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From London, this is Strictly Come Dancing, The Results. Please welcome | :03:58. | :04:28. | |
your hosts, Tess Daly and Claudia Winkleman! | :04:29. | :04:33. | |
APPLAUSE Thank you. Lovely. | :04:34. | :04:39. | |
No problem. Good evening and welcome to strip to | :04:40. | :04:44. | |
come dancing and our first results show of the series. | :04:45. | :04:50. | |
And a huge thank you to our dancers, for that romantic and dramatic | :04:51. | :04:52. | |
routine. And a huge thank you to Dave Arch | :04:53. | :04:58. | |
and his brilliant orchestra. Yes! | :04:59. | :05:04. | |
We have the seaside, Fireman 's polls, and Ed Balls on the banjo. | :05:05. | :05:08. | |
My kind of party, but all parties have to end. Tonight, one couple | :05:09. | :05:13. | |
will leave the competition after the dance off. | :05:14. | :05:19. | |
Voting is now closed. The judges' schools have been combined and the | :05:20. | :05:25. | |
couples with the lowest scores will have to dance again. | :05:26. | :05:27. | |
The final decision on who stays and who goes is tonight down to four | :05:28. | :05:34. | |
people. Firm, fair, fearless, and unflappable, or as we like to call | :05:35. | :05:38. | |
them, the judges! Len Goodman and Bruno Tonioli. | :05:39. | :05:46. | |
Craig Revell Horwood and Darcey Bussell. | :05:47. | :05:50. | |
Lovely as always. Thank you, charges. | :05:51. | :06:05. | |
Also on the show tonight, the legend that is Barry Gibb performing his | :06:06. | :06:15. | |
new single, In The Now. And Len's Lens is back. | :06:16. | :06:21. | |
First, here is what happened on and off the dance floor last night. | :06:22. | :06:28. | |
Darlings, it is weak two, which means somebody is going to be sent | :06:29. | :06:34. | |
packing. I think people are a bit more nervous this week. As if | :06:35. | :06:38. | |
reality has hit home. This is a big deal today. The stars are in there | :06:39. | :06:44. | |
and they are quaking in their macro boots. Nobody wants to see anybody | :06:45. | :06:49. | |
leave. Everybody is aggravating a nice. I don't want to lose anyone. | :06:50. | :06:59. | |
-- aggravatingly nice. I'm very nervous but it is all down to the | :07:00. | :07:03. | |
audience. Why are you not practising? Because I don't have any | :07:04. | :07:16. | |
trousers on. What will be will be. We have to redo 40% of the | :07:17. | :07:24. | |
choreography because I tore my inner scar tissue from surgery from my | :07:25. | :07:31. | |
mastectomy. And I don't learn easy. I'm like, what's here, who is there? | :07:32. | :07:33. | |
We are just going to do our best. We are ready, cowboy. Here she is. | :07:34. | :07:47. | |
Quite panicked but the main thing is I really want to enjoy it. What time | :07:48. | :07:54. | |
is it? Two minutes until the live show. Showtime! I cannot contain | :07:55. | :08:01. | |
myself any longer. Honestly, let the good times roll. I'm going in. You | :08:02. | :08:12. | |
were doing a proper, proper dance. I absolutely loved your character. | :08:13. | :08:17. | |
Great. Nice arms, good rotation, nice frame, well done. You are a | :08:18. | :08:24. | |
fantastic dancer, you really are. Loads of content. I thought it was | :08:25. | :08:32. | |
terrific. Thank you. Well done. You look amazing. You are sleek, flirty, | :08:33. | :08:37. | |
you are having fun, and that is the great thing to watch. Well done, you | :08:38. | :08:45. | |
were amazing. I like the fire and the spirit. However, having said | :08:46. | :08:49. | |
that, your bottom sticks out. I've got a big bottom. I like the drive, | :08:50. | :08:54. | |
the passion, the intent, it was powerful. You did it! Oh! It was | :08:55. | :09:04. | |
flat-footed. Laboured. I found it disappointing, to be frank. For me | :09:05. | :09:09. | |
you were moving just like clockwork. Well done. Five. Eight, I like it! | :09:10. | :09:23. | |
27, my age. You went from Fred Astaire to Fred insane, you can | :09:24. | :09:27. | |
actually dance. Unfortunately you have hands like a bricklayer 's | :09:28. | :09:31. | |
trowel, I'm afraid. Next time you dance, look at your face in the | :09:32. | :09:40. | |
mirror. It is still quite annoying. I can smile very broadly. I was | :09:41. | :09:49. | |
taken aback. Very impressive. Seven. We got 27 and I think we can improve | :09:50. | :09:58. | |
on that this week. Yes. I can see the concentration in your face. I | :09:59. | :10:04. | |
would have just liked you to have nailed the routine better. Six. It | :10:05. | :10:10. | |
would have been nice to improve on last week but we were not worse, | :10:11. | :10:14. | |
which is good. It was sort of mediocre, I'm afraid. Your feet | :10:15. | :10:19. | |
stomp, you have a funny right shoulder going on, but I enjoyed | :10:20. | :10:24. | |
your attitude and the fact that you attacked the tango, which you have | :10:25. | :10:32. | |
got to do. Six. More than 22. We have moved up. Mission accomplished. | :10:33. | :10:38. | |
We will take it. It is good to see the funny side of Ed Balls. That is | :10:39. | :10:43. | |
a side I don't think I ever wish to see again. Technically it was a | :10:44. | :10:50. | |
disaster. You stayed in sync all the way through. You have worked so | :10:51. | :10:58. | |
hard. Doing a good job, seven! We killed it. Killed it. It was | :10:59. | :11:08. | |
haphazard for me. It was misplaced. Footwork, as well, and there was no | :11:09. | :11:12. | |
figure eight rotation in the hips whatsoever. Considering the | :11:13. | :11:17. | |
situation I still thought you had Anastacia goes crazy and the salsa. | :11:18. | :11:23. | |
And you gave it all. Because of the injuries we change the routine. To | :11:24. | :11:27. | |
put somebody out there, change choreography on the day. I can see | :11:28. | :11:31. | |
you are a perfectionist and it annoys you that you cannot do it to | :11:32. | :11:35. | |
your full. But what you gave us was your all. Six. Well done. Sorry | :11:36. | :11:43. | |
about the 22. CHUCKLES | :11:44. | :11:48. | |
Excellent performance. It was full on. It was fierce. You must be very | :11:49. | :11:55. | |
confident to attempt those moves. Brilliant. Seven. Absolutely smashed | :11:56. | :12:03. | |
it. Again! No danger of sinking to the bottom after this one, I tell | :12:04. | :12:09. | |
you that. I love the fact it was completely caricature. You just set | :12:10. | :12:16. | |
the scene perfectly. Eight. We are a team. Beautiful arm, great arch, | :12:17. | :12:24. | |
lovely. Don't worry about Claudia, the outfit for you is totally sunny. | :12:25. | :12:35. | |
-- outlook. Very happy. You have such natural movement. You are sassy | :12:36. | :12:40. | |
and flirty. I am hooked. I want some more now. Eight. Oh! So happy with | :12:41. | :12:47. | |
30. I cannot believe it. It was absolutely gorgeous, that | :12:48. | :12:59. | |
routine. I really, really enjoyed it a lot. Laura, the emotion, the | :13:00. | :13:08. | |
elegance you brought, stunning. Oh, so silky smooth. #k38ent. - | :13:09. | :13:11. | |
excellent. Eight. The man is a magician. Next | :13:12. | :13:26. | |
week, it is 48. It was exquisitely lyrical. | :13:27. | :13:29. | |
Your arms moved like water. That was beautiful. Absolutely beautiful. | :13:30. | :13:36. | |
I thought gorgeous. You are a terrific dancer, well done. | :13:37. | :13:39. | |
8. That was really like watching a | :13:40. | :13:50. | |
waltzing heart-throb. You acted like a star. Everything was so crystal | :13:51. | :13:57. | |
clear. The story was brilliant. It was a sort of a modern twist on a | :13:58. | :14:08. | |
traditional dance which I enjoyed very much. Fantastic. 8. We did it, | :14:09. | :14:12. | |
we did it. APPLAUSE | :14:13. | :14:29. | |
What a night. Every couple giving it everything they have. But will it be | :14:30. | :14:33. | |
enough to stay in the competition? Here is how the leaderboard looks | :14:34. | :14:37. | |
after the performances from the last two weekends. Up in the top and in | :14:38. | :14:42. | |
joint first place is Louise and Kevin and Danny and Oti, both with a | :14:43. | :14:47. | |
score of 63. At the other end is Melvin and Janette with a score of | :14:48. | :14:51. | |
45 and below them, down at the bottom is Ed and Katya, with a score | :14:52. | :14:56. | |
of 44. But that's only half the story. Your votes at home may have | :14:57. | :15:06. | |
changed all of that. Who could be going home tonight? The results are | :15:07. | :15:12. | |
in. In no particular order, the first couple safely through to next | :15:13. | :15:13. | |
week is... Thank you. Oh, thanks. Also back | :15:14. | :15:23. | |
are... Louise and Kevin. Come on! Thank | :15:24. | :15:45. | |
you. Returning to the dance floor again | :15:46. | :16:21. | |
next Saturday are... And now, the first couple who will | :16:22. | :17:35. | |
fight for survival in the dance off is... | :17:36. | :17:45. | |
Anastasia and Brendan. The rest of you, I'm afraid, you will have to | :17:46. | :17:56. | |
wait until later to find out your fate. Anastasia and Brendan, please | :17:57. | :18:01. | |
come down and join me. CHEERING AND | :18:02. | :18:08. | |
APPLAUSE You are not done yet, hon. So, you | :18:09. | :18:14. | |
came out here, you gave it your absolute all, how are you feeling? | :18:15. | :18:19. | |
I'm just scared to do it. I'm scared to hurt myself. I will do it because | :18:20. | :18:24. | |
this is is what my process is, and this is what the show is but I'm | :18:25. | :18:28. | |
very scared to hurt myself. That's just the honest truth. We don't want | :18:29. | :18:33. | |
you to hurt yourself. Let's get some advice from the judges. Craig you | :18:34. | :18:38. | |
said Anastasia had problems with her footwork. What can she do to rectify | :18:39. | :18:43. | |
this? I would think of not concentrating on the underarm turns | :18:44. | :18:47. | |
but concentrate on getting that wonderful figure 8 action in your | :18:48. | :18:52. | |
hips and really just let the face, you have a wonderful face, and | :18:53. | :18:56. | |
wonderful actress, let that live through the dance and don't worry | :18:57. | :19:02. | |
too much about the arms. OK. Darcey, you said Anastasia's salsa was hot, | :19:03. | :19:06. | |
it was spicy. What other key ingredients does she need to add? | :19:07. | :19:11. | |
Well, she oozes attitude all the way through. Keep hold of that. You are | :19:12. | :19:15. | |
such a natural performance. It sells it, I promise you. | :19:16. | :19:20. | |
You just have to sell it. OK. OK, we will see you later. Very best of | :19:21. | :19:22. | |
luck. Over to Claudia. You have six | :19:23. | :19:29. | |
extremely relieved couples here. Well done to all of you. Lesley, it | :19:30. | :19:35. | |
suddenly got serious? It got really serious. We are all nervous wrecks. | :19:36. | :19:40. | |
Thrilled to go through but it is serious. You so want to be there. It | :19:41. | :19:47. | |
is just that noise. All of you going from ahhh to oh. Next week you are | :19:48. | :19:52. | |
doing a tango. And we are not talking the fizz side. It's going to | :19:53. | :19:57. | |
be another fast and furious one again. I think that Gorka, who I | :19:58. | :20:05. | |
have named the corka is going to be Vin Diesel and I'm the chick in the | :20:06. | :20:10. | |
passenger seat. I cannot wait. You have never danced before. You just | :20:11. | :20:16. | |
looked scared. Did you think it might be it? I was terrified. I | :20:17. | :20:21. | |
thought - I never, ever want to have the tango again in my life and there | :20:22. | :20:26. | |
was a risk of that happening. I'm so relieved not to have to do it again. | :20:27. | :20:30. | |
Daisy, I cannot wait, movie week. You are playing... Mary Poppins. | :20:31. | :20:39. | |
Everyone watching all went - yes! Louise, top of the leaderboard you | :20:40. | :20:42. | |
must still just be like - yeah, top of the leaderboard? I'm grateful I'm | :20:43. | :20:47. | |
sat here and get to do it again next week. So, yes, all good. You look so | :20:48. | :20:53. | |
relieved, you and Karen. I know you are a massive fan of the show. You | :20:54. | :20:58. | |
look so tearful, still I feel like I'm back in Pop Idol. I had a big | :20:59. | :21:04. | |
flashback, so there is no Simon Cowell, so that's nice. He is here | :21:05. | :21:09. | |
tonight! I'm joking. Well done all of you. Six couples are safe. But | :21:10. | :21:16. | |
who will be facing Anastasia and Brendan in the dance off? We will | :21:17. | :21:21. | |
find out soon but first of all ladies and gentlemen, with his brand | :21:22. | :21:26. | |
new single In The Now, it's Barry Gibb. | :21:27. | :21:36. | |
# You're only my destination destination | :21:37. | :21:40. | |
# I need you here in the now | :21:41. | :21:45. | |
# All my life is so wrapped up in you | :21:46. | :22:10. | |
# I found the love and I can't get enough | :22:11. | :22:28. | |
# I'm only happy when I hear you moan | :22:29. | :22:47. | |
# You speak the pleasure within | :22:48. | :22:51. | |
# We claim that summer darling | :22:52. | :23:10. | |
# And time is standing still | :23:11. | :23:24. | |
# All my life I never felt this way before | :23:25. | :23:31. | |
# I'm learning what I never knew | :23:32. | :23:35. | |
# I may be lonely but I'm not alone | :23:36. | :24:02. | |
# And we don't need conversation | :24:03. | :24:09. | |
# I'm only happy when I hear you moan# | :24:10. | :24:26. | |
CHEERING AND APPLAUSE | :24:27. | :24:41. | |
Thank you to bare and to our pros gee vane and Janette. Now it is time | :24:42. | :24:49. | |
for the return of Len's Lens. Let's bring on the judges. | :24:50. | :24:55. | |
Thank you so much. ! Oh, yeah. This is when you get the | :24:56. | :25:03. | |
chance to dissect the dances. Maybe you have more time than you would on | :25:04. | :25:08. | |
Saturday night. We can't do it alone, we, Len? Never. Please | :25:09. | :25:14. | |
welcome, Len's Lens. Len's Lens. All right, let's talk about Daisy and | :25:15. | :25:18. | |
Aljaz first. You deducted a point for their illegal lift. Let's remind | :25:19. | :25:24. | |
ourselves of it. It was borderline, really... I wouldn't say that was a | :25:25. | :25:28. | |
lift, it was a turn. She wouldn't have been able to do it on her own | :25:29. | :25:34. | |
and both legs were off the floor. There are certain dances like | :25:35. | :25:37. | |
Charleston, American smooth, Argentine tango and so on that you | :25:38. | :25:42. | |
can do lift in, cha-cha-cha unfortunately isn't one, if you are | :25:43. | :25:47. | |
not careful you end up with a liftfest. I thought - clach it down, | :25:48. | :25:52. | |
early doors. I'm pleased that has been clarified. Darcey, I would love | :25:53. | :25:56. | |
to talk to you about Danny. You said it was a bit skippy. Let's remind | :25:57. | :26:01. | |
our se.s you talk me through it. That's what he does. He generates a | :26:02. | :26:06. | |
lot of energy, he comes up so high in the two, three. More like a | :26:07. | :26:10. | |
sashay he is creating. Instead he needs to glide and not the head | :26:11. | :26:14. | |
coming up and down like this. OK, fine. Craig, can I talk to you about | :26:15. | :26:20. | |
Claudia and AJ. You said there was hyperextension. Yes. I never want to | :26:21. | :26:30. | |
disagree with you It happens with people from an acro background. | :26:31. | :26:34. | |
That's brilliant. It it is very rare. I know in a celebrity. I know | :26:35. | :26:39. | |
it is. You are saying she was leaning back... Too far, I thought. | :26:40. | :26:44. | |
Well, she went into it. It was a slow part of the music. She had to | :26:45. | :26:52. | |
fill that bar of music. Exactly. So extended and extended and out she | :26:53. | :26:57. | |
came, beautiful. Sorry, Craig. Thank you, Len, you are absolutely right. | :26:58. | :27:01. | |
All right. Bruno, we have a brilliant audio clip. This is how | :27:02. | :27:08. | |
much Tameka enjoyed her dance. Ha, ha, ha. . | :27:09. | :27:21. | |
She was... You are on it, baby. Give it to me honey. How much did you loo | :27:22. | :27:27. | |
love her character? I adored it. Look the you, you were loving it. I | :27:28. | :27:34. | |
was just checking it. Everybody, all the swivel action - she had that | :27:35. | :27:38. | |
swivel action. I was counting it and doing it as she Z look, she did it. | :27:39. | :27:44. | |
And the performance was just out of this world. She was excellent, I | :27:45. | :27:47. | |
loved it. OK. Thank you so much. Thank you to the judges. Now so far | :27:48. | :27:55. | |
six couples are safely through to next week, but who will be joining | :27:56. | :28:00. | |
them and who is's Strictly story ends tonight? Tess. | :28:01. | :28:07. | |
Eight couples still waiting to learn their macro state. One of those | :28:08. | :28:13. | |
couples will face Anastacia and Brendan in the dance off for the | :28:14. | :28:16. | |
first time this series. Let's find out who it will be. -- to learn | :28:17. | :28:20. | |
their fate. The next safe couple are... Judge | :28:21. | :28:32. | |
Rinder and Oksana. Back to dance again next Saturday | :28:33. | :28:44. | |
are... Danny and Oti. Surviving to next Saturday are... | :28:45. | :29:02. | |
Ore and Joanne. -- also through are... Ed and Katya. | :29:03. | :30:16. | |
We did it. Thank you. Melvin, you will be in the dance | :30:17. | :31:15. | |
off. Naga and Pasha, you return next week. | :31:16. | :31:20. | |
You have been working so hard. How disappointed are you? Really | :31:21. | :31:27. | |
disappointed. But we will do it again and we will smash it. You will | :31:28. | :31:32. | |
smash it. That is the word of the week. Let's talk to the judges. | :31:33. | :31:37. | |
Then, you said you did not think Melvin would be moving on out this | :31:38. | :31:42. | |
week. To be honest, I didn't... OK, it wasn't the most fantastic, it | :31:43. | :31:47. | |
wasn't 5-star, but it was totally acceptable for the second week of | :31:48. | :31:51. | |
dancing. I am surprised you are there. | :31:52. | :31:57. | |
APPLAUSE Bruneau, you said Melvin brought the | :31:58. | :32:00. | |
enthusiasm and he brought the energy. What else can he bring to | :32:01. | :32:08. | |
the dance off? -- Bruno. Keep going because it works. You have to be | :32:09. | :32:12. | |
more precise. Sometimes when you want something so much you overdo | :32:13. | :32:17. | |
it. So there are little creases that you need to iron out. Just relax, go | :32:18. | :32:23. | |
out there, enjoy it, and do exactly the same because it is good! | :32:24. | :32:28. | |
APPLAUSE And smash it. We will see you later | :32:29. | :32:33. | |
in the dance off. We wish you the best. Claudia, over to you. | :32:34. | :32:39. | |
Thank you, I am with the rest of the safe couples who are relieved. Ed, | :32:40. | :32:47. | |
your face, and Katya 's reaction, did you think you would be in the | :32:48. | :32:51. | |
dance off? Of course. I always expected to be in it. A part of me | :32:52. | :32:55. | |
is a bit disappointed because I so enjoyed it I want to do it again. Do | :32:56. | :33:00. | |
not say that to the voting public. You are very pleased. I know. And | :33:01. | :33:07. | |
the fake tan issue is still a thing. Judge, you will be here next week, | :33:08. | :33:11. | |
tell the group the film and the character. I allowed to? Am going to | :33:12. | :33:19. | |
be a Flintstone. CHUCKLES | :33:20. | :33:28. | |
Naga, your name was last, how relieved were you? So relieved. I'm | :33:29. | :33:33. | |
so sad to see our friends in the bottom two and things in a dance | :33:34. | :33:36. | |
off. But so pleased we get to be here next week. Everybody looks | :33:37. | :33:41. | |
shell-shocked. Up until now it has been fun. Test reads out the names, | :33:42. | :33:46. | |
there is the music and everybody thinks it is awful. -- Tess. It is | :33:47. | :33:54. | |
awful. You are shaking. To hear your name called out this fantastic. | :33:55. | :33:58. | |
Thank you everybody for voting. It is nice to be here. Danny, you must | :33:59. | :34:04. | |
have been confident. Did you think you were through? Not at all. | :34:05. | :34:10. | |
Nothing prepared me for that. The music and Tess taking her time. | :34:11. | :34:21. | |
Nightmare. Lauren, you said I don't like that bit. -- Laura. It is the | :34:22. | :34:26. | |
only part of the show I don't like. Maybe change that. Claudia, you were | :34:27. | :34:32. | |
a gymnast, now I dance, are you looking forward to the Charleston? | :34:33. | :34:36. | |
Definitely, I can't wait to go out there and move my hips. Our couples | :34:37. | :34:39. | |
have been training hard for next week which is movie week. Before all | :34:40. | :34:45. | |
good movies, of course, there is a trailer. | :34:46. | :34:49. | |
In the year 2016, our leading men and women have set the standard | :34:50. | :34:55. | |
higher than ever before. They will work together against all the odds. | :34:56. | :35:02. | |
Do this. You can do this. One of them will end up on the cutting room | :35:03. | :35:07. | |
floor. I'm so confused. I don't understand. What steps am I doing? | :35:08. | :35:14. | |
Expect a dance extravaganza. From the people who brought you Anton Du | :35:15. | :35:20. | |
Beke eating a slice of cake. It is Strictly movie week coming to a | :35:21. | :35:21. | |
dance floor near you. As we know, Anastacia performed | :35:22. | :35:31. | |
while injured on Saturday night. Earlier she said she was worried | :35:32. | :35:36. | |
about dancing again with her injury. A decision has been made, Anastacia | :35:37. | :35:41. | |
and Brendan cannot perform again. In this situation under the rules of | :35:42. | :35:44. | |
Strictly Come Dancing that means they cannot be a dance off, but we | :35:45. | :35:49. | |
can still give you the results. The couple with the fewest number of | :35:50. | :35:54. | |
viewer votes will sadly be leaving Strictly Come Dancing. Over to you, | :35:55. | :35:58. | |
Tess. Because of the situation it is in | :35:59. | :36:04. | |
the hands of the public. Anastacia and Brendan, Melvin and Janette, | :36:05. | :36:14. | |
this is it. One of you will be leaving Strickler come dancing. I | :36:15. | :36:17. | |
can reveal that the couple with the fewest viewer votes and therefore | :36:18. | :36:30. | |
out of the competition is: It is Melvin and Janette. | :36:31. | :36:36. | |
APPLAUSE That means we are going to have to | :36:37. | :36:43. | |
say goodbye to Melvin and Janette. Come and join me. Congratulations, | :36:44. | :36:48. | |
we will see you next week. Anastacia and Brendan, I got a lovely | :36:49. | :36:51. | |
cuddle... We are so sorry to see you go after such a short time. I just | :36:52. | :36:57. | |
need to say, every single person on this show, the contestants, the | :36:58. | :37:01. | |
dancers, the judges, everyone is absolutely amazing. It is a blessing | :37:02. | :37:06. | |
to be on this show and thank you to Janette, it's been a great | :37:07. | :37:09. | |
experience. CHEERING | :37:10. | :37:12. | |
We have loved getting to know you. It has been all too short, the time | :37:13. | :37:15. | |
was spent with you. Is there anything you would like to say to | :37:16. | :37:21. | |
Melvin, Janette? In this industry you get to meet lots of different | :37:22. | :37:25. | |
people. Melvin is one of those who is unique and you never forget. Even | :37:26. | :37:29. | |
from the first moment you meet him, he has such a beautiful soul, such a | :37:30. | :37:35. | |
gorgeous smile, an infectious personality, and I want to thank you | :37:36. | :37:43. | |
for making this albeit short and extremely great experience. It has | :37:44. | :37:47. | |
been a treat to watch you dance. We are going to get to see you one more | :37:48. | :37:50. | |
time. Yes. APPLAUSE | :37:51. | :37:58. | |
We have loved watching Melvin and Janette. They will join the amazing | :37:59. | :38:10. | |
Zoe Ball on Monday on It Takes Two. We will be back next week for some | :38:11. | :38:16. | |
blockbuster performances and our -- in our movie special. | :38:17. | :38:21. | |
But for the last time, it is Melvin and Janette. | :38:22. | :38:36. | |
Melvin has given us so many jokes and smiles. We are heartbroken to | :38:37. | :39:35. | |
see them leave this evening. A bittersweet experience, it really | :39:36. | :39:39. | |
is. Any outcome would be sad and is sad. I feel awful. I just wish I | :39:40. | :39:47. | |
could have danced. Feel great to be through to next week. I am | :39:48. | :39:53. | |
exhausted. I loved it. I loved it. It is sad. I love how calm he is, we | :39:54. | :40:05. | |
are so excited! Chuffed to bits. Week number three come here we come. | :40:06. | :40:10. | |
I find out what my next challenge is on Monday. It will always be a | :40:11. | :40:15. | |
difficult one. I am just so pleased | :40:16. | :40:16. |