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Last week, of us. | :00:17. | :00:37. | |
Live from the BBC, this is Strictly Come Dancing! | :00:38. | :01:53. | |
Please welcome your hosts - Tess Daly and Claudia Winkleman. | :01:54. | :01:58. | |
Hello and welcome to Strictly Come Dancing! | :01:59. | :02:20. | |
It is going to be a monumental show, because all 15 couples | :02:21. | :02:26. | |
will be performing on this dance floor tonight. | :02:27. | :02:28. | |
And sadly, our first couple will leave the competition | :02:29. | :02:31. | |
I know, we've become quite attached, too. | :02:32. | :02:41. | |
But one couple must go - those are the rules. | :02:42. | :02:44. | |
So tonight, everyone will be pulling out all the stops | :02:45. | :02:46. | |
Remember, tonight, our 15 couples will be dancing live, | :02:47. | :03:16. | |
not only for the judges' scores, but also to win your votes. | :03:17. | :03:19. | |
Our celebrities are all backstage shaking with nerves and excitement. | :03:20. | :03:24. | |
Either that or the air conditioning is on the blink. | :03:25. | :03:28. | |
They're all desperate to come out here and give it their best shot. | :03:29. | :03:31. | |
So let's not keep them waiting any longer, it's time to meet... | :03:32. | :03:34. | |
TV presenter and singer Louise Redknapp and her | :03:35. | :03:42. | |
Star of Judge Rinder Robert Rinder and his partner, Oksana Platero. | :03:43. | :03:47. | |
Actress Lesley Joseph and her partner, Anton Du Beke. | :03:48. | :03:50. | |
TV presenter and radio DJ Melvin Odoom and his partner, | :03:51. | :03:55. | |
Olympic gymnast Claudia Fragapane, and her partner, AJ Pritchard. | :03:56. | :04:01. | |
BBC sports presenter Ore Oduba and his partner, | :04:02. | :04:03. | |
Model Daisy Lowe and her partner, Aljaz Skorjanec. | :04:04. | :04:10. | |
Actor and pop star Will Young and his partner, Karen Clifton. | :04:11. | :04:16. | |
From BBC Breakfast, Naga Munchetty and her partner, Pasha Kovalev. | :04:17. | :04:20. | |
World Champion long jumper Greg Rutherford and his | :04:21. | :04:24. | |
EastEnders star Tameka Empson and her partner, Gorka Marquez. | :04:25. | :04:31. | |
Former Shadow Chancellor Ed Balls and his | :04:32. | :04:33. | |
TV host Laura Whitmore, and her partner, Giovanni Pernice. | :04:34. | :04:40. | |
Actor Danny Mac and his partner, Oti Mabuse. | :04:41. | :04:45. | |
Singer Anastacia and her partner, Brendan Cole. | :04:46. | :05:00. | |
If this competition was based on looks alone, we'd be dishing out | :05:01. | :05:22. | |
All of tonight's scores will be added to last week's, giving | :05:23. | :05:28. | |
So let's remind ourselves of the leader board. | :05:29. | :05:33. | |
Up at the top with a score of 32 are Daisy and Aljaz. | :05:34. | :05:36. | |
And at the other end is Ed and Katya, who scored a 21. | :05:37. | :05:40. | |
But that's all set to change, because tonight you can | :05:41. | :05:42. | |
vote for your favourite for the very first time. | :05:43. | :05:45. | |
The two couples with the lowest combined judges' scores and viewer | :05:46. | :05:49. | |
votes will face each other in the dance-off in Sunday | :05:50. | :05:51. | |
So it really is all to play for ? or should that be dance for! | :05:52. | :05:56. | |
And dancing first for your votes is Ore Oduba and Joanne Clifton. | :05:57. | :05:59. | |
They are dancing the cha-cha and they're taking | :06:00. | :06:17. | |
After a week of training they are great at sliding down poles, | :06:18. | :06:23. | |
but will they be able to climb UP the leaderboard? | :06:24. | :06:29. | |
I actually think that's the best you have ever danced it. I thought it | :06:30. | :06:38. | |
was dramatic, well done. We have got to get straight back in the | :06:39. | :06:41. | |
training, because in week two, someone is going to have to go, and | :06:42. | :06:45. | |
we are really hoping it's not us. This week, we are dancing the | :06:46. | :06:52. | |
cha-cha. And we're going to be playing firefighters. Are you | :06:53. | :06:59. | |
kidding? It is your lucky day, Ore. We are dancing as firefighters and | :07:00. | :07:02. | |
we would love to get into character. You've come to the right place. It's | :07:03. | :07:08. | |
the 150th anniversary of the London Fire Brigade, so we've got plenty of | :07:09. | :07:12. | |
experienced. We're going in the fire engine now. That is the look! I'm | :07:13. | :07:22. | |
losing control! Look at this! This is what I'm talking about! | :07:23. | :07:33. | |
Firefighter Clifton! Let's go. Well, I look like a firefighter, I feel | :07:34. | :07:37. | |
like a firefighter. The question is, can I dance like a firefighter? On | :07:38. | :07:43. | |
Saturday night, bring it on! That's how it's supposed to look, isn't it? | :07:44. | :07:48. | |
Dancing the cha-cha-cha, Ore Oduba and Joanne Clifton. | :07:49. | :08:01. | |
Ore, come here! You just raised the temperature in the studio! Well | :08:02. | :09:55. | |
done! While you cool down, let's welcome our fabulous live singers, | :09:56. | :10:03. | |
Hayley, Lance, Andrea, Tommy, and of course Dave Archer and his fabulous | :10:04. | :10:08. | |
orchestra! That was hot! Too hot! What do you think? I tell you what, | :10:09. | :10:16. | |
I saw Joanne polishing those boots, and the routine could have done with | :10:17. | :10:19. | |
a little bit more polished. However... However... I liked the | :10:20. | :10:25. | |
way you came out, it was for long, it was fierce. It was an excellent | :10:26. | :10:30. | |
performance and better than last week. So well done! | :10:31. | :10:42. | |
Bruno? Forget the fire extinguisher, you need to get the water cannon out | :10:43. | :10:51. | |
and cooldown! We like a saucy cha-cha, don't we? I think what | :10:52. | :10:55. | |
happened is, you put so much energy into it, and it became very clipped. | :10:56. | :11:01. | |
And sometimes you seems to be racing a little bit with the music. But | :11:02. | :11:04. | |
overall, the performance was fantastic. The variety of steps was | :11:05. | :11:09. | |
great, I loved middle section. Just a bit cleaner, OK? . You're very | :11:10. | :11:20. | |
good at getting your own groove on, and it was very sharp and energetic, | :11:21. | :11:25. | |
but for me, it look very stiff, particularly in the hip department, | :11:26. | :11:29. | |
sadly. And that sort of ruined it for me, really. There seemed to be | :11:30. | :11:41. | |
some emotion... You were selling it, Ore, you really were. You are one | :11:42. | :11:45. | |
brave guy to come out there. You have to be very confident to produce | :11:46. | :11:48. | |
those moves, straightaway, first dance of the evening. And you really | :11:49. | :11:55. | |
gave him a very fast routine, Jo, it was very impressive. It was! You | :11:56. | :12:04. | |
have very accentuated hands. Thank you! They're little bit freely in | :12:05. | :12:11. | |
places, so just control those, but generally, you were giving your all, | :12:12. | :12:16. | |
well done. Not bad comments. A lot to think about. And you want this | :12:17. | :12:21. | |
studio audience up, that's for sure! Let's hear it for Ore and Joanne! | :12:22. | :12:28. | |
So scary to go first, that was brilliant. It must have been | :12:29. | :12:44. | |
terrifying. Can I ask you something, just to confirm, you've never | :12:45. | :12:50. | |
danced? I've never danced before. What do you want, a certificate? My | :12:51. | :12:56. | |
favourite thing is watching your wife's face, who was genuinely in | :12:57. | :13:01. | |
shock. He can do this? She doesn't know, I just go around practising | :13:02. | :13:04. | |
these high kicks all the time at home. She doesn't know. I'm slightly | :13:05. | :13:08. | |
shocked and a bit horrified. The scores are in... | :13:09. | :13:33. | |
Len Goodman said it was a big improvements over very well done. | :13:34. | :13:39. | |
Saucy, and frilly hands - could not have done better! | :13:40. | :13:43. | |
If you want to see Ore the fire fighter next week, | :13:44. | :13:46. | |
either to dance or if you've got your head stuck in some | :13:47. | :13:49. | |
railings, all the details are on your screen now so you can | :13:50. | :13:52. | |
vote for him when voting opens at the end of the show. | :13:53. | :13:55. | |
It's time for the terms and conditions. | :13:56. | :13:56. | |
Now I don't want to go too over the top, | :13:57. | :13:59. | |
Brendan, Anton, thank you very much. Here's how it works. | :14:00. | :14:07. | |
Calls cost 15p, plus any network access charge, and please ask | :14:08. | :14:13. | |
by visiting bbc.co.uk/strictly, where you will also find | :14:14. | :14:17. | |
Voting won't open until all our couples have danced. | :14:18. | :14:20. | |
If you call now, your vote won't count, and you may still be charged. | :14:21. | :14:23. | |
Please don't vote if you're watching on demand. | :14:24. | :14:25. | |
You'll need to sign in or register for a BBC Account to vote online. | :14:26. | :14:35. | |
Even if you registered last year, you still need to sign in again. | :14:36. | :14:39. | |
And may I suggest you do that right now. | :14:40. | :14:41. | |
In fact, we're going to make it longer each time! | :14:42. | :14:58. | |
Our next couple is Claudia Fragapane and her partner AJ Pritchard. | :14:59. | :15:03. | |
Claudia performed some amazing gymnastics | :15:04. | :15:08. | |
in her cha-cha last week, but tonight, she's hoping | :15:09. | :15:10. | |
it will be the judges who go head over heels | :15:11. | :15:13. | |
Since my name was announced I could feel I was in competition mode. I | :15:14. | :15:27. | |
was like - let's do this. Being partnered with a gymnast is | :15:28. | :15:32. | |
interesting. Some judges liked the gymnasts, some weren't pleased? I'm | :15:33. | :15:38. | |
not a big punter for gymnastics in dancers. I got 26, I want to get | :15:39. | :15:45. | |
higherer than that. We have the waltz. We need to be calm and slow. | :15:46. | :15:51. | |
The judges were split on gymnastics. We can get still get a little bit of | :15:52. | :15:59. | |
gymnastics in there. Claudia Fragapane invites A sdwrovp one of | :16:00. | :16:02. | |
her classes she teaches. Let's hope Len doesn't find out. I enjoyed | :16:03. | :16:07. | |
working him hard. Out of time. Sorry. I think his gymnastics needs | :16:08. | :16:14. | |
more pointed toes and straight legs. He found it difficult at the start | :16:15. | :16:17. | |
and eased into it. He is really good. Yes. Do you want to see a bit | :16:18. | :16:27. | |
of our waltz? YEAH! I think the waltz was amazing. I loved it. A 10 | :16:28. | :16:35. | |
from us and hopefully a 10 from Len. Good luck, Claudia and AJ. | :16:36. | :16:41. | |
Dancing the waltz, Claudia Fragapane and AJ Pritchard! | :16:42. | :17:15. | |
A waltz with a hint of Romeo and Juliet. | :17:16. | :18:40. | |
Did our youngest couple pull off a mature performance, Bruno? | :18:41. | :18:51. | |
It was like watching West Side Story set to a waltz. Maria and Tony swept | :18:52. | :19:02. | |
away by the power of love. Spinning straight into our hearts. Beautiful | :19:03. | :19:07. | |
arms, great arch, lovely. Couldn't ask for more than that. I felt like | :19:08. | :19:12. | |
you were spotting the floor a little bit when you do your turns. Make | :19:13. | :19:16. | |
sure your head is up and spot in front. | :19:17. | :19:19. | |
You. I felt you were hyper extending a little bit. No, no, no. And | :19:20. | :19:27. | |
sometimes... No, no. And your end recovery out of that last spin | :19:28. | :19:33. | |
wasn't particularly attractive. You lost balance before the Apart from | :19:34. | :19:39. | |
that end. , he loved it. Darcey. Oh, my goodness, the fluidity you | :19:40. | :19:44. | |
created. Sorry... The control as well with those moves. Beautiful. | :19:45. | :19:49. | |
For me, the extension in your back, in that standing spin. Yes. | :19:50. | :19:58. | |
Immaculate top line. Really, that paid off in your top line. The | :19:59. | :20:01. | |
difference from last week. Well done. Len. Don't worry about | :20:02. | :20:08. | |
Claudia, the outlook for you is totally sunny, I'm telling you. Good | :20:09. | :20:14. | |
hold, good movement. Good technique. Light up my life, you lit up this | :20:15. | :20:20. | |
ballroom, I'm telling you. Lovely. Thank you, Len, a sunny outlook, one | :20:21. | :20:28. | |
dark cloud. Claudia is waiting for you upstairs. Well done. Claudia and | :20:29. | :20:30. | |
AJ. Well done. Well done. You must have | :20:31. | :20:41. | |
been happy with those judges' comments. I know Craig, it's second | :20:42. | :20:47. | |
week for Craig! We love him. He gets picky. How did you find the ballroom | :20:48. | :20:52. | |
At the start it was really hard. I grew into it. I'm speechless. I | :20:53. | :20:56. | |
don't know how well it went. It was really good. You are so cute. We | :20:57. | :21:02. | |
have fellow gymnasts here. They must be supporting you - go Claudia. They | :21:03. | :21:05. | |
have done. The scores are in. Sweet. You must be so proud. Well | :21:06. | :21:10. | |
done. So happy. If you want to see Claudia | :21:11. | :21:31. | |
and AJ here next week, all the details are on your screen | :21:32. | :21:33. | |
now, so you can vote for them when voting opens | :21:34. | :21:36. | |
at the end of the show. Leslie is in a French restaurant. I | :21:37. | :21:45. | |
asked what the soup was, apparently, it's soup of the day. | :21:46. | :21:48. | |
Dancing next tonight is Will Young and his partner, Karen Clifton. | :21:49. | :21:58. | |
Will's doing a Jive set in the 1950s and to get into the right mood | :21:59. | :22:02. | |
they went to the movies, but will a trip to a drive-in | :22:03. | :22:05. | |
How do you feel? I just enjoyed it and getting into the character. The | :22:06. | :22:14. | |
acting and the interpretations were absolutely brilliant. The best thing | :22:15. | :22:20. | |
is we got an eight from Craig. I was like, yeah, that's my girl! This | :22:21. | :22:25. | |
week we Will and I are dancing the jive. I'm enjoying the happiness of | :22:26. | :22:32. | |
the jive. The 50s, jitterbug, fun. Really? I've got a little surprise | :22:33. | :22:39. | |
for Karen. Karen, look what I've got. This is amazing. Get in, we | :22:40. | :22:44. | |
will be late. I love classic cars. As a treat I thought I would take | :22:45. | :22:49. | |
Karen out for a spin in a 50s American car. Prepare to be amazed! | :22:50. | :22:54. | |
I thought we should have a night off. We can watch a movie and relax. | :22:55. | :22:59. | |
Will, you know that Saturday is just around the corner, we don't have | :23:00. | :23:04. | |
time. Cue the training footage. Look at the feet. | :23:05. | :23:08. | |
You have to balance... Why have you locked the doors? Your fingers... I | :23:09. | :23:17. | |
want popcorn. HELP! The plan was to relax, Karen, clearly, had other | :23:18. | :23:22. | |
ideas. We're going to study this footage until you get everything | :23:23. | :23:23. | |
correct. Dancing the Jive, Will Young | :23:24. | :23:31. | |
and Karen Clifton. Come on. You're one happy jiver. | :23:32. | :25:13. | |
Happy face in place. You have us all rocking there. You have pulled a | :25:14. | :25:18. | |
muscle? You are still Yeah. Smiling. What a professional. Do you need a | :25:19. | :25:25. | |
medic right now? Yes. Do you need onele right now. No, I'm all right. | :25:26. | :25:33. | |
You don't need a medic. I'll have it after. You are a pro. The judges | :25:34. | :25:38. | |
comments first. He is in pain. Be kind. I must apologise for Bruno's | :25:39. | :25:44. | |
language. He got a little bit excited earlier on. Again, me. | :25:45. | :25:50. | |
Behave. Always you. Always me. Let's chat to Craig. Did it get you | :25:51. | :25:55. | |
rocking this jive? No, it didn't. It was flat footed which made it a | :25:56. | :25:59. | |
little bit laboured and the side by side section you messed up that | :26:00. | :26:04. | |
first kick. You messed that up entirely. You did a spin and tried | :26:05. | :26:09. | |
to get back into. It I found it disappointing, quite frankly. | :26:10. | :26:13. | |
Darcey, have you a positive spin? I have to say it was a classic | :26:14. | :26:18. | |
rock-and-roll feel. I love that style with you. You looked in ease | :26:19. | :26:22. | |
with it, even with a tiny mistake. You did a nice repeat to cover | :26:23. | :26:28. | |
yourself up. You kept your facial expression, you didn't show it in | :26:29. | :26:33. | |
your face. When you get relaxed, you don't get that sharp flick and the | :26:34. | :26:37. | |
kick and the traction, yes. Keep the legs working where you can keep | :26:38. | :26:41. | |
really cool on top. Thank you. Loved it. Len? For me you are moving like | :26:42. | :26:49. | |
clockwork, honestly. No messing about, straight into the routine. A | :26:50. | :26:54. | |
mix of rock-and-roll, jive, what I loved was your energy. You came out | :26:55. | :26:58. | |
and you went for it. Well done. Went for it. Despite the injury halfway | :26:59. | :27:05. | |
through. Bruno? I loved the way you always manage to get precisely into | :27:06. | :27:09. | |
character. You get the style absolutely right. Your performance | :27:10. | :27:14. | |
level and value is always brilliant. You are such a generous performer. | :27:15. | :27:17. | |
That is great to see. I love the fact that it was all this mix and | :27:18. | :27:22. | |
match of rock-and-roll. That is how jive was born there. Was an | :27:23. | :27:25. | |
incident. It happens to anyone. You know, we overlook it. It happens. | :27:26. | :27:30. | |
You get a cramp, you miss a step. Overall it was very good. Thank you. | :27:31. | :27:34. | |
Not bad at all. Plenty to think about. It's only Week Two, after | :27:35. | :27:37. | |
all. You go and get medical attention. | :27:38. | :27:42. | |
Claudia will look after you. Will and Karen. | :27:43. | :27:46. | |
CHEERING AND APPLAUSE | :27:47. | :27:53. | |
Well done. I'm sorry you are in pain. I love what Bruno said. You | :27:54. | :28:02. | |
get totally into it. You gave us angry tango and joyful jive? Yes, a | :28:03. | :28:05. | |
man of many faces. Very cute face. Three down from last week. Len has | :28:06. | :28:29. | |
gone up one. Let's hold on to that. I'm happy with that. Very well done. | :28:30. | :28:36. | |
If you enjoyed Will dancing to Rock Around the Clock, | :28:37. | :28:39. | |
all the details are on your screen now so you can vote | :28:40. | :28:41. | |
for him when voting opens at the end of the show. | :28:42. | :28:44. | |
Still to come, Greg dances to the song Jump. | :28:45. | :28:46. | |
Makes sense, if there was a song called Readin Out Loud, | :28:47. | :28:49. | |
Next tonight is Lesley Joseph and her partner, Anton Du Beke. | :28:50. | :28:54. | |
They're doing a Cha Cha set in a champagne bar, | :28:55. | :28:58. | |
is going to need for this dance, because if there's one thing Lesley | :28:59. | :29:10. | |
It was magic. You in tail coats, me a lovely pink floaty dress. I was | :29:11. | :29:16. | |
really thrilled with the way it went. You are a lovely lady. I | :29:17. | :29:20. | |
thought you danced that beautifully. Well done. Thank you. I look back on | :29:21. | :29:25. | |
my waltz as a wonderful start and now this week we will have much more | :29:26. | :29:32. | |
fun. My second dance on Strictly is the cha-cha-cha. A bit scared of | :29:33. | :29:36. | |
Latin. I haven't got the arms right yet. Hugely looking forward to get | :29:37. | :29:40. | |
up to speed. This dance is fast. I'm more concerned about me doing it | :29:41. | :29:48. | |
than her doing it. This number is set in a Parisian restaurant. To get | :29:49. | :29:53. | |
you in the mood, make me a cup of tea. He is going to have to get into | :29:54. | :30:00. | |
character. He has to wait on me. I like cups and saucers. The dance is | :30:01. | :30:05. | |
her toying with me. I think Leslie is enjoying this dance. She has me | :30:06. | :30:10. | |
waiting on her hand and foot. Anton. How's that? Too tight. Darling, can | :30:11. | :30:18. | |
you get me some water, please? OK. A straw. Now! Are you feeling in | :30:19. | :30:26. | |
character? Yes. Good. I think I should change this dance! | :30:27. | :30:29. | |
Dancing the Cha Cha Cha, Lesley Joseph and Anton Du Beke. | :30:30. | :30:35. | |
I loved that, Lesley! She's the boss! And you look amazing, you | :30:36. | :32:25. | |
really do. Did you enjoy it? I loved it. Let's see if the judges liked | :32:26. | :32:37. | |
it. Darcey Bussell, did you enjoy it? Well, first thing, Lesley, you | :32:38. | :32:42. | |
have hot little body there. You look at absolutely amazing, I have to | :32:43. | :32:49. | |
say. You are sleek, cheeky, flirty and fun. You're having a great time | :32:50. | :32:53. | |
out there, and that is the best thing to watch. The only thing I | :32:54. | :32:57. | |
would say, you have a free arm which is behind you, and that throws you | :32:58. | :33:01. | |
sometimes. But he's got you, he's holding onto you. I mean, the | :33:02. | :33:06. | |
difference, you look amazing. Well done! Len? Like champagne, | :33:07. | :33:15. | |
cha-cha-cha can be physic and it can be flat. This was full of fizz. | :33:16. | :33:24. | |
Proper cha-cha-cha, loads of content. And you mixed it in with | :33:25. | :33:28. | |
all of that fun and enjoyment. I thought it was fantastic, well done! | :33:29. | :33:38. | |
Thank you. Champagne kicked in, and your back! The original and best, | :33:39. | :33:45. | |
prowling around. There's plenty of action left on those legs. I mean, | :33:46. | :33:50. | |
come on, the legs were excellent! Darling, what happens, you're | :33:51. | :33:54. | |
throwing away your top. You get a little bit excited, you got a little | :33:55. | :34:00. | |
bit tipsy, didn't you, darling? We are just making it up as we went | :34:01. | :34:04. | |
along, which we like, which we like very much! So try to control that | :34:05. | :34:08. | |
Chile you still got it, you've got it, my darling! She's got it. You're | :34:09. | :34:16. | |
not going to take it away, are you, Craig? Well, I wasn't expecting | :34:17. | :34:20. | |
that, that's for sure, darling. You certainly shown no sign of | :34:21. | :34:23. | |
inhibition. But you do throw yourself into it a little bit too | :34:24. | :34:30. | |
much, and I really could have done without that bum rub, darling. Well, | :34:31. | :34:39. | |
I've got to enjoy myself somehow, love. To be honest, I could watch it | :34:40. | :34:45. | |
again, I really could. Well, you could not hope for more than that. | :34:46. | :34:49. | |
Congratulations, job well done. What a cha-cha-cha. Lesley and Anton! | :34:50. | :34:56. | |
I remember you saying, I like ballroom but I'm now ready to have | :34:57. | :35:14. | |
some fun? I loved it, I just loved it. Wonderful, it's a dream. She did | :35:15. | :35:20. | |
great, didn't she? I just thought you were remarkable. Can I just | :35:21. | :35:24. | |
complement Craig on that outstanding shirt? Yes, you can! I like it, I | :35:25. | :35:36. | |
think I will use it next week. Brave, before the scores, but never | :35:37. | :35:38. | |
mind! The judges' scores are in... 26, more than last week. Happy with | :35:39. | :35:56. | |
that? Yes. If that restaurant routine | :35:57. | :35:59. | |
was just what you ordered, all the details are on your screen | :36:00. | :36:02. | |
now so you can vote for them when voting opens | :36:03. | :36:05. | |
at the end of the show. Now it's time for some | :36:06. | :36:07. | |
fun with a capital F. Remember this year, | :36:08. | :36:10. | |
if you want to vote online, you'll need to go to the website and sign | :36:11. | :36:12. | |
in to your BBC Account, When do you sign in? Now. And you | :36:13. | :36:16. | |
vote? Later! It's super important to do well this | :36:17. | :36:39. | |
week. This is the first week when we're going to lose somebody. It's a | :36:40. | :36:42. | |
bit more nerve-racking. I could not be more out of my comfort zone. The | :36:43. | :36:48. | |
tango is the complete opposite to the cha-cha-cha. I'm really enjoying | :36:49. | :36:59. | |
the waltz, there's a story to it, it's quite emotive. The routine is | :37:00. | :37:02. | |
very energetic. Do me a favour! I'm looking forward to | :37:03. | :37:06. | |
all that. And Anastasia will be dancing to | :37:07. | :37:18. | |
some saxophone music. And I don't know if you knew this, but I can | :37:19. | :37:23. | |
play the saxophone, so I thought I would play a bit. Here we go... I'm | :37:24. | :37:37. | |
impressed! Thank you. MUSIC CONTINUES Excuse me a second! | :37:38. | :37:44. | |
Our next couple is Greg Rutherford and his partner, Natalie Lowe. | :37:45. | :37:50. | |
A dance that is all about keeping hold no matter what, | :37:51. | :37:54. | |
and Natalie knew just the type of training that | :37:55. | :37:56. | |
And going to see it now, be proud, it was your first dance ever. Last | :37:57. | :38:10. | |
week was the most exhilarating, amazing thing I've ever had to do. | :38:11. | :38:16. | |
Greg could go all the way, my darling! I was thrilled, so happy. | :38:17. | :38:22. | |
Shall we cracked on? I am ready-ish. This week, we've got the tango. The | :38:23. | :38:27. | |
tango is difficult, because your holding positions which are very | :38:28. | :38:31. | |
unnatural. Tango was all about movement, power and posture. I've | :38:32. | :38:34. | |
come up with an idea to help you with your frame. Oh, yes, what's | :38:35. | :38:40. | |
that? Don't worry, you will find it a breeze. Greg Rutherford, time to | :38:41. | :38:47. | |
meet your biggest fan. Welcome to the largest wind tunnel in the UK. | :38:48. | :38:53. | |
What a nerve I doing in here? If you can maintain your frame in here, you | :38:54. | :38:58. | |
can do it on the dance floor. Natalie, what are you doing?! For | :38:59. | :39:04. | |
crying out loud! You have lost the plot! That was amazing. You did so | :39:05. | :39:09. | |
well maintaining your friend. I think you need to give this a go. | :39:10. | :39:17. | |
Really? She did that to help me improve my tango hold. I just hope I | :39:18. | :39:20. | |
can blow her away at the weekend! Dancing the tango, | :39:21. | :39:25. | |
Greg Rutherford and Natalie Lowe. Come on, Greg! Come on! What a | :39:26. | :41:24. | |
dramatic end to that tango! Well done, good tango face. I you all | :41:25. | :41:28. | |
right, my darling? You were a bit nervous about that, won't you? You | :41:29. | :41:32. | |
surprised everybody last week, you surprised yourself most of all. | :41:33. | :41:38. | |
Happy with how it went? Just about, you always remember the mistakes | :41:39. | :41:43. | |
straightaway, so... Say nothing! How did they do, Len? Well, you know, | :41:44. | :41:51. | |
the thing... Your bum sticks out. That's muscle. I've got a big bum. | :41:52. | :42:00. | |
Your bum is sticking out, and that tends your top forward, so you're | :42:01. | :42:03. | |
never really getting your legs underneath your body, because of | :42:04. | :42:06. | |
this shape. However, having said that, I like the fire and the | :42:07. | :42:12. | |
spirit, the staccato movement, I like the routine. You've not to | :42:13. | :42:17. | |
work, in your ballroom, tucked it under! Is that possible? Well, it's | :42:18. | :42:25. | |
very good for jumping, this big, that's the thing, so I'm really | :42:26. | :42:30. | |
trying to lose it. Which really trying to get it under! So powerful, | :42:31. | :42:41. | |
what a handsome man, look at that! You were going like a locomotive at | :42:42. | :42:46. | |
full same! And I loved that, I loved the commitment choice you have to be | :42:47. | :42:52. | |
careful, though, not to step it so much choice you have to glide a | :42:53. | :42:58. | |
tango. The bum, I don't mind at all. I'm sorry, people! I'm getting into | :42:59. | :43:04. | |
trouble yet again! But make sure you're gliding, not stepping. I'm | :43:05. | :43:11. | |
watching you! Craig? As a track of as your bottom is, darling, it does | :43:12. | :43:16. | |
need to go under. And you've got a lost body contact, unfortunately, | :43:17. | :43:20. | |
you're not creating that wonderful V-shape which this dance needs. But | :43:21. | :43:24. | |
what I did love from that was the intent and the amount of aggression. | :43:25. | :43:29. | |
Fiery, wasn't it? Well, the boys have said it all, I loved the drive, | :43:30. | :43:34. | |
the passion, the intent, I like the buttocks as well. But when they are | :43:35. | :43:39. | |
that accentuated, as Bruno said, you have got to watch that. And it just | :43:40. | :43:43. | |
helps the upper body. What it was powerful. Thank you very much! Get | :43:44. | :43:47. | |
those popular buttocks upstairs! Well done! Standing ovation for Greg | :43:48. | :44:05. | |
and Natalie. We were screaming up here. When you finished, she was | :44:06. | :44:10. | |
screaming in my ear, he's a genius! You have never danced before, and to | :44:11. | :44:15. | |
do that, because I know you get terrified, and everybody said, | :44:16. | :44:18. | |
brilliant intent. How do you do that? I guessed I get into | :44:19. | :44:22. | |
competition mode. But I have been terrified all day, and we had a | :44:23. | :44:26. | |
couple of bad rehearsals as well, which is really worrying when you're | :44:27. | :44:30. | |
coming into something like this. You've done it now! The scores are | :44:31. | :44:31. | |
in... One less than last week, but you | :44:32. | :44:46. | |
will take that? We will take that. If you enjoyed Greg | :44:47. | :44:53. | |
and Natalie's tango, then all the details are on your screen | :44:54. | :44:55. | |
now, so you can vote for them when voting opens | :44:56. | :44:58. | |
at the end of the show. Still to come, Laura and Giovanni | :44:59. | :45:01. | |
dance under the stairs... Our next couple is Tameka Empson | :45:02. | :45:03. | |
and her partner, Gorka Marquez. Their Charleston is | :45:04. | :45:16. | |
set at the seaside, with sandcastles, deck | :45:17. | :45:21. | |
chairs and beach huts. They're even hoping for a paddle - | :45:22. | :45:23. | |
well, four to be exact, Craig! I really enjoyed Saturday. | :45:24. | :45:38. | |
You told me to go out there and own it, and that's what I did. The most | :45:39. | :45:49. | |
perfect, dramatic thing I've seen. I'll take that. Thank you Darcey. It | :45:50. | :46:00. | |
was a corka. This week I'm doing the Charleston. Shimmy, shimmy. Our | :46:01. | :46:06. | |
theme for this week is the seaside. Have you been to the British | :46:07. | :46:10. | |
seaside? No, never. No! Come and I'll show you. So, what do you | :46:11. | :46:17. | |
think? Are you telling me this is the seaside. Where are the palm | :46:18. | :46:22. | |
trees, the sand? Don't worry. I'm going to show you a good time. Come | :46:23. | :46:24. | |
on! My experience at the seaside has | :46:25. | :46:37. | |
been unbelievable. I loved everything. Doing the Charleston on | :46:38. | :46:42. | |
Brighton Pier was such a lovely feeling. It was just so fitting. | :46:43. | :46:48. | |
These fish and chips are amazing. If our dance is as amazing as this, | :46:49. | :46:58. | |
we're going to knock the competition out of the water. | :46:59. | :47:01. | |
Dancing the Charleston, Tameka Empson and Gorka Marquez. | :47:02. | :47:03. | |
You lost something. They are on their feet in the studio. Have a | :47:04. | :48:57. | |
look! First Charleston of the series. You brought the character. | :48:58. | :49:04. | |
That must have been right up your street? Right up my street and down | :49:05. | :49:12. | |
the street. Oh, right. You got down. Did this dance suit Tameka? Oh, yes. | :49:13. | :49:22. | |
She was the Queen, Dee leerious fun of the right on. No danger of | :49:23. | :49:27. | |
sinking to the bottom after this turn, I tell you that. Great. Oh, | :49:28. | :49:34. | |
lovely. Can you imagine what he will be like by Christmas. Thank you, | :49:35. | :49:38. | |
Bruno. Craig? A nice amount of swivel. A little bit more cross | :49:39. | :49:44. | |
would have been delicious. It was completely character driven. I | :49:45. | :49:48. | |
thought that was absolutely brilliant. Getting up from the floor | :49:49. | :49:53. | |
seemed to be problematic. Then you made up for that, darling... It was | :49:54. | :50:00. | |
a rough sea, it was a rough sea... Lovely stuff. Yes. Do me a favour! | :50:01. | :50:08. | |
He's smiling. Darcey? I love your character. You just set the scene | :50:09. | :50:13. | |
perfectly. I was in your movie. You were swimming through this | :50:14. | :50:17. | |
competition. If you come up with characters like that, it's just to | :50:18. | :50:21. | |
die for. I loved. It the details. That little kick and the drag. | :50:22. | :50:24. | |
They're great. Well done. Thank you, Darcey. Len? Fun at the seaside. The | :50:25. | :50:31. | |
tide is going out, but I tell you, you're not going anywhere. | :50:32. | :50:37. | |
APPLAUSE Thank you. Thank you, judges. Praise across the board. The | :50:38. | :50:41. | |
Charleston suits you, doesn't it? It's all right. It's Allardyce | :50:42. | :50:46. | |
right. Make your way up to Claudia. Thank you, guys. | :50:47. | :50:50. | |
CHEERING AND Do me a favour. We were screaming | :50:51. | :51:05. | |
our heads off. Can I ask you, how are you fitting it all in, | :51:06. | :51:11. | |
Charleston, EastEnders through the week? Yes, it's hard. | :51:12. | :51:15. | |
You find a way. You find a way. The thing about it is, I'm not too | :51:16. | :51:19. | |
stressed, everything I do I love. I love my family. I love EastEnders | :51:20. | :51:26. | |
and I love dancing. So, yes! You juggle it, you know. Just waving at | :51:27. | :51:30. | |
your daughter. I know she's watching. Hi. Which one? Anyone. It | :51:31. | :51:35. | |
doesn't matter. I talk to all of them and just hope. | :51:36. | :51:38. | |
Doing all right. Up on last week. Very well done. | :51:39. | :52:08. | |
now so you can vote for them when voting opens at the end | :52:09. | :52:12. | |
Still to come, Melvin dances in a hotel lift. | :52:13. | :52:15. | |
It's a routine that has its ups and downs. | :52:16. | :52:19. | |
Dancing next is Laura Whitmore and her partner, Giovanni Pernice. | :52:20. | :52:26. | |
It's a routine where you should feel like your floating on air, | :52:27. | :52:31. | |
and Giovanni knew just the place to get Laura in the mood. | :52:32. | :52:35. | |
So what do you think about last week OK, but it could have been better. I | :52:36. | :52:42. | |
thought the whole thing was a little bit unstable. You can give it more | :52:43. | :52:47. | |
intention. First out, first-class, well done. I want to give so much | :52:48. | :52:53. | |
more. I'm going to take everything they said and learn from it and | :52:54. | :52:57. | |
then, hopefully, put on a good performance this week, like I know I | :52:58. | :53:03. | |
can. This week we are dancing the waltz to If I Ain't Got You. I have | :53:04. | :53:11. | |
an idea to get Laura in the mood for this dance. Are you taking me to a | :53:12. | :53:17. | |
being ro concert, my favourite. We are going to climb... To the top. | :53:18. | :53:23. | |
Yes, we are. Giovanni brought me here to climb to the top of the O2, | :53:24. | :53:29. | |
which is under the stars. Let's go. I'm feeling petrified. I didn't | :53:30. | :53:33. | |
think I was afraid of heights, but that's quite high. Yes. How cool is | :53:34. | :53:39. | |
this. The view was awesome. It's crazy, you kind of see all of | :53:40. | :53:43. | |
London, all of it. Not to just be up here, but to dance up here, it's | :53:44. | :53:47. | |
pretty impressive. Dancing here is an amazing feeling. He has pulled | :53:48. | :53:53. | |
out all the stops bringing me and preparing me for the waltz. I hope I | :53:54. | :53:58. | |
can pull out a star performance on Saturday night. | :53:59. | :54:01. | |
Dancing the Waltz, Laura Whitmore and Giovanni Pernice. | :54:02. | :54:04. | |
Laura. That was so graceful. You should be over the moon with that? | :54:05. | :56:05. | |
Hey, I was technically under the moon. Let's hope you will not come | :56:06. | :56:11. | |
down-to-earth because it's Craig. Hi? Hi. I think you skipped a little | :56:12. | :56:17. | |
bit out of that back, sort of, standing spin moment. I have to say, | :56:18. | :56:25. | |
it was absolutely gorgeous that routine. I loved the punctuation. It | :56:26. | :56:30. | |
was romantic without being over sentimental or soppy. I really, | :56:31. | :56:35. | |
really enjoyed it a lot. Thank you. Darcey? Laura, the emotion and | :56:36. | :56:43. | |
elegance and this beautifully extended back where you did that | :56:44. | :56:46. | |
unfolding at the front, like that. The control, to be able to sustain | :56:47. | :56:51. | |
that, stunning. Beautiful work. APPLAUSE You look a bit emotional | :56:52. | :56:58. | |
there? It's very emotional. Len? Your frame was good. I loved the | :56:59. | :57:01. | |
standing spin. It was fast and it was clean. Beautiful throwaway | :57:02. | :57:12. | |
oversway. I love the mix of light, speed and then slow. A solid | :57:13. | :57:16. | |
performance. Well done. Brown owe, do you agree? So silky smooth. Such | :57:17. | :57:27. | |
sophistication and demure. It had an intensity. It was like watching two | :57:28. | :57:31. | |
dances combined into one. It just had a very special quality that I | :57:32. | :57:37. | |
love. I love when things I haven't seen interpreted this way before. | :57:38. | :57:44. | |
Excellent. Praise from the judges. Someone is more at home in the | :57:45. | :57:48. | |
ballroom, possibly. Off you go. Go and see Claudia. Well done, my | :57:49. | :57:57. | |
darling. Laura and Giovanni. CHEERING AND | :57:58. | :57:59. | |
APPLAUSE Well done. You are the biggest | :58:00. | :58:12. | |
Strictly super fan we ever had. I look at your face and I think you're | :58:13. | :58:17. | |
going to cry It's so emotional. Can you believe it's happening It's | :58:18. | :58:23. | |
like, when I'm behind stage, this is Strictly, I can see how it all | :58:24. | :58:24. | |
works. The judges scores are in. Highest score of the night. Are you | :58:25. | :58:47. | |
going object all right Yes. Well done. | :58:48. | :58:51. | |
If you loved Laura and Giovanni, all the details are on your screen | :58:52. | :58:54. | |
now so you can vote for them when voting opens at | :58:55. | :58:56. | |
Still to come. Ed does the Charleston dressed as a cowboy. Ed. | :58:57. | :59:11. | |
You're welcome. You really are welcome. | :59:12. | :59:17. | |
Our next couple is Melvin O'Doom and his partner Janette Manrara. | :59:18. | :59:22. | |
For their Tango they're taking on the role of hotel bellboys. | :59:23. | :59:26. | |
And just like the finest hotels, I know they are going | :59:27. | :59:28. | |
Our dance is all about fun, crazy hats. I enjoyed it. An iron board is | :59:29. | :59:42. | |
less stiff. I mean, I've never been compared to an ironing board before. | :59:43. | :59:47. | |
We can take it, week one. I'm happy we got through it. Melvin wakes up | :59:48. | :59:54. | |
early to do his radio show. Sometimes I get here and find him | :59:55. | :59:59. | |
like this. Rise and shine. Dreaming about doing the tango. Because he is | :00:00. | :00:03. | |
showing dedication to the dance, Janette is stepping into his shoes | :00:04. | :00:08. | |
for the day. A very early day. It's so dark outside. Morning. How are | :00:09. | :00:12. | |
you Hello. Feeling It's really early. It is early. 7.05am. We are | :00:13. | :00:22. | |
here until 10.00am. I'm fine. I will have more energy than normal. We | :00:23. | :00:27. | |
have a special guest on the show... He's working so hard. We see him | :00:28. | :00:31. | |
everything morning coming in. He looks so tired. You have made him | :00:32. | :00:35. | |
not moody. There you go. I don't have the energy. Bring it home for | :00:36. | :00:40. | |
the team. Yes. Good luck. You will be great. We can relax? No, we have | :00:41. | :00:45. | |
a full day of rehearsals. No. Come on. It's a very long day. That | :00:46. | :00:50. | |
doesn't mean I will stop pushing him because I want him to deliver on | :00:51. | :00:52. | |
Saturday night. Dancing the tango, Melvin Odoom | :00:53. | :01:00. | |
and Janette Manrara. APPLAUSE | :01:01. | :02:58. | |
across the dance floor. I could see, Come on, you two, I loved you, that | :02:59. | :05:24. | |
was the first time I have ever seen you not smile. It's so hard to look | :05:25. | :05:30. | |
angry in that dance. But they said there was improvement. Yes, and I'm | :05:31. | :05:36. | |
happy with that. And I like the fact that at the age of 36, you had never | :05:37. | :05:42. | |
had coffee before, until Strictly. The scores are in. | :05:43. | :05:59. | |
23, well done, that's up on last week. | :06:00. | :06:03. | |
If you enjoyed that Tango and you want to keep Melvin | :06:04. | :06:05. | |
and Janette in the competition, all the details are on your screen | :06:06. | :06:09. | |
now so you can vote for them when voting opens at the end | :06:10. | :06:12. | |
Dancing next is Louise Redknapp and her partner, Kevin Clifton. | :06:13. | :06:22. | |
a dance that requires a lot of spins, something that has been | :06:23. | :06:32. | |
She should talk to Ed Balls, he knows a few spin doctors! | :06:33. | :06:41. | |
Could not be more happy about how it went. That floated my boat, totally. | :06:42. | :06:56. | |
Floated Len's boat! We're working on the Viennese waltz, and it's all | :06:57. | :07:01. | |
about the terms. The Viennese waltz gives me that motion sickness. With | :07:02. | :07:07. | |
the threat of Louise decorating the dance floor, Kevin has come up with | :07:08. | :07:11. | |
a cunning plan which will help her get over her dizziness. Kevin, why | :07:12. | :07:23. | |
have you brought me to the woods? We are going zorbing. Once you've been | :07:24. | :07:27. | |
zorbing, nothing can be as bad as that. See you at the bottom! It | :07:28. | :07:32. | |
seems a long way down. Here she goes! | :07:33. | :07:47. | |
Well done! Would you rather do that again or do the Viennese waltz? | :07:48. | :07:58. | |
Viennese waltz! Yes! After doing that, the Phoenix waltz on Saturday | :07:59. | :08:02. | |
SHOULD be a piece of cake! Dancing the Viennese waltz, | :08:03. | :08:07. | |
Louise Redknapp and Kevin Clifton. All that rotation - | :08:08. | :08:17. | |
how are you feeling A little bit dizzy! We have got a | :08:18. | :10:19. | |
bucket on stand-by, don't worry. Len, you had high expectations? Yes, | :10:20. | :10:30. | |
I was very excited, because I spotted the first fleckle of the | :10:31. | :10:34. | |
year! Nice frame, got a little bit lumpy, but I think that was the | :10:35. | :10:39. | |
speed on the movement. But actually, you're a fantastic dancer, well | :10:40. | :10:44. | |
done. Bruno? It was exquisitely lyrical. Your arms move like water, | :10:45. | :10:53. | |
like Darcey Bussell. All those beautiful extensions, I adore that. | :10:54. | :10:59. | |
In your spins, the synchronisation, that was beautiful, absolutely | :11:00. | :11:07. | |
beautiful. Craig? I thought it was a little too much rise and fall, but | :11:08. | :11:12. | |
apart from that, I thought it was expressive and smooth, completely | :11:13. | :11:18. | |
controlled, I thought - gorgeous. Darcey, she's just been compared to | :11:19. | :11:24. | |
you! Louise, the quality you sustained throughout the whole of | :11:25. | :11:28. | |
the dance, and that is difficult. Especially as your spinning. But | :11:29. | :11:32. | |
what you have is, you understand how to fill out every beat of that music | :11:33. | :11:39. | |
- does lyrical arms, as Bruno says, they finish the last minute of every | :11:40. | :11:44. | |
beat. Stunning. Got to be happy with that? Going a bit misty around the | :11:45. | :11:51. | |
eyes! Thank you very much to our judges for those positive comments. | :11:52. | :12:00. | |
Full house, well done! Well done, beautiful. Very well done. I also | :12:01. | :12:16. | |
saw, you get so dizzy, so how was it for you? Still dizzy! Also, I | :12:17. | :12:22. | |
realise that you had totally forgotten the routine. You were | :12:23. | :12:26. | |
going, how does it go again? What is the first step?! And you remembered | :12:27. | :12:32. | |
tonight? Well, you did not tell me if you did forget it! The scores are | :12:33. | :12:36. | |
in... One more than last week, and your | :12:37. | :12:57. | |
joint top of the leaderboard. Very well done. | :12:58. | :13:00. | |
If you want to see Louise and Kevin come back next | :13:01. | :13:03. | |
week then vote for them, all the details are on your screen | :13:04. | :13:06. | |
now and voting opens after all our couples have danced. | :13:07. | :13:08. | |
And remember the deal - if you want to vote online, you'll | :13:09. | :13:11. | |
need to go to the website and sign in or register for a BBC Account | :13:12. | :13:15. | |
I'm slightly worried about the legal implications, if I drop her. I'm | :13:16. | :13:46. | |
having difficulty remembering the order of the steps. We go that way | :13:47. | :13:51. | |
and then that way. It's driving me a bit... I'm looking forward to doing | :13:52. | :13:58. | |
my first Latin dance. On national television, looking at the camera | :13:59. | :14:01. | |
and going... I'm not quite used to it yet. | :14:02. | :14:08. | |
It's Anastacia and her partner Brendan Cole. | :14:09. | :14:12. | |
Due to Anastasia suffering an injury in rehearsals, they have had to | :14:13. | :14:27. | |
re-choreograph. That will not stop her channelling her in Anastasia. | :14:28. | :14:32. | |
That's right. I was really pleased with last weekend, we did a great | :14:33. | :14:39. | |
dance. I was nervous that I disappointed you. I love it, | :14:40. | :14:47. | |
darlings! We can just pretend that spin more still exist in dance. It | :14:48. | :14:53. | |
wasn't perfect. I don't want perfect, I want you. This week | :14:54. | :15:01. | |
Brendan is trying to help Anastasia get into character for her sizzling | :15:02. | :15:11. | |
dance. So it's very Latin, right? It's like, you're my boyfriend. No, | :15:12. | :15:17. | |
you're not! I think it's working, she is feeling like she could be in | :15:18. | :15:25. | |
Buenos Aires. Latina is feisty and flirty and passionate, and of | :15:26. | :15:35. | |
course, a little loca. I think I've created a monster. I think I've | :15:36. | :15:49. | |
channelled my inner Latina Anastasia, and Brendan says I'm | :15:50. | :15:50. | |
going to do great on Saturday. Dancing the Salsa, | :15:51. | :15:55. | |
Anastacia and Brendan Cole. Well done, Anastacia. And Brendan. | :15:56. | :17:44. | |
You've had a difficult day today with the injury and all and you | :17:45. | :17:47. | |
still gave it your everything. So well done. Thank you. Very, very | :17:48. | :17:55. | |
brave. I know that took a lot. Let's see what the judges think? | :17:56. | :18:00. | |
Considering the situation I still thought you had Anastacia goes gaga. | :18:01. | :18:05. | |
You gave it all up here, obviously... You could have done | :18:06. | :18:10. | |
with much more action, how am I going to say that... Down stairs. | :18:11. | :18:15. | |
O-. The hip side. I know there was a problem. That restrained you. | :18:16. | :18:21. | |
Obviously, the performance facially and with intentions were right. It | :18:22. | :18:25. | |
needs much more moves down there for the next time when you will be fit. | :18:26. | :18:33. | |
Yeah? OK. Craig. I thought the under arm turns, all of them, were very | :18:34. | :18:40. | |
clunky. It was happen haz for me. Replaced foot work. No rotation in | :18:41. | :18:44. | |
the hips whatsoever. I will disagree. OK going side to side. The | :18:45. | :18:54. | |
armography was not fluid. After the back bend you Wembley Stadium up and | :18:55. | :18:56. | |
Chancellor of the Exchequered Brendan across the face. That was so | :18:57. | :19:02. | |
part of our choreography. I would have done that too, darling. I try | :19:03. | :19:08. | |
not to take up too much time. We had a great couple of lifts in there. | :19:09. | :19:12. | |
Because of the injuries we decided this morning to change the | :19:13. | :19:17. | |
choreography. To put somebody out there, change choreography on the | :19:18. | :19:20. | |
day... Very brave. It wassout standing. Credit where it's due. | :19:21. | :19:26. | |
Thank you. Darcey. The salsa has to be hot and spicy. You have no | :19:27. | :19:30. | |
problem with that. There is plenty of that, thank You. Thank you. I can | :19:31. | :19:35. | |
see you are a perfectionist. It annoys you that you can't do it to | :19:36. | :19:41. | |
your full. What you did give us was great, thank you. Len. Craig's | :19:42. | :19:47. | |
philosophy is never leave a turn unstoned. You came out, you gave it | :19:48. | :19:52. | |
your all. That is all you can do. Considering you have an injury, you | :19:53. | :19:56. | |
have had to totally change the choreography. I felt you did a good | :19:57. | :19:59. | |
job. Well done. APPLAUSE We'll take that one. We all | :20:00. | :20:05. | |
applaud you because you are brilliant. Thank you. We know you | :20:06. | :20:12. | |
have had a tough day. Go and get some TLC. Claudia. | :20:13. | :20:17. | |
APPLAUSE Very, very well done. Most of the judges absolutely loved it. | :20:18. | :20:28. | |
They loved the sauciness, the attitude, did you enjoy it out there | :20:29. | :20:33. | |
Is I adore the salsa for me not to be able to do it 100%, which is a | :20:34. | :20:38. | |
bummer, I'm going to do it in a club somewhere with you. We will do it in | :20:39. | :20:43. | |
a club. Do it somewhere where no-one judges me. Give me me a salsa. If | :20:44. | :20:51. | |
you tell me... The scores are in. 22. That's OK. It's OK. I want to be | :20:52. | :21:21. | |
22. I am 22. Thank you, I appreciate it, guys. | :21:22. | :21:23. | |
If you want Anastacia and Brendan to stay in the competition | :21:24. | :21:25. | |
you can vote for them after all of our couples | :21:26. | :21:28. | |
have danced, the details are on your screen now. | :21:29. | :21:30. | |
Naga is behind a curtain. She be preparing for her cha-cha or playing | :21:31. | :21:36. | |
hide-and-seek. Tess. Our next couple to dance is Ed Balls | :21:37. | :21:41. | |
and his partner, Katya Jones. Last week's Waltz saw them | :21:42. | :21:44. | |
at the bottom of the leaderboard. It's a routine that's packed | :21:45. | :21:48. | |
with fun and it's just the thing to put a smile on Ed's face, | :21:49. | :21:52. | |
a spring in his step and, fingers crossed, | :21:53. | :21:55. | |
a leg up the leaderboard. The first week is over. I was so | :21:56. | :22:06. | |
proud. I was so chuffed. I was disappointed because I made a | :22:07. | :22:10. | |
mistake. You went horribly wrong going across at the beginning. I | :22:11. | :22:13. | |
think the most important thing I'm taking on board is what Darcey said. | :22:14. | :22:17. | |
Think of a story to give you direction and then build on that | :22:18. | :22:21. | |
character. I've got to learn from that. If you come bottom of the | :22:22. | :22:26. | |
leaderboard, then the only way is up. This week our dance is | :22:27. | :22:31. | |
Charleston. Ah, Charleston. After last week, which was quite serene | :22:32. | :22:37. | |
and conservative, this time we have to go for it. She doesn't like it | :22:38. | :22:43. | |
when I'm concentrating in a frowny way. Stop. Character is going to be | :22:44. | :22:51. | |
everything. Yes, better. We really concentrated on showing a totally | :22:52. | :22:55. | |
different Ed, I think we're going to succeed. The idea I'm turning to the | :22:56. | :23:01. | |
camera and going... It isn't me. I don't want to let her down and be | :23:02. | :23:05. | |
the first to go home. Charleston is a dance where you have to go for it, | :23:06. | :23:12. | |
full-throttle. Are you focused? Yep. I might be more comfortable walking | :23:13. | :23:16. | |
over Westminster Bridge in a suit. Put on my Charleston head and - off | :23:17. | :23:18. | |
we go! Dancing the Charleston, | :23:19. | :23:22. | |
Ed Balls and Katya Jones. Ed, look at the room. I know! They | :23:23. | :25:24. | |
loved it. APPLAUSE I love that you came over | :25:25. | :25:33. | |
here and you went "boom" you gave that everything. Full-throttle and | :25:34. | :25:38. | |
the kitchen sink. Darcey said, get in character. We got in character | :25:39. | :25:41. | |
and we went for it. You did. Thank you very much. Thank you. Oh, we | :25:42. | :25:55. | |
loved it. Let's see if Craig did. Bottom of the leaderboard, he's | :25:56. | :25:59. | |
teasing you now. He was bottom of the leaderboard last week, Craig. | :26:00. | :26:03. | |
Tell us he was better tonight? Stop it, stop it. He can't standstill. | :26:04. | :26:09. | |
That's a sight I don't think I ever wish to see again. | :26:10. | :26:16. | |
BOOING This dance is meant to be goofy, I'm afraid that is the wrong | :26:17. | :26:23. | |
side of goofy. Novp O! Sadly, it did have an air of desperation about it | :26:24. | :26:33. | |
as well. There was no cross, no swivel, technically inaccurate... | :26:34. | :26:40. | |
Craig! Oh, yes. Even for you, Craig. What about the character, what about | :26:41. | :26:45. | |
the energy? You were oozing it. Well done. I have to say, I didn't think | :26:46. | :26:51. | |
I was going to see that musical bounce through your body, all the | :26:52. | :26:55. | |
way through. You stayed in sync all the way through. Yes. I was not | :26:56. | :27:01. | |
expecting that. You have worked so hard, I can see. She's been | :27:02. | :27:05. | |
absolutely brilliant. Very good teacher. Brill yanlt. Stayed in | :27:06. | :27:12. | |
character as well. He is still in it, Darcey. Len, you are laughing? | :27:13. | :27:16. | |
You have been to the country before and didn't do very well. But... But | :27:17. | :27:25. | |
tonight... We did win three elections! He got you. You came out | :27:26. | :27:36. | |
with enthusiasm. You got stuck in. I liked the routine. Listen, people | :27:37. | :27:43. | |
are not stupid. You got a standing ovation because it was so much fun. | :27:44. | :27:49. | |
APPLAUSE Bruno. I cannot believe it. What a | :27:50. | :27:55. | |
comeback, Tony Blair would be proud, I tell you that. It's good you can | :27:56. | :28:05. | |
see the funny side of both. He faffing around like a rouster. You | :28:06. | :28:13. | |
never lost time. You were doing a proper, proper dance. You should be | :28:14. | :28:17. | |
You should be proud. Proud. We enjoyed it immensely. Thank you. Go | :28:18. | :28:23. | |
and see Claudia, Ed. CHEERING AND | :28:24. | :28:24. | |
APPLAUSE Well done you took the judges' | :28:25. | :28:40. | |
comments on board. You were like, this is what I will do. I will put | :28:41. | :28:44. | |
my Charleston head on. Is I never knew I had one. To be honest with | :28:45. | :28:49. | |
you, I was wochg throughout that routine your wife's face. It was a | :28:50. | :28:52. | |
picture. She was like - oh, there's my boy. She was excellent. I think | :28:53. | :28:59. | |
she wants to learn it. He could do it better than me. You can do it in | :29:00. | :29:05. | |
the kitchen tomorrow. The judges scores are in. | :29:06. | :29:28. | |
You go - again! You have to be happy. We worked so hard. So many | :29:29. | :29:33. | |
people make this show work behind-the-scenes. They helped me so | :29:34. | :29:37. | |
much. Thank you to everybody. It's been fabulous. Thank you. If you | :29:38. | :29:42. | |
enjoyed that country routine, slap your thigh and shout "ye-har" and | :29:43. | :29:46. | |
vote for them. All the details are on your screen now. Voting opens at | :29:47. | :29:51. | |
the end of the show. Still to come, two words - Judge Rinder. Nuf said. | :29:52. | :29:55. | |
Tess. Our next couple is Naga Munchetty | :29:56. | :30:02. | |
and her partner Pasha Kovalev. It's a challenging dance that | :30:03. | :30:05. | |
requires a lot of hip movement, but has it got Naga saying | :30:06. | :30:10. | |
hip, hip, hooray? Week one, first bands. Right | :30:11. | :30:28. | |
afterwards, I was really down. You did one step too many, which mess | :30:29. | :30:36. | |
due up a bit. You do have a wonderful, wonderful potential. So I | :30:37. | :30:42. | |
feel quite good about that. This week, we're doing cha-cha-cha, and | :30:43. | :30:50. | |
it's so important to get Naga's Hibs going. What am I struggling with? | :30:51. | :30:57. | |
Lots of hips. So pressure is bringing someone in to help. Doing | :30:58. | :31:05. | |
the cha-cha-cha, it's pretty hip intensive. We're hoping that this | :31:06. | :31:10. | |
will help you loosen up those hips. Hips, hips, hips. It was good fun | :31:11. | :31:14. | |
but it was all about getting the hips moving. I think we're getting | :31:15. | :31:19. | |
there. She was brilliant, actually! You could see a big befriends | :31:20. | :31:24. | |
straightaway. You've totally nailed the basics, so let's have a go. | :31:25. | :31:33. | |
Three, two, one... All of this is making me go a bit loopy. I never | :31:34. | :31:37. | |
thought doing, who who would be the answer. It's certainly got me moving | :31:38. | :31:39. | |
my hips. Dancing the cha-cha-cha, | :31:40. | :31:42. | |
Naga Munchetty and Pasha Kovalev. Well done! Naga and Pasha, what a | :31:43. | :33:35. | |
transformation. Tina Turner would-be per! Are you enjoying the new look? | :33:36. | :33:41. | |
You're wearing it well! Darcey, did she do? Well, for a start, you look | :33:42. | :33:47. | |
absolutely stunning! I think you'd better wear one of those on Actress | :33:48. | :33:54. | |
TV. I think my editor would have fit. You look amazing, and you | :33:55. | :34:00. | |
started particularly well. I just fear that I can see the | :34:01. | :34:03. | |
concentration in your face. That's the only thing that worries me, that | :34:04. | :34:07. | |
you're slightly disconnect, because you're focusing so much on getting | :34:08. | :34:11. | |
everything correct. That's the only thing I lose. Or I want you to do is | :34:12. | :34:16. | |
get that confidence, and focus on Pasha, don't think about anybody | :34:17. | :34:19. | |
else, just him and everything he's told you. Len? Well, there was a lot | :34:20. | :34:31. | |
of mistakes in that, but... I mean, there was! There was a lot of | :34:32. | :34:39. | |
mistakes going on - what I like, you had that sultry sort of character | :34:40. | :34:44. | |
going. So I liked that, the feel of it. I would have just like due to | :34:45. | :34:49. | |
have nailed the routine better. I think that's the first thing you've | :34:50. | :34:53. | |
got to do, nail the routine, then work on the character. Bruno? Well, | :34:54. | :35:02. | |
I loved the vamped up to the max look. The that, only Naomi Campbell | :35:03. | :35:07. | |
could work that better. But what happens is, you do everything, but | :35:08. | :35:14. | |
your tension doesn't carry the body all the way through. So instead of | :35:15. | :35:20. | |
being right on it all the time, but at the way she walks the walk, look | :35:21. | :35:25. | |
at that intensity through the body. You just lose it and then it looks | :35:26. | :35:28. | |
like you're stumbling. You're not actually doing that badly, it's | :35:29. | :35:34. | |
because your energy falls off. You really have to work on that. Look at | :35:35. | :35:38. | |
our professional girls, look how no Amy walks, because you have to have | :35:39. | :35:41. | |
that within you, because you have the talent. -- look at how Naomi | :35:42. | :35:49. | |
walks. It was spiky, it was flat-footed, your arms lacked any | :35:50. | :35:52. | |
sort of placement. Timing and balance issues, riddled with | :35:53. | :36:01. | |
mistakes, not a great one. I want to say thank you, judges, but I'm not | :36:02. | :36:04. | |
sure. Thank you very much! Well done, off Yugo! Naga and Pasha! We | :36:05. | :36:19. | |
thought it was completely magnificent. You do get really | :36:20. | :36:26. | |
scared, don't you? Yes. Protected you prefer the Latin to the waltz? | :36:27. | :36:32. | |
Yes, a bit. Dobbie scared, it's going to be fine. The scores are | :36:33. | :36:33. | |
in... That's exactly the same score as | :36:34. | :36:56. | |
last week. Yes, and look at that character. I walked in the room, and | :36:57. | :36:59. | |
I was like... Amazing! If you thought Naga | :37:00. | :37:10. | |
and her Private Dancer were Simply The Best, | :37:11. | :37:12. | |
she'd be a Proud Mary if you voted for her when voting opens | :37:13. | :37:15. | |
at the end of the show. Next, it's Judge Rinder | :37:16. | :37:17. | |
and his partner Oksana Platero. This week they're doing | :37:18. | :37:20. | |
the American Smooth. It's a dance that has | :37:21. | :37:22. | |
all the glamour of old Hollywood, but will it be good enough | :37:23. | :37:25. | |
to see him through to next You know what? I feel good after the | :37:26. | :37:37. | |
weekend. I listen to everything you had to say, which is, you're not a | :37:38. | :37:42. | |
dancer, yet, just have fun! Great gusto and personality. It was | :37:43. | :37:53. | |
extraordinary. I think it deserves better scores, but it definitely. | :37:54. | :38:02. | |
Audience over. So this week is the American smooth foxtrot. I really | :38:03. | :38:05. | |
like this dance because I love Fred Astaire, and it has that sort of | :38:06. | :38:10. | |
quality. My grandparents were very much the generation of Fred Astaire | :38:11. | :38:13. | |
and Ginger Rogers. They are coming to date, and they have danced their | :38:14. | :38:19. | |
whole lives. It was partly the reason that I did Strictly. So I'm | :38:20. | :38:25. | |
really excited for them to see it. What we've seen today is absolutely | :38:26. | :38:28. | |
amazing. I couldn't believe it, I was so impressed. Grandparents love | :38:29. | :38:35. | |
the foxtrot, and that they came and that they enjoyed it, means a lot to | :38:36. | :38:39. | |
me. Best part was, I got to see my grandfather dancing with Oxana. | :38:40. | :38:48. | |
Although this man who is nearly 90 was better than me within a few | :38:49. | :38:49. | |
minutes. Absolutely brilliant! Dancing the American smooth, | :38:50. | :38:55. | |
Judge Rinder and Oksana Platero. I certainly hope so. They're | :38:56. | :41:00. | |
adorable! They're so much better than me. Hello, everybody! You were | :41:01. | :41:08. | |
channelling Fred Astaire. Well, sort of, yes. How did he do, Len? The | :41:09. | :41:17. | |
parts in hold I thought were elegant. Parts out of hold I thought | :41:18. | :41:28. | |
were a little bit wild. And you got access to with heel leads, you were | :41:29. | :41:31. | |
sticking them heels in anywhere you could. But I had my that, at least | :41:32. | :41:35. | |
you were attempting to get the footwork. As I said previously, | :41:36. | :41:41. | |
elegant, my set style, and better than last week. Bruno? My darling, | :41:42. | :41:46. | |
you went from Fred Astaire to Fred Insein. Both were equally | :41:47. | :41:50. | |
entertaining. So straight in the hold, mental on your lifts. But I | :41:51. | :41:56. | |
tell you, you really had an amazing effect. And you can actually dance, | :41:57. | :42:04. | |
you know. You can dance! Craig? Unfortunately, you have hands like a | :42:05. | :42:12. | |
bricklayer's trowel. You need to get some shaping through those ugly | :42:13. | :42:17. | |
hands. And you need to calm down. You're very, you're dancing is very | :42:18. | :42:21. | |
noisy. And it needs to be a little bit quieter, darling. Really, look | :42:22. | :42:27. | |
in the mirror next time. You dance, look at your face in the mirror. | :42:28. | :42:31. | |
It's still quite annoying. We love that faced! How dare he? You're just | :42:32. | :42:38. | |
jealous I can smile this broadly, I think, Craig. Darcey? For me, what | :42:39. | :42:48. | |
surprised me in, how I usually athletic, how smoothly you lifted | :42:49. | :42:57. | |
Oksana, you made it look so simple, those are difficult lifts. And I was | :42:58. | :43:06. | |
taken aback, it was very impressive, well done. I thought on the whole it | :43:07. | :43:23. | |
was good. Very well done! I'm just thrilled I didn't drop her. Those | :43:24. | :43:30. | |
were very difficult lifts. Apparently if you drop the dancer, | :43:31. | :43:34. | |
you have to pay for it. The scores are in. | :43:35. | :43:49. | |
Are you happy, Oksana? It was beautiful, it was fantastic. To keep | :43:50. | :44:05. | |
them in the competition, you must vote for them. | :44:06. | :44:05. | |
To keep Judge Rinder and Oksana in the competition, | :44:06. | :44:08. | |
you must vote for them - all the details are | :44:09. | :44:10. | |
Next up is Daisy Lowe and her partner Aljaz Skorjanec. | :44:11. | :44:24. | |
They topped the leaderboard last week, but they can't | :44:25. | :44:28. | |
This week's dance is set in the 1950's, so to get | :44:29. | :44:33. | |
into character they went ten pin bowling. | :44:34. | :44:36. | |
Here's hoping they strike it lucky again tonight. | :44:37. | :44:45. | |
I'm still amazed about how our waltz came across. I was so proud of you. | :44:46. | :44:59. | |
Last Saturday was a moment I am so proud of, I will never forget it. I | :45:00. | :45:02. | |
am still in shock about what the judges said. I don't think I have | :45:03. | :45:08. | |
ever seen a dance better than that for week one, ever. I just can't | :45:09. | :45:23. | |
wait for Week Two. For Week Two, I'm quite excited because it is a Latin | :45:24. | :45:30. | |
dance, I'm looking forward to having some fun. We're going to be working | :45:31. | :45:35. | |
in an American diner, in the 1950s. I figure the best way to get you | :45:36. | :45:38. | |
into characteristic take you bowling. I'm in my 1950s American | :45:39. | :45:45. | |
attire, I've got my milkshake, let's bowl! Come on, Daisy! I definitely | :45:46. | :45:54. | |
hope that Daisy is going to be better with her dancing shoes, than | :45:55. | :45:58. | |
she was in her bowling shoes. My bowling wasn't great. Let's just | :45:59. | :46:07. | |
hope that on Saturday night I will be better with my cha-cha-cha. | :46:08. | :46:10. | |
Dancing the Cha Cha Cha, Daisy Lowe and Aljaz Skorjanec. | :46:11. | :46:20. | |
Come on over. Come on. We won't forget you in a hurry, Daisy. Did | :46:21. | :48:02. | |
you enjoy showing off your fun side this week? It was fun having a | :48:03. | :48:07. | |
giggle up there. Yeah. That lovely smile. Top of the leaderboard last | :48:08. | :48:12. | |
week. Bruno, how did she do last night? Daisy always serves a hot | :48:13. | :48:20. | |
dish and an even hotter cha-cha-cha. Oozing natural sex appeal. I'm | :48:21. | :48:24. | |
hooked. I want some more, please, now! Craig. The upper body lacked a | :48:25. | :48:31. | |
bit of attack. You should have attacked the upper body like you did | :48:32. | :48:34. | |
below. You lost a straight leg on occasion, | :48:35. | :48:39. | |
but I really enjoyed it. Thank goodness for that. Darcey? You are | :48:40. | :48:44. | |
such a natural mover. I are sassy, flirty, your attitude. You have the | :48:45. | :48:48. | |
eyes on him. That was brilliant. I was... You had a lot of technique. I | :48:49. | :48:53. | |
couldn't take my eyes off those legs. They are far too - take them | :48:54. | :48:57. | |
away. You are going to go far. That is great. High praise from Darcey. | :48:58. | :49:06. | |
Len. You are equally at home in ballroom and Latin. You did a lift, | :49:07. | :49:12. | |
that was a lift and... The throw thing was a lift. In my opinion. | :49:13. | :49:16. | |
Both feet came off the ground. Cha-cha-cha is one of the dances | :49:17. | :49:22. | |
where you musn't do that. So, oi, you, cut out the lifts, sunshine. | :49:23. | :49:28. | |
He's a stickler for the rules, our Len. We all loved it. Thank you very | :49:29. | :49:40. | |
much. Off you go. Daisy and Aljaz. CHEERING AND | :49:41. | :49:42. | |
APPLAUSE We adored it. You love the emotion of the waltz, you were so. | :49:43. | :49:53. | |
Hay I was. I have a bow in high hair. A little skirt. Ballroom or | :49:54. | :50:00. | |
Latin, which suits Daisy more? Both. A good answer. The scores are in. | :50:01. | :50:13. | |
Had to deduct a point, seven. Are you happy. Two less than last weeks. | :50:14. | :50:25. | |
Still a fantastic score. If that left you hungry for more, | :50:26. | :50:34. | |
all the details are on your screen now so you can vote for them | :50:35. | :50:37. | |
when voting opens at the end of the show. | :50:38. | :50:39. | |
Our final couple on the floor are Danny Mac and his | :50:40. | :50:44. | |
Last week Danny wowed everyone with his superb Cha Cha. | :50:45. | :50:48. | |
Len thought he'd fallen asleep and woken up in week 10! | :50:49. | :50:51. | |
But this week Danny has got a new challenge, Ballroom, | :50:52. | :50:54. | |
Last Saturday night was probably one of the best experiences of my life. | :50:55. | :51:15. | |
You were amazing. You smashed it. 100% you are a contender. It's | :51:16. | :51:22. | |
flattering he thinks I am a contender after. That there is a lot | :51:23. | :51:25. | |
to do before I can think that far ahead. This week we are doing the | :51:26. | :51:30. | |
Viennese waltz. Last week went better than we could ever have | :51:31. | :51:33. | |
hoped. So this week the pressure is really on. The posture in the | :51:34. | :51:39. | |
Viennese waltz is the most important things. I'm struggling with the | :51:40. | :51:44. | |
posture. It's alien to me. It needs a lot of work. Put your butt in. I | :51:45. | :51:53. | |
have a surprise for you. Oti decided to bring in some apparatus. It was | :51:54. | :51:59. | |
some handle bars I wear around my neck to put my posture in the right | :52:00. | :52:05. | |
place. You are ready for week two. I'm feeling it. My neck hurt, my | :52:06. | :52:11. | |
shoulders hurt. My arms hurt. I'm tired. I need to go to Show me the | :52:12. | :52:17. | |
bed. Posture. Yes, yes! As long as I can get the holds, the posture and | :52:18. | :52:21. | |
the steps right, I might have half a chance. | :52:22. | :52:27. | |
Dancing the Viennese Waltz, Danny Mac and Oti Mabuse. | :52:28. | :52:29. | |
That was wonderful to watch. Standing ovation for you Danny Mac. | :52:30. | :54:29. | |
You did so well. More drama than an | :54:30. | :54:31. | |
episode of Hollyoaks. Slightly, yeah. So much drama. You | :54:32. | :54:39. | |
would never tear anyone apart, would you, Craig? No, never. Not after | :54:40. | :54:43. | |
that anyway. I think you are a fantastic dancer. You really are. | :54:44. | :54:51. | |
APPLAUSE The American Smooth moment I was in two minds about. I actually | :54:52. | :54:56. | |
ended up loving it. I thought that was absolutely brilliant that | :54:57. | :54:59. | |
section there. You got a bit skippy in the second part of that Viennese. | :55:00. | :55:04. | |
You lost the smoothness of it, but, wow, fantastic. Darcey? Yeah, Danny, | :55:05. | :55:13. | |
your focus, the intent you have to do really well. I can see it. You're | :55:14. | :55:18. | |
really aiming for the top here. Very early on. It's elegant. The way you | :55:19. | :55:23. | |
held your top line all the way through. I would only say, I would | :55:24. | :55:27. | |
agree with Craig, you do get skippy. I think that's because you are | :55:28. | :55:30. | |
trying to travel and trying to push out too much. You get those little | :55:31. | :55:39. | |
in between and missing that glide. Occasionally, it hits the spot. | :55:40. | :55:44. | |
Overall a very nice dance. Very nice, indeed. Len? I wasn't exactly | :55:45. | :55:52. | |
transported to old Vienna, if I'm honest with you. It was a modern | :55:53. | :55:57. | |
twist on a traditional dance which I enjoyed very much. SCEREAMING | :55:58. | :56:06. | |
What a shocker. In hold you have to keep your head to the left... On the | :56:07. | :56:16. | |
pivot. You have to get the head to the left and keep it there. | :56:17. | :56:22. | |
Terrific. Well done. Great dance. Reending on a high Bruno? It was | :56:23. | :56:28. | |
like watching a waltzing heart-throb. A Viennese waltz put | :56:29. | :56:32. | |
together by ten sees Williams. Dancing is not just doing steps, | :56:33. | :56:37. | |
it's the intention behind it, telling a story, acting it. You | :56:38. | :56:44. | |
acted like a star. Everything was so crystal clear. The story was | :56:45. | :56:47. | |
brilliant. You would drive through the movement with intention. That is | :56:48. | :56:51. | |
what I like to see. Something that gets me going and you did. I'm sure | :56:52. | :56:56. | |
all of this studio is going with you. | :56:57. | :57:00. | |
APPLAUSE Yes, the judges are happy. I hope you are happy with those | :57:01. | :57:03. | |
comments. Well done. Claudia is waiting with your scores. It's Danny | :57:04. | :57:06. | |
and Oti. Well done you! Beautiful choreography. You work so | :57:07. | :57:23. | |
hard at this. You really care, don't you? A lot of things in this I was | :57:24. | :57:28. | |
really struggling with. We had four days to do it, as everyone did. You | :57:29. | :57:32. | |
have to focus on the things you can't get. Well done. The scores are | :57:33. | :57:34. | |
in. Well done. More than last week. Very | :57:35. | :57:50. | |
well done. If the thought of losing Danny | :57:51. | :57:59. | |
and Oti gets your goatie - forgive me, Oti - all the details | :58:00. | :58:01. | |
you need to vote for him are on your screen now and voting | :58:02. | :58:05. | |
opens in just a few minutes. All of our couples have now danced | :58:06. | :58:08. | |
and no one wants to be first to go but sadly one couple must | :58:09. | :58:12. | |
leave this weekend. So let's take a look | :58:13. | :58:14. | |
at our leaderboard. We're carrying over the judges' | :58:15. | :58:16. | |
scores from last week, But you can change all that | :58:17. | :58:18. | |
by picking up the phone or going online and voting | :58:19. | :58:35. | |
for your favourite. I have big news, Jake | :58:36. | :58:37. | |
is here to open the phone lines. Jake. | :58:38. | :58:40. | |
APPLAUSE Calls cost 15p plus any | :58:41. | :58:54. | |
network access charge. Please get the bill | :58:55. | :59:04. | |
payer's permission before you call. Or alternatively you can vote online | :59:05. | :59:06. | |
for free at bbc.co.uk/strictly where you will also find full | :59:07. | :59:08. | |
terms and conditions. Voting closes tonight at 8.45pm | :59:09. | :59:10. | |
so please don't vote To help you decide, here's | :59:11. | :59:13. | |
a reminder of tonight's performances We've seen a mammoth | :59:14. | :59:16. | |
marathon of dance. Sadly, one of our celebrities must | :59:17. | :03:48. | |
leave the competition. If you don't want your favourite | :03:49. | :03:55. | |
to make an early exit, please, make sure you pick up the phone | :03:56. | :03:58. | |
or go online to vote. We'll be back tomorrow at 7.15pm | :03:59. | :04:01. | |
with our Results Show. The two couples with the lowest | :04:02. | :04:08. | |
combined judges' scores and your votes will face each other | :04:09. | :04:16. | |
in our first dance-off. Our judges then have the tough | :04:17. | :04:18. | |
task of deciding who And we have music from Bee Gees | :04:19. | :04:20. | |
legend, Barry Gibb. We also have a stupendous | :04:21. | :04:27. | |
tango routine from our I watched them rehearsing - | :04:28. | :04:30. | |
jaws will drop. So for all that and to find out | :04:31. | :04:34. | |
which one our 15 will be the first to go make sure you tune | :04:35. | :04:37. | |
in for our Results Show tomorrow Nothing to hide, nothing to fear. | :04:38. | :04:41. | |
Fight fire with fire. Everyone's living these amazing | :04:42. | :05:03. | |
lives and I'm stuck. | :05:04. | :05:07. |