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Last week there were successes. Fantastic. And setbacks. Anastacia | :00:09. | :00:19. | |
and Brendan cannot perform again. As we said goodbye to our first | :00:20. | :00:22. | |
celebrity. The couple with the fewest number of viewer votes, | :00:23. | :00:31. | |
Melvin and Jeannette. This weekly's Movie Week and the stars are lining | :00:32. | :00:36. | |
up to tell us all about their latest blockbuster. Who was your | :00:37. | :00:40. | |
inspiration? Elizabeth Taylor... Well, Liz. How did you prepare for | :00:41. | :00:48. | |
the role? I did a lot of fishing. Spending quite a lot of time with my | :00:49. | :00:54. | |
toy panda. I asked for a skinny try mocha Geno. I imagine myself as a | :00:55. | :00:59. | |
monkey. Silly sausage, silly sausage. What can we expect? I wait | :01:00. | :01:11. | |
I perform, I am. Oscars. Right, let's have a look at this... | :01:12. | :01:59. | |
APPLAUSE CHEERING | :02:00. | :04:37. | |
Lights, camera, action, it's Movie Week | :04:38. | :04:39. | |
Hello and welcome to Strictly Come Dancing - | :04:40. | :04:59. | |
A big thank you to our celebrities and professional dancers for that | :05:00. | :05:06. | |
brilliant routine to some classic songs from | :05:07. | :05:08. | |
As always, we're coming to you live from Elstree studios | :05:09. | :05:20. | |
A place where many classic movies have been made. | :05:21. | :05:22. | |
Star Wars, Indiana Jones and the Kings Speech. | :05:23. | :05:24. | |
And tonight we'll be making a blockbuster | :05:25. | :05:26. | |
of our own so expect action, drama and romance. | :05:27. | :05:29. | |
In fact - there's only one thing missing. | :05:30. | :05:31. | |
Now, unfortunately there will be no sequel for Melvin Odoom, who | :05:32. | :06:16. | |
last week became our first celebrity to leave the competition. | :06:17. | :06:19. | |
will be dancing for survival to some of the best known movie songs | :06:20. | :06:24. | |
TV presenter and singer Louise Redknapp | :06:25. | :06:32. | |
Star of Judge Rinder, Robert Rinder, | :06:33. | :06:38. | |
Actress Lesley Joseph and her partner Anton du Beke. | :06:39. | :06:46. | |
Olympic gymnast Claudia Fragapane and her partner AJ Pritchard. | :06:47. | :06:49. | |
BBC sports presenter Ore Oduba and his partner Joanne Clifton. | :06:50. | :06:54. | |
Model Daisy Lowe and her partner Aljaz Skorjanec. | :06:55. | :06:59. | |
Actor and pop star Will Young and his partner Karen Clifton. | :07:00. | :07:04. | |
From BBC breakfast, Naga Munchetty, | :07:05. | :07:06. | |
World champion long jumper Greg Rutherford | :07:07. | :07:10. | |
EastEnders star Tameka Empson and her partner Gorka Marquez. | :07:11. | :07:19. | |
TV host Laura Whitmore and her partner Giovanni Pernice. | :07:20. | :07:29. | |
Actor Danny Mac and his partner Oti Mabuse. | :07:30. | :07:34. | |
Singer Anastacia and her partner Brendan Cole. | :07:35. | :07:51. | |
APPLAUSE CHEERING | :07:52. | :07:53. | |
What a line up - our stellar cast of 14 stars. | :07:54. | :08:03. | |
They'd light up any red carpet and tonight they're all hoping | :08:04. | :08:06. | |
Remember you will be able to vote for your favourite later tonight. | :08:07. | :08:12. | |
Your votes will be added to the judges' scores to decide | :08:13. | :08:15. | |
which two couples will face the Dance Off in tomorrow | :08:16. | :08:17. | |
So let's get started - Opening the show tonight | :08:18. | :08:20. | |
is is Daisy Lowe and her partner Aljaz Skorjanec. | :08:21. | :08:23. | |
APPLAUSE CHEERING | :08:24. | :08:26. | |
This week Daisy's doing a Quickstep to "A Spoonful | :08:27. | :08:33. | |
of Sugar" from Mary Poppins - and if the last two weeks | :08:34. | :08:36. | |
are anything to go by, this routine could be | :08:37. | :08:38. | |
It was the first elimination week, how did you find Saturday night? I | :08:39. | :08:55. | |
was so scared, but when I got to dancing I actually really enjoyed | :08:56. | :09:00. | |
it. Got a little bone to pick with you. We did an illegal lift. Both | :09:01. | :09:05. | |
feet came off the ground, that was the ground. He's right, we did it. | :09:06. | :09:12. | |
This week Daisy at Aljaz are dancing the quick step to a song for Mary | :09:13. | :09:19. | |
Poppins. I got you a present so we can get into character. Thank you. | :09:20. | :09:26. | |
You're welcome, Mary Poppins. I hope your choreography is better than | :09:27. | :09:31. | |
your Dick Van Dyke. It really messy... Lets see if this Mary | :09:32. | :09:33. | |
Poppins thing really works. The quickstep as a dance is so fast, | :09:34. | :09:44. | |
there are so many steps. I lost it completely. But it is really fun. | :09:45. | :09:52. | |
Mary Poppins has magical powers. But for Daisy I want to take those | :09:53. | :09:54. | |
magical powers and put them into dancing powers. Good... I'm good. | :09:55. | :10:01. | |
I've had such a giggle learning the quickstep I hope it'll be all right | :10:02. | :10:06. | |
on the night. It's going to be practically perfect every way. | :10:07. | :10:09. | |
Dancing the Quickstep from the movie Mary Poppins, | :10:10. | :10:11. | |
APPLAUSE CHEERING | :10:12. | :12:01. | |
Yes! Well done, Daisy at Aljaz. You make the perfect Mary Poppins. | :12:02. | :12:04. | |
While you two catch your breath let's | :12:05. | :12:06. | |
welcome our fabulous live singers Hayley, Lance, Andrea, | :12:07. | :12:08. | |
Tommy and of course Dave Arch and his brilliant orchestra. | :12:09. | :12:17. | |
Well done, what an opener. Is Daisy proving to be consistent? She | :12:18. | :12:25. | |
certainly is. I've got to say, you pulled a lot of stuff out of that | :12:26. | :12:29. | |
bag and you pulled out all the stops on that quickstep. You really did. | :12:30. | :12:37. | |
In the quickstep you look for three things, hold, posture, movement. | :12:38. | :12:41. | |
Lovely hold, great posture, and gorgeous movement down the floor. | :12:42. | :12:45. | |
Well done. CHEERING Round the whole floor. Bruno. I | :12:46. | :12:57. | |
think Tess got it right earlier on. Supercalifragilisticexpialidocious | :12:58. | :13:03. | |
Daisy! It had such a supreme elegance. It's like Mary Poppins | :13:04. | :13:05. | |
that has been redesigned by Christian Dior. Beautiful to look | :13:06. | :13:13. | |
at. And so light on your feet, like you were floating on air. It sent me | :13:14. | :13:19. | |
on cloud nine. Wonderful. How about you, Craig? I thought the charleston | :13:20. | :13:23. | |
section is needed to be a little more precise and delivered with a | :13:24. | :13:29. | |
lighter touch, I thought they were a little bit heavy. BOOING | :13:30. | :13:32. | |
. Your left shoulder was raised by millimetres, twice. I thought you | :13:33. | :13:37. | |
followed Aljaz's lead brilliantly and you danced so well together. | :13:38. | :13:44. | |
Wonderful to see. I love it when he ends on a positive. It was the | :13:45. | :13:48. | |
neatest footwork I've seen. To be liked and dainty and have long | :13:49. | :13:53. | |
limbs, when you are tall like you, it's not easy. It was incredibly | :13:54. | :13:58. | |
impressive. One tiny correction, your upper body could be slightly | :13:59. | :14:02. | |
more taut. More core strength. It'll only condiment your top line. | :14:03. | :14:04. | |
Beautiful work. Practically perfect in every way. In | :14:05. | :14:08. | |
every way. Thank you, Daisy. Come on, Mary. CHEERING | :14:09. | :14:28. | |
Well done. You adored being Mary Poppins. I did, I really loved it. | :14:29. | :14:34. | |
Darcey said incredibly impressive. You worked so hard to get that | :14:35. | :14:39. | |
perfect footwork. Really hard. It's a really hard, fast routine, | :14:40. | :14:43. | |
quickstep is always tough. To go out first. Brilliant. Well done, Mary. | :14:44. | :14:50. | |
Scores are in. Ladies and Ferman, the judges have their scores. Craig | :14:51. | :14:54. | |
Revel Horwood. Seven. Darcey Bussell. Eight. Len Goodman. Eight. | :14:55. | :15:06. | |
Bruno Tonioli. Eight. Won more than last week. What's so cute is | :15:07. | :15:11. | |
watching you when Craig gave you a seven. You were both like, that's | :15:12. | :15:16. | |
fine. If you thought that routine was more fun than flying a kite you | :15:17. | :15:20. | |
can vote for Daisy and Aljaz when voting opens at the end of the show. | :15:21. | :15:24. | |
All of the details are on the screen now. Terms and conditions time. | :15:25. | :15:29. | |
Calls cost... Old honours again, this is Movie Week, this is a job | :15:30. | :15:31. | |
for voice-over man. Calls cost 15p plus any network | :15:32. | :15:38. | |
access charge and please ask You can vote online for free | :15:39. | :15:41. | |
at bbc.co.uk/strictly, where you will also find | :15:42. | :15:44. | |
Terms and Conditions. Voting won't open until all our | :15:45. | :15:58. | |
couples have danced. Your vote won't count | :15:59. | :16:08. | |
and you may still be charged. No one wants to leave | :16:09. | :16:11. | |
the competition, but with the lowest combined judges | :16:12. | :16:19. | |
score and viewer votes Our next couple is Anastacia | :16:20. | :16:22. | |
and Brendan Cole. After suffering | :16:23. | :16:27. | |
an injury last week Anastacia was unable to perform | :16:28. | :16:37. | |
in the dance-off. But we all know she's a real fighter | :16:38. | :16:39. | |
and she's back this week - and raring to go, with | :16:40. | :16:42. | |
a Viennese Waltz from Twilight. Last Saturday was so hard because I | :16:43. | :16:58. | |
had injured myself. It was haphazard. We decided to | :16:59. | :17:05. | |
change because of the injuries. I was disappointed. The pain was so | :17:06. | :17:12. | |
bad and I was in the bottom two. Anastacia and Brendan cannot perform | :17:13. | :17:15. | |
again. There will be no dance. The couple with the fewest number of | :17:16. | :17:22. | |
votes will be leaving. I remember thinking, thank you for giving me | :17:23. | :17:25. | |
this opportunity, universe. We are still here, so well done you. | :17:26. | :17:33. | |
Anastacia has come to her specialist to find out how her injury will | :17:34. | :17:39. | |
impact on her dancing. The verdict is better than I thought so I am | :17:40. | :17:44. | |
going to continue. The couple head straight to the training room and | :17:45. | :17:48. | |
get cracking on varied team. I want to focus on the soft Anastacia. We | :17:49. | :17:56. | |
are doing a song from the Twilight movie. The sun itself melts me. I | :17:57. | :18:02. | |
look forward to a beautiful dance which this one is. I am very excited | :18:03. | :18:08. | |
about dancing to this on Saturday. CHEERING | :18:09. | :18:14. | |
Dancing the Viennese Waltz from the Twilight movie, | :18:15. | :18:16. | |
Anastacia, well done, darling. How are you? Good, very good. You look | :18:17. | :20:10. | |
beautiful. That is what I call a love story, packed full of romance. | :20:11. | :20:18. | |
And your first ballroom? My first ever. Ballroom is very beautiful. | :20:19. | :20:25. | |
Lets see if Bruno agrees. It was very, very nice, my darling. Very | :20:26. | :20:32. | |
sweet, it was very simple. Very correct. Brendan guided you | :20:33. | :20:36. | |
beautifully. You have to be careful... It is the mint, I'm | :20:37. | :20:42. | |
sorry. You have to make sure you don't lose your balance. You have to | :20:43. | :20:51. | |
go out of the... Sorry, Len! You nearly had his eye out. Any moment | :20:52. | :21:00. | |
of unsteadiness. Very proper. The shoulders were slightly up, | :21:01. | :21:03. | |
especially through the pivots. Bruno was right, you were losing balance | :21:04. | :21:09. | |
going into the turns. Out of turns, I was hoping it would be a little | :21:10. | :21:13. | |
bit smoother. But I have to say, you have come back with an enormous | :21:14. | :21:18. | |
sense of confidence, and I think that... Darcey, darling. It had a | :21:19. | :21:26. | |
beautiful quality from beginning to end. I think people forget that the | :21:27. | :21:31. | |
DNA use is very difficult. Constantly turning and having to | :21:32. | :21:35. | |
find your focus and then do the transition and change, that is | :21:36. | :21:39. | |
difficult to learn especially when you have lights flashing in your | :21:40. | :21:43. | |
face. You have a beautiful neck and shoulders and I think you could work | :21:44. | :21:47. | |
that and really indulge in your top line. But very nice, very nice. Len. | :21:48. | :21:58. | |
It was quiet, understated and it had a class about it. I thought a lovely | :21:59. | :22:06. | |
rotation. I am glad you're better and I am glad you are dancing | :22:07. | :22:15. | |
better. Lovely! Feeling better and dancing better. Thank you, | :22:16. | :22:20. | |
Anastacia. Go and get your schools, Anastacia and Brendan! Come on, up | :22:21. | :22:24. | |
you come! Good girl, very well done. We have | :22:25. | :22:42. | |
not seen this Anastacia. I haven't either. Was that a shock? It is very | :22:43. | :22:48. | |
feminine. I know I am a girl but I did not really realise until today! | :22:49. | :22:53. | |
You worked incredibly hard. It has been a very big week and we got | :22:54. | :23:02. | |
really involved in the story of that which really helps, especially in | :23:03. | :23:05. | |
Movie Week. People know at home what you are trying to be. Very well | :23:06. | :23:06. | |
done, the scores R.N.. -- R.N.. Five more than last week, | :23:07. | :23:24. | |
congratulations to both of you. If you liked that routine, | :23:25. | :23:29. | |
you don't have to wait A Thousand Years to vote for them, | :23:30. | :23:31. | |
but you do have to wait until voting opens at | :23:32. | :23:35. | |
the end of the show. All the details are | :23:36. | :23:37. | |
on your screen now. Don't forget, if you want to vote | :23:38. | :23:39. | |
online you'll need to sign in I love saying that stuff. It is | :23:40. | :23:42. | |
thrilling for me. Tests. Our next couple is Danny Mac | :23:43. | :23:51. | |
and his partner Oti Mabuse. Last week, Danny's Viennese | :23:52. | :23:54. | |
Waltz saw him joint top This week he's doing | :23:55. | :23:56. | |
a Paso Doble as Zorro. But the question is - | :23:57. | :23:59. | |
can this legendary outlaw, Saturday night was brilliant. I | :24:00. | :24:16. | |
really, really enjoyed doing it. You are a fantastic dancer, you really | :24:17. | :24:23. | |
are. Being joint top of the Leader Board is pretty incredible. We have | :24:24. | :24:27. | |
made it through to week three, I cannot wait, let's smash it. This | :24:28. | :24:34. | |
week we are doing the paso doble. The theme is really cool. I am going | :24:35. | :24:43. | |
to be Zorro. Danny and Oti head to the armoury of Hampton Court Palace | :24:44. | :24:48. | |
to learn some fencing skills. Today we are going to give you a taster of | :24:49. | :24:52. | |
Olympic fencing. I will teach you how to hit, how to attack and then I | :24:53. | :24:59. | |
will teach you how to defend. Perfect. Danny was actually really, | :25:00. | :25:04. | |
really good at fencing. I took to it really well. Wreath let's see. I | :25:05. | :25:15. | |
think Zorro would take you one. I started kind but in the end, | :25:16. | :25:23. | |
obviously won. I feel totally ready for the paso doble. Let's just hope | :25:24. | :25:26. | |
I'd then get zero. Dancing the Paso Doble | :25:27. | :25:30. | |
from the movie The Mask of Zorro, MUSIC: The Train / | :25:31. | :25:33. | |
El Sombrero Blanco Danny and Oti bringing the house | :25:34. | :27:36. | |
down! I think they enjoyed it! Hopefully. Very humble. Any fans | :27:37. | :27:41. | |
might be disappointed that now they get to see that lovely face. How | :27:42. | :27:47. | |
much did you enjoy that? It was amazing. We work hard all week but | :27:48. | :27:51. | |
the guys in make up and costume are smashing it. They have a busy week. | :27:52. | :27:57. | |
Craig, Danny was joint top last week, has he done enough to keep the | :27:58. | :28:05. | |
competition at bay? Timing, shaping, the lines were all excellent. It was | :28:06. | :28:14. | |
a very strong, skilful virtuoso performance. Absolutely wonderful. | :28:15. | :28:21. | |
Darcey? I have to say the body shaping was so impressive. For a guy | :28:22. | :28:27. | |
to get the curves, the Tuck, I thought with the amount of moves, I | :28:28. | :28:32. | |
thought it was going to be too much for you, but you were able to create | :28:33. | :28:40. | |
a pause with every move. You were able to fix those positions. Four | :28:41. | :28:47. | |
week three, this is amazing. I Len is grinning from ear to ear. Here he | :28:48. | :28:57. | |
comes, the swashbuckling performance, a beautiful mix of | :28:58. | :29:02. | |
artistry and power and coming you have pleased me, you have cheered me | :29:03. | :29:06. | |
up. You did one of my favourite little steps. It was great. I have | :29:07. | :29:20. | |
never seen him smile. Bruno? He is Danny Banderas, the sharpest blade | :29:21. | :29:26. | |
in the land! Carlos Acosta when he comes down, what you did, was | :29:27. | :29:33. | |
everything the paso doble should be, but one thing that I really see -- | :29:34. | :29:38. | |
rarely see is how much flamenco you put in, and it was interwoven so | :29:39. | :29:45. | |
beautifully, it was just everything I like about paso doble. Ole! They | :29:46. | :29:55. | |
thought that was just the ticket. Well done. | :29:56. | :30:11. | |
Danny and O2. Craig has never used the word excellent in week three | :30:12. | :30:19. | |
before. I thought Janette's head was going to shoot off her shoulders. | :30:20. | :30:24. | |
How do you do that? I'm happy with that. So happy. Well done. Scores | :30:25. | :30:38. | |
Irene. Craig Revel Horwood. Nine. Darcey Bussell. Nine. Len Goodman. | :30:39. | :30:50. | |
Seven macro eight... Nine! Bruno Tonioli. Nine. CHEERING | :30:51. | :30:56. | |
That is the highest score of this series by a long shot. Amazing. You | :30:57. | :31:04. | |
know what? It makes the hard work worthwhile. Your fiance is here, so | :31:05. | :31:10. | |
cute. Cheering me on, and my mum. Your mummy dressed as Zorro. Why I | :31:11. | :31:12. | |
make up, it's perfect. If you dont want Danny to leave | :31:13. | :31:16. | |
with Oti and get his coati, then vote for them when voting opens | :31:17. | :31:19. | |
after all our couples have danced. All the details are | :31:20. | :31:22. | |
on your screen now. Still to come, Mission Impossible, | :31:23. | :31:24. | |
the Flintstones and Moulin Rouge. Right now it's Lesley Joseph | :31:25. | :31:26. | |
and her partner Anton Du Beke. They're dancing a quickstep | :31:27. | :31:31. | |
to a song from the film Easter Parade and they're taking | :31:32. | :31:36. | |
on the roles made famous I know it's Movie Week guys, | :31:37. | :31:38. | |
but you could have smartened You were marvellous Saturday night, | :31:39. | :31:54. | |
did you enjoy it? I loved it them it was great, glad I got all the steps | :31:55. | :32:00. | |
right. Your seat, GG, flirty, fun. Try to control that. Better marks | :32:01. | :32:06. | |
than the week before. This week we're going to get more again. One | :32:07. | :32:10. | |
of my favourite weeks, Movie Week, we've got a cracking movie, we are | :32:11. | :32:14. | |
doing Easter Parade. And it's the quickstep. What I want to do this | :32:15. | :32:18. | |
week is absolutely nail it. Posture wise. I know what I'm working on, | :32:19. | :32:22. | |
and needs to work on his flexibility. He got it wrong. I got | :32:23. | :32:28. | |
it different, I never get it wrong. Wanting Anton to stretch himself | :32:29. | :32:31. | |
Lesley takes matters into her own hands with some yoga. Well, I'm | :32:32. | :32:40. | |
here. Go and get changed. I am changed, I put my jacket on | :32:41. | :32:45. | |
specially. I can't do yoga in a suit. You can't do yoga in a suit. I | :32:46. | :32:52. | |
can. How did you get your legs like that? You didn't say stop, I just | :32:53. | :32:59. | |
twisted. What are you doing? I think it's really helping. I was trying to | :33:00. | :33:04. | |
get more flexibility into Anton. He is more flexible than I am. Let me | :33:05. | :33:09. | |
show you some steps. Forward, step... | :33:10. | :33:14. | |
Dancing the Quickstep from the movie Easter Parade, | :33:15. | :33:16. | |
APPLAUSE CHEERING | :33:17. | :35:07. | |
That's entertainment. I went wrong. You didn't. You once different. No | :35:08. | :35:16. | |
wardrobe malfunctions to worry about. You're so fit, giving Anton a | :35:17. | :35:20. | |
run for his money. Not now, my goodness stop you cover the entire | :35:21. | :35:24. | |
floor. All that comedy, must have been in your element. We know she | :35:25. | :35:29. | |
can act. Can she dance, can she breathe? After all that I would have | :35:30. | :35:35. | |
thought you'd be on the floor out of it. You are fit! That was such a | :35:36. | :35:46. | |
treat, Lesley, it was spirited, it was fabulously cheeky, the character | :35:47. | :35:50. | |
came alive. You gave us this beautiful, you know, plenty of dance | :35:51. | :35:54. | |
content all the way through. There was only times where you're | :35:55. | :36:00. | |
travelling too much for you to keep up and that is where the technique | :36:01. | :36:03. | |
gets loose. Maybe you're pushing her a bit, too. So many beautiful | :36:04. | :36:08. | |
moments. I loved the quirky bits where you spring up. Such a gorgeous | :36:09. | :36:12. | |
surprise, I loved it. Gorgeous surprise. Len. Lots of references to | :36:13. | :36:20. | |
the film which I love, but you blended that with some proper | :36:21. | :36:24. | |
quickstep content, which I thought was fantastic. I'm having all my | :36:25. | :36:31. | |
joyful little steps tonight, you put a fish tail in, an old-fashioned | :36:32. | :36:37. | |
step. I can't go into detail. Listen, you're a golden oldie from | :36:38. | :36:41. | |
the silver screen and I thought you were great. Bruno. My darling, | :36:42. | :36:50. | |
plenty of spring in your feet. She was going. It was going swimmingly. | :36:51. | :36:57. | |
I loved the role-play, I loved all the quirky character you put in. | :36:58. | :37:02. | |
What happened on that corner? Every time you went around that, you went | :37:03. | :37:08. | |
wrong. I know. Apart from that, which I'm sure next time will be | :37:09. | :37:16. | |
brilliant, it was wonderful. Craig. Sometimes I thought the footwork | :37:17. | :37:18. | |
wasn't compact enough, losing efficiency. It was creating a little | :37:19. | :37:25. | |
bit of gapping between you. The energy, got to say, and the | :37:26. | :37:29. | |
characterisation, absolutely brilliant. I hope, darling, when I'm | :37:30. | :37:33. | |
your age, 70, I can whirl around the floor like that. They know a hit | :37:34. | :37:42. | |
when they see it. Thank you very much, Lesley, you're wonderful, | :37:43. | :37:46. | |
Lesley and Anton. I'm so sorry I went wrong. You went different. I'm | :37:47. | :37:50. | |
sorry, I knew it. CHEERING Brilliant. They loved it. As did | :37:51. | :38:04. | |
you. I saw you and Zoe on it takes to talking about the love of the | :38:05. | :38:08. | |
quickstep. It was magical the way you are talking about it. Why do you | :38:09. | :38:13. | |
adore it so much? You fly across the floor when you get the steps right, | :38:14. | :38:16. | |
you fly and floating his arms, it's lovely, I love it. You must have | :38:17. | :38:22. | |
loved that Lennon said proper quickstep. Proper quickstep. With | :38:23. | :38:28. | |
all the fun parts. -- you must have loved that Len said. I haven't had | :38:29. | :38:37. | |
as much fun as I can remember. Craig Revel Horwood. Six. Darcey Bussell. | :38:38. | :38:46. | |
Seven. Len Goodman. Seven. Bruno Tonioli. Seven. 27, your highest | :38:47. | :38:51. | |
score yet. Fantastic. If you don't want to rain | :38:52. | :38:53. | |
on their Easter Parade, all the details are on your screen | :38:54. | :38:56. | |
now so you can vote for them when voting opens at the end | :38:57. | :38:59. | |
of the show. There's still all of this to come | :39:00. | :39:01. | |
on our Movie Special. Are you having a chat? Sorry. | :39:02. | :39:12. | |
They've got the number, they've written it down. Still all of this | :39:13. | :39:13. | |
to come on the movie special. I'm trying to approach this week | :39:14. | :39:22. | |
with optimism and positivity but as oxer and will tell you it doesn't | :39:23. | :39:25. | |
come naturally to me. What frustrates me with the way I learn, | :39:26. | :39:30. | |
it falls out of my head like a sieve. It's a really fun dance. I'm | :39:31. | :39:36. | |
doing it without shoes on and I love dancing barefoot. The American | :39:37. | :39:41. | |
Smooth is effortless cool. And I don't do effortless and I don't do | :39:42. | :39:42. | |
cool. Lots to look forward to. Now Daisy's finished her | :39:43. | :39:47. | |
Mary Poppins' routine, she said Our next couple is Will Young | :39:48. | :39:51. | |
and his partner Karen Clifton. They're dancing to the song Jai Ho | :39:52. | :40:02. | |
from the film Slumdog Millionaire and this colourful salsa | :40:03. | :40:05. | |
inspired by Bollywood - I confided but look what I got for | :40:06. | :40:22. | |
you, test... -- I can't find it, but look what I got for you, Tess. Last | :40:23. | :40:32. | |
Saturday I was a mixture of nervousness and then real | :40:33. | :40:35. | |
excitement. I thought, this is amazing. I missed a bit of the | :40:36. | :40:39. | |
choreography. I was disappointed. The side-by-side section you messed | :40:40. | :40:46. | |
up entirely. Five. Five was definitely a shock, the only way is | :40:47. | :40:51. | |
up from here. This week I'm doing a salsa with a Bollywood theme for | :40:52. | :40:58. | |
Movie Week. Not only does he have to have all of the technical abilities | :40:59. | :41:02. | |
for the salsa, but he also needs to remember all the details of | :41:03. | :41:08. | |
Bollywood dance. Karen has organised a visitor today. Karen invited me | :41:09. | :41:13. | |
here to incorporate the Bollywood aspect into their dance. Any tips | :41:14. | :41:19. | |
you can give us? In Bollywood dance it is essential you extend your hand | :41:20. | :41:23. | |
gestures and hand movements, show the gracing your fingers. Screwing | :41:24. | :41:28. | |
the light bulbs. I've shown them a few steps, gone over a few of the | :41:29. | :41:32. | |
hand gestures. They've done amazingly well, I'm so happy and I'm | :41:33. | :41:38. | |
really rooting for Will. That was absolutely amazing! I've been really | :41:39. | :41:41. | |
enjoying learning salsa this week, I hope I can bring a bit of Bollywood | :41:42. | :41:44. | |
to Borehamwood this Saturday. Dancing the salsa from the movie | :41:45. | :41:49. | |
Slumdog Millionaire, APPLAUSE | :41:50. | :41:51. | |
CHEERING Jai Ho! A party here in Elstree. | :41:52. | :43:43. | |
What a colourful routine. Fabulous. Did that get you in the party mood, | :43:44. | :43:49. | |
Len? It certainly did. Listen, let me say straightaway, Will, I think | :43:50. | :43:54. | |
you are a terrific dancer. Whatever you had to do you've come out and | :43:55. | :43:59. | |
not only dancing great, your performance level is great. You've | :44:00. | :44:02. | |
come here to Borehamwood to do Hollywood and we got Bollywood. | :44:03. | :44:08. | |
Perfect. I only tell the truth everyone. For me, not enough salsa. | :44:09. | :44:16. | |
I loved the dance, it was entertaining, it was fun, I enjoyed | :44:17. | :44:19. | |
it, I thought your dancing was great. But it's a salsa and I would | :44:20. | :44:25. | |
have liked a soupcon more of the salsa. I got about six or eight bars | :44:26. | :44:32. | |
in the middle. There are 24 counts of eight of salsa into the routine. | :44:33. | :44:40. | |
CHEERING Very nice of you to say that to me, | :44:41. | :44:46. | |
but I must say, most of them I didn't recognise. They weren't. | :44:47. | :44:52. | |
Probably my fault. You are the expert. Turn up, keep up and shut up | :44:53. | :44:59. | |
is my other advice. It's only a joke, Will. It worked 15 years ago | :45:00. | :45:04. | |
for me, I'll give it a go. He's a traditionalist, our Len. All I have | :45:05. | :45:10. | |
to say is, hooray for Bollywood with a lovely salsa. I loved the flavour, | :45:11. | :45:17. | |
it was exotic, uplifting, very very colourful, very joyful. And there | :45:18. | :45:20. | |
was a lot of aspect of it that reminds me of contemporary thrown in | :45:21. | :45:30. | |
there. I thought the whole thing was wonderful, actually. Craig. There | :45:31. | :45:34. | |
was definitely enough salsa in there for me and I absolutely adored the | :45:35. | :45:39. | |
mix. Very brave of you to even attempt that. You danced it really, | :45:40. | :45:46. | |
really cleanly. The isolation in all the Red Bull stuff was absolutely | :45:47. | :45:51. | |
brilliant. Well done. -- ripple stuff. | :45:52. | :45:59. | |
What I noticed straightaway was how effortlessly you got Karen into | :46:00. | :46:04. | |
those lifts. With the preparation that, I could not even see it. It | :46:05. | :46:10. | |
was beautifully done. I loved the interesting mix of the two styles | :46:11. | :46:19. | |
together. A big hit with the audience as well. It is well and | :46:20. | :46:20. | |
Karen! So, Craig adored it and they thought | :46:21. | :46:38. | |
it was great because you took an two dances and I know you love Darcey. I | :46:39. | :46:43. | |
must say I love men as well and I did not want to come across as | :46:44. | :46:49. | |
disrespectful cash back I really love Len as well stop he is the Don | :46:50. | :47:00. | |
of ballroom. Thank you, the scores R.N.. | :47:01. | :47:21. | |
If you loved Will and Karen's salsa all the details are on your screen | :47:22. | :47:28. | |
now, so you can vote for them when voting opens | :47:29. | :47:30. | |
Still to come, Judge Rinder goes to Bedrock. | :47:31. | :47:34. | |
Dancing next is Naga Munchetty and her partner Pasha Kovalev. | :47:35. | :47:41. | |
Last week, Naga was challenged by her Cha Cha. | :47:42. | :47:43. | |
This week she's doing a tango to a song from a Tom Cruise film | :47:44. | :47:47. | |
and shes hoping that getting through to next week won't be | :47:48. | :47:49. | |
How did you feel on Saturday? We were working on trying to feel the | :47:50. | :48:05. | |
dance more than do the steps. Gutted about the judges' comments. All I | :48:06. | :48:10. | |
want you to do is get the confidence. Nail the routine and | :48:11. | :48:18. | |
then get the characters. This week it is Movie Week and we are going to | :48:19. | :48:24. | |
be doing an amazing movie, Mission Impossible. All the Mission | :48:25. | :48:35. | |
Impossibles. Do is fabulous. We are doing the tango. For us to nail it | :48:36. | :48:38. | |
you have to think nothing but the tango. I want the music to follow | :48:39. | :48:46. | |
you everywhere around. Night, Pasha, see you tomorrow. Everywhere I have | :48:47. | :48:53. | |
gone, I have heard that theme tune to Mission Impossible. It is there | :48:54. | :48:58. | |
when I am walking down the street, it is when I am in the supermarket. | :48:59. | :49:04. | |
It is everywhere. It is following me around, I am sure. Pasha! I want you | :49:05. | :49:11. | |
to practice as much as you can, it is for your own good. All this extra | :49:12. | :49:17. | |
practice, I just hope it helps on Saturday night. | :49:18. | :49:25. | |
Naga Munchetty and Pasha Kovalev, your mission is to dance the Tango. | :49:26. | :49:28. | |
Come on over. Well done, the pair of you. I know it took longer than you | :49:29. | :51:27. | |
expected to get out of that harness but you did a great job of catching | :51:28. | :51:37. | |
up. And you look very foxy. I love the catsuit. Bruno, over to you. She | :51:38. | :51:45. | |
definitely looks the part. She looks like a sultry, slinky, super spy. | :51:46. | :51:50. | |
But sometimes you hit a couple of lines which are brilliant but then | :51:51. | :51:53. | |
you seem to lose focus will stop you stumbled a little bit there. Then | :51:54. | :51:59. | |
you go back on it and it looks great. Do you lose confidence? I | :52:00. | :52:05. | |
wonder why. The potential is there. It seems like you are losing focus, | :52:06. | :52:09. | |
do you know what I mean? Moment of brilliance and then link, what has | :52:10. | :52:15. | |
gone wrong that? There she goes again. Keep confident in yourself, | :52:16. | :52:20. | |
keep the strength going through the body all the way through believing | :52:21. | :52:24. | |
in yourself because you have got it. Don't doubt it. I thought the | :52:25. | :52:31. | |
footwork was very sloppy and careless and at times I thought a | :52:32. | :52:37. | |
little bit hasty. It needed to be stronger and more extreme lines | :52:38. | :52:40. | |
throughout. And you are not closing when you're meant to close and I | :52:41. | :52:44. | |
think that through you off balance at times. But I have to say, I love | :52:45. | :52:48. | |
the concept and I love the drama will stop Darcey? I think you really | :52:49. | :52:58. | |
suit a moody spy. You have this lovely pout on your lips all the way | :52:59. | :53:02. | |
through and the intent and drama was there from the beginning. But Bruno | :53:03. | :53:07. | |
is right, it is the focus. I think it is with your eyes. It is very | :53:08. | :53:11. | |
difficult when you flip around but if you can find something to focus | :53:12. | :53:15. | |
on every time you flick back, even if it is at Pasha, when you can, | :53:16. | :53:20. | |
that will help the balance. An incredibly difficult tango but such | :53:21. | :53:29. | |
an improvement, really. Len? Let me say first of all, that is your best | :53:30. | :53:33. | |
dance to date. That is the starting point. You have got to be as crisp | :53:34. | :53:40. | |
as a Pringle when you are dancing the tango. It is sharp, right on the | :53:41. | :53:47. | |
bottom. When you stop, you stop. A little bit was lacking and I think | :53:48. | :53:53. | |
that you had the flexed knees which I was looking for, lovely. You got | :53:54. | :53:57. | |
the hold nice and compact, lovely. I think you get nervous. What do I | :53:58. | :54:04. | |
know? When it is all over and you look back, I think if anything is | :54:05. | :54:07. | |
going to stop you, it is your nerves. You are better than you | :54:08. | :54:14. | |
think you are and you have just got to come out and show us. Great | :54:15. | :54:22. | |
advice. Take it on board. I will. Thank you, judges, off you go. No | :54:23. | :54:33. | |
other and Pasha. -- Naga and Pasha. Look at you, no wood in on wires. Is | :54:34. | :54:45. | |
Len right you don't feel confident? It is natural to feel nervous. It is | :54:46. | :54:50. | |
something I have battled with. It is Mission Impossible! You are learning | :54:51. | :54:56. | |
to dance but you are also learning to perform. The scores R.N.. -- the | :54:57. | :55:01. | |
scores are in. That is your highest score yet. You | :55:02. | :55:17. | |
must feel very proud. Very proud. If you enjoyed Naga | :55:18. | :55:23. | |
and Pasha's tango all the details are on your screen | :55:24. | :55:25. | |
now so you can vote for them when voting opens at the end | :55:26. | :55:28. | |
of the show. Still to come, Ore is | :55:29. | :55:30. | |
singing in the rain. Could be awkward, this is a | :55:31. | :55:32. | |
dancing competition. Our next couple is Judge Rinder | :55:33. | :55:35. | |
and his partner Oksana Platero. And for this dance Judge Rinder | :55:36. | :55:39. | |
will be taking on the role of Fred, Yes, it's time to | :55:40. | :55:45. | |
Meet The Flintstones. How did you feel about your | :55:46. | :55:58. | |
performance last week? I really enjoyed it. This is the first | :55:59. | :56:04. | |
routine where I relaxed into it and had fun. Next time you dance look at | :56:05. | :56:09. | |
your face in the mirror, it is still quite annoying. Poor Craig. When | :56:10. | :56:16. | |
this is finished I might take him to a happy farm. I will pull off more | :56:17. | :56:24. | |
faces than we ever did. This week, Judge Rinder is dancing the | :56:25. | :56:28. | |
charleston as Fred Flintstone. How did he master the character? I | :56:29. | :56:35. | |
bought a beautiful portrait of one of the most profound characters of | :56:36. | :56:39. | |
the 20th century. Sometimes Judge Rinder takes things just a little | :56:40. | :56:45. | |
too seriously. Fred, I want to do justice on the night. Justice? What | :56:46. | :56:54. | |
do you mean? I want to work out what is going on in that chiselled head | :56:55. | :57:00. | |
of yours. You have just got to let go and enjoy your self, | :57:01. | :57:11. | |
yabba-dabba-do! Yabba-dabba-do I have got it, hearing Fred speak to | :57:12. | :57:16. | |
me will definitely help my dance on Saturday night. | :57:17. | :57:18. | |
Dancing the Charleston from the movie The Flintstones, | :57:19. | :57:20. | |
Oh, my oh my! You have rocked this studio, that is the shot. Last week | :57:21. | :59:15. | |
Fred Astaire, this week Fred Flintstone. I missed a few steps but | :59:16. | :59:24. | |
never mind! Hopefully nobody noticed. Craig, did you enjoyed that | :59:25. | :59:32. | |
trip to bedrock? All those ghastly gawping facial expressions, darling, | :59:33. | :59:39. | |
actually came into their own this week. You had a bit of a tight | :59:40. | :59:45. | |
swivel, darling, on the left side and you missed time to the first | :59:46. | :59:51. | |
charleston step. And also you misjudged the lift that sweeps | :59:52. | :59:56. | |
around. You never actually stepped over the Lady's legs, sadly, but I | :59:57. | :00:02. | |
love the energy. I loved the routine and I loved the handspring. Darcey? | :00:03. | :00:11. | |
I love the crazy caveman as well. You are very cute as a caveman! | :00:12. | :00:19. | |
Darcey, stop, stop! No, utterly charming. There were moments when | :00:20. | :00:25. | |
you could do more swivel. Overall, you never fail to give us a fabulous | :00:26. | :00:28. | |
performance. It is brilliant. Len. I'm going to give that a U | :00:29. | :00:39. | |
certificate, you entertained, you made us all smile, but you made a | :00:40. | :00:44. | |
few mistakes along the way. But I like your attitude. Because all of | :00:45. | :00:48. | |
us are dancers and there's not one of us that hasn't gone out and made | :00:49. | :00:52. | |
mistakes, and you have to say, well, it's one of those things. There were | :00:53. | :00:56. | |
quite a few moments in there that were little bit anxious. I wouldn't | :00:57. | :01:03. | |
worry about them, I think he's cute. He is cute, I love it. I'm so sorry, | :01:04. | :01:10. | |
Oksana, the Strictly cares. Stand back. It was like watching Judge | :01:11. | :01:18. | |
Neanderthals gone mental. He hammered that charleston so much | :01:19. | :01:22. | |
that the timing went extinct. You have to keep timing my darling, | :01:23. | :01:27. | |
performance is always good. If you lose timing you can cover it up and | :01:28. | :01:31. | |
pick it up again. In the first half it was really out, you were making | :01:32. | :01:36. | |
it up as you went along. But always funny and always great to watch. | :01:37. | :01:40. | |
Always great to watch. That face was made for charleston. Judge Rinder | :01:41. | :01:45. | |
and Oksana. We absolutely loved it, we didn't | :01:46. | :02:00. | |
see one mistake. Darcey said utterly charming. She made you go a bit | :02:01. | :02:04. | |
giddy. She did, I don't know what the caveman responds to it is. | :02:05. | :02:14. | |
Darcey, Ugg. That'll do! The scores R.N.. | :02:15. | :02:17. | |
Ladies and gentlemen, the judges' scores R.N.. Craig Revel Horwood. | :02:18. | :02:28. | |
Seven. Darcey Bussell. A cute eight. Len Goodman. Sorry, it's six. Bruno | :02:29. | :02:36. | |
Tonioli. Six. Same score as last week. Strange scoring. Seven and | :02:37. | :02:40. | |
eight, lovely. Let's focus on those. If you don't want this caveman | :02:41. | :02:43. | |
to become extinct all the details are on your screen now so you can | :02:44. | :02:46. | |
vote for them when voting opens They are pointing so you | :02:47. | :02:49. | |
absolutely have the details. Still to come, Laura is wondering | :02:50. | :02:58. | |
if she can do a dance Next up is Ore Oduba | :02:59. | :03:01. | |
and his partner Joanne Clifton. This week Ore is dancing | :03:02. | :03:07. | |
to Singing In The Rain and taking on the role | :03:08. | :03:13. | |
made famous by Gene Kelly. Gene Kelly was a professional | :03:14. | :03:16. | |
dancer with a lifetime's Ore is a sports presenter who's done | :03:17. | :03:18. | |
a few weeks on Strictly. How cool was that Europe and the | :03:19. | :03:33. | |
whole show? I absolutely loved it, it was a real pleasure. It was nerve | :03:34. | :03:37. | |
wracking but it was amazing at the same time. Forget the fire | :03:38. | :03:41. | |
extinguisher, you need to get out the water cannon to cool down after | :03:42. | :03:48. | |
this. So saucy, you are. I'm very proud of you. Thanks, coach. The | :03:49. | :03:54. | |
song we are dancing to for Movie Week is Singing in the Rain by the | :03:55. | :03:59. | |
legendary Gene Kelly. How I'm going to be effortlessly cool I have no | :04:00. | :04:04. | |
idea. I really need you to get dancing in the rain. I need to | :04:05. | :04:08. | |
channel my inner Gene Kelly, this is impossible, we can't do it. Not to | :04:09. | :04:10. | |
fear. Joe has an idea. Why are we here dressed like this? | :04:11. | :04:21. | |
We are dancing to singing in the rain, I want you to practice dancing | :04:22. | :04:27. | |
in the rain. But there is no rain. OK, that's cool. Something about | :04:28. | :04:34. | |
dancing in water gives you this wanton abandon. It's been such fun | :04:35. | :04:41. | |
bringing Ore to the Olympic Park he's such a laugh, he's up for | :04:42. | :04:45. | |
anything. All we can do now is hope our Americans move goes down a storm | :04:46. | :04:49. | |
on Saturday night. Twitch American Smooth. | :04:50. | :04:52. | |
Dancing the American Smooth from the movie Singin' In The Rain, | :04:53. | :04:54. | |
MUSIC: Singin' In The Rain wonderful. Standing ovation, Ore. Is | :04:55. | :07:02. | |
that a little tear? No, it's just the rain. In your eyes. All of that | :07:03. | :07:09. | |
umbrella choreography, the one-handed catch, brilliant. How was | :07:10. | :07:13. | |
it a step into Gene Kelly's shoes? Pressure, lots of pressure. | :07:14. | :07:17. | |
Incredible job, let's see if you gave the judges a glorious feeling. | :07:18. | :07:21. | |
You certainly captured the sophistication of that dance. I | :07:22. | :07:27. | |
yam... You took my breath away I have to say. Beautifully | :07:28. | :07:36. | |
choreographed. I loved. Ore, your timing is brilliant. And the | :07:37. | :07:41. | |
physical attributes you have are identical to Gene Kelly. It's | :07:42. | :07:48. | |
perfect. Really. What I think is incredibly difficult, all of that | :07:49. | :07:53. | |
physicality you put into it and then you are able to slow it down and | :07:54. | :07:57. | |
control it at the very end, which is not easy. CHEERING | :07:58. | :08:03. | |
That dance is your best danced so far. | :08:04. | :08:12. | |
OK. Sorry. That's all right. Len. I have to agree regarding the routine, | :08:13. | :08:25. | |
Jo, I thought the routine was fantastic. Ore you interpret it | :08:26. | :08:32. | |
fantastically. When I heard it was Singing in the Rain, it's so | :08:33. | :08:35. | |
difficult to give a dance like that, which everyone knows, to give it, | :08:36. | :08:39. | |
you know, to justify it and give it a twist. But you did. And lots of | :08:40. | :08:44. | |
Foxtrot references going through it. I'm astounded how good that was. | :08:45. | :08:52. | |
I'm going to cry! Bruno. I think Gene Kelly himself would be proud | :08:53. | :09:02. | |
because you took... What happened here, you took all the right | :09:03. | :09:08. | |
references but then you gave your own personality, you shone through | :09:09. | :09:12. | |
it. You weren't giving a parody of Gene Kelly, it was you all the time, | :09:13. | :09:19. | |
dancing as well. Bringing your own character. Down to the twinkle in | :09:20. | :09:22. | |
your eye, down to every little nuance. Credit to you for such | :09:23. | :09:32. | |
splendid choreography. Critical acclaim from the judges. It's OK, | :09:33. | :09:39. | |
I'm fine. Craig. I thought you were leaning over Jo... Shut up! You | :09:40. | :09:47. | |
could have been on your toes more, especially on the stairs. I thought | :09:48. | :09:52. | |
the routine was absolutely outstanding. A proper, proper | :09:53. | :10:03. | |
showman. Thank you, judges, you dry off upstairs. And your little eyes, | :10:04. | :10:06. | |
too. CHEERING | :10:07. | :10:25. | |
Well done. Well done to you. I mean, Ore, I wanted to zoom down and | :10:26. | :10:29. | |
cuddle you. It's a lot to take you're a sports presenter, you've | :10:30. | :10:32. | |
never danced, and they haven't gushed like for years. Stop bashing. | :10:33. | :10:36. | |
I didn't mean it like that. ! Gushing. It's an emotional week | :10:37. | :10:43. | |
because I know how much Jo loves this song and style love dance. I | :10:44. | :10:49. | |
wanted to make you proud. I think I did. You really did. Ladies and | :10:50. | :10:56. | |
gentlemen, the judges have their score. Craig Revel Horwood. Eight. | :10:57. | :11:04. | |
Darcey Bussell. A classy nine. Len Goodman. Nine! Bruno Tonioli. Nine. | :11:05. | :11:18. | |
That is your highest score by miles. You're crying, Jo's Ryan. I might | :11:19. | :11:23. | |
also... Are you over the moon? It's a big deal. -- Jo's crying. I love | :11:24. | :11:35. | |
Tameka, Tameka's also crying. No, no, no. This is week three, guys, | :11:36. | :11:43. | |
just imagine. If Singing In The Rain had | :11:44. | :11:44. | |
you cheering on your sofa, and you want to see Ore and Joanne | :11:45. | :11:47. | |
again next week, then vote for them. All the details are on your screen | :11:48. | :11:51. | |
now and voting opens at the end It's the transformation of dances, | :11:52. | :12:08. | |
there's nothing similar apart from keeping in time to the music. It's | :12:09. | :12:15. | |
fiery, it's feisty. And it's very, very different from last week. We've | :12:16. | :12:21. | |
been working a lot on technique. We need to be on point with these | :12:22. | :12:25. | |
things. Sorry! I love doing routine that make you huff and puff, I | :12:26. | :12:28. | |
haven't felt like that since the Olympics. The dream hasn't stopped | :12:29. | :12:34. | |
for me yet. More costumes, more dances. With this dance I'm totally | :12:35. | :12:39. | |
outside my comfort zone, this is way beyond what I was expecting. | :12:40. | :12:43. | |
Especially Claudia's Bugsy Malone routine. | :12:44. | :12:46. | |
They're using custard pies made with real cream. | :12:47. | :12:48. | |
I'm hoping they'll have some spare we might be able to reach. | :12:49. | :12:53. | |
Dancing next is Laura Whitmore and her partner Giovanni Pernice. | :12:54. | :13:14. | |
Last week's waltz saw them riding high on the Leaderboard. | :13:15. | :13:16. | |
And Laura was so happy she's been swinging from the rooftops all week. | :13:17. | :13:21. | |
She hasn't come back down yet. Saturday night you were absolutely | :13:22. | :13:34. | |
fantastic. Such sophistication, demure. And yet it had such a | :13:35. | :13:41. | |
sizzling passionate intensity. Excellent. Absolutely gorgeous, that | :13:42. | :13:44. | |
routine. Gorgeous! Every week I'm trying to learn a bit | :13:45. | :13:52. | |
more, to improve on the first week was really nice. This week we are | :13:53. | :13:56. | |
dancing a salsa. The song is from the movie Moulin Rouge. Salsa is | :13:57. | :14:04. | |
very different to last week. Very fast. Lots of lists. And it hurts. I | :14:05. | :14:13. | |
miss the wall. Hours salsa is not just about the I want a spectacular, | :14:14. | :14:18. | |
spectacular beginning. What about flying? In order to fulfil | :14:19. | :14:25. | |
Giovanni's vision, they had to the studio to practice their big | :14:26. | :14:29. | |
entrance. It's high. Can we go higher? Before I even get the dance, | :14:30. | :14:34. | |
I have to get down to their, unhook myself, get down the stairs. I'm not | :14:35. | :14:39. | |
going to lie to you, I'm not feeling the most confident at the moment. | :14:40. | :14:43. | |
I'm going to try and make it look as elegant as possible but in my head | :14:44. | :14:46. | |
all I'm going to think is, please don't fall over. | :14:47. | :14:50. | |
Dancing the salsa from the movie Moulin Rouge, | :14:51. | :14:52. | |
Oh, my goodness! You reached new heights there, my love! That lift at | :14:53. | :16:54. | |
the end, you must have been terrified. The first one, the last | :16:55. | :17:00. | |
one, all of them. Did they turn the Moulin Rouge red-hot? It was a | :17:01. | :17:06. | |
little bit on the raunchy side for me! What are you doing? It is not | :17:07. | :17:18. | |
your turn yet, Bruno? Bruno does like the raunchy. And I am not a big | :17:19. | :17:31. | |
punter for it. Give over. But what I like, first, let me say URA to refit | :17:32. | :17:39. | |
dancer. -- you are a terrific dancer. You have come out and you're | :17:40. | :17:45. | |
going for it and in going for that dance, I know the salsa is a fast | :17:46. | :17:49. | |
dance but it has to have elements of finesse about it and they were | :17:50. | :17:52. | |
lacking occasionally. You are going into the lists and the little | :17:53. | :17:57. | |
moments, but as I said, you are a great dancer, you will be here for | :17:58. | :18:05. | |
ages. Go on, Bruno, your turn! I am telling you, the showgirl has | :18:06. | :18:18. | |
va-va-voom coming out of every pore! You bring the dead back to life! | :18:19. | :18:23. | |
This was the hottest, sexiest, everything that I like. You look | :18:24. | :18:29. | |
stunning, your energy was fantastic. I was gobsmacked! Craig? I thought | :18:30. | :18:38. | |
you through little bit too much of everything into it and lost a little | :18:39. | :18:43. | |
bit of control. It did look entirely natural on you at times. You need to | :18:44. | :18:49. | |
knock out when you do the shoulder lift. I saw your body go down and | :18:50. | :18:55. | |
then you remembered to lock out. But I loved the series of spins. Very | :18:56. | :19:04. | |
impressive. Darcey? You meant business, you certainly did. You | :19:05. | :19:09. | |
came on that floor and you sold it. You were popping isolations in every | :19:10. | :19:16. | |
step. It was really impressive. But otherwise, there were moments of | :19:17. | :19:19. | |
dysfunction. More the preparations to your lifts. They got to look | :19:20. | :19:24. | |
rather ungainly. If you I am both out you will have a finished | :19:25. | :19:29. | |
performance but not bad for week three. Not bad for week three. Well | :19:30. | :19:32. | |
done, my love. Head up to Claudia. Laura, Giovanni! My favourite thing | :19:33. | :19:56. | |
all through it was you saying I miss the waltz! Len said you were a | :19:57. | :20:04. | |
terrific dancer. That means a lot. And it also means a lot to your mum. | :20:05. | :20:09. | |
There she is! The scores are in. Nine! Give it to me! Well done, | :20:10. | :20:29. | |
Giovanni. If you enjoyed seeing an Irish girl | :20:30. | :20:39. | |
do a Cuban dance with an Italian man in a French nightclub, | :20:40. | :20:43. | |
all the details are on your screen now so you can vote for them | :20:44. | :20:46. | |
when voting opens at the end Still to come, Claudia and AJ | :20:47. | :20:49. | |
are playing 13-year-old kids. Dancing next on our Movie Week | :20:50. | :20:52. | |
special is Greg Rutherford Last week Greg was criticized | :20:53. | :20:57. | |
by the judges for doing his tango Tonight he's doing an American | :20:58. | :21:03. | |
Smooth and he's determined to have it tucked in, | :21:04. | :21:07. | |
no ifs and definitely no butts. How did you feel about last week's | :21:08. | :21:24. | |
show? The overriding comment was not about the dancing as such but about | :21:25. | :21:32. | |
my bum. Your bum sticks out. You have got a big bump. In your | :21:33. | :21:36. | |
ballroom, tuck it under. This week we will have to keep it under | :21:37. | :21:43. | |
control. The dance this week is the American Smooth. I love the American | :21:44. | :21:48. | |
Smooth. I love the elegance, the drive, the lifts. This week we have | :21:49. | :21:54. | |
the best theme. It is Robin Herd, everything I do, I do it for you -- | :21:55. | :22:02. | |
robin hood. To get you into the mood, I have brought you this! | :22:03. | :22:16. | |
Brilliant. How do I look? Perfect. Greg is such a natural archer. He is | :22:17. | :22:21. | |
unbelievable. This hat is staying on. It is an incredible hat. I feel | :22:22. | :22:31. | |
like I am Robin Hood. Tens across the board, I will settle for that. I | :22:32. | :22:37. | |
hope I can hit some high scores on Saturday night. | :22:38. | :22:39. | |
Dancing the American Smooth from the movie Robin Hood: | :22:40. | :22:41. | |
Prince of Thieves, Greg Rutherford and Natalie Lowe. | :22:42. | :22:50. | |
Beautiful! Beautiful American Smooth. They are on their feet in | :22:51. | :24:46. | |
the studio. Everyone is all of a quiver. OK, Natalie? Is that a | :24:47. | :24:57. | |
little tear. First dancing, now acting, he is a natural. Bruno, did | :24:58. | :25:03. | |
that do it for you? For get about Prince Of Thieves, you are Prince | :25:04. | :25:08. | |
Charming! The connection between you two tonight was absolutely wonderful | :25:09. | :25:13. | |
to watch. I do it know how you taught him being a girl to lead so | :25:14. | :25:19. | |
well. At no time I felt that you were actually pushing him, he was | :25:20. | :25:24. | |
taking control of the situation, guiding you beautifully. It was just | :25:25. | :25:28. | |
wonderful and your strength, I thought that last lift! But I have | :25:29. | :25:38. | |
to say, I was so pleasantly surprised at how well you do, Greg. | :25:39. | :25:46. | |
Beautiful. Craig? It lacked form at a little bit of swing and sway and | :25:47. | :25:50. | |
that is the only thing that would have given it a little bit more | :25:51. | :25:58. | |
style. But I have to say, you're storytelling throughout that, both | :25:59. | :26:03. | |
of you, was gorgeous. An entrancing partnership. I love this | :26:04. | :26:10. | |
partnership, I really do. Darcey? It was a beautiful smooth quality, | :26:11. | :26:15. | |
every time you came in to hold, it was stunning. Even with all that | :26:16. | :26:22. | |
leather run, I couldn't see your bottom or anything else. There is a | :26:23. | :26:26. | |
lovely story being told all the way through. Even with those impressive | :26:27. | :26:32. | |
lifts which were incredibly impressive, they just didn't have | :26:33. | :26:36. | |
the same quality as the rest of the dance for me. I would have loved | :26:37. | :26:40. | |
them not to have had that power and I think the quality would have been | :26:41. | :26:44. | |
smoother all the way through. Both of you are very strong dancers, very | :26:45. | :26:50. | |
athletic. You were like a rocket nearly. If you could just calm that | :26:51. | :26:55. | |
down then you will have a great finished performance. But you up | :26:56. | :27:02. | |
your game every week, you really do. Len? There was lovely chemistry, I | :27:03. | :27:08. | |
love the air of romance. There was the right amount of stuff in hold | :27:09. | :27:13. | |
and out of hold. I don't know if it is that doublet or liberty bodice | :27:14. | :27:20. | |
but no sign of a bum! It was a ball side, well done! Ball fly! He has | :27:21. | :27:26. | |
hit the target with the judges and the audience -- bulls eye. | :27:27. | :27:43. | |
Your fellow dancers are all so proud of you. Did you enjoy that more than | :27:44. | :27:52. | |
the tango? So much. This week has been incredible. Natalie has been so | :27:53. | :27:56. | |
incredibly patient with me. Tuesday was not going well at all but we | :27:57. | :28:03. | |
turned it around. Very well done. The scores are in. Ladies and | :28:04. | :28:07. | |
gentlemen, the judges have their scores. | :28:08. | :28:22. | |
You look so happy, Natalie, well done! | :28:23. | :28:26. | |
If you enjoyed Greg playing an Archer, the Robin Hood variety, | :28:27. | :28:29. | |
not one from Radio 4, then all the details | :28:30. | :28:31. | |
are on your screen now so you can vote for them when voting opens | :28:32. | :28:34. | |
If you want to vote online, don't forget to sign in or register | :28:35. | :28:39. | |
Next up is Claudia Fragapane and her partner AJ Pritchard. | :28:40. | :28:45. | |
They're doing a charleston to a song from Bugsy Malone, the movie famous | :28:46. | :28:48. | |
I think I'll make myself scarce, this could get messy. | :28:49. | :29:04. | |
Last Saturday was the waltz. It was amazing. I really enjoyed myself out | :29:05. | :29:12. | |
there. Light of my life? You lit up this ballroom! I was a bit | :29:13. | :29:20. | |
disappointed when I got a six from Craig. ... He will of the | :29:21. | :29:28. | |
charleston. He can give us a ten. We have had some good charlestons on | :29:29. | :29:32. | |
Strictly so far but ours will be the best. We have been working really | :29:33. | :29:39. | |
hard in training but now it is time to have some fun. We are recreating | :29:40. | :29:44. | |
a custard pie fight. Those kids in the film are so cheeky and you have | :29:45. | :29:47. | |
to be super cheeky just like them! Hopefully Claudia has had fun | :29:48. | :30:04. | |
throwing these pies in my face and hopefully the audience will enjoy it | :30:05. | :30:10. | |
as much as this. Let's hope AJ does not take my pranks too seriously. | :30:11. | :30:18. | |
AJ! Dancing the charleston from the movie Bugsy Malone, Claudia | :30:19. | :30:26. | |
Fragapane and AJ Pritchard. CHEERING | :30:27. | :32:09. | |
APPLAUSE . | :32:10. | :32:17. | |
For AJ! Did you get a little bit, Darcey? Come here, my darling, can | :32:18. | :32:26. | |
you see? For AJ, all that training, look how she repays you. Oh my | :32:27. | :32:31. | |
goodness, you brought the house down here tonight. It was the nominal. I | :32:32. | :32:37. | |
apologise. Are you all right, judges? You have tissues. He told me | :32:38. | :32:47. | |
to hit it hard. It's his fault. There are more custard pies, Craig, | :32:48. | :32:52. | |
it's your turn. Technically I have to say that was absolutely | :32:53. | :32:59. | |
brilliant. CHEERING That is worth a custard pie in the | :33:00. | :33:05. | |
face. Darcey. Even the speed didn't affect you, it was made for you. | :33:06. | :33:18. | |
Absolutely outstanding. Len. What a marvellous combination, there was | :33:19. | :33:22. | |
clever choreography, slick tricks, and slapstick. I think even the cake | :33:23. | :33:29. | |
was made by Paul Hollywood. As we are at the movies. Well done. No | :33:30. | :33:36. | |
soggy bottoms around here. You went off like a rocket. You're an amazing | :33:37. | :33:42. | |
dancer. What I really love it, I'm seeing you act. You act beautifully. | :33:43. | :33:47. | |
You really are a double threat, my darling. Love it. A blockbuster, | :33:48. | :33:54. | |
outstanding. Thank you, judges. Get yourselves cleaned off, AJ. Well | :33:55. | :33:55. | |
done. You look divine. She went for it. | :33:56. | :34:19. | |
You were so cute, you said committee told me to do it fast. Let's take | :34:20. | :34:24. | |
some of that. You must have been so happy with those comments as well. | :34:25. | :34:28. | |
So happy, can't believe them, I've got such an incredible teacher. He's | :34:29. | :34:33. | |
quite a hard task master, isn't it? Just wipe it on me. I'm washing it. | :34:34. | :34:41. | |
It was fantastic. The scores are in. Craig Revel Horwood. Nine. Darcey | :34:42. | :34:54. | |
Bussell. Nine. Len Goodman. Nine. And Bruno Tonioli. Nine. CHEERING | :34:55. | :35:04. | |
APPLAUSE Well done for me you haven't got | :35:05. | :35:08. | |
higher than a six from Craig, must feel fantastic. Joint top leader on | :35:09. | :35:10. | |
the Leader Board. If you If you loved Claudia and AJ, | :35:11. | :35:13. | |
all the details are on your screen now so you can vote for them | :35:14. | :35:16. | |
when voting opens at look at you! Still to come, I'm only | :35:17. | :35:26. | |
going to say this once, Ed Balls. Samba. Oh, yeah. | :35:27. | :35:28. | |
Our next couple is Tameka Empson and her partner Gorka Marquez. | :35:29. | :35:32. | |
As it's Movie Week all our celebrities are getting | :35:33. | :35:34. | |
And that should be no problem for Tameka. | :35:35. | :35:38. | |
She's already won an award for her acting this week. | :35:39. | :35:47. | |
Last week with the charleston was great, the moment it started I just | :35:48. | :35:55. | |
felt I was in a silent movie. I absolutely love your character, you | :35:56. | :35:56. | |
just set the scene perfectly. I hated waiting for the result. | :35:57. | :36:07. | |
Tameka and Gorka. That was such a relief. The dream still goes on. | :36:08. | :36:14. | |
This week for Movie Week I will be performing the tango. It's fast, | :36:15. | :36:18. | |
it's serious, and I'm going to have to really work at this one. Having | :36:19. | :36:21. | |
been nominated for an inside soap award for her work on EastEnders, | :36:22. | :36:24. | |
Tameka and Gorka hit the red carpet. This week is Movie Week and I've | :36:25. | :36:34. | |
brought Gorka here to the Oscars of the soap world. It's time to present | :36:35. | :36:39. | |
the award for funniest female. Quick stabbing her way to victory it is | :36:40. | :36:45. | |
Tameka Empson from EastEnders. Thank you very much for this award, it | :36:46. | :36:49. | |
means a lot. And of course, keep dancing! When I'm with Tameka it's | :36:50. | :36:55. | |
amazing on the red carpet everyone was like, Tameka, Tameka. Crazy. I'm | :36:56. | :37:00. | |
glad I won this award. Now I'm hoping this will motivate me | :37:01. | :37:05. | |
Saturday night. LAUGHTER Thank you. | :37:06. | :37:09. | |
Dancing the Tango from the movie Beverly Hills Cop, | :37:10. | :37:11. | |
Tameka and Gorka. The heat was definitely an! You look good in | :37:12. | :39:13. | |
uniform. Thank you. What you think Darcey? I have to say, you take the | :39:14. | :39:18. | |
job seriously. The intent, the attack, the drama, the focus your | :39:19. | :39:23. | |
eyes was great. I think you even felt scared, didn't you? | :39:24. | :39:28. | |
Occasionally. There were only moment I would have loved it to be crisper, | :39:29. | :39:33. | |
more clipped, each transition. Each change in the move. If you could get | :39:34. | :39:41. | |
that crisper change and turn. Fix that top line. But really, as a | :39:42. | :39:50. | |
whole, it was a great, great dams. You have plenty of attack and intent | :39:51. | :39:55. | |
and focus. The thing that distracted for me was your past year. You've | :39:56. | :40:00. | |
got to try and just left, lift up that rib cage. Lifted to shift it. | :40:01. | :40:06. | |
Then... That's what you've got to do. Little bit over the top. But | :40:07. | :40:15. | |
well done. No doubt who's in charge there. I've got a job to do, I'm | :40:16. | :40:20. | |
going to do it. Nobody's going to stop me and I'm going to do it well. | :40:21. | :40:24. | |
And that's what you did. I loved your commitment. You're like a | :40:25. | :40:30. | |
laser-guided missile, nothing is going to stop you. I thought you | :40:31. | :40:34. | |
were leading at times actually, she was taking over. I won't mind you | :40:35. | :40:39. | |
looking after my street, nobody's going to mess around with that girl. | :40:40. | :40:44. | |
I want you on my side. Just make sure the past year, you know, | :40:45. | :40:48. | |
correct that, but I thought your performance was brilliant. Craig. | :40:49. | :40:55. | |
Your hand position was changeable, largely due to your left elbow | :40:56. | :41:00. | |
collapsing on occasion. You need to create more of a V shape but you | :41:01. | :41:04. | |
covered the floor aggressively. That's a good point! Actually. I | :41:05. | :41:08. | |
thought that part was wonderful, darling. | :41:09. | :41:14. | |
Hello, hello, hello, hello. It was your favourite, was it? Do it, do | :41:15. | :41:41. | |
it. You had so much fun with the charleston ULI, I don't want to be | :41:42. | :41:45. | |
all serious. I know, it was a very hard week this week. You won an | :41:46. | :41:51. | |
award. I won an award which is good. Thank you, thank you to those who | :41:52. | :41:52. | |
voted. The scores are in. We'll be judges please reveal that | :41:53. | :42:05. | |
score? Craig Revel Horwood. Six. Darcey Bussell. Seven. Len Goodman. | :42:06. | :42:09. | |
Seven. Bruno Tonioli. Eight. If you think it would be criminal | :42:10. | :42:15. | |
for Tameka to leave the competition all the details are on your screen | :42:16. | :42:20. | |
now so you can vote for them when voting opens | :42:21. | :42:23. | |
at the end of the show. Still to come, Louise | :42:24. | :42:26. | |
is doing "fish dance". Next, hoping for rave reviews, Ed | :42:27. | :42:28. | |
Balls and his partner Katya Jones. We saw a different | :42:29. | :42:47. | |
side to Ed last week But after such a flamboyant | :42:48. | :42:49. | |
routine will he be toning Not really ? he's painted his face | :42:50. | :42:53. | |
green, he's wearing a yellow suit Can't wait! Things went brilliantly | :42:54. | :43:09. | |
Saturday. We're a team and we were brilliant. You totally owned floor. | :43:10. | :43:17. | |
# Because I want to be a cowboy #. That a site I don't think I ever | :43:18. | :43:21. | |
want to see again. People are not stupid. You got a standing ovation. | :43:22. | :43:29. | |
The public saved us this time but next week let's also try not be | :43:30. | :43:32. | |
bottom of the Leader Board. That would great, wouldn't it? What are | :43:33. | :43:37. | |
we doing next week? It's from the movie the mask. It is the samba. I | :43:38. | :43:44. | |
don't really know what they samba even is. It's all about a man who | :43:45. | :43:49. | |
finds a mask and when he put it on he becomes this wild character. | :43:50. | :43:56. | |
Can't pull it off. When you wear this, you are not Ed Balls any more, | :43:57. | :44:04. | |
you are the mass. -- you are The Mask. The Mask took over. Somebody | :44:05. | :44:11. | |
stop me! I must say I was a bit traumatised. If Ed can put this much | :44:12. | :44:21. | |
personality into his dance we'll be fine on Saturday night. Strictly! | :44:22. | :44:26. | |
Dancing the samba from the movie The Mask, | :44:27. | :44:28. | |
Oh, hello? Wreath you were smoking at that you sure work, Ed. Oh, my | :44:29. | :47:00. | |
goodness me. Was that smoking, Len? What is great is the anticipation | :47:01. | :47:09. | |
when you are coming out, what is going to happen. I have got to | :47:10. | :47:20. | |
congratulate you. Because you haven't taken the easy option. You | :47:21. | :47:26. | |
could easily, which we have seen before with the less talented | :47:27. | :47:30. | |
dancers, the pro is doing everything but you have given it full routines | :47:31. | :47:36. | |
with lots going on. And it is great to see you out there having a go. | :47:37. | :47:41. | |
Ed, you are not the best dancer but you are definitely the most fun. | :47:42. | :47:46. | |
CHEERING Bruno? I see the Green Party is | :47:47. | :47:55. | |
having a resurgence, and based on that, I will join in. I mean, I am | :47:56. | :48:01. | |
telling you, I was expecting some kind of samba dance. You could not | :48:02. | :48:09. | |
have given more impact to that performance. All the Jim Carey | :48:10. | :48:17. | |
phrases. That was complete lunacy and to give -- totally wonderful. I | :48:18. | :48:26. | |
know it is crazy, but I like it! And we are all crazy. I cannot quite | :48:27. | :48:32. | |
believe what I have just been witnessed to and I am sure the | :48:33. | :48:36. | |
nation is with me on that, darling. I think somebody must have put | :48:37. | :48:42. | |
something in my water. It was driven but the void, sadly, of any samba. I | :48:43. | :48:52. | |
like that you relent wished any sort of technique associated with this | :48:53. | :49:08. | |
dance. I thought my to Fuego was not that bad. And you started with a | :49:09. | :49:18. | |
vault. What do you out of life? There you go! He is taking this very | :49:19. | :49:31. | |
seriously, Ed. Darcey? 100% crazy, fabulous, I couldn't take my eyes | :49:32. | :49:36. | |
off you. But you know what is great, you have definitely embodied the | :49:37. | :49:40. | |
character and I want you to hold on to that for the rest of the | :49:41. | :49:44. | |
competition. Fingers crossed. We love it. He has done it again, off | :49:45. | :49:49. | |
you go to Claudia. Ed and Katya, we were screaming for | :49:50. | :50:07. | |
you up here! Absolutely extraordinary. The best thing was | :50:08. | :50:13. | |
your wife's face. She was going, I love him, this is happening. How are | :50:14. | :50:19. | |
your kids taking this situation? It is definitely embarrassing but I | :50:20. | :50:23. | |
have been saying all week, somebody stop me! I cannot speak! The scores | :50:24. | :50:33. | |
are in. Ladies and gentlemen, the judges have their scores. | :50:34. | :50:43. | |
Smoking! Seven. Bruno Tonioli. Piping! Seven. You see, it is | :50:44. | :51:00. | |
fantastic. I can't stop staring at you. That politician in a suit, | :51:01. | :51:07. | |
where has he gone. He has gone to party! | :51:08. | :51:13. | |
If you want to keep Ed and Katya in the competition, | :51:14. | :51:16. | |
all the details are on your screen now so you can vote | :51:17. | :51:19. | |
for them when voting opens at the end of the show. | :51:20. | :51:22. | |
Last week's Viennese Waltz saw her score 32 | :51:23. | :51:30. | |
What a feeling it must have been to be joint top of the Leaderboard. | :51:31. | :51:34. | |
And coincidentally What A Feeling is what she's dancing to tonight. | :51:35. | :51:45. | |
I was just so thrilled to bits about Saturday. Beautiful, absolutely | :51:46. | :51:54. | |
beautiful. I am so proud of you. You danced really beautifully. I spotted | :51:55. | :52:04. | |
the first fleckerl of the year. You are joint top of the Leader Board, | :52:05. | :52:12. | |
very well done. This week, cha-cha-cha, Movie Week, we are | :52:13. | :52:17. | |
doing Flashdance. I used to do the routine in my living room when I was | :52:18. | :52:24. | |
12 years of age. It was my dream. Some girls like princesses. I liked | :52:25. | :52:29. | |
a girl who was a welder who could really do some moves. We should put | :52:30. | :52:35. | |
you in that situation. In my living room? Guess, I have got some | :52:36. | :52:48. | |
legwarmers to help! Very proud of mum and Kevin's dancing. We think | :52:49. | :52:56. | |
she will do well. That was fun. If I can just forget about the millions | :52:57. | :53:00. | |
of people watching at home then I will be fine on Saturday night! | :53:01. | :53:04. | |
Dancing the Cha Cha Cha from the movie Flashdance, | :53:05. | :53:07. | |
What a show stopper. Come here. It from the movie Flashdance, | :53:08. | :55:09. | |
What a show stopper. Come here. It is safe to say you past that | :55:10. | :55:21. | |
audition. It was wonderful. Bruno? It was so good. It took me back to | :55:22. | :55:27. | |
the 80s. I knew the steps. All the cha-cha-cha you put in was actually | :55:28. | :55:32. | |
very good. You have such a wonderful foot placement. I love the way you | :55:33. | :55:36. | |
caress the floor when you change position. So nice, so precise and it | :55:37. | :55:43. | |
is good for us to see what you have got, my darling! You passed the | :55:44. | :55:52. | |
audition and you were great! Great rhythm, great timing, you just need | :55:53. | :55:56. | |
to watch your hip action which can be extended more. I loved the | :55:57. | :56:08. | |
routine. Well done. Darcey? I think every time you are given a style you | :56:09. | :56:12. | |
make the most of it and I love this because this really suits you. It is | :56:13. | :56:19. | |
a great look, hang onto this one. You looked so much more confident | :56:20. | :56:21. | |
and in control of it. I really enjoyed it. A beautiful smile was in | :56:22. | :56:31. | |
place throughout. Was that a fitting finale for our movie night, Len? | :56:32. | :56:36. | |
People there with the cha-cha-cha you have to be sharp, crisp and | :56:37. | :56:41. | |
clean, but you have also got to show the rhythm. To get all those | :56:42. | :56:46. | |
elements together is a tricky job but I must say you did. But may I | :56:47. | :56:51. | |
also say, I have had a fantastic night with all of our couples. It | :56:52. | :57:00. | |
has been fabulous! Thank you, Len. Thank you so much, judges. Go and | :57:01. | :57:04. | |
get the party started. Thank you, Louise and Kevin! | :57:05. | :57:19. | |
Well done to both of you. Was I right that you said earlier, I have | :57:20. | :57:26. | |
forgotten? I forget all the time and panic and then I get out there and | :57:27. | :57:33. | |
enjoy it. The scores are in. The judges have their scores. | :57:34. | :57:49. | |
Are you happy. When you got that seven, you said, I'm sorry? You were | :57:50. | :57:55. | |
fabulous. If you'd love these two to make it | :57:56. | :57:58. | |
through to next week, all the details are on your screen | :57:59. | :58:01. | |
now so you can vote for them when voting opens | :58:02. | :58:04. | |
in a couple of minutes time. Everyone has made their movie week | :58:05. | :58:07. | |
debut and it's time to look You can change all of that by | :58:08. | :58:29. | |
picking up the phone or going online and voting for your favourite. | :58:30. | :58:33. | |
And I can announce that the vote is now... | :58:34. | :58:35. | |
Calls cost 15p plus any network access charge. | :58:36. | :58:38. | |
Please get the bill payer's permission before you call. | :58:39. | :58:40. | |
Or alternatively you can vote online for free | :58:41. | :58:42. | |
at bbc.co.uk/strictly where you will also | :58:43. | :58:44. | |
Please don't try to vote if you're watching On Demand. | :58:45. | :58:51. | |
To help you decide, here's a reminder of | :58:52. | :58:54. | |
tonight's performances and the all important vote information. | :58:55. | :58:58. |