Browse content similar to Week 1, Show 2. Check below for episodes and series from the same categories and more!
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Last night, six stars sparkled, dazzled and is delighted as they | 0:00:01 | 0:00:07 | |
kicked off the competition. What a lovely way to start the show! There | 0:00:08 | 0:00:14 | |
were passionate performances. You need a fire extinguisher! Promising | 0:00:15 | 0:00:18 | |
starts. You have so much potential, I can't wait to see more. And | 0:00:19 | 0:00:27 | |
sizzling routines. Gorgeous! Tonight... Nine more celebrities | 0:00:28 | 0:00:31 | |
will take to the floor. They have trained for weeks. But is it enough? | 0:00:32 | 0:00:40 | |
Who will get off to a flying start? And who will run out of steam? No! I | 0:00:41 | 0:00:48 | |
don't like it. Is that the best you have got? This is Strictly Come | 0:00:49 | 0:00:59 | |
Dancing, live! This is ridiculous! That's a wrap! | 0:01:00 | 0:01:46 | |
Live from the BBC, please welcome your hosts, Tess Daly! | 0:01:47 | 0:04:48 | |
And Claudia Winkleman! CHEERING AND APPLAUSE. | 0:04:49 | 0:04:58 | |
CHEERING AND APPLAUSE. Hello and welcome to Strictly Come Dancing. | 0:04:59 | 0:05:03 | |
What a breathtaking performance from all our incredible dancers. | 0:05:04 | 0:05:05 | |
Absolutely. CHEERING AND APPLAUSE. Thank you to | 0:05:06 | 0:05:10 | |
everyone who took part in that routine. Of course, the judges, the | 0:05:11 | 0:05:16 | |
London choir and our dancers from across the UK, Roger and Glenda, | 0:05:17 | 0:05:20 | |
Malcolm and Yvonne, Little Louie, Mike and Carol... I know you want to | 0:05:21 | 0:05:27 | |
thank everybody individually but we have only got an hour and a half! I | 0:05:28 | 0:05:31 | |
will find you afterwards! Last night, six couples braved the | 0:05:32 | 0:05:36 | |
ballroom for the first time. We saw amazing routines including that | 0:05:37 | 0:05:40 | |
cha-cha from Judge Rinder, it would be a crime to miss it! Over the past | 0:05:41 | 0:05:45 | |
three weeks, the celebrities have been locked away in a training room | 0:05:46 | 0:05:48 | |
perfecting their routines and they have done nothing but eat, sleep and | 0:05:49 | 0:05:52 | |
breathe dams. So we thought we would give them a night off, I am kidding. | 0:05:53 | 0:05:57 | |
Tonight, the remaining nine couples perform live for the first time on | 0:05:58 | 0:06:02 | |
the stands for. And they will also be trying to impress four very | 0:06:03 | 0:06:05 | |
important people. Please welcome the judges! | 0:06:06 | 0:06:11 | |
CHEERING AND APPLAUSE. Len Goodman and Bruno Tonioli. | 0:06:12 | 0:06:16 | |
And Darcey Bussell and Craig Revel Horwood. | 0:06:17 | 0:06:27 | |
CHEERING AND APPLAUSE. The judges, everyone! Still got it! | 0:06:28 | 0:06:38 | |
CHEERING AND APPLAUSE. But have this year's celebrities got | 0:06:39 | 0:06:43 | |
what it takes? We are about to find out, they are ready, raring to go, | 0:06:44 | 0:06:47 | |
it is time to meet... Our Strictly stars! TV presenter and | 0:06:48 | 0:06:55 | |
Zinger Louise Redknapp and her partner Kevin Clifton. Judge Rinder | 0:06:56 | 0:07:05 | |
and his partner Oksana Platero. Lesley Joseph and partner Anton Jay | 0:07:06 | 0:07:09 | |
Beck. TV presenter Melvin Odoom and his partner Janette Manrara. | 0:07:10 | 0:07:18 | |
Claudia Fragapane and AJ Pritchard. Ore Oduba and Joanne Clifton. Model | 0:07:19 | 0:07:24 | |
Daisy Lowe and have partner Aljaz Skorjanec. | 0:07:25 | 0:07:28 | |
Actor and pop star Will Young and partner Karen Clifton. | 0:07:29 | 0:07:33 | |
From BBC Breakfast Naga Munchetty and her partner Pasha Kovalev. | 0:07:34 | 0:07:42 | |
Greg Rutherford and Natalie Lowe. Gorka Marquez and EastEnders star | 0:07:43 | 0:07:48 | |
Tameka Empson. Each June -- Ed Balls and is partner | 0:07:49 | 0:07:52 | |
Katya Jones. Giovanni Pernice and Laura Whitmore. | 0:07:53 | 0:08:04 | |
Danny Mac and Oti Mabuse. And finally Zinger Anastascia and | 0:08:05 | 0:08:13 | |
her partner Brendan Cole. -- Zinger. Don't they look glorious? | 0:08:14 | 0:08:23 | |
And to think, one of them will be lifting the glitterball in three | 0:08:24 | 0:08:26 | |
months' time. Let's concentrate on getting through the next 90 minutes. | 0:08:27 | 0:08:31 | |
Baby steps. Just like last night, there is no public vote and no | 0:08:32 | 0:08:35 | |
couple will leave the competition this weekend. But the pressure is | 0:08:36 | 0:08:38 | |
still on because the judges will score the routines and as always | 0:08:39 | 0:08:41 | |
they will be watching very carefully. Both schools will be | 0:08:42 | 0:08:45 | |
carried over and added the next week's scores. That is when you will | 0:08:46 | 0:08:49 | |
get your chance to cast a vote and one couple will leave the | 0:08:50 | 0:08:54 | |
competition. But nobody is leaving tonight, so that the dancing begin! | 0:08:55 | 0:08:59 | |
CHEERING AND APPLAUSE! First to perform is TV presenter Anne Zinger | 0:09:00 | 0:09:05 | |
Louise Redknapp and her partner Kevin Clifton. They are doing a Jive | 0:09:06 | 0:09:12 | |
and in this routine, Louise is waiting for her sailor Kevin to | 0:09:13 | 0:09:17 | |
return from the sea. This could be nautical, but nice! | 0:09:18 | 0:09:24 | |
Having gone from megastar to make the mother, Louise Redknapp is | 0:09:25 | 0:09:27 | |
managing expectations. I am worried I will not get through it, I am not | 0:09:28 | 0:09:34 | |
as fit as 20 years ago. Kevin! Louise thinks she has danced in the | 0:09:35 | 0:09:40 | |
past. I have seen some of her videos and she hasn't! Kevin has made it to | 0:09:41 | 0:09:47 | |
the final three years in a row! Help! I love dancing and performing | 0:09:48 | 0:09:51 | |
and I will do my best to give Strictly all I have got. Feeling | 0:09:52 | 0:09:56 | |
just kind of apprehensive and nervous. So here I go. High! The | 0:09:57 | 0:10:06 | |
stands is to divide macro. Jive, OK! The story of our dance, it is 1940s, | 0:10:07 | 0:10:12 | |
I am in the Navy. Because I want to get into the character of our dance, | 0:10:13 | 0:10:17 | |
I have organised a surprise. OK. I have brought Louise to the | 0:10:18 | 0:10:22 | |
Portsmouth historic dockyard and we will dance on the declaration. I | 0:10:23 | 0:10:26 | |
might get a bit seasick! We will be all right. Welcome on board. A crew | 0:10:27 | 0:10:34 | |
of about 72, they have been away for three years at a time. We have been | 0:10:35 | 0:10:39 | |
away three years and you are excited to see me. And you are about to | 0:10:40 | 0:10:46 | |
Jive. Exactly, what these guys do! Shall we Jive? All right, yes! I | 0:10:47 | 0:10:52 | |
imagine when the guys arrived home the excitement. If I can get a small | 0:10:53 | 0:10:57 | |
bit of that feeling into the routine, it will be absolutely | 0:10:58 | 0:11:01 | |
amazing. CHEERING AND APPLAUSE. | 0:11:02 | 0:11:10 | |
Dancing the Jive, Louise Redknapp and Kevin Clifton! | 0:11:11 | 0:11:12 | |
CHEERING AND APPLAUSE. CHEERING AND APPLAUSE. Oh, yes! Oh, | 0:11:13 | 0:13:06 | |
yes! Yes! Two! What a starts to hours Saturday! | 0:13:07 | 0:13:13 | |
Can you breathe after that? Shaking! I am not surprised, that was high | 0:13:14 | 0:13:18 | |
energy, composed of cells and that's welcome our great live singers, | 0:13:19 | 0:13:23 | |
Hayley, month, Andrea, Tommy and Dave Arch and his amazing orchestra. | 0:13:24 | 0:13:28 | |
Yes, that looked absolutely action packed. He doesn't do things by | 0:13:29 | 0:13:35 | |
half, Kevin! No, I found that out. She cannot breathe. Enough content, | 0:13:36 | 0:13:40 | |
Len? Give over, yes indeed, that floated my boats totally. | 0:13:41 | 0:13:45 | |
It really did, you are jumping and driving, I was wailing, go on, | 0:13:46 | 0:13:51 | |
Louise, get stuck in! High energy, level and I have got so high | 0:13:52 | 0:13:57 | |
expectations. High expectations! Do you think that | 0:13:58 | 0:14:09 | |
showed off her potential, Bruno? Two destitute family addition -- to the | 0:14:10 | 0:14:12 | |
family tradition, you score big-time first time out! What I always love | 0:14:13 | 0:14:19 | |
and finds delicious is the accuracy of the swinging 1940s detail. The | 0:14:20 | 0:14:28 | |
style was absolutely perfect. And I love the dainty pointed but work. | 0:14:29 | 0:14:34 | |
You just kind of went a little bit, there was a minor floor, we will | 0:14:35 | 0:14:39 | |
just overlook that. One here and one there, you know that. But as a | 0:14:40 | 0:14:42 | |
debut, it is extraordinary! Craig? Craig?. It was clean, very | 0:14:43 | 0:14:57 | |
precise, crisp finishes. You need more retraction in the flicks to | 0:14:58 | 0:15:02 | |
make it more of a jive. And a messy turn at the end, but apart from | 0:15:03 | 0:15:08 | |
that... For a first dance, outstanding. | 0:15:09 | 0:15:11 | |
CHEERING. Darcey, what would you like to add? The spring in those | 0:15:12 | 0:15:15 | |
kick ball changes at the beginning and when you repeat them with the | 0:15:16 | 0:15:20 | |
turn, you were able to keep it goingment really impressive. You | 0:15:21 | 0:15:22 | |
have definitely got a very nice student to work with here. He is | 0:15:23 | 0:15:26 | |
going to, I can't wait to see what you do next. Really lovely work. | 0:15:27 | 0:15:32 | |
CHEERING.. You couldn't hope for a better start. We've all got high | 0:15:33 | 0:15:40 | |
expectations of you. Well done. Louise and Kevin. Off you go. I'm so | 0:15:41 | 0:15:44 | |
proud of you. CHEERING. | 0:15:45 | 0:15:49 | |
Well done! I know the only thing... I can't talk. Well don't talk. You | 0:15:50 | 0:15:59 | |
can mime. I know all you said is, I don't want to go first, and then you | 0:16:00 | 0:16:05 | |
were told you were going first. But you handled it, you did brilliantly. | 0:16:06 | 0:16:10 | |
Craig said outstanding. I know, I'm going to live with that forever and | 0:16:11 | 0:16:19 | |
hold on to those comments. And your husband is in the audience. | 0:16:20 | 0:16:25 | |
AUDIENCE: Ah! He will literally never come again! Your boys are | 0:16:26 | 0:16:31 | |
watching at home. I love you, boys, see you in a bit. You did so well. | 0:16:32 | 0:16:35 | |
This is how the leaderboard looked at the end of last night. | 0:16:36 | 0:16:47 | |
Kevin, it's ridiculous, would you give yourselves 40? 40?! That would | 0:16:48 | 0:16:56 | |
be perfect. Do you want to top that? Yes, I would like to Top 40, if | 0:16:57 | 0:17:01 | |
possible. Well I'd give you 78. Thanks Claudia. The judges' scores | 0:17:02 | 0:17:06 | |
are in. Top of the leaderboard. There's a | 0:17:07 | 0:17:31 | |
lot of people to go yet. Because you're new, you are like, that seems | 0:17:32 | 0:17:36 | |
nice, but we know that for country to bring out the 8 paddle in week | 0:17:37 | 0:17:42 | |
one, I don't think that's happened before. You can vote next week. | 0:17:43 | 0:17:47 | |
Still to come, Daisy dances to a song by Nat King Cole, who I believe | 0:17:48 | 0:17:53 | |
is Brendan's uncle. Tess. Our next couple is TV presenter and radio DJ | 0:17:54 | 0:17:59 | |
Melvin Odoom and his partner, Janette Manrara. Melvin's first | 0:18:00 | 0:18:03 | |
dance will be the cha-cha. In training he's been using a secret | 0:18:04 | 0:18:06 | |
weapon he doesn't want anyone to know about. Don't worry, Melvin, | 0:18:07 | 0:18:13 | |
mum's the word. Eager to express himself is music maestro and DJ | 0:18:14 | 0:18:20 | |
Melvin Odoom. The whole Strictly experience has been absolutely | 0:18:21 | 0:18:24 | |
crazy. Janette jumped on me and said, I wanted you. That made me | 0:18:25 | 0:18:29 | |
feel good. I love to please people, I don't want to let anybody down, | 0:18:30 | 0:18:35 | |
whether it is Janette or my mum. He's the cutest and funniest and we | 0:18:36 | 0:18:38 | |
are going to be crazy on the dancefloor. I can't wait. Hey, | 0:18:39 | 0:18:46 | |
what's going on? Hello! First dance, the cha-cha-cha. I will give you a | 0:18:47 | 0:18:51 | |
scenario. We are in Mexico. You are going to be going lo co. So far so | 0:18:52 | 0:19:00 | |
good, Melvin is picking up the routine really well. We might be | 0:19:01 | 0:19:04 | |
going loco in the training room but I've got a place we can take it to | 0:19:05 | 0:19:13 | |
another level. This is my family. My Casa is your Casa. This is my mum. | 0:19:14 | 0:19:19 | |
Hello darling! Welcome to the family. Any tips for me? If you push | 0:19:20 | 0:19:27 | |
him enough you will get what you want. I know it's cha-cha-cha but | 0:19:28 | 0:19:33 | |
this is the closest I could find. This is the Mexican version. Feeling | 0:19:34 | 0:19:38 | |
hot, hot, hot... Good luck, Melvin. We are really proud of you. Proud | 0:19:39 | 0:19:46 | |
sister. Good luck. As a young child I used to dance at family parties | 0:19:47 | 0:19:51 | |
and if I did really well I would get money stuck on my head. And I've got | 0:19:52 | 0:19:56 | |
to say in front of my family, we did it. | 0:19:57 | 0:20:02 | |
CHEERING. Dancing the cha-cha-cha Melvin Odoom and Janette Manrara. | 0:20:03 | 0:20:09 | |
CHEERING AND APPLAUSE. You did it! Melvin, Janette. Come over here. I | 0:20:10 | 0:21:47 | |
was grinning from ear to ear all the way through. You put a smile on | 0:21:48 | 0:21:51 | |
everyone's face. Are you happy? Yeah, very happy. I'm still alive. | 0:21:52 | 0:22:02 | |
Thank you very much. Bruno, did that get you shaking your maracas? I need | 0:22:03 | 0:22:09 | |
a cocktail after that. You captured the festive mood of the dance, but | 0:22:10 | 0:22:15 | |
you forgot the hips. It was fun, light hearted and frothy, plenty of | 0:22:16 | 0:22:21 | |
maracas action, and a lot of this. Were you chased by a swarm of bees? | 0:22:22 | 0:22:26 | |
But you've got to put the hips into the cha-cha-cha. It is very | 0:22:27 | 0:22:30 | |
important. You can't keep that area of your body stiff. It's got to | 0:22:31 | 0:22:39 | |
loosen up. I will work on it. It's there. Craig, it put you in the | 0:22:40 | 0:22:50 | |
holiday mood? It's put me in a wooden mood, darling. Bruno is | 0:22:51 | 0:22:55 | |
right. Darling, an ironing board is less stiff down below. The hip | 0:22:56 | 0:22:58 | |
action is very important. Very square. Not your dance I'm afraid. | 0:22:59 | 0:23:04 | |
It is only week one, Darcey. Exactly. What are you going on | 0:23:05 | 0:23:09 | |
about? He was having a great time out there. | 0:23:10 | 0:23:13 | |
CHEERING. You are a natural cheeky chappy. I would say put that cheeky | 0:23:14 | 0:23:20 | |
stuff into those hips and as soon as you were standing still, those hips | 0:23:21 | 0:23:24 | |
worked, die see it. Just a little bit more work. And you'll be loving | 0:23:25 | 0:23:31 | |
it and we'll love it even more. What was best was the performance was | 0:23:32 | 0:23:35 | |
down to a T. It was brilliant. Thank you. | 0:23:36 | 0:23:40 | |
CHEERING. Len? Well, I'm not going to go loco over it. I don't know | 0:23:41 | 0:23:45 | |
what's happened to Craig. He was so positive last night. I thought, the | 0:23:46 | 0:23:49 | |
boy's turned a corner and suddenly the nasally little person came out. | 0:23:50 | 0:23:53 | |
Honestly. Listen, you came out there. It was fun. You were going | 0:23:54 | 0:23:57 | |
for it. I didn't think it was stiff. I thought it was more loose than | 0:23:58 | 0:24:00 | |
stiff. CHEERING. The cha-cha is a cheeky, | 0:24:01 | 0:24:06 | |
fun dance and that's what you portrayed. So good on you. | 0:24:07 | 0:24:11 | |
CHEERING. It put us all in the party mood didn't it, ladies and | 0:24:12 | 0:24:15 | |
gentlemen. Well done. CHEERING AND APPLAUSE. You did it! | 0:24:16 | 0:24:29 | |
Yes, thank you. Yes! We are in love with you. We were dancing. We were | 0:24:30 | 0:24:34 | |
moving up here, and Darcey said, you enjoyed it. I loved it. It was a | 0:24:35 | 0:24:39 | |
great dance to start with. We put in a lot of work this week, so I'm | 0:24:40 | 0:24:47 | |
happy. Are you happy? So happy. He works so hard. And you have the most | 0:24:48 | 0:24:50 | |
amazing family. CHEERING. Are you happy with that? | 0:24:51 | 0:25:16 | |
Yes. You just went, it's alright, baby. It's OK. If you would like to | 0:25:17 | 0:25:21 | |
vote for Melvin and Janette, and I hope you can hear me over thenoids | 0:25:22 | 0:25:28 | |
of Melvin's shirt, you can do so over the noise of Melvin's shirt... | 0:25:29 | 0:25:38 | |
Tess? Our next couple is model Daisy Lowe and her partner, Aljaz | 0:25:39 | 0:25:43 | |
Skorjanec. They are dancing a waltz to the song Unforgettable by Nat | 0:25:44 | 0:25:47 | |
King Cole. Daisy wants to dedicate her performance to a very special | 0:25:48 | 0:25:54 | |
person. Daisy Lowe is no stranger to the glitz and glam of the fashion | 0:25:55 | 0:26:00 | |
world, so naturally she's pretty plays day about being strictlified. | 0:26:01 | 0:26:05 | |
All the hair, all the make-up, all the glittery things. I can't believe | 0:26:06 | 0:26:11 | |
my luck that I get to dance with him. I'm so happy. We will have | 0:26:12 | 0:26:17 | |
loads of fun but when we work, we work. We've been in this beautiful | 0:26:18 | 0:26:23 | |
Strictly bubble but we still haven't done a live show yet. For our first | 0:26:24 | 0:26:32 | |
dance we are doing the waltz to Nat King Cole's Unforgettable. He was | 0:26:33 | 0:26:36 | |
really special to me, because he was my grandfather's favourite. I really | 0:26:37 | 0:26:41 | |
thought gramps was going to be here in physical form for my journey of | 0:26:42 | 0:26:45 | |
Strictly but he passed away on my first day. It made me quite teary | 0:26:46 | 0:26:50 | |
today. Just trying to get to grips with the fact I can't give him a | 0:26:51 | 0:26:55 | |
hug. But I'm so lucky to have Aljaz, because he is extraordinary. Is that | 0:26:56 | 0:26:59 | |
you when you were little? But look how happy I am just to be with him. | 0:27:00 | 0:27:03 | |
He's been so warm and supportive. The perfect partner. We'll | 0:27:04 | 0:27:10 | |
definitely make the good. I don't want to practise too much to the | 0:27:11 | 0:27:14 | |
music, because I can see her wandering away. My brain isn't | 0:27:15 | 0:27:18 | |
working. I want her to make herself proud with a beautiful waltz. As | 0:27:19 | 0:27:24 | |
long as I know in my heart of hearts I've done by best and hope I've made | 0:27:25 | 0:27:28 | |
gramps proud, that's all that matters to me. | 0:27:29 | 0:27:34 | |
CHEERING AND APPLAUSE. Dancing to waltz, Daisy Lowe and Aljaz | 0:27:35 | 0:27:36 | |
Skorjanec. SONG: Unforgettable | 0:27:37 | 0:27:41 | |
by Nat King Cole. CHEERING AND APPLAUSE. Thank you. | 0:27:42 | 0:29:29 | |
Beautiful. Talk about unforgettable! What a first dance. You melted all | 0:29:30 | 0:29:34 | |
of our hearts then. He would have been so proud. Thank you. Are you | 0:29:35 | 0:29:39 | |
proud of her Aljaz? Extremely proud of her. She did an incredible job. | 0:29:40 | 0:29:48 | |
CHEERING. Absolutely. Craig, how do you think they did? | 0:29:49 | 0:29:54 | |
I found it very sickly sweet, over the top, that says a lot more | 0:29:55 | 0:30:01 | |
probably about me than it does the dance! But you danced it | 0:30:02 | 0:30:06 | |
beautifully. CHEERING AND APPLAUSE. Hard on her | 0:30:07 | 0:30:14 | |
posture and framing, but that show, Darcey? It certainly did, Daisy, you | 0:30:15 | 0:30:21 | |
instantly set the romantic feel. The atmosphere came about, shivers down | 0:30:22 | 0:30:27 | |
my back, beautiful. The lilting and flowing action you produced, and | 0:30:28 | 0:30:30 | |
this is your first dance. I only say use those long legs and extend and | 0:30:31 | 0:30:36 | |
stretch at every opportunity, but dreamy. | 0:30:37 | 0:30:43 | |
Len. I was looking for a Daisy and I found an English rose. Listen, I get | 0:30:44 | 0:30:52 | |
older and forget things, you do, I promise you! I don't think I have | 0:30:53 | 0:30:57 | |
seen a dance better than that for week one ever! It was brilliant! | 0:30:58 | 0:31:07 | |
That is amazing! Best week once -- best week one dance ever, Bruno. | 0:31:08 | 0:31:13 | |
This season, the beauties keep coming, one more beautiful than the | 0:31:14 | 0:31:18 | |
other, and you are dazzling, Daisy. This had the radio the quality of | 0:31:19 | 0:31:26 | |
old school glamour and high-class fashion combined -- the radiant | 0:31:27 | 0:31:30 | |
quality. You made it look easy and I have to say the slower the waltz, | 0:31:31 | 0:31:35 | |
the harder to maintain. You made it look so easy. Emotionally engaged. I | 0:31:36 | 0:31:42 | |
am totally surprised and delighted. Surprised and delighted, so are we | 0:31:43 | 0:31:47 | |
after those comments! I imagine you are as well, well done, simply | 0:31:48 | 0:31:51 | |
beautiful. Thank you, I am just lucky I have the best partner, he is | 0:31:52 | 0:31:54 | |
incredible. Over the Claudia. | 0:31:55 | 0:32:03 | |
Yes! CHEERING AND APPLAUSE. | 0:32:04 | 0:32:14 | |
Yes! Well done! We were just going, can she get through it? Well done. | 0:32:15 | 0:32:20 | |
How do you feel? You did it! Yes! Really good! Your mum is in the | 0:32:21 | 0:32:27 | |
audience. She was willing due on, go on! She did great. Amazing, | 0:32:28 | 0:32:32 | |
absolutely amazing, it was a really hard stands because the music was | 0:32:33 | 0:32:36 | |
slow but you controlled perfectly. Well done. -- hard dance. | 0:32:37 | 0:32:43 | |
The scores are in. With the judges please reveal their scores? Craig | 0:32:44 | 0:32:47 | |
Revel Horwood. Seven. Darcey Bussell. A dreamy eight. Len | 0:32:48 | 0:32:51 | |
Goodman. Nine. And Bruno Tonioli. Eight! | 0:32:52 | 0:33:07 | |
Yes! Top of the Leader Board! Top of the Leader Board. Well done. If you | 0:33:08 | 0:33:16 | |
would like to vote for Daisy and Aljaz, you can when voting opens | 0:33:17 | 0:33:20 | |
next week. There is more Strictly on Facebook Twitter and the website. | 0:33:21 | 0:33:27 | |
Still to come, Tameka, what you dancing? | 0:33:28 | 0:33:32 | |
Bless you! Thank you! Dancing next is actor | 0:33:33 | 0:33:41 | |
Danny Mac and his partner Bettina Blues Day! Danny is absolutely | 0:33:42 | 0:33:46 | |
terrified of the judges, I don't know why because as long as his | 0:33:47 | 0:33:50 | |
armography is perfect and his fingers pointing the right way and | 0:33:51 | 0:33:56 | |
his footwork spot-on and his dancing is in time with the music, he moves | 0:33:57 | 0:34:00 | |
with the beat and he does not fall over, he will be fine, right? Right! | 0:34:01 | 0:34:08 | |
Former Hollyoaks actor Danny Mac is stepping out of his comfort zone and | 0:34:09 | 0:34:13 | |
into his dancing shoes. I have always played characters and hidden | 0:34:14 | 0:34:18 | |
behind those, this experience is not anyone. At the launch waiting for | 0:34:19 | 0:34:21 | |
our partners was the most exciting bit. It is Oti! She is great and we | 0:34:22 | 0:34:32 | |
will have a good time. I am over the moon, I am so happy. I want to work | 0:34:33 | 0:34:39 | |
hard and I will be interested to see who brakes hard, me or Oti. Please, | 0:34:40 | 0:34:43 | |
there is no way I am going to break first. Ready, bring it on. Day one | 0:34:44 | 0:34:49 | |
and we are doing the cha-cha-cha and it is very quick. It is a tough one. | 0:34:50 | 0:34:58 | |
My brain and I can do it and is having a constant argument with my | 0:34:59 | 0:35:02 | |
body. I don't know why I am not getting it. He does get frustrated | 0:35:03 | 0:35:06 | |
with himself a lot, he has such potential. It's not going to happen! | 0:35:07 | 0:35:11 | |
How are you finding it? I am trying to do the best I can but I am | 0:35:12 | 0:35:15 | |
definitely terrified. But why? You are doing such a good job. Oti is | 0:35:16 | 0:35:22 | |
great and sticking with it and I think she totally believes in me. | 0:35:23 | 0:35:27 | |
Yes! Ore Oduba is getting me to focus on the things I am getting | 0:35:28 | 0:35:30 | |
right now rather than getting stressed about the things I am | 0:35:31 | 0:35:35 | |
getting wrong. You got it. I am so terrified about performing in this | 0:35:36 | 0:35:39 | |
routine in front of millions of people, but as long as I can stop | 0:35:40 | 0:35:43 | |
being so hard on myself, I can perform my best on the night. | 0:35:44 | 0:35:53 | |
CHEERING AND APPLAUSE dancing the cha-cha-cha, Danny Mac and Oti | 0:35:54 | 0:35:54 | |
Mabuse. Is this | 0:35:55 | 0:36:01 | |
Listen to the audience! Is this | 0:36:02 | 0:38:09 | |
is the most incredible feeling Is this | 0:38:10 | 0:38:26 | |
astonishing. Darcey, how about Is this | 0:38:27 | 0:38:26 | |
Yes! That was fast, packed Is this | 0:38:27 | 0:38:47 | |
know what they going to be like so you look at the pretender and the | 0:38:48 | 0:38:52 | |
contender. 100%, you are a contender. I have got to tell that. | 0:38:53 | 0:38:57 | |
You have to justify your mark because people say, you say positive | 0:38:58 | 0:39:03 | |
things. It is a good mark, so don't cry about it. I have just got to say | 0:39:04 | 0:39:08 | |
we've got that same boyish grin, you and me! Did you notice that? You are | 0:39:09 | 0:39:13 | |
good at that stage dancing, whatever they that. I thought the cha-cha in | 0:39:14 | 0:39:19 | |
the middle was fantastic but there was a little bit too much, for me, | 0:39:20 | 0:39:28 | |
of stage dancing. Don't do that, I said he is a contender, boyish grin, | 0:39:29 | 0:39:33 | |
great dancer, don't get on my nerves early on! | 0:39:34 | 0:39:39 | |
Bruno. I loved the arena spectacular! That is what you did! | 0:39:40 | 0:39:44 | |
It was everything I wanted. Incredible performance power, it | 0:39:45 | 0:39:48 | |
was, I loved the Michael Jackson moves you put in. Absolutely | 0:39:49 | 0:39:57 | |
brilliant! Very well moving into the cha-cha-cha and no luck of hip | 0:39:58 | 0:40:00 | |
action. CHEERING AND APPLAUSE. | 0:40:01 | 0:40:08 | |
Breakdowns, great comments. He is a contender, Bourdy is waiting, go | 0:40:09 | 0:40:09 | |
upstairs, Danny and Oti. -- Claudia. CHEERING AND APPLAUSE. | 0:40:10 | 0:40:28 | |
Danny Mac! I am so sorry you are such a rubbish dancer! By the way, | 0:40:29 | 0:40:33 | |
we all were like, or what?! Did you love it? I had the best time. That | 0:40:34 | 0:40:38 | |
is three weeks work to do that and we've got one for the next. It is | 0:40:39 | 0:40:43 | |
all down to Oti, she has been The Boss of me for three weeks. But he | 0:40:44 | 0:40:48 | |
did really well. He worked so hard, he does everything in practice and | 0:40:49 | 0:40:52 | |
he never gives up so I love that. And thank you! Well done. We should | 0:40:53 | 0:40:58 | |
say that was Latin and you have ballroom next week, Viennese waltz, | 0:40:59 | 0:41:04 | |
can you move in that situation? It is just one week, slow down. | 0:41:05 | 0:41:09 | |
Slowly, slowly. The scores. The judges have their scores, Craig | 0:41:10 | 0:41:14 | |
Revel Horwood. Eight. Darcey Bussell. Eight. Len Goodman. Seven! | 0:41:15 | 0:41:25 | |
Bruno Tonioli. Eight. For your debut. You've got to be happy with | 0:41:26 | 0:41:31 | |
that, Danny? Amazed, over the moon. Remember, the scores will be carried | 0:41:32 | 0:41:34 | |
over the next week when you will have the chance to vote so if Danny | 0:41:35 | 0:41:39 | |
and Oti floated your boat, vote for them then, Tess. | 0:41:40 | 0:41:50 | |
Next, EastEnders start Tameka Empson and Gorka Marquez. Her first downs | 0:41:51 | 0:41:55 | |
is the passionate paso doble with our handsome new Spanish dancer | 0:41:56 | 0:42:01 | |
Gorka, I have a feeling this will get pretty hot. | 0:42:02 | 0:42:10 | |
EastEnders actress Tameka Empson is fulfilling her dreams and ready to | 0:42:11 | 0:42:14 | |
make her Strictly debut. I have always wanted to be in Strictly Come | 0:42:15 | 0:42:17 | |
Dancing and now it is really blowing my mind! When it came to the starter | 0:42:18 | 0:42:25 | |
show and Gorka swept me off my feet, I was dazed and confused! I am from | 0:42:26 | 0:42:32 | |
Spain, Gorka Marquez, 20 years old, this is my first series on Strictly. | 0:42:33 | 0:42:36 | |
I am super excited to be with Tameka. With Strictly, there has | 0:42:37 | 0:42:41 | |
been a long history of EastEnders actors. Now my turn, feel the | 0:42:42 | 0:42:51 | |
pressure! It is my first day of training, this is a dream come true. | 0:42:52 | 0:42:56 | |
I am here, I am ready, I am going to dance. Welcome to rehearsals. Thank | 0:42:57 | 0:43:12 | |
you! This dance is the paso doble. I am doing the paso doble... Paso | 0:43:13 | 0:43:20 | |
doble? I am doing that! In paso doble, you need to show more drama | 0:43:21 | 0:43:25 | |
or this is not a proper paso doble. I need her to stop laughing. It is | 0:43:26 | 0:43:34 | |
all... I need more drama for the paso doble! Let's go! Keeping a | 0:43:35 | 0:43:43 | |
straight face. That is difficult. The drama begins! | 0:43:44 | 0:43:51 | |
APPLAUSE. Dancing the paso doble, Tameka | 0:43:52 | 0:43:55 | |
Empson and Gorka Marquez. Dancing the paso doble, Tameka | 0:43:56 | 0:44:02 | |
Empson and Gorka Marquez. Viva Tameka! Hot and Spanish. Not | 0:44:03 | 0:46:03 | |
you, Gorka, the dance. I bet that was a challenge keeping a straight | 0:46:04 | 0:46:08 | |
face throughout, because it not? Are you still in character, or can't you | 0:46:09 | 0:46:15 | |
breathe? CPR needed immediately! Len, first paso of the series. Did | 0:46:16 | 0:46:20 | |
you get what you were looking for? It was corker, I'm telling you! You | 0:46:21 | 0:46:27 | |
come out and you... This dance is all about the attack and you | 0:46:28 | 0:46:32 | |
attacked it. But in the same way you maid it fun somehow. I thought it | 0:46:33 | 0:46:36 | |
was terrific. It was full of impact. You came out... It was great. I | 0:46:37 | 0:46:40 | |
thought it was really good. CHEERING. CHEERING.. Thank you. Did | 0:46:41 | 0:46:46 | |
you love that? Drama? I loved that woman. She was chewing the scenery! | 0:46:47 | 0:46:52 | |
I'm talking to you about getting into character. You played 27. I | 0:46:53 | 0:46:59 | |
lost count. The cape, the matador, the arena, the public. You just went | 0:47:00 | 0:47:04 | |
for it like a fury. And I love that. CHEERING. Hold on a second. Shaping. | 0:47:05 | 0:47:09 | |
You have to extend the shaping a little bit more, my darling. Because | 0:47:10 | 0:47:13 | |
then we get the more correct line. But I loved that little run at the | 0:47:14 | 0:47:17 | |
end. You were just going like the clappers. I loved it! | 0:47:18 | 0:47:25 | |
LAUGHTER Sorry. Craig? Well, you certainly owned the stage, my | 0:47:26 | 0:47:27 | |
darling. CHEERING. That goes without saying. | 0:47:28 | 0:47:32 | |
Full of attitude, full of passion. I thought you were more on the matador | 0:47:33 | 0:47:37 | |
side than the cape. You were driving that dance and running things. I | 0:47:38 | 0:47:43 | |
know you planked the floor like an RSJ, darling. Bang! But you | 0:47:44 | 0:47:48 | |
survived. I lived to tell the tail. Well done. Cher cheer. That's a lot | 0:47:49 | 0:47:55 | |
coming from him. Darcey? As the boys said, the most perfect dramatic | 0:47:56 | 0:48:01 | |
moody senorita I have ever seen. You took over that dancefloor. My own | 0:48:02 | 0:48:06 | |
thing, a bit like Bruno, exaggerate the moves. Don't throw the arm away. | 0:48:07 | 0:48:12 | |
Really fill the space, yes? But oh, that character, you are overpowering | 0:48:13 | 0:48:16 | |
us all. It is fabulous, darling. CHEERING. Thank you my love. Well | 0:48:17 | 0:48:26 | |
done you! CHEERING. Ole! Well done. What do | 0:48:27 | 0:48:44 | |
you need? I need a fan. Faster! Faster! Literally, whatever you | 0:48:45 | 0:48:51 | |
want, Tameka. You know we can find where the dancers are just from your | 0:48:52 | 0:48:59 | |
laugh. I love watching you training. I'm so happy to be here. Thank you | 0:49:00 | 0:49:06 | |
Gorka. An excellent partnership. Gorka the corker. And my favourite | 0:49:07 | 0:49:11 | |
thing is when you can't breathe... The scores are in. | 0:49:12 | 0:49:20 | |
APPLAUSE. CHEERING. | 0:49:21 | 0:49:32 | |
CHEERING AND APPLAUSE. Cheer Very well done. Thank you. I want to | 0:49:33 | 0:49:39 | |
share with the group next week you are doing the Charleston. Next week, | 0:49:40 | 0:49:44 | |
not tonight. Maybe in the bar afterwards. If you are going | 0:49:45 | 0:49:50 | |
crackers for Tameka's maracas, you vote for her next week. Yes I know | 0:49:51 | 0:49:56 | |
they are castanets but you try rhyming castanets. I have lots more | 0:49:57 | 0:50:02 | |
the come, including this: Stay with me. At an amusement park I don't | 0:50:03 | 0:50:09 | |
even go on the right.ds spinning in here is a lot of anxiety like I | 0:50:10 | 0:50:15 | |
really do need a moment. I haven't cracked smiling when I'm dancing. I | 0:50:16 | 0:50:20 | |
am really quite enjoying it but I need toe relax and smile a bit. What | 0:50:21 | 0:50:25 | |
I'm finding difficult is all the steps. There is nothing that easy | 0:50:26 | 0:50:29 | |
about it, to be honest. I struggle with everything. Doing aggressive | 0:50:30 | 0:50:33 | |
moves which are needed for a tango. It is all done on Sunday effects. | 0:50:34 | 0:50:42 | |
CHEERING. Why are you dressed as an elf? That's a good question. It is | 0:50:43 | 0:50:48 | |
for Ed Balls. He is dancing to an elfish song. Elvis, not elfish! | 0:50:49 | 0:50:58 | |
LAUGHTER Would you excuse me? LAUGHTER | 0:50:59 | 0:51:05 | |
APPLAUSE. Next, it is singer Anastacia and her partner, Brendan | 0:51:06 | 0:51:07 | |
Cole. CHEERING. They are doing a cha-cha, | 0:51:08 | 0:51:17 | |
but during a break in training broken Dan took Anastacia sight | 0:51:18 | 0:51:22 | |
seeing in London. I wonder if they saw the cha-cha Changing of the | 0:51:23 | 0:51:27 | |
Guard. Elfish?! Interest superstar Anastacia is used to the pressure of | 0:51:28 | 0:51:32 | |
performing but dancing on Strictly is another story. I felt like this | 0:51:33 | 0:51:38 | |
is such an out of body experience. It's Brendan! My partner is maize | 0:51:39 | 0:51:45 | |
balls. First thing I said to him is we're winning this thing. And he was | 0:51:46 | 0:51:49 | |
just like, alright! Know how impressive she is on the stage. She | 0:51:50 | 0:51:54 | |
is ridiculously famous throughout the world. If it's all wrong, it's | 0:51:55 | 0:52:01 | |
his fault. Just saying. With that winning mentality it is straight | 0:52:02 | 0:52:04 | |
down to training. The first dance is the cha-cha. I'm very excited about | 0:52:05 | 0:52:10 | |
it. Enityic, fast, sultry. I think it is going to be really coollet We | 0:52:11 | 0:52:16 | |
are not going to do training today. A birdie told me it is your | 0:52:17 | 0:52:21 | |
birthday. It is. As the birthday girl is from out of town Brendan is | 0:52:22 | 0:52:27 | |
treating her to a tour of lobbed. You guys have your own bus? Snookers | 0:52:28 | 0:52:31 | |
snookers over there is Buckingham Palace. It is so cute. On our bus | 0:52:32 | 0:52:39 | |
ride Brendan told me a few facts. That was done by 14 Egyptian | 0:52:40 | 0:52:43 | |
monks... Which I think are questionable. Piccadilly circus, | 0:52:44 | 0:52:51 | |
lots of little clowns... No! Hello Mr Beefeater. May I try on some | 0:52:52 | 0:52:59 | |
crown jewels? Of course you can! It's been amazing to celebrate my | 0:53:00 | 0:53:03 | |
birthday in London and end it at the Ritz. That's pretty darn awesome. | 0:53:04 | 0:53:10 | |
Thanks Brendan. CHEERING.. Dancing the cha-cha-cha. Anastacia and | 0:53:11 | 0:53:13 | |
Brendan Cole. CHEERING. | 0:53:14 | 0:53:21 | |
CHEERING AND APPLAUSE. Oh yes! That had everything in it. | 0:53:22 | 0:55:03 | |
Bags of attitude. Even the splits! Did I do that? Yes, you did. You | 0:55:04 | 0:55:07 | |
looked like you were in your element. No, no, no, I wish you | 0:55:08 | 0:55:17 | |
could understand... Andrea? Girls, she sung the song, I'm humbled by | 0:55:18 | 0:55:22 | |
the dancers really. APPLAUSE. Bruno, were in ... | 0:55:23 | 0:55:29 | |
the dancers really. APPLAUSE. Bruno, were in Were you in | 0:55:30 | 0:55:31 | |
your element? Anastacia, I have to say you are hot and sexy. Oh my God. | 0:55:32 | 0:55:36 | |
You winter for everything I like. I think you cracked Len's lens at the | 0:55:37 | 0:55:41 | |
moment there. Very ambiguous. Anyway, it was a very good dance. | 0:55:42 | 0:55:46 | |
But what happened, you went wrong quite a few times. I think it's | 0:55:47 | 0:55:51 | |
because of the nerves. First I'm out, and a new platform. You are a | 0:55:52 | 0:55:55 | |
singer not a dancer and you attacked the performance so much that you | 0:55:56 | 0:55:59 | |
lost quite a few times the choreography. But you're very | 0:56:00 | 0:56:05 | |
talented and very good. Based on this, I'm expecting fantastic dance | 0:56:06 | 0:56:08 | |
next week. APPLAUSE. Craig? Absolute filth and | 0:56:09 | 0:56:17 | |
bordering I have to say on indecency. Clear cheer I loved it, | 0:56:18 | 0:56:25 | |
darling. Thank you. Brendan unfortunately has a habit of | 0:56:26 | 0:56:30 | |
bringing this sort of behaviour out in his partners... I only do it to | 0:56:31 | 0:56:36 | |
impress you, Craig. That split in second, my darling. It's called a | 0:56:37 | 0:56:42 | |
box split. Right down. I loved it. Mistakes and all. | 0:56:43 | 0:56:50 | |
CHEERING. Darcey? You are certainly a supple chick on that dancefloor. | 0:56:51 | 0:56:55 | |
The accents in the moves. Even with a couple of mistakes it was clean. | 0:56:56 | 0:57:00 | |
Well done. What I did love is that cheeky, sexy attitude. If you can do | 0:57:01 | 0:57:05 | |
that with a cha-cha I can't wait for the Argentine tango. Neither can I. | 0:57:06 | 0:57:11 | |
Good point, Darcey. Len? Lady Marmalade. It was tangy and slightly | 0:57:12 | 0:57:20 | |
fruity. Oh yes. You don't suffer from stage fright. You were out | 0:57:21 | 0:57:24 | |
there. I know you are American. As you bent over... I think I saw the | 0:57:25 | 0:57:31 | |
Rocky Mountains! LAUGHTER I enjoyed it very much. | 0:57:32 | 0:57:39 | |
Frisky Len! Great comment from the judges. What is he like?! Well done, | 0:57:40 | 0:57:46 | |
my darling. Go and see Lady Winkleman up stairs. Anastacia and | 0:57:47 | 0:57:50 | |
Brendan Cole. CHEERING AND APPLAUSE. Well done! My | 0:57:51 | 0:58:00 | |
favourite thing was the scream when Craig said he loved it. You went | 0:58:01 | 0:58:06 | |
Aaargh. I was expecting him to say horrible things to me, so I was | 0:58:07 | 0:58:14 | |
nervous. You've got used to going and singing in huge stadiums. But as | 0:58:15 | 0:58:19 | |
Tess said, this is not your element. But I'm so excited to be part of it. | 0:58:20 | 0:58:22 | |
Really. APPLAUSE. An amazing girl. And you | 0:58:23 | 0:58:29 | |
look after everyone. The scores are in. | 0:58:30 | 0:58:33 | |
It normally works the other way round. No, it's OK. I have a lot of | 0:58:34 | 0:58:57 | |
work to do, I get that. I got you dudes, wherever the cameras are. If | 0:58:58 | 0:59:01 | |
you liked that routine, I'm not sure I've mentioned it, you can vote when | 0:59:02 | 0:59:07 | |
voting opens next week. Still to come Claudia and AJ and a gym. I'm | 0:59:08 | 0:59:15 | |
not sure who Jim is. Next attempt is former Shadow Chancellor Ed Balls | 0:59:16 | 0:59:22 | |
and his partner Katya Jones. They are going to dance a waltz and it is | 0:59:23 | 0:59:26 | |
set on Westminster bridge, so where better to get inspiration than the | 0:59:27 | 0:59:30 | |
Houses of Parliament. I hope his timing is as good as Big Ben's. | 0:59:31 | 0:59:38 | |
Former politician Ed Balls is more used to the House of Commons than | 0:59:39 | 0:59:42 | |
the Strictly ballroom. I've walked up red carpets lots of timings | 0:59:43 | 0:59:46 | |
before. But on the launch show the press wanted to take photos of me on | 0:59:47 | 0:59:52 | |
the red carpet. When I found out Katya was my partner, I thought | 0:59:53 | 0:59:58 | |
brilliant. I'm Katya Jones and I'm four times undefeated British | 0:59:59 | 1:00:01 | |
national champion and the world Latin Showdance champion. | 1:00:02 | 1:00:08 | |
I know I have got a lot to learn, Katya, you have your work cut out! | 1:00:09 | 1:00:20 | |
It all starts here. Your brain, your elbows! Wrong-foot! We are doing a | 1:00:21 | 1:00:24 | |
waltz and Katya is a tough teacher. Follow your left... If she wasn't, | 1:00:25 | 1:00:29 | |
we would not make progress. You were doing great and we've got limited | 1:00:30 | 1:00:33 | |
time so I have got to be tough. I'm used to it. In the House of Commons, | 1:00:34 | 1:00:39 | |
dispatch box, hundreds of MPs, you should have a block, why don't you | 1:00:40 | 1:00:43 | |
see? This is the House of Commons | 1:00:44 | 1:00:47 | |
chamber. It is where the opposition stands. This is where the Prime | 1:00:48 | 1:00:53 | |
Minister stands. Was it a tough job? Sometimes it was really heated, very | 1:00:54 | 1:00:58 | |
intense. Some people have shouted in here even louder than you. We will | 1:00:59 | 1:01:02 | |
see about that, it's time for training. I think Katya was worried | 1:01:03 | 1:01:06 | |
she was being too tough but she has seen I am used to tough environments | 1:01:07 | 1:01:10 | |
so let's hope I can handle the pressure when I step out onto the | 1:01:11 | 1:01:15 | |
dance floor. Ready? And... Posture! Get your frame up! CHEERING AND | 1:01:16 | 1:01:21 | |
APPLAUSE. Dancing the waltz, Ed Balls and | 1:01:22 | 1:01:26 | |
Katya Jones. CHEERING AND APPLAUSE. Katya, you do | 1:01:27 | 1:03:11 | |
not see that every day in the Houses of Parliament! Are you relieved it | 1:03:12 | 1:03:15 | |
is over? Relieved, yes, it was fun. I think I was better in rehearsal | 1:03:16 | 1:03:21 | |
but it was great. You did very well. But relieved! It might be | 1:03:22 | 1:03:26 | |
short-lived, guess who is first? Craig. I thought it was a little | 1:03:27 | 1:03:33 | |
industrial, if I am honest. You also need to get some rise and fall, | 1:03:34 | 1:03:37 | |
Darling, you need to do that by raising onto the Balls of your feet | 1:03:38 | 1:03:42 | |
and as that is your last name, you could remind yourself about that. | 1:03:43 | 1:03:46 | |
And shaping is out as well, you need to get at least some hand shaping. | 1:03:47 | 1:03:52 | |
And went horribly wrong going across at the beginning, but I knew no you | 1:03:53 | 1:03:57 | |
knew that but it was obvious in this particular dance. Better luck next | 1:03:58 | 1:04:04 | |
time, Darling. He is really out of his comfort zone, Darcey. The nerves | 1:04:05 | 1:04:09 | |
when you first go out on the dance floor and myself when I danced here | 1:04:10 | 1:04:13 | |
as a professional, my goodness, it is so nerve wracking and we did feel | 1:04:14 | 1:04:17 | |
that and I know you feel that. Don't worry, there was glimmers of a nice, | 1:04:18 | 1:04:22 | |
elegant gentleman. I saw the posture. By the end, you were really | 1:04:23 | 1:04:28 | |
working well. The best thing with nerves is to think of a narrative, a | 1:04:29 | 1:04:33 | |
story to give you direction and feeling. And build on that character | 1:04:34 | 1:04:36 | |
and you will be fine. Well done. Thank you, Darcey. Len. | 1:04:37 | 1:04:44 | |
You are out of the Shadow Cabinet and into the dancing Spotlight and I | 1:04:45 | 1:04:50 | |
will be honest, I thought, he isn't going to be much good, that is for | 1:04:51 | 1:04:53 | |
sure. That is what I love with Strictly. And for me, you watch | 1:04:54 | 1:05:00 | |
Strictly is about. You are someone who doesn't dance. You come out, | 1:05:01 | 1:05:05 | |
you've got a nice hold, you have worked on your heel leads, you move | 1:05:06 | 1:05:09 | |
around the floor. I was pleasantly surprised and I congratulate you. | 1:05:10 | 1:05:18 | |
I think a lot of people were, Bruno. Desperate -- definitely surprisingly | 1:05:19 | 1:05:24 | |
Conservative. But it came out well. It was very prim and proper. You | 1:05:25 | 1:05:28 | |
tried to place it well and you stepped out of line one time, get | 1:05:29 | 1:05:32 | |
the whip out! Don't let her do the work at the end. You need to do | 1:05:33 | 1:05:36 | |
more. Overall, very politically correct. A | 1:05:37 | 1:05:44 | |
steady start. Ed Balls has loved the dance floor! Ed and Katya. | 1:05:45 | 1:05:56 | |
Ed and Katya, you just did a waltz live on television to Elvis. Sort | 1:05:57 | 1:06:08 | |
of! No, he did well. Really well. Also, it is Labour party conference | 1:06:09 | 1:06:10 | |
this weekend and you are in a sparkly shirt, life is strange! I | 1:06:11 | 1:06:16 | |
hope they are having a good time in Liverpool. | 1:06:17 | 1:06:19 | |
Good luck with the scores. Will the judges please reveal their scores? | 1:06:20 | 1:06:24 | |
Craig Revel Horwood. Five. Darcey Bussell. Five. Len Goodman. Six. And | 1:06:25 | 1:06:34 | |
Bruno Tonioli. Five. 21, would you like to answer | 1:06:35 | 1:06:42 | |
those scores? I think you were really... Len was pleasantly | 1:06:43 | 1:06:49 | |
surprised. Happy with that? At base to build on. Exactly, journey, that | 1:06:50 | 1:06:56 | |
is the key. It is certainly a journey! You are having fun? Yes, | 1:06:57 | 1:07:01 | |
loving it. Good, the scores will be carried the next week. | 1:07:02 | 1:07:05 | |
Still to come, Will Young has a chess set, I am more of a real girl | 1:07:06 | 1:07:09 | |
myself, you? Yes. Next to dance is Olympic | 1:07:10 | 1:07:16 | |
gymnast Claudia Fragapane and her partner AJ Pritchard. Claudia is the | 1:07:17 | 1:07:25 | |
youngest person on Strictly, I can't believe how young she is, I have | 1:07:26 | 1:07:29 | |
older things in my fridge! But she has a lot of support at home and | 1:07:30 | 1:07:32 | |
with the help of a family, she is ready to go for Gold on Strictly. | 1:07:33 | 1:07:41 | |
As an artistic gymnast, Olympian Claudia Fragapane creates works of | 1:07:42 | 1:07:45 | |
art with her body but how will she cope with the dance floor as a | 1:07:46 | 1:07:49 | |
campus? Really excited, time to put on the heels and start dancing. The | 1:07:50 | 1:07:53 | |
think I need to work on most is being graceful and ladylike because | 1:07:54 | 1:07:58 | |
in gymnastics... Excited to be with AJ. I am AJ, British open and | 1:07:59 | 1:08:05 | |
nationally Latin youth champion. So excited to be strict leave this | 1:08:06 | 1:08:09 | |
year, I can't wait to get started. I have been told he does look in the | 1:08:10 | 1:08:13 | |
mirror quite a lot. Still good. I will be like, come on, let's get to | 1:08:14 | 1:08:15 | |
work. Hello! OK? Like Cinderella. We are | 1:08:16 | 1:08:23 | |
doing the cha-cha-cha and all I can think about is moving your body | 1:08:24 | 1:08:26 | |
fast. I don't know anything about dancing! We have been training for a | 1:08:27 | 1:08:33 | |
week and it's time for you to meet my family. That is a bit soon! The | 1:08:34 | 1:08:37 | |
only person you have to impress is my dad, he is very strict and you | 1:08:38 | 1:08:42 | |
have to impress him. Hello, Papa! It is AJ. All right? He | 1:08:43 | 1:08:49 | |
looks like a nice young kid. Not a kid, a man. | 1:08:50 | 1:08:53 | |
How is training? Really good, she has a great personality and is easy | 1:08:54 | 1:08:57 | |
in the studio. This is my Trophy Room. Four Gold | 1:08:58 | 1:09:02 | |
medals? That is cool, I like that. AJ, I want to see the stands, I am | 1:09:03 | 1:09:06 | |
watching the! Today's visit to her family has gone | 1:09:07 | 1:09:11 | |
fantastic, Claudia's dad is a bit softy. | 1:09:12 | 1:09:15 | |
My dad is going to be in the audience watching and he will be | 1:09:16 | 1:09:18 | |
really excited. CHEERING AND APPLAUSE. Dancing the | 1:09:19 | 1:09:25 | |
cha-cha-cha, Claudia Fragapane and AJ Pritchard. | 1:09:26 | 1:09:32 | |
SONG: That's What Makes You Beautiful. | 1:09:33 | 1:10:53 | |
Goodness me! Fantastic! On their feet, Claudia. A backflip in high | 1:10:54 | 1:11:19 | |
heels! I haven't seen that since Craig! We know you use the | 1:11:20 | 1:11:24 | |
backflips, how did you find the dancing? Absolutely incredible, I | 1:11:25 | 1:11:31 | |
enjoyed every minute. You have done a backflip now, incredible, Darcey, | 1:11:32 | 1:11:36 | |
impressed? Mike, Wow! You are adorable to watch, you two, it is | 1:11:37 | 1:11:41 | |
heaven. It is clean and exact and those tricks, they are dynamic. I | 1:11:42 | 1:11:47 | |
would only say if you can put the same sort of dynamics into the dance | 1:11:48 | 1:11:52 | |
moves, you will both, live! You have ticked off the first dance, well | 1:11:53 | 1:11:56 | |
done, good job. Does she will come alive. Good job, | 1:11:57 | 1:12:01 | |
you are a massive fan of One Direction, what did you think of the | 1:12:02 | 1:12:05 | |
routine? I don't want to talk about One Direction, I haven't got over | 1:12:06 | 1:12:11 | |
Zayn Malik leaving! Told you! I will say this straightaway, I know you | 1:12:12 | 1:12:16 | |
are a fantastic gymnast, but I'm not a big punter for gymnastics in | 1:12:17 | 1:12:22 | |
dancing. No, it is only a warning. She's a nice little girl, don't get | 1:12:23 | 1:12:27 | |
like that. I am just telling you because if you are not careful, you | 1:12:28 | 1:12:31 | |
end up putting gymnastics in everything. What you do, you do | 1:12:32 | 1:12:35 | |
lovely. A little placed in some parts and needed a bit more action | 1:12:36 | 1:12:40 | |
but lovely and you have great coordination. | 1:12:41 | 1:12:45 | |
You will do great. Thank you. Bruno. My goodness, she is so cute, you | 1:12:46 | 1:12:50 | |
want to take her home, look at her. And you! Come on, they are perfectly | 1:12:51 | 1:12:57 | |
matched! What happens is you are so strong and powerful and you have | 1:12:58 | 1:13:01 | |
this kind of natural rhythmic ability. You know when you do | 1:13:02 | 1:13:06 | |
gymnastics? You prepare and you go. In dance, you never interrupt the | 1:13:07 | 1:13:12 | |
flow. So if you do one of your tricks, try not to interrupt the | 1:13:13 | 1:13:16 | |
flow of the dance. Keep it continuous. The moment you stop, it | 1:13:17 | 1:13:21 | |
kind of stops the magic and dance is a different technique to gymnastics, | 1:13:22 | 1:13:26 | |
it needs a continuous flow through the body. You will get it next week. | 1:13:27 | 1:13:33 | |
You will get it next week. Craig, be careful, her dad is in the audience. | 1:13:34 | 1:13:39 | |
I thought it was a bit stumpy. A little square. Lacking hip action. I | 1:13:40 | 1:13:45 | |
loved the aerobics and doing that in heels. Amazing. Virtually | 1:13:46 | 1:13:50 | |
impossible. Fantastic, thank you very much. Only One Direction to go | 1:13:51 | 1:13:57 | |
in now, upstairs with Claudia. We loved it, thank you so much. Claudia | 1:13:58 | 1:14:00 | |
and AJ. CHEERING AND APPLAUSE. You were | 1:14:01 | 1:14:12 | |
brilliant! I know you were absolutely terrified. Your dad is in | 1:14:13 | 1:14:16 | |
the audience. We are rather in love with. What would you give your girl, | 1:14:17 | 1:14:24 | |
Paolo? CHEERING. How do you feel about the | 1:14:25 | 1:14:31 | |
judges' comments? Absolutely fine, I take criticism really well. The | 1:14:32 | 1:14:34 | |
scores are in. APPLAUSE. | 1:14:35 | 1:14:48 | |
CHEERING. CHEERING AND APPLAUSE. Cheer 26. Are | 1:14:49 | 1:14:54 | |
you alright with that? Yes. OK, good. If you enjoyed that, you can | 1:14:55 | 1:15:01 | |
vote for these two next week. AJ, I always say you are 11, so I brought | 1:15:02 | 1:15:07 | |
you a present to say well done. LAUGHTER You can play with it. So | 1:15:08 | 1:15:13 | |
cute. I've got some colouring in as well. We've had 8 performances which | 1:15:14 | 1:15:18 | |
means there is is only one couple left to dance. Yes, our final couple | 1:15:19 | 1:15:24 | |
of the night is Will Young and his partner, Karen Clifton. | 1:15:25 | 1:15:28 | |
CHEERING. Will has four number one singles in his name, but forget the | 1:15:29 | 1:15:34 | |
singing. Tonight is all about the dancing. Will he be number one on | 1:15:35 | 1:15:41 | |
our leaderboard? Let's find out. Chart topping pop star, check. Will | 1:15:42 | 1:15:45 | |
has four number one singles in his name, but forget the singing. | 1:15:46 | 1:15:47 | |
Tonight is all about the dancing. Will he be number one on our | 1:15:48 | 1:15:50 | |
leaderboard? Let's find out. Chart topping pop star, check. Award | 1:15:51 | 1:15:52 | |
winning actor - check. But what is next for Will Young? I love learning | 1:15:53 | 1:15:58 | |
new things and I've got a fantastic dance partner. General fitness | 1:15:59 | 1:16:07 | |
levels, I'm like an old mini, and she is like a 1990s Ferrari. I'm | 1:16:08 | 1:16:15 | |
hoping that Karen can improve that and I'm really sorry that I'm not | 1:16:16 | 1:16:21 | |
that fit. Hello! It is my first day of training. There's a mixture of | 1:16:22 | 1:16:25 | |
excitement and terror. I bet you are dying to know what dance you are | 1:16:26 | 1:16:30 | |
going to do. The tango. I've always wanted to do the tango, so this is | 1:16:31 | 1:16:34 | |
literally a dream already. It is looking good so far but we have to | 1:16:35 | 1:16:38 | |
put a lot of hours in. Sorry, I've got to leave rehearsals early | 1:16:39 | 1:16:42 | |
because I have band practise. Can I come with you? I've always wanted to | 1:16:43 | 1:16:47 | |
be in a band. I can be a drummer. Yeah, come on! Karen had a go at the | 1:16:48 | 1:16:53 | |
drums and I think she shows some real promise. That That's awful. | 1:16:54 | 1:16:57 | |
Sing me one of your best known songs. I think I'm gone Florida | 1:16:58 | 1:17:05 | |
leave right now... I don't know that one actually. She knew. She | 1:17:06 | 1:17:12 | |
definitely knew it. While waiting for his band I managed to squeeze a | 1:17:13 | 1:17:15 | |
little bit of tango training, so I'm happy. It was really brilliant of | 1:17:16 | 1:17:20 | |
Karen to come down to the studio. I hope I can make her proud on the | 1:17:21 | 1:17:22 | |
night. CHEERING. | 1:17:23 | 1:17:25 | |
Dancing the tango, Will Young and Karen Clifton. | 1:17:26 | 1:17:34 | |
Tango! Come on over. CHEERING. Oh yes! I don't know who | 1:17:35 | 1:19:24 | |
won that chess match. I don't even play chess. It was such a dramatic | 1:19:25 | 1:19:30 | |
end to the show. How was it for you? Don't speak. Thumbs up will do. | 1:19:31 | 1:19:36 | |
Let's judge. Len? The hold was a little bit wide. It could have been | 1:19:37 | 1:19:43 | |
slightly more compact. It could! I'm going to say, not quite checkmate | 1:19:44 | 1:19:47 | |
but an excellent performance. Well done. | 1:19:48 | 1:19:50 | |
CHEERING. What did you think of his moves Bruno? Not just the moves. It | 1:19:51 | 1:19:57 | |
is the mood. It was like watching a passion play in three acts. The | 1:19:58 | 1:20:03 | |
acting and the interpretation was brilliant. You were so focused, so | 1:20:04 | 1:20:07 | |
intense. Yes, Len was right, you have to be careful with the | 1:20:08 | 1:20:10 | |
technique. When you get into that character it is all very well, but | 1:20:11 | 1:20:14 | |
you have to retain the position and the style of the tango, but I loved | 1:20:15 | 1:20:17 | |
it. Really good. APPLAUSE. Craig did you? I thought | 1:20:18 | 1:20:23 | |
the feet were turned out in places but it was full of drama, purpose, | 1:20:24 | 1:20:29 | |
sharp staccato. Everything we love. CHEERING. The word love. Was that a | 1:20:30 | 1:20:35 | |
worthy end to the show Darcey My gosh, that attack. That the power | 1:20:36 | 1:20:39 | |
you gave to that tango. Fabulous. The stalking moves. The boys are | 1:20:40 | 1:20:42 | |
right. You've got to fix that top line. Especially when you give so | 1:20:43 | 1:20:48 | |
much power, so it doesn't give. You have so much potential. | 1:20:49 | 1:20:52 | |
CHEERING. Thank you judges. It Takes Two to tango. You did very well. | 1:20:53 | 1:20:57 | |
Move on up to Claudia. CHEERING. Well done. Well done. Will | 1:20:58 | 1:21:13 | |
and Karen. Really scary going last isn't it? Everyone is watching you. | 1:21:14 | 1:21:20 | |
But are you happy? I am. Yes. You did great. The scores are in. | 1:21:21 | 1:21:26 | |
CHEERING. CHEERING AND APPLAUSE. Cheer Oh my | 1:21:27 | 1:21:35 | |
God! CHEERING. | 1:21:36 | 1:21:43 | |
You will be very happy with that. It was fantastic. If you want to vote | 1:21:44 | 1:21:52 | |
for Will and Karen you can when voting opens next week. It is all | 1:21:53 | 1:21:55 | |
change on the leaderboard. Let's have a look. | 1:21:56 | 1:22:14 | |
Remember, those scores will be added to next week's when our couples | 1:22:15 | 1:22:20 | |
perform again. That's when you get if chance to vote for your | 1:22:21 | 1:22:23 | |
favourite. That's it. Let's celebrate. Naga, hit the triangle. | 1:22:24 | 1:22:36 | |
CHEERING. Thank you. Let's look at the routines you've seen this | 1:22:37 | 1:22:38 | |
weekend. SONG: Unforgettable | 1:22:39 | 1:22:42 | |
by Nat King Cole. SONG: That's What | 1:22:43 | 1:25:06 | |
Makes You Beautiful. CHEERING. | 1:25:07 | 1:26:28 | |
CHEERING. What a weekend it's been. Yes, we're back next Saturday | 1:26:29 | 1:26:56 | |
and Sunday for our first results show of the series, | 1:26:57 | 1:27:00 | |
when one of these couples will sadly You can get your fake tan | 1:27:01 | 1:27:02 | |
updates and all the gossip from the training rooms every day | 1:27:03 | 1:27:15 | |
next week with the brilliant Zoe Ball on It Takes Two, starting | 1:27:16 | 1:27:18 | |
Monday night at 6.30 on BBC Two. We'll see you next Saturday | 1:27:19 | 1:27:21 | |
at 6.20 - that's 6.20 - It promises to be an | 1:27:22 | 1:27:24 | |
epic night of dance. | 1:27:25 | 1:27:29 |