Week 3 Strictly Come Dancing


Week 3

It is Saturday night at the movies as Strictly celebrates some of the biggest films in history. The couples must deliver an amazing routine to a classic movie track.


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Transcript


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Last week there were successes. Fantastic. And setbacks. Anastacia

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and Brendan cannot perform again. As we said goodbye to our first

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celebrity. The couple with the fewest number of viewer votes,

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Melvin and Jeannette. This weekly's Movie Week and the stars are lining

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up to tell us all about their latest blockbuster. Who was your

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inspiration? Elizabeth Taylor... Well, Liz. How did you prepare for

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the role? I did a lot of fishing. Spending quite a lot of time with my

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toy panda. I asked for a skinny try mocha Geno. I imagine myself as a

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monkey. Silly sausage, silly sausage. What can we expect? I wait

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I perform, I am. Oscars. Right, let's have a look at this...

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APPLAUSE CHEERING

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Lights, camera, action, it's Movie Week

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Hello and welcome to Strictly Come Dancing -

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A big thank you to our celebrities and professional dancers for that

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brilliant routine to some classic songs from

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As always, we're coming to you live from Elstree studios

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A place where many classic movies have been made.

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Star Wars, Indiana Jones and the Kings Speech.

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And tonight we'll be making a blockbuster

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of our own so expect action, drama and romance.

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In fact - there's only one thing missing.

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Now, unfortunately there will be no sequel for Melvin Odoom, who

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last week became our first celebrity to leave the competition.

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will be dancing for survival to some of the best known movie songs

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TV presenter and singer Louise Redknapp

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Star of Judge Rinder, Robert Rinder,

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Actress Lesley Joseph and her partner Anton du Beke.

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Olympic gymnast Claudia Fragapane and her partner AJ Pritchard.

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BBC sports presenter Ore Oduba and his partner Joanne Clifton.

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Model Daisy Lowe and her partner Aljaz Skorjanec.

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Actor and pop star Will Young and his partner Karen Clifton.

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From BBC breakfast, Naga Munchetty,

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World champion long jumper Greg Rutherford

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EastEnders star Tameka Empson and her partner Gorka Marquez.

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TV host Laura Whitmore and her partner Giovanni Pernice.

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Actor Danny Mac and his partner Oti Mabuse.

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Singer Anastacia and her partner Brendan Cole.

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APPLAUSE CHEERING

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What a line up - our stellar cast of 14 stars.

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They'd light up any red carpet and tonight they're all hoping

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Remember you will be able to vote for your favourite later tonight.

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Your votes will be added to the judges' scores to decide

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which two couples will face the Dance Off in tomorrow

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So let's get started - Opening the show tonight

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is is Daisy Lowe and her partner Aljaz Skorjanec.

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APPLAUSE CHEERING

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This week Daisy's doing a Quickstep to "A Spoonful

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of Sugar" from Mary Poppins - and if the last two weeks

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are anything to go by, this routine could be

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It was the first elimination week, how did you find Saturday night? I

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was so scared, but when I got to dancing I actually really enjoyed

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it. Got a little bone to pick with you. We did an illegal lift. Both

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feet came off the ground, that was the ground. He's right, we did it.

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This week Daisy at Aljaz are dancing the quick step to a song for Mary

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Poppins. I got you a present so we can get into character. Thank you.

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You're welcome, Mary Poppins. I hope your choreography is better than

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your Dick Van Dyke. It really messy... Lets see if this Mary

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Poppins thing really works. The quickstep as a dance is so fast,

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there are so many steps. I lost it completely. But it is really fun.

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Mary Poppins has magical powers. But for Daisy I want to take those

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magical powers and put them into dancing powers. Good... I'm good.

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I've had such a giggle learning the quickstep I hope it'll be all right

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on the night. It's going to be practically perfect every way.

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Dancing the Quickstep from the movie Mary Poppins,

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APPLAUSE CHEERING

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Yes! Well done, Daisy at Aljaz. You make the perfect Mary Poppins.

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While you two catch your breath let's

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welcome our fabulous live singers Hayley, Lance, Andrea,

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Tommy and of course Dave Arch and his brilliant orchestra.

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Well done, what an opener. Is Daisy proving to be consistent? She

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certainly is. I've got to say, you pulled a lot of stuff out of that

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bag and you pulled out all the stops on that quickstep. You really did.

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In the quickstep you look for three things, hold, posture, movement.

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Lovely hold, great posture, and gorgeous movement down the floor.

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Well done. CHEERING Round the whole floor. Bruno. I

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think Tess got it right earlier on. Supercalifragilisticexpialidocious

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Daisy! It had such a supreme elegance. It's like Mary Poppins

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that has been redesigned by Christian Dior. Beautiful to look

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at. And so light on your feet, like you were floating on air. It sent me

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on cloud nine. Wonderful. How about you, Craig? I thought the charleston

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section is needed to be a little more precise and delivered with a

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lighter touch, I thought they were a little bit heavy. BOOING

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. Your left shoulder was raised by millimetres, twice. I thought you

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followed Aljaz's lead brilliantly and you danced so well together.

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Wonderful to see. I love it when he ends on a positive. It was the

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neatest footwork I've seen. To be liked and dainty and have long

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limbs, when you are tall like you, it's not easy. It was incredibly

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impressive. One tiny correction, your upper body could be slightly

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more taut. More core strength. It'll only condiment your top line.

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Beautiful work. Practically perfect in every way. In

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every way. Thank you, Daisy. Come on, Mary. CHEERING

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Well done. You adored being Mary Poppins. I did, I really loved it.

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Darcey said incredibly impressive. You worked so hard to get that

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perfect footwork. Really hard. It's a really hard, fast routine,

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quickstep is always tough. To go out first. Brilliant. Well done, Mary.

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Scores are in. Ladies and Ferman, the judges have their scores. Craig

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Revel Horwood. Seven. Darcey Bussell. Eight. Len Goodman. Eight.

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Bruno Tonioli. Eight. Won more than last week. What's so cute is

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watching you when Craig gave you a seven. You were both like, that's

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fine. If you thought that routine was more fun than flying a kite you

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can vote for Daisy and Aljaz when voting opens at the end of the show.

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All of the details are on the screen now. Terms and conditions time.

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Calls cost... Old honours again, this is Movie Week, this is a job

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for voice-over man. Calls cost 15p plus any network

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access charge and please ask You can vote online for free

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at bbc.co.uk/strictly, where you will also find

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Terms and Conditions. Voting won't open until all our

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couples have danced. Your vote won't count

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and you may still be charged. No one wants to leave

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the competition, but with the lowest combined judges

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score and viewer votes Our next couple is Anastacia

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and Brendan Cole. After suffering

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an injury last week Anastacia was unable to perform

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in the dance-off. But we all know she's a real fighter

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and she's back this week - and raring to go, with

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a Viennese Waltz from Twilight. Last Saturday was so hard because I

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had injured myself. It was haphazard. We decided to

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change because of the injuries. I was disappointed. The pain was so

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bad and I was in the bottom two. Anastacia and Brendan cannot perform

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again. There will be no dance. The couple with the fewest number of

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votes will be leaving. I remember thinking, thank you for giving me

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this opportunity, universe. We are still here, so well done you.

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Anastacia has come to her specialist to find out how her injury will

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impact on her dancing. The verdict is better than I thought so I am

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going to continue. The couple head straight to the training room and

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get cracking on varied team. I want to focus on the soft Anastacia. We

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are doing a song from the Twilight movie. The sun itself melts me. I

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look forward to a beautiful dance which this one is. I am very excited

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about dancing to this on Saturday. CHEERING

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Dancing the Viennese Waltz from the Twilight movie,

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Anastacia, well done, darling. How are you? Good, very good. You look

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beautiful. That is what I call a love story, packed full of romance.

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And your first ballroom? My first ever. Ballroom is very beautiful.

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Lets see if Bruno agrees. It was very, very nice, my darling. Very

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sweet, it was very simple. Very correct. Brendan guided you

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beautifully. You have to be careful... It is the mint, I'm

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sorry. You have to make sure you don't lose your balance. You have to

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go out of the... Sorry, Len! You nearly had his eye out. Any moment

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of unsteadiness. Very proper. The shoulders were slightly up,

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especially through the pivots. Bruno was right, you were losing balance

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going into the turns. Out of turns, I was hoping it would be a little

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bit smoother. But I have to say, you have come back with an enormous

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sense of confidence, and I think that... Darcey, darling. It had a

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beautiful quality from beginning to end. I think people forget that the

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DNA use is very difficult. Constantly turning and having to

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find your focus and then do the transition and change, that is

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difficult to learn especially when you have lights flashing in your

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face. You have a beautiful neck and shoulders and I think you could work

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that and really indulge in your top line. But very nice, very nice. Len.

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It was quiet, understated and it had a class about it. I thought a lovely

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rotation. I am glad you're better and I am glad you are dancing

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better. Lovely! Feeling better and dancing better. Thank you,

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Anastacia. Go and get your schools, Anastacia and Brendan! Come on, up

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you come! Good girl, very well done. We have

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not seen this Anastacia. I haven't either. Was that a shock? It is very

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feminine. I know I am a girl but I did not really realise until today!

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You worked incredibly hard. It has been a very big week and we got

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really involved in the story of that which really helps, especially in

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Movie Week. People know at home what you are trying to be. Very well

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done, the scores R.N.. -- R.N.. Five more than last week,

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congratulations to both of you. If you liked that routine,

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you don't have to wait A Thousand Years to vote for them,

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but you do have to wait until voting opens at

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the end of the show. All the details are

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on your screen now. Don't forget, if you want to vote

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online you'll need to sign in I love saying that stuff. It is

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thrilling for me. Tests. Our next couple is Danny Mac

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and his partner Oti Mabuse. Last week, Danny's Viennese

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Waltz saw him joint top This week he's doing

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a Paso Doble as Zorro. But the question is -

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can this legendary outlaw, Saturday night was brilliant. I

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really, really enjoyed doing it. You are a fantastic dancer, you really

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are. Being joint top of the Leader Board is pretty incredible. We have

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made it through to week three, I cannot wait, let's smash it. This

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week we are doing the paso doble. The theme is really cool. I am going

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to be Zorro. Danny and Oti head to the armoury of Hampton Court Palace

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to learn some fencing skills. Today we are going to give you a taster of

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Olympic fencing. I will teach you how to hit, how to attack and then I

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will teach you how to defend. Perfect. Danny was actually really,

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really good at fencing. I took to it really well. Wreath let's see. I

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think Zorro would take you one. I started kind but in the end,

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obviously won. I feel totally ready for the paso doble. Let's just hope

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I'd then get zero. Dancing the Paso Doble

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from the movie The Mask of Zorro, MUSIC: The Train /

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El Sombrero Blanco Danny and Oti bringing the house

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down! I think they enjoyed it! Hopefully. Very humble. Any fans

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might be disappointed that now they get to see that lovely face. How

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much did you enjoy that? It was amazing. We work hard all week but

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the guys in make up and costume are smashing it. They have a busy week.

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Craig, Danny was joint top last week, has he done enough to keep the

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competition at bay? Timing, shaping, the lines were all excellent. It was

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a very strong, skilful virtuoso performance. Absolutely wonderful.

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Darcey? I have to say the body shaping was so impressive. For a guy

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to get the curves, the Tuck, I thought with the amount of moves, I

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thought it was going to be too much for you, but you were able to create

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a pause with every move. You were able to fix those positions. Four

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week three, this is amazing. I Len is grinning from ear to ear. Here he

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comes, the swashbuckling performance, a beautiful mix of

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artistry and power and coming you have pleased me, you have cheered me

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up. You did one of my favourite little steps. It was great. I have

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never seen him smile. Bruno? He is Danny Banderas, the sharpest blade

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in the land! Carlos Acosta when he comes down, what you did, was

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everything the paso doble should be, but one thing that I really see --

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rarely see is how much flamenco you put in, and it was interwoven so

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beautifully, it was just everything I like about paso doble. Ole! They

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thought that was just the ticket. Well done.

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Danny and O2. Craig has never used the word excellent in week three

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before. I thought Janette's head was going to shoot off her shoulders.

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How do you do that? I'm happy with that. So happy. Well done. Scores

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Irene. Craig Revel Horwood. Nine. Darcey Bussell. Nine. Len Goodman.

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Seven macro eight... Nine! Bruno Tonioli. Nine. CHEERING

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That is the highest score of this series by a long shot. Amazing. You

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know what? It makes the hard work worthwhile. Your fiance is here, so

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cute. Cheering me on, and my mum. Your mummy dressed as Zorro. Why I

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make up, it's perfect. If you dont want Danny to leave

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with Oti and get his coati, then vote for them when voting opens

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after all our couples have danced. All the details are

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on your screen now. Still to come, Mission Impossible,

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the Flintstones and Moulin Rouge. Right now it's Lesley Joseph

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and her partner Anton Du Beke. They're dancing a quickstep

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to a song from the film Easter Parade and they're taking

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on the roles made famous I know it's Movie Week guys,

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but you could have smartened You were marvellous Saturday night,

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did you enjoy it? I loved it them it was great, glad I got all the steps

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right. Your seat, GG, flirty, fun. Try to control that. Better marks

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than the week before. This week we're going to get more again. One

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of my favourite weeks, Movie Week, we've got a cracking movie, we are

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doing Easter Parade. And it's the quickstep. What I want to do this

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week is absolutely nail it. Posture wise. I know what I'm working on,

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and needs to work on his flexibility. He got it wrong. I got

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it different, I never get it wrong. Wanting Anton to stretch himself

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Lesley takes matters into her own hands with some yoga. Well, I'm

:32:32.:32:40.

here. Go and get changed. I am changed, I put my jacket on

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specially. I can't do yoga in a suit. You can't do yoga in a suit. I

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can. How did you get your legs like that? You didn't say stop, I just

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twisted. What are you doing? I think it's really helping. I was trying to

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get more flexibility into Anton. He is more flexible than I am. Let me

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show you some steps. Forward, step...

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Dancing the Quickstep from the movie Easter Parade,

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APPLAUSE CHEERING

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That's entertainment. I went wrong. You didn't. You once different. No

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wardrobe malfunctions to worry about. You're so fit, giving Anton a

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run for his money. Not now, my goodness stop you cover the entire

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floor. All that comedy, must have been in your element. We know she

:35:25.:35:29.

can act. Can she dance, can she breathe? After all that I would have

:35:30.:35:35.

thought you'd be on the floor out of it. You are fit! That was such a

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treat, Lesley, it was spirited, it was fabulously cheeky, the character

:35:47.:35:50.

came alive. You gave us this beautiful, you know, plenty of dance

:35:51.:35:54.

content all the way through. There was only times where you're

:35:55.:36:00.

travelling too much for you to keep up and that is where the technique

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gets loose. Maybe you're pushing her a bit, too. So many beautiful

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moments. I loved the quirky bits where you spring up. Such a gorgeous

:36:09.:36:12.

surprise, I loved it. Gorgeous surprise. Len. Lots of references to

:36:13.:36:20.

the film which I love, but you blended that with some proper

:36:21.:36:24.

quickstep content, which I thought was fantastic. I'm having all my

:36:25.:36:31.

joyful little steps tonight, you put a fish tail in, an old-fashioned

:36:32.:36:37.

step. I can't go into detail. Listen, you're a golden oldie from

:36:38.:36:41.

the silver screen and I thought you were great. Bruno. My darling,

:36:42.:36:50.

plenty of spring in your feet. She was going. It was going swimmingly.

:36:51.:36:57.

I loved the role-play, I loved all the quirky character you put in.

:36:58.:37:02.

What happened on that corner? Every time you went around that, you went

:37:03.:37:08.

wrong. I know. Apart from that, which I'm sure next time will be

:37:09.:37:16.

brilliant, it was wonderful. Craig. Sometimes I thought the footwork

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wasn't compact enough, losing efficiency. It was creating a little

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bit of gapping between you. The energy, got to say, and the

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characterisation, absolutely brilliant. I hope, darling, when I'm

:37:30.:37:33.

your age, 70, I can whirl around the floor like that. They know a hit

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when they see it. Thank you very much, Lesley, you're wonderful,

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Lesley and Anton. I'm so sorry I went wrong. You went different. I'm

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sorry, I knew it. CHEERING Brilliant. They loved it. As did

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you. I saw you and Zoe on it takes to talking about the love of the

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quickstep. It was magical the way you are talking about it. Why do you

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adore it so much? You fly across the floor when you get the steps right,

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you fly and floating his arms, it's lovely, I love it. You must have

:38:17.:38:22.

loved that Lennon said proper quickstep. Proper quickstep. With

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all the fun parts. -- you must have loved that Len said. I haven't had

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as much fun as I can remember. Craig Revel Horwood. Six. Darcey Bussell.

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Seven. Len Goodman. Seven. Bruno Tonioli. Seven. 27, your highest

:38:47.:38:51.

score yet. Fantastic. If you don't want to rain

:38:52.:38:53.

on their Easter Parade, all the details are on your screen

:38:54.:38:56.

now so you can vote for them when voting opens at the end

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of the show. There's still all of this to come

:39:00.:39:01.

on our Movie Special. Are you having a chat? Sorry.

:39:02.:39:12.

They've got the number, they've written it down. Still all of this

:39:13.:39:13.

to come on the movie special. I'm trying to approach this week

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with optimism and positivity but as oxer and will tell you it doesn't

:39:23.:39:25.

come naturally to me. What frustrates me with the way I learn,

:39:26.:39:30.

it falls out of my head like a sieve. It's a really fun dance. I'm

:39:31.:39:36.

doing it without shoes on and I love dancing barefoot. The American

:39:37.:39:41.

Smooth is effortless cool. And I don't do effortless and I don't do

:39:42.:39:42.

cool. Lots to look forward to. Now Daisy's finished her

:39:43.:39:47.

Mary Poppins' routine, she said Our next couple is Will Young

:39:48.:39:51.

and his partner Karen Clifton. They're dancing to the song Jai Ho

:39:52.:40:02.

from the film Slumdog Millionaire and this colourful salsa

:40:03.:40:05.

inspired by Bollywood - I confided but look what I got for

:40:06.:40:22.

you, test... -- I can't find it, but look what I got for you, Tess. Last

:40:23.:40:32.

Saturday I was a mixture of nervousness and then real

:40:33.:40:35.

excitement. I thought, this is amazing. I missed a bit of the

:40:36.:40:39.

choreography. I was disappointed. The side-by-side section you messed

:40:40.:40:46.

up entirely. Five. Five was definitely a shock, the only way is

:40:47.:40:51.

up from here. This week I'm doing a salsa with a Bollywood theme for

:40:52.:40:58.

Movie Week. Not only does he have to have all of the technical abilities

:40:59.:41:02.

for the salsa, but he also needs to remember all the details of

:41:03.:41:08.

Bollywood dance. Karen has organised a visitor today. Karen invited me

:41:09.:41:13.

here to incorporate the Bollywood aspect into their dance. Any tips

:41:14.:41:19.

you can give us? In Bollywood dance it is essential you extend your hand

:41:20.:41:23.

gestures and hand movements, show the gracing your fingers. Screwing

:41:24.:41:28.

the light bulbs. I've shown them a few steps, gone over a few of the

:41:29.:41:32.

hand gestures. They've done amazingly well, I'm so happy and I'm

:41:33.:41:38.

really rooting for Will. That was absolutely amazing! I've been really

:41:39.:41:41.

enjoying learning salsa this week, I hope I can bring a bit of Bollywood

:41:42.:41:44.

to Borehamwood this Saturday. Dancing the salsa from the movie

:41:45.:41:49.

Slumdog Millionaire, APPLAUSE

:41:50.:41:51.

CHEERING Jai Ho! A party here in Elstree.

:41:52.:43:43.

What a colourful routine. Fabulous. Did that get you in the party mood,

:43:44.:43:49.

Len? It certainly did. Listen, let me say straightaway, Will, I think

:43:50.:43:54.

you are a terrific dancer. Whatever you had to do you've come out and

:43:55.:43:59.

not only dancing great, your performance level is great. You've

:44:00.:44:02.

come here to Borehamwood to do Hollywood and we got Bollywood.

:44:03.:44:08.

Perfect. I only tell the truth everyone. For me, not enough salsa.

:44:09.:44:16.

I loved the dance, it was entertaining, it was fun, I enjoyed

:44:17.:44:19.

it, I thought your dancing was great. But it's a salsa and I would

:44:20.:44:25.

have liked a soupcon more of the salsa. I got about six or eight bars

:44:26.:44:32.

in the middle. There are 24 counts of eight of salsa into the routine.

:44:33.:44:40.

CHEERING Very nice of you to say that to me,

:44:41.:44:46.

but I must say, most of them I didn't recognise. They weren't.

:44:47.:44:52.

Probably my fault. You are the expert. Turn up, keep up and shut up

:44:53.:44:59.

is my other advice. It's only a joke, Will. It worked 15 years ago

:45:00.:45:04.

for me, I'll give it a go. He's a traditionalist, our Len. All I have

:45:05.:45:10.

to say is, hooray for Bollywood with a lovely salsa. I loved the flavour,

:45:11.:45:17.

it was exotic, uplifting, very very colourful, very joyful. And there

:45:18.:45:20.

was a lot of aspect of it that reminds me of contemporary thrown in

:45:21.:45:30.

there. I thought the whole thing was wonderful, actually. Craig. There

:45:31.:45:34.

was definitely enough salsa in there for me and I absolutely adored the

:45:35.:45:39.

mix. Very brave of you to even attempt that. You danced it really,

:45:40.:45:46.

really cleanly. The isolation in all the Red Bull stuff was absolutely

:45:47.:45:51.

brilliant. Well done. -- ripple stuff.

:45:52.:45:59.

What I noticed straightaway was how effortlessly you got Karen into

:46:00.:46:04.

those lifts. With the preparation that, I could not even see it. It

:46:05.:46:10.

was beautifully done. I loved the interesting mix of the two styles

:46:11.:46:19.

together. A big hit with the audience as well. It is well and

:46:20.:46:20.

Karen! So, Craig adored it and they thought

:46:21.:46:38.

it was great because you took an two dances and I know you love Darcey. I

:46:39.:46:43.

must say I love men as well and I did not want to come across as

:46:44.:46:49.

disrespectful cash back I really love Len as well stop he is the Don

:46:50.:47:00.

of ballroom. Thank you, the scores R.N..

:47:01.:47:21.

If you loved Will and Karen's salsa all the details are on your screen

:47:22.:47:28.

now, so you can vote for them when voting opens

:47:29.:47:30.

Still to come, Judge Rinder goes to Bedrock.

:47:31.:47:34.

Dancing next is Naga Munchetty and her partner Pasha Kovalev.

:47:35.:47:41.

Last week, Naga was challenged by her Cha Cha.

:47:42.:47:43.

This week she's doing a tango to a song from a Tom Cruise film

:47:44.:47:47.

and shes hoping that getting through to next week won't be

:47:48.:47:49.

How did you feel on Saturday? We were working on trying to feel the

:47:50.:48:05.

dance more than do the steps. Gutted about the judges' comments. All I

:48:06.:48:10.

want you to do is get the confidence. Nail the routine and

:48:11.:48:18.

then get the characters. This week it is Movie Week and we are going to

:48:19.:48:24.

be doing an amazing movie, Mission Impossible. All the Mission

:48:25.:48:35.

Impossibles. Do is fabulous. We are doing the tango. For us to nail it

:48:36.:48:38.

you have to think nothing but the tango. I want the music to follow

:48:39.:48:46.

you everywhere around. Night, Pasha, see you tomorrow. Everywhere I have

:48:47.:48:53.

gone, I have heard that theme tune to Mission Impossible. It is there

:48:54.:48:58.

when I am walking down the street, it is when I am in the supermarket.

:48:59.:49:04.

It is everywhere. It is following me around, I am sure. Pasha! I want you

:49:05.:49:11.

to practice as much as you can, it is for your own good. All this extra

:49:12.:49:17.

practice, I just hope it helps on Saturday night.

:49:18.:49:25.

Naga Munchetty and Pasha Kovalev, your mission is to dance the Tango.

:49:26.:49:28.

Come on over. Well done, the pair of you. I know it took longer than you

:49:29.:51:27.

expected to get out of that harness but you did a great job of catching

:51:28.:51:37.

up. And you look very foxy. I love the catsuit. Bruno, over to you. She

:51:38.:51:45.

definitely looks the part. She looks like a sultry, slinky, super spy.

:51:46.:51:50.

But sometimes you hit a couple of lines which are brilliant but then

:51:51.:51:53.

you seem to lose focus will stop you stumbled a little bit there. Then

:51:54.:51:59.

you go back on it and it looks great. Do you lose confidence? I

:52:00.:52:05.

wonder why. The potential is there. It seems like you are losing focus,

:52:06.:52:09.

do you know what I mean? Moment of brilliance and then link, what has

:52:10.:52:15.

gone wrong that? There she goes again. Keep confident in yourself,

:52:16.:52:20.

keep the strength going through the body all the way through believing

:52:21.:52:24.

in yourself because you have got it. Don't doubt it. I thought the

:52:25.:52:31.

footwork was very sloppy and careless and at times I thought a

:52:32.:52:37.

little bit hasty. It needed to be stronger and more extreme lines

:52:38.:52:40.

throughout. And you are not closing when you're meant to close and I

:52:41.:52:44.

think that through you off balance at times. But I have to say, I love

:52:45.:52:48.

the concept and I love the drama will stop Darcey? I think you really

:52:49.:52:58.

suit a moody spy. You have this lovely pout on your lips all the way

:52:59.:53:02.

through and the intent and drama was there from the beginning. But Bruno

:53:03.:53:07.

is right, it is the focus. I think it is with your eyes. It is very

:53:08.:53:11.

difficult when you flip around but if you can find something to focus

:53:12.:53:15.

on every time you flick back, even if it is at Pasha, when you can,

:53:16.:53:20.

that will help the balance. An incredibly difficult tango but such

:53:21.:53:29.

an improvement, really. Len? Let me say first of all, that is your best

:53:30.:53:33.

dance to date. That is the starting point. You have got to be as crisp

:53:34.:53:40.

as a Pringle when you are dancing the tango. It is sharp, right on the

:53:41.:53:47.

bottom. When you stop, you stop. A little bit was lacking and I think

:53:48.:53:53.

that you had the flexed knees which I was looking for, lovely. You got

:53:54.:53:57.

the hold nice and compact, lovely. I think you get nervous. What do I

:53:58.:54:04.

know? When it is all over and you look back, I think if anything is

:54:05.:54:07.

going to stop you, it is your nerves. You are better than you

:54:08.:54:14.

think you are and you have just got to come out and show us. Great

:54:15.:54:22.

advice. Take it on board. I will. Thank you, judges, off you go. No

:54:23.:54:33.

other and Pasha. -- Naga and Pasha. Look at you, no wood in on wires. Is

:54:34.:54:45.

Len right you don't feel confident? It is natural to feel nervous. It is

:54:46.:54:50.

something I have battled with. It is Mission Impossible! You are learning

:54:51.:54:56.

to dance but you are also learning to perform. The scores R.N.. -- the

:54:57.:55:01.

scores are in. That is your highest score yet. You

:55:02.:55:17.

must feel very proud. Very proud. If you enjoyed Naga

:55:18.:55:23.

and Pasha's tango all the details are on your screen

:55:24.:55:25.

now so you can vote for them when voting opens at the end

:55:26.:55:28.

of the show. Still to come, Ore is

:55:29.:55:30.

singing in the rain. Could be awkward, this is a

:55:31.:55:32.

dancing competition. Our next couple is Judge Rinder

:55:33.:55:35.

and his partner Oksana Platero. And for this dance Judge Rinder

:55:36.:55:39.

will be taking on the role of Fred, Yes, it's time to

:55:40.:55:45.

Meet The Flintstones. How did you feel about your

:55:46.:55:58.

performance last week? I really enjoyed it. This is the first

:55:59.:56:04.

routine where I relaxed into it and had fun. Next time you dance look at

:56:05.:56:09.

your face in the mirror, it is still quite annoying. Poor Craig. When

:56:10.:56:16.

this is finished I might take him to a happy farm. I will pull off more

:56:17.:56:24.

faces than we ever did. This week, Judge Rinder is dancing the

:56:25.:56:28.

charleston as Fred Flintstone. How did he master the character? I

:56:29.:56:35.

bought a beautiful portrait of one of the most profound characters of

:56:36.:56:39.

the 20th century. Sometimes Judge Rinder takes things just a little

:56:40.:56:45.

too seriously. Fred, I want to do justice on the night. Justice? What

:56:46.:56:54.

do you mean? I want to work out what is going on in that chiselled head

:56:55.:57:00.

of yours. You have just got to let go and enjoy your self,

:57:01.:57:11.

yabba-dabba-do! Yabba-dabba-do I have got it, hearing Fred speak to

:57:12.:57:16.

me will definitely help my dance on Saturday night.

:57:17.:57:18.

Dancing the Charleston from the movie The Flintstones,

:57:19.:57:20.

Oh, my oh my! You have rocked this studio, that is the shot. Last week

:57:21.:59:15.

Fred Astaire, this week Fred Flintstone. I missed a few steps but

:59:16.:59:24.

never mind! Hopefully nobody noticed. Craig, did you enjoyed that

:59:25.:59:32.

trip to bedrock? All those ghastly gawping facial expressions, darling,

:59:33.:59:39.

actually came into their own this week. You had a bit of a tight

:59:40.:59:45.

swivel, darling, on the left side and you missed time to the first

:59:46.:59:51.

charleston step. And also you misjudged the lift that sweeps

:59:52.:59:56.

around. You never actually stepped over the Lady's legs, sadly, but I

:59:57.:00:02.

love the energy. I loved the routine and I loved the handspring. Darcey?

:00:03.:00:11.

I love the crazy caveman as well. You are very cute as a caveman!

:00:12.:00:19.

Darcey, stop, stop! No, utterly charming. There were moments when

:00:20.:00:25.

you could do more swivel. Overall, you never fail to give us a fabulous

:00:26.:00:28.

performance. It is brilliant. Len. I'm going to give that a U

:00:29.:00:39.

certificate, you entertained, you made us all smile, but you made a

:00:40.:00:44.

few mistakes along the way. But I like your attitude. Because all of

:00:45.:00:48.

us are dancers and there's not one of us that hasn't gone out and made

:00:49.:00:52.

mistakes, and you have to say, well, it's one of those things. There were

:00:53.:00:56.

quite a few moments in there that were little bit anxious. I wouldn't

:00:57.:01:03.

worry about them, I think he's cute. He is cute, I love it. I'm so sorry,

:01:04.:01:10.

Oksana, the Strictly cares. Stand back. It was like watching Judge

:01:11.:01:18.

Neanderthals gone mental. He hammered that charleston so much

:01:19.:01:22.

that the timing went extinct. You have to keep timing my darling,

:01:23.:01:27.

performance is always good. If you lose timing you can cover it up and

:01:28.:01:31.

pick it up again. In the first half it was really out, you were making

:01:32.:01:36.

it up as you went along. But always funny and always great to watch.

:01:37.:01:40.

Always great to watch. That face was made for charleston. Judge Rinder

:01:41.:01:45.

and Oksana. We absolutely loved it, we didn't

:01:46.:02:00.

see one mistake. Darcey said utterly charming. She made you go a bit

:02:01.:02:04.

giddy. She did, I don't know what the caveman responds to it is.

:02:05.:02:14.

Darcey, Ugg. That'll do! The scores R.N..

:02:15.:02:17.

Ladies and gentlemen, the judges' scores R.N.. Craig Revel Horwood.

:02:18.:02:28.

Seven. Darcey Bussell. A cute eight. Len Goodman. Sorry, it's six. Bruno

:02:29.:02:36.

Tonioli. Six. Same score as last week. Strange scoring. Seven and

:02:37.:02:40.

eight, lovely. Let's focus on those. If you don't want this caveman

:02:41.:02:43.

to become extinct all the details are on your screen now so you can

:02:44.:02:46.

vote for them when voting opens They are pointing so you

:02:47.:02:49.

absolutely have the details. Still to come, Laura is wondering

:02:50.:02:58.

if she can do a dance Next up is Ore Oduba

:02:59.:03:01.

and his partner Joanne Clifton. This week Ore is dancing

:03:02.:03:07.

to Singing In The Rain and taking on the role

:03:08.:03:13.

made famous by Gene Kelly. Gene Kelly was a professional

:03:14.:03:16.

dancer with a lifetime's Ore is a sports presenter who's done

:03:17.:03:18.

a few weeks on Strictly. How cool was that Europe and the

:03:19.:03:33.

whole show? I absolutely loved it, it was a real pleasure. It was nerve

:03:34.:03:37.

wracking but it was amazing at the same time. Forget the fire

:03:38.:03:41.

extinguisher, you need to get out the water cannon to cool down after

:03:42.:03:48.

this. So saucy, you are. I'm very proud of you. Thanks, coach. The

:03:49.:03:54.

song we are dancing to for Movie Week is Singing in the Rain by the

:03:55.:03:59.

legendary Gene Kelly. How I'm going to be effortlessly cool I have no

:04:00.:04:04.

idea. I really need you to get dancing in the rain. I need to

:04:05.:04:08.

channel my inner Gene Kelly, this is impossible, we can't do it. Not to

:04:09.:04:10.

fear. Joe has an idea. Why are we here dressed like this?

:04:11.:04:21.

We are dancing to singing in the rain, I want you to practice dancing

:04:22.:04:27.

in the rain. But there is no rain. OK, that's cool. Something about

:04:28.:04:34.

dancing in water gives you this wanton abandon. It's been such fun

:04:35.:04:41.

bringing Ore to the Olympic Park he's such a laugh, he's up for

:04:42.:04:45.

anything. All we can do now is hope our Americans move goes down a storm

:04:46.:04:49.

on Saturday night. Twitch American Smooth.

:04:50.:04:52.

Dancing the American Smooth from the movie Singin' In The Rain,

:04:53.:04:54.

MUSIC: Singin' In The Rain wonderful. Standing ovation, Ore. Is

:04:55.:07:02.

that a little tear? No, it's just the rain. In your eyes. All of that

:07:03.:07:09.

umbrella choreography, the one-handed catch, brilliant. How was

:07:10.:07:13.

it a step into Gene Kelly's shoes? Pressure, lots of pressure.

:07:14.:07:17.

Incredible job, let's see if you gave the judges a glorious feeling.

:07:18.:07:21.

You certainly captured the sophistication of that dance. I

:07:22.:07:27.

yam... You took my breath away I have to say. Beautifully

:07:28.:07:36.

choreographed. I loved. Ore, your timing is brilliant. And the

:07:37.:07:41.

physical attributes you have are identical to Gene Kelly. It's

:07:42.:07:48.

perfect. Really. What I think is incredibly difficult, all of that

:07:49.:07:53.

physicality you put into it and then you are able to slow it down and

:07:54.:07:57.

control it at the very end, which is not easy. CHEERING

:07:58.:08:03.

That dance is your best danced so far.

:08:04.:08:12.

OK. Sorry. That's all right. Len. I have to agree regarding the routine,

:08:13.:08:25.

Jo, I thought the routine was fantastic. Ore you interpret it

:08:26.:08:32.

fantastically. When I heard it was Singing in the Rain, it's so

:08:33.:08:35.

difficult to give a dance like that, which everyone knows, to give it,

:08:36.:08:39.

you know, to justify it and give it a twist. But you did. And lots of

:08:40.:08:44.

Foxtrot references going through it. I'm astounded how good that was.

:08:45.:08:52.

I'm going to cry! Bruno. I think Gene Kelly himself would be proud

:08:53.:09:02.

because you took... What happened here, you took all the right

:09:03.:09:08.

references but then you gave your own personality, you shone through

:09:09.:09:12.

it. You weren't giving a parody of Gene Kelly, it was you all the time,

:09:13.:09:19.

dancing as well. Bringing your own character. Down to the twinkle in

:09:20.:09:22.

your eye, down to every little nuance. Credit to you for such

:09:23.:09:32.

splendid choreography. Critical acclaim from the judges. It's OK,

:09:33.:09:39.

I'm fine. Craig. I thought you were leaning over Jo... Shut up! You

:09:40.:09:47.

could have been on your toes more, especially on the stairs. I thought

:09:48.:09:52.

the routine was absolutely outstanding. A proper, proper

:09:53.:10:03.

showman. Thank you, judges, you dry off upstairs. And your little eyes,

:10:04.:10:06.

too. CHEERING

:10:07.:10:25.

Well done. Well done to you. I mean, Ore, I wanted to zoom down and

:10:26.:10:29.

cuddle you. It's a lot to take you're a sports presenter, you've

:10:30.:10:32.

never danced, and they haven't gushed like for years. Stop bashing.

:10:33.:10:36.

I didn't mean it like that. ! Gushing. It's an emotional week

:10:37.:10:43.

because I know how much Jo loves this song and style love dance. I

:10:44.:10:49.

wanted to make you proud. I think I did. You really did. Ladies and

:10:50.:10:56.

gentlemen, the judges have their score. Craig Revel Horwood. Eight.

:10:57.:11:04.

Darcey Bussell. A classy nine. Len Goodman. Nine! Bruno Tonioli. Nine.

:11:05.:11:18.

That is your highest score by miles. You're crying, Jo's Ryan. I might

:11:19.:11:23.

also... Are you over the moon? It's a big deal. -- Jo's crying. I love

:11:24.:11:35.

Tameka, Tameka's also crying. No, no, no. This is week three, guys,

:11:36.:11:43.

just imagine. If Singing In The Rain had

:11:44.:11:44.

you cheering on your sofa, and you want to see Ore and Joanne

:11:45.:11:47.

again next week, then vote for them. All the details are on your screen

:11:48.:11:51.

now and voting opens at the end It's the transformation of dances,

:11:52.:12:08.

there's nothing similar apart from keeping in time to the music. It's

:12:09.:12:15.

fiery, it's feisty. And it's very, very different from last week. We've

:12:16.:12:21.

been working a lot on technique. We need to be on point with these

:12:22.:12:25.

things. Sorry! I love doing routine that make you huff and puff, I

:12:26.:12:28.

haven't felt like that since the Olympics. The dream hasn't stopped

:12:29.:12:34.

for me yet. More costumes, more dances. With this dance I'm totally

:12:35.:12:39.

outside my comfort zone, this is way beyond what I was expecting.

:12:40.:12:43.

Especially Claudia's Bugsy Malone routine.

:12:44.:12:46.

They're using custard pies made with real cream.

:12:47.:12:48.

I'm hoping they'll have some spare we might be able to reach.

:12:49.:12:53.

Dancing next is Laura Whitmore and her partner Giovanni Pernice.

:12:54.:13:14.

Last week's waltz saw them riding high on the Leaderboard.

:13:15.:13:16.

And Laura was so happy she's been swinging from the rooftops all week.

:13:17.:13:21.

She hasn't come back down yet. Saturday night you were absolutely

:13:22.:13:34.

fantastic. Such sophistication, demure. And yet it had such a

:13:35.:13:41.

sizzling passionate intensity. Excellent. Absolutely gorgeous, that

:13:42.:13:44.

routine. Gorgeous! Every week I'm trying to learn a bit

:13:45.:13:52.

more, to improve on the first week was really nice. This week we are

:13:53.:13:56.

dancing a salsa. The song is from the movie Moulin Rouge. Salsa is

:13:57.:14:04.

very different to last week. Very fast. Lots of lists. And it hurts. I

:14:05.:14:13.

miss the wall. Hours salsa is not just about the I want a spectacular,

:14:14.:14:18.

spectacular beginning. What about flying? In order to fulfil

:14:19.:14:25.

Giovanni's vision, they had to the studio to practice their big

:14:26.:14:29.

entrance. It's high. Can we go higher? Before I even get the dance,

:14:30.:14:34.

I have to get down to their, unhook myself, get down the stairs. I'm not

:14:35.:14:39.

going to lie to you, I'm not feeling the most confident at the moment.

:14:40.:14:43.

I'm going to try and make it look as elegant as possible but in my head

:14:44.:14:46.

all I'm going to think is, please don't fall over.

:14:47.:14:50.

Dancing the salsa from the movie Moulin Rouge,

:14:51.:14:52.

Oh, my goodness! You reached new heights there, my love! That lift at

:14:53.:16:54.

the end, you must have been terrified. The first one, the last

:16:55.:17:00.

one, all of them. Did they turn the Moulin Rouge red-hot? It was a

:17:01.:17:06.

little bit on the raunchy side for me! What are you doing? It is not

:17:07.:17:18.

your turn yet, Bruno? Bruno does like the raunchy. And I am not a big

:17:19.:17:31.

punter for it. Give over. But what I like, first, let me say URA to refit

:17:32.:17:39.

dancer. -- you are a terrific dancer. You have come out and you're

:17:40.:17:45.

going for it and in going for that dance, I know the salsa is a fast

:17:46.:17:49.

dance but it has to have elements of finesse about it and they were

:17:50.:17:52.

lacking occasionally. You are going into the lists and the little

:17:53.:17:57.

moments, but as I said, you are a great dancer, you will be here for

:17:58.:18:05.

ages. Go on, Bruno, your turn! I am telling you, the showgirl has

:18:06.:18:18.

va-va-voom coming out of every pore! You bring the dead back to life!

:18:19.:18:23.

This was the hottest, sexiest, everything that I like. You look

:18:24.:18:29.

stunning, your energy was fantastic. I was gobsmacked! Craig? I thought

:18:30.:18:38.

you through little bit too much of everything into it and lost a little

:18:39.:18:43.

bit of control. It did look entirely natural on you at times. You need to

:18:44.:18:49.

knock out when you do the shoulder lift. I saw your body go down and

:18:50.:18:55.

then you remembered to lock out. But I loved the series of spins. Very

:18:56.:19:04.

impressive. Darcey? You meant business, you certainly did. You

:19:05.:19:09.

came on that floor and you sold it. You were popping isolations in every

:19:10.:19:16.

step. It was really impressive. But otherwise, there were moments of

:19:17.:19:19.

dysfunction. More the preparations to your lifts. They got to look

:19:20.:19:24.

rather ungainly. If you I am both out you will have a finished

:19:25.:19:29.

performance but not bad for week three. Not bad for week three. Well

:19:30.:19:32.

done, my love. Head up to Claudia. Laura, Giovanni! My favourite thing

:19:33.:19:56.

all through it was you saying I miss the waltz! Len said you were a

:19:57.:20:04.

terrific dancer. That means a lot. And it also means a lot to your mum.

:20:05.:20:09.

There she is! The scores are in. Nine! Give it to me! Well done,

:20:10.:20:29.

Giovanni. If you enjoyed seeing an Irish girl

:20:30.:20:39.

do a Cuban dance with an Italian man in a French nightclub,

:20:40.:20:43.

all the details are on your screen now so you can vote for them

:20:44.:20:46.

when voting opens at the end Still to come, Claudia and AJ

:20:47.:20:49.

are playing 13-year-old kids. Dancing next on our Movie Week

:20:50.:20:52.

special is Greg Rutherford Last week Greg was criticized

:20:53.:20:57.

by the judges for doing his tango Tonight he's doing an American

:20:58.:21:03.

Smooth and he's determined to have it tucked in,

:21:04.:21:07.

no ifs and definitely no butts. How did you feel about last week's

:21:08.:21:24.

show? The overriding comment was not about the dancing as such but about

:21:25.:21:32.

my bum. Your bum sticks out. You have got a big bump. In your

:21:33.:21:36.

ballroom, tuck it under. This week we will have to keep it under

:21:37.:21:43.

control. The dance this week is the American Smooth. I love the American

:21:44.:21:48.

Smooth. I love the elegance, the drive, the lifts. This week we have

:21:49.:21:54.

the best theme. It is Robin Herd, everything I do, I do it for you --

:21:55.:22:02.

robin hood. To get you into the mood, I have brought you this!

:22:03.:22:16.

Brilliant. How do I look? Perfect. Greg is such a natural archer. He is

:22:17.:22:21.

unbelievable. This hat is staying on. It is an incredible hat. I feel

:22:22.:22:31.

like I am Robin Hood. Tens across the board, I will settle for that. I

:22:32.:22:37.

hope I can hit some high scores on Saturday night.

:22:38.:22:39.

Dancing the American Smooth from the movie Robin Hood:

:22:40.:22:41.

Prince of Thieves, Greg Rutherford and Natalie Lowe.

:22:42.:22:50.

Beautiful! Beautiful American Smooth. They are on their feet in

:22:51.:24:46.

the studio. Everyone is all of a quiver. OK, Natalie? Is that a

:24:47.:24:57.

little tear. First dancing, now acting, he is a natural. Bruno, did

:24:58.:25:03.

that do it for you? For get about Prince Of Thieves, you are Prince

:25:04.:25:08.

Charming! The connection between you two tonight was absolutely wonderful

:25:09.:25:13.

to watch. I do it know how you taught him being a girl to lead so

:25:14.:25:19.

well. At no time I felt that you were actually pushing him, he was

:25:20.:25:24.

taking control of the situation, guiding you beautifully. It was just

:25:25.:25:28.

wonderful and your strength, I thought that last lift! But I have

:25:29.:25:38.

to say, I was so pleasantly surprised at how well you do, Greg.

:25:39.:25:46.

Beautiful. Craig? It lacked form at a little bit of swing and sway and

:25:47.:25:50.

that is the only thing that would have given it a little bit more

:25:51.:25:58.

style. But I have to say, you're storytelling throughout that, both

:25:59.:26:03.

of you, was gorgeous. An entrancing partnership. I love this

:26:04.:26:10.

partnership, I really do. Darcey? It was a beautiful smooth quality,

:26:11.:26:15.

every time you came in to hold, it was stunning. Even with all that

:26:16.:26:22.

leather run, I couldn't see your bottom or anything else. There is a

:26:23.:26:26.

lovely story being told all the way through. Even with those impressive

:26:27.:26:32.

lifts which were incredibly impressive, they just didn't have

:26:33.:26:36.

the same quality as the rest of the dance for me. I would have loved

:26:37.:26:40.

them not to have had that power and I think the quality would have been

:26:41.:26:44.

smoother all the way through. Both of you are very strong dancers, very

:26:45.:26:50.

athletic. You were like a rocket nearly. If you could just calm that

:26:51.:26:55.

down then you will have a great finished performance. But you up

:26:56.:27:02.

your game every week, you really do. Len? There was lovely chemistry, I

:27:03.:27:08.

love the air of romance. There was the right amount of stuff in hold

:27:09.:27:13.

and out of hold. I don't know if it is that doublet or liberty bodice

:27:14.:27:20.

but no sign of a bum! It was a ball side, well done! Ball fly! He has

:27:21.:27:26.

hit the target with the judges and the audience -- bulls eye.

:27:27.:27:43.

Your fellow dancers are all so proud of you. Did you enjoy that more than

:27:44.:27:52.

the tango? So much. This week has been incredible. Natalie has been so

:27:53.:27:56.

incredibly patient with me. Tuesday was not going well at all but we

:27:57.:28:03.

turned it around. Very well done. The scores are in. Ladies and

:28:04.:28:07.

gentlemen, the judges have their scores.

:28:08.:28:22.

You look so happy, Natalie, well done!

:28:23.:28:26.

If you enjoyed Greg playing an Archer, the Robin Hood variety,

:28:27.:28:29.

not one from Radio 4, then all the details

:28:30.:28:31.

are on your screen now so you can vote for them when voting opens

:28:32.:28:34.

If you want to vote online, don't forget to sign in or register

:28:35.:28:39.

Next up is Claudia Fragapane and her partner AJ Pritchard.

:28:40.:28:45.

They're doing a charleston to a song from Bugsy Malone, the movie famous

:28:46.:28:48.

I think I'll make myself scarce, this could get messy.

:28:49.:29:04.

Last Saturday was the waltz. It was amazing. I really enjoyed myself out

:29:05.:29:12.

there. Light of my life? You lit up this ballroom! I was a bit

:29:13.:29:20.

disappointed when I got a six from Craig. ... He will of the

:29:21.:29:28.

charleston. He can give us a ten. We have had some good charlestons on

:29:29.:29:32.

Strictly so far but ours will be the best. We have been working really

:29:33.:29:39.

hard in training but now it is time to have some fun. We are recreating

:29:40.:29:44.

a custard pie fight. Those kids in the film are so cheeky and you have

:29:45.:29:47.

to be super cheeky just like them! Hopefully Claudia has had fun

:29:48.:30:04.

throwing these pies in my face and hopefully the audience will enjoy it

:30:05.:30:10.

as much as this. Let's hope AJ does not take my pranks too seriously.

:30:11.:30:18.

AJ! Dancing the charleston from the movie Bugsy Malone, Claudia

:30:19.:30:26.

Fragapane and AJ Pritchard. CHEERING

:30:27.:32:09.

APPLAUSE .

:32:10.:32:17.

For AJ! Did you get a little bit, Darcey? Come here, my darling, can

:32:18.:32:26.

you see? For AJ, all that training, look how she repays you. Oh my

:32:27.:32:31.

goodness, you brought the house down here tonight. It was the nominal. I

:32:32.:32:37.

apologise. Are you all right, judges? You have tissues. He told me

:32:38.:32:47.

to hit it hard. It's his fault. There are more custard pies, Craig,

:32:48.:32:52.

it's your turn. Technically I have to say that was absolutely

:32:53.:32:59.

brilliant. CHEERING That is worth a custard pie in the

:33:00.:33:05.

face. Darcey. Even the speed didn't affect you, it was made for you.

:33:06.:33:18.

Absolutely outstanding. Len. What a marvellous combination, there was

:33:19.:33:22.

clever choreography, slick tricks, and slapstick. I think even the cake

:33:23.:33:29.

was made by Paul Hollywood. As we are at the movies. Well done. No

:33:30.:33:36.

soggy bottoms around here. You went off like a rocket. You're an amazing

:33:37.:33:42.

dancer. What I really love it, I'm seeing you act. You act beautifully.

:33:43.:33:47.

You really are a double threat, my darling. Love it. A blockbuster,

:33:48.:33:54.

outstanding. Thank you, judges. Get yourselves cleaned off, AJ. Well

:33:55.:33:55.

done. You look divine. She went for it.

:33:56.:34:19.

You were so cute, you said committee told me to do it fast. Let's take

:34:20.:34:24.

some of that. You must have been so happy with those comments as well.

:34:25.:34:28.

So happy, can't believe them, I've got such an incredible teacher. He's

:34:29.:34:33.

quite a hard task master, isn't it? Just wipe it on me. I'm washing it.

:34:34.:34:41.

It was fantastic. The scores are in. Craig Revel Horwood. Nine. Darcey

:34:42.:34:54.

Bussell. Nine. Len Goodman. Nine. And Bruno Tonioli. Nine. CHEERING

:34:55.:35:04.

APPLAUSE Well done for me you haven't got

:35:05.:35:08.

higher than a six from Craig, must feel fantastic. Joint top leader on

:35:09.:35:10.

the Leader Board. If you If you loved Claudia and AJ,

:35:11.:35:13.

all the details are on your screen now so you can vote for them

:35:14.:35:16.

when voting opens at look at you! Still to come, I'm only

:35:17.:35:26.

going to say this once, Ed Balls. Samba. Oh, yeah.

:35:27.:35:28.

Our next couple is Tameka Empson and her partner Gorka Marquez.

:35:29.:35:32.

As it's Movie Week all our celebrities are getting

:35:33.:35:34.

And that should be no problem for Tameka.

:35:35.:35:38.

She's already won an award for her acting this week.

:35:39.:35:47.

Last week with the charleston was great, the moment it started I just

:35:48.:35:55.

felt I was in a silent movie. I absolutely love your character, you

:35:56.:35:56.

just set the scene perfectly. I hated waiting for the result.

:35:57.:36:07.

Tameka and Gorka. That was such a relief. The dream still goes on.

:36:08.:36:14.

This week for Movie Week I will be performing the tango. It's fast,

:36:15.:36:18.

it's serious, and I'm going to have to really work at this one. Having

:36:19.:36:21.

been nominated for an inside soap award for her work on EastEnders,

:36:22.:36:24.

Tameka and Gorka hit the red carpet. This week is Movie Week and I've

:36:25.:36:34.

brought Gorka here to the Oscars of the soap world. It's time to present

:36:35.:36:39.

the award for funniest female. Quick stabbing her way to victory it is

:36:40.:36:45.

Tameka Empson from EastEnders. Thank you very much for this award, it

:36:46.:36:49.

means a lot. And of course, keep dancing! When I'm with Tameka it's

:36:50.:36:55.

amazing on the red carpet everyone was like, Tameka, Tameka. Crazy. I'm

:36:56.:37:00.

glad I won this award. Now I'm hoping this will motivate me

:37:01.:37:05.

Saturday night. LAUGHTER Thank you.

:37:06.:37:09.

Dancing the Tango from the movie Beverly Hills Cop,

:37:10.:37:11.

Tameka and Gorka. The heat was definitely an! You look good in

:37:12.:39:13.

uniform. Thank you. What you think Darcey? I have to say, you take the

:39:14.:39:18.

job seriously. The intent, the attack, the drama, the focus your

:39:19.:39:23.

eyes was great. I think you even felt scared, didn't you?

:39:24.:39:28.

Occasionally. There were only moment I would have loved it to be crisper,

:39:29.:39:33.

more clipped, each transition. Each change in the move. If you could get

:39:34.:39:41.

that crisper change and turn. Fix that top line. But really, as a

:39:42.:39:50.

whole, it was a great, great dams. You have plenty of attack and intent

:39:51.:39:55.

and focus. The thing that distracted for me was your past year. You've

:39:56.:40:00.

got to try and just left, lift up that rib cage. Lifted to shift it.

:40:01.:40:06.

Then... That's what you've got to do. Little bit over the top. But

:40:07.:40:15.

well done. No doubt who's in charge there. I've got a job to do, I'm

:40:16.:40:20.

going to do it. Nobody's going to stop me and I'm going to do it well.

:40:21.:40:24.

And that's what you did. I loved your commitment. You're like a

:40:25.:40:30.

laser-guided missile, nothing is going to stop you. I thought you

:40:31.:40:34.

were leading at times actually, she was taking over. I won't mind you

:40:35.:40:39.

looking after my street, nobody's going to mess around with that girl.

:40:40.:40:44.

I want you on my side. Just make sure the past year, you know,

:40:45.:40:48.

correct that, but I thought your performance was brilliant. Craig.

:40:49.:40:55.

Your hand position was changeable, largely due to your left elbow

:40:56.:41:00.

collapsing on occasion. You need to create more of a V shape but you

:41:01.:41:04.

covered the floor aggressively. That's a good point! Actually. I

:41:05.:41:08.

thought that part was wonderful, darling.

:41:09.:41:14.

Hello, hello, hello, hello. It was your favourite, was it? Do it, do

:41:15.:41:41.

it. You had so much fun with the charleston ULI, I don't want to be

:41:42.:41:45.

all serious. I know, it was a very hard week this week. You won an

:41:46.:41:51.

award. I won an award which is good. Thank you, thank you to those who

:41:52.:41:52.

voted. The scores are in. We'll be judges please reveal that

:41:53.:42:05.

score? Craig Revel Horwood. Six. Darcey Bussell. Seven. Len Goodman.

:42:06.:42:09.

Seven. Bruno Tonioli. Eight. If you think it would be criminal

:42:10.:42:15.

for Tameka to leave the competition all the details are on your screen

:42:16.:42:20.

now so you can vote for them when voting opens

:42:21.:42:23.

at the end of the show. Still to come, Louise

:42:24.:42:26.

is doing "fish dance". Next, hoping for rave reviews, Ed

:42:27.:42:28.

Balls and his partner Katya Jones. We saw a different

:42:29.:42:47.

side to Ed last week But after such a flamboyant

:42:48.:42:49.

routine will he be toning Not really ? he's painted his face

:42:50.:42:53.

green, he's wearing a yellow suit Can't wait! Things went brilliantly

:42:54.:43:09.

Saturday. We're a team and we were brilliant. You totally owned floor.

:43:10.:43:17.

# Because I want to be a cowboy #. That a site I don't think I ever

:43:18.:43:21.

want to see again. People are not stupid. You got a standing ovation.

:43:22.:43:29.

The public saved us this time but next week let's also try not be

:43:30.:43:32.

bottom of the Leader Board. That would great, wouldn't it? What are

:43:33.:43:37.

we doing next week? It's from the movie the mask. It is the samba. I

:43:38.:43:44.

don't really know what they samba even is. It's all about a man who

:43:45.:43:49.

finds a mask and when he put it on he becomes this wild character.

:43:50.:43:56.

Can't pull it off. When you wear this, you are not Ed Balls any more,

:43:57.:44:04.

you are the mass. -- you are The Mask. The Mask took over. Somebody

:44:05.:44:11.

stop me! I must say I was a bit traumatised. If Ed can put this much

:44:12.:44:21.

personality into his dance we'll be fine on Saturday night. Strictly!

:44:22.:44:26.

Dancing the samba from the movie The Mask,

:44:27.:44:28.

Oh, hello? Wreath you were smoking at that you sure work, Ed. Oh, my

:44:29.:47:00.

goodness me. Was that smoking, Len? What is great is the anticipation

:47:01.:47:09.

when you are coming out, what is going to happen. I have got to

:47:10.:47:20.

congratulate you. Because you haven't taken the easy option. You

:47:21.:47:26.

could easily, which we have seen before with the less talented

:47:27.:47:30.

dancers, the pro is doing everything but you have given it full routines

:47:31.:47:36.

with lots going on. And it is great to see you out there having a go.

:47:37.:47:41.

Ed, you are not the best dancer but you are definitely the most fun.

:47:42.:47:46.

CHEERING Bruno? I see the Green Party is

:47:47.:47:55.

having a resurgence, and based on that, I will join in. I mean, I am

:47:56.:48:01.

telling you, I was expecting some kind of samba dance. You could not

:48:02.:48:09.

have given more impact to that performance. All the Jim Carey

:48:10.:48:17.

phrases. That was complete lunacy and to give -- totally wonderful. I

:48:18.:48:26.

know it is crazy, but I like it! And we are all crazy. I cannot quite

:48:27.:48:32.

believe what I have just been witnessed to and I am sure the

:48:33.:48:36.

nation is with me on that, darling. I think somebody must have put

:48:37.:48:42.

something in my water. It was driven but the void, sadly, of any samba. I

:48:43.:48:52.

like that you relent wished any sort of technique associated with this

:48:53.:49:08.

dance. I thought my to Fuego was not that bad. And you started with a

:49:09.:49:18.

vault. What do you out of life? There you go! He is taking this very

:49:19.:49:31.

seriously, Ed. Darcey? 100% crazy, fabulous, I couldn't take my eyes

:49:32.:49:36.

off you. But you know what is great, you have definitely embodied the

:49:37.:49:40.

character and I want you to hold on to that for the rest of the

:49:41.:49:44.

competition. Fingers crossed. We love it. He has done it again, off

:49:45.:49:49.

you go to Claudia. Ed and Katya, we were screaming for

:49:50.:50:07.

you up here! Absolutely extraordinary. The best thing was

:50:08.:50:13.

your wife's face. She was going, I love him, this is happening. How are

:50:14.:50:19.

your kids taking this situation? It is definitely embarrassing but I

:50:20.:50:23.

have been saying all week, somebody stop me! I cannot speak! The scores

:50:24.:50:33.

are in. Ladies and gentlemen, the judges have their scores.

:50:34.:50:43.

Smoking! Seven. Bruno Tonioli. Piping! Seven. You see, it is

:50:44.:51:00.

fantastic. I can't stop staring at you. That politician in a suit,

:51:01.:51:07.

where has he gone. He has gone to party!

:51:08.:51:13.

If you want to keep Ed and Katya in the competition,

:51:14.:51:16.

all the details are on your screen now so you can vote

:51:17.:51:19.

for them when voting opens at the end of the show.

:51:20.:51:22.

Last week's Viennese Waltz saw her score 32

:51:23.:51:30.

What a feeling it must have been to be joint top of the Leaderboard.

:51:31.:51:34.

And coincidentally What A Feeling is what she's dancing to tonight.

:51:35.:51:45.

I was just so thrilled to bits about Saturday. Beautiful, absolutely

:51:46.:51:54.

beautiful. I am so proud of you. You danced really beautifully. I spotted

:51:55.:52:04.

the first fleckerl of the year. You are joint top of the Leader Board,

:52:05.:52:12.

very well done. This week, cha-cha-cha, Movie Week, we are

:52:13.:52:17.

doing Flashdance. I used to do the routine in my living room when I was

:52:18.:52:24.

12 years of age. It was my dream. Some girls like princesses. I liked

:52:25.:52:29.

a girl who was a welder who could really do some moves. We should put

:52:30.:52:35.

you in that situation. In my living room? Guess, I have got some

:52:36.:52:48.

legwarmers to help! Very proud of mum and Kevin's dancing. We think

:52:49.:52:56.

she will do well. That was fun. If I can just forget about the millions

:52:57.:53:00.

of people watching at home then I will be fine on Saturday night!

:53:01.:53:04.

Dancing the Cha Cha Cha from the movie Flashdance,

:53:05.:53:07.

What a show stopper. Come here. It from the movie Flashdance,

:53:08.:55:09.

What a show stopper. Come here. It is safe to say you past that

:55:10.:55:21.

audition. It was wonderful. Bruno? It was so good. It took me back to

:55:22.:55:27.

the 80s. I knew the steps. All the cha-cha-cha you put in was actually

:55:28.:55:32.

very good. You have such a wonderful foot placement. I love the way you

:55:33.:55:36.

caress the floor when you change position. So nice, so precise and it

:55:37.:55:43.

is good for us to see what you have got, my darling! You passed the

:55:44.:55:52.

audition and you were great! Great rhythm, great timing, you just need

:55:53.:55:56.

to watch your hip action which can be extended more. I loved the

:55:57.:56:08.

routine. Well done. Darcey? I think every time you are given a style you

:56:09.:56:12.

make the most of it and I love this because this really suits you. It is

:56:13.:56:19.

a great look, hang onto this one. You looked so much more confident

:56:20.:56:21.

and in control of it. I really enjoyed it. A beautiful smile was in

:56:22.:56:31.

place throughout. Was that a fitting finale for our movie night, Len?

:56:32.:56:36.

People there with the cha-cha-cha you have to be sharp, crisp and

:56:37.:56:41.

clean, but you have also got to show the rhythm. To get all those

:56:42.:56:46.

elements together is a tricky job but I must say you did. But may I

:56:47.:56:51.

also say, I have had a fantastic night with all of our couples. It

:56:52.:57:00.

has been fabulous! Thank you, Len. Thank you so much, judges. Go and

:57:01.:57:04.

get the party started. Thank you, Louise and Kevin!

:57:05.:57:19.

Well done to both of you. Was I right that you said earlier, I have

:57:20.:57:26.

forgotten? I forget all the time and panic and then I get out there and

:57:27.:57:33.

enjoy it. The scores are in. The judges have their scores.

:57:34.:57:49.

Are you happy. When you got that seven, you said, I'm sorry? You were

:57:50.:57:55.

fabulous. If you'd love these two to make it

:57:56.:57:58.

through to next week, all the details are on your screen

:57:59.:58:01.

now so you can vote for them when voting opens

:58:02.:58:04.

in a couple of minutes time. Everyone has made their movie week

:58:05.:58:07.

debut and it's time to look You can change all of that by

:58:08.:58:29.

picking up the phone or going online and voting for your favourite.

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And I can announce that the vote is now...

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Calls cost 15p plus any network access charge.

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Please get the bill payer's permission before you call.

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Or alternatively you can vote online for free

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at bbc.co.uk/strictly where you will also

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Please don't try to vote if you're watching On Demand.

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To help you decide, here's a reminder of

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tonight's performances and the all important vote information.

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It is Saturday night at the movies as Strictly celebrates some of the biggest films in history. We are now down to 14 couples, and every one of them has to deliver an amazing routine to a classic movie track to stay in the competition. Who will get into character and deliver award-winning performances, and who will be flops at the box office? Tess Daly and Claudia Winkleman host an evening full of sparkling moves, iconic songs and plenty of surprises.