's | :35:53. | :36:01. | |
chest, yes? I understand! I think with the nerves and everything, the | :36:02. | :36:05. | |
shoulders are very high. Don't worry, when you get this dance out | :36:06. | :36:09. | |
of the way, tick the box, come back, relax, put the shoulders down, | :36:10. | :36:13. | |
you'll be gorgeous. CHEERING | :36:14. | :36:19. | |
Learn, you are traditional kind of guy, did you enjoy it? -- Len? I | :36:20. | :36:27. | |
did, I like to see elegant and sophisticated ladies, as I got with | :36:28. | :36:31. | |
Leslie. Very clean, precise footwork. Darcey is right, your | :36:32. | :36:35. | |
posture is a little bit high but I tell you, you're a lovely lady and I | :36:36. | :36:39. | |
saw you danced that beautifully. Well done. | :36:40. | :36:42. | |
CHEERING Bruno. That was lovely, my darling. | :36:43. | :36:48. | |
Actually I found it very touching and almost moving. It was so well | :36:49. | :36:53. | |
felt, you really acted it very nicely. Yes, of course, shoulder and | :36:54. | :36:59. | |
neck line, maybe press your pelvis against this, you can lean back, | :37:00. | :37:04. | |
don't get stuck in the rug, darling, keep well away. It was lovely, it | :37:05. | :37:11. | |
was lovely. Thank you, Bruno. Craig? I thought your posture is your | :37:12. | :37:14. | |
biggest concern and it really let you down. You lost your footing | :37:15. | :37:18. | |
towards the end as well. Anton was actually dragging you were around | :37:19. | :37:22. | |
for a moment, but I thought you did dance it with ease and some sort of | :37:23. | :37:27. | |
delicious flow, so there is an up point. | :37:28. | :37:29. | |
APPLAUSE Can you work on your posture? I can. | :37:30. | :37:35. | |
It's only weak one, after all. Off you go, Lesley and Anton. | :37:36. | :37:39. | |
CHEERING AND APPLAUSE Well done. Do you know what, I was | :37:40. | :37:54. | |
looking at you and I thought, this must be quite emotional. I know | :37:55. | :37:58. | |
Linda is here. Linda is here, it is quite emotional. I've lived with | :37:59. | :38:02. | |
that song for 25 years. It's part of my life. Bringing it to life in a | :38:03. | :38:06. | |
very different weight has been absolutely glorious. And you are | :38:07. | :38:11. | |
with the king. I'm with the King, the legend. Off my chest, love. The | :38:12. | :38:19. | |
scores are in. The scores are in, Craig Revel Horwood. Five. Darcey | :38:20. | :38:29. | |
Bussell. Six. Len Goodman. Six. Bruno Tonioli. Six. 23. That's OK. | :38:30. | :38:39. | |
We'll take that. Remember all the schools from this weekend will be | :38:40. | :38:41. | |
carried over to next week's show, when you can vote for your | :38:42. | :38:46. | |
favourite. Somebody just went, what? Those are the rules. If you love | :38:47. | :38:50. | |
these two then do it then. Still to come, Greg Rutherford starts his | :38:51. | :38:53. | |
routine with a jump. We're just hoping he doesn't end up in the car | :38:54. | :38:57. | |
park. Tess. Our next couple is BBC sports | :38:58. | :39:01. | |
presenter Ore Oduba and his partner Joanne Clifton. They are about to | :39:02. | :39:09. | |
perform the first tango of the series. So will Len, would you | :39:10. | :39:13. | |
remind is what you should be looking for? Flexed knees, sharp and crisp | :39:14. | :39:19. | |
movement, drama, a bit of passion. Not exactly the last Tango in Paris, | :39:20. | :39:24. | |
but it's definitely the first tango in Elstree. I'm looking forward to | :39:25. | :39:30. | |
it. Come on. So am I, we all. Thank you, Len, let's see how they got on | :39:31. | :39:36. | |
in training. TV presenter Ore Oduba usually cuts are cool, calm and | :39:37. | :39:40. | |
collected figure in front of the camera. Until Strictly came along. | :39:41. | :39:45. | |
Oh, my goodness me. I've been dreaming of this moment since as | :39:46. | :39:49. | |
long as I can remember. Until you have your partner the Strictly | :39:50. | :39:52. | |
journey doesn't really start and then finally Tess says, Joanne | :39:53. | :39:59. | |
Clifton. Boom! I was so excited, I looked at him, we started doing this | :40:00. | :40:03. | |
robot. I was like yes, this is a perfect partner for me. I'm going to | :40:04. | :40:08. | |
throw myself into this and I want to be the best dancer I possibly can | :40:09. | :40:11. | |
be. It might be a really bad dancer, but I'm so looking forward to | :40:12. | :40:16. | |
finding out. Well, Ore, wait no longer, you've got a date with the | :40:17. | :40:20. | |
tango. I've got a really good feeling about this. I think it's | :40:21. | :40:28. | |
gone quite well. What can I do to push you even more? If there is one | :40:29. | :40:31. | |
person who knows me even better than myself it's my wife, it could be | :40:32. | :40:37. | |
her. Meet my wife. I've got so many questions. I'll tell you everything. | :40:38. | :40:43. | |
Who inspires him? There's only one man, David Beckham. He is obsessed. | :40:44. | :40:48. | |
What could I do to him if he keeps getting his steps wrong? He's got a | :40:49. | :40:53. | |
phobia of birds. You go Ore, I'm going to bring a bird into training. | :40:54. | :40:58. | |
Has training been going well? Can I see a little bit? Of course you can. | :40:59. | :41:04. | |
I thought it was important for my dance partner to meet my wife. It | :41:05. | :41:09. | |
was so lovely meeting Joanne, she's amazing. Whoever said three of the | :41:10. | :41:14. | |
crowd got it completely wrong. Together, we are fantastic team. | :41:15. | :41:23. | |
Dancing the tango, Ore Oduba and Joanne Clifton. | :41:24. | :41:32. | |
CHEERING AND APPLAUSE Oh my goodness! Come on over. Come | :41:33. | :43:18. | |
on. A very confident start Ore. That looked like a walk in the park for | :43:19. | :43:23. | |
you. It was anything but that. Really? I had to apologise to the | :43:24. | :43:27. | |
gentleman in the front row, I got in the eyes with the sunglasses. Sorry | :43:28. | :43:32. | |
about that. Dancing casualty. Let's talk to Len. He wanted drama and | :43:33. | :43:36. | |
casualty, did you get what you are looking for? The drama was I never | :43:37. | :43:44. | |
thought it was going to started. BREWING. It's the tango, they are | :43:45. | :43:48. | |
larking about on a beach, lovey-dovey, the tango is thunder | :43:49. | :43:52. | |
and lightning. It's not lollipops and Roses, so I didn't get that side | :43:53. | :43:56. | |
of it. Once you got cracking it was to rethink -- terrific. I forgive | :43:57. | :44:00. | |
poor dances for larking about because you've got to fill it up. | :44:01. | :44:05. | |
You're a good dancer. I want to see a full routine. | :44:06. | :44:08. | |
APPLAUSE He means well. Bruno question mark I | :44:09. | :44:14. | |
liked it a lot, I like a tango with a cheeky spin. It was original, | :44:15. | :44:20. | |
fresh, effective, it allowed you to act two different roles, the nerd | :44:21. | :44:24. | |
and the controller. You did it very well. You're a good dancer. I loved | :44:25. | :44:28. | |
seeing something I haven't seen before. So thank you for that. | :44:29. | :44:32. | |
APPLAUSE Made Bruno happy. Have you made | :44:33. | :44:37. | |
Craig happy? I loved the story telling, at the beginning, it set up | :44:38. | :44:42. | |
the tango. It was strong, dramatic, punctuated, well done. | :44:43. | :44:50. | |
The most positive Craig has been all night. That is an achievement. I was | :44:51. | :44:59. | |
not expecting that. The attack, the strength. You kept your focus from | :45:00. | :45:04. | |
beginning to end. You have so much potential. I cannot wait to see | :45:05. | :45:11. | |
more. He made it look easy. Good job! | :45:12. | :45:17. | |
Oh, my goodness me! Can I just confirmed that three weeks ago you | :45:18. | :45:32. | |
could not hear the theme chain without crying. Hiding underneath | :45:33. | :45:38. | |
the sofa and then you go and do that. She is the most incredible | :45:39. | :45:45. | |
coach. I did not know what the tango was. They put in bikes, a bench, | :45:46. | :45:52. | |
high kicks, cartwheels. Bruno said original and fresh. That is down to | :45:53. | :45:59. | |
the great choreography. The judges have their scores. Craig Revel | :46:00. | :46:07. | |
Horwood. Seven. Darcey Bussell. Seven. Len Goodman. Six. And Bruno | :46:08. | :46:20. | |
Tonioli. Seven. Are you proud? I am so proud of him. He did so well. The | :46:21. | :46:25. | |
bit at the beginning, that was my fault. Nothing to do with you. I | :46:26. | :46:34. | |
loved geek chic. I am loving it! Lollipops and Roses, that is his | :46:35. | :46:39. | |
tango. If you do not want them to leave the competition, vote for them | :46:40. | :46:43. | |
next week. It is two nights of Strictly back-to-back. You can fill | :46:44. | :46:48. | |
your days with Facebook, Twitter, or you can visit the website for all | :46:49. | :46:53. | |
the best backstage gossip. Like how you do not like birds. If you ever | :46:54. | :46:59. | |
want him to do something, you just get this. OK. Thank you for that. | :47:00. | :47:07. | |
Our final couple dancing tonight is Greg Rutherford and his partner, | :47:08. | :47:16. | |
Natalie Lowe. In the launch show, Greg said the dance he was most | :47:17. | :47:21. | |
looking forward to was the drive. It is his first dance. He did not have | :47:22. | :47:33. | |
to wait berry long. -- the jove. Olympic gold medallist Greg | :47:34. | :47:36. | |
Rutherford has long jump his way round sandpits of the world. I was | :47:37. | :47:42. | |
so nervous on launch night that I forgot to invite anybody. You are | :47:43. | :47:48. | |
nervous, aren't you? Really bad. It is Natalie. I have not had a new | :47:49. | :47:54. | |
coach for a long while. I'm excited. I am really happy. If I could do a | :47:55. | :48:00. | |
black that is a backflip, I would. I want to learn. I want to dance. If | :48:01. | :48:06. | |
Greg thinks training for the Olympics is hard, he has not | :48:07. | :48:10. | |
experienced anything yet. This is easy. With jive training well under | :48:11. | :48:18. | |
way, Natalie is hardly jumping for joy. Everything I am getting great | :48:19. | :48:25. | |
to do is unnatural. He is used to having the steps and the turning in | :48:26. | :48:29. | |
the opposite direction. I am trying to retrain your feet. What I feel | :48:30. | :48:36. | |
might help is if you can watch me do what I do. If you come along to the | :48:37. | :48:41. | |
competition rate you can see it first hand. I am about to see great | :48:42. | :48:46. | |
jump for the first time and I feel like a proud mother. It is | :48:47. | :48:52. | |
ridiculous. Natalie has decided to show me where my feet should be as | :48:53. | :48:56. | |
opposed to what I have been doing in the long jump. This feels horrible. | :48:57. | :49:06. | |
It is a massive bonus and benefits for Natalie to see what I do. As | :49:07. | :49:11. | |
long as I remember to point my toes, it should be all right the night. | :49:12. | :49:19. | |
Greg Rutherford and Natalie Lowe, dancing the jive. | :49:20. | :49:23. | |
Yes! How about that? Goodness me. There on their feet. That was a | :49:24. | :51:17. | |
speedy jive. Not bad for a total novice. I is starting to feel a bit | :51:18. | :51:23. | |
like a dancer now? More of a prompt said. We loved your sexy jive face, | :51:24. | :51:30. | |
by the way. Get ready and hear your comments. Go, Bruno! By the way it | :51:31. | :51:41. | |
looks, Greg could go all the way, my darling. That is what I mean by | :51:42. | :51:46. | |
giving it well you. You went for it. I loved it. It was not exactly the | :51:47. | :51:52. | |
paragon of precision but I am telling you you have talent and you | :51:53. | :51:57. | |
can dance. You are an amazing presence. I really love watching | :51:58. | :52:07. | |
you. Well done! He has been focusing on his footwork. It was very | :52:08. | :52:14. | |
flat-footed and Stompie. You are pigeon toed, which is not help. Your | :52:15. | :52:21. | |
feet and arm placement needs sorting out. It need to do something with | :52:22. | :52:26. | |
it. I enjoyed it enormously. I really did. Thank you. Did you enjoy | :52:27. | :52:38. | |
it? I certainly did. You are built to jive, without fail. You are like | :52:39. | :52:43. | |
a blue frog jumping up. How did you get that high? But, the rhythm. Your | :52:44. | :52:54. | |
energy. Your light on your feet. For a big guy, that is brilliant. You | :52:55. | :53:04. | |
will go far. Thank you. That's amazing. Final dance of the night, | :53:05. | :53:09. | |
was it a show stopper? It was as good as we have seen tonight, at | :53:10. | :53:15. | |
100%. You are the dynamic duo. For a bloke who spends his time laughing | :53:16. | :53:20. | |
about jumping in a sandpit, you came out there. You gave it for alarm, | :53:21. | :53:26. | |
great attack. Those kicks at the beginning were fabulous. It got a | :53:27. | :53:30. | |
bit loose at the end. Craig is right. You're free arm is awkward. | :53:31. | :53:35. | |
You are a really good dancer and I'm looking forward to seeing you. | :53:36. | :53:44. | |
Jumping for joy after that. Off you go, the Claudia. Well done. Greg and | :53:45. | :53:49. | |
Natalie. Thank you. Thank you. I love | :53:50. | :54:05. | |
Natalie. She went, that just happened. You have never danced | :54:06. | :54:10. | |
before in your life. All the time, you have said, I would just stand. | :54:11. | :54:16. | |
You loved it. That was out of this world. As soon as the music starts | :54:17. | :54:21. | |
going, get over the nerves. Go down the stairs and incredible. I have | :54:22. | :54:25. | |
the most incredible teacher. We fitted so much into that routine. I | :54:26. | :54:31. | |
really loved it. Well done, Natalie. The scores are in. Ladies and | :54:32. | :54:37. | |
gentlemen, the judges scores are in. Craig Revel Horwood. Six. Darcey | :54:38. | :54:45. | |
Bussell. Seven. Len Goodman. Seven. Bruno Tonioli. Seven. You are joint | :54:46. | :54:55. | |
top of the leaderboard. Joint top. Well done! And very good spray tan | :54:56. | :54:59. | |
by the way from welcome to strip the come dancing. -- Strictly Come | :55:00. | :55:09. | |
Dancing. If you would like to vote for them, wait until the lines open | :55:10. | :55:14. | |
next week. The race to lift the glitter ball has begun. Talk to me. | :55:15. | :55:23. | |
Let's have a look at how things stand on the leaderboard. At the | :55:24. | :55:29. | |
top, an early hit with the judges. Arienne JoAnn and Greg and Natalie. | :55:30. | :55:41. | |
-- Ore and Joanne. The leaderboard will change tomorrow when the | :55:42. | :55:46. | |
remaining nine stars braved the dance floor for the first time I | :55:47. | :55:51. | |
know they are nervous. A good question. Let's see your hands. | :55:52. | :55:58. | |
Louise, you have the jive tomorrow. Greg just did a brilliant one. Does | :55:59. | :56:05. | |
that make it worse? Yes. I am so sorry I brought it up. Tameka, give | :56:06. | :56:12. | |
us a flavour of your Paso. That is my girl. You are dancing to Elvis. | :56:13. | :56:22. | |
How is your tummy feeling? Are you confident you will smash it? They | :56:23. | :56:27. | |
were so brilliant tonight. It is a real challenge for us. We will give | :56:28. | :56:33. | |
it a try. They have been working so hard on their routines. Tomorrow | :56:34. | :56:37. | |
night, our remaining nine couples will put their training to the test. | :56:38. | :56:44. | |
Kevin likes to start off in fifth gear. No one again he says, let's | :56:45. | :56:49. | |
get to sixth gear. I had never seen anyone so energetic. I feel weird. I | :56:50. | :56:59. | |
always knew ballroom dancing would be a challenge. My brain is not | :57:00. | :57:06. | |
working. I really panicked. It is so hard. I'm worried I might be pushing | :57:07. | :57:11. | |
it too far. I did not know this much fun could hurt so much. I am full of | :57:12. | :57:23. | |
excitement now. It is all dramatic. It is really exciting. I showed him | :57:24. | :57:28. | |
a few flips and stuff to do. Just truck that in! -- just chuck that | :57:29. | :57:42. | |
in. Definitely a lot of mind work and foot work. It is the first | :57:43. | :57:48. | |
dance, people. I'm still optimistic that I will get it. I am a | :57:49. | :57:57. | |
perfectionist. I had to let that go. I will not get it in five minutes. | :57:58. | :58:03. | |
The clock is ticking. A less than 24-hour scrap our remaining nine | :58:04. | :58:06. | |
couples will take to the floor. Will any of them be good enough to knock | :58:07. | :58:15. | |
the leaders of the leaderboard? Tameka, Louise, Melvin, Danny. | :58:16. | :58:29. | |
Daisy, Claudia, Anastacia, and Will. You are not allowed to have second | :58:30. | :58:35. | |
thoughts. We know where you live. We will be back tomorrow night with one | :58:36. | :58:39. | |
of the most ambitious and spectacular group dances ever. One | :58:40. | :58:44. | |
of our celibate is will attempt a backflip in high heels. Good luck! | :58:45. | :58:50. | |
That is at 6:30 p.m.. We will see you then. Until then, keep dancing! | :58:51. | :59:05. | |
Got some of the real legends of Strictly here. | :59:06. | :59:07. | |
Welcome to this Strictly edition of Pointless Celebrities. | :59:08. | :59:10. | |
Got some of the real legends of Strictly here. | :59:11. | :59:11. | |
We've also Anton du Beke. LAUGHTER | :59:12. | :59:14. | |
What's it going to take for you to win? It's not me. | :59:15. | :59:17. |