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CHEERING | 0:00:54 | 0:00:56 | |
APPLAUSE | 0:03:42 | 0:03:47 | |
EVIL LAUGHTER | 0:03:54 | 0:03:56 | |
This is Strictly Come
Dancing ? The Results. | 0:03:57 | 0:04:01 | |
Please welcome your ghosts... | 0:04:01 | 0:04:03 | |
Tess Daly... | 0:04:03 | 0:04:06 | |
And Claudia Winkleman. | 0:04:06 | 0:04:11 | |
Hello and welcome to our
Halloween Results Show and a massive | 0:04:18 | 0:04:20 | |
thank you and to our professional
dancers for that | 0:04:20 | 0:04:22 | |
hair-rasing routine. | 0:04:22 | 0:04:24 | |
What a nightmare. | 0:04:24 | 0:04:25 | |
I keep telling Brendan not to snack | 0:04:25 | 0:04:26 | |
on cheese before bed. | 0:04:26 | 0:04:27 | |
Does he listen? | 0:04:27 | 0:04:29 | |
LAUGHTER
On Saturday night, our judges were | 0:04:29 | 0:04:36 | |
judging the spirited Paso Doble and
the charleston. | 0:04:36 | 0:04:42 | |
Tonight of course we will find out
which of our couples are safely | 0:04:42 | 0:04:45 | |
through to next week. | 0:04:45 | 0:04:46 | |
And one couple's Strictly journey
will come to a close. | 0:04:46 | 0:04:48 | |
Your votes have been combined
with the Judges' scores, | 0:04:48 | 0:04:50 | |
and the two couples with the lowest
overall points will face each other | 0:04:50 | 0:04:53 | |
in the dreaded Dance-Off. | 0:04:53 | 0:04:55 | |
The decision of who stays
and who goes is down | 0:04:55 | 0:04:57 | |
to these creatures. | 0:04:57 | 0:04:58 | |
Please welcome the Judges! | 0:04:58 | 0:05:00 | |
Shirley Ballas and Bruno Tonioli. | 0:05:02 | 0:05:05 | |
And Craig Revel Horwood
and Darcey Bussell. | 0:05:06 | 0:05:10 | |
Thank you, judges. | 0:05:17 | 0:05:18 | |
Supernatural. | 0:05:18 | 0:05:26 | |
Also on the show tonight,
performing "Scared of the Dark", | 0:05:26 | 0:05:28 | |
Steps will be here. | 0:05:28 | 0:05:31 | |
APPLAUSE | 0:05:31 | 0:05:33 | |
Plus, our Judges will be dissecting
a selection of Saturday night's | 0:05:33 | 0:05:36 | |
dances frame by frame. | 0:05:36 | 0:05:40 | |
Shortly, we'll reveal the first
couple in the Dance-off. | 0:05:40 | 0:05:44 | |
But first, let's take a look back
at our Halloween extravaganza. | 0:05:44 | 0:05:47 | |
This is the week we've been dreaming
to be part of. It's Halloween and I | 0:05:55 | 0:06:00 | |
can't contain my excitement! Happy
Halloween! Strictly goes in on | 0:06:00 | 0:06:09 | |
Halloween, it's not a joke! Cobwebs
everywhere, masks. The costumes and | 0:06:09 | 0:06:16 | |
make-up are amazing but Halloween
week is like amazing with bells on, | 0:06:16 | 0:06:21 | |
there are people with spiders coming
out of their mouths! I ate a spider | 0:06:21 | 0:06:25 | |
because I was quite hungry. Big
horns, red hair, a standard Saturday | 0:06:25 | 0:06:31 | |
outfit! Just going to be a pirate,
very dirty. You see people that you | 0:06:31 | 0:06:38 | |
think you don't recognise and then
you realise it's Aston! De Villiers! | 0:06:38 | 0:06:44 | |
-- there he is. I'm sitting here
waiting for my wig. Debbie has gone | 0:06:44 | 0:06:54 | |
brunette and I have gone blonde.
Giovanni is going to be up to some | 0:06:54 | 0:06:59 | |
sort of trick. Oh! | 0:06:59 | 0:07:05 | |
We live in a five for the
spooktacular. I am ready for | 0:07:06 | 0:07:17 | |
Halloween. It may be a horror story
but I love the Halloween special. | 0:07:17 | 0:07:24 | |
You came out with all guns blazing.
I loved everything about what you | 0:07:28 | 0:07:33 | |
did. Perfect Halloween treat. You
were living every moment. Oh, I can | 0:07:33 | 0:07:45 | |
have your tango for breakfast, lunch
and dinner. Terrifyingly good. It | 0:07:45 | 0:07:50 | |
was amazing. Well done. Thank you.
Give me some more Tango! There were | 0:07:50 | 0:07:58 | |
moments when you looked
uncomfortable. I really love the | 0:07:58 | 0:08:03 | |
energy and drive you provided. I was
pleased with you today. Don't mess | 0:08:03 | 0:08:09 | |
with Gemma because she's the jazz
player! Done! It was an American | 0:08:09 | 0:08:21 | |
horror story! I thought it was the
dullest of the living dead and rigor | 0:08:21 | 0:08:28 | |
mortis actually set in. Enjoying the
character, pretty scary. We had a | 0:08:28 | 0:08:33 | |
blast. I loved it. It lacked
everything that foxtrot is about. | 0:08:33 | 0:08:39 | |
The Halloween Game of Thrones dragon
breathing, not really what we were | 0:08:39 | 0:08:44 | |
going for! Then you have succeeded.
You definitely worked hard, I could | 0:08:44 | 0:08:52 | |
see the concentration, the amount of
dance. I don't think that this is | 0:08:52 | 0:08:59 | |
your strength. Made it to the end.
Happy we did it, it was a hard life. | 0:08:59 | 0:09:04 | |
You made some mistakes but didn't
show it. You're improving and I | 0:09:04 | 0:09:09 | |
think it's going in the right
direction. She just did so well and | 0:09:09 | 0:09:13 | |
I think it was her best dance. It
was her best, it was really good. | 0:09:13 | 0:09:23 | |
You looked extremely comfortable and
confident doing this dance. Your | 0:09:23 | 0:09:27 | |
strength of character is definitely
coming through. It wasn't enough | 0:09:27 | 0:09:31 | |
basic steps. The basic steps you did
do, you didn't do very well. I think | 0:09:31 | 0:09:38 | |
the overall performance was very
nice. As Davood's on Mum, I felt so | 0:09:38 | 0:09:46 | |
nervous for him. I was willing for
him to do well. -- on-screen mum. | 0:09:46 | 0:09:53 | |
That was the dead being brought back
to life! Amazing. You owned this | 0:09:53 | 0:09:58 | |
dance. Wow! Clean, precise,
absolutely incredible. That was | 0:09:58 | 0:10:08 | |
brilliant. Absolutely brilliant. I'm
going to give you my Queen of Latin | 0:10:08 | 0:10:15 | |
crown because you deserve it. | 0:10:15 | 0:10:18 | |
It was a spellbinding night of
dance. | 0:10:37 | 0:10:41 | |
11 stars are quaking
in their dancing shoes, | 0:10:41 | 0:10:43 | |
waiting to find out if they'll make
it through to next week. | 0:10:43 | 0:10:46 | |
Here's a reminder of how Saturday
night left our couples | 0:10:46 | 0:10:47 | |
Debbie and Giovanni with a
near-perfect score. | 0:10:55 | 0:10:58 | |
But how have your votes
changed all of that? | 0:10:59 | 0:11:02 | |
It's time to find out
who will be the first to face | 0:11:02 | 0:11:11 | |
the Dance-off. | 0:11:11 | 0:11:12 | |
The results are in. | 0:11:12 | 0:11:13 | |
In no particular order. | 0:11:13 | 0:11:17 | |
The first couple safely through to
next week is... | 0:11:17 | 0:11:23 | |
Davood and Nadiya. | 0:11:28 | 0:11:31 | |
APPLAUSE | 0:11:35 | 0:11:37 | |
Safe in the competition for another
week... | 0:11:41 | 0:11:47 | |
Debbie and Giovanni. | 0:11:53 | 0:11:56 | |
APPLAUSE
Thank you, thank you. | 0:11:56 | 0:12:01 | |
Dancing again will be... | 0:12:05 | 0:12:12 | |
Joe and Katya. | 0:12:16 | 0:12:20 | |
APPLAUSE | 0:12:21 | 0:12:25 | |
also back are... | 0:12:28 | 0:12:31 | |
Alexandra and Gorka. | 0:12:39 | 0:12:44 | |
And now, the first couple who must
compete for survival in the | 0:12:51 | 0:12:56 | |
Dance-Off is... | 0:12:56 | 0:12:59 | |
Mollie and AJ. The rest of you have
direct a bit longer to find out if | 0:13:06 | 0:13:13 | |
you are safe. Mollie and AJ, please
come over and join me. | 0:13:13 | 0:13:19 | |
Sorry. A lot of shock in the
audience, how are you feeling? We're | 0:13:25 | 0:13:31 | |
gutted, we've got to give it our
best shot and give everything. Yeah. | 0:13:31 | 0:13:36 | |
Shall we get some advice from the
judges? Please. I'm surprised you | 0:13:36 | 0:13:42 | |
are in the bottom two, you did
extremely well on Saturday evening, | 0:13:42 | 0:13:46 | |
you've just got to get your weight
more forward, go for it and know | 0:13:46 | 0:13:50 | |
that you're going to do well. Thank
you. Good advice. They all behind | 0:13:50 | 0:13:57 | |
you. Thank you. | 0:13:57 | 0:14:00 | |
I have four very happy and relieved
couples here. Debbie, those lifts | 0:14:03 | 0:14:10 | |
made social media go absolutely
bonkers. Something like 20,000 | 0:14:10 | 0:14:14 | |
tweets in the first minute. Did you
think they would get that kind of | 0:14:14 | 0:14:20 | |
response, in rehearsal? I had no
idea it would have that reaction. | 0:14:20 | 0:14:23 | |
Very well done. Giovanni, it is
Debbie's birthday on Tuesday, have | 0:14:23 | 0:14:29 | |
you got something extraordinary for
her? I do but it will be a surprise. | 0:14:29 | 0:14:33 | |
She's a special person, I will try
to make the birthday special. Awww! | 0:14:33 | 0:14:43 | |
Alexander, next week you are dancing
the dance that has been the most | 0:14:43 | 0:14:47 | |
unpopular this series, the cha-cha.
Jonnie didn't like it and even Aston | 0:14:47 | 0:14:52 | |
said it was tricky. How are you
going to do it? All I know is that I | 0:14:52 | 0:14:59 | |
depend on Gorka so much to get me
through everything. It's all in my | 0:14:59 | 0:15:03 | |
pro's hands and I can only hope I do
well with it. It's tricky, we all | 0:15:03 | 0:15:09 | |
know everything we do is tricky and
you can only try your best. Very | 0:15:09 | 0:15:12 | |
sweet, thank you. Davood, your first
lifts next week with the American | 0:15:12 | 0:15:19 | |
Smooth, you looked quite strong,
like you could actually hurt | 0:15:19 | 0:15:23 | |
someone! | 0:15:23 | 0:15:29 | |
And the will be lovely to be a to-do
lists that are not illegal. And, | 0:15:29 | 0:15:37 | |
yes, you will get dropped on your
head a couple of times. He is | 0:15:37 | 0:15:41 | |
joking. You did a beautiful dancer,
serious storytelling. Are you | 0:15:41 | 0:15:49 | |
excited about as seeing a different
side of you? Yes, I have got a lot | 0:15:49 | 0:15:54 | |
to be happy for and I will channel
that. Well done to all of you. | 0:15:54 | 0:15:59 | |
Well done to all of you. | 0:15:59 | 0:16:01 | |
Now, performing "Scared
of the Dark", it's | 0:16:01 | 0:16:03 | |
the fantastic Steps. | 0:16:03 | 0:16:13 | |
# What you can't see
can't hurt you they say | 0:16:19 | 0:16:22 | |
# But I've been blind
too many times before | 0:16:22 | 0:16:26 | |
# Never see it coming your way | 0:16:26 | 0:16:30 | |
# Shadows and secrets hide | 0:16:30 | 0:16:34 | |
# Give me the bright
lights of the dance floor | 0:16:34 | 0:16:38 | |
# To shine inside this
broken heart of mine | 0:16:38 | 0:16:42 | |
# The way you move I'm forgetting
all the ghosts in my mind | 0:16:42 | 0:16:47 | |
# Just say your mine
and stay by my side | 0:16:47 | 0:16:53 | |
# Don't say you're leaving
Don't turn out the lights | 0:16:53 | 0:17:00 | |
# I scream, I scream,
I scream | 0:17:00 | 0:17:05 | |
# Don't let the the darkness
come and hold me | 0:17:05 | 0:17:08 | |
# I need someone 'cause
I can't be lonely tonight | 0:17:08 | 0:17:12 | |
# Come on, baby, come
and take me in your arms | 0:17:12 | 0:17:18 | |
# I'll never be scared of the dark | 0:17:18 | 0:17:21 | |
# And when the shadows
creep up on me | 0:17:21 | 0:17:24 | |
# If I shiver, keep
your body close to mine | 0:17:24 | 0:17:29 | |
# Come on baby, come
and take me in your arms | 0:17:29 | 0:17:33 | |
# I'll never be scared of the dark. | 0:17:33 | 0:17:43 | |
# I'm the kind who's falling | 0:17:47 | 0:17:54 | |
# I want to be yours and stay by my
side. | 0:17:54 | 0:18:02 | |
# Don't say you are leaving.
# Don't turn out the lights. | 0:18:02 | 0:18:11 | |
# Don't let the the darkness
come and hold me | 0:18:11 | 0:18:13 | |
# I need someone 'cause
I can't be lonely tonight | 0:18:13 | 0:18:16 | |
# Come on, baby, come
and take me in your arms | 0:18:16 | 0:18:20 | |
# I'll never be scared of the dark | 0:18:20 | 0:18:30 | |
# In your arms, in your arms, in
your arms,. | 0:18:32 | 0:18:39 | |
# In your arms, in your arms, I'll
never be scared of the dark. | 0:18:39 | 0:18:47 | |
# I need someone 'cause
I can't be lonely tonight | 0:18:47 | 0:18:49 | |
# Come on, baby, come
and take me in your arms | 0:18:49 | 0:18:52 | |
# I'll never be scared of the dark | 0:18:52 | 0:18:56 | |
# And when the shadows
creep up on me | 0:18:56 | 0:18:59 | |
# If I shiver, keep
your body close to mine | 0:18:59 | 0:19:03 | |
# Come on baby, come
and take me in your arms | 0:19:03 | 0:19:07 | |
# I'll never be scared of the dark. | 0:19:07 | 0:19:16 | |
APPLAUSE
CHEERING | 0:19:16 | 0:19:26 | |
APPLAUSE CHEERING | 0:19:26 | 0:19:27 | |
Thank you to Steps. | 0:19:27 | 0:19:29 | |
It's time now for a dance debrief
please welcome the judges. | 0:19:29 | 0:19:35 | |
Thank you so much for coming up
here. | 0:19:43 | 0:19:45 | |
Thank you so much
for coming up here. | 0:19:45 | 0:19:47 | |
Judges, it's time for you to expand
on some of the frights | 0:19:47 | 0:19:50 | |
and delights that you witnessed
on Saturday night. | 0:19:50 | 0:19:52 | |
Shirley, let's start with you. | 0:19:52 | 0:19:53 | |
You want to talk about Alexandra and
Gorka and her core. She was slightly | 0:19:53 | 0:19:59 | |
off-balance, but because she had an
amazing central line, she was able | 0:19:59 | 0:20:03 | |
to save it and come out quite
gracefully. Would you stand up for a | 0:20:03 | 0:20:09 | |
moment because you slouch a little
bit. That is a brave thing to say. | 0:20:09 | 0:20:17 | |
The central part of the body is here
and it is like a fuse box and if one | 0:20:17 | 0:20:23 | |
part goes out, you can slouch. You
have to pull in your fuse box, flat | 0:20:23 | 0:20:29 | |
in your chest and feel like you are
being pulled up by your ears and now | 0:20:29 | 0:20:34 | |
you should be able to sit down nice
and straight. There we go. Thank you | 0:20:34 | 0:20:40 | |
so much. You are saying that is one
of the most important things in | 0:20:40 | 0:20:45 | |
dance. It is the most important
because without your central | 0:20:45 | 0:20:52 | |
connecting, everything else goes
limp. Even when you stand up, you | 0:20:52 | 0:20:56 | |
should stand up gracefully. Like
that? No, not like that. I have | 0:20:56 | 0:21:04 | |
noticed you do that. Good luck with
the rest of the series! Darcey, you | 0:21:04 | 0:21:11 | |
want to talk about Debbie and
Giovanni. They were getting the same | 0:21:11 | 0:21:18 | |
sort of scores and then this
happened. She did not hold back | 0:21:18 | 0:21:23 | |
atoll, but it was clean and precise.
Her character was wild and that is | 0:21:23 | 0:21:29 | |
exactly what you need in the
Charleston and it was daring. It was | 0:21:29 | 0:21:34 | |
just extraordinary. It was so fast
as well, but right on the money. You | 0:21:34 | 0:21:39 | |
are saying at this point you
appreciate risk-taking? Yes, do not | 0:21:39 | 0:21:45 | |
be safe, no, never. Craig, by the
way officially the best jacket I | 0:21:45 | 0:21:53 | |
have ever seen. A pleasure, darling.
You love it when they tell a story | 0:21:53 | 0:22:01 | |
and you were blown away by Joel and
catchier. I loved it, it was almost | 0:22:01 | 0:22:07 | |
like a contemporary beginning and
what I loved is he put all of the | 0:22:07 | 0:22:11 | |
story into that first 15 seconds of
entry. Sometimes people mess around | 0:22:11 | 0:22:17 | |
with tables and things like that and
this was a beautiful story and it | 0:22:17 | 0:22:21 | |
set the dance up and brought it to
life. You can see him here | 0:22:21 | 0:22:27 | |
dramatically putting himself into it
and there was a twist and roll which | 0:22:27 | 0:22:31 | |
was fantastic, but he had to do that
himself. It looked like someone else | 0:22:31 | 0:22:37 | |
was directing it, but he had to put
the impetus into it, I loved it. | 0:22:37 | 0:22:41 | |
Thank you so much, Craig. Bruno, let
me talk to you please about Aston | 0:22:41 | 0:22:48 | |
and his pimento moves. I love it.
You do not often see it. No, you do | 0:22:48 | 0:22:56 | |
not, but it is part of the required
language. He reminded me of a great | 0:22:56 | 0:23:02 | |
dancer called Quai Keim Cortes and
he rejuvenated flamenco. That was a | 0:23:02 | 0:23:11 | |
fantastic job and the shape was
amazing. The arch in his back, it | 0:23:11 | 0:23:17 | |
was pure artistry. Judges, thank you
so much. Let's hear it for the | 0:23:17 | 0:23:22 | |
judges. | 0:23:22 | 0:23:23 | |
Let's hear it for the judges. | 0:23:23 | 0:23:25 | |
So far, four couples are safely
through to next week. | 0:23:25 | 0:23:27 | |
But who will be joining them? | 0:23:27 | 0:23:28 | |
Tess. | 0:23:28 | 0:23:35 | |
All of our couples would love to
remain in the competition, but one | 0:23:35 | 0:23:39 | |
of them will join Mollie and AJ in
the dance off. It's time to find out | 0:23:39 | 0:23:45 | |
who. In no particular order, going
through to next week are... | 0:23:45 | 0:23:58 | |
Aston and Janette. Thank you. Yes!
Surviving until next Saturday are... | 0:24:05 | 0:24:24 | |
Susan and Kevin. Hurray! Thank you
very much. Returning to the ballroom | 0:24:25 | 0:24:39 | |
next week are... | 0:24:39 | 0:24:50 | |
Gemma and Aljaz. Yes! Thank you.
Thank you. Also save an... | 0:24:50 | 0:25:05 | |
Ruth and Anton. Yes! | 0:25:11 | 0:25:19 | |
So that means Simon and Karen and
Jonnie and Oti, one of you is safe | 0:25:24 | 0:25:30 | |
and one of you is in the dance off.
The couple in the bottom two tonight | 0:25:30 | 0:25:35 | |
who will compete in the dance off
is... Simon and Karen. So, Jonnie | 0:25:35 | 0:25:49 | |
and Oti, congratulations, you are
through to next Saturday. Simon and | 0:25:49 | 0:25:54 | |
Karen, I am sorry, come and join me,
please. Dear me. Here we go again. | 0:25:54 | 0:26:05 | |
Third time in the dance off. What is
going through your head? I think it | 0:26:05 | 0:26:11 | |
is called the Simon Rimmer dance off
now. The third time. We probably | 0:26:11 | 0:26:17 | |
deserved to be here, but we will
give it a really good go and give it | 0:26:17 | 0:26:21 | |
our best shot. Good luck. Craig, you
were quite critical, fair to say, on | 0:26:21 | 0:26:27 | |
Saturday night. Can you give him
something positive to work on? Yes, | 0:26:27 | 0:26:33 | |
I can. Concentrate on your posture,
that is something you can do in the | 0:26:33 | 0:26:39 | |
dance off, and do not display your
hands because that is the thing that | 0:26:39 | 0:26:43 | |
annoys me the most, darling. Even if
you do not do anything else. I shall | 0:26:43 | 0:26:48 | |
glue them together right now. You
have got to pull out all the stops, | 0:26:48 | 0:26:53 | |
so get out there and do it, darling.
Thank you. Get out there and do it. | 0:26:53 | 0:27:02 | |
We wish you all the luck in the
world. We will see you later. | 0:27:02 | 0:27:06 | |
Claudia, it is over to you. Five
more couples are safely through. | 0:27:06 | 0:27:18 | |
Your first pen, how does that feel?
Amazing, but that is not a nice | 0:27:18 | 0:27:23 | |
place to be. On the upside is it
true that you give celebrities hand | 0:27:23 | 0:27:29 | |
massages before the show? Yes, in
the make up, I am there on hand. | 0:27:29 | 0:27:38 | |
Gemma, we are addicted to your
reactions to getting through because | 0:27:38 | 0:27:42 | |
everyone is happy, but you have
taken over. You love it. I | 0:27:42 | 0:27:49 | |
absolutely loved it. I am genuinely
so happy to be here every week, so | 0:27:49 | 0:27:54 | |
when you are waiting to find that if
it is your last week, it is | 0:27:54 | 0:27:58 | |
horrible. It is such a relief. I
can't contain it. It is a lovely | 0:27:58 | 0:28:04 | |
feeling, said thank you for voting.
Thank you so much. Ruth, you are | 0:28:04 | 0:28:10 | |
through. Shall we have a celebratory
nose wiggle. Was it lovely to hear | 0:28:10 | 0:28:16 | |
Shirley say you are in proving every
week? Absolutely, that is what you | 0:28:16 | 0:28:21 | |
want to do and every Monday you go
back to Monday and you never get to | 0:28:21 | 0:28:26 | |
do this dance again, so sometimes
you do not feel like you are | 0:28:26 | 0:28:29 | |
improving, so when they say you are
improving, it is fantastic. Jonnie, | 0:28:29 | 0:28:35 | |
your face. Did you think you would
be in the dance off? I think I let | 0:28:35 | 0:28:42 | |
myself down in that dance. Nope! It
is true, it was not my best | 0:28:42 | 0:28:50 | |
performance, so we were relying on
the audience this week, so a massive | 0:28:50 | 0:28:54 | |
thank you to everyone who kept me
in. Susan, the judges were quite | 0:28:54 | 0:29:02 | |
critical. Yes, it was not the best
situation, but you know... But the | 0:29:02 | 0:29:13 | |
real-life mother of Dragons sent you
this message. Susan, my sources tell | 0:29:13 | 0:29:19 | |
me that you are playing the mother
of dragons this week on Strictly | 0:29:19 | 0:29:23 | |
Come Dancing. As the mother of
dragons myself, I wanted to wish you | 0:29:23 | 0:29:31 | |
luck because you are my favourite.
APPLAUSE | 0:29:31 | 0:29:38 | |
That is so good.
I am learning to dance from scratch, | 0:29:38 | 0:29:45 | |
I am loving dancing with Kevin
Clifton, he is so handsome. The | 0:29:45 | 0:29:52 | |
mother of dragons likes us and
people have voted for us and we | 0:29:52 | 0:29:55 | |
cannot thank people enough because
this is just joyous and we want to | 0:29:55 | 0:29:59 | |
keep on doing it. Thank you to the
mother of dragons and thank you to | 0:29:59 | 0:30:04 | |
the judges for their contribution to
my Halloween joy! Well done to all | 0:30:04 | 0:30:10 | |
of | 0:30:10 | 0:30:10 | |
Well done to all of you. | 0:30:10 | 0:30:12 | |
If two nights of Strictly just isn't
enough, you can join the brilliant | 0:30:12 | 0:30:15 | |
Zoe every weeknight at 6.30pm
on It Takes Two. | 0:30:15 | 0:30:20 | |
The Halloween weekend may nearly be
over but on It Takes Two we still | 0:30:20 | 0:30:24 | |
have plenty of tricks up our
sleeves. Expect gruesome good | 0:30:24 | 0:30:30 | |
guests. So excited! This is
something else. And spine chilling | 0:30:30 | 0:30:36 | |
surprises. This had better be good.
Join me on Monday at 6:30pm on BBC | 0:30:36 | 0:30:45 | |
Two. | 0:30:45 | 0:30:49 | |
Thanks, Zoe. | 0:30:49 | 0:30:50 | |
We're here with our dance off
couples, their next performance | 0:30:50 | 0:30:52 | |
will be their final chance to try
and win over the judges. | 0:30:52 | 0:30:56 | |
Simon and Karen, you've been here
before. How are you going to... Are | 0:30:56 | 0:31:02 | |
you going to throw yourself in,
listen to the judges' comments? We | 0:31:02 | 0:31:07 | |
can only really do it one way, we
really like the routine. I've taken | 0:31:07 | 0:31:11 | |
in what the judges have said. Just
go for it, you know, it could be our | 0:31:11 | 0:31:17 | |
last dance. We're just going to go
for it. Please get into position. | 0:31:17 | 0:31:22 | |
Let's hear it for Simon and Karen. | 0:31:22 | 0:31:25 | |
APPLAUSE | 0:31:25 | 0:31:30 | |
Mollie, what are you going to do
differently for the Dance-Off? I | 0:31:33 | 0:31:38 | |
think we need to give everything
we've got. It is such a fun routine. | 0:31:38 | 0:31:43 | |
Just give everything we got inside
of us. Don't hold back. Exactly, no | 0:31:43 | 0:31:48 | |
holding back. Best of luck. It's
always hard to say goodbye to any | 0:31:48 | 0:31:53 | |
couple but somebody must go. Dancing
to stay in Strictly. Give a big hand | 0:31:53 | 0:31:59 | |
to Simon and Karen. | 0:31:59 | 0:32:01 | |
MUSIC: "Delilah" by Tom Jones. | 0:32:16 | 0:32:18 | |
APPLAUSE
. | 0:33:52 | 0:33:54 | |
Well done. And now, fighting for
their place in the competition, it's | 0:33:56 | 0:34:03 | |
Mollie and AJ. | 0:34:03 | 0:34:05 | |
MUSIC: "Better The Devil
You Know" by Kylie Minogue. | 0:34:08 | 0:34:12 | |
APPLAUSE | 0:35:44 | 0:35:47 | |
Well done to both couples. | 0:35:54 | 0:35:58 | |
There's nothing more you can do. | 0:35:58 | 0:36:01 | |
Judges, it's time to decide. | 0:36:01 | 0:36:06 | |
Based on that Dance-off alone, | 0:36:06 | 0:36:07 | |
I'm about to ask each
of you the name of the couple | 0:36:07 | 0:36:10 | |
you think deserves to stay and why. | 0:36:10 | 0:36:12 | |
The couple with the most votes
will remain in the competition, | 0:36:12 | 0:36:15 | |
meaning the other couple is out
of Strictly Come Dancing. | 0:36:15 | 0:36:17 | |
In the event of a split
decision head judge Shirley, | 0:36:17 | 0:36:20 | |
you will have the casting vote. | 0:36:20 | 0:36:24 | |
Simon and Karen and Mollie and AJ,
this is it. Craig, who are you going | 0:36:24 | 0:36:30 | |
to save and why? I love the routine,
it was more technically demanding | 0:36:30 | 0:36:34 | |
and simply but, danced better and
that is Mollie and AJ. | 0:36:34 | 0:36:42 | |
Congratulations, Mollie and AJ.
That's one vote for you. Darcey, who | 0:36:42 | 0:36:46 | |
should stay and why? The couple I'd
like to save, just because they had | 0:36:46 | 0:36:53 | |
a more competent performance, Mollie
and AJ. Two votes for Mollie and AJ. | 0:36:53 | 0:37:01 | |
If Bruno votes to save you, then you
are indeed through to next Saturday. | 0:37:01 | 0:37:05 | |
Who do you want to stay, and why?
I'm going to pick a couple who I | 0:37:05 | 0:37:10 | |
really think did the better
performance in terms of content and | 0:37:10 | 0:37:14 | |
performance value and for that
reason I would say Mollie and AJ. | 0:37:14 | 0:37:20 | |
That means we're going to have to
say goodbye to Simon and Karen. | 0:37:20 | 0:37:27 | |
Mollie and AJ, congratulations. We
will see you next Saturday. And | 0:37:27 | 0:37:33 | |
Charley, it won't make any
difference to the result, but did | 0:37:33 | 0:37:36 | |
you agree with your fellow judges?
-- Shirley. I did agree. Simon and | 0:37:36 | 0:37:45 | |
Karen, please come over. Sorry, so
sorry! We're sorry to see you go. | 0:37:45 | 0:37:52 | |
Have you enjoyed yourself? Do you
know, it has been the most amazing | 0:37:52 | 0:38:00 | |
experience ever, from the minute I
walked in through the door, the | 0:38:00 | 0:38:04 | |
Strictly experience is so positive,
every person is so positive. But | 0:38:04 | 0:38:08 | |
locked up there, the rest of the
class of 2017, magnificent people -- | 0:38:08 | 0:38:13 | |
but that lot up there. Dancing
you'll never walk alone, it touched | 0:38:13 | 0:38:20 | |
people, I'll never forget that. The
charleston was brilliant. Every | 0:38:20 | 0:38:24 | |
person who has said thank you,
messages, it's been brilliant but | 0:38:24 | 0:38:28 | |
the biggest thank you obviously is
to Karen who has been amazing, who | 0:38:28 | 0:38:36 | |
has convinced this lumbering
54-year-old bloke that I could stand | 0:38:36 | 0:38:40 | |
up on a Saturday night and dance in
front of millions of people. She | 0:38:40 | 0:38:43 | |
become a proper friend not only to
me but to my family, and I can't | 0:38:43 | 0:38:51 | |
thank her enough. Absolute he's done
well. He's a beginner but you know | 0:38:51 | 0:38:58 | |
what, you've been such a great
performer and I've loved every | 0:38:58 | 0:39:01 | |
second, really. It's been a
privilege. Thank you for all the | 0:39:01 | 0:39:05 | |
food! LAUGHTER
We've thoroughly enjoyed watching | 0:39:05 | 0:39:13 | |
the pair of you. A brilliant
partnership, thank you so much for | 0:39:13 | 0:39:16 | |
taking part. Off you go for your
last dance. | 0:39:16 | 0:39:21 | |
Commiserations to Simon and Karen.
The rest of the class will join Zoe | 0:39:23 | 0:39:33 | |
on Strictly It Takes Two. | 0:39:33 | 0:39:36 | |
For more exclusive content
and all the news on our couples | 0:39:36 | 0:39:38 | |
go to bbc.co.uk/strictly. | 0:39:38 | 0:39:39 | |
We'll be back next Saturday at 6.50
for more performances | 0:39:39 | 0:39:42 | |
from our professional dancers
and our Strictly stars. | 0:39:42 | 0:39:43 | |
And, please make sure you stay right
here on BBC1 for the launch | 0:39:43 | 0:39:47 | |
of Blue Planet 2 which is up next. | 0:39:47 | 0:39:50 | |
But now, with their final dance,
Simon and Karen! | 0:39:50 | 0:39:53 | |
I'm very sad to see Simon go. I
think he's an impeccable person. | 0:41:09 | 0:41:14 | |
Simon has been a special part of the
team. He was really great, a lovely | 0:41:14 | 0:41:19 | |
man. We're so grateful to be
through, aren't we, and so happy. We | 0:41:19 | 0:41:25 | |
got tens. Lucky number seven! Yes,
it is. Delighted to be through for | 0:41:25 | 0:41:32 | |
another week. So happy. We get to do
it again. I hope next week I can do | 0:41:32 | 0:41:39 | |
a better dance and the longer it
goes on, the better. So looking | 0:41:39 | 0:41:42 | |
forward to the American Smooth, we
can do some lifts. It's going to be | 0:41:42 | 0:41:48 | |
the Paso Doble. It's exactly that!
We | 0:41:48 | 0:41:53 |